#Jane et Maura

[lesparaversdemillina]

Rizzoli & Isles Saison 3 de Janet Tamaro

Découvrez les frictions entre Jane et Maura dans la saison 3 de #RizzoliAndIsles. Entre tensions familiales, enquêtes captivantes et moments comiques, cette saison offre un beau mélange d'émotions. Accrochez-vous à votre siège pour une aventure palpitante

[ahb-writes]

Medieval Nicknames, Pet Names & Diminutives — Female

Agatha: Agace, Agate, Agett

Agnes: Annis, Anice, Anes

Ailith: Ailed(a), Alet, Aleda, Alith, Adelid, Ailet, Aliet

Alice/Alison: Alys, Alise, Alicia, Alisen, Alysone, Alisounne, Helisent, Elison (Scots), Elisind, Helysoune, Adeline, Adelina, Adeleide, Adeliz, Alesia, Aelizia, Alot(a), Elisota

Amabel: Amable, Mabel, Mabilia, Mabilla, Amabilia, Amia, Amabilis, Anilla, Amabilla, Anabella, Amalota, Ameline, Amisia, Mab(b), Mopp(e), Moppet, Mabot(a), Amiel, Amand, Amanda [from 1212] Amy/Amice/Amata

Ann(e) : Annot, Annett, Anney, An(n)ora

Avelina: Averilet(a), Avel, Avenels

Avis: Avice, Avina, Avicia, Avizia, Aveza, Havoise

Barbara: Barbarel(la), Barbet(a), Babb(el), Barbel, Babbet, Babot(a), Babeth, Barbary, Barbette, Barb(y)

Beatrice: Beatta, Bete, Beton, Bett(e), Bettris(s), Betryse, Betune, Beitiris (Scots), Beatrix

Bridget: Bride, Bedelia, Beret, Berget

Catherine: Katharine, Catelin(e), Kate, Kitty, Katte, Katin, Catin, Kytte, Catlin, Cat(te), Katerel, Catun, Catell, Catelet

Cecily: Cecely, Cecile, Caecilia, Celia, Sisilla, Siscillia, Sisely, Sisly, Sicely, Sissel(ot), Siss(ot), Cissot(a)

Clare: Claire, Clarel, Clarot, Claret, Claris

Clarice/Claricia: Clarisse, Claritia, Clarissa

Denise: Denet, Dionysia, Denysia

Edith: Eaditha, Idith, Ediz, Alduse, Aldusa, Edusa

Eleanor: Ellen(or), Elaine, Elinor, Elyanor, El(l)a, Ala, Elot(a), Eliana, Helen(a), Alienor(a), Ellett, Elena, Heleyne, Eleni [no Nell yet]

Elizabeth: Ellice, Beth(a), Bess(e), Elizabella, Bethel, Lylie, Lilian, [No Betty yet]

Emme: Em(ma), Emmet, Emmot(a), Emelot(a), Amelot(a), Imme, Emblem Emeline, Emelina, Ameline, Amelyn, Minna, Minota, Imma, Edelina, Emlyn Emerentiana, Emerence

Eve/Avelina: Eva, Evot(a), Evet(te), Evelot, Evelune, Evelin(g), Ivet(ta), Iva, Ava, Avelina, Aveling

Everild(a)/Avery: Averyl, Aveline

Floriane/Flora: Flur, Fleur, Floria, Florencia, Florentia, Florence

Idony: Idonia, Idonea, Ideny, Idone, Yden(e), Idunn, Iduna

Isabel: Isabella, Ysabella, Bel(e) Isabeau, Ilsabeth, Ibb(et), Ishbel, Isla (Scots), Libbe(t), Bella, Bel(ot), Belet, Belissendis, Ibbot(a), Ebbot, Ebota, Ebete, Bete, Bibb(i), Tibb(y), Bibile, Ibelot

Iseult: Iselda, Iseldis, Ysoude, Isolda, Isouda, Isota, Isata, Iseut, Ysole, Isset, Isalt

Ismay: Ismenia, Ismaine, Idemay, Ysemay, Ysmeine, Ismayn, Ismaigne, Hismena, Minna, Emonie, Immine

Jacquetta: Jaketta, Jakemina, Jaqueline, Jemme, Jemma, Gemma, Jimme, Jacoba, Jacelin

Jane: Joanna, Johanna, Jehanne, Jean(ne) (Fr, Scots), Joan, Janet, Janeth, Jenyth, Jehane

Jocelyn: Joyce, Josse, Joy, Jocea, Jocosa, Juicea

Julian(e) : Juliana, Julitta, Julia, Juliet[late], Jill, Jilian, Jelion, Giliane, Giliana, Gillet, Gilia, Gilota, Gell, Gellion, Geleia, Gellie, Gillota, Jell, Jull, Juetta, Jouet, Jewet, Juhota

Laura: Lora, Lauretta, Laureola, Laurencia, Loret(t)a, Lauret.

Lettice/Laetitia: Lece, Lecia, Lecie, Lecelina, Letselina, Lecel, Leceln, Lescelye, Lesellyn, Lett(e)

Love: Lovie, Lovota, Loveta, Lovejoy, Lovekin, Leffeda, Liuete, Loveday

Margaret/Marjorie: Magge, Magot(a), Marguerite, Madge, Margery, Margat, Mergret, Meriet, Mogg(e) Pogg, Pegge, Mogot, Magat, Grete, Greta

Mary: Molle, Malle, Malot(a), Mariot(a), Mary-Ann, Malyn, Malina, Marian, Marykin, Meryet, Maryatt, Mol(et), Marina, Marcella, Maura, Miriam, Poll, Polkin

Mat(h)ilde/Maud: Maddy, Tilly, Mathild, Mactildis, Mechtilda, Mazelina, Mahalt, Mahald, Mahaud, Mald, Molde(en), Mauld, Moude, Motte, Till(ot)

Melicent: Melisende, Melisendra, Melusina, Milcentia, Millicent, Melisentia, Milisendis

Oriel: Oriholt, Oriolda, Aurildis, Orieldis, Aurelia

Petronille: Petronella, Perone(l)le, Peryna, Parnell(e), Pernel, Pennel, Purnella

Richilda: Rikilda, Richeldis, Richenda, Ric(h)olda, Rictrudis

Rose: Rosa, Rosalba, Rosamund, Rosalie, Rosan(na)

Sanchia: Scientia, Sancha, Sence, Sanche, Sanctia, Science, Sencey

Sara: Sarre, Sare(t), Sarret, Sarrot, Sarra, [Sally was later]

Sidony: Sedehanna, Sedania, Sedaina

Tiffan(y)/Theophania: Teffan, Teffaia, Tephania, Theffanie, Tiphina

Viola: Violante, Violete, Violetta, Violaine

(further reading: male names)

[miraclerizuin]

#RavenReread: The Raven Boys

ok it’s been a few weeks since I finished my reread but based on my notes, here’s some stuff.  light spoilers for later books.

TOP 3 MOMENTS

Ronan & Noah & REMEMBERED

Neeve just casually burgling Whelk’s apartment

When upset, Gansey sarcastically says “yee-haw”

TOP 3 OBSERVATIONS

Part of Blue’s thing in this novel is realizing that the adults in her life don’t have all the answers.  She asks Calla’s advice about whether she should confide in the boys, admitting that she thinks Calla, as an adult, should know better than Blue what’s the right choice, but Calla turns it back on her: “what I think is that you’ve already made up your mind.”  Parental authority doesn’t really work in this book-- it’s so foreign to Blue that she just ignores it and does her own thing anyway.

I can’t get over the way Ronan and Adam are each willing to do for each other what they won’t do for themselves.  Gansey worries that Ronan will “learn to live in the dirt” and he does, hating himself so much and so instinctively that he doesn’t know he’s doing it, but at a critical moment he can’t let Adam live in the dirt anymore.  He can’t resist stepping in and fighting Robert Parrish.  And to keep Ronan out of jail, Adam sacrifices his own independence, what he was never willing to do on his own behalf.  These boys.

Gansey’s insistence on there being a right way to awaken the line, and his distress at Adam’s choice, remind me of that story of Glendower he describes in TDT that makes him uncomfortable, the one where Glendower is less-than-noble.  As readers we don’t know about that story yet, but I feel like Gansey was certainly thinking about it.

TOP 3 QUESTIONS

I wonder if Neeve was calm just because she knew Whelk couldn’t make the ritual work, or if she also knew that a) Maura et al messing with mirrors would allow her to escape, b) Adam could work the ritual, or c) both

did Ronan see the vision of Blue & Gansey in the tree, or did he see something else entirely?

can you imagine Gansey’s reaction when he finds out Malory thinks Blue’s name is Jane?  CAN YOU

[hallmark-movie-fanatics]

JESSICA LOWNDES AND MICHAEL RADY FIND TRUE LOVE FOR THE HOLIDAYS IN ‘CHRISTMAS AT PEMBERLEY MANOR,’ A NEW ORIGINAL PREMIERING OCTOBER 27, ON HALLMARK CHANNEL

Part of the Network’s #1 Rated “Countdown to Christmas” Programming Event

STUDIO CITY, CA - August 9, 2018 - Jessica Lowndes (“90210,” “Magical Christmas Ornaments”) and Michael Rady (“Timeless,” “Jane the Virgin,” “A Joyous Christmas”) star in “Christmas at Pemberley Manor,” a new, original movie premiering Saturday, October 27 (8p.m. ET/PT) on Hallmark Channel as part of the network’s #1-rated program event, “Countdown to Christmas.” Hallmark Channel is historically the #1 television network in all of Q4.

As Christmas approaches, Elizabeth Bennett (Lowndes), a New York event planner, is sent to a quaint, small town to organize their holiday festival. When she arrives, she finds William Darcy (Rady), a high-profile billionaire lacking in holiday spirit, in the process of selling the charming estate she hoped to use as a venue. Determined to make her event a success, Elizabeth persuades the reluctant Darcy to let her hold the festival on the historical estate once known for its holiday cheer. When they wind up working together to arrange the festivities, the unlikely pair begins falling for each other. But when complications arise and the festival is unexpectedly shut down, the couple parts ways and Darcy moves forward with his plans to sell the estate. On the night before Christmas, a wistful Elizabeth hopes for a Christmas miracle to revive the festival, save the estate and rekindle her holiday romance.

“Christmas at Pemberley Manor” is a Johnson Production Group Inc. Maura Dunbar and Timothy O. Johnson are executive producers. Andrew Gernhard and Erica Joseph Hunter serve as producers. Greg White, Sarah Porter and John Doolan are associate producers. Colin Theys directed from a script by Rick Garman.

http://awsprxdam.crownmediadev.com.s3-us-west-1.amazonaws.com/highRes/2697743.pdf

[bellabooks]

3 Things TV Can Teach Gaming about Queer Storylines

Even though television had a head start on the first generation of video games, these two art forms have found themselves on an even playing field within the last decade. Graphically, games may have evolved a bit slower over the decades but, that didn’t stop them from leaving as much of a cultural mark on the world as popular TV shows. Motion capture technology has allowed games the ability to deliver cinematic experiences in a far more immersive setting. One thing that is truly holding back major video games from exploring a range of gender and sexual identity, is the production process. In many cases, big name game developers can take two to four years to produce one title, and that’s if they’re lucky. Television shows take far less time to produce and thus, have done more to advance stories of the queer community by simply providing more of them over time. This is not to say that games have not attempted to include queer characters at all. In fact, indie game developers have been leading the charge in intersectional diversity for years. The only time queer characters come close to being the sole lead of a multi-platform gaming franchise is if it’s a massive RPG and you get to create your own avatar. While these kinds of games are enjoyable, they do not provide the same definite representation that a game with a set protagonist does. If we look back at the Tomb Raider reboot we can see a clear example of an opportunity for representation that was missed. In a 2013 interview with Kill Screen, Rihanna Prachet stated that she wished she could make Lara Croft gay, and went on to make very clear points about representation beyond including more female characters in games: “Whenever anybody talks about a need for more female protagonists I say: “There’s a need for more female protagonists, but there’s a need for characters of different ethnicities, ages, sexual orientation, ability, et cetera.” We are very narrow when it comes to our characters.” This interview gave many fans, including myself, hope that the reboot would establish Lara Croft as queer, especially with Lara spending the first game rescuing her best friend Sam, whom she clearly had a deep connection with. Since this interview, we’ve had one more installment of the reboot that side stepped Lara’s sexuality entirely. This didn’t make the game any less enjoyable but the complete disconnect from the events of the first game was not unnoticed by fans. Not only was Sam nowhere to be found in game, her Wiki page stated that she was in a mental ward. Now with Pratchet leaving the post of lead writer for the third installment there is not much hope left that we may see a queer Lara Croft anytime soon. It’s my belief that if major game developers studied three key factors of how queer storylines have been handled well (and poorly) on TV, they may be more willing to consider writing queer protagonists. Maybe even some that fall under that “et cetera” category Pratchet was talking about nearly four years ago.   I find that most forms of mainstream entertainment relegate any serious exploration of gender identity to the fringes. Independent filmmakers, indie games devs, premium or non-cable TV networks. Billions, a Showtime original series, is introducing the first major genderqueer supporting character in a drama series. The character’s name is Taylor, and will be played by Asia Kate Dillon, an androgynous actor that identifies with they/them pronouns. In 2016, the now canceled MTV show, Faking It, featured many queer characters within one plot. It also had the first intersex character in a supporting role on a TV show. There are far more examples to pull from in television these days, with many shows including at least one queer character and sometimes even multiple queer storylines and once. It seems like an odd thing to dwell on because nobody ever says “look at all these hetero people in my plotline” but if we really think about the number of mainstream shows or movies in recent years with more than one or two queer protagonists who aren’t in a relationship with each other, it’s not as common. A current instance of this is Orange is the New Black. While not without its faults, there are a range of queer identities throughout the show. This does not make it exempt from failing its audience by killing off queer characters in misguided ways or failing to uphold a character’s sexual identity, however. Piper, the main character of the show, is clearly established as a bisexual woman through her various romances and yet, is never referred to directly as a bisexual. She is often referred to as a “former lesbian” “dyke” and so on, but she never corrects anyone. Oddly enough, the best onscreen conversation about bisexuality didn’t happen in a show like this, it happened on a now canceled show that aired on ABC family, Chasing Life. In episode seven of the second season of Chasing Life, Brenna Carver attends an LGBTQ club meeting and her bisexuality is brought up. The conversation that ensues showcases many of the most common misconceptions that bisexuals face. The conversation Brenna has reminded me of the conversation Krem in Dragon Age Inquisition has with the Inquisitor if they choose to have drinks with Iron Bull and his crew. The primary difference being that once the conversation is over in Dragon Age Inquisition, Krem turns back into NPC set dressing and in Chasing Life, Brenna is still a full-fledged member of the plot. Krem’s presence in Inquisition was incredibly important, but the impact he would have had if he had been a romanceable party member would have been astounding. Many people probably wouldn’t scoff at a trans male character like Krem at the helm of a major video game plot. Adding queer characters to a story is as important as actually utilizing them within it. It would also be ideal to include more than one queer character, to increase the likelihood that a queer character might end up alive at the resolution of a story. They often end up in shows or movies where “anyone can die” and due to the low number of queer people present, usually take the entirety of the stories queer representation with them if they get killed or written off. When this happens, it creates a bitter fan base and usually leads them to stop watching a show or seeing a filmmaker’s next 90-minute dramedy. It’s simple: don’t write queer storylines like an episode of Highlander. There can be more than one. Anyone who has spent any amount of time in the closet knows the depths to which one will claw at any scrap of positive representation they can identify with, even if that means reading into things only they can see. Often we are forced to create our own worlds within the restrictions put forth by the storytellers. Games like Final Fantasy XIII, while widely regarded as the most unfavorable game in the franchise, is also considered being the queerest one due to subtext. This is the result of the seemingly over-affectionate nature of characters Vanille and Fang. For those who didn’t pay too much attention to the development of the game, like me, you probably were unaware that Fang was first developed as a male character. This could explain why the relationship between Vanille and Fang reads as romantic. Intentional or not, if Fang had remained a male character, it’s highly likely that we wouldn’t be having debates over whether or not her and Vanille were a couple. We can only imagine the impact that game could have had if the relationship between them had been at the forefront. This “close female friendship” phenomenon is a very common form of subtext. A TV show notorious for subtext of this kind is Rizzoli and Isles. Ending in 2016 after seven seasons, plenty of beards and a hefty amount of queerbaiting, our heroines found themselves relaxing in a bed planning a trip to Paris together. Completely normal non-romantic behavior right? Let’s put things into perspective here. Bones, a show that has been on air since 2005, featured almost the same dynamic, a cop and a medical examiner working together with a rag tag group of scientists and detectives. The difference being that the heterosexual relationship between the two lead characters is acknowledged and fully actualized with them going on to marry each other in season 9 and even have children. Bones got to marry her quippy lovable detective friend, while Jane Rizzoli and Maura Isles were constantly being bounced around to romantic storylines severely lacking in chemistry in order to deflect from the fact that they were perfect for each other. Had the relationship been made explicit it would have been the first major network detective show of its kind to put a queer female romance at the forefront. The resolution of the hero’s journey often relies on martyrdom or some other form of doom and gloom to wrap up a story. This is never more true than for the queer individual. If it wasn’t, then the Bury Your Gays Trope wouldn’t exist. It is very real, and self-explanatory but if you truly don’t know what it is, you’re one Google search away from being fully briefed on the topic. I’m one of those people who love a great ambiguous ending or twilight zone twist at the end of a story, but when it comes to queer characters, I would take riding off into the sunset over death any day. Games like The Last of Us provide us with Ellie, a queer supporting character who ultimately rises to equal footing with her male counterpart Joel but, her story is still rooted in tragedy. Many responses from showrunners have been that death is just part of the show and if we want to be treated like everyone else we should except it. Sure, that might make sense for Game of Thrones but not for shows like Last Tango in Halifax, which grew in popularity between 2013 and 2015, due to its inclusion of a genuine late-in-life coming out story and romance between two women. In the finale of the third season, Caroline marries her pregnant live-in girlfriend Kate, only to be widowed within 24 hours. Kate gets into a car accident off screen and dies, and a little piece of every fan rooting for them dies too. These types of “sudden death” storylines occur across television and film far too often. At a certain point, it stops being about just one character. Each new death rubs the salt deeper into an already open wound, a wound that constantly throbs with anger. An anger rooted in the fact that queer people have been around as long as there have been stories to tell and yet, we still live in a world that consistently fails at replicating our experiences. It’s 2017, and the only shows where there are well established queer female romances that will most likely not end with one of them dead are featured in shows like Wynonna Earp and Supergirl. Everyone involved in the creation of these two shows including the actors, has openly stated that they are invested in the characters that make up their queer representation, treating them as they would a heterosexual couple. SyFy even created an entire section of the Wynonna Earp website dedicated to the relationship between Waverly Earp and Nicole Haught. Games have the unique ability to sidestep the restraints of having to seek out crowd drawing actors or shooting in expensive locations because they can literally mold characters out of polygons and build their worlds out of code. This uniquely positions them to create something we have never seen before, someone we’ve never seen before. As Rhianna Pratchet put it: “Exploring something about what it means to be a gay character, bisexual character, transgender character, in games, that would create some interesting stories.” I couldn’t agree more http://dlvr.it/NKvGm1

[andthewinneris23]

Golden globes awards 2017

Meilleur film dramatique

Moonlight

Comancheria

Lion (en)

Manchester by the Sea

Tu ne tueras point (Hacksaw Ridge)

Meilleur film musical ou comédie

La La Land

20th Century Women

Deadpool

Florence Foster Jenkins

Sing Street

Meilleur réalisateur

Damien Chazelle pour La La Land

Tom Ford pour Nocturnal Animals

Mel Gibson pour Tu ne tueras point (Hacksaw Ridge)

Barry Jenkins pour Moonlight

Kenneth Lonergan pour Manchester by the Sea

Meilleur acteur dans un film dramatique

Casey Affleck pour le rôle de Lee Chandler dans Manchester by the Sea

Joel Edgerton pour le rôle de Richard Loving dans Loving

Andrew Garfield pour le rôle de Desmond Doss dans Tu ne tueras point (Hacksaw Ridge)

Viggo Mortensen pour le rôle de Ben dans Captain Fantastic

Denzel Washington pour le rôle de Troy Maxson dans Fences

Meilleure actrice dans un film dramatique

Isabelle Huppert pour le rôle de Michèle Leblanc dans Elle

Amy Adams pour le rôle de Louise Banks dans Premier Contact (Arrival)

Jessica Chastain pour le rôle de Elizabeth Sloane dans Miss Sloane

Ruth Negga pour le rôle de Mildred Loving dans Loving

Natalie Portman pour le rôle de Jacqueline Kennedy dans Jackie

Meilleur acteur dans un film musical ou une comédie

Ryan Gosling pour le rôle de Sebastian dans La La Land

Colin Farrell pour le rôle de David dans The Lobster

Hugh Grant pour le rôle de St. Clair Bayfield dans Florence Foster Jenkins

Jonah Hill pour le rôle de Efraim Diveroli dans War Dogs

Ryan Reynolds pour le rôle de Wade Wilson / Deadpool dans Deadpool

Meilleure actrice dans un film musical ou une comédie

Emma Stone pour le rôle de Mia dans La La Land

Annette Bening pour le rôle de Dorothea dans 20th Century Women

Lily Collins pour le rôle de Marla Mabrey dans L'Exception à la règle (Rules Don't Apply)

Hailee Steinfeld pour le rôle de Nadine Byrd dans The Edge of Seventeen

Meryl Streep pour le rôle de Florence Foster Jenkins dans Florence Foster Jenkins

Meilleur acteur dans un second rôle

Aaron Taylor-Johnson pour le rôle de Ray Marcus dans Nocturnal Animals

Mahershala Ali pour le rôle de Juan dans Moonlight

Jeff Bridges pour le rôle de Marcus Hamilton dans Comancheria

Simon Helberg pour le rôle de Cosme Mc Moon dans Florence Foster Jenkins

Dev Patel pour le rôle de Saroo Brierley dans Lion

Meilleure actrice dans un second rôle

Viola Davis pour le rôle de Rose Maxson dans Fences

Naomie Harris pour le rôle de Paula dans Moonlight

Nicole Kidman pour le rôle de Sue Brierley dans Lion

Octavia Spencer pour le rôle de Dorothy Vaughan dans Les Figures de l'ombre (Hidden Figures)

Michelle Williams pour le rôle de Randi dans Manchester by the Sea

Meilleur scénario

La La Land - Damien Chazelle

Nocturnal Animals - Tom Ford

Moonlight - Barry Jenkins

Manchester by the Sea - Kenneth Lonergan

Comancheria - Taylor Sheridan

Meilleure chanson originale

City of Stars (Justin Hurwitz, Pasek and Paul) – La La Land

Can't Stop the Feeling! (Max Martin, Shellback et Justin Timberlake) – Les Trolls

Faith (Ryan Tedder, Stevie Wonder et Francis Farewell Starlite) – Tous en scène

Gold (Stephen Gaghan, Danger Mouse, Daniel Pemberton et Iggy Pop) – Gold

How Far I'll Go (Lin-Manuel Miranda) – Vaiana, la Légende du bout du monde

Meilleure musique de film

Justin Hurwitz pour La La Land

Nicholas Britell pour Moonlight

Jóhann Jóhannsson pour Premier Contact

Dustin O'Halloran et Hauschka pour Lion

Hans Zimmer, Pharrell Williams et Benjamin Wallfisch pour Les Figures de l'ombre

Meilleur film en langue étrangère

Elle de Paul Verhoeven

Divines de Houda Benyamina

Neruda de Pablo Larraín

Le Client (Forushande) d’Asghar Farhadi

Toni Erdmann de Maren Ade

Meilleur film d'animation

Zootopie (Zootopia)

Kubo et l'Armure magique (Kubo and the Two Strings)

Vaiana, la Légende du bout du monde (Moana)

Ma vie de Courgette (My Life as a Zucchini )

Tous en scène (Sing)

Meilleure série dramatique

The Crown

Game of Thrones

Stranger Things

This Is Us

Westworld

Meilleure série musicale ou comique

Atlanta

Black-ish

Mozart in the Jungle

Transparent

Veep

Meilleure mini-série ou meilleur téléfilm

American Crime Story

The Night Of

American Crime

The Night Manager

The Dresser

Meilleur acteur dans une série dramatique

Billy Bob Thornton pour le rôle de Billy McBride dans Goliath

Rami Malek pour le rôle de Elliot Alderson dans Mr. Robot

Bob Odenkirk pour les rôle de Saul Goodman et Jimmy McGill dans Better Call Saul

Matthew Rhys pour les rôle de Philip Jennings et Mischa dans The Americans

Liev Schreiber pour le rôle de Raymond « Ray » Donovan dans Ray Donovan

Meilleure actrice dans une série dramatique

Claire Foy pour le rôle de Élisabeth II dans The Crown

Caitriona Balfe pour le rôle de Claire Fraser dans Outlander

Keri Russell pour le rôle de Elizabeth Jennings dans The Americans

Winona Ryder pour le rôle de Joyce dans Stranger Things

Evan Rachel Wood pour le rôle de Dolores Abernathy dans Westworld

Meilleur acteur dans une série musicale ou comique

Donald Glover pour le rôle de Earnest « Earn » Marks dans Atlanta

Anthony Anderson pour le rôle de André Dre Johnson dans Black-ish

Gael García Bernal pour le rôle de Rodrigo De Souza dans Mozart in the Jungle

Nick Nolte pour le rôle de Richard Graves dans Graves

Jeffrey Tambor pour le rôle de Maura Pfefferman dans Transparent

Meilleure actrice dans une série musicale ou comique

Tracee Ellis Ross pour le rôle de Rainbow Johnson dans Black-ish

Rachel Bloom (en) pour le rôle de Rebecca Bunch dans Crazy Ex-Girlfriend

Julia Louis-Dreyfus pour le rôle de Selina Meyer dans Veep

Sarah Jessica Parker pour le rôle de Frances dans Divorce

Issa Rae pour le rôle d'Issa Dee dans Insecure

Gina Rodriguez pour le rôle de Jane Villanueva dans Jane the Virgin

Meilleur acteur dans une mini-série ou un téléfilm

Tom Hiddleston pour le rôle de Jonathan Pine dans The Night Manager

Riz Ahmed pour le rôle de Nasir Khan dans The Night Of

Bryan Cranston pour le rôle de Lyndon B. Johnson dans All the Way

John Turturro pour le rôle de John Stone dans The Night Of

Courtney B. Vance pour le rôle de Johnnie Cochran Jr dans American Crime Story

Meilleure actrice dans une mini-série ou un téléfilm

Sarah Paulson pour le rôle de Marcia Clark dans American Crime Story

Felicity Huffman pour le rôle de Leslie Graham dans American Crime

Riley Keough pour le rôle de Christine Reade dans The Girlfriend Experience

Charlotte Rampling pour le rôle de Frances Turner dans London Spy

Kerry Washington pour le rôle d'Anita Hill dans Confirmation

Meilleur acteur dans un second rôle dans une série, une mini-série ou un téléfilm

Hugh Laurie pour le rôle de Richard Onslow Roper dans The Night Manager

Sterling K. Brown pour le rôle de Christopher Darden dans American Crime Story

John Lithgow pour le rôle de Winston Churchill dans The Crown

Christian Slater pour le rôle de Edward Alderson dans Mr. Robot

John Travolta pour le rôle de Robert Shapiro dans American Crime Story

Meilleure actrice dans un second rôle dans une série, une mini-série ou un téléfilm

]

Olivia Colman pour le rôle d'Angela Burr dans The Night Manager

Lena Headey pour le rôle de Cersei Lannister dans Game of Thrones

Chrissy Metz pour le rôle de Kate Pearson dans This Is Us

Mandy Moore pour le rôle de Rebecca Pearson dans This Is Us

Thandie Newton pour le rôle de Maeve Millay dans Westworld

[helloworlddemo1122-yahoopar-blog]

Summer TV Preview: 26 of the Best New and Returning Series to Watch!

Among ET’s 90 top picks for summer are our 26 most anticipated TV shows of the season.

Who says the best television is reserved for the fall, or even the spring, for that matter? Summer has proven to be a prime season for TV, with critically acclaimed shows (Mad Men), juicy reality (Survivor and American Idol) and surprise hits (Wayward Pines).

This summer is proving to be no different. The Bachelorette and World of Dancewill certainly provide us with our reality fix, while acclaimed shows like Insecure, Queen Sugar and Younger are all coming back with new seasons. But what will be our surprise hit? Ryan Murphy’s Pose? American Woman, from reality housewife-turned-producer Kyle Richards? Amy Adams in Sharp Objects? Or, perhaps, all of them! There are plenty of options to choose from.

The Bachelorette

Let’s do the damn thing! New Bachelorette Becca Kufrin is ready to find love again after being proposed to by Arie Luyendyk Jr. and publicly dumped on television. The premiere, featuring 28 suitors vying for Becca’s heart, is sure to be spicy, as the 28-year-old publicist will be unexpectedly reunited with a guy from her past. While the drama and tears will surely be flowin’, we’re so ready for Becca to reach peak happiness. Arie who?

Premieres: Monday, May 28 at 8 p.m. ET/PT on ABC

Six

Olivia Munn makes her debut on the second season of the Navy SEAL drama, playing badass CIA officer Gina Kline. Highly intelligent and cunning, Gina has dedicated her entire life to the clandestine world of dangerous government assignments. Her latest mission? Hunting down a mysterious terrorist only known as the Prince, which becomes her most personal yet.

Premieres: Monday, May 28 at 10 p.m. ET/PT on History

World of Dance

NBC

J.Lo, Ne-Yo, Derek Hough and Jenna Dewan are back and ready to find the latest talent in the world of dance! Already renewed for a third season, the super fun competition show will welcome another top-level talent to the fold, Julianne Hough, as a mentor for season two. Bring it on!

Premieres: Tuesday, May 29 at 10 p.m. ET/PT on NBC

Queen Sugar

OWN

When Oprah Winfrey and Ava DuVernay are involved, you drop everything. The third season continues the Bordelon family’s fight as they try to save their family farm and father’s legacy as they navigate their own personal journeys. They soon find that their fight extends beyond their close-knit family to the community. Rutina Wesley, Kofi Siriboe, Bianca Lawson, Dawn-Lyen Gardner, Ethan Hutchison and Nicholas Ashe are back for more family drama.

Premieres: Tuesday, May 29 at 10 p.m. ET/PT on OWN

Unbreakable Kimmy Schmidt

Netflix

It’s time to say goodbye to Kimmy Schmidt. The first six episodes of the fourth and final season of the quirky Ellie Kemper comedy launch this month (the seven remaining episodes will premiere at a later date) and we’re not ready to bid farewell to our favorite cult member-turned-HR manager. Joining the zany world are Busy Philipps, Greg Kinnear, Bobby Moynihan and Aidy Bryant, with familiar faces Jon Hamm, Amy Sedaris and Zosia Mamet also returning.

Premieres: Wednesday, May 30 at 12:01 a.m. PT on Netflix

Pose

FX

Ryan Murphy is back at FX with Pose. Set in the 1980s, the eight-episode drama explores the juxtaposition of several segments of life and society in New York: the ball culture world, the rise of the luxury Trump-era universe and the downtown social and literary scene. Featuring the largest transgender cast in series regular roles in TV history, as well as the biggest recurring cast of LGBTQ actors for a scripted series, the ensemble also includes James Van Der Beek, Kate Mara and Evan Peters.

Premieres: Sunday, June 3 at 10 p.m. ET/PT on FX

Dietland

AMC

Don’t mess with Julianna Margulies. The Good Wife and ER alum returns to the small screen as red-haired glamazon Kitty Montgomery, the narcissistic boss of fashion magazine writer Plum Kettle (Joy Nash). Based on Sarai Walker’s 2015 best-selling novel and created by Marti Noxon (Girlfriends’ Guide to Divorce, UnREAL), Dietland unveils Plum’s journey to self-awakening while exploring a multitude of issues faced by women today -- including patriarchy, misogyny, rape culture and unrealistic beauty standards. Plus, it’s sexy, provocative and oh, so juicy!

Premieres: Monday, June 4 at 9 p.m. ET/PT on AMC

Younger

Team Charles or Team Josh? That is the ultimate question! The TV Land favorite returns for its fifth season, and we can’t wait to see what’s in store for Liza (Sutton Foster) as she navigates life and love in the Big Apple, most of the time pretending to be a younger, 20-something version of her actual self. Creator Darren Star hinted that a big premiere-ending bombshell will “change the equation for the entire series going forward.” Uh oh, what could it be?

Premieres: Tuesday, June 5 at 10 p.m. ET/PT on TV Land

Marvel's Cloak and Dagger

Freeform

Another Marvel show is heading to TV, and this one just might fill the void left by Hulu’s teen-centric Runaways. Cloak and Dagger tells the story of Tandy Bowen (Olivia Holt) and Tyrone Johnson (Aubrey Joseph), two teenagers from different backgrounds who find themselves with newly acquired superpowers -- Tandy can throw light daggers, while Tyrone can control darkness -- that are mysteriously linked to one another. We’re so in.

Premieres: Thursday, June 7 at 8 p.m. ET/PT on Freeform

Nashville

The CMT drama prepares to bid adieu with the final eight episodes of the series, and we’re betting the drama is just ramping up for Juliette (Hayden Panettiere), Deacon (Charles Esten) and company. As the finale nears, the cast fondly remembered their six-season run, with Esten saying, “There was a magic in the very beginning. There will be magic in the very end."

Premieres: Thursday, June 7 at 9 p.m. ET/PT on CMT

American Woman

Paramount Network

Inspired by the real-life childhood of Real Housewives of Beverly Hills star Kyle Richards, American Woman follows Bonnie (Alicia Silverstone), an unconventional mother struggling to raise her two daughters after leaving her husband in 1970s Los Angeles. With the help of her best friends, Kathleen (Mena Suvari), and Diana (Jennifer Bartels), Bonnie and her pals are about to discover their own brand of independence in a world reluctant to give it to them.

Premieres: Thursday, June 7 at 10 p.m. ET/PT on Paramount Network

Claws

TNT

The claws are out in Manatee County, Florida! TNT’s female-led nail-erific crime drama is back with Niecy Nash leading the charge as Desna and her trusty crew of women embrace the darker side of their shady side business. But they’re about to face some formidable foes in the form of dangerous Russian gangsters. Even so, we’re 99.9 percent sure that Desna and company are more than capable of showing who’s boss.

Premieres: Sunday, June 10 at 9 p.m. ET/PT on TNT

The Bold Type

Freeform

Our favorite trio -- Jane (Katie Stevens), Sutton (Meghann Fahy) and Kat (Aisha Dee) -- returns for two more seasons, and the girls of The Bold Type are truly upping the ante with a two-hour sophomore premiere. There’s a lot to look forward to: awesome friendship moments with the core trio, blossoming romances and even some illegal activity. Oy vey, we’re counting down to the show's return!

Premieres: Tuesday, June 12 at 8 p.m. ET/PT on Freeform

The Affair

Showtime

Season four finds Noah (Dominic West), Helen (Maura Tierney), Alison (Ruth Wilson) and Cole (Joshua Jackson) in their own orbits, alienated from each other, spinning further and further away from where they all began. Each of them is involved in a new relationship, forcing them to decide if they’re ready and willing to leave the past behind for good. Sanaa Lathan joins the Showtime drama as Janelle, the tough-as-nails principal of the charter school where Noah teaches, with fellow new additions Ramon Rodriguez, Russell Hornsby and Phoebe Tonkin.

Premieres: Sunday, June 17 at 9 p.m. ET/PT on Showtime

Shades of Blue

NBC

J.Lo is a busy bee this summer! The woman who does it all leads the third and final 10-episode season of her police procedural as Detective Harlee Santos, whose “poetic” arc ends with “true redemption.” “Now looking at it with a little distance, playing Harlee strengthened me and helped me grow into a more self-assured woman,” the 48-year-old star said in April when the final season was announced. “It's crazy how some parts permeate your soul and change you forever and for that I am grateful.”

Premieres: Sunday, June 17 at 10 p.m. ET/PT on NBC

Yellowstone

Paramount Network

Yellowstone follows the Dutton family, led by patriarch John Dutton (Kevin Costner), who control the largest contiguous ranch in the country and must contend with constant attacks by land developers, clashes with an Indian reservation and conflict with America's first national park. From creator-director-writer Taylor Sheridan, the drama also stars Wes Bentley, Kelly Reilly, Luke Grimes, Dave Annable and Cole Hauser.

Premieres: Wednesday, June 20 at 9 p.m. ET/PT on Paramount Network

Marvel's Luke Cage

Netflix

A powerful new villain is about to rock Luke Cage (Mike Colter) to his core. After the events of The Defenders, Luke returns to Harlem as a hometown hero, but it isn’t long before his newfound celebrity status attracts unwanted attention from Bushmaster, who also happens to wield bulletproof powers. Elementary star Lucy Liu directed the season premiere.

Premieres: Friday, June 22 at 12:01 a.m. PT on Netflix

GLOW

Netflix

Do we really need to sell you on GLOW? It’s divine, and that’s all you need to know. Plus, Alison Brie is a force to be reckoned with. But, if you still needed another season to tune in for season two, Brie recently teased that there might just be a scene or two with some major breakdance action. Sold.

Premieres: Friday, June 29 at 12:01 a.m. PT on Netflix

Suits

Things are about to look very different in the world of Suits. The long-running legal drama said farewell to longtime stars Meghan Markle and Patrick J. Adams, but a new chapter is upon us with the addition of Katherine Heigl. The former Grey’s Anatomy star joins the high-stakes law world as attorney Samantha Wheeler, whom Gabriel Macht likened to Harvey Specter 2.0. “They're truly adversarial, but they sometimes mirror each other in their actions and their manipulative ways to accomplish what they need,” he teased to ET. “We'll see who's the better the poker player, who can kick more people in the knees."

Premieres: July on USA Network

Sharp Objects

HBO

Five-time Oscar nominee Amy Adams stars in the eight-episode limited series, Sharp Objects, based on the 2006 novel by Gone Girl author Gillian Flynn. Adams plays reporter Camille Preaker, who returns to her hometown of Wind Gap, Missouri, to investigate the murders of two young girls, forcing her to face her personal demons. If the trailer is any indication of what lies ahead, this may be our new summer obsession.

Premieres: Sunday, July 8 at 9 p.m. ET/PT on HBO

Heathers

Originally scheduled to debut in March, Paramount Network pushed back the launch of the Heathers TV reboot after the Parkland, Florida, high school shooting on Feb. 14. Loosely inspired by the 1988 cult classic with Shannen Doherty (she’s back as a new character!) and Christian Slater, this 10-episode black comedy is set in modern-day Westerburg High School and revolves around Veronica Sawyer (Grace Victoria Cox) as she deals with the school's most popular (and most vicious) clique, the Heathers.

Premieres: Tuesday, July 10 on Paramount Network

Trial and Error

NBC

Kristin Chenoweth takes over as the new lead on the sophomore season of Trial and Error: Lady Killer. The Tony and Emmy winner will play Lavinia Peck-Foster, an eccentric heiress known for her flamboyant outfits, large hats and hairless cat, who has not left the confines of Peck Gardens in ages. Lavinia calls on Josh Segal and Associates -- the team that got off Owl Murderer Larry Henderson (John Lithgow) -- to defend her after her husband is found stuffed into a suitcase in the back of her car.

Premieres: Thursday, July 19 at 9 p.m. ET/PT on NBC

Making It

NBC

Amy Poehler and Nick Offerman are rollin’ up their sleeves for the six-episode competition series, where the most talented crafts makers from across the country will take on a variety of handmade projects in the hopes of impressing Poehler, Offerman and expert judges Simon Doonan and Dayna Isom Johnson. Honestly, we’re here for anything with these Parks and Recreation BFFs!

Premieres: Tuesday, July 31 at 10 p.m. ET/PT on NBC

The Sinner

USA Network

Jessica Biel may not be returning in front of the camera, but she’s just as excited to be pulling the strings behind the scenes as an executive producer on the new season. Carrie Coon (The Leftovers, Fargo) joins returning cast member Bill Pullman as the new lead, playing Vera, a formidable yet mysterious woman who struggles between upholding the ideals of the community she leads and fulfilling her own desires.

Premieres: August on USA Network

Insecure

Issa new season for the hilariously honest HBO comedy. (See what we did there?) Issa Rae -- sorry, two-time Golden Globe nominee Issa Rae -- is reason enough to tune in for another season of realness as we pick back up with Issa, her bestie Molly (Yvonne Orji) and ex-boyfriend Lawrence (Jay Ellis). Besides, we’re dying to know where exactly things are going to go after last season’s finale.

Premieres: Sunday, Aug. 12 at 10:30 p.m. ET/PT on HBO

Tom Clancy's Jack Ryan

Amazon Studios

John Krasinski stars as the titular action hero in Amazon Prime’s highly anticipated TV adaptation of the popular Tom Clancy novels in his first series regular role since Jim Halpert on The Office. The series reintroduces Jack as an up-and-coming CIA analyst thrust into a dangerous field assignment for the first time and co-stars Wendell Pierce (Suits) and Abbie Cornish. More reason to spend a weekend in for a binge watch? It’s already renewed for a second season!

Premieres: Friday, Aug. 31 on Amazon Prime

MORE SUMMER PREVIEW:

Summer Film Preview: 27 of the Most Anticipated Movies of the Season!

Summer Music Preview: 17 Albums We Can’t Wait to Hear

Summer Theater Preview: 11 Must-See Broadway and Off-Broadway Shows

Summer Book Preview: 9 Beach Reads by Bill Clinton, Emily Giffin, Lauren Weisberger and More!

[cledesol59]

Ecorchures de Tess Gerritsen

Ecorchures de Tess Gerritsen

Le 19 octobre 2017

Synopsis :

La chasse est ouverte !

Le taxidermiste et amateur de chasse Leon Gott est retrouvé sauvagement assassiné, son cadavre pendu par les pieds parmi les trophées d’animaux sauvages ornant sa maison de Boston. Quelques jours plus tard, les restes d’une deuxième victime portant des griffures similaires sont découverts. L’inspecteur Jane Rizzoli et le Dr Maura Isles,…

[lesparaversdemillina]

Rizzoli & Isles saison 1