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#Joos van Craesbeeck

oldpaintings · 1 year

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The Smoker, 1635-36 by Joos van Craesbeeck (Flemish, c.1605–c.1661)

#Joos van Craesbeeck #17th century #Flemish #art #paintings

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random-brushstrokes · 3 months

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Joos van Craesbeeck - The Smoker (circa 1635-36)

#Joos van Craesbeeck #flemish art #self portrait #17th century art

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life-imitates-art-far-more · 1 year

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Joos van Craesbeeck (c. 1605/1606-c. 1660) "The Smoker" (c. 1635-6) Oil on panel Located in the Musée du Louvre, Paris, France The painting is presumed to be a self-portrait of van Craesbeeck.

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notneverunless · 4 months

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Joos van Craesbeeck -The Temptation of St Anthony ~ detail

#Joos van Craesbeeck

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mr-e-gallery · 10 months

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Mr. E Gallery 'Wait, Can We Smoke In Hell?' (Haycock-van Craesbeeck) (06-23)

#mr. e gallery #digital art #edmond simpson #kaspar haycock #joos van craesbeeck

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tollosebio-stuff · 1 year

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#joos van craesbeeck

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themackenzieboydchronicles · 6 months

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The Temptation of Saint Anthony by Flemish artist Joos van Craeesbeek. 1650.

#temptation of st anthony #flemish artists #joos van craesbeeck

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breezingby · 1 year

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The Temptation of St. Anthony Painting by Joos Van Craesbeeck

#Art #painting #Joos Van Craesbeeck #Temptation...#St. Anthony

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lemuseum · 4 months

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#Joos van Craesbeeck - The Temptation of St. Anthony (1650)

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bad-moodboard · 1 year

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The Temptation of St. Anthony - Joos van Craesbeeck, c. 1650

#1600s #saints #Christianity #devil #devils #demons #flemish #madness

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undead-knick-knack · 8 months

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FCG smoking Fearne smoking

Very different vibes from these 2

(the paintings are "The Smoker" (c. 1635-6) by Joos van Craesbeeck and “After Breakfast” (1890) by Elin Danielson-Gambogi)

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geritsel · 1 year

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Joos van Craesbeeck - The Temptation of Saint Anthony

#flemish baroque

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random-brushstrokes · 29 days

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Joos van Craesbeeck - The Lice Crusher (ca. 1635)

#joos van craesbeeck #flemish art #portrait #17th century art

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life-imitates-art-far-more · 2 years

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Joos van Craesbeeck (c. 1605/1606-c. 1660) "The Temptation of St Anthony" (c. 1650) Oil on canvas Located in the Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany

A large screaming head dominates the painting, spewing forth many devils as a metaphor for evil thoughts given physical form. It has an open forehead which contains a miniature artist. Craesbeeck's use of a human head as a container is likely derived from Bosch's iconography. St. Anthony is seen in the front right of the painting, sitting in a shelter and holding the Scriptures to fortify himself. The sea in front of him washes up a variety of evil spirits and other temptations.