#Just a little queer medieval guy

[sarnemingalbaver]

Just a borderline psychotic little guy who will do anything for the man he loves.

Backstory:

Sarnemin Rellias Galbaver was born August 27th, 1215. He was born to a wealthy family in Vemor, the small port town on the banks of the Carigsard river. His father, Lanreth was very hard on him and often cut off Sarnemin’s hair, despite the boy’s insistence on wanting to keep it. Sarnemin was always a feminine child, and enjoyed things his sisters did. His father thought it would just go away, but it didn’t. It only got more evident as he grew.

He learned how to sew and embroider from his mother and became quite skilled at it. His father disapproved of this and pushed him towards more masculine pursuits. Sarnemin’s fighter side didn’t go untapped though and he became incredibly skilled with a dagger he kept hidden on his belt.

Sarnemin had a difficult childhood due to his father's harsh treatment, but he found solace in music. He taught himself to play the lute and would often sneak out at night to play for the townspeople. His talent was quickly recognized, and he was eventually hired to perform at local taverns and inns. He began growing out his hair and made a name for himself. It is said that Sarnemin's performances were so captivating that they drew the attention of a visiting nobleman. The nobleman was so impressed with Sarnemin's talent that he offered to take the young musician under his wing and teach him the ways of courtly life. Sarnemin accepted the offer and was soon introduced to the world of high society.

He continued to play music and it was there that he met Kazimir Bavrild, a greatly feared warrior. After meeting Kazimir, Sarnemin's interest in fighting and combat grew. He began training with the warrior, learning how to wield a sword and use his dagger more effectively. Sarnemin also found himself drawn to Kazimir in other ways, and the two soon became lovers.

As Kazimir Bavrild's lover and confidant, Sarnemin held significant influence in the Zalstian court. He was known for his sharp wit and extravagant tastes, and often advised Kazimir on matters of strategy and politics. Sarnemin had a reputation for throwing lavish parties and entertaining guests with his storytelling and musical performances. He surrounded himself with a group of artists and intellectuals, who were seen as the cultural elite of the Zalstian court. While some viewed Sarnemin's flamboyant personality and love of luxury as a distraction from more pressing matters, others saw him as a necessary counterbalance to the seriousness and militaristic focus of Kazimir and his followers. Regardless of how one viewed him, it was clear that Sarnemin was a powerful figure in the Zalstian court, and his influence was felt in all areas of the city's culture and politics.

He is now part of a task force of soldiers known was the Sobraniye. They often deal with less than present visitors and protect the prince and his family. The Sobraniye are known to be quite violent at times, Sarnemin too, doesn’t shy away from violence despite his appearance.

Despite his reputation for flamboyance and love of luxury, Sarnemin was a capable fighter and often accompanied the Sobraniye on their missions. His skills with a sword and dagger were unmatched, and he had a keen eye for strategy and tactics, which he used to great effect in battle.

Sarnemin's presence in the Sobraniye was a controversial one, as some members of the group believed that his flamboyant personality and lack of seriousness were a liability in combat. However, others recognized the value of having someone with Sarnemin's skill level.

Over time, Sarnemin proved himself to be a valuable asset to the Sobraniye. He played a crucial role in several successful missions, and his influence in the Zalstian court helped the group gain valuable resources and support. Despite his love of luxury and extravagance, Sarnemin was fiercely loyal to his comrades and dedicated to protecting the prince and his family at all costs.

[aroaessidhe]

2024 reads / storygraph

The West Passage

medieval fantasy set in a giant crumbling palace of traditions with forgotten origin, ruled by giant eldritch Ladies

when winter weather comes in the middle of summer, and a beast below the palace begins to rise, two teens from Grey who have suddenly gained a lot of responsibilities set out on separate journeys to the other towers to find a way to stop it, and meet all sorts of strange people and creatures along the way

world where pronouns/names are based on people’s roles

tons of cool medieval-style chapter illustrations by the author

[sludgeguzzler]

god i love lotr especially the online fandom bc i might not be a part of it but knowing that one of my dads most formative pieces of media something that he told me stories about in great detail (he knows the lore by heart) making me grow up hearing about it, is also some 17 year olds source of gay fanfiction is simply the best thing

[still-searching-for-something]

I saw someone else make this comparison, so I can't claim credit, but Tumblr has low-key spontaneously recreated the ghetto, hasn't it?

Like, we have our own little area of Tumblr safe for us, #jumblr, and our conversations in it don't penetrate out of jumblr. The rest of the site is rabidly anti-Jewish and even just being a openly jewish blog that rarely discusses Jewish or Israeli issues outside of jumblr is enough to get "from the river to the sea 🇵🇸" or "kys zionazi scum" in your comments and asks. And every now and again, Tumblr users will get antsy and cope by marching around in jumblr spamming antisemitic BS until the jumblr tag is trending.

Like, what's next? Will we start developing our own slang and inside jokes and eventually recreate the story of Judeo-Roman? It's not a one to one analogy, of course, antisemitic Tumblr users spamming antisemitic messages and harassing Jews online is a hell of a lot less destructive than the pogroms of the old country, it's just darkly amusing to me that the self-proclaimed leftist progressives on the queer website have--probably without even realizing it--resurrected and digitized the medieval Jewish ghettos.

Like, great job guys--so progressive and antiracist of you.

[lucylannister13]

milevens are insane

warning now - i get extremely heated in this so if you're going to tell me to calm down leave. before any of you weird bitches tell me to go do something more productive or to touch grass- no. i'm fifteen, it's summer, and i'm a highly involved high school student. i'm not here because i have nothing better to do, i'm here because i understand good writing and am able to have hobbies ❤️

anyways

was on the mileven endgame hashtag just now and because i don't choose violence i wont be addressing any of them directly, but i will be addressing some of the ridiculous bullshit on there. term bullshit used intentionally

the love confession came as a result of mike "gaining the confidence" to tell el how much he loves her because he was afraid that he loved her more than she loved him.

are you listening to the words that are coming out of your mouth right now? i want to sit down and get a coffee with you and dissect what the fuck you meant by that. sure, right, yeah, he gained so much PRODUCTIVE confidence from his conversation he had with will where will was using eleven to mask his own feelings for mike. it makes so much sense narratively that this end all be all mileven event is sparked from will's feelings and not mikes! sure! right! this is such an idiotic piece of reasoning. you are literally saying that you are okay with your endgame ship only being endgame based on faulty communication and lies. are you joking? "you just gotta improve your motivation" ass piece of evidence

also, mike being insecure about loving her more than she loves him is complete, total, utter bullshit. el frequently expresses her love to mike via letters and youre here to say that mike would have any problem with doing the same thing if he were insecure about her love for him? that literally makes no sense. i wouldn't be afraid of loving somebody more than they love me if they are actively putting more effort into insuring me that they love me than i am to them. like, what does that even mean?

“Will Byers is a pathetic loser annoying character and contributed little to the plot of ST. "

yes that is a direct quote. no i'm not kidding.

what kind of fucking neanderthal watches stranger fucking things- a show about a kid who disappears- and thinks the kid who disappears isn't a central part of the narrative? the first episode of the goddamn show is called "the vanishing of will byers"! maybe this is hard for you and your confused brain to get your head around, but el and mike met when mike was out looking FOR WILL. mike and el are still together because mike gained courage from WILL'S LOVE FOR HIM. what a fucking idiot you must be. i would try to explain to you the myriad of other reasons why will is absolutely central to the plot of the show, but since the show itself has clearly gone in one ear and out the other, i probably wont be able to get through to you either.

“what if we learned to cope with world that doesn’t accept us as individuals by embracing each other completely?” said about mileven

um.. what. that's literally byler. closeted gay guys in the 80s. but sure, the ones that aren't being accepted are the two white and allegedly heterosexual individuals. the "world that doesn't accept us" in question is a few high school bullies in comparison with the stigmatization, violence, and ostracization that has longstanding been a part of what it means to be queer. be so serious right now. mileven is not important for being non conformist, the GAY SHIP IN THE 80S IS!!

“The only people who queerbaited, was byler fans themselves lmao.”

even if we're ignoring the horrible grammar there are still SO many things wrong with everything that was just said. what they're saying above for anybody who can't decipher the weird medieval english code this person is using is that bylers actively queerbaited themselves which inherently makes no sense at all.

below i have included the oxford dictionary definition of queerbaiting: "the incorporation of apparently gay characters or same-sex relationships into a film, television show, etc. as a means of appealing to gay and bisexual audiences while maintaining ambiguity about the characters' sexuality."

how is it possible that byler shippers themselves are the ones doing the queerbaiting? are we running the show? nope! before you come on and post something as offensive as this- which i will get into- at least make sure you know what you're saying. xoxo

to insinuate for even a second that mike wheeler not being gay would be anything other than deliberate queerbaiting is insane. there is something wrong with you. aside from the parts of the show where his queerness is deliberately alluded to like music, costuming, analogies, allegories, and set design, netflix has been, weather you like it or not, actively marketing in favor of byler and mike not being straight. all below come from official netflix accounts-

how is this not queerbaiting? genuinely what are you on about. this is literally textbook.

“will is fruity but mike didn't like the fruit on his pizza”

you seriously are basing your argument about mike not being gay on him not liking fruit on pizza? you seriously think that some of the most commended and celebrated writers of the last decade would use symbolism involving a word that can literally be interpreted as a slur when their show has two characters who are canonically a part of the group affected said slur? are you fucking stupid? that was harmless banter used to communicate the differences in habitual action across the country. it wasn't the duffers trying to do for you what they do for us in deliberate, straightforward NON-OFFENSIVE symbolism.

i saw somebody claim that mike's character arc in season four was inherently about not believing in his self worth nor in his competency to be in a relationship with el

while i do for the most part agree with you, i'm going to ask you a question- mike was never anxious about his identity and self worth involving el before season four. why do you think that just came up now if not for the fact that he's been having insecurities involving his sexuality and romantic attraction to women as a whole? in my opinion, mike realized that he might not like girls in that way circa the end of season three- a realization that only festered and grew through the absence of not only the boy he loves that is causing this insecurity but the girl whom he is using as a way to say hey, i can't be gay, i have a girlfriend! mike was clearly going through some serious emotional struggles as we can immediately see in this scene with how suddenly awkward he is with will and the immediate emphasis that's put on the "from mike" on the flowers.

i agree that his season four and part of his season five arc are about his feelings of insecurity about being in a relationship with el, however, i don't think he's insecure because he thinks she's better than him in the sense that she's some superhero, i think he thinks she's better than him because he knows that he'll never be able to love her the way she deserves to be loved. he's not going to outright come and say to will that he doesn't think that he can love her in the way she deserves to be loved. he's closeted. what he says in the van scene is the only way he knows to express his feelings. it's very similar to what will does in the same scene. it makes no sense for this insecurity to randomly manifest in him if it wasn't for an external factor that doesn't involve el, because nothing has really changed with the dynamic of their relationship other than the move. one could argue that mike is feeling insecure over el's supposed popularity she claims to have in her letters, but mike's arc has never been about caring about popularity in school. that's not something on his mind so much as the grand scheme of the world is. lets not forget that he joins hellfire in season four.

“When Mike didn’t say “I love you”, By*ers twisted it to their narrative. When Mike did say “I love you”, By*ers twisted it to their narrative.”

you literally sound like trump going on about the democrats. listen to what your saying right now. also, it's a ship name. there's no need to censor it you fucking weirdo.

wasted time building up mileven

i'm sorry, what build up? i'm confused. there's no "build up". THIS is build up:

above is will, possessed by a monster who feeds off of those lacking love in their lives, only being able to be broken out of possession by a heartfelt monologue by the PERSON HE LOVES detailing how the best decision he ever made was to befriend him.

above is will claiming he will never fall in love, then his love for one of the other main characters becomes a central plot point of the two seasons to come. joyce and i see through will and all of you weird milevens

mike telling will how it's not his fault will doesn't like girls only after he loses the person he's been using to cover up his own insecurity about the same thing- not liking girls. suspicious.

will's LOVE FOR MIKE being the thing to give him the confidence to help el SAVE THE WORLD, only episodes after we establish that mike is bound to be pissed that he was lied to. and theres no buildup? THERE'S REALLY NO BUILDUP?

if you don't see buildup i fear you are literally just a lost cause because it is so painfully obvious to anybody who made it past seventh grade english class that there is something deeper and more intimate than friendship going on between will byers and mike wheeler.

“Women can be independent while being in a relationship guys😭!!”

OBVIOUSLY! i am literally the biggest feminist on the entire western seaboard. i couldn't agree more with this, which is why we have arcs like nancy's where she actively becomes more independent while still maintaining a relationship with jonathan. the difference is that mike and el have been together since they were like thirteen. when el was immersed into the real world for the first time in season two she immediately leaned on mike for support in that. it's not that she can only be independent on her own, it's that mike is directly symbolic to her of a time when she was stumbling around the world with naivete and not quite knowing how to navigate that. by spreading her wings away from that relationship, it will not only give her independence, but also a way to see beyond the barriers of hawkins and a life where she was valued mostly for the qualities she brings to the supernatural equation. el's arc is one of my favorites. i would never claim such a thing and discredit the essence of what makes the emotions behind her character so interesting. she's somebody who was literally raised in a lab. she shouldn't be held back by somebody she is quite literally dependent on.

last but not least, i saw a post that said milevens always win.

"are you sure about that?" i ask, noah schnapp's most recent instagram post open on my phone, finn wolfhard's spotify playlist in my headphones, my mike holding will's painting funko on the desk in front of me, wearing a yellow shirt with a blue sweater over it.

thank u for listening to my ted talk 💙💛

[weirdthoughtsandideas]

PRIDE MONTH PROMPTS 2024

They are here!!

Last year I released them in May, and I asked you when I should release it this year. You agreed I should release it early/mid april. And I think the perfect time is now! You have plenty of time to prepare your things for June!

So, here are 30 prompts, 1 prompt per day, for all of June! Use them for writing, or for art, or why not for something else creative you can come up with?

I will now write all the prompts in the list if it's hard to read, plus some explanations/suggestion what you can do for them.

Day 1. Actually, I'm not straight. Someone kicking off pride month by telling their nearest and dearest that they aren't straight, like everyone seems to think!

Day 2. Surprise! We're dating! A couple comes out to their friends ;)

Day 3. Early signs. Early signs someone was not straight, or not cis. Or both!

Day 4. Gender euphoria. Euphoooooriaaaaa forever to end of time /j Ok no but yeah, someone experiencing gender euphoria :) It's great :)

Day 5. Surprise! We're engaged! Surprise engagement! Did people even know they were dating?

Day 6. Proposal. You can choose to show the proposal for the couple at day 5... or a brand new couple! :D

Day 7. Pride flags. Are they making pride flags? Buying pride flags? Identifying pride flags? So much you can do! :)

Day 8. Prideful baking. A return from last year! Who's baking? Are they doing it with pride? Are they making rainbow cakes? This is also a way to make some ships be cute together as they bake.

Day 9. Wedding. To quote Sam from Glee: "YEAH! COME ON GUYS! GAY MARRIAGE GOOD!"

Day 10. Shenanigans at the Pride Parade. Time to let those characters run wild at the pride parade!

Day 11. Coming out as trans. Pretty self explanatory I think ;)

Day 12. Planning for a child. Two women, two men, maybe a trans couple... any not-cishet couple are planning for a child <3 Are they adopting? IVF? However they're doing it, they're gonna get that child :)

Day 13. Two moms. Two mommies thriving with their kiddos!

Day 14. Are they dating or not? People are speculating the relationship of some people.

Day 15. First crush. Aww, someone's first crush! Have they ever felt this before?

Day 16. Alternate universe. Go crazy with this! This could mean anything from "a universe in which this ship is canon" to "they live in a fantasy world". Do whatever!

Day 17. Realizing they're ace. Self explanatory ;)

Day 18. Two dads. Two daddies on request (Sorry I've watched too much of Papás por encargo (Daddies on request) to not make that joke). They'll do anything for the kids!

Day 19. I thought everyone liked both? What??? They don't?????

Day 20. Fruity sleepover. Anything and everything can happen at a sleepover!

Day 21. Pining. They pine so hard and yet... will their crush ever notice?

Day 22. Secret dating. Or are they as they secret as they think? How much chaos do they end up in to keep this?

Day 23. Dinner. Maybe just a normal dinner in a queer friendgroup. Or maybe someone coming out at dinner. Maybe the first dinner at their partner's house. Or maybe someone's making dinner for their loved one.

Day 24. Confession. Coming out confession? Confession to your crush? Just a confession about your favorite food in the middle of a pride parade? Yeah, you decide!

Day 25. Date. THEY'RE ON A DATE THE BABIES!!! Is it a good date? I hope so!

Day 26. Gender is a construct. Not everything is binary.

Day 27. Queer group meeting. You can toy around with this a lot. A group meeting with closeted gays? A group meeting with every character from your different fandoms that you headcanon as bi that you want to interact in the group meeting for disaster bi's? A group meeting for aces just vibing? Maybe we'll meet a lot of different groups!

Day 28. Accidental coming out. Oops!

Day 29. Alternate time period. You want to play out a little love story but instead they live in the 1950s? Or maybe they live in the future! Maybe they live in the medieval times! Woah!

Day 30. Growing old together. Look at them now. Who knew they'd find each other in the world and now they're here?

I hope I'm gonna see some of you in pride month! It's always a pleasure! Also, when the time comes in June, and you want to use one of these prompts, don't forget to tag me ;)

[thefrogsthewaterturnedgay]

When I was around eight or nine my dad gave me a book.

In it, there was a gender non-conforming character but I didn’t know that yet. I just knew that I loved that little monster girl, and I wanted to be her so so bad. I wanted to shapeshift, and be in a medieval world that had cool tech, and have bright pink hair and everything. I loved her.

There were two other people in that book too, two guys. And though it was never said, I knew those two were in love. I was so rooting for them to get together, to accept that they loved one another. I remember being so happy that it was implied they were in love.

I don’t know how many times I reread that book.

That book was Nimona.

Recently I watched the movie version as a queer person and I refelt all those same emotions as I had the first time I read that book.

The chaos, the sadness, the love, and the comedy.

I saw the kid I was in Nimona. Younger me being obsessed with chaos and violence and fire. Just a chaotic mass in a little kids body.

I saw my friends in Ballister and Ambrosius. I saw part of myself in them too.

I can imagine how eight year old me, having read Nimona, would react seeing that movie.

Seeing two guys kiss on screen for the first time.

This movie was a relive of my childhood and it was the sweetest one I’ve had in a while.

Movies and books like this are so important for young queer people, and just people in general.

I love Nimona, she was instrumental in who I am as a person and who I was as a kid.

So to the director, the actors, to ND Stevenson and everyone who worked on this movie, thank you so much for this. It was more than I could ever ask for in a movie version of Nimona.

And I do love a happy ending so thanks for that too.

(Sorry about the whole speech but it just meant a lot to me.)

[wiltkingart]

What queer books do you recommend?

oh honey i have a whole rec page here if you're up for anything, but i mostly read adult m/m fiction. lots of weird and old stuff with dark tones more often than not. if you want some specific titles as a flavor list, here's a few favorites! i'll link their storygraph pages so you can read their synopses too:

Fantasy: The Rifter by Ginn Hale (dark fantasy featuring a romance that spans years and time and space in decaying world with a destroyer god, and bones. so many bones. has one of the most interesting and well written story structures i've encountered. very moody and dark, hits just right).

Scifi: Body after Body by Briar Ripley Page (erotic adult scifi novella with transmasc and transfem MCs. dreamlike and grotesque, delicate and stomach churning, it's about a group of mind-wiped laborers tending genetically engineered mutant bodies.)

Historical: The Still by David Feintuch (my book series of all tiiiiiiime. it's fantasy too but mostly medieval military fiction. don't even talk to me about Rodrigo if you're not ready to be hit with a twelve page verbal essay i'm not joking, that is a threat. not a typical romance, expect heartbreak and plenty of it and to never recover.)

Horror: Hexslinger series by Gemma Files (planning a reread of this one soon to see if it still holds up but this series has stuck with me like a fly to molasses. it's a fucked up time full of desperation, Mayan gods and godessess, faggotry, blasphemy, and witchery) go with the Bound in Flesh anthology instead if you want good trans body horror, or Down by Ally Blue for deepsea suspense horror.

Contemporary: All for the Game by Nora Sakavic (you probably know about this classic but for me it still tops most everything else i've read. it's got sports, mafia drama, and trauma). for something a little different (but still traumatic) try Mo Du / Silent Reading by Priest (dark mystery set in China that follows several disturbing cases and the psychology behind them + romance between a detective and a rich pretty boy)

but yeah i talk about books a lot on my personal/main blog @wiltking (in lieu of updating my actual rec pages these days, it seems) if you ever want more real time recs! i'm a book guy. i like books a normal amount :)

[harrowedknight]

OC info and lore m’lord? Brave knight… please they’re both so handsome… I’d take Hancock in a knife fight for just one date fr…. Bleeding on the concrete outside kle0s shop rn….

Omg,,, thank u for the ask, I’ll take this as an opportunity to introduce all of my fellas since i have multiple saves/ocs for fallout 4. Right now they’re all in separate aus but I wanna connect them, I just haven’t decided who I want to be the sosu yet, if i even want one at all.

Starting with Ranger, my newest character. He’s the charismatic leader of the Minutemen. He likes making light of every situation, but he knows when to take things seriously. He just puts on a laidback attitude so he appears less intimidating. He’s trying very hard to make the commonwealth safer, but he has some doubts and insecurities about his position, which he bottles up and keeps to himself. He wants to be the person that everyone can rely on and look up to, even if that means putting his own problems aside to appear put-together and strong. He’s the one I draw Edward Deegan with, and I wanna do more with the two of them since I love me some eldritch horror vibes. I imagine Ranger and Edward go on relic hunts for Jack Cabot after their questline, getting into hijinks and fun spooky, horrifyingly traumatic adventures. Maybe kissing along the way. Who knows.

Knight on the other hand, is an anxious, paranoid little glorbo; and I say this while he stands at like 6’4”, he’s BIG, the tallest of all of my guys. He’s got severe PTSD and he really doesn’t like living in the apocalypse. He had a wife! They were in a queer platonic relationship; they got married for the benefits but they’re both gay. He’s devastated after losing her, since she was his best friend. He has a very hard time adjusting to the new commonwealth, he barely scrapes by, has to force himself to function because everything reminds him of war and suffering. He eventually stumbles into Goodneighbor, gets hooked on chems to distract himself from bad memories, meets Hancock one bad night and ends up getting drunk/rambling to the poor ghoul. They end up hitting it off despite the ridiculous introduction. Hancock manages to ground Knight, gives him a purpose again; helping good people, and hurting bad people. Knight travels the commonwealth doing odd jobs, trying to do what he can, even joins up with the Railroad to help out the Synths. Just trying to make up for all the time he’d lost, doing what he thinks would’ve made his best friend proud.

Now for Paladin. Yes, he is named Paladin, and yes, he WAS Paladin Paladin before being promoted to Sentinel. It’s probably obvious by now that I have a Dnd/medieval theme for my character’s names. Anyway, Paladin here is— of course— a part of the Brotherhood of Steel. I made him to be a big dickhead because I don’t play mean characters in video games enough. Unlike my other sosus he’s actually thriving in the apocalypse. Before being frozen he was very dissatisfied/disconnected with the ordinary life he was trying to live, he felt like a husk of himself and he couldn’t understand why. After waking up and being met with a destroyed world, his soldier mentality immediately kicked in again. He adapted fast, and when he learns about the Brotherhood and its US military-esc operations he quickly latches onto it. It’s familiar to him, and he excels at his duties. He rises through the ranks quickly, earning his place as Sentinel and developing a massive ego along the way. The Brotherhood makes him feel powerful, and that sort of becomes an addiction of sorts. He just wants more and more power, he wants to be respected; and if not respected, feared.

And as a bonus unrelated to fallout 4,

This is Monty, aka Montague. He’s a prewar ghoul living in the Canadian territories, or Little America as it’s referred to in the Fallout universe. He was a proud mountie back before Canada was annexed, kept his uniform in a locked safe for years. When the bombs fell and he was ghoulified, he pulled it out and dedicated himself to helping those who get lost in the nuclear winter. I’m still learning things about Fallout lore so idk how Canada is depicted after the bombs in canon, but the idea I had is that Monty lives in a massive, snowy wasteland which he’s learned to navigate with a lot of hard work and dedication. He earns caps by guiding people through the tundra, since few know how to avoid all the dangers it poses.

[ticklishraspberries]

Ren Faire (Eddie/Steve)

Summary: Steve, Eddie, and Robin go to a Renaissance Fair and see some interesting demonstrations. (This fic is for my lovely friend @gigglyrambles!! I literally just pulled this whole plot out of my ass and wrote it in one sitting, so I really hope you like it, LOL. Also, shoutout to @wordstrings because I know she has written something similar for Our Flag Means Death, I hope you don't mind me taking inspiration!!)

Steve isn’t sure how he ended up being dragged along to a Renaissance Fair with none other than Robin and Eddie, but he found it hard to say no to either of their puppy dog eyes and incessant begging.

His outfit is simple, consisting of a white, long-sleeved shirt with laces at the neckline, tight brown pants, and brown boots. He feels only a little bit ridiculous, but after seeing what his friends are wearing, he supposes he isn’t the weirdest looking one.

Eddie is decked out in black, an intricately detailed top with ruffles and buttons. A fake sword sits in a holder on his waist. Robin has gone for a more masculine look, a cloak over her shoulders and a bow and arrow in her hand.

“Screw historical accuracy,” she’d said.

“The fact that you’re a girl isn’t the problem, it’s that you couldn’t hit a moving target with an arrow to save your life,” Eddie had teased, and Robin had elbowed him in the ribs, making Steve laugh.

Now that they’ve arrived, Steve has relaxed a bit. He used to feel out of place whenever he attended events that he wouldn’t have been caught dead at in high school. Corroded Coffin concerts, DnD campaigns, and that one time he drove Eddie and Robin to the nearest gay bar in Indiana. It had definitely been more awkward sober, and before he realized that he’s bisexual, and could have totally had more fun if he’d been aware of and okay with that information at the time.

He’s sort of glad he wasn’t, though, because kissing Eddie Munson during a childish game of truth or dare was a much funnier way to have your queer awakening, and dating Eddie Munson is way more fun than hooking up with random guys in a bar.

“They have really good beer here,” Eddie comments, to which Steve holds up his car keys and jingles them. No medieval mead is going to keep him from being the designated driver.

“I can drive us home,” Robin says, absolutely joking, but Steve still gives her a horrified look and makes a show of sliding his keys back into his pocket, patting the denim for safe keeping. She sticks her tongue out at him, and he flicks her cheek.

Eddie does end up getting some beer, and Steve allows himself a few sips. They’ll be here for at least a few hours, he’ll surely sober up by then. He also samples the gigantic turkey leg that Eddie gets, and Robin wrinkles her nose in disgust at the messy nature of the food.

As they walk around, Steve finds himself getting into the spirit more than he had expected. They eat, watch musical performances, and shop at the little stalls set up by various vendors. Eddie buys a few rings for himself, and buys a handmade mug for Uncle Wayne. Robin indulges in candles and soaps, and even dares to see a fortune teller.

“She said that I’ll meet my future husband soon,” she says, giggling. “Clearly she’s a fraud, or she’d know I’m not interested.”

When Robin runs off to find a bathroom, somehow, Eddie and Steve end up standing around a demonstration about medieval punishments and torture, which Steve expects to be gruesome, and quickly finds he would rather hear gritty, gorey details than stand her and watch this happen.

A pretty girl, probably around their age, is locked into a pair of wooden stocks, and—

“You’ve gotta be kidding me,” Steve mutters, pinching the bridge of his nose between his fingers.

Eddie looks absolutely delighted as he leans in close. “What’s wrong, Stevie? The demonstration isn’t bothering you, is it?” he asks. His cheeks are flushed, too. A few months ago, Eddie would probably be the one stuttering and staring at the ground right now, but ever since he introduced this little world to Steve, he’s gained a confidence about it that only comes out when he gets to tease Steve into oblivion.

“Shut up.”

“You shut up, I’m trying to watch. Maybe I can get some pointers from these guys.”

‘These guys’ refers to the two men who have started tickling the girl’s trapped feet, and frantic giggles fill the air and make Steve’s stomach flip.

“Oh, she’s handling this better than you would,” Eddie continues to tease. “I’d already be called every insult under the sun if you couldn’t kick me instead.”

“I will kick you right now,” Steve threatens. It’s a complete lie. He’s frozen to the spot on the grass, torn between watching and focusing on the grass. Everyone else in the crowd is behaving like this is so normal, no big deal, just a silly show.

One of the men has moved behind the girl to tickle her ribs, her arms secured above her head. Steve crosses his arms over his chest, subconsciously protecting his own sensitive spots, like just watching her could tickle him, too.

“You love that spot,” Eddie coos. “You make the cutest sounds when I tickle you there.”

“I’m gonna fuckin’ kill you,” Steve grits out.

“Sure you will, sweetheart. Can it wait ‘til after I’ve made you cry real pretty for me?”

Just then, Robin appears at his side. “This looks like my worst nightmare,” she says. “I hope this girl is getting paid well.”

Steve makes a noise of agreement, but can’t bring himself to look over. Eddie Munson is going to be the fucking death of him. Thankfully, Robin is immediately bored of the display and drags them off to explore. Eddie subtly gives Steve’s side a quick pinch as he walks past him, and Steve suddenly can’t wait to go home.

***

“You are a fucking menace,” Steve accuses the moment they’ve made it through the door.

His parents aren’t home, Robin was dropped off back at her house, and now, Steve is alone with Eddie for the first time all day, and he refuses to voice how excited he is for whatever Eddie’s got planned.

But Eddie just grins, tugging off the more elaborate pieces of his costume, leaving himself in socks, boxers, and a white t-shirt. He makes his way to the kitchen, comes back with two cans of beer, sits on the couch like he isn’t ignoring the clear tension in the room.

Steve gapes at him for a minute before joining him on the couch, kicking off his boots and taking a beer as well. Maybe Eddie’s changed his mind…Maybe he just isn’t the mood, and Steve isn’t going to pressure him into anything.

But…Well, he has a sneaking suspicion that isn’t the case at all.

“If you’re waiting for me to ask, it’s not gonna happen,” he says.

“Ask for what?” Eddie tilts his head curiously, but there’s a glint in his eye that proves Steve’s theory.

“Nothing,” Steve replies, playing along. “All that talk back there just made me think you had a plan for when we got home. But if you’re not interested, that’s fine too.”

“Did you want me to have a plan?”

Steve huffs. “Maybe. But if you don’t, then let’s forget about it.”

“Oh, c’mon baby,” Eddie says, throwing an arm around Steve’s shoulders and pulling him close. “All you’ve gotta do is ask if you want it so bad.”

His cheeks burn. Stubborn as ever, he shakes his head.

Eddie sighs with exaggerated disappointment. “If you insist. I guess I’ll just keep my hands to myself tonight…”

“Good,” Steve says, and turns the television on.

It takes two beers and a stupid scene in a film to break him. It’s a quick, barely there tickle, but the character’s laugh makes Steve perk up like a dog hearing a doorbell ring.

“Fine,” he says.

“What’s fine?” Eddie asks.

“Just fucking tickle me, you dick.”

Eddie grins and wastes no time, lunging across the couch and pinning Steve to the cushions.

“I knew you’d crack eventually, sweetheart,” he teases. “Sorry we don’t have quite the same set up, but I’ll hold you down real nice, okay?”

Steve is already grinning. He can’t help it, he’s so lovestruck by his boyfriend and desperate to laugh his head off. And laugh he does when Eddie goes straight for his ribs, scratching at the dips between each little bone.

“There’s that pretty sound,” he says, pressing a kiss to Steve’s jaw that is both sweet and ticklish under the current circumstance.

The stupid shirt with the laces is pulled over his head and discarded on the floor, and Eddie pins Steve’s wrists and tells him to stay still before exploring each ticklish spot on his torso, making him shriek and cackle and snort like a fool.

He doesn’t stay still for very long, arms shooting down to his sides when Eddie attacks his belly with blunt fingernails, and Eddie scolds him but doesn’t stop.

As he squirms on the couch, giggling like mad, he wonders if they sell some of those bondage contraptions there. He thinks that they should go back to the Ren Faire sometime. 

[renthony]

Some recs for adult animation I enjoy:

People always seem to think I only watch kids' shows, so here's a list of animated television shows I adore, that were all made with adults in mind:

King of the Hill - Genuinely didn't think I'd like it, but I actually really love it? I expected something that was basically just The Simpsons or Family Guy, but got a surprising amount of emotional depth from the main cast. Bobby Hill is my son boy.

Futurama - I am legally obligated to list Futurama. I have watched the entire series so many fucking times. I'm going to watch the reboot and we all know it.

Disenchantment - It's more than just "Futurama medieval fantasy" but tonally, they are pretty similar. I enjoy it immensely. Bean is a #bicon, and that's fucking canon <3

Samurai Jack - The original show aired as a kids' show, but the revival apparently put it into the adult category. I haven't gotten that far yet, but holy shit, it's so good so far. Even the "kids' show" part is pretty mature, imho.

Bob's Burgers - I fucking love Bob's Burgers. I need to catch up on the more recent seasons. A sitcom that DOESN'T have parents who clearly hate each other? Whaaaat?

Harley Quinn - I'm not caught up, and there are aspects I have critiques of, but overall, it's been fun as fuck. I LOVE this interpretation of Ivy so fucking much.

Metalocalypse - My dad's a metal musician, so this was on in my house all the time when I was a teenager. I haven't watched it in *years* but I still reference the early seasons in conversation constantly. The Duncan Hills will wake you, motherfuckers.

Big Mouth/Human Resources - They are better than you think they are, and the "ugly style" reminds me of classic Klasky-Csupo. Compare it to Rugrats and tell me it doesn't have similar caricature styles. Story-wise, it nails the exact blend of panicked awkwardness I felt as a disaster tween, it has SO MANY queer characters. They dramatically improved on their more problematic aspects after getting called on it in seasons 1 and 2. And Human Resources made me sob like a little baby in the episode with Kieth from Grief.

BoJack Horseman - Starts off as a goofy gross-out humor sitcom but very quickly becomes a serious drama. Incredibly heavy and dark, but holy shit the catharsis. Delves into a lot of musings about morality, celebrity culture and Hollywood, generational trauma, and the perpetuation of cycles.

Tuca & Bertie - Goofy slice-of-life about characters navigating their 30s. Lots of musings about family, trauma, sexual abuse, queer dating in your 30s, friendship, and trying to survive it all. I relate so fucking much to the main cast.

Magical Girl Friendship Squad - It's a magical girl cartoon about milennials. Their magical girl weapons are birth control pills and a bong. It's fucking amazing. I'm really sad nobody else seems to have heard of it. :(

Little Demon - Sitcom about the Devil's daughter. Unsure if it's going to get a season 2, since it's about to get taken completely off of Hulu. Still worth watching if you can, because it's so fucking good. Centers on a teenage girl navigating Being A Teenage Girl while also dealing with her dad being the Devil and her mom being a traumatized mess who's figuring her own shit out.

Q-Force - The advertising did this show so fucking dirty. It was genuinely fucking funny, and it was clearly made with love. This isn't straight people making fun of us, this is queer people making queer comedy. Watch it.

Arcane - Arcane's politics are all over the place and I am in my "Silco Was Right" corner, which is right next to the "Magneto Was Right" clubhouse. But goddamn, the animation is gorgeous and the story is intense.

The Legend of Vox Machina - I haven't watched Critical Role, so I can say with confidence that this show is fucking amazing even if you have zero interest in the original gameplay streams. Fantasy animation for grownups, where they can show blood and titties, my beloved. <3

[lilareviewsbooks]

4 SFF Books For (Humanities) Nerds

Hey guys! I know I promised this like, last year, but life got in the way :( But now I can finally present to you - my list of books for humanities nerds!

To put it simply, these are books I think broach topics that are close to the humanities nerds' interests - sociology, history, art, anthropology, political sciences... And sure, they could be considered "boring", but if you're into the humanities - you'll have a ball with them! (and, of course, anyone can enjoy these!)

The Goblin Emperor, by Katherine Addison

5 stars | 446 pages | standalone, but there are spin-offs | queer side character

This is the book that spurred this list, so, if you want a longer review, I have it on my blog. But suffice it to say that The Goblin Emperor is a fairly long and detailed account of what happens in the court of a country of elves when the youngest, unfavoured and half-goblin son of the king ascends the throne. This book is masterful. It seemlessly weaves in personal and political concerns as we follow Maia, the newly crowned emperor. The writing style is slow - we follow the emperor's every day life. We are with him when he rises in the morning until when he wakes up. It waits for something to happen, and is quiet and slow. It's absolutely delightful: despite his politicking, Maia is mostly and more ardently concerned with kindness. He wants to treat people fairly. This not only makes for a sweet main character, it also means the book is a fascinating character study, as well as an incredible feat of world-building. I think nerds will enjoy its slow and traquil pace, its dedication to politics, language and customs of this world and its charming main character.

A Memory Called Empire, by Arkady Martine

5 stars | 462 pages | completed duology | queer main characters

For a sci-fi twist, I think A Memory Called Empire is the way to go. The duology follows Mahit, a citizen of a small satellite of the Teixcalaan Empire, who is chosen as the next ambassador for her home. She must journey to the capital with a very important mission - find out why her predecessor mysteriously disappeared. Again, what there is to enjoy here is lush, expansive world-building. The Teixcalaani feel so, so real. Every little detail was thought of, from their language to their smiles. It's truly impressive, and the prose, I remember, is also beautiful, making these details pop out even more. This is also incredibly political, as Mahit descends into the belly of the beast, so to speak, in search of answers. But it is framed by a pretty straight-foward murder mystery, which might be fun for people used to mystery stories. And the second book broaches first contact! - it's just so much fun! I also have a longer review for this series, if you would like more details! Nerds will be drawn to the expansive world-building, attention to detail, and reflections on empire, memory and legacy.

Elder Race, by Adrian Tchaikovsky

4 stars | 201 pages | standalone | no one's queer, I don't think :(

This one might be a good pick for veterans of SFF - it has a fun gimmick! You must've heard the phrase "any science advanced enough in undistinguishable from magic", attributed to Arthur C. Clarke. This book takes that concept and runs with it. For Lynesse, a princess in a medieval society, Elder Nyr's "giant tower" is magical, and he, a magician. For Elder Nyr, an anthropologist come from a different planet, his interests are scientific, and his "tower", a spaceship. The fun of the novella is that we flip-flop between these two people's perspectives, so that half the story is a sci-fi, and the other half, a fantasy. I found this story to be unique, and to understand its place in the speculative genre quite well. It defies expectations and conventions in a creative way that I think nerds familiar with them will enjoy!

The Traitor Baru Cormorant, by Seth Dickinson

5 stars | 399 pages | uncompleted series | queer main characteres

Another good bet is The Traitor Baru Cormorant, the first installment in the Masquerade Series, which is not finished yet. It follows Baru, who, as a child, watches her country be colonized by the Masquerade Empire. She vows revenge, and to destroy the empire from the inside out. In this installment, she is finally trusted to be sent as an Imperial Accountant to Aurdwynn, a famously ungovernable territory... This one is very, very brain-y. It's dense political fantasy, and I admit I had some trouble following the economics, sometimes - that was never my strong suit!! The tapestry of betrayals, alliances and twists is rich, intricate and realistic. People have diverse interests, are multi-faceted individuals, and yet have a reason to be acting they way they are acting. This makes for satisfying plot lines, and incredible twists. I still haven't recovered from what the first book did to me, to be honest. Nerds, if you want to be dazzled and made to work for it, pick this one up. The Traitor Baru Corumorant will have you scratching your chin, thinking hard and having a lot of fun with (yay!) economics and accounting!

I have a couple more of these if anyone is interested :) And as always, if you need a book rec, feel free to send me an ask!

[justgottafinishthischapter]

Writing Worlds: Homosexuality in Historical Settings

As someone who loves period romances and craves romantic relationships between queer men, it’s very alluring to write queer romances set against the backdrop of historical settings and time periods. But, due to the treatment of homosexuality for a lot of our world’s history, it can make it tricky to know the best way to handle this topic. Consider this to be a sister post to go along with my Writing Romance: Courting post. The two go hand-in-hand.

ESCAPISM VS REALISM

The first hurdle is to decide whether your story is an escapist fantasy or favors realism. In an escapist historical queer romance, the queerness is simply not an issue. The prince can flat out tell his parents to arrange his marriage to male suitors, and the only real reaction is his mother immediately listing off good matches for him. The conflict has nothing to do with the fact that the relationship is between two same-sex characters, and would work just as well for a heterosexual romance story. With an escapist fantasy, you can show the Count of Yorkshire navigating the hardships of courting by having multiple young men vying for his hand, or the whirlwind romance as he catches the eye of the Duke of Orleans. And this romance can be just as open and public as any straight relationship. This option would fall under Historical Romanticism, the term used for when historical settings are made to be more idyllic and favorable than they likely were in real life. The only media where this approach tends to show up often is Fantasy, in worlds where homophobia simply never really existed. The Elder Scrolls is one such setting where male gods are married to one another, other gods change genders and pronouns as they like, and your player character is free to romance anyone of any gender as well as adopt without anyone making biggotted remarks.

On the other hand, Realism in a Historical Queer Romance is going to come prepackaged with a lot of tension and angst, as it’s automatically a forbidden romance. Because homophobia is a real issue that real queer people deal with, having queer characters deal with these issues can help your queer audience feel seen as these fictional characters can relate to their own life experiences. It’s also just more historically accurate to have queer lovers needing to tiptoe around behind people’s backs and hoping they don’t get caught. However, due to this prejudice, it’s also very easy for such settings and stories to come off as depressing, and can perpetuate unpleasant tropes in queer media, such as Bury Your Gays, Unhappily Ever After, and downer Nomance endings. Because their relationship isn’t “appropriate” for public eyes, it makes it hard for the couple to have a truly happy ending. For someone who’s tired of dealing with homophobia in their own life, or it just being present in almost all queer media, it can be tedious for those who want an escape to enjoy two guys smooching while looking dapper in period costumes.

Homosexuality and Religion

As a medieval historian, I actually did a full research paper on homosexuality in the middle ages as a part of my final for one of my medieval history classes. I still have the paper saved, so let me share an abridged version. Pagan cultures might have had some issues with homosexuality, such as the Norse favoring the “tops” over the “bottoms”, a sentiment shared by both the Greeks and Romans. However compared to later eras of history, these Pre-Christian cultures had little problems with same-sex relationships. Every Greek God but Ares, Hephaestus, and Hades had at least 1 male lover, Emperor Hadrian had his boy-toy Antinous deified after he drowned in the Nile, and the Sacred Band of Thebes was made up entirely of same-sex lovers. The idea that homosexuality was wrong only emerged with Christianity. Just... not as soon as you’d think. Christianity became a wide-spread faith across Europe around about 300 AD, mostly spread by Constantine’s deathbed conversion to Christianity. However, it would not be until the 12th century that homosexuality as a sin would emerge. This shift first started during what is known as the Medieval Renaissance when Christian theologians like St. Ambrose, St. Augustine, and St. Jerome altered the theological discourse on sin and virtue. Prior to the Medieval Renaissance, the mindset was that simply being Christian and accepting Christ as one’s savior was all it took to get into Heaven. After the Medieval Renaissance, the focus shifted to individual sin and the worthiness of the individual soul. They came to view Earth as sort of a testing grounds or waiting room, and any temporary Earthly pleasure was a wicked temptation sent by Satan to lead men astray. How you did on the test impacted whether you passed or failed. One thing that was declared a sin was fornication without the prospect of procreation. And this went for everyone. Any sexual act that would not result in childbirth was a sin, because you were doing it for the pleasure, not for the purposes of making a baby. Furthermore, any position except Missionary was also sinful, again in an attempt to limit pleasure. Since cis-gendered homosexuals cannot procreate, any homosexual acts were universally labeled as a sin by happenstance. Later in 1179, Peter Comestor proposed to the Third Lateran Council a link between the biblical condemnation of sodomy with explicitly condemning homosexuals, and not just anal fornication as a whole, even stating that clerks found guilty of this act should be removed from office, and laymen should be excommunicated from the church. It is Peter Comestor and his stance on homosexuality that truly caused homosexuality to be labeled as a sin on principal, and is why so many modern Christians still believe homosexual relationships are sinful by nature. However, it’s worth pointing out that the time from when Christianity was a widespread faith in Europe (approx. 300 AD) to the Third Lateran Council (1179) is a span of 879 years. As of this point in 2023, the time between Comestor’s condemnation of homosexuality and the present is only 844 years. Meaning that Christianity has a longer history of tolerating homosexuality than it has condemning it. I say all of this because in any setting where Christianity is not a part of the worldbuilding, there is no reason to have homophobia, unless you replace Christianity with a similarly homophobic fictional religion, as George RR Martin does with the Faith of the Seven in A Song of Ice and Fire. As for Judaism and Islam, I’m at a loss there. My studies didn’t really lead me to those topics, and I can’t offer much insight there.

Handwaving Escapist Diversity

Let’s be real, we can’t even cast People of Color in fantasy stories without racists crapping their pants, so unfortunately, we’re going to face similar problems having queer couples openly courting each other in a historical setting. But, there are a few ways around this where we can have our cake and eat it too without the homophobes being able to hide behind “historic accuracy” as a reason to have a problem with queer romances in historical periods. It’s all about the genre. Let’s look at some of the genres we can use.

Historical Fiction: This is the base form. Any period piece is going to be historical fiction. However, Historical Fiction comes in a wide array. Historical Romanticism is the lighter approach, simply putting make-up on the era to make it more palatable and appealing. Think of Bridgerton where the dresses are shaped historically and the characters behave historically, but the Queen is a woman of color, and the dress materials are far more colorful and bright than they would have been at the time. It’s still the Regency era, just with a bit of rouge. On the other hand, there’s Alternate History. Historical settings where a major deviation has occurred in the timeline. Whether the Roman Empire never fell, the British crushed the American Revolution and took over the entire world, Christianity never caught on and the Roman Pantheon is the most widespread belief system, or the industrial revolution exploded even harder, resulting in a more Steampunk vibe. A major upheaval has altered the face of history, and your queer romance is set in an utterly changed world with a different timeline.

Steampunk: As I just touched on, your world can be more technologically advanced, however, Steampunk can also be a genre for completely fictional worlds, giving you a great way to have a story set in an era with an 1880s - 1910s aesthetic, but easily exist as it own world with its own history and values where homosexual relationships aren’t a problem. Steampunk is also the most optimistic and aesthetically oriented of the science-fiction -Punk genres, compared to the much bleaker and more cynical outlooks of Cyberpunk, Diesel Punk, and Gothic Punk.

Gaslamp Fantasy: Basically, Steampunk but with fantastical elements. It keeps that late Victorian - Edwardian aesthetic, but adds magic, faeries, dragons, vampires, etc. Now, Steampunk leans more Sci-fi, while Gaslamp Fantasy is more well.... Fantasy, so Gaslamp Fantasy does tend to lose some of the technological aspects of Steampunk, but it can also overlap with Magitech, a subgenre where machinery is powered and propelled by magical energy. So, you can very well have a Steampunk Gaslamp Fantasy where all of the steam and gears and machinery is powered by magic. It’ still Steampunk, so long as that train is powered by shoveling magic energy crystals into the furnace, instead of coal. Howl’s Moving Castle is a good example of how the two can coexist. There are normal trains as we see in Sophie’s town, but we also see Howl’s castle which can move because of Calcipher, a fire demon that needs to constantly eat a fuel source of one kind or another. The world is full of witches, magic, and curses, but there’s also muskets, trains, airplanes, zeppelins, and a castle that spews steam and smoke as it wanders the countryside.  

Paranormal Romance: Especially common with Vampires, but the fallout of Twilight and Alpha/Beta/Omegas in pop culture has also led to a rising interest in Werewolf stories, and a recent trend has also swept Faeries into the pop culture spotlight as well. All three offer stories where one or both of your characters is an immortal (or very long-lived) individual. Perhaps their world is homophobic now, but when they met and fell in love, it was perfectly acceptable. Perhaps being alive for 800 years piqued the main character’s curiosity and they decided to give it a try. The long history of homosexuals being demonized has led to a large percentage of queer people identifying with the monsters and villains of media, causing them to see themselves in the hated monsters, demons, and vampires that threaten the heterosexual heroes of old.

Historical Fantasy: For everything else that’s not within that Victorian-Edwardian window, Historical Fantasy has you covered. From Cyclopes and Sirens in Ancient Greece to Dragons and Goblins in Medieval France, or a mermaid ending up in an Americana freak show, this pretty much covers ever kind of fantasy romance in a historical setting that’s not covered by Paranormal Romance or Gaslamp Fantasy.

Renaissance Punk: It’s like Steampunk, but the world’s technology resembles the contraptions of Leonardo Da Vinci, as opposed to the clockwork, gears, and steam aesthetic plastered onto the turn of the 20th century that Steampunk offers. Also called Da Vinci Punk.

Space Punk: If you’re wanting to lean more Sci-fi, you can do Space Punk. Think Treasure Planet, though I could also call that Sail Punk. It has a very Victorian clothing and technological aesthetic, but then space is full of a breathable Ethereum, and even Doctor Doppler’s “space suit” looks closer to an old-timey diver’s suit. But the ship has solar sails, the mast charges up with a power source that propels the ship into space, lockets project holograms of still photographs, cybernetic prosthetics are technologically advanced, and aliens are a common sight, even for the poorest commoner.

Same-Sex Courting for Escapist Romance

I touched on this in my Writing Romance: Courting post, but I’ll cover it again because it’s especially applicable here. The rules of courting in the 1800s relied heavily on gender roles. So, how does one make sense of courting rules when the couple are the same sex? The basic rule of thumb is that whoever is higher in status is the one to be chased, while the one of lower class does the chasing. If a Duke is looking for a husband, does the Duke chase Viscounts or do Viscounts chase the Duke? Always, the Viscounts chase the Duke. A Duke is a valuable husband, a prize catch those Viscounts would want to have. What if the romance is between two men of equal class? Two Dukes falling in love? The one who would take the more passive role is likely to be whichever is higher in the line of succession. During the courting phase, an elligible queer bachelor is likely to recieve many gentlemen callers. They would come to the bachelor’s house where his family could keep an eye on him, and judge his prospects. They would bring gifts and trinkets, and sit in the tea room, sewing room, drawing room, or whatever room is used to entertain guests. Gentlemen callers would then talk with the bachelor, recite poetry, play the piano, or whatever else they could to impress the bachelor and his family. Again, as I said before, the one being visited by gentlemen callers is whoever is higher up in the chain of nobility. The Duke’s family is going to scrutinize every gentleman who calls on their son, while the Baron’s family is going to urge him to call on every queer man who outranks him. The other thing to keep in mind is inheritance. The first-born son inherits everything, so a second-born son or third-born son will get nothing from his father, or best case scenario, he will get a small fraction of the family fortune from his father or older brother. In order for these younger sons to stay in the lifestyle they were raised in, they will have to marry someone who is coming into his fortune. In a setting where women can inherit her father’s entire estate, a lesbian would function the exact same as a gay man. Ergo, any queer romantic lead who is not inheriting his father’s full estate must seek a first-born son who will inherit his father’s estate. Meanwhile, if your protagonist is a first-born son, he is far more likely to be chased by the younger sons of distinguished families. Finally, when it comes to the social season and courting at dances, queer nobles would likely wear something to distinguish themselves from the heterosexual nobles at the party. Something to let the other guests know their preference in dance partner. That way, gentlemen know not to ask the Baroness of Agincourt to dance, but that the Duke of Orleans is all too eager to receive male attention.

Lavender Marriages in Realist Romances

A lavender marriage is when a queer person marries someone of the opposite sex to disguise their homosexual dalliances, such as Renly Baratheon marrying Margaery Tyrell, or Laenor Valyrian marrying Rhaenyra Targaryen. In these instances, the woman knew her husband was queer and was willing to work with him to keep the secret. However, sometimes the wife wouldn’t know, and the husband was keeping his sexuality a secret from everybody. However, it was usually hard for a noble to keep his dalliances completely hidden from the court, as in both of these cases, both Renly and Laenor were well-known around court to be fanciful of male attention. Everyone typically knows the wedding is a sham, but tend to turn a blind eye to it regardless. I know I’ve been using male examples this whole post, but this does also work with lesbian romances. I believe the term is still lavender marriage with a lesbian, but I could be mistaken.

Actual Homosexuality in Historical Time Periods

Scholars debate the exact nature of their relationship, but in Arthurian Myth, King Galehaut is conquering his way across Arthur’s Kingdom when he challenges Arthur to a duel for the throne of Camelot. However, upon seeing Sir Lancelot, Galehaut offers to concede to Arthur if he’ll introduce him to Lancelot. From then on, Galehaut and Lancelot became Very Close Special Guy Friends, and it’s suspected that the pair might be lovers, or at least that Galehaut is in love with Lancelot.

Leonardo Da Vinci was involved with one of his male models, Pietri Bandielli, who Da Vinci used as a model for Jesus. Which also means, If you pray to the white version of Jesus with the little beard and long brown hair, congratulations! You’re worshiping a gay Italian male model that used to have sex with Leonardo Da Vinci.

Hans Christian Andersen fell in love with the son of his financier, Edvard Collins. But, when Collins became engaged and later married to Henriette Tybjerg, a heartbroken Andersen wrote the story of The Little Mermaid as an allegory for his unrequited love. Collins was the handsome prince who didn’t return the mermaid’s feelings, Henriette was the Temple Girl who stole the mermaid’s love, and Andersen himself was the mermaid, unable to verbalize her true feelings, and suffering great pain just to be near the one she loves.

It’s mostly speculation, but it’s believed that Richard I of England had a clandestine homosexual relationship with Phillip II of France. The majority of evidence comes from one particular courtier’s writings who described them as eating from the same dish and not being separated by their beds at night. However, it’s hard to say if this is evidence of a homosexual relationship, or just the flowery prose writing of the time describing a very close bromance.

Edward II of England had little interest in war. Hoping to toughen up his son, Edward’s father assigned a squire to Edward that excelled in tournaments, Piers Gaveston. However, this backfired spectacularly, as Edward fell in love with Piers. Gaveston flaunted his sway over the king, being so bold as to wear royal purple and the queen’s jewelry during Edward’s coronation. Gaveston was hunted down and beheaded by a group of barons, and Edward himself was killed with a red-hot poker shoved up his backside.

King James I of England was a well-known bisexual, even having a secret passageway linking his bedchambers with that of George Villiers. James’ male lovers experienced royal favoritism and protection, as James absolved one male lover for poisoning a political rival, and twice protecting Villiers from impeachment for incompetency. Following James’ death, Villiers was struck through by a sword.

Anne Lister was a noblewoman who often dressed in masculine clothing and kept a coded diary which recounted her many and varied lesbian affairs over her lifetime. Lister even earned the nickname Gentleman Jack, and is often regarded as the First Modern Lesbian.

Pirate ships were one of the few places where gay marriage was legitimate. Pirate captains could perform marriage ceremonies, and marriages between male crewmates was not uncommon, even having rules about sharing property and distrubution of goods among crew members with a married couple on-board. As well as the distribution of property following the death of a same-sex spouse.

While we know that brothels and prostitution has existed since Ancient Greece, in the 1700s, it was possible to find a Molly House. A house which featured male prostitutes who catered to male clients.

Women were not believed to have sex drives, so when two women loved each other, they were often called “bosom buddies”, and two women living together without a man in the house was called a Boston Marriage.

In the medieval era, it was believed that a woman’s womb was naturally cold and had to be kept warm with regular activity. If the woman was unmarried, the womb was to be kept warm by hand. But since using her own hands would be sinful, it often fell to the woman’s female servants to do the deed.

Men and women often existed in entirely disconnected social spheres. For a man, he would go to work where he would only work with men, after work he would go to a local bar or club that was exclusively for gentlemen, and following dinner, he would often retire to a private room in his home or another man’s home to sit, smoke, and talk with his male colleagues. Even within a single house, men would retire to the gentlemen’s lounge to smoke, while women would depart to the sewing room, tea room, or drawing room to have afternoon tea with the other ladies. As men would spend their entire days solely in the company of men, and the same for women, many men and women only spent time together in public spaces, during meals, and when going to bed. Even then, it was not uncommon to see households where the man and woman had separate bedchambers, and the woman would only sleep in the man’s bedroom when he desired sexual congress. Even the Palace of Versailles had separate chambers for the king and queen. This gave queer couples plenty of time to sneak around without anyone being the wiser.

This to Keep in Mind

One of the biggest issues behind the AIDS epidemic was the promiscuous nature of gay lovers in the 1970s. Because gay men had to be discreet, they would often have anonymous relations in public spaces like bathhouses and bars. This combination of unsafe sex practices and anonymous lovers caused STDs to run rampant through the community, and allowed the AIDS epidemic to have a devastating impact on the queer community.

In Victorian great houses, the footmen were effectively the “face” of the manor’s servants, so height and attractiveness was favored when hiring them. As such, footmen make for excellent romantic interests in a historical time period, since they’re required to be attractive to be hired.

The mafia has a long history of working with and supporting the LGBT community. In the 1920s, nightclubs in the black districts of Harlem would host drag balls, these events being known as Harlem Nights. The mafia helped these groups to meet without police interference for a kickback fee. Even the Stonewall Inn had Mafia protection. In a world where homosexuality is still seen as a sin, think about what groups are willing to turn a blind eye in the interest of profit.

Homosexuals were among those rounded up the Nazi Party during the Holocaust. Just as Jews were forced to wear the Star of David on their clothes, so too were homosexuals marked with a pink triangle. The Nazi Party also destroyed research on gender and sexuality, which destroyed a lot of evidence that had been gathered of queer existence up to that point in time. Today, the Pink Triangle is among the reclaimed symbols used by the queer community.

Queer people found ways to signal to one another. At different points in time, the visual cues have included wearing green ties, having a red carnation in their lapels, and in the 1970s, a bandana in the back pocket was a common way of indicating someone was a homosexual, and the color would even further indicate what they were looking for. Many modern slang words even started out as gay code words so that gay people could talk in public without drawing attention to themselves. Codes like “buns” for butt are still in use today, but got their start as codewords to keep gay conversations undercover.

While we often remember the Red Scare of the 1950s, we often don’t mention that there was also a Lavender Scare at the same time, which hunted down homosexuals just as the Red Scare hunted for communists. It was the belief that homosexuals would be more likely to undermine American policies or spread information to enemy nations, and thus had to be kept down.

Rich men often kept “actresses”, paying for apartments for them, paying for their food, drink, fun, costumes, and whatever else. If they really were an actress or otherwise a struggling entertainer, it was not unheard of for the wealthy benefactor to pay to get the actress roles, pay for tutors and lessons, or even buying them an entire theater. It’s not so hard to believe that a wealthy gentleman could keep a male model, actor, or artist in good stead, especially because artists in particular flourished in periods where rich people would sponsor and commission artists to paint for them. And this can work for either type of story, as a husband or wife would be equally annoyed to learn that the Duke of Orleans is keeping a young actor on the south side.

Gif Sourcing:

1. Bridgerton (2020 - present) 2. Game of Thrones (2011-2019) 3. Mary, Queen of Scots (2018) 4. Downton Abbey (2010-2015) 5. Victoria (2016) 6. Cloud Atlas (2012) 7. A Place to Call Home (2013-2018) 8. Mary Shelley (2017) 9. Brokeback Mountain (2005)

[boldlyexplorational]

Episode 26 "Errand of mercy"

Not a lot to say about this one, but that's not a bad thing. I liked it, it's a good episode.

I like that it's a Spock and Kirk shenanigans situation, the focus is on them. I guess they're starting to lean into their established dynamic as it takes a more defined form (and probably gets appreciated by the audience). (Or maybe not, I have no concept of how episodes were released actually.)

I love their little medieval outfits, how the Cape look is becoming Spock's signature and just how queer that is. He did not need a cape, but he had a cape and that's important.

I also like the idea and its execution. At this point I realize at least for season 1 there are some recurring and favored themes, which of course are classic themes in shi-fi. The confrontation with a more advanced race of aliens who tests other species morality it's something we've seen before, but I think it works great with the situation they used and of course the Klingons.

Ok special mention for something that we've seen before but since I'm here I'll talk about it now: it's so cute that they want Spock's little calculated odds speeches to be humorous bits but the genuine tenderness and affection in Kirk's eyes when they happen is so warm and real that of course people thought these guys were in love.

[thethiefandtheairbender]

just a disclaimer: i’m queer and nonbinary (afab) as can be, so all of this is from a personally queer perspective? i also know that i don’t tend to really jive with ND stevenson’s work (she-ra didn’t quite work for me) either and if you loved the movie, great. i just gotta drop thoughts somewhere because well

they’re less than positive

like “nimona” wants to be a Queer movie so badly, but the entire humourous basis of the character herself is that she is 1) young looking (despite being immortal) and 2) appears to be AFAB and isn’t it funnily jarring when little girls want to be violent instead of cute and sweet? 

She doesn’t want to be a monster, but clearly genuinely enjoys destroying things (again: basis of the bulk of her character humour, and one of most defining character traits) with no regards to anyone who gets hurt or could get hurt in the process. 

also this is Entirely Personal preference but while the animation was stunning, the contrast in the medieval aesthetic and modern day technology just continually brought me out of the movie. which is too bad, because treasure planet and it’s 70/30 rule and aesthetic blend of old timey and big technology is one of my favourite things ever, but i think Nimona being 50/50 just... didn’t work for me. was also slightly disappointed that i figured out who the actual bad guy was before the queen’s death (and yet another movie with a black queen who Dies Instantly / a movie with literally queer men of colour being technical side characters to a white, allegorically queer main ‘female’ character). 

Ballister is a great protagonist, but due to his opposition of everything Nimona is personality and scheme wise, it feels like they’re almost running around in two separate stories. As well as like - he wanted to enjoy the Elite, Privileged, fighting force? An elite, privileged, entirely based on birthright system ruled by a Black queen before it was called into question, when it’s also a pretty clear allegory for the Police? The fact that this isn’t resolved - what’s going to happen to the Institute, is it going to be reformed or even better yet, disbanded (‘defunded’), is entirely left hanging as a plot thread, which doesn’t happen matters.

Halfway through the movie (specifically Nimona’s “or that sometimes I want to let them [kill me]”) is when I finally started to feel emotionally invested, but like two scenes later when Ambrosius’ stabbing was over dramatic rather than just letting the tone hold, I looked into the camera just... so incredibly unimpressed. The monopoly and shark dancing didn’t help.  

“She’s my friend.” “Aren’t I more than that?” so there were no aspec people in making this film. Got it. And Ballister’s heel face turn into calling Nimona a monster is also very quick, especially when his whole arc this movie is being unfairly demonized himself by the very same thing/people that are demonizing Nimona as well. The sheer harshness and length of the scene is also much longer and given time than him saving her, leaving that feeling kinda lopsided as well.

And Nimona’s issues I think are very evident in the fact the movie lets us see all the damage she’s causing at the end when she loses control, which is sad and tragic for her... but does not excuse or remove the real harm she’s bringing hundreds of other people. This is mitigated when she sacrifices herself to save the city, but given that her problem wasn’t necessarily selfishness so much as recklessness, and given that Ballister had literally just talked her down from suicide, it’s... Muddled to say the least.

And all of this ties back into the murky gender allegory of the movie. At its best, it’s very effective and very emotionally resonant (Nimona’s actual flashbacks and a couple of her conversations with Ballister. I can definitely see why people like it - hell, even I like it. “This monster is a threat to our entire way of life!” “What if we’re wrong?” kinda perfectly encapsulates were it falls flat to me, because queerness Is a threat to our current systems - capitalism, racism, cisheteropatriarchy founded on white gender essentialism. Queerness, particularly of gender, disrupts and should disrupt all those things; it’s a political identity just as much as personal one, both by choice and by societal circumstance.

TLDR; found the second half of the movie, overall, much stronger than the first, but with some bigger structural pitfalls. Animation was gorgeous, sense of humour didn’t overall work for me but that’s a personal thing, queer allegory was good but I would’ve liked some of the implications to be taken farther. I appreciate the movie for what it says about freedom of expression vs demonization by the upper class(es), and I think it’ll really resonant and be important to queer youth in their teens (a stage I am long past) figuring themselves and their place in an increasingly anti-trans political climate out, so I’m very glad it exists. It just wasn’t particularly groundbreaking, and wasn’t particularly up my alley. Which is kind of what I expected, but I am disappointed that I didn’t enjoy it more as a nonbinary person who loves story deconstructions, fantasy, and animation

[diaphin93]

Damn, thats racist Episode V: M'Lady Bübche knibbelt Retour

You all now, I originally I didn't reblogg because I wanted to comment without engaging in an argument with some reddit coded white knight, who makes his entire identity being obsessively hateful towards the only queer and only female Lord of the game whose entire deal is wanting to abolish feudalism and divine rule.

Now on the other hand, I'm doing it because it became instantly super fun, knowing that it obviously pisses him off. Also I'm doing him a favor by not doing that on Twitter. Like, I had my fair share of over the top edgy takes and bad jokes here on Tumblr, after which I took a pause from it and now decided to make this the site where I'm on my good behavior. I'm a good girl now here. Twitter on the other hand? Ever since Elon took it over, I really don't give a shit about my account there, so thats where I go all out with little fucks to spare, so I really would have gone all out with the M'Lady Fedora chud jokes. It would have been super funny.

And yeah, I don't believe his fake moral outrage, thats literally after I told him how shitty the implications of him justifying Faerghus stealing all the fertile lands of Sreng and forcing them into a frozen desert were, especially in our current day and age. Should I have done it? In retrospect probably not immediately, but he really doubles down and decides tha thet validity of faerghian colonialism, because Faerghus has a right to defend itself, is the hill he wants to die on.

Also he is still all about how brown people lie about racism in his video games, because there is no way that a medieval catholic coded church lead by whiter than white dragon people who view humanity in its entirety as inheritly lesser creatures could ever be xenophobic, lol.

Finally, I still don't know what this deal with this Moonlitboar person was, the only thing I know is that he allegedly said something shitty, got backlash and pissed off afterwards? While...you know...meanwhile Edelgard fans constantly receive targeted harassment, like a fanfiction author being bullied off of social media and even a fanartist getting harassed during a convention recently, and there is constant bait and harassment post in the Edelgard positive tag, not to forget this guy tagging Edelgard even when his posts don't have anything to do with her.

All in all, I get the slight suspicion that this guy is not just a clown. He is the entire Margrave Matthias Raoul Gautier.