#Jean-Erich René

[alexlacquemanne]

Septembre MMXXIII

Films

Hitchcock (2012) de Sacha Gervasi avec Scarlett Johansson, Anthony Hopkins, Helen Mirren, Toni Collette, Ralph Macchio, Jessica Biel et Danny Huston

La Cage aux folles (1978) d'Édouard Molinaro avec Ugo Tognazzi, Michel Serrault, Michel Galabru, Benny Luke, Rémi Laurent, Carmen Scarpitta et Luisa Maneri

Arrête-moi si tu peux (Catch Me If You Can) (2002) de Steven Spielberg avec Leonardo DiCaprio, Tom Hanks, Christopher Walken, Nathalie Baye, Amy Adams, Martin Sheen et James Brolin

La Grande Illusion (1937) de Jean Renoir avec Jean Gabin, Pierre Fresnay, Erich von Stroheim, Marcel Dalio, Julien Carette, Gaston Modot et Dita Parlo

Ed Wood (1994) de Tim Burton avec Johnny Depp, Martin Landau, Patricia Arquette, Sarah Jessica Parker, Bill Murray, Jeffrey Jones, Lisa Marie et George "The Animal" Steele

Madame Sans-Gêne (1961) de Christian-Jaque avec Sophia Loren, Robert Hossein, Renaud Mary, Léa Gray, Gianrico Tedeschi, Marina Berti, Enrique Ávila et Julien Bertheau

L'Éternel Retour (1943) de Jean Delannoy avec Jean Marais, Madeleine Sologne, Jean Murat, Junie Astor, Roland Toutain, Piéral et Jean d'Yd

Y a-t-il un flic pour sauver la reine ? (The Naked Gun: From the Files of Police Squad!) (1988) de David Zucker avec Leslie Nielsen, Priscilla Presley, Ricardo Montalban, George Kennedy, O. J. Simpson, Nancy Marchand, Raye Birk et Ed Williams

Le Journal de Bridget Jones (Bridget Jones’s Diary) (2001) de Sharon Maguire avec Renée Zellweger, Colin Firth, Hugh Grant, Gemma Jones, Jim Broadbent, Shirley Henderson, Sally Phillips et James Callis

Le Procès Goldman (2023) de Cédric Kahn avec Arieh Worthalter, Arthur Harari, Stéphan Guérin-Tillié, Nicolas Briançon, Aurélien Chaussade, Christian Mazucchini, Jeremy Lewin et Jerzy Radziwiłowicz

Boccace 70 (Boccaccio '70) (1962) de Federico Fellini, Luchino Visconti et Vittorio De Sica avec Anita Ekberg, Peppino De Filippo, Romy Schneider, Tomas Milian, Sophia Loren et Luigi Giuliani

Séries

Happy Days Saison 2

Richie déménage - La Nouvelle Voiture de Richie - Une fiancée envahissante - Richie est amoureux - À vos ordres Richie - Le Fantôme est de la fête - Alors Richie, raconte ! - Richie surveille sa sœur - Un beau magot - Fonzie au théâtre - Un Noël sans famille - Une soirée habillée - Fonzie va-t-il se marier ? - Le Voleur - Richie et la politique - Minuit en caleçon chez Arnold - Le Scoop - Qui êtes-vous Dorothée ? - Jamais quatre sans cinq - Des pensionnaires encombrants - Richie disc jockey - C'est beau la confiance - Chicago, quelle aventure !

Castle Saison 3

Dans la peau de Nikki - Abracadabra ! - Une nouvelle piste - Grosses Infortunes - Aveuglement - Piégés - Menace sur New York - Cruel comme un soap

Inspecteur Barnaby Saison 12

Meurtre sur le green - Toiles assassines - La Guerre des espions - La Mort au bout du chemin - Crimes en grandeur nature - Le Monte-en-l'air - La somnambule

Coffre à Catch

#131 : Jack Swagger champion + Hommages à Bray Wyatt et Terry Funk - #132 : Y'en a marre du Boogeyman, non?? - #133 - LE PIRE DES EPISODES! - #134 : Swagger VS Finlay : ce qui est bien mais pas top!

Affaires sensibles

On a tiré sur Bob Marley - Une campagne de pub inédite : « Demain, j’enlève le haut » - Le voyage de Khrouchtchev aux États-Unis - Commissaire Guillaume, Commissaire Maigret : quand la fiction se substitue la réalité - Paris la Nuit : Dans les caves et les cabarets avec les enfants de la Libération - "J'irai cracher sur vos tombes" de Boris Vian alias Vernon Sullivan - Il était une fois Walt Disney… - Peur sur la ville : les lettres empoisonnées de l’œil de Tigre - Pierre Goldman - Greenham Common, des femmes contre des missiles

Downton Abbey Saison 3

Mariage à Downton - Un dîner à l'américaine - Au pied de l'autel - Le Chemin de la perdition - Quand le destin frappe - L'Insoutenable Chagrin - Une nouvelle ère - Secrets et Confidences - Un château en Écosse

The Rookie Saison 4, 5

La Fête des mères - Remplacement au pied levé - Quitte ou double - Choix professionnels - Ici et d'ailleurs - Le choix - Le fugitif - La déposition - Tir croisé - Le collier - La répétition - La liste - Guerres de gangs - Avis de décès - Le flic sexy - Condamnation à mort - Un plan risqué - Double contamination - Le cheval de Troie - Panique dans le multivers - Arrêt sur image - Droit au but - Liquidation - Masque de la honte

Commissaire Dupin

Terrain de mésentente - Sœurs ennemies - Poison blanc

Kaamelott Livre III

Le Chevalier errant - L’Aveu de Bohort - Le Magnanime - Le Porte-bonheur - Séfriane d’Aquitaine - Le Combat des chefs - Le Déserteur - La Potion de vivacité - Le Sanglier de Cornouailles - L’Ankou - Ablutions - La Poétique première partie - La Poétique deuxième partie - Les Derniers Outrages - Guenièvre et Euripide - Unagi III - Le Fléau de Dieu II - Cryda de Tintagel - L’Ivresse II - Legenda - Le Renfort magique - Silbury Hill II - Le Professionnel - Les Suppléants - La Nuit du nomade - L’Assemblée des rois première partie - L’Assemblée des rois deuxième partie - L’Arche de transport - Les Cousins - Le Trouble - Le Tournoi - La Pierre de Lune - La Pythie - Les Cheveux noirs - Dream On - Feue la poule de Guethenoc - Le Repos du guerrier II - Les Affranchis - Les Clous de la Sainte Croix - La Corne d’abondance - Morituri - Le Dialogue de paix II - Stargate II - L’Abstinent - Aux yeux de tous II - La Potion de vérité - Le Petit Poucet - Haunted II - La Révolte II - Perceval chante Sloubi

Top Gear Saison 22

La fièvre du vintage - La course des Tsars - S.O.S Urgences - Road Trip en Australie - Les imbéciles changent d'avis

Emma

L'Entremetteuse - Malentendus amoureux - Quand les cœurs chavirent - L'Heureux dénouement

Spectacles

Joyeuses Pâques (2023) de Jean Poiret avec Nicolas Briançon, Gwendoline Hamon, Alice Dufour, Claire Nadeau, Muriel Combeau, Pascal Elso, Raphaël Duléry et Sophie Artur

Folle Amanda (1974) de Pierre Barillet et de Jean-Pierre Grédy avec Jacqueline Maillan, Daniel Ceccaldi, Jacques Jouanneau, Françoise Fleury, Sacha Briquet, Jacques Dynam, Pierre Saintons et Nicole Chausson

Livres

Une enquête du commissaire Dupin : Les marais sanglants de Guérande de Jean-Luc Bannalec

Astérix, Tome 21 : Le cadeau de César de René Goscinny et Albert Uderzo

Le seigneur des anneaux, Tome 2 : Les deux tours de J.R.R. Tolkien

Spirou et Fantasio : Tome 34 : Aventure en Australie de Philippe Tome et Janry

[silent-era-of-cinema]

John Gilbert (born John Cecil Pringle; July 10, 1897 – January 9, 1936) was an American actor, screenwriter and director. He rose to fame during the silent film era and became a popular leading man known as "The Great Lover". His legendary breakthrough came in 1925 with his starring roles in The Merry Widow and The Big Parade. At the height of his career, Gilbert rivaled Rudolph Valentino as a box office draw.

Gilbert's career declined precipitously when silent pictures gave way to talkies. Though Gilbert was often cited as one of the high-profile examples of an actor who was unsuccessful in making the transition to sound films, his decline as a star had far more to do with studio politics and money than with the sound of his screen voice, which was rich and distinctive.

Born John Cecil Pringle in Logan, Utah, to stock-company actor parents, John Pringle (1865–1929) and Ida Apperly Gilbert (1877–1913), he struggled through a childhood of abuse and neglect, with his family moving frequently and young "Jack" having to attend assorted schools throughout the United States. When his family finally settled in California, he attended Hitchcock Military Academy in San Rafael. After he left school, Gilbert worked as a rubber goods salesman in San Francisco, then performed with the Baker Stock Company in Portland, Oregon, in 1914. He subsequently found work the following year as a stage manager in another stock company in Spokane, Washington, but he soon lost that job when the company went out of business.

After losing his stage job in 1915, Gilbert decided to try screen acting, and he quickly gained work as a film extra through Herschell Mayall. Gilbert first appeared in The Mother Instinct (1915), a short directed by Wilfred Lucas. He then found work as an extra with the Thomas Ince Studios in productions such as The Coward (1915), Aloha Oe (1915), Civilization (1915), The Last Act (1916), and William Hart's Hell's Hinges (1916).

During his initial years in films, Gilbert also performed in releases by Kay-Bee Company such as Matrimony (1915), The Corner (1915), Eye of the Night (1916), and Bullets and Brown Eyes (1916). His first major costarring role was as Willie Hudson in The Apostle of Vengeance, also with William S. Hart.[6] Viewed by studio executives as a promising but still "juvenile" actor at this stage of his career, Gilbert's contract salary was $40 a week ($940 today), fairly ample pay for most American workers in the early 1900s.[7] Gilbert continued to get more substantial parts at Kay-Bee, which billed him as "Jack Gilbert" in The Aryan (1916), The Phantom (1916), Shell 43 (1916), The Sin Ye Do (1917), The Weaker Sex (1917), and The Bride of Hate (1917). His first true leading role was in Princess of the Dark (1917) with Enid Bennett, but the film was not a big success and he went back to supporting roles in The Dark Road (1917), Happiness (1917), The Millionaire Vagrant (1917), and The Hater of Men (1917).

Gilbert went over to Triangle Films where he was in The Mother Instinct (1917), Golden Rule Kate (1917), The Devil Dodger (1917) (second billed), Up or Down? (1917), and Nancy Comes Home (1918). For Paralta Plays, Gilbert did Shackled (1918), One Dollar Bid (1918), and Wedlock (1918) and More Trouble (1918) for Anderson, but the company went bankrupt.[7] He also was cast in Doing Their Bit (1918) at Fox and then returned to Triangle for The Mask (1918). Gilbert also did Three X Gordon (1918) for Jesse Hampton, The Dawn of Understanding (1918), The White Heather (1919) for Maurice Tourneur, The Busher (1919) for Thomas Ince, The Man Beneath for Haworth, A Little Brother of the Rich (1919) for Universal, The Red Viper (1919) for Tyrad, For a Woman's Honor (1919) for Jess Hampton, Widow by Proxy (1919) for Paramount, Heart o' the Hills (1919) for Mary Pickford, and Should a Woman Tell? (1919) for Screen Classics.

Maurice Tourneur signed him to a contract to both write and act in films. Gilbert performed in and co-wrote The White Circle (1920), The Great Redeemer (1921), and Deep Waters (1921). As a writer only, he worked on The Bait (1921), which starred and was produced by Hope Hampton. For Hampton, Gilbert wrote and directed as well, but he did not appear in Love's Penalty (1921).

In 1921, Gilbert signed a three-year contract with Fox Film Corporation, which subsequently cast him in romantic leading roles and promoted him now as "John Gilbert". The actor's first starring part for the studio was in Shame (1921).[10] He followed it with leading roles in Arabian Love (1922), Gleam O'Dawn (1922), The Yellow Stain (1922), Honor First (1922), Monte Cristo (1922), Calvert's Valley (1922), The Love Gambler (1922), and A California Romance (1922). Many of the scenarios for these films were written by Jules Furthman.

Gilbert returned temporarily to Tourneur to costar with Lon Chaney in While Paris Sleeps (1923). Back at Fox, he starred in Truxton King (1923), Madness of Youth (1923), St. Elmo (1923), and The Exiles (1923). The same year he starred in Cameo Kirby (1923), directed by John Ford, co starring Jean Arthur. He went into The Wolf Man (1923) with Norma Shearer, not a horror film, but the story of a man who believes he murdered his fiancée's brother while drunk. Gilbert also performed in his last films for Fox in 1924, including Just Off Broadway, A Man's Mate, The Lone Chance, and Romance Ranch.

Under the auspices of movie producer Irving Thalberg, Gilbert obtained a release from his Fox contract and moved to MGM, where he became a full-fledged star cast in major productions. First starring in His Hour (1924) directed by King Vidor and written by Elinor Glyn his film career entered its ascendancy. He followed this success with He Who Gets Slapped (1924) co-starring Chaney and Shearer and directed by Victor Sjöström; The Snob (1924) with Shearer; The Wife of the Centaur (1924) for Vidor.

The next year, Gilbert would star in two of MGM's most critically acclaimed and popular film productions of the silent era: Erich von Stroheim's The Merry Widow and King Vidor's The Big Parade.

Gilbert was assigned to star in Erich von Stroheim's The Merry Widow by Irving Thalberg, over the objections of the Austrian-American director. Von Stroheim expressed his displeasure bluntly to his leading man: "Gilbert, I am forced to use you in my picture. I do not want you, but the decision was not in my hands. I assure you I will do everything in my power to make you comfortable." Gilbert, mortified, soon stalked off the set in a rage, tearing off his costume. Von Stroheim followed him to his dressing room and apologized. The two agreed to share a drink. Then Gilbert apologized and they had another drink. The tempest subsided and was resolved amicably. According to Gilbert, the contretemps served to "cement a relationship which for my part will never end."

The public adulation that Gilbert experienced with his growing celebrity astounded him: "Everywhere I hear whispers and gasps in acknowledgment of my presence... he whole thing became too fantastic for me to comprehend. Acting, the very thing I had been fighting and ridiculing for seven years, had brought me success, riches and renown. I was a great motion picture artist. Well, I’ll be damned!"

Gilbert was next cast by Thalberg to star in the King Vidor's war-romance The Big Parade (1925), which became the second-highest grossing silent film and the most profitable film of the silent era. Gilbert's "inspired performance" as an American doughboy in France during World War I was the high point of his acting career. He fully immersed himself in the role of Jim Apperson, a Southern gentleman who, with two working class comrades, experiences the horrors of trench warfare. Gilbert declared: "No love has ever enthralled me as did the making of this picture...All that has followed is balderdash."

The following year, Vidor reunited Gilbert with two of his co-stars from that picture, Renée Adorée and Karl Dane, for the film La Bohème (1926) which also starred Lillian Gish. He then did another with Vidor, Bardelys the Magnificent (1926).

In 1926, Gilbert made Flesh and the Devil (1926), his first film with Greta Garbo. Gilbert first encountered Garbo on the set during filming of the railway station scene, and the chemistry between the two was evidently instantaneous. Director Clarence Brown remarked approvingly that he "had a love affair going for me that you couldn’t beat, any way you tried." Garbo and Gilbert soon began a highly publicized romance, much to the delight of their fans and to MGM.

He made The Show (1927) with Adoree for Tod Browning then did Twelve Miles Out (1927) with Joan Crawford and Man, Woman and Sin (1927) with Jeanne Eagels.

Gilbert was reunited with Garbo in a modern adaptation of Tolstoy's 19th-century novel, Anna Karenina. The title was changed to Love (1927) to capitalize on the real life love affair of the stars and advertised by MGM as "Garbo and Gilbert in Love."

Gilbert made The Cossacks (1928) with Adoree; Four Walls (1928) with Crawford; Show People (1928) with Marion Davies for Vidor, in which Gilbert only had a cameo; and The Masks of the Devil (1928) for Victor Sjöström.

Though officially directed by Edmund Goulding, Gilbert, though uncredited, was responsible for directing the love scenes involving Garbo. He was perhaps the only person in the industry whose "artistic judgment" she fully respected. As such, MGM approved of this arrangement.

Gilbert and Garbo were teamed for a third time in A Woman of Affairs (1928). His last silent film was Desert Nights (1929).

With the coming of sound, Gilbert's vocal talents made a good first impression, though the studio had failed to conduct a voice test. The conventional wisdom of the day dictated that actors in the new talkies should emulate "correct stage diction". Gilbert's strict adherence to this method produced an affected delivery that made audiences giggle, and not due to any particularity in Gilbert's natural speech. Indeed, the "quality of his voice compared well with that of co-star Conrad Nagel, regarded as having one of the best voices for sound."

Gilbert signed an immensely lucrative multi-picture contract with MGM in 1928 that totaled $1,500,000. The terms of the agreement positioned MGM executives Irving Thalberg and Nicholas Schenck, both sympathetic to the star, to supervise his career. Gilbert, however, frequently clashed with studio head Louis B. Mayer over creative, social and financial matters. A confrontation between the two men, one that became physical, occurred at the planned double-wedding of Garbo and Gilbert and director King Vidor and actress Eleanor Boardman. Mayer reportedly made a crude remark to Gilbert about Garbo, and Gilbert reacted by knocking Mayer to the floor with his fist.[24] While this story has been disputed or dismissed as hearsay by some historians, Vidor's bride Eleanor Boardman insisted that she actually witnessed the altercation.

In the all-star musical comedy The Hollywood Revue of 1929 (1929), Gilbert and Norma Shearer played the balcony scene from Shakespeare's Romeo and Juliet, first as written, then followed with a slang rendition of the scene. The comic effect served to "dispell the bad impression" produced by Gilbert's original "mincing" delivery.

Audiences awaited further romantic roles from Gilbert on the talking screen. The next vehicle was the Ruritanian romance His Glorious Night (1929), directed by Lionel Barrymore. According to reviewers, audiences laughed nervously at Gilbert's performance. The offense was not Gilbert's voice, but the awkward scenario along with the overly ardent love scenes. In one, Gilbert keeps kissing his leading lady, (Catherine Dale Owen), while saying "I love you" over and over again. (The scene was parodied in the MGM musical Singin' in the Rain (1952) in which a preview of the fictional The Dueling Cavalier flops disastrously.)

Director King Vidor speculated that the late Rudolph Valentino, Gilbert's main rival for romantic leads in the silent era, probably would have suffered the same fate in the talkie era had he lived. Gilbert's inept phrasing, his "dreadful enunciation" and the "inane" script as the genuine sources of his poor performance, that drew "titters" from audiences.

The persistent myth that John Gilbert had a "squeaky voice" that doomed his career in sound films first emerged from his performance in 1929 with His Glorious Night. It was even rumored that Louis B. Mayer ordered Gilbert's voice to be gelded by manipulating the sound track to give it a higher, less masculine pitch. Later, after analyzing the film's sound track, British film historian Kevin Brownlow found that the timbre and frequency of Gilbert's speaking scenes in His Glorious Night were no different than in his subsequent talkies. Brownlow also reported from that analysis that Gilbert's voice, overall, was "quite low". With regard to the alleged manipulation of Gilbert's footage by Mayer or by anyone else, television technicians in the 1960s determined that the actor's voice was consistent with those of other performers on the same print, casting doubt that any targeted "sabotaging" of Gilbert's voice occurred.

Film critic John Baxter described Gilbert as having "a light speaking voice", a minor defect that both MGM and the star "magnified into an obsession." Despite any conflicting opinions or myths surrounding the actor's voice, Mayer's lingering resentment and hostility toward Gilbert remained apparent, especially after MGM's star signed a new contract for six pictures at $250,000 each. Those ill feelings fueled additional speculation that Mayer deliberately assigned Gilbert bad scripts and ineffective directors in an effort to void the contract.

Metro-Goldwyn-Mayer cast Gilbert in a film adaption of The Living Corpse by Tolstoy re-titled as Redemption (1929). The bleak atmosphere and maudlin dialogue presaged the disaster looming in the stars’ personal life and career. Gilbert's confident screen presence had vanished, while his use of the exaggerated stage diction that elicited laughs from the audience persisted. In one scene Gilbert declares ominously "I’m going to kill myself to let the whole world know what it has lost."[34]

MGM put him in a more rugged film, Way for a Sailor (1930) with Wallace Beery. He followed it with Gentleman's Fate (1931). Gilbert became increasingly depressed by progressively inferior films and idle stretches between productions. Despite efforts by studio executives at MGM to cancel his contract, Gilbert resolved to thwart Louis B. Mayer and see the six-picture ordeal through to the end.

Gilbert's fortunes were temporarily restored when MGM's production chief Irving Thalberg gave him two projects that were character studies, giving Gilbert an excellent showcase for his versatility. The Phantom of Paris (1931), originally intended for Lon Chaney (who died from cancer in 1930), cast Gilbert as a debonair magician and showman who is falsely accused of murder and uses his mastery of disguise to unmask the real killer.

Downstairs (1932) was based on Gilbert's original story, with the actor playing against type as a scheming, blackmailing chauffeur. The films were well received by critics and fans but failed to revive his career. In between, he appeared in West of Broadway (1931). Shortly after making Downstairs, he married co-star Virginia Bruce; the couple divorced in 1934.

Gilbert fulfilled his contract with MGM with a perfunctory "B" picture – Fast Workers (1933) directed by Browning. He left the studio in 1933, terminating his $10,000 a week contract.

Exhausted and demoralized by his humiliations at MGM and his declining success at the box office, Gilbert began to drink heavily, contributing to his declining physical and mental health.

Gilbert announced his retirement from acting and was working at Fox as an "honorary" director when, in August 1933, Gilbert announced he had signed a seven-year contract with MGM at $75–100,000 a picture. The reason was Greta Garbo insisted that Gilbert return to MGM to play her leading man in Queen Christina (1933), directed by Rouben Mamoulian. Garbo was top-billed, with Gilbert's name beneath the title. Queen Christina, though a critical success, did not revive Gilbert's poor self-image or his career. Garbo was reported to have dropped the young Laurence Olivier scheduled to play the part, but director Rouben Mamoulian recalled that Olivier's screen tests had already eliminated him from consideration.

Columbia Pictures gave Gilbert what would be his final chance for a comeback in The Captain Hates the Sea (1934) in which he gave a capable performance as "a dissipated, bitter [and] cynical" playwright. But the off-screen cast of heavy drinkers encouraged his alcoholism. It was his last film.

Biographer Kevin Brownlow's eulogy to John Gilbert considers the destruction of both the man and his career:

"The career of John Gilbert indicates that the star, and the person playing the star, were regarded by producers as separate entities, subject to totally different attitudes. Gilbert, as an ordinary human being, had no legal right to the stardom that was the sole property of the studio. When Gilbert, as an employee, tried to seize control of the future of Gilbert the star, the studios decided to save their investment from falling into the hands of rivals, [so] they had to wreck their property. Other properties – books, films, sets – could be destroyed with impunity. But the destruction of a star carried with it the destruction of a person…it seems somewhat abhorrent that it took such tragedies as that of John Gilbert to bring us our entertainment."

Gilbert was married four times. His first marriage, on August 26, 1918, was to Olivia Burwell, a native of Mississippi whom Gilbert had met after her family moved to California. They separated the following year and Burwell returned to Mississippi for a while. She filed for divorce in Los Angeles in 1921.

In February 1921, Gilbert announced his engagement to actress Leatrice Joy. They married in Tijuana in November 1921.[44] As Gilbert had failed to secure a divorce from his first wife and the legality of Gilbert and Joy's Mexican marriage was questionable, the couple separated and had the marriage annulled to avoid a scandal. They remarried on March 3, 1922. The marriage was tumultuous and, in June 1923, Joy filed for legal separation after she claimed that Gilbert slapped her face after a night of heavy drinking. They reconciled several months later. In August 1924, Joy, who was pregnant with the couple's daughter, filed for divorce. Joy later said she left Gilbert after discovering he was having an affair with actress Laurette Taylor.[47] Joy also claimed that Gilbert had conducted affairs with Barbara La Marr (with whom he had a romance before his marriage to Joy), Lila Lee and Bebe Daniels. Gilbert and Joy had a daughter, Leatrice Gilbert (later Fountain; 4 September 1924 – 20 January 2015). Joy was granted a divorce in May 1925.

In 1929, Gilbert eloped with actress Ina Claire to Las Vegas. They separated in February 1931 and divorced six months later. Gilbert's fourth and final marriage was on August 10, 1932, to actress Virginia Bruce, who had recently costarred with him on the MGM film Downstairs. The entertainment trade paper The Film Daily reported that their "quick" wedding was held in Gilbert's dressing room on the MGM lot while Bruce was working on another studio production, Kongo. Among the people attending the small ceremony were the head of MGM production Irving Thalberg, who served as Gilbert's best man; screenwriter Donald Ogden Stewart, whose wife Beatrice acted as Bruce's matron of honor; MGM art director and set designer Cedric Gibbons; and his wife, actress Dolores del Río. Bruce retired briefly from acting following the birth of their daughter Susan Ann; however, she resumed her career after her divorce from Gilbert in May 1934.

Before his death, Gilbert dated actress Marlene Dietrich as well as Greta Garbo. When he died, he had recently been slated to play a prominent supporting role in Dietrich's film Desire.

By 1934, alcoholism had severely damaged Gilbert's health. He suffered a serious heart attack in December 1935, which left him in poor health. Gilbert suffered a second heart attack at his Bel Air home on January 9, 1936, which was fatal.

A private funeral was held on January 11 at the B.E. Mortuary in Beverly Hills. Among the mourners were Gilbert's two ex-wives, Leatrice Joy and Virginia Bruce, his two daughters, and stars Marlene Dietrich, Gary Cooper, Myrna Loy, and Raquel Torres.

Gilbert was cremated and his ashes were interred at Forest Lawn Memorial Park, Glendale in Glendale, California.

Gilbert left the bulk of his estate, valued at $363,494 (equivalent to $6.7 million in 2019), to his last ex-wife Virginia Bruce and their daughter, Susan Ann. He left $10,000 to his eldest daughter Leatrice, and other amounts to friends, relatives and his servants.

For his contribution to the motion picture industry, Gilbert has a star on the Hollywood Walk of Fame at 1755 Vine Street. In 1994, he was honored with his image on a United States postage stamp designed by caricaturist Al Hirschfeld.

[hello-robin-goodfellow]

TOP 10 FAVORITE SUPERHEROES

THANKS FOR TAGGING ME: @superkingofpriderock​

01. OGON BATTO (ALSO KNOWN AS: OGON BAT, GOLDEN BAT, FANTASMAGÓRICO, FANTOMAS AND FANTAMAN)

Originated in the medium of kamishibai (japanese street paper theater) in 1931, and later having expanded to the mediums of three live actions movies and one anime series in the 50s and 60s, Ogon Batto is a supersheroe created by Suzuki Ishiro and Takeo Nagamatsu. A being from ancient Atlantis who was sent forward in time 10,000 years to battle evil forces threatening the present day, he lives in a fortress in the Japanese Alps. His superpowers include superhuman strength, invulnerability, and the ability to fly, and his weak spot is dehidration.  Ogon Batto has an evil counterpart known as Kurayami Bat (暗闇バット "Dark Bat") and his main enemy is Dr. Erich Nazō (ナゾー), the leader of a crime syndicate bent on world domination, who wears a black costume and mask with bat-like ears, a red eye and a blue eye. To some of the brazilian audiences, he is kown with the name Fantomas, trough the 1960s dubbed anime series.

02. THE WONDER TWINS

Characters created for the cartoon Super Friends by the creative team of Hannah-Barbera, the twin brothers Zan and Jayna’s dinamic worked like this: They would punch each other’s hands, fusing the rings they used, and say “Wonder Twins: Activate”! So, Zan would take the form of anything water related (vapours, ice, etc.) while Jayna would take the form of an animal. The reason they are on the list? If you say “Super Gêmeos: Ativar” (portuguese for Wonder Twins: Activate) to anyone who was a child in Brazil during the late 1990 and early 2000s, we will know what are you talking about, and sweet childhood nostalgia will manifest.

03. EL CHAPULIN COLORADO

Remember the mexican actor dressed up as a bee in The Simpsons? Yup, he is a parody of this little fella. Writen and acted by the comedian Roberto Gómez Bolaños in the 1970s to be a superheroe that represented the latin american audiences, El Chapulin Colorado is a guy who, despite being very bumbling and frightfull, always appear offering the services of his shrinking pills, his vinyll little antennas, his bionical hammer, a book containing a story that he feels has a relevant moral and his friendship to anyone who is in need and says the phrase: “Oh! Quién Podrá Defenderme” (Oh! Who Can Defend Me).

04. STATIC SHOCK

Virgil Hawkins is a fourteen-year-old honors student at Dakota Union High School who gains his powers by a mutagenic gas explosion, dubbed "the Big Bang" by the media, which grants numerous residents of Dakota superpowers; those affected are likewise dubbed "Bang Babies". Virgil lives with his widowed father Robert Hawkins, a social worker and the head of the Freeman Community Center, and his sister Sharon Hawkins, a university student and hospital volunteer. His mother Jean Hawkins died a few years prior, the victim of a stray bullet while she worked as a paramedic during a riot; her death causes Virgil to develop an intense fear/hatred of guns. This guy deserves his movie, Hollywood!

05. ASTÉRIX AND OBÉLIX

Created by the team of french comic artists René Goscinny and Alberto Uderzo, Astérix and Obélix are the two greatest warriors from a undomitable village of celtic gauls, who resist the invasion of the romans led by Julius Caesar with the help of a powerfull  magic potion made by the druid Getafix. Astérix is the little man, whose greatest strenght is on his inteligence, cunning and witty. Obélix is the big man, gentle and innocent, who wants nothing in life but to eat delicious wild boars, find the love of a good lady and punch some romans in the face. The dwo has been around not only in comics, but also in animated and live action movies, and show no sign of slowing down and stopping to have adventures. They even have their own theme park in Paris!

06. JUSPION (ALSO KNOWN AS JASPION)

Kyojuu Tokusou Juspion ("Megabeast Investigator Juspion") is the fourth in the Metal Heroes series of Tokusatsu shows. The series revolves around space orphan Juspion and his eccentric android assistant Anri, who are sent by old wizard/scientist Ejin to destroy Satangorth and his army of Megabeasts (kyojuu), as prophesied in The Galaxy Bible. He has a giant robot at his disposal and is followed around by Team Pet Miya. While it was a success in it’s native Japan, when it was broadcast here in Brazil in the 1980s, it got extremely popular, being a mark in the surgence of geeks for japanese pop culture in the country.

07.  JIRAIYA

 Sekai Ninja Sen Jiraiya ("World Ninja War Jiraiya"), also known as Ninja Olympiad, is the seventh Metal Heroes series.  Jiraiya (real name:Tōha Yamaji) is an elite ninja warrior from the Togakure style of Ninpō. His mentor and foster father Tetsuzan Yamaji, the 34th Grandmaster of the Togakure School, has trained him for the day the ancient Yōma Clan will return. Sure enough, the clan, led by Oninin Dokusai, arise with their army of evildoers in order to seize Pako, a mysterious treasure which came from outer space over 2000 years ago which is said to have power equiparable to the Sun. With the help of his family, and an army of international ninja heroes, Jiraiya must stand tall against the evil ones. If Juspion started the phenomenon of interest in japanese Tokusatsu heroes on brazilian audiences, Jiraiya consolidated it. To the point that “Virado no Jiraiya” (Turned into Jiraiya) has become a popular brazilian, meaning that someone is mad at something. The fact that his actor Takumi Tsutsui constantly comes to visit Brazil also helps a lot in the popularity of the character.

08. THE CHANGEMAN

Dengeki Sentai Changeman (Blitzkrieg Squadron Changeman) is the ninth Super Sentai series, running from 1985 to 1986. In order to save the world from threat of invasion by the Great Star League Gozma, a special force called the Earth Defense Force is set up. One day, the Gozma launch an attack on them and have them on the ropes. That is, until the Earth itself grants five officers the power of the Earth Force, which lets them become the Changemen. Before the Power Rangers came to dominate the world’s pop culture, there four five Super Sentai that received a brazilian-portuguese dub and broadcast: Changeman, Flashman, Google-V and Maskman. Changeman was the first, and is my number one favorite.

09. THE BLACK PANTHER

Guys, is The Black Panther. Do i need to say more? Ok, i will a little something: If you didn’t watched this film, go do it. Righ now!

Wakanda Forever, king T’Challa.

10. ZORRO

Really, that mark says everything. Is freaking Zorro! He is one of the reasons the superheroe genre is what it is and is what we know. Without him, probably a lot of those guys wouldn’t have existed.

I TAG: @lioness--hart​ @ardenrosegarden​ @princesssarisa​ @mademoiselle-princesse​ @detective-jasminesa​ @johnnyclash87​ @visibilityofcolor​ @diversetolkien​ @anghraine​ @lady-sci-fi​ @butterflyslinky​ @margflower​ @amalthea9​

[oldmogg]

1861 Georges Méliès 1875 D.W. Griffith 1879 Victor Sjöström 1880 Tod Browning 1881 Cecil B. DeMille 1884 Robert Flaherty 1885 Allan Dwan / Sacha Guitry / G.W. Pabst / Erich von Stroheim 1886 Michael Curtiz / Henry King / John Cromwell 1887 Raoul Walsh 1888 F.W. Murnau 1889 Charles Chaplin / Jean Cocteau / Carl Theodor Dreyer / Victor Fleming / Abel Gance / James Whale 1890 Clarence Brown / Fritz Lang 1892 Ernst Lubitsch 1893 William Dieterle 1894 Frank Borzage / John Ford / Jean Renoir / King Vidor / Josef von Sternberg 1895 Buster Keaton 1896 Julien Duvivier / Howard Hawks / Leo McCarey / Dziga Vertov / William Wellman 1897 Frank Capra / Douglas Sirk 1898 René Clair / Sergei Eisenstein / Henry Hathaway / Mitchell Leisen / Kenji Mizoguchi / Preston Sturges 1899 George Cukor / Alfred Hitchcock 1900 Luis Buñuel / Mervyn LeRoy / Robert Siodmak 1901 Robert Bresson / Vittorio De Sica 1902 Emeric Pressburger / Max Ophüls / William Wyler 1903 Vincente Minnelli / Yasujiro Ozu 1904 Delmer Daves / Terence Fisher / George Stevens / Jacques Tourneur / Edgar G. Ulmer 1905 Mikio Naruse / Michael Powell / Otto Preminger / Jean Vigo 1906 Jacques Becker / Marcel Carné / John Huston / Anthony Mann / Carol Reed / Roberto Rossellini / Luchino Visconti / Billy Wilder 1907 Henri-Georges Clouzot / Joseph H. Lewis / Jacques Tati / Fred Zinnemann 1908 Tex Avery / Edward Dmytryk / Phil Karlson / David Lean / Manoel de Oliveira 1909 Elia Kazan / Joseph Losey / Joseph L. Mankiewicz 1910 John Sturges / Akira Kurosawa 1911 Jules Dassin / Nicholas Ray 1912 Michelangelo Antonioni / Samuel Fuller / Gene Kelly / Alexander Mackendrick / Don Siegel 1913 André de Toth / Mark Robson / Frank Tashlin 1914 Mario Bava / William Castle / Robert Wise 1915 Orson Welles 1916 Budd Boetticher / Richard Fleischer / George Sidney 1917 Maya Deren / Jean-Pierre Melville 1918 Robert Aldrich / Ingmar Bergman 1920 Federico Fellini / Eric Rohmer 1921 Luis García Berlanga / Miklós Jancsó / Chris Marker / Satyajit Ray 1922 Blake Edwards / Jonas Mekas / Pier Paolo Pasolini / Arthur Penn / Alain Resnais 1923 Ousmane Sembene / Seijun Suzuki 1924 Stanley Donen / Sidney Lumet 1925 Robert Altman / Claude Lanzmann / Sam Peckinpah / Maurice Pialat 1926 Roger Corman / Shohei Imamura / Jerry Lewis / Andrzej Wajda 1927 Kenneth Anger / Ken Russell 1928 Stanley Kubrick / Jacques Rivette / Nicolas Roeg / Agnès Varda / Andy Warhol 1929 Hal Ashby / John Cassavetes / Alejandro Jodorowsky / Sergio Leone 1930 Claude Chabrol / Clint Eastwood / John Frankenheimer / Kinji Fukasaku / Jean-Luc Godard / Frederick Wiseman 1931 Jacques Demy / Mike Nichols / Ermanno Olmi 1932 Milos Forman / Monte Hellman / Louis Malle / Nagisa Oshima / Carlos Saura / Andrei Tarkovsky / François Truffaut 1933 John Boorman / Stan Brakhage / Roman Polanski / Bob Rafelson / Jean-Marie Straub 1934 Sydney Pollack 1935 Woody Allen / Theo Angelopoulos 1936 Hollis Frampton / Danièle Huillet / Ken Loach 1937 Ridley Scott 1938 Paul Verhoeven 1939 Peter Bogdanovich / Francis Ford Coppola / William Friedkin / Glauber Rocha 1940 Dario Argento / Brian De Palma / Victor Erice / Terry Gilliam / Abbas Kiarostami / George A. Romero 1941 Bernardo Bertolucci / Stephen Frears / Patricio Guzmán / Krzysztof Kieslowski / Hayao Miyazaki / Raúl Ruiz / Bertrand Tavernier 1942 Peter Greenaway / Michael Haneke / Werner Herzog / Walter Hill / Martin Scorsese 1943 Roy Andersson / David Cronenberg / Mike Leigh / Terrence Malick / Michael Mann / Alan Rudolph 1944 Charles Burnett / Jonathan Demme / George Lucas / Peter Weir 1945 Terence Davies / Rainer Werner Fassbinder / George Miller / Wim Wenders 1946 Joe Dante / Claire Denis / David Lynch / Paul Schrader / Oliver Stone / John Woo 1947 Hou Hsiao-hsien / Takeshi Kitano / Rob Reiner / Steven Spielberg / Edward Yang 1948 John Carpenter / Philippe Garrel / Errol Morris 1949 Pedro Almodóvar 1950 Chantal Akerman / John Landis / John Sayles 1951 Kathryn Bigelow / Jean-Pierre Dardenne / Abel Ferrara / Aleksandr Sokurov / Robert Zemeckis / Zhang Yimou 1952 Jacques Audiard / Gus Van Sant 1953 Jim Jarmusch 1954 James Cameron / Jane Campion / Joel Coen / Luc Dardenne / Ang Lee / Michael Moore 1955 Olivier Assayas / Béla Tarr / Johnnie To 1956 Danny Boyle / Guy Maddin / Lars von Trier / Wong Kar-wai 1957 Ethan Coen / Aki Kaurismäki / Spike Lee / Mohsen Makhmalbaf / Tsai Ming-liang 1958 Tim Burton 1959 Nuri Bilge Ceylan / Pedro Costa / Sam Raimi 1960 Leos Carax / Atom Egoyan / Hong Sang-soo / Richard Linklater / Takashi Miike / Jafar Panahi 1961 Alfonso Cuarón / Todd Haynes / Peter Jackson / Alexander Payne / Abderrahmane Sissako / Michael Winterbottom 1962 David Fincher / Hirokazu Koreeda / Kenneth Lonergan 1963 Michel Gondry / Alejandro González Iñárritu / Park Chan-wook / Steven Soderbergh / Quentin Tarantino 1964 Guillermo del Toro / Kelly Reichardt / Andrey Zvyagintsev 1965 Jonathan Glazer 1966 Lucrecia Martel 1967 Denis Villeneuve 1969 Wes Anderson / Darren Aronofsky / Noah Baumbach / Bong Joon-ho / James Gray / Spike Jonze / Steve McQueen / Lynne Ramsay 1970 Paul Thomas Anderson / Jia Zhangke / Christopher Nolan / Apichatpong Weerasethakul 1971 Sofia Coppola / Carlos Reygadas Directors listed by key production country (Country of birth, if it differs, is listed in brackets) Argentina Lucrecia Martel Australia Jane Campion (New Zealand) / George Miller Austria Michael Haneke (Germany) Belgium Chantal Akerman / Jean-Pierre Dardenne & Luc Dardenne Brazil Glauber Rocha Canada David Cronenberg / Atom Egoyan (Egypt) / Guy Maddin / Denis Villeneuve China Jia Zhangke / Zhang Yimou Denmark Carl Theodor Dreyer / Lars von Trier Finland Aki Kaurismäki France Olivier Assayas / Jacques Audiard / Jacques Becker / Robert Bresson / Leos Carax / Marcel Carné / Claude Chabrol / René Clair / Henri-Georges Clouzot / Jean Cocteau / Jacques Demy / Claire Denis / Julien Duvivier / Abel Gance / Philippe Garrel / Jean-Luc Godard / Sacha Guitry (Russia) / Patricio Guzmán (Chile) / Claude Lanzmann / Louis Malle / Chris Marker / Georges Méliès / Jean-Pierre Melville / Max Ophüls (Germany) / Maurice Pialat / Roman Polanski / Jean Renoir / Alain Resnais / Jacques Rivette / Eric Rohmer / Raúl Ruiz (Chile) / Jean-Marie Straub & Danièle Huillet / Jacques Tati / Bertrand Tavernier / François Truffaut / Agnès Varda (Belgium) / Jean Vigo Germany / West Germany Rainer Werner Fassbinder / Werner Herzog / F.W. Murnau / G.W. Pabst (Austria-Hungary) / Wim Wenders Greece Theo Angelopoulos Hong Kong Wong Kar-wai (China) / Johnnie To / John Woo (China) Hungary Miklós Jancsó / Béla Tarr India Satyajit Ray Iran Abbas Kiarostami / Mohsen Makhmalbaf / Jafar Panahi Italy Michelangelo Antonioni / Dario Argento / Mario Bava / Bernardo Bertolucci / Vittorio De Sica / Federico Fellini / Sergio Leone / Ermanno Olmi / Pier Paolo Pasolini / Roberto Rossellini / Luchino Visconti Japan Kinji Fukasaku / Shohei Imamura / Takeshi Kitano / Hirokazu Koreeda / Akira Kurosawa / Takashi Miike / Hayao Miyazaki / Kenji Mizoguchi / Mikio Naruse / Nagisa Oshima / Yasujiro Ozu / Seijun Suzuki Mauritania Abderrahmane Sissako Mexico Luis Buñuel (Spain) / Alejandro Jodorowsky (Chile) / Carlos Reygadas New Zealand Peter Jackson Poland Krzysztof Kieslowski / Andrzej Wajda Portugal Pedro Costa / Manoel de Oliveira Russia / USSR Sergei Eisenstein (Latvia) / Aleksandr Sokurov / Andrei Tarkovsky / Dziga Vertov (Poland) / Andrey Zvyagintsev Senegal Ousmane Sembene South Korea Bong Joon-ho / Hong Sang-soo / Park Chan-wook Spain Pedro Almodóvar / Victor Erice / Luis García Berlanga / Carlos Saura Sweden Roy Andersson / Ingmar Bergman / Victor Sjöström Taiwan Hou Hsiao-hsien (China) / Tsai Ming-liang (Malaysia) / Edward Yang (China) Thailand Apichatpong Weerasethakul Turkey Nuri Bilge Ceylan UK John Boorman / Danny Boyle / Terence Davies / Terence Fisher / Stephen Frears / Jonathan Glazer / Peter Greenaway / David Lean / Mike Leigh / Ken Loach / Joseph Losey (USA) / Alexander Mackendrick (USA) / Steve McQueen / Michael Powell / Michael Powell (UK) & Emeric Pressburger (Hungary) / Lynne Ramsay / Carol Reed / Nicolas Roeg / Ken Russell / Michael Winterbottom USA (A-B) Robert Aldrich / Woody Allen / Robert Altman / Paul Thomas Anderson / Wes Anderson / Kenneth Anger / Darren Aronofsky / Hal Ashby / Tex Avery / Noah Baumbach / Kathryn Bigelow / Budd Boetticher / Peter Bogdanovich / Frank Borzage / Stan Brakhage / Clarence Brown / Tod Browning / Charles Burnett / Tim Burton USA (C-D) James Cameron (Canada) / Frank Capra (Italy) / John Carpenter / John Cassavetes / William Castle / Charles Chaplin (UK) / Joel Coen & Ethan Coen / Francis Ford Coppola / Sofia Coppola / Roger Corman / John Cromwell / Alfonso Cuarón (Mexico) / George Cukor / Michael Curtiz (Hungary) / Joe Dante / Jules Dassin / Delmer Daves / Brian De Palma / André de Toth (Hungary) / Guillermo del Toro (Mexico) / Cecil B. DeMille / Jonathan Demme / Maya Deren (Ukraine) / William Dieterle (Germany) / Edward Dmytryk (Canada) / Stanley Donen / Stanley Donen & Gene Kelly / Allan Dwan (Canada) USA (E-G) Clint Eastwood / Blake Edwards / Abel Ferrara / David Fincher / Robert Flaherty / Richard Fleischer / Victor Fleming / John Ford / Milos Forman (Czechoslovakia) / Hollis Frampton / John Frankenheimer / William Friedkin / Samuel Fuller / Terry Gilliam / Michel Gondry (France) / Alejandro González Iñárritu (Mexico) / D.W. Griffith / James Gray USA (H-L) Henry Hathaway / Howard Hawks / Todd Haynes / Monte Hellman / Walter Hill / Alfred Hitchcock (UK) / John Huston / Jim Jarmusch / Spike Jonze / Phil Karlson / Elia Kazan (Turkey) / Buster Keaton / Henry King / Stanley Kubrick / John Landis / Fritz Lang (Austria) / Ang Lee (Taiwan) / Spike Lee / Mitchell Leisen / Mervyn LeRoy / Jerry Lewis / Joseph H. Lewis / Richard Linklater / Kenneth Lonergan / Ernst Lubitsch (Germany) / George Lucas / Sidney Lumet / David Lynch USA (M-R) Terrence Malick / Joseph L. Mankiewicz / Anthony Mann / Michael Mann / Leo McCarey / Jonas Mekas (Lithuania) / Vincente Minnelli / Michael Moore / Errol Morris / Mike Nichols (Germany) / Christopher Nolan (UK) / Alexander Payne / Sam Peckinpah / Arthur Penn / Sydney Pollack / Otto Preminger (Austria-Hungary) / Sam Raimi / Bob Rafelson / Nicholas Ray / Kelly Reichardt / Rob Reiner / Mark Robson (Canada) / George A. Romero / Alan Rudolph USA (S-U) John Sayles / Paul Schrader / Martin Scorsese / Ridley Scott (UK) / George Sidney / Don Siegel / Robert Siodmak (Germany) / Douglas Sirk (Germany) / Steven Soderbergh / Steven Spielberg / George Stevens / Oliver Stone / John Sturges / Preston Sturges / Quentin Tarantino / Frank Tashlin / Jacques Tourneur (France) / Edgar G. Ulmer (Austria-Hungary) USA (V-Z) Gus Van Sant / Paul Verhoeven (Netherlands) / King Vidor / Josef von Sternberg (Austria) / Erich von Stroheim (Austria) / Raoul Walsh / Andy Warhol / Peter Weir (Australia) / Orson Welles / William Wellman / James Whale (UK) / Billy Wilder (Austria-Hungary) / Robert Wise / Frederick Wiseman / William Wyler (Germany) / Robert Zemeckis / Fred Zinnemann (Austria-HungaryJonas Mekas)

[xxxmath3deadpool-blog]

Biblioteca MT 

1-Mentalismo

Mentalismo

-13 escalones del mentalismo

-Arte de ler mentes-Henrik Fexeus

-O mentalista

-Tricks of the mind - Derren Brown

-Absolute Magic-Derren Brown

-Pure effect-Derren Brown

-Easy mentalism

-Practical Mental magic-Theodore Annemann

Psiquiatria

-Manual de psiquiatria portugues

-Cinema e Loucura

Psicologia

-Psicologia Facil - Ana Merces Bahia Bock

PNL

-Introdução à programação neurolinguística-Joseph 0'Connor e John Seymour

-despertar do gigante interior

-PNL Programacao Neurolinguistic - Steve Andreas

-Usando Sua Mente (PNL) Richard Bandler

-PNL: A Nova Tecnologia do Sucesso

Neurociência

-Neurociências - Desvendando o sistema nervoso Bear, M. F., Connors, B. W., & Paradiso, M. A.,

-As bases biologicas do comportamento-marcus brandao

-Truques da mente-Stephen L.Macknik & Susana martinez-Conde

com Sandra Blakeslee

-Subliminar - Leonard Mlodinow

Hipnose

-Hipnoterapia Ericksoniana Passo a Passo-Sofia Bauer

-hipnose - dicas, métodos e técnicas

-o homem de fevereiro-erickson

-Manual hipnose completo-fabio puentes

-Hackeando mentes - Marcelo Maia

-A Realidade é Plástica- Anthony Jacquin

Sedução

-Como se dar bem com as Mulheres - Ron Louis e David Copeland

-A Arte Natural da Sedução - Richard La Ruina

-Manual de Artes Venusianas

-O Jogo-Neil Strauss

-O livro negro da sedução

-Biblia da sedução

Microexpressões

-linguagem das Emocoes-Paul Ekman

-O código de Ekman -A.Freitas Magalhães

-Inteligência visual-Amy E.Herman

Persuasão

-As Armas da Persuasao - Robert B. Cialdini

-Manual de Persuasão do FBI - Jack Shafer

Interpretação

-A preparação do Ator-Stanislavski

Memorização

-Mentes Geniais - Alberto Dell isola

-Mentes Brilhantes

Argumentação

-A Arte de Argumentar

-tratado de argumentação a nova retórica-Chaim Perelman

-logica juridica-chaim perelman

-Argumentação Juridica-Vitor Gabriel

-schopenhauer - como vencer um debate - dialetica eristica

-schoppenhauer - do pensar por si

-Oratória-Reinaldo Polito

-Introducao a retorica-Olivier Reboul

-How to Argue & Win Every Time- Gerry Spence

Redação

-tecnicas basicas de redacao-branca granatic

Pedagogia

-A encantadora de Bebes

Adestramento

-Adestramento Inteligente

-Como Criar o Cao Perfeito Desde - Cesar Millan

Motivação

-Magica de Pensar Grande-David J SchwartzA

Mitologia

-Mitologia Greco-Romana - René Ménard

-Os Mitos Gregos-Robert Graves

Mágica

-Ultimate secrets of card magic

-Expert card technique -Jean Hugard & Frederick Braue

2-Trading

Trade

-Apostila aprenda a investir na bolsa corretora xp

-OPERANDO NO MERCADO COM MT4

-Analise Fundamentalista

-Os supersinais da analise técnica

-Investir cada vez melhor

-Sobreviva na bolsa

-Aprenda a operar

-Manual do pequeno investidor em - Fabio Almeida

Transações imobiliarias

-apostila TTI

-como montar uma imobiliaria

-dominio da venda imobiliaria

Economia

-Freakonomics

-SuperFreakonomics O Lado Oculto do Dia a Dia - Steven D. Levitt

-Curso basico de macroeconomia

-Historia Pensamento economico

-manual de Economia da USP

-Economia nua e crua - Charles Wheelan

ADM

-Manual do CEO

-O CEO é o limite

Estratégia

-os axiomas de Zurique

-Pai rico pai pobre

-investimentos O segredo de George Soros e Warren Buffet

-O X da questão

-Investimentos inteligentes - Gustavo Cerbasi

História

-Sonho Grande

-A jogada do seculo-Michael Lewis

-Bumerangue-Michael Lewis

-Flash Boys-Michael Lewis

-O homem que roubou Portugal

-Os Genios dos Negocios-Peter-Krass

-Golpes bilionarios-kari nars

-A ascensao do dinheiro - Niall Ferguson

-A bola de neve-Alice Schroeder

-crash-uma breve histria da economia

-O Lobo de Wall Street - Jordan Belfort

-O Sequestro da America - Charles H. Ferguson

-Por que sai do Goldman Sachs - Greg Smith

3-Ciência

Medicina

---------

1-Anatomia

Anatomia Humana Basica Dangeloe Fattini

Atlas de Anatomia Humana  Netter

Atlas Fotográfico de Anatomia - Yokochi

Grays p. estudant.

Anatomia Moore orientada para a clínica

2-Fisiologia

Fisiologia Humana - Dee Unglaub Silverthorn

3-Patologia

Bogliolo Patologia

4-Histologia

Histologia Básica - Junqueira e Carneiro

5-Biologia celular

Biologia Celular e Molecular -Junqueira & Carneiro

6-Bioquímica

Bioquímica Médica Básica de Marks

7-Bioestatística

8-Embriologia

embriologia clinica Moore

9-Microbiologia

Microbiologia Medica - Patrick Murray

10-Imunologia

Murphy - Imunobiologia De Janeway

11-Genética

Griffiths - Introdução à Genética

12-Parasitologia

Parasitologia Humana Neves

13-Radiologia

Fundamentos de Radiologia e Diagnóstico por imagem

Tratado de Técnica Radiológica - Bontrager

14-Farmacologia

Farmacologia Básica Clínica Bertram Katzung  

Goodman - Farmacologia

15-Semiologia

Semiologia Medica - Porto

Semiologia Bates

Exame Clínico-Porto

Semiologia médica - mario lópez

Semiologia Médica - Rocco

16-Clínica Geral

Harrison - Medicina Interna

Cecil

17-Urgência e Emergência

ATLS

Manual APH

18-Pediatria

Blackbook Pediatria

Nelson Tratado de Pediatria

19-Ginecologia e Obstetrícia

Obstetricía Rezende

Obstetricia Basica

Rotinas Em Obstetricia

Ginecologia Fundamental

Rotinas em Ginecologia

20-Neurologia

A Neurologia que todo médico deve saber - Nitrini

Neurociências - Bear, M. F., Connors, B. W., & Paradiso, M. A.

Cem bilhoes de neuronios

Neuropsicologia - Roger Gil

21-Psiquiatria

Compêndio de Psiquiatria - Kaplan

Manual De Psiquiatria Portugues

22-Cirurgia geral

Cirurgia ambulatorial - Savassi

Manual de técnica cirúrgica para a graduação

Propedeutica Cirurgica

Ruy Garcia - Tecnica Operatória e Cirurgia Experimental

Sabiston - Tratado de Cirurgia

TECNICA CIRÚRGICA Goff

23-Cardiologia

Cardiologia para Clinico Geral

Serrano - Tratado de Cardiologia SOCESP

24-Exames Laboratorias

Exames Laboratoriais - Nemer, Neves e Ferreira

Medicina Laboratorial para o Clínico

Renato Failace - Hemograma - Manual De Interpretação

25-Diversos

Manual de Medicina Legal - Delton Croce Junior

Fundamentos em Toxicologia de Casarett e Doull

Williams - Tratado de Endocrinologia

Current Reumatologia

Dermatologia - Azulay & Azulay

Nefrologia - Riella

Pneumologia - Série No Consultório

Andrew Holtz - A ciência médica de House

Onde não há medico

Biologia

Quimica

Rotinas de enfermagem

Engenharia

----------

-Princípios de Mecatrônica-João Maurício Rosário

Física,Astronomia e Cosmologia

-----------------------------------

-50 Ideias de Fisica Que Precisa - Joanne Baker

-Física Moderna para iniciados, interessados e aficionados

-O Universo Numa Casca de Noz-Stephen Hawking

-Breve história do tempo-Stephen Hawking

-O universo elegante - Brian Greene

-A Realidade Oculta - Brian Greene

-O Tecido do Cosmo - Brian Greene

-Fisica do futuro - Michio Kaku

-Hiperespaco - Michio Kaku

-Mundos Paralelos - Michio Kaku

-Batendo a porta do ceu - Lisa Randall

-O cerne da matéria

-Cosmos - Carl Sagan

-El grande diseno-Stephen Hawking

-E SE Respostas científicas para perguntas absurdas - Randall Munroe

Matemática

----------

-50 Ideias de Matematica Que Pre - Tony Crilly

-17 Equacoes Que Mudaram o Mundo - Ian Stewart

-20.000 léguas matemáticas

-As maravilhas da matemática

-Introdução a filosofia da matemática

-O diabo dos numeros

-O andar do bebado

-Em busca do infinito

-Os misterios dos numeros

-Sera que Deus joga dados

-Simetria matematica

-A Matemática nos Tribunais - Leila Schneps, Coralie Colmez

-Mathemagics How to Look Like a Genius Without Really Trying Mantesh Marked

-Mania de matemática

Biologia

--------

-50 Ideias Genetica - Mark Henderson

-O Maior Espetáculo da Terra As Evidências da Evolução-Richard Dawkins

-POR QUE A EVOLUÇÃO É UMA VERDADE -Jerry A. Coyne

Lógica

------

-A Arte de Pensar Claramente - Rolf Dobelli

-Tratado Lógico Filosófico-Wittgeinstein

-Pinóquio no País dos Paradoxos

-Raciocínio Lógico e Matemática para Concursos CESPE/UNB

-Raciocínio Lógico Passo A Passo -Cabral,Luiz Claudio; Nunes, Mauro César

-Pense Como um Freak_ Como Pensa - Steven D. Levitt

-Guia das falácias de Stephen Downes

-Lógica jurídica-Chaim Perelman

-Modal Logic for Open Minds - Johan van Benthem

-Philosophical Perspectives on Infinity-Graham Oppy

Bibliografia do Combate

AMT

-C 23-1 - Tiro Das Armas Portáteis- 1ª Parte - Fuzil-EB

-C 23-1 - Tiro Das Armas Portáteis- 2ª Parte - Pistola-EB

-Caderno de Instrução do Fuzil de Assalto 5,56 IA2 (EB70-CI-11.405)-EB

-Catálogo de Armas-Rodrigo Pereira Larizzatti

-C 5-37 Minas e Armadilhas-EB

-IP-23-90 Morteiro 81 mm ROYAL ORDNANCE-EB

-IP 23-34 Lança-Rojão 84mm(AT-4)

-MCRP 3-01B Pistol Marksmanship - USMC

-MCRP 3-01A Rifle Marksmanship U.S. Marine Corps

Assault

-CI 7-5-2 Combate em área edificada-EB

-CI 21-75 Patrulhas-EB

-Manual de Conduta de Patrulha-PMESP

-Apostila Instrução Tática Individual -FNSP

-The Hunter's page-Rodrigo Pereira Larizzatti

-In0531 Combat in built up areas-Us Army

Sniping

-IP 21-2 Caçador-EB

-CI 21-2-1 contra caçadores-EB

-The Ultimate Sniper -Maj.John Plaster

-B-GL-392-005/FP-001 Sniping -Canada

-FM 3-22.10 FM 23 10 SNIPER TRAINING AND OPERATIONS

-MCWP 3-15-3 Sniping-USMC

-MI6-028 Tiradores de élite-Ejército de Tierra(Espanha)

-Atirador de elite-Carlos David

Artes Marciais

-C 20-50 luta-EB

-Ringue Master

-Boxing-Edwin Haislet

-Gracie Jiu-Jitsu - Thomas de Soto

-A Biblia do MMA- Anderson Silva

-Krav Maga-Kobi Lichtenstein

-FM 3-25.150 Combatives-US Army

-MCRP 3-02 Close Combat-US Marine Corps

-Wrestling for Fighting The Natural Way-Randy Couture, Erich Krauss, Glen Cordoza e Eric Hendrikx

-GET TOUGH! -W.E.FAIRBAIRN

-Ninjutsu - Arte da resistencia

-Mystic Art of the Ninja - Stephen Hayes

-Ninja Combat Method -  Stephen Hayes

-Secrets from the Ninja Grandmaster-Stephen K. Hayes & Masaaki Hatsumi

-The Way of the Ninja: Secret Techniques - Masaaki Hatsumi

TFM & Alimentação

-EB20-MC-10.350 Treinamento Físico Militar-EB

-Guia dos movimentos de musculação-Frédéric Delavier

-Musculação além do anabolismo-Waldemar Marques Guimarães Neto

-MD42-M-03 Manual de Alimentação das Forças Armadas-EB

Esgrima

-Manual de Ensino de Esgrima -Volume 1- FLORETE (EB60-ME-25.401)-EB

-Manual de Ensino de Esgrima - Volume 2 – Espada (EB60-25.502)-EB

-C 20-51-Esgrima-EB

Sobrevivência

-IP 21-80-sobrevência na selva-EB

-Fm 21 76 Survival manual- us army

-SERE-FASOTRAGRUPAC /LANT 1520-8 (REV 1-99)

APH & Medicina

-MANUAL DE ATENDIMENTO PRÉ-HOSPITALAR-CBMDF

-PROTOCOLO DE SUPORTE BÁSICO DA VIDA-CBMGO

-ATLS Advanced Trauma Life Support-Colégio Americano de Cirurgiões Comitê de Trauma

-Manual de Diagnóstico e Tratamento de Acidentes por Animais Peçonhentos-FUNASA

Rastreamento

-SIGN AND THE ART OF TRACKING-Christian Nellemann with Jack Kearney and Stig Nårstad

-SAS Tracking Handbook-Barry Davies

-The art of tracking the origin of science-Liebenberg

Manuais

-cgcfn 1003 manual basico do fuzileiro naval

-cgcfn 1004 combatente anfibio

-Manual Operacional Do Policial Civil SP

Técnicas Militares

-C 22-5 ordem unida-EB

-C-21-74 Instrução Individual-Exército Brasileiro(EB)

-EB70-MC-10.233 Defesa QBN-EB

-EB70-CI-11.002 CÃO DE GUERRA-EB

-C-6-199 Topografia-EB

-C-5-40 Camuflagem-EB

-Manual de Operações de Choque

-The Ultimate Parkour & Freerunning Book-Jan Witfeld, Ilona E. Gerling

& Alexander Pach

Apronto Operacional

-EB70-CI-11.404 Caderno de Instrução de Aprestamento e Apronto Operacional-EB

-Guia do Aluno Comanf-Marinha do Brasil

-Orientação Cioesp - EB

-Orientação Cigs - EB

-Orientação Cam(Curso Avançado de Montanhismo) - EB

-Orientação PQD - EB

Explosivos

-C 5-37 Minas e Armadilhas-EB

-FM 5-25 Explosives & Demolitions-U.S.Army

-TM 31-210 Improvised Munitions Handbook-U.S.Army

-TM 9-1910 Military Explosives-US Army

-TM 9-1300-214 Military Explosives-US Army

-The Anarchist Cookbook-William Powell

-Guerilla Arsenal- David Harber

-The Anarchist Arsenal-David Harber

-The Advanced Anarchist Arsenal-David Harber

-The Preparatory Manual of Explosives-Jared B.Ledgard

-Kitchen Improvised Fertilizer Explosives-Tim Lewis

-Homemade Semtex-Seymour Lecker

-Science of Revolutionary Warfare-Johann Most

-The Explosives Course-Abu Khabab al-Masri(Midhat Mursi)

-Ragnar's Homemade Detonators-Ragnar Benson

Mergulho

-B-GL-361-007/FP-001 Combat Diving-National Defense Canada

-MANUAL DE NATAÇÃO EsEFEx-EB

-U.S. Navy Diving Manual SS521-AG-PRO-010

-MANUAL DE OPERAÇÕES DE MERGULHO-CBMESP

-A Guide to Public Safety Diving-North Carolina PSD Standards

-Manual Operacional de Bombeiros-CBMGO

-FM 3-05.212 Special Forces Waterborne Operations-US Army

-MULTI-SERVICE TACTICS, TECHNIQUES,AND PROCEDURES FOR

MILITARY DIVING OPERATIONS-Headquarters of the Army, Marine Corps, Navy, Air Force, and

Coast Guard US

Paraquedismo

-CADERNO DE INSTRUÇÃO DE TREINAMENTO E TÉCNICA BÁSICA DO PARAQUEDISTA MILITAR EB70-CI-11.001 -EB

-MANUAL TÉCNICO DO MESTRE DE SALTO PARAQUEDISTA-EB

-Manual Técnico de Salto Livre (EB60-MT-34.405)-EB

Equitação

-Manual Técnico Equitação (EB60- MT-26.401)-EB

-Manual Equitação da Federação Paulista de Hipismo

Operações

-M016 Manual Tecnica Esqui-Ejército de Tierra(Espanha)

-Ci9011 Assalto Aeromóvel e Infiltração aeromóvel-EB

-Cold Region Operations ATTP 3-97.11/MCRP 3-35.1D (FM 31-70 and FM 31-71)-US Army

-MOUNTAIN OPERATIONS FM 3-97.6 (90-6)-US Army

-DESERT OPERATIONS-FM 90-3/FMFM 7-27-US Army

-Jungle Operations-FM 90-5-US Army

-MILITARY MOUNTAINEERING FM 3-97.61(TC 90-6-1)-US Army

Espionagem

-CIA-Manual Oficial truques e espionagem-H.Keith Melton

-Techiques of the professional pickpocket-Wayne B.Yeager

-Curso de Introdução à Atividade de Inteligência – CIAI-CGI

Sistemas de armas

A.Aeronaves

-Art of the kill-Pete Bonanni

-Natops Flight Manual F16

-Natops Flight Manual F18

-Natops Flight Manual F14

-FLIGHT MANUAL EuroFighter v1

-TM 1-1520-251-10 HELICOPTER, ATTACK,AH-64D LONGBOW APACHE-

DEPARTMENT OF THE ARMY US

B.Submarinos

-Conocimientos submarinos S-70-Armada Española

C.Barcos

-Manual de Marinero y del Soldado de infantería de Marina-Armada Española

-Manual de policiamento fluvial-PPMPA (Pará)

D.Cavalaria

-IP 17-82 - A VIATURA BLINDADA DE COMBATE - CARRO DE COMBATE LEOPARD 1 A1-EB

-Manual M113-Exército Português

E.Artilharia

-SERVIÇO DA PEÇA DO OBUSEIRO 155 mm M109 A3-EB

Rocketry

-Fundamentals of Guided Missiles-S. R. Mohan

-AFM 52-31 Guided Missile Fundamentals-Department of the Air Force

-Advances in Missile Guidance, Control, and Estimation

Gunsmithing

-Gunsmithing at Home Lock Stock & Barrel- John E.Traister

-Building Firearms-Harold Hoffman

Armas Nucleares

-U.S. Nuclear Weapons - The Secret History Hardcover-Chuck Hansen

-Swords of Armageddon - Chuck Hansen

-Dark Sun: The Making of the Hydrogen Bomb-Richard Rhodes

-The Making of the Atomic Bomb-Richard Rhodes

-Atomic Accidents: A History of Nuclear Meltdowns and Disasters- James Mahaffey

Engenharia Naval

-SNAME Ship Design & Construction

-Engineering Economics and Ship Design - Buxton

Estratégia militar

-Field Manual of Military Operations (FM 3–0)-United States Army

-Manual de Campanha C 124-1 - Estratégia-EB

-As grandes estratégias - John Lewis Gaddis

Criminalística

-Techniques of Crime Scene investigation-Barry A.J Fisher

-Procedimento operacional padrão:Perícia Criminal-Ministério da Justiça BR

-Manual de orientação de quesitos da perícia criminal-DPF

-Introduction to Criminalistics-Barry A.J Fisher,

William J.Tilstone e Catherine Woytowicz

-Fundamentals of forensic science- Max M. Houck & Jay A. Siegel

-Ciências Forenses-Alberi Espindula,Gustavo Caminoto Geiser e Jesus Antonio Velho

A.Localística

-Practical Crime Scene Processing and Investigation

B.Balística

-Hanbook of Firearms and Ballistics-Brian J.Heard

C.Hematologia Forense

-Interpretation of Bloodstain Evidence at Crime Scenes-

Stuart H.James & William G.Eckert

-Bloodstain Pattern Analysis -Tom Bevel & Ross M. Gardner

Medicina Legal

-Medicina Legal-Genival Veloso

-Manual técnico-operacional para os médicos-legistas do Estado de São Paulo

-Manual de Medicina Legal - Delton Croce Junior

-Manual de Técnicas em Necropsia médico-legal-Luiz Carlos L.Prestes Jr. &

Roger Ancillotti

Psicologia Forense

A.Perfil

-Serial Killer louco ou cruel-Ilana Casoy

-Mentes Perigosas - O Psicopata  - Ana Beatriz Barbosa Silva

B.Microexpressões

-Linguagem das Emoções-Paul Ekman

-O código de Ekman -A.Freitas Magalhães

-Inteligência visual-Amy E.Herman

C.Persuasão

-As Armas da Persuasao - Robert B. Cialdini

-Manual de Persuasão do FBI - Jack Shafer

-Oratória-Reinaldo Polito

D.Adestramento

-Adestramento Inteligente

-Como Criar o Cao Perfeito Desde - Cesar Millan

E.Motivação

-Magica de Pensar Grande-David J SchwartzA

Lógica

-Raciocínio Lógico Passo A Passo -Cabral,Luiz Claudio; Nunes, Mauro César

História

-The illustrated guide to the world's top counter-terrorist forces-Samuel M.Katz

-Bushido (o Código do Samurai)-Daidoji Yuzan

-DA GUERRA-CARL VON CLAUSEWITZ

-A Arte da guerra-Sun Tzu

-O Livro dos Cinco Anéis-Miyamoto Musashi

-Charlie Oscar Tango-Eduardo Betini e Fabiano Tomazi

-Oscar Alfa-Fabiano Tomazi

-Elite da tropa- André Batista, Rodrigo Pimentel e Luiz Eduardo Soares

-Falcão Negro em Perigo-Mark Bowden

-Não há dia fácil-Mark Owen

-Seal team six -Howard E.Wasdin & Stephen Templin

-Diário de um policial-Diógenes Lucca

-COE Comandos e Operações Especiais-por Luis Augusto Pacheco Ambar (Autor), Guto Ambar (Fotógrafo)

-Matar ou Morrer-Conte Lopes

-Rota 66-Caco Barcellos

-Thoughts of a Sniper-Vasily Zaitsev

-O diário de Guantánamo- Mohamedou Ould Slahi

Crime Organizado

-A Guerra: a ascensão do PCC e o mundo do crime no Brasil-Bruno Paes Manso e Camila Nunes Dias

-Laços de Sangue. A História Secreta do PCC-Marcio Sergio Christino & Claudio Tognolli

-Quatrocentos Contra um (uma Historia do Comando Vermelho)- William da Silva Lima

Ficção

-Shibumi-Trevanian

-Tom Clancy - A Caçada ao Outubro Vermelho

-Tom Clancy - A Soma de Todos os Medos

-Tom Clancy Morto ou Vivo

-Scarpetta - Patricia Cornwell

-Dexter - Design de um Assassino - Jeff Lindsay

-Querido e Devotado Dexter - Jeff Lindsay

-Duplo Dexter - Jeff Lindsay

Documentários

-Guerreiro Mais Mortal

-Sniper: Deadliest Missions(Sniper:Atiradores de Elite (BR))

-Generais em guerra-National Geographic

-SAS Survival Secrets

-Arma Humana (Human Weapon)-The History Channel

-Por Dentro do Mossad-Duki Dror

-Terrorismo atentados frustrados - Netflix

-Medalha de honra-Netflix

-The secrets of seal team six(Secretos de los SEALS VI(espanhol))

-COMBATES AÉREOS(Dogfights)-History Channel

-Preparados para o fim do mundo -National Geographic

-À Prova de Tudo(Man vs. Wild)-Bear Grylls

-No Pior Dos Casos-Bear Grylls

-A vida em um milhão de anos-NatGeo

Filmes

-Falcão Negro em Perigo-Ridley Scott

-Até o Limite da Honra-Ridley Scott

-13 Horas: Os Soldados Secretos de Benghazi-Michael Bay

-Sniper Americano- Clint Eastwood

-Rede de Mentiras-Ridley Scott

-Rota Comando-Elias Junior

-S.W.A.T. - Comando Especial-Clark Johnson

-Tropa de Elite-José Padilha

-A Hora Mais Escura-Kathryn Bigelow

-44 Minutos-Yves Simoneau

-Beasts of No Nation-Cary Fukunaga

-Ameaça Terrorista-Gregor Jordan

-Círculo de Fogo (Enemy at the Gates)

-Missão Impossível(Saga)

-A Identidade Bourne-Doug Liman

-Colombiana-Olivier Megaton

Séries

-Band of Brothers-Phil Alden Robinson et al

-White Collar-Jeff Eastin

-Generation Kill- Iraque 40 dias de horror-Patrick Norris et al

-Polícia 24h-Diego Guebel

-Operação de Risco- Carla Albuquerque & Eduardo Oliveira

Games

-Arma 3

-Insurgency

-Tom Clancy's Splinter Cell: Blacklist

-Tom Clancy's Rainbow Six: Vegas

-Tom Clancy's Ghost Recon: Future Soldier

-Call of Duty 4: Modern Warfare

-Call of Duty: Advanced Warfare

-Tom Clancy's H.A.W.X

-ACE COMBAT 7: SKIES UNKNOWN

-Microsoft Flight Simulator

-X-Plane 11

-Ship Simulator Extremes

-UBoat

-World of Warships

4-Arte

Sadismo

-120 dias de sodoma

-Justine-Marques de Sade

-O orgasmo multiplo do homem

-Sexo Tântrico - Alicia Gallotti

-Dossiê do beijo

5-Ceticismo

Ateísmo

-God The Failed Hypothesis- Victor J. Stenger

-The Miracle of Theism Arguments for and Against the Existence of God- J L Mackie

-The Non Existence of God-Nicholas-Everitt

-Arguing About Gods-Graham Oppy

-Iron Chariots Wiki

-Arguing for Atheism-Robin Le Poidevin

-O relojoeiro cego-Dawkins

-Atheism: A Philosophical Justification Michael Martin

-Logic and Theism - Jordan Sobel

-The Cambridge Companion to Atheism - Michael Martin

-Irreligion -John Allen Paulos

-A Cosmological Argument for a Self-Caused-Quentin Smith

Ceticismo

-The Skeptic's Dictionary- Robert Todd Carroll

-The Skeptic Encyclopedia of Pseudoscience - Michael Shermer

-An Encyclopedia of claims,frauds,and Hoaxes of

the Occult and Supernatural- James Randi

-O Mundo Assombrado pelos Demonios-Carl Sagan

-Cerebro e Crenca - Michael Shermer

-Por que as Pessoas Acreditam em - Michael Shermer

-Pura Picaretagem - Daniel Bezerra

6-Budismo

-A Doutrina de Buda

-contos zen budistas

-O cérebro de Buda

-O Livro de ouro do Zen -David Scott & Tony Doubleday

[aunqueudselocrea]

LAS CIUDADES SUBTERRANEAS Y EL REY DEL MUNDO :

...

UN ARTICULO EXTRAORDINARIO DE UNO DE LOS MEJORES INVESTIGADORES Y AUTORES…

Por JUAN NORBERTO COMTE

No hay más que una verdad,pero existen varias sabidurías posibles".Jean Píaget

Antiquísimas leyendas de Oriente y Occidente nos describen mundos subterráneos habitados por razas altamente evolucionadas descendienles de los dioses venidos del espacio. Los terribles cataclismos que sacudieron el planeta y las subsiguientes inundaciones que cubrieron para siempre sus espléndidas ciudades de avanzada obligaron a esos superhombres a buscar refugio en las entrañas de la Tierra.

La Biblia, manual supremo de arcanos, nos habla de¡ Diluvio Universal, y Platán de la discutida Atlántida. En la India, el Nepal y el Tibet se afirma desde el fondo de los tiempos que el orbe está comunicado por túneles y metrópolis subterraneos donde viven insólitas comunidades regidas por la máxima autoridad de un fabuloso personaje: El Rey del Mundo. Este misterioso sobe. rano regula el destino humano según los Grandes Dictados Cósmicos y está en lucha permanente con las fuerzas demoníacas que acechan al hombre. ¿Qué hay de verdad en esto? ¿Poesía onírica engendrada por la febril mentalidad levantina? ¿O los dislates propios de los débiles de espíritu?

Las recientes y escalofriantes revelaciones sobre una de las múltiples facetas de la CIA y de otras sinarquias que operan en China Continental, Rusia y los países del Este nos llevan a pesar que hoy lo improbable se ha hecho posible. Dentro de tal orden de ideas la expedición de Moricz a la Cueva de los Tayos, que demostraría que la cuna de la humanidad está en indoamérica, y las sorprendentes declaraciones vertidas por militares y científicos a fines de marzo ante la Televisión Francesa sobre la existencia de los OVNIS nos acercan aún más al epicentro desconocido de la naturaleza del hombre y del universo que lo rodea.

UN HISTÓRICO DESCENSO A LAS ENTRAÑAS DE LA TIERRA

Hace unos años, un estudioso, el explorador y espeleologo argentino Juan Moricz, escribió una revolucionaria memoría: El Origen Americano de los Pueblos Europeos. En este ensayo su autor sostiene que los albores de la civilización no se encontrarían en Aáia Menor sino en nuestra América. Moricz basa sus teorías en un análisis comparativo de antiquísimas lenguas europeas tales como el vasco y el húngaro, cuyas raíces más profundas pasearían concomitancias y comunes denominadores con el idioma de ciertos pueblos indoamericanos.

En 1968 el intrépido investigador organizó una expedición con el APOYO oficial y privado de la República del Ecuador y redescubrió (1) en aquel país, en un paraje particularmente inhóspito de la selva oriental amazonica, en las estribaciones de la cordillera andina (2), un mundo subterráneo dotado de un vasto sistema de túneles de enorme extension. Un año más tarde montó una segunda expedicián a esa misma zona -conocida como La Cueva de los Tayos con el propósito de filmar y documentar aquel desconcertante hallazgo arqueológico.

Es con veniente destacar que los tayos son unos pájaros que por centenares revolotean a la entrada y en el interior de la cueva homónima y que, según Moricz, fueron antaño para los enigmáticos trogioditas del lugar y descendientes directos de los Tallos, aves sagradas. A su vez los Tallos, explica Moricz,constituyen el nombre genérico de unos seres superiores que por vez primera hollaron aquellas profundidades.

La entrada a la Cueva de los Tayos se encuentra a unos 1000 metros sobre el nivel del mar y su descenso es harto penoso. Se dice que en los primeros dos kilómetros de recorrido los exploradores hicieron alucinantes descubrimientos. Arcos de piedra y moles de andesita de 50 metros de alto por 3OO de largo que nadie sabe explicar cómo fueron cinceladas o movidas hasta allí.

El más imponente arco de piedra granítico de la Cueva de los Tayos, descubierto a quinientos metros de la entrada y trescientos deprofundidad, con el tamaño de los bloques y la perfección de su ensamble.

Abundante cantidad de petroglifos ycódices (en láminas) de oro grabados con símbolos herméticos, y profusión de estalactitas y estalagmitas, formaciones a las cuales los expertos asignan unos 30.000 años de antiguedad. Lo curioso es que estas concreciones calcáreas se encuentran en los sitios donde ha cedido el techo de la caverna debido a una presión deinusitada violencia o a la provocada por una terrible inundación. Si esta última fue la que nos relata la Biblia, el origen de la Cueva de los Tayos sería antediluviano.

LAS DECLARACIONES DE ERICH VON DANIKEN,UNA DICOTOMÍA PARA LA POLÉMICA

En 1973, Wuif Schwarzwaller, periodista alemán. escribió en Bild am Sonntaq, un semanario sensacionalista, el reportaje que hizo al famoso autor de Recuerdos del Futuro. Von Daniken, quien a la sazón acababa de estar en La Cueva, declaró de regreso a Europa haber visto “el descubrimiento del siglo, el Oro de los Dioses y la llave a un gran enigma de la humanidad: la visita de extraterrestres a nuestro planeta en el pasado”. “Próximo al río Santiago -áfirmaba el popular escritor- se encuentra una entrada rectangular en la roca.

Para poder descender a los túneles es menester bajar atado a una soga. Una vez dentro los caminos se tornan regulares pudiéndose comprobar que las paredesy el cielo raso están perfectamente pulidos. A distancias simétricas se observan unos huecos de ventilación. Desde una sala central se abren los túneles en diferentes direcciones (aún se ignora su verdadera extensión y adónde conducen). Uno de ellos da a un enorme recinto de 110 por 130 metros en cuyo centro hay una especie de mesa de conferencias que no es de piedra ni de madera como tampoco de metal. Al tocarla da la sensación de estar hecha de un compuesto sintético cortante y duro como el acero. Las siete sillas que la circundan serían del mismo material.

También existe una suerte de jardín zoológico integrado por figurasde animalesde todas las especies conocidas y de algunas ya extinguidas. A la izquierda y en la parte posterior se halla la biblioteca que contiene miles de finas láminas metálicas recubiertas de líneas y -signos parecidas a las tarjetas perforadas de las modernas computadoras …

En un sinnúmero de lugares pueden verse esculturas de extraños seres e instrumentos de rara manufactura seguidos por variedad de cuadrados con dibujos matemáticos, astronómicos y geométricos. Y oro; oro por toneladas, trabajado y sin trabajar. Infinidad de láminas realizadas con este metal precioso adornadas de imágenes idénticas a las que aparecen en las finas planchas de la biblioteca. Entre éstas se advierten algunas con soles, lunas, estrellas y hasta elefantes (3). Asímismo existen modelos de astronaves o aviones que se parecen a los actuales.

LOS MUNDOS SUBTERRANEOS EN LA LITERATURA UNIVERSAL

Tanto la ciencia-ficción, el realismo fantástico, los cuentos, los poemas épicos y las sagas del mundo entero han abordado una y otra vez, directa o indrectamente, el tema de los reinos subterráneos. Por otra parte la milenaria Tradición Primordial preservada (y por qué no decirlo, también deformada) por las más variadas escuelas del ocultismo de Oriente y Occidente se refieren insistentemente a esas misteriosas ciudades en las entrañas de la Tierra donde se guardar an los Grandes Secretos Espirituales y Tecnológicos de la humanidad. Desde Un Viaje al Centro de la Tierra de Julio Verne (1825-1905), pasando por La Noche de los Tiempos de René Bárjave¡, hasta La Tierra Hueca de Raymond Bernard comentada con notable acierto por nuestro amigo Jorge E. Vaggi (4), han surgido en la época moderna re-’ novados enfoques en torno a las supercivilizaciones de inspiración extraterrestre que otrora habrían habitado el planeta.

Podríamos citar la Atlántida, Lemuria, el Continente Mu (con la Isla de Pascua, supuesto fragmento que de él sobrevive en el Pacífico) y decenas de otros casos donde su repentina de saparicion se explicaría por el mal empleo que habría hecho una élite perversa de esa ciencia altamente sofisticado, 0 bien debido a espantosas perturbaciones cósmicas que el erudito doctor immanuel Velikovsky expone con depurado criterio académico-científico en sus Mundos en Colisión (5).

Sin embargo en esta última hipótesis existiría una discrepancia, un grave anacronismo con la Doctrina Oculta y la Arqueología Romántica, pues Veiikovsky concluye que la más importante secuencia de catástrofes tuvo lugar en el II Milenio a.C. seguida por otra que él ubica en el siglo VIII a.C.

Sir Bulwer Lytton (1803-1873), más conocido por todos como el autor de Los últimos Días de Pompeya, escribió en 1871 la novela más inquietante de su época: La Raza Futura. El argumento se desarrolla en un mundo subterraneo sumamente adelantado con respacto a la sociedad de fines del siglo pasado ya la actual.

Sus habitantes son los Ana cuyos antepasados vivían antaño en la superficie del globo antesque la tierra se viera arrasada por el aluvión de las aguas. La divisa de este pueblo es aparentemente clara y positiva: "No hay felicidad sin orden, no existe el orden sin la autoridad ,y no hay autoridad sin unidad”. (En 1945 en el campo de concentración de Auschwitz se encontró una leyenda con lejanas reminiscencias de la citada sentencia. En este caso el lema más dramático por su cruel ironía rezaba así: “La ruta hacia la libertad está jalonada por cuatro hilos: el trabajo, la equidad, la disciplina y el patriotismo” (6). Como veremos enseguida La, Raza Futura nos dará otro par de pequeños pero significativos e inexplicables indicios vinculados al Tercer Relch.)

Los Ana poseen un arma terrible, aunque sería incorrecto definirla así pues tienen una multiplicidad de capacidades pacíficas tales como la de facilitar a su portador una simbiosis con su propio psiquismo otorgándole el absoluto dominio de todas las funciones naturales y paranormales de su ser. El Vril, así se llama esta pequeña vara 0 tubo metálico, puede según lo antedicho, actuar como el rayo láser o transformarse en un catalizador del fluido universal, pero siempre permite al usuario modificar su utilidad y alcance a voluntad. Los recintos subterráneos de los Ana están perfectamente iluminados por una peculiar claridad que favorece el crecimiento de las plantas y hortalizas sin la pr asencia solar.

Las mujeres de esta utopía son más fuertes que los hombres física y psíquicamente, aunque rehúsan ejercer el matriarcado absolutista. Los Ana se desplazan por los aires cual Icaros, provistos de alas artificiales portátiles y poseen un lenguaje telepático y hablado muy evolucionado y complejo del cual Bulwer Lytton, previo inventario fingúístico, nos ofrece secuencias de vocablos y casos gramaticales.

En la lista de palabras usuales encontramos que para los Ana, por ejemplo, Nan-zi significa mal eterno; Nax equivale a la oscuridad, y Nas define una condición de extrema perversidad y pecado. Dentro de este juego de coincidencías recordemos que el libro fue escrito en 1871 y la sigla Nazi (7) irrumpió con fuerza, arrolladora en la Alemania de Hitiler en 1933. Poseo personalmente un ejem piar de La Raza Futura (The Coming Race en el original inglés) editado en Bruselas en 1927 al cual el traductor bautizó en la versión francesa con el funesto y presagioso título de La Race Qui Nous Exterminera (La Raza que nos aniquilará).

EL SECRETO DE LOS ANDES,UNA OBRA HERMETICA PLENA DE BELLEZA Y SABIDURÍA

No hace mucho tiempo se publicó en nuestro medio El Secreto de los Andes (8) cuyo autor esconde su identidad bajo el seudónimo de Hermano Felipe, Entre otras consideraciones que se hacen en el libro se afirma que el Continente Americano y parte del asiático son los dos polos de un gigantesco

círcuito esotérico donde se conserva el S upremo Legado de la Sabiduría Cósmica dejado a la humanidad por los Maestros Espaciales. En sus páginas cargadas de extrañas revelaciones y profecías se entremezcla la fragancia del sándalo con la grandíosidad megalítica de nuestra América.

“Lemuria-nos cuenta el Hermano Felipe” es el nombre de la última parte del gran Continente Mu que existía en el Pacífico. La verdadera destrucción de Mu y su subsiguiente hundimiento en el mar empezaron 30.000 años antes de Cristo … Los Maestros de Lemuria sabían muy bien que la catástrofe final provocaría gigantescas mareas y enormes olas que sumergirían la úftifna parte de su tierra en las furiosas aguas y en el olvido. Aquellos que trabajaban en la Senda de la Mano Siniestra (9) proseguían sus diabólicos experimentos y no prestaban atención a lo que estaba escrito en la pared … Los Maestros y los Santos que trabajaban en la Senda de la Mano Diestra (10) empezaron a archivar las preciosas crónicas y documentos de las bibliotecas de Lemuria … Se hizo esto para conservar el conocimiento científico y espiritual del pasado … La antigua Orden de la Mano Roja ha trabajado a lo largo de toda la historia de la Tierra para conservar la Sabiduría Secreta.. .Son ellos quienes poseen los secretos que constituyen la herencia del hombre en América del Sur. La Orden de la Mano Roja es tan vieja como el hombre en la superficie de la Tierra. “Por doquiera los arqueologos encuentran dibujos de una mano pintada de rojo.”

Considero oportuno señalaral lector, por su extraordinaria relevancia con el apasionante tema que acabo de citar textualmente del Secreto de los Andes, que en la localidad de Perito Moreno, al Noroeste de la Provincia de Santa Cruz, en la República Argentina, existe justamente un sitio arqueológico denominado La Cueva ‘de las Manos Pintadas que resulta todavía un enigma para la ciencia. La cueva está recubierto en su mayor parte por dibujos rupestres donde abundan las improntas de manos.

Los expertos asignan a estas curiosísimas manifestaciones artísticas unos 10.000 años de antiguedad y afirman que todas las manos revelan gran refinamiento y que en ningún caso pudieron haber pertenecido a los salvajes de la Edad de Piedra sino más bien a una élite sacerdotal o intelectual (?). Cualquier turista puede llegar-se hasta Perito Moreno, visitar La Cueva de las Manos Pintadas y deslumbrarse con la cromático rupestre entre la cual no falta el rojo y el negro. Como si todo esto fuera poco hay un notable predominio numérico de la mano izquierda sobre la derecha.

En otro de los párrafos de este libro desconcertante el Hermano Felipe declara: “El Señor Muru, uno de los Maestíos de Lemuria perteneciente a la Hermandad de los Siete Rayos (transportó) y guardó el legado de la sabiduría y conocimiento de su raza en un monasterio ubicado a gran altura, en algún lugar de la Cordillera de los Andes, en el lado norte peruano del lago Titicaca. Este Monasterio (de la Hermandad de los Siete Rayos) se hizo con gigantescos bloques de piedra corlados por la energía de la fuerza lumínica primaría”.

Dos exploradores de la Expedición Moricz examinan uno de los tantos-túneles cuyas paredes y techos fueron, en un lejano pasado, admirablemente pulimentados Por una misteriosa raza. ElPiso original yace sepultado bajo un manto de piedras Y guijarros que han reducido considerablemente la altura original del pasadizo.

Queda bien claro en el libro que el citado monasterio existe en la actualidad y que allí viven hombres y mujeres venidos de todas partes del mundo en busca de la Suprema Verdad. Es más, el Hermano Felipe hace una exhortación a aquellos lectores que deseen integrarse a la Comunidad pero sus indicacíones de cómo llegara ese Paraíso Terrestre son deliberadamente vagas y confusas para el profano.

En la tercera parte de la obra se explica cómo hace unos mil millones de años llegó a nuestro planeta una raza ciclópea procedente del cosmos que ya había colonizado gran parte de lo que es hoy nuestra Galaxia. Aquí en la Tierra estos civilizadores del espacio habrían de iado tras de sí, en pequeños archivos de cristal depositados en grandes ciudades subterráneas, toda la nistoría del Universo.

EL REY DEL MUNDO PROYECTA SU SOMBRA GIGANTESCA

Fernando Antonio Ossendowskí, hombre de ciencia, periodista, Político y escritor, fue perseguido por los bolcheviques durante la Revolución Rusa y luego del triunfo de éstos se vio obligado a abandonar el país. Fugó a través del Tibet misterioso y cruzó en su desesperada huida por la enigmática Mongolia. Estas amargas y terribles experiencias marcaron a fuego su carácter, pero en cambio lo convirtieron en uno de los autores más discutidos y popu¡ares de Europa y Estados Unidos en la década del veinte. Su producción literaria fue fe cunda: De Presidente la Cárcel, El Hombre ; el Misterio en Asia, La Sombra Aterradora del Este, Más allá de la Gran Muralla, Fuego en el Desierto, Los Esclavos del Sol, etc.

Pero fue sin duda su es,su primer libro Hombre,Bestias y Dioses (1924) donde sus cuidadosas descripciones de ambientes v paisajes, la belleza estetica de su magna narrativa y las extrañas revelaciones que hace so bre la antiquísima leyenda del Rey del Mundo lo convirtieron de la noche a la mañana en un hombre famoso. Ossendowski, después de haber convivido con lamas, santurrones, príncipes y marambas ('doctores en teología), en la inmensa y brumosa Mongolia escucha un día la leyenda de un misterioso mundo subterráneo y tanto le impresiona que decide incorporarla en la última parte de Hombres, Bestias y Dioses.

“Este reino es Agharti -relata el autor-y se extiende a través de todos los accesos subterráneos del mundo entero. He oído a un sabio lama decir al Bodgo Jan que todas las cavernas están habitadas por el pueblo antiguo que desapareció de la Tierra. Aún se encuentran huellas suyas en la superficie del país. Estos pueblos y estos espacios subterráneos reconocen la sabiduría del Rey del Mundo. En ello no hay gran cosa sorprendente. Sabéis que en los dos océanos mayores del Este y el Oeste había remotamente dos continentes. Las aguas se los tragaron y sus habitantes pasaron al reino subterráneo. Las cavernas profundas están iluminádas con un resplandor particular que permite el crecimiento de cereáles y otros vegetales y da a las gentes larga vida sin enfermedades … En extraños carros que nosotros no conocemos recorren a toda velocidad los estrechos pasillos del interior de nuestro planeta. .

Muchos se han preguntado dónde está la entrada a Agharti. Nadie, al parecer, la conoce con certeza. Unos dicen que se encuentra en el Afganistán y otros sostienen que está en la India (por todo lo que hemos visto bien podría estar en nuestra América). Durante las fiestas solemnes del primitivo bu dismo, en Siam y la lndía, el Rey del Mundo se apareció en público cinco veces realizando milagros por doquier. Hace unos 200 años se lo vioen Erdeni DzuYallí Visitó el antiguo monasterio de Sakkai y Narabanchi Kure. La última de las apariciones habría tenido lugar en Deihi, en 1937, durante las fiestas de la coronación de Jorge Vi de Inglaterra como Emperador de la India.

Una expioradora, la condesa de Villermont, que asistía como invitada, fije testigo, y con ella todos los participantes, del siguiente hecho: Después de la ceremonia todos los rajaes y marajaes desfilaron ante el palacio oficial. Cuando terminó el desf ¡le, y ante la estupefacción aeneral, los asistentes-vi'eron aparecer un personaje vestido de blanco inmaculado y montado sobre un elefante ricamente enjaezado. Del descono'cido emanaba una impresión de extrema majestad. Delante del palco real el misterioso soberano no saludó, pero con su cetro formado por una bola de oro ematada por un áureo cordero. hizo un aesto de bendición’ ¿,Quién es este marala q'ue nadie conoce?” -preguntó Jorge VI-. Y un dignatario visiblemente emocionado, le contestó por lo bajo.“Es el Rey del Mundo, Su Majestad”.

REFERENCIAS :

(1) Se conocía la existencia de aquel sitio arqueológico desde mucho tiempo atrás.

(2) Próximo a la aldea Guajaré, de los temibles jiíbaros. cuya amistad se 'había -granjeado Moricz.

(3) Los elefantes habrían vivido en el Continente Americano hace unos 10.000 años. Ver en el número 24 de Cuarta Dimensión, pág. 6, “El Enigma de los Elefantes Fósiles”.

(4) El libro en cuestión fue analizado en la pág. 6 de Cuarta Dimensión, número 29, bajo el título de : ¿ Vivimos en un mundo hueco?

(5) Worlds in Collision, editado par Abacus, Londres, 1972.

(6) Antología de lo Fantástico de Juan N. Comte, Editorial Cielosur,.Buenos Aires, 1975, página 185.

(7) Nazi, sigla de.- National socialistísche Deutsche Arbeit Partei (Partido Nacional socialista de los Trabajadores).

(8) El Secreto de los Andes, de Brother Philip, Editorial Kier S.A., Buenos Aires, 1973.

(9 y 10) En Antoloqía de lo Fantástico, pág. 183, se desarrolla más amplia. mente este tópico y el del Rey del Mundo y su enemigo, el Rey de la Violencia y el Miedo (páginas, 174 a 180),

(11) En 1910 un viajero francés, Saint-Yves d'Alveydre, había escrito un relato intitulado Misión a la India donde se hacía referencia a este reino al que llamaba Agartha, en tanto que Ossendowski., cuyas fuentes fueron mongólicas, escribía Agharti.

* EXTRAORDINARIO ARTICULO DE CUARTA DIMENSION,UN LUJO QUE ESPERO LES HAYA GUSTADO COMO A MI…

[worldfoodbooks]

NEW IN THE BOOKSHOP: RELIEFS : FORMPROBLEME ZWISCHEN MALEREI UND SKULPTUR IM 20. JAHRHUNDERT (1981) Large hardcover exhibition catalogue published in conjunction with show held in Switzerland in 1980. Illustrated in colour and black and white throughout, with many examples of artists from the exhibition. Artists included in the exhibition: Josef Albers, Cuno Amiet, Carl Andre, Jurij Annenkow, Alexander Archipeno, Arman, Gerd Arntz, Hans Arp, Richard Artschwager, Giacomo Balla, Ernst Barlach, Willi Baumeister, Bodo Baumgarten, Walter Bodmer, Lee Bontecou, Carl Buchheister, Erich Buchholz, Alexander Calder, Anthony Caro, Carlo Carrà, John Chamberlain, Eduardo Chillida, Christo, Joseph Cornell, Joseph Csaky, Robert Delaunay, Jim Dine, Theo van Doesburg, César Domela, Jean Dubuffet, Marcel Duchamp, Raymond Duchamp-Villon, Max Ernst, Dan Flavin, Adolf Fleischmann, Lucio Fontana, Otto Freundlich, Naum Gabo, Paul Gaugin, Julio Gonzalez, Jean Gorin, Gotthard Graubner, Oto Gutfreund, Nigel Hall, August Herbin, Adolf von Hildebrand, Robert Irwin, Robert Jacobsen, Marcel Janco, Jasper Johns, Paul Joostens, Donald Judd, Zoltan Kemény, Edward Kienholz, Yves Klein, Käthe Kollwitz, Norbert Kricke, Gary Kuehn, Berto Lardera, Henri Laurens, Fernand Léger, Wilhelm Lehmbruck, Sol LeWitt, Jacques Lipchitz, El Lissitzky, Vilhelm Lundstrøm, René Magritte, Aristide Maillol, Manolo, Man Ray, Piero Manzoni, Henri Matisse, Gordon Matta-Clark, Joan Miró, Laszlo Moholy-Nagy, François Morellet, Henry Moore, Robert Morris, Louise Nevelson, Ben Nicholson, Claes Oldenburg, Eduardo Paolozzi, Victor Pasmore, Laszlo Peri, Antoine Pevsner, Jean Peyrissac, Pablo Picasso, Anne und Patrick Poirier, Iwan Puni, David Rabinowitch, Robert Rauschenberg, James Reineking, Erich Reusch, August Renoir, George Rickey, Auguste Rodin, Ulrich Rückriem, Christian Schad, Oskar Schlemmer, Karl Schmidt-Rottluff, Emil Schumacher, Kurt Schwitters, Arthur Segal, George Segal, Richard Serra, Gino Severini, Joel Shapiro, Richard Smith, Giuseppe Spagnulo, Daniel Spoerri, Henryk Stazewski, Frank Stella, Sophie Taeuber-Arp, Antonio Tàpies, Jean Tinguely... One copy in the bookshop and via our website. #worldfoodbooks (at WORLD FOOD BOOKS)

[surroundedbytheworld]

The Books I Read in 2019

Introducción al pensamiento filosófico. Filosofía y Modernidad, por Moisés González (1987)

Una història de la filosofia occidental. Filosofia antiga, catòlica i moderna, per Bertrand Russell (1961) [tr. Jordi Solé Tura, 1967]

The War of Art, by Steven Pressfield (2002)

Atena: Lectures d’història de la filosofia. Plató, Epicur, Descartes, Hume, Marx, Nietzsche i Freud, per Antoni Bosch i Veciana et al. [eds.] (2000)

The Conquest of Happiness, by Bertrand Russell (1930)

La magia del orden, por Marie Kondo (2014) [tr. Rubén Heredia Vázquez, 2014]

Meditacions metafísiques, per René Descartes (1641) [tr. Josep Miquel Costa Ribas, 2008]

The Consolations of Philosophy, by Alain de Botton (2000)

Finding God in the Waves. How I Lost My Faith and Found It Again Through Science, by Mike McHargue (2016)

Platón. Estudio introductorio, por Antonio Alegre Gorri (2017)

3 nits de torb i 1 Cap d’Any. Crònica d’una tragèdia al Pirineu, per Jordi Cruz (2018)

Banquete, por Platón (s. IV aC) [tr. Marcos Martínez, 2018]

La era del vacío. Ensayos sobre el individualismo contemporáneo, por Gilles Lipovetsky (1983) [tr. Joan Vinyoli y Michèle Pendanx, 1986]

This. Becoming Free, by Michael Gungor (2019)

21 lecciones para el siglo XXI, por Yuval Noah Harari (2018) [tr. Joandomènec Ros i Aragonès]

Córrer o morir, per Kilian Jornet (2011)

Breu història de l’antiga Roma, per Joan Oller Guzmán (2011)

El Alquimista, por Paulo Coelho (1988) [tr. Montserrat Mira, 2004]

The Wonderful Story of Henry Sugar and six more, by Roald Dahl (1977)

Gracias, Finlandia. Qué podemos aprender del sistema educativo de más éxito, por Xavier Melgarejo (2013)

Jesus Wants to Save Christians. Learning to Read a Dangerous Book, by Rob Bell & Don Golden (2008)

Del contrato social, por Jean-Jaques Rousseau (1762) [tr. Mauro Armiño, 1980]

The Art of Loving, by Erich Fromm (1957)

El nacimiento de los Estados Unidos (1763 - 1816), por Isaac Asimov (1974) [tr. Néstor A. Míguez, 1983]

Filosofía en viñetas, por Michael F. Patton y Kevin Cannon (2015) [tr. Carlos Mayor Ortega, 2018]

El maestro ignorante. Cinco lecciones sobre la emancipación intelectual, por Jacques Ranciere (1987) [tr. Núria Estrach, 2003]

See other year’s reading lists.

Follow me on Goodreads.

[antigonick]

Hi! How are you? Hope you're having a lovely day! Sorry if this bothers you but do you have any recommendations for World War I novels? Everyone keeps telling me to just read Hemingway but I don't really like him too much :( Thank you

Hello there! My dear, how I understand your wanting to stray away from Hemingway. If you don’t like him, don’t read him. There are loads of works on WWI anyway!

Here are my recommendations:

Testament of Youth, Vera BrittainParade’s End, Ford Madox FordMemoirs of an Infantry Soldier, Siegfried SassoonSeven Pillars of Wisdom : A Triumph, T. E. LawrenceReturning from Alsace, Jean GiraudouxA Very Long Engagement, Sébastien JaprisotJourney to The End of the Night, Louis Ferdinand CélineThe Missing Hands, Blaise CendrarsTime Regained, Marcel ProustThe Dream, Henry de MontherlantSoldier’s Pay, William FaulknerLetters from a Lost Generation, Roland Leighton, Vera Brittain, Edward Brittain, Victor Richardson and Geoffrey Thurlow

And a bit of poetry, too:

Hypnos, René CharThe Collected Poems, Rupert BrookeThe Collected Poems, Roland LeightonCollected Poems of—, Ford Madox FordThe War Poems, Siegfried SassoonThe War in Luxembourg, Blaise Cendrars…

I hope this helps!

EDIT — Added anonymous suggestions :

All Quiet on the Western Front, Erich Maria RemarqueCollected Poems of—, Wilfred OwenStrange Meeting, Susan HillCollected Poems of—, A. E. Housman

[alexlacquemanne]

Aout MMXX

Films

Indomptable Angélique (1967) de Bernard Borderie avec Michèle Mercier, Robert Hossein, Roger Pigaut et Bruno Dietrich

Batman (1989) de Tim Burton avec Michael Keaton, Jack Nicholson, Kim Basinger et Robert Wuhl

Out of Africa (1985) de Sydney Pollack avec Robert Redford, Meryl Streep et Klaus Maria Brandauer

La Chèvre (1981) de Francis Veber avec Gérard Depardieu et Pierre Richard

Le Retour du Grand Blond (1974) de Yves Robert avec Pierre Richard, Jean Carmet, Jean Rochefort et Mireille Darc

Julie et Julia (Julie and Julia) (2009) de Nora Ephron avec Meryl Streep, Amy Adams, Stanley Tucci et Chris Messina

Le Président (1961) d’Henri Verneuil avec Jean Gabin, Bernard Blier, Renée Faure et Alfred Adam

Spectacle

The Concert in Central Park (1981) de Simon and Garfunkel

Séries

Nestor Burma Saison 1

Pas de bavards à la Muette - Les Cadavres de la plaine Monceau

Dancing on the edge

Notes sombres - Express de nuit

La sentinelle Saison 1

La sentinelle

Sydney Fox, L’aventurière Saison 3, 2

La Croix du roi Arthur - Le Culte de Kali - Descente aux enfers

Doctor Who Series 2, 5, 12 Saison 10

L'Hystérique de l'étrange lucarne - Vincent et le Docteur - Des dinosaures dans l’espace - La Chute des espions : partie 1 - La Chute des espions : partie 2 - Frontier in Space - Planet of the Daleks

Agent Carter Saison 2

La Dame du lac - Un aperçu des ténèbres - Le Meilleur de soi - Écran de fumée - Les Têtes nucléaires - Le Conseil - Les Monstres - Aux frontières du mystère - Un petit pas de danse - Le Clap de fin

Top Gear Saison 12, 14, 19, 10, 17

USA On The Road Again - Bolide électrique - Caravane volante - Du grand art ! - Spécial Afrique Part 1 - Les pires voitures anglaises ! - Une Lamborghini à la mer

The Grand Tour Saison 3, 2, 1, 4

Scotch Single Malt - Les vacances du simplet - Mozambique - Coup de vieux - Les Buggy Beach Boys : première partie - Eco-conduite - Seamen - Nouveau record

Brooklyn Nine Nine Saison 1

Le Nouveau Capitaine - Le Tagueur - Ça rame, ça rame - Le Vautour - Halloween - 48 heures

Chapeau Melon et Bottes de Cuir Saison 4

Le jeu s'arrête au 13 - Maille à partir avec les taties

Le Prisonnier

L'Arrivée - Le Carillon de Big Ben - A, B et C - Liberté pour tous - Double personnalité - Le Général - Le Retour - Danse de mort - Échec et mat - Le Marteau et l'Enclume - L'Enterrement - J'ai changé d'avis - L'Impossible Pardon - Musique douce - La Mort en marche - Il était une fois (1/2) - Le Dénouement (2/2)

Dark Side Of The Ring Saison 1, 2

Le Montreal Screwjob - Le dernier des Von Erich - La mort mystérieuse de Gorgeous Gino - Le Brawl For All

Castle Saison 4

Pandore, première partie - Pandore, deuxième partie - Il était une fois un crime - Au service de sa majesté - Morts-vivants

Livres

Kaamelott Livre IV : Texte intégral d’Alexandre Astier

Si maman me voyait de Frédéric Dard

Doctor Who : A la croisée des mondes de Tony Lee et Mark Buckingham

Lazy Company Tome 2 : Pendant ce temps, à Veracruz... d’Alexandre Philip

[worldfoodbooks]

NEW IN THE BOOKSHOP: RELIEFS : FORMPROBLEME ZWISCHEN MALEREI UND SKULPTUR IM 20. JAHRHUNDERT (1981) Large hardcover exhibition catalogue published in conjunction with show held in Switzerland in 1980. Illustrated in colour and black and white throughout, with many examples of artists from the exhibition. Artists included in the exhibition: Josef Albers, Cuno Amiet, Carl Andre, Jurij Annenkow, Alexander Archipeno, Arman, Gerd Arntz, Hans Arp, Richard Artschwager, Giacomo Balla, Ernst Barlach, Willi Baumeister, Bodo Baumgarten, Walter Bodmer, Lee Bontecou, Carl Buchheister, Erich Buchholz, Alexander Calder, Anthony Caro, Carlo Carrà, John Chamberlain, Eduardo Chillida, Christo, Joseph Cornell, Joseph Csaky, Robert Delaunay, Jim Dine, Theo van Doesburg, César Domela, Jean Dubuffet, Marcel Duchamp, Raymond Duchamp-Villon, Max Ernst, Dan Flavin, Adolf Fleischmann, Lucio Fontana, Otto Freundlich, Naum Gabo, Paul Gaugin, Julio Gonzalez, Jean Gorin, Gotthard Graubner, Oto Gutfreund, Nigel Hall, August Herbin, Adolf von Hildebrand, Robert Irwin, Robert Jacobsen, Marcel Janco, Jasper Johns, Paul Joostens, Donald Judd, Zoltan Kemény, Edward Kienholz, Yves Klein, Käthe Kollwitz, Norbert Kricke, Gary Kuehn, Berto Lardera, Henri Laurens, Fernand Léger, Wilhelm Lehmbruck, Sol LeWitt, Jacques Lipchitz, El Lissitzky, Vilhelm Lundstrøm, René Magritte, Aristide Maillol, Manolo, Man Ray, Piero Manzoni, Henri Matisse, Gordon Matta-Clark, Joan Miró, Laszlo Moholy-Nagy, François Morellet, Henry Moore, Robert Morris, Louise Nevelson, Ben Nicholson, Claes Oldenburg, Eduardo Paolozzi, Victor Pasmore, Laszlo Peri, Antoine Pevsner, Jean Peyrissac, Pablo Picasso, Anne und Patrick Poirier, Iwan Puni, David Rabinowitch, Robert Rauschenberg, James Reineking, Erich Reusch, August Renoir, George Rickey, Auguste Rodin, Ulrich Rückriem, Christian Schad, Oskar Schlemmer, Karl Schmidt-Rottluff, Emil Schumacher, Kurt Schwitters, Arthur Segal, George Segal, Richard Serra, Gino Severini, Joel Shapiro, Richard Smith, Giuseppe Spagnulo, Daniel Spoerri, Henryk Stazewski, Frank Stella, Sophie Taeuber-Arp, Antonio Tàpies, Jean Tinguely... One copy in the bookshop and via our website. #worldfoodbooks (at WORLD FOOD BOOKS)

[oldmogg]

Argentina Lucrecia Martel Australia Jane Campion (New Zealand) / George Miller Austria Michael Haneke (Germany) Belgium Chantal Akerman / Jean-Pierre Dardenne & Luc Dardenne Brazil Glauber Rocha Canada David Cronenberg / Atom Egoyan (Egypt) / Guy Maddin China Jia Zhangke / Zhang Yimou Denmark Carl Theodor Dreyer / Lars von Trier Finland Aki Kaurismäki France Olivier Assayas / Jacques Audiard / Jacques Becker / Robert Bresson / Leos Carax / Marcel Carné / Claude Chabrol / René Clair / Henri-Georges Clouzot / Jean Cocteau / Jacques Demy / Claire Denis / Julien Duvivier / Abel Gance / Philippe Garrel / Jean-Luc Godard / Patricio Guzmán (Chile) / Claude Lanzmann / Louis Malle / Chris Marker / Georges Méliès / Jean-Pierre Melville / Max Ophüls (Germany) / Maurice Pialat / Roman Polanski / Jean Renoir / Alain Resnais / Jacques Rivette / Eric Rohmer / Raúl Ruiz (Chile) / Jean-Marie Straub & Danièle Huillet / Jacques Tati / Bertrand Tavernier / François Truffaut / Agnès Varda (Belgium) / Jean Vigo Germany / West Germany Rainer Werner Fassbinder / Werner Herzog / F.W. Murnau / G.W. Pabst (Austria-Hungary) / Wim Wenders Greece Theo Angelopoulos Hong Kong Wong Kar-wai (China) / John Woo (China) Hungary Béla Tarr India Satyajit Ray Iran Abbas Kiarostami / Mohsen Makhmalbaf / Jafar Panahi Italy Michelangelo Antonioni / Dario Argento / Mario Bava / Bernardo Bertolucci / Vittorio De Sica / Federico Fellini / Sergio Leone / Pier Paolo Pasolini / Roberto Rossellini / Luchino Visconti Japan Shohei Imamura / Takeshi Kitano / Akira Kurosawa / Takashi Miike / Hayao Miyazaki / Kenji Mizoguchi / Mikio Naruse / Nagisa Oshima / Yasujiro Ozu / Seijun Suzuki Mauritania Abderrahmane Sissako Mexico Luis Buñuel (Spain) / Alejandro Jodorowsky (Chile) / Carlos Reygadas New Zealand Peter Jackson Poland Krzysztof Kieslowski / Andrzej Wajda Portugal Pedro Costa / Manoel de Oliveira Russia / USSR Sergei Eisenstein (Latvia) / Aleksandr Sokurov / Andrei Tarkovsky / Dziga Vertov (Poland) / Andrey Zvyagintsev Senegal Ousmane Sembene South Korea Bong Joon-ho / Hong Sang-soo / Park Chan-wook Spain Pedro Almodóvar / Victor Erice / Luis García Berlanga Sweden Roy Andersson / Ingmar Bergman / Victor Sjöström Taiwan Hou Hsiao-hsien (China) / Tsai Ming-liang (Malaysia) / Edward Yang (China) Thailand Apichatpong Weerasethakul Turkey Nuri Bilge Ceylan UK John Boorman / Danny Boyle / Terence Davies / Terence Fisher / Stephen Frears / Jonathan Glazer / Peter Greenaway / David Lean / Mike Leigh / Ken Loach / Joseph Losey (USA) / Alexander Mackendrick (USA) / Steve McQueen / Michael Powell / Michael Powell (UK) & Emeric Pressburger (Hungary) / Carol Reed / Nicolas Roeg / Ken Russell / Michael Winterbottom USA (A-D) Robert Aldrich / Woody Allen / Robert Altman / Paul Thomas Anderson / Wes Anderson / Darren Aronofsky / Hal Ashby / Tex Avery / Noah Baumbach / Kathryn Bigelow / Budd Boetticher / Peter Bogdanovich / Frank Borzage / Stan Brakhage / Tod Browning / Charles Burnett / Tim Burton / James Cameron (Canada) / Frank Capra (Italy) / John Carpenter / John Cassavetes / William Castle / Charles Chaplin (UK) / Joel Coen & Ethan Coen / Francis Ford Coppola / Sofia Coppola / Roger Corman / Alfonso Cuarón (Mexico) / George Cukor / Michael Curtiz (Hungary) / Joe Dante / Jules Dassin / Delmer Daves / Brian De Palma / André de Toth (Hungary) / Guillermo del Toro (Mexico) / Cecil B. DeMille / Jonathan Demme / Maya Deren (Ukraine) / William Dieterle (Germany) / Edward Dmytryk (Canada) / Stanley Donen / Stanley Donen & Gene Kelly / Allan Dwan (Canada) USA (E-L) Clint Eastwood / Blake Edwards / Abel Ferrara / David Fincher / Robert Flaherty / Richard Fleischer / Victor Fleming / John Ford / Milos Forman (Czechoslovakia) / Hollis Frampton / John Frankenheimer / William Friedkin / Samuel Fuller / Terry Gilliam / Michel Gondry (France) / Alejandro González Iñárritu (Mexico) / D.W. Griffith / James Gray / Henry Hathaway / Howard Hawks / Todd Haynes / Monte Hellman / Walter Hill / Alfred Hitchcock (UK) / John Huston / Jim Jarmusch / Spike Jonze / Phil Karlson / Elia Kazan (Turkey) / Buster Keaton / Henry King / Stanley Kubrick / John Landis / Fritz Lang (Austria) / Ang Lee (Taiwan) / Spike Lee / Mitchell Leisen / Mervyn LeRoy / Jerry Lewis / Joseph H. Lewis / Richard Linklater / Kenneth Lonergan / Ernst Lubitsch (Germany) / George Lucas / Sidney Lumet / David Lynch USA (M-V) Terrence Malick / Joseph L. Mankiewicz / Anthony Mann / Michael Mann / Leo McCarey / Vincente Minnelli / Michael Moore / Errol Morris / Mike Nichols (Germany) / Christopher Nolan (UK) / Alexander Payne / Sam Peckinpah / Arthur Penn / Sydney Pollack / Otto Preminger (Austria-Hungary) / Sam Raimi / Bob Rafelson / Nicholas Ray / Kelly Reichardt / Rob Reiner / George A. Romero / Alan Rudolph / John Sayles / Martin Scorsese / Ridley Scott (UK) / Don Siegel / Robert Siodmak (Germany) / Douglas Sirk (Germany) / Steven Soderbergh / Steven Spielberg / George Stevens / Oliver Stone / John Sturges / Preston Sturges / Quentin Tarantino / Frank Tashlin / Jacques Tourneur (France) / Edgar G. Ulmer (Austria-Hungary) / Gus Van Sant / Paul Verhoeven (Netherlands) / King Vidor / Josef von Sternberg (Austria) / Erich von Stroheim (Austria) USA (W-Z) Raoul Walsh / Andy Warhol / Peter Weir (Australia) / Orson Welles / William Wellman / James Whale (UK) / Billy Wilder (Austria-Hungary) / Robert Wise / Frederick Wiseman / William Wyler (Germany) / Robert Zemeckis / Fred Zinnemann (Austria-Hungary)

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1861 Georges Méliès 1875 D.W. Griffith 1879 Victor Sjöström 1880 Tod Browning 1881 Cecil B. DeMille 1884 Robert Flaherty 1885 Allan Dwan / G.W. Pabst / Erich von Stroheim 1886 Michael Curtiz / Henry King 1887 Raoul Walsh 1888 F.W. Murnau 1889 Charles Chaplin / Jean Cocteau / Carl Theodor Dreyer / Victor Fleming / Abel Gance / James Whale 1890 Fritz Lang 1892 Ernst Lubitsch 1893 William Dieterle 1894 Frank Borzage / John Ford / Jean Renoir / King Vidor / Josef von Sternberg 1895 Buster Keaton 1896 Julien Duvivier / Howard Hawks / Leo McCarey / Dziga Vertov / William Wellman 1897 Frank Capra / Douglas Sirk 1898 René Clair / Sergei Eisenstein / Henry Hathaway / Mitchell Leisen / Kenji Mizoguchi / Preston Sturges 1899 George Cukor / Alfred Hitchcock 1900 Luis Buñuel / Mervyn LeRoy / Robert Siodmak 1901 Robert Bresson / Vittorio De Sica 1902 Emeric Pressburger / Max Ophüls / William Wyler 1903 Vincente Minnelli / Yasujiro Ozu 1904 Delmer Daves / Terence Fisher / George Stevens / Jacques Tourneur / Edgar G. Ulmer 1905 Mikio Naruse / Michael Powell / Otto Preminger / Jean Vigo 1906 Jacques Becker / Marcel Carné / John Huston / Anthony Mann / Carol Reed / Roberto Rossellini / Luchino Visconti / Billy Wilder 1907 Henri-Georges Clouzot / Joseph H. Lewis / Jacques Tati / Fred Zinnemann 1908 Tex Avery / Edward Dmytryk / Phil Karlson / David Lean / Manoel de Oliveira 1909 Elia Kazan / Joseph Losey / Joseph L. Mankiewicz

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1861 Georges Méliès 1875 D.W. Griffith 1879 Victor Sjöström 1880 Tod Browning 1881 Cecil B. DeMille 1884 Robert Flaherty 1885 Allan Dwan / Erich von Stroheim 1886 Michael Curtiz / Henry King 1887 Raoul Walsh 1888 F.W. Murnau 1889 Charles Chaplin / Jean Cocteau / Carl Theodor Dreyer / Victor Fleming / Abel Gance / James Whale 1890 Fritz Lang 1892 Ernst Lubitsch 1893 William Dieterle 1894 Frank Borzage / John Ford / Jean Renoir / King Vidor / Josef von Sternberg 1895 Buster Keaton 1896 Julien Duvivier / Howard Hawks / Leo McCarey / Dziga Vertov / William Wellman 1897 Frank Capra / Douglas Sirk 1898 René Clair / Sergei Eisenstein / Henry Hathaway / Mitchell Leisen / Kenji Mizoguchi / Preston Sturges 1899 George Cukor / Alfred Hitchcock 1900 Luis Buñuel / Mervyn LeRoy / Robert Siodmak 1901 Robert Bresson / Vittorio De Sica 1902 Emeric Pressburger / Max Ophüls / William Wyler 1903 Vincente Minnelli / Yasujiro Ozu 1904 Delmer Daves / Terence Fisher / George Stevens / Jacques Tourneur / Edgar G. Ulmer 1905 Mikio Naruse / Michael Powell / Otto Preminger / Jean Vigo 1906 Jacques Becker / Marcel Carné / John Huston / Anthony Mann / Carol Reed / Roberto Rossellini / Luchino Visconti / Billy Wilder 1907 Henri-Georges Clouzot / Joseph H. Lewis / Jacques Tati / Fred Zinnemann 1908 Edward Dmytryk / Phil Karlson / David Lean / Manoel de Oliveira 1909 Elia Kazan / Joseph Losey / Joseph L. Mankiewicz 1910 John Sturges / Akira Kurosawa 1911 Jules Dassin / Nicholas Ray 1912 Michelangelo Antonioni / Samuel Fuller / Gene Kelly / Alexander Mackendrick / Don Siegel 1913 André de Toth / Frank Tashlin 1914 Mario Bava / Robert Wise 1915 Orson Welles 1916 Budd Boetticher / Richard Fleischer 1917 Maya Deren / Jean-Pierre Melville 1918 Robert Aldrich / Ingmar Bergman 1920 Federico Fellini / Eric Rohmer 1921 Luis García Berlanga / Chris Marker / Satyajit Ray 1922 Blake Edwards / Pier Paolo Pasolini / Arthur Penn / Alain Resnais 1924 Stanley Donen / Sidney Lumet 1925 Robert Altman / Claude Lanzmann / Sam Peckinpah / Maurice Pialat 1926 Roger Corman / Shohei Imamura / Jerry Lewis / Andrzej Wajda 1927 Ken Russell 1928 Stanley Kubrick / Jacques Rivette / Nicolas Roeg / Agnès Varda / Andy Warhol 1929 Hal Ashby / John Cassavetes / Alejandro Jodorowsky / Sergio Leone 1930 Claude Chabrol / Clint Eastwood / John Frankenheimer / Jean-Luc Godard / Frederick Wiseman 1931 Jacques Demy / Mike Nichols 1932 Milos Forman / Monte Hellman / Louis Malle / Nagisa Oshima / Andrei Tarkovsky / François Truffaut 1933 John Boorman / Stan Brakhage / Roman Polanski / Bob Rafelson / Jean-Marie Straub 1934 Sydney Pollack 1935 Woody Allen / Theo Angelopoulos 1936 Hollis Frampton / Danièle Huillet / Ken Loach 1937 Ridley Scott 1938 Paul Verhoeven 1939 Peter Bogdanovich / Francis Ford Coppola / William Friedkin / Glauber Rocha 1940 Dario Argento / Bernardo Bertolucci / Brian De Palma / Victor Erice / Terry Gilliam / Abbas Kiarostami / George A. Romero 1941 Stephen Frears / Patricio Guzmán / Krzysztof Kieslowski / Hayao Miyazaki / Raúl Ruiz / Bertrand Tavernier 1942 Peter Greenaway / Michael Haneke / Werner Herzog / Walter Hill / Martin Scorsese 1943 Roy Andersson / David Cronenberg / Mike Leigh / Terrence Malick / Michael Mann / Alan Rudolph 1944 Charles Burnett / Jonathan Demme / George Lucas / Peter Weir 1945 Terence Davies / Rainer Werner Fassbinder / George Miller / Wim Wenders 1946 Joe Dante / Claire Denis / David Lynch / Oliver Stone / John Woo 1947 Hou Hsiao-hsien / Takeshi Kitano / Rob Reiner / Steven Spielberg / Edward Yang 1948 John Carpenter / Philippe Garrel / Errol Morris 1949 Pedro Almodóvar 1950 Chantal Akerman / John Landis / John Sayles 1951 Kathryn Bigelow / Jean-Pierre Dardenne / Abel Ferrara / Aleksandr Sokurov / Robert Zemeckis / Zhang Yimou 1952 Jacques Audiard / Gus Van Sant 1953 Jim Jarmusch 1954 James Cameron / Jane Campion / Joel Coen / Luc Dardenne / Ang Lee / Michael Moore 1955 Olivier Assayas / Béla Tarr 1956 Danny Boyle / Guy Maddin / Lars von Trier / Wong Kar-wai 1957 Ethan Coen / Aki Kaurismäki / Spike Lee / Mohsen Makhmalbaf / Tsai Ming-liang 1958 Tim Burton 1959 Nuri Bilge Ceylan / Pedro Costa / Sam Raimi 1960 Leos Carax / Hong Sang-soo / Richard Linklater / Jafar Panahi 1961 Alfonso Cuarón / Todd Haynes / Peter Jackson / Alexander Payne / Abderrahmane Sissako / Michael Winterbottom 1962 David Fincher / Kenneth Lonergan 1963 Michel Gondry / Alejandro González Iñárritu / Park Chan-wook / Steven Soderbergh / Quentin Tarantino 1964 Guillermo del Toro / Kelly Reichardt 1965 Jonathan Glazer 1966 Lucrecia Martel 1969 Wes Anderson / Darren Aronofsky / Noah Baumbach / Bong Joon-ho / Spike Jonze / Steve McQueen 1970 Paul Thomas Anderson / Jia Zhangke / Christopher Nolan / Apichatpong Weerasethakul 1971 Sofia Coppola