#Kdrama reviews

[noona-is-afk]

Completed Dramas, Ranked

Masterlist of all the dramas I have finished and my rankings from 1-10. Keep in mind I don't usually finish dramas that I don't like, so most of these reviews will be 6+ ratings.

List got too long! Have migrated it over to MDL: https://mydramalist.com/list/1zyZGNZ4

Also follow me on my new blog for updates on what I'm watching: https://darth-noona.tumblr.com/

[offbeatcappuccino]

a colossal disaster ~ impossible heir final reflections

I recently finished watching the last two episodes of impossible heir and I am convinced that this show will go down as one of the biggest disappointments of 2024. After being a close follower of Lee Jae Wook's career for several years, I was excited about him playing another cold traumatized morally ambiguous character. However, there are too many weaknesses in the writing that cannot be made up by the spectacular acting from Lee Jae Wook, Lee Jun Young, and Choi Hee Jin. We all already know how I feel about Hong Su Zu and her character Na Hye Won. Like many predicted, the big reveal in this show is that Lee Jun Young's character Kang In Ha is a backstabber that has been secretly plotting to frame his best friend Han Tae Oh as the murderer of Kang In Ju in order to fulfill his dream of ascending the Kang-oh throne.

I do think that the shift in In Ha's becoming an overly ambitious fake friend was somewhat well justified with the writing. There were signs in the earlier episodes that he saw Tae Oh as his "dog" and held very little regard for him. One notable example is him "stealing" Na Hye Won despite being very well aware that Tae Oh had a crush on her. When In Ha is finally recognized by his father as his son, In Ha makes several independent decisions without consulting Han Tae Oh- suggesting the very early signs of a schism between the two men. However, its hard to swallow that out of nowhere he becomes capable of conspiring in the murder of his own brother, his best friend, the man that helped him kill his brother, his father, and finally, physically assaulting his wife and having her institutionalized against her will. What is actually quite bewildering in all of this has to be the relationship between In Ha and Mo Gi Ju, the murderer of Kang In Ju.

In last week's episodes, we are shown that Han Tae Oh comes across video evidence from the murder scene, which directly implicates Mo Gi Ju and Kang In Ha. This subsequently allows Tae Oh to be declared innocent and have his charges dismissed. When Gi Ju is interrogated, he refuses to disclose In Ha as his co-conspirator and in the last episode, we see that Gi Ju initially considers In Ha to be his friend. This is what is incredibly perplexing because at what point in the plot did these two become friends? It's one thing to be co-conspirators or to make a mutually beneficial deal, but to become close friends to the point that one of them is willing to take all the blame to protect the other? This is a loose thread in the plot that the show runners never seem to take the time to address.

Another thing that is never explained in the show is In Ha's extensive connections with the prison system. However, this could just be me being picky and maybe in the short span that he was able to be recognized as a legitimate son, he also was able to bribe a prison guard to help him carry out his dirty work. Despite these flaws, I will say that Lee Jun Young is absolute perfection when it comes to playing a maniac.

Apart from this arc, one of the biggest flaws in the last episode was the drastic shift in the characterization of Kang Seong Ju, one of In Ha's older brothers, who along with his mother was scheming to become the CEO of the company. However, after his mother's arrest, Seong Ju tearfully exclaims to his mother that he's sick of vying for the top and wants to prioritize his happiness. This is a sharp departure from his conduct just a few days prior when he was attempting to fill the vacuum left by his father's illness. What is even more difficult to swallow is the sudden respect that Seong Ju develops for Tae Oh, even going as far as respecting him as the next chairman of Kang Oh and bowing to him even though like everyone else in the family apart from Hui Ju, believed that Tae Oh was lesser than and a threat to their ambitions due to his proximity to the chairman. Seong Ju's arc is almost too good of an ending that you can't help but feel that the writers resorted to deus ex machina in order to tie all the ends.

Hye Won as usual was a disappointment and its confusing why they would market her as a main character when she had barely any lines or things to do in this episode. She has been one of the weakest female characters I have seen in a while with her existence mainly serving as a prop used to justify the conflict between the two men. She, herself, does very little to move the plot forward. Perhaps one of the saving graces of the show and the only reason I stuck with watching it is a brief scene that we see in the last few minutes of the show. Kang Hui Ju decides that she is going to travel the world and during the three year time leap, we see Tae Oh smiling at a picture of Hui Ju in Cancún, which she sends as her "survival update". The ending is very open-ended and ambigious, but if you were me, you interpreted it as Tae Oh finally reciprocating his feelings for Hui Ju.

While The Impossible Heir has been an utter disappointment, one of the good things about the show was the chemistry between Hui Ju and Tae Oh. Luckily, this has captivated the minds of some amazing writers and there's a flourishing AO3 page for the show with some of the best angst fanfics I've seen in a while.

Rating: 1.0/5.0

Keep watching kdramas and living your life like one,

offbeat_cappuccino

[stephreviews]

Business Proposal (2022)

Shin Hari (Kim Sejeong) goes on a blind date for her best friend Jin Youngseo (Seol In-a). Despite her best efforts, the man, Kang Taemoo (Ahn Hyoseop), decides to marry her. Kang Taemoo is the heir to a conglomerate, and his grandfather has been setting him up on endless blind dates that it is interrupting his work. He decides the next woman he goes on a blind date with, he will marry. Shenanigans ensue.

Comedy: 10/10 we stan Samantha and Rachel

Slightly homosexual bromance: 10/10

Contract engagement: 10000/10 gosh, this is my favorite trope

Amazing friendships: 10/10

This drama set the bar for me for romantic comedies. The family relationships are so sweet, the friendships are so realistic and funny, the romance is hot but tender. I was laughing, crying, angry. This show is perfect for people who love romantic comedies. Descendants of the Sun? Who's she. Crash Landing On You? Don't know her. I only know Taemoo and Hari.

[weshallflyaway]

Now that I’m more than halfway through Three Bold Siblings I can say the following:

- Lee Sangjoon is a precious cinnamon roll that needs to be protected BUT NOT LIKE THAT

- Kim Taeju will very much be the one to protect that cinnamon roll and if she hadn’t lost her memory she would have solved everything already

- Lee Sangmin is still incredibly annoying, the character growth has been agonisingly incremental (but I guess that’s realistic)

- Shin Jihye is a lovely, lovely girl and a prime example of why girls should not be too sheltered so that they don’t fall prey to the lies of scumbags

- Cho Namsoo is that scumbag and then some

- Kim Sorim and Shin Muyoung are the couple keeping me going at this point

- All three siblings are precious and I love them and their Dad, it’s clear he’s the reason they all turned out so well

- As for the Mothers…. I tried, I really did try to like them and there was a time when I almost did but at this point they’ve failed their children so badly and been so terrible while doing so that there’s no affection left in me for them

[goawaywithjae]

I wanted to write this week’s newsletter with a focus on K-dramas that center on teenagers and/or students. While the scenarios are fictional, there is a grain of truth to what students (and their parents) go through to try to get a leg up on everyone else:

° Crash Course in Romance ° Extracurricular ° Extraordinary You ° Racket Boys ° Revenge of Others ° SKY Castle

If you want to read about more teen-centric shows, check out the anchor links below for K-drama reviews that I’ve published in previous posts: ° Angry Mom ° Boys Over Flowers ° The Heirs ° Juvenile Justice ° Once Upon a Time in High School 📽️ ° A Time Called You ° Twenty-Five Twenty-One ° Twinkling Watermelon ° Weak Hero Class One

[unnursvanablog]

Lovely Runner / kdrama review.

This is a pretty much a spoiler free review of the kdrama of Lovely Runner.

Lovely Runner is a bubbling triumph of a fanfiction-like romcom. The chemistry of the leads, or even just the whole cast was sizzling, the humor mostly great - the secondary couple were very grating to me. And the youthful, almost nostalgic vibes and the feel light and breezy that the drama managed to hold onto was delightful and echoes of longing and yearning tugged at your heartstrings. There was something quite old-school about this sort of rom-com that I could really appreciate.

Some stories do manage that suspension of disbelief just a bit more smoothly than others. And Lovely Runners seem to be able to introduce us to the logics of their little fluffy, rom-com universe quite seamlessly and therefor making the more unbelievable moments feel both earnest and earned enough that is just might work. Or you are willing to forgive it despite how much of a fan fiction this story feels like it is.

The drama has a tendency to use excessive amount of tropes in it's storytelling, like the clumsy heroine, noble idiocy, miscommunication and so forth. The amount of times the two leads fell into each other arms was way to excessive to become endearing after a certain point. It also does have a tendency to drag out the plot and the twists on a bit too long as we get further into the story resulting in some pacing issues.

Towards the end the story, the convoluted timelines and the murder mystery subplot does becomes more of a burden to the drama, causing it to lose some momentum - I feel like episode one and until around 10 is this dramas sweet spot. Things just seem to be happening to the characters without too much depth but the character have such a good emotional core within them, despite me wanting a bit more development from them as the timelines become more messy and annoyed as things are just happening to keep the plot going, no matter what you are rooting for them to get together in the end.

The actors certainly add more spunk and feelings into these characters than they have on paper and really sell the earnest of the story and keep you coming back for more. It's a fluff, it's tropy, but it's fun and bubbly and compelling enough and you never really get the sense that the drama is trying too hard to be something more than it is. It's a breezy, cute watch with very likeable leads and characters that you enjoy spending times with despite it's flaws - I just wish we could have gotten more scenes with the second male lead.

The drama manages to blending humor and cliché with heartfelt moments and I do think the drama does a good job making you feel very at home in it's world and therefor invested in it and so light and airy that you just enjoy these moments with the characters. The drama creates a narrative that is light-hearted yet earnest, as it finds the most absurd situations and gives the characters enough stakes that you want to cheer them on and make sure that they finally get their happy ever after. It becomes a safe space for you, in a way, while you are watching it where you can just leave your brain at the door and just enjoy the cuteness and fluff.

[honest-kdrama-reviews]

Review #9: Twinkling Watermelon

WARNING: THIS POST DEF CONTAINS SPOILERS. PLEASE READ AT YOUR OWN DISCRETION IF YOU HAVE NOT WATCHED THE DRAMA. (I will do my best to label spoilers, but I’m not perfect.)

Oh, we are SO BACK!!!

After a One Direction-esq hiatus, I have returned with my wit and thirst to discuss a drama that I loved.

✨Twinkling Watermelon✨

Of course, this wouldn’t be one of my reviews without the…

THIRST CORNER!!!!

I am being so fr when I say this man is gorgeous. His smile takes up his entire face and it makes me giggle and kick my feet every single time. Choi Hyun-Wook is not only so handsome but he plays the role of a kind, charming, stubborn and extremely loud 18 year old so well. Like, I think casting him for that role was the actual perfect choice.

Let’s just take a moment to look at him 🥰

LIKE THAT SMILE COULD MELT ME IN AN INSTANT

(Also this scene was so cute like he’s so in love pls)

Okay anyway, moving on.

The cast of this drama was actually just way too cute in general. I caught myself so many times watching with the goofiest grin on my face as they all lowkey fell in love fr fr for the first time.

The plot and storyline was so interesting! I really love how they made Sign Language a central part and really shone a light on how difficult it is for deaf people in Korea specifically.

Also, time travel seems to be a trend in recent k-dramas (I’m not mad about it buuut. A Time Called You and Lovely Runner 👀)

Similarly to 25/21 I think they took advantage of the fact that Y2K fashion is popular rn and set most of the drama in 1995. It’s cool to see the similarities!

I think it’s hard to keep my attention for very long when watching dramas if the plot has a lot of filler, which this seemed to have in the middle. It took me a while to get through (the last like six episodes were so engaging tho).

So I felt very meh for the first 15 episodes and then episode 16 had me bawling every five minutes. A huge jump, I know.

(SPOILER) Lee Chan coming to terms with not being able to achieve his dreams while he was under in surgery actually kinda broke me as a person. I was not okay. Also when his grandma comes and they cry together :(. I had to actually pause and take a minute. I was not okay!!

I LOVED the way it ended, though. Eun Gyeol felt like he had failed just bc (SPOILER) Lee Chan still lost his hearing, but seeing the positive impacts that he made really warmed my heart. Like yes, his family had been content and happy before. But now things were so much better and his mom was able to thrive because she hadn’t been abused as long.

The soundtrack went back and forth between being boring and going so INCREDIBLY HARD. The cover they did of 볽은 노을 has been stuck in my head for days and I found the OG version on Spotify and I love it. Also, A Song For You makes me feel so nostalgic for my youth for some reason. I wanna never forget all of my shining moments.

That’s honestly what I walked away with from this drama. I want my youth (and my life in general) to shine so brightly in my memory. I wanna make the most of the time I have so that one day I can smile and know I lived.

Viva La Vida :)

My Rating for this drama is a solid: 9/10. (Definitely in my K-Drama top 20)

Reminder that these are simply my opinions. If this is your favorite drama, I don’t mean to offend you. Feel free to put what you loved/didn’t love in the comments. Just be kind and remember that everyone like different dramas. Also please be nice to me, I am but a normal person. :)

[darth-noona]

My Completed Dramas, Ranked

Masterlist of all the dramas I have finished and my rankings from 1-10. Keep in mind I don't usually finish dramas that I don't like, so most of these reviews will be 6+ ratings.

Recently added: Lovely Runner, The Atypical Family, Hidden Love, When I Fly Towards You, Our Secret

Find the list on MDL (open in desktop to see the actual reviews):

[odanurr87]

Alchemy of Completed 2022 Kdramas - Part 1

Last year I watched a bunch of kdramas, too many for me to properly review at the rate I write about them. As a result, I'm gonna try something different and quickly review those dramas that released in 2022 that I watched, and maybe recommend a few alternatives here and there in those cases where the show didn't live up to the task. Considering it's been a while since I watched some of these dramas, I binged a couple of them again to better inform my commentary. If you're short on time, or just want to add kdramas to your ever-increasing watchlist, you'll find a ⭐ next to the titles I wholeheartedly recommend, and a 💀 next to those I feel should best be avoided, but you do you. If you still haven't watched some of these shows, this list will hopefully give you some idea of whether you'll enjoy watching them (or not).

A brief note on my rating system before we begin. I use bins for my 1-10 scale in the following way:

Anything between 5 and 6 is considered average

Shows between 7 and 8 are considered above average

Shows in the 9 to 10 range are the cream of the crop

Anything between 1 to 4 is considered below average, with the 1-2 range reserved for the worst offenders.

Thus, I have two possible scores for the average, above average, and cream of the crop categories, what I believe makes my life a little easier when rating shows. I have occasionally given half point ratings (e.g. 7.5) to certain shows when I feel they're halfway to a better grade, but that has been the exception rather than the rule.

So without further ado, welcome to my Alchemy of Completed 2022 Kdramas - Part 1!

A Business Proposal⭐

Episode count: 12

Where to watch: Netflix

Rating: 8/10

Verdict: "You know I'm good at a lot of different things, right?"

We start with one of my favourites and the best short romcom of 2022. Based on the manhwa of the same name by Haehwa (original story) and NARAK (art), Taemu Kang (Ahn Hyeo Seop) plays the 'perfect CEO' stereotype who ain't got no time for love so, after several hilarious events, he eventually hires Hari Shin (Kim Se Jeong) to play the part of his girlfriend to fool grandpa. Unbeknownst to him though, Hari is his employee. Will their fake relationship turn into a real one? You bet your ass!

The show ticks almost all of the required tropes, subverts some -what was a pleasant surprise- and entertains throughout, making perfect use of its runtime. The second lead couple, played by Kim Min Gue and Seol In Ah, also turned several heads, not to mention the latter had great BFF chemistry with Kim Se Jeong. Week after week, I was looking forward to every episode of this show, especially considering how disappointing another romcom that aired around the same time turned out to be, and that you may or may not find in this list. You could say this show aired just in time for Samantha and Rachel to cure my FLAWless disappointment.

Again My Life⭐

Episode count: 16

Where to watch: Viki

Rating: 8/10

Verdict: Lawful Lawyer is back!

The better Lawless Lawyer of 2022. Kim Hee Woo (Lee Joon Gi) is a prosecutor who travels back in time to put the people who murdered him behind bars while the audience wonders which female lead he should date. And between Kim Ji Eun, Hong Bi Ra, and Veronica Park Kim Jae Kyung, well, he's definitely not lacking in choices. Fortunately, time travel is merely used as a trigger to tell the story (similar to 365: Repeat the Year in this respect), so we don't have to worry about kdramas' rather abysmal track record with sci-fi. The show keeps you hooked episode after episode, finding a good balance between the scheming, putting people behind bars, throwing some punches (has those trademark LJG action sequences!), all the while going after the next big fish. Last, but not least, it does an incredibly good job at managing an ensemble cast of characters, and there are a lot of them! If you're a fan of Lawless Lawyer or Lee Joon Gi, you can't go wrong with this one.

Alchemy of Souls - Part 1

Episode count: 20

Where to watch: Netflix

Rating: 6/10

Verdict: Watch a fantasy cdrama instead

Alternatives: Fights Break Sphere, Fighter of the Destiny

When I watched the character promos for this show I thought this could be Korea's answer to some of China's fantasy dramas, possibly Xuanhuan dramas, and I was all for it! I liked the male actor, Lee Jae Wook, in other dramas I'd watched with him (he was great in When the Weather is Fine and Search: WWW), and Jung So Min playing a master assassin and mentor in a fantasy drama was quite appealing. Of course, I was a bit worried when the teaser dropped, with its emphasis on some weak comedy, but I decided to give the show the benefit of the doubt. Sadly, Part 1 didn't live up to the task. It meandered a lot, definitely under-using its 20-episode order, focusing on every romantic relationship under the sun and then some, ultimately delivering an unsatisfactory hero's journey for the ML, while the antagonists played ping-pong with the alchemy of souls. At times, I was reminded of Hwarang, a show I have reviewed very poorly and that seems to have relied on the idol factor to garner popular appeal.

I've previously compared Jang Uk's journey to that of Xiao Yan from the cdrama Fights Break Sphere, in that I expected the former, from the previews, to undergo a similar rise to power as the latter, rigorously training under his master, slowly climbing his way back to power, but with the additional appeal of developing that romantic relationship between Jung So Min's character and Lee Jae Wook's, what would've made for a more rewarding journey for both the character and the audience. This is a tried-and-true formula, also used by the popular anime The Rising of the Shield Hero, to mention but one other example. Unfortunately for us, Jang Uk can hardly be bothered to train (supposedly, he "trained" with twelve masters for years and didn't learn a damn), except at the very specific, and limited, times that the script dictates, instead relying on luck and plot contrivances to "skip ahead" his way to power, what makes for far less memorable scenes. Additionally, the cdrama nails the master-student relationship thanks to the great rapport between Baron Chen's Yao Chen and Leo Wu's Xiao Yan, but there's hardly such a bond between Mu Deok and Jang Uk.

In the end, Part 1 of Alchemy of Souls should've been about Jang Uk's rise to power under the guidance of his master, and later love interest, Mu Deok, but it's too unfocused, its attention constantly diverted by comedy, love polygons, or caricaturesque villains doing dumb things under everyone's noses. Perhaps its only saving grace was the character of the Crown Prince, brilliantly played by Shin Seung Ho, who was able to nail both the comedy and the drama when called for. However, if you're looking for a good fantasy drama with a more traditional (or any) hero's journey, watch Fights Break Sphere instead, with the caveat only the first season has been released, and it's doubtful there'll be a second. I'd also recommend Fighter of the Destiny, with Lu Han. It probably doesn't have as good CGI or sets, but it has a better grip on the hero's journey than Alchemy and nails the camaraderie aspects.

Alchemy of Souls - Part 2

Episode count: 10

Where to watch: Netflix

Rating: 7/10

Verdict: Works better as a standalone watch

I should've probably left Part 2 of the show for Part 2 of my list, but I'm going in alphabetical order so that's that. This is one of the shows I decided to rewatch to refresh my memory and, to my surprise, it fared much better the second time around. Why's that? Read on to find out!

Part 2 of Alchemy of Souls starts strong, much stronger than Part 1 did, something many were doubting when the news hit that Jung So Min wouldn't return for Part 2, instead being replaced by the original Naksu actress, Go Youn Jung. Fortunately, she does an excellent job throughout, but especially in the beginning of Part 2, which comes across as more of a fairy tale (Rapunzel's), and where the show decides to embrace some of the typical marriage contact tropes, as Young Jung's character fake-marries the now uber-powerful Jang Uk in order to escape from her mother's tight grasp. Honestly, I wish the show had started with Part 2, in media res, and used the material from Part 1 for flashback storytelling, in a similar vein to how The Untamed did it. God, that would've been so good! Precisely because Jang Uk has become sort of a demigod he can boss around all of the useless supporting characters from Part 1 (I'm looking at you, Pathetic Assembly of Evil), and pretty much do whatever he wants, so it's quite commendable to see him return smarter and more measured in his decision-making.

As someone who watched Part 2 live back then, it started to lose its initial glimmer when an inevitable reveal kept being delayed episode after episode, hinting that it would obviously occur the next one. Of course, this never happened, but what made matters worse was the fact that the ML was kept oblivious while everyone around him found out and chose not to tell him because... reasons? I can understand one person keeping the secret for his own agenda, maybe a couple, but I find it astonishing that even Jang Uk's friends and family shared this same agenda, as they also kept the truth from him. Additionally, the more this delay continued the further the narrative possibilities were constrained and, thusly, certain scenarios conjured up by fans never came to pass. However, this will not be much of an issue for people coming in blind to Part 2 (or with a healthy distance from Part 1). Perhaps even the fact that the noble idiocy card is played, or that the main antagonist is obstinately preserved by the writers until the very last episode to little effect (when he shouldn't have made it past Part 1), won't present much of an issue to newcomers.

Having said this, I still feel the final battle for the fate of the world remains rather underwhelming and anticlimactic, not helped by the fact that certain characters are resurrected right before said battle. After all, if the show outright establishes death is not permanent, minutes before "the end of the world," why should I fear for any of the characters? Even Jang Uk himself, during this final battle, doesn't show an ounce of worry that maybe this time he will not make it out alive, regardless of his powers, making the fight seem entirely mechanical and perfunctory. The writers even throw in some half-baked plot device about the King's Star being powered by seven other stars, and since it had never been explained throughout the show a character has to exposition-dump it on our laps (there's quite a lot of exposition dump going around in Part 2, what helps newcomers to the show). It's a plot device prominently featured in the cdrama Fighter of the Destiny, which I previously recommended, so maybe it was inspired by it?

In the end, if you still want to get a taste of the Alchemy experience, I wholeheartedly suggest you treat Part 2 as the original show, with Part 1 being the prequel made to cash in on the show's success that, ultimately, you may not even need. Thus, as a standalone, I'm revising my original rating for Part 2 from a 6/10 to a 7/10, bumping it into my above average bin.

Extraordinary Attorney Woo

Episode count: 16

Where to watch: Netflix

Rating: 6/10

Verdict: Better luck in S2

Alternatives: Good Doctor, Again My Life

Woo to the Young to the Woo started off with a bang and had me sold after binging its first four episodes (I had a bit of an offset), making me hopeful this could be one of my favourites from 2022. Sadly, it was thereabouts that the quality of the writing slowly started going downhill for me. Woo lost me on two fronts: the weak framing and execution of the legal cases, and the underdeveloped cast of supporting characters, who were mostly neglected in favour of Park Eun Bin's Young Woo. Don't get me wrong, Park Eun Bin nailed the character, and her conversation with her mom in Episode 8 was particularly poignant and well executed, but it wouldn't have hurt to give characters like Min Woo or Jun-ho a case that resonated with them, like "The Strife of the Three Brothers," which was relevant to Young Woo's BFF Geu Ra-mi.

I'll take Min Woo as an example because, out of the whole cast of supporting characters, he showed the most promise. The show mentions in passing that Min Woo is his family's sole breadwinner, what could explain why he's so competitive and regards Young Woo as a threat rather than a boon, but the show never tries to explore this when it has the perfect medium to do so in the form of the legal cases. So why not give him a case that echoes some of his struggles trying to support his family while making headway into the competitive legal world, thus allowing us and his teammates to get to know him a little better? In essence, show us, don't just tell us. How am I then supposed to buy his sudden change-of-heart in "The Blue Night of Jeju" when you've given me nothing to support the fact he's bonded with anyone in the team? (besides Jun-ho who was already his flatmate) Perhaps not surprisingly, this particular episode throws a bunch of arcs left and right for the supporting characters to try and grab hold of, but too little too late.

As a procedural, I feel Extraordinary Attorney Woo is pretty average. It either didn't know how or never intended to handle its supporting cast of characters and successfully integrate them into the narrative, similarly to how a show like Again My Life did. To draw a curious parallel, the final episode of Again My Life gathers all of "the good guys" at the restaurant of Hee Woo's parents. There are 14 of them in total, not counting Hee Woo and his parents, and I feel like they've truly become one big extended family by show's end. Extraordinary Attorney Woo has a similar scene, gathering everyone at Min Shik's place that is meant to convey the same feeling, but they don't quite feel like a team yet, let alone a family. Maybe in Season 2?

If you're looking for a show featuring another savant autistic lead, but with a better grasp on developing an ensemble cast of characters, as well as a romantic relationship between the leads, then Good Doctor is the show for you. On the other hand, if you're looking for a kickass lawyer, well, you probably already know who I'm talking about.

Fanletter, Please⭐

Episode count: 4

Where to watch: Viki

Rating: 8/10

Verdict: A lot of heart in a small package

The first among three shows in these lists that feature Choi Soo Young and Yoon Park as either main or supporting leads. I'd only previously watched Choi Soo Young in So I Married an Anti-Fan, a show not without its share of issues, but her as the female lead wasn't one. Indeed, she was one of the highlights and I was looking forward to seeing more of her work. As such, I was looking forward to this mini-series, more so when I realised Yoon Park would play the role of a father willing to move heaven and earth for his daughter, what is not a typical setup in kdramas (in my watching experience, mind you). Off the top of my head, I can only think of Marriage Contract and Lie After Lie as similar shows, in terms of how much of a protagonist the child actor is. Both are shows I would wholeheartedly recommend.

As for Fanletter, Please, I was positively pleased by how much content and social commentary this show was able to fit into its 4-hour runtime without harming the storytelling, something that even full-length kdramas struggle to achieve. Having said that, I would've welcomed one or two more episodes to let it breathe a little bit more and, of course, to watch some cute family moments! This is definitely a case of so good you want more of it. Still, Choi Soo Young and Yoon Park make it work within the available runtime, what's a credit to them and the script. CSY was on a roll last year (as you'll find out in Part 2!) so I'll have to keep an eye out for more of her dramas, and it was very welcome to see Yoon Park play this devoted father character after the disappointing Forecasting Love & Weather (though he was pretty good in it). Give me more short dramas!

Forecasting Love and Weather

Episode count: 16

Where to watch: Viki, Netflix

Rating: 6/10

Verdict: Couldn't forecast love and I have my doubts about the weather

Alternatives: She Would Never Know, The Rational Life

I have a soft spot for Park Min Young, having watched romcoms like What's Wrong With Secretary Kim? and Her Private Life, or even melodramas like When the Weather is Fine. And who can forget Healer, where she played the part of Lois Lane to Ji Chang Wook's Clark Kent (watch it, it's a classic). I couldn't remember a drama with her that I didn't enjoy watching, so it broke my heart a little to see what a disappointing mess Forecasting Love and Weather turned out to be. I should've heeded a friend's advice to steer clear of Song Kang dramas, even though the script was clearly the worse offender by far.

The show hooked us in with the initial romcom elements, and then decided to veer into slife/melo territory, as the relationships between the different couples started to fray, with conflict being driven at an accelerated pace by the issues that arose from poor communication, or an outright absence of it, and how the different couples handled (they often didn't) the results of their miscommunication. I didn't much mind at the time because I felt they were being somewhat mature about it without overplaying their hand, and because my weekly romcom fix was being delivered by A Business Proposal, but they were treading a fine line... that got utterly ground into dust in the last six episodes. At this point in the show, the nonsensical drama was amped considerably, to the point it could've given Young Lady & Gentleman a run for their money, setting us up for the inevitable breakup. Why? Because the kdrama gods have written that a breakup must inevitably occur in Episode 14 or thereabouts, and this show is not about to subvert that trope!

Like Extraordinary Attorney Woo, Forecasting Love and Weather failed at properly handling its ensemble cast of characters, trying to juggle five relationships to some very mixed results, when it would've been better off simply focusing on the main and secondary couples. As a result, by show's end I could've cared less what happened to the main couple, and was actually a bit more invested in the secondary one, played by Yoon Park and Yura, possibly because they at least tried to talk to each other and work things out. Honestly, Yoon Park's Ki Jun got the better deal out of all the characters in the show. How do you make Ki Jun, the guy who cheated on his fiancée with Si Woo's girlfriend, a more likable, or at least interesting, character than everyone else? You have him grow from an immature baby into a more or less responsible adult. You could argue that the main leads experience growth of their own, but it struck me as a bit aimless, a bit hollow. I mean, 16 episodes for Ha Kyung's boss to tell her you learn more from your mistakes than you do your successes? Seriously? Just go to r/GetMotivated for that.

Would I recommend this show? Unless you want to learn a little about what goes on behind the scenes of a weather forecast, not really, but maybe it's my fault for having high expectations due to PMY. It's not a bad show though, just average. If you want far better executed takes on this concept, check She Would Never Know on the kdrama side, and The Rational Life on the cdrama side.

Glitch💀

Episode count: 10

Where to watch: Netflix

Rating: 3/10

Verdict: Watching an episode of Ancient Aliens on the History Channel would've been more exciting and a lot shorter too

Alternatives: Circle

Can I get away simply by saying watching this show was a glitch? No? Dammit. I should've known better than to watch a Netflix-produced kdrama, even if it does star Nana, 'cause they've all been a bust for me, but Glitch was one of the privileged few shows I watched in 2022 that made me feel I had utterly wasted my time, with no redeeming qualities about it. 500 minutes to tell a story that lacks focus and is all over the place, perhaps stretched thin to meet a Netflix episode quota, with a FL that is not particularly interesting to follow, as she goes through a midlife crisis and teams up with Nana to investigate a UFO cult that may or may not have kidnapped her ex to sell his kidneys. Okay, maybe I made up that last bit about the kidneys.

The comedy doesn't land, the mystery doesn't land, the drama doesn't land, and the UFO doesn't land either. Undoubtedly, the finale is the better episode of the show, not least of why because it marked the ending, but also because the show didn't have any more time to dawdle as it had been doing for the past nine episodes, what gave it some much needed focus. To make matters worse, the surprises and twists at the end of each episode just weren't good enough to keep you hooked, nor, I'm afraid, were the leads. I was tempted at the time to give this show my first ever 1/10 for the way it wasted my time over the span of those 500 minutes, with a story that was infuriatingly inconsistent and lacked a lot of common sense, but it's probably not that bad. Still, I would only recommend watching it to my enemies, probably alongside something like Sisyphus.

Good Job

Episode count: 12

Where to watch: Viki

Rating: 7/10

Verdict: Good fun

Alternatives: Secret Royal Inspector

Another ENA network show, like Extraordinary Attorney Woo, but shorter and more entertaining, as we follow the crazy antics of Eun Soon Woo (Jung Il Woo), a chaebol CEO who doubles as a private detective (think Bruce Wayne/Batman), and Don Se Ra (Kwon Yu Ri), his newly-recruited superpowered assistant, as they aim to solve a 20-year-old cold case while uncovering other, smaller, cases, helping people and rectifying injustices along the way.

Good Job is just a fun ride overall, even if the comedy can be a little hit-or-miss sometimes, especially when it drags on for too long or tries the Marvel route of undermining certain scenes. The writing too could've benefited from another revision, as some events feel gratuitously delayed, like when a character refuses to reveal a certain name only to do so a few minutes later, while others are forced to a head, like Se Ra discovering Soon Woo's batcave. Oh, yeah, he has a batcave, of sorts, and even an Alfred, in the form of Lee Joon Hyuk's Director Hong, whom you may recall from Mystic Pop-Up Bar. He also has a talented sidekick and comedic support, Jin Mo (Eum Moon Suk), both a lawyer and a hacker, who also gets into a romantic entanglement of his own with Se Ra's best friend, Na Hee (Song Sang Eun). This is the mini-Justice League you'll see play dress-up (these scenes are so over-the-top fun!) from episode to episode, as they go undercover to solve cases and get one step closer to their goal. In this sense, this show could be compared to something like Taxi Driver, but, unlike the latter, Good Job doesn't take itself too seriously and neither should you for maximum enjoyment.

While the resolution of the final case felt a bit underwhelming, and perhaps a tad perfunctory (I did appreciate the brief redemption arc for one of the antagonists though), Good Job achieves in 12 episodes what Extraordinary Attorney Woo could not in 16, making its cast of characters grow into a team, one I would not mind accompanying in more adventures in future seasons. Will that happen? Probably not, so if you're looking for more fun adventures of the sort, and don't mind traveling to the past, I would not hesitate to recommend Secret Royal Inspector, with Kim Myung Soo and Kwon Na Ra.

Grid💀

Episode count: 10

Where to watch: Disney+

Rating: 4/10

Verdict: Another nail in the kdrama sci-fi coffin

Alternatives: 365: Repeat the Year, Reset, Circle

Sci-fi is one of my favourite genres, but kdramas have had a rather lousy track record at delivering good quality sci-fi and, sadly, Grid does nothing to change that. Our story starts in 1997, when a mysterious time traveler known as "the Ghost" laves a program for an energy grid to replace Earth's failing magnetic fields. This Grid is now managed by the Administration Bureau who intend to track down the Ghost and unlock the secrets of time travel... eventually. The show's comprised of only ten episodes, yet the pacing of the first half is slower than it has any right to be given the events depicted (hint: they aren't that exciting) and the dialogue isn't stimulating enough to sustain such a slow burner. This "season" could've been compressed into 5 or 6 episodes and it would've been stronger for it. Of course, then it would hardly qualify as a "season" (though Netflix seems to think it does).

The main plot line focuses around this serial killer and the fact that the Ghost is helping him evade capture. Why is this time traveler aiding and abetting a criminal? Honestly, this question was never interesting enough to fuel ten weeks of watching (the pain!) and it shows. Additionally, it is not answered conclusively, although there are some bread crumbs for the viewer to put the pieces together. In fact, this statement captures the show in a nutshell; it raises questions, but never provides any conclusive or satisfying answers, playing on the viewer's knowledge of other (better) time travel stories so they can come up with their own. Perhaps the worst example of this is the season finale, which is only meant to set up events for a possible S2 (in your dreams, or nightmares), thereby raising even more questions.

The writer behind this, Lee Soon Yeon, is apparently quite good, having written for Stranger and Stranger 2. I haven't watched either show so I can't comment on them, but time travel stories aren't for everyone. Having said that, the "mysteries" that are supposed to keep viewers hooked were also underwhelming. I remember reading an article that recommended Grid as a show that keeps you on the edge of your seat. I suppose it's possible to fall off your seat while asleep, right? If you want a show that uses time travel well, though in very limited fashion, merely as a trigger for the plot to unfold, watch 365: Repeat the Year. The cdrama Reset is a great exponent of using a time loop and one of my favourites from 2022. If you want kdrama's best exponent of sci-fi to date, watch Circle (review on the way).

If You Wish Upon Me⭐

Episode count: 16

Where to watch: Viki

Rating: 8/10

Verdict: The genie from Aladdin would be proud

First things first, there is a better version of this show if you take out the gangster storyline, which was entirely superfluous, and better integrate the sister storyline into the main plot. You can also drop the jealous doctor who added surprisingly little beyond being jealous at the required times (what a waste of a perfectly good character). Repackage it all into a shorter, 12-episode, season and this show could've reached 9-10 territory for me. Those are pretty much the weakest aspects of the show.

With that out of the way, it's a very good show. People have compared it to Chocolate given that it takes place in a hospice ward but, for my part, I dropped that show after 5 or 6 episodes, partly because of the ML. No such problem with Ji Chang Wook's character here, an orphan and ex-con with a heart of gold, and a cute dog he's named "Son." Despite all the abuse he's been subjected to throughout his life, he slowly starts to open up as he does community service at the hospice. Paired with Choi Soo Young's flirty Nurse Seo (love her!), these two alone make a powerful case for watching this show. Sung Dong Il also delivers a great performance and has some wonderful exchanges with Ji Chang Wook's character.

The show follows the "case of the week" formula for the most part, certainly during the first half of the drama, as Team Genie tries to fulfill the final wishes of the hospice's patients and often positively impact other people's lives in so doing. Be prepared and have tissues at hand. Beyond the gangster detour that wasted our time towards the end, and drew dangerously close to upending all the good will the show had garnered throughout its run, the final episode really brings it home, coming full circle and delivering a really satisfying conclusion to our story, one final surprise as Team Genie brings down the curtain on their show and bids us goodbye.

In short, yes, it could've been better with a tighter focus but, as it stands, it's one of the better shows to have come out in 2022, and perhaps Ji Chang Wook's best work since Healer (with the caveat that I have not yet watched Suspicious Partner nor Lovestruck in the City). And Choi Soo Young is now 2 for 2! (this girl's on 🔥🔥)

Jinxed at First💀

Episode count: 16

Where to watch: Viki

Rating: 4/10

Verdict: Oh, it's jinxed alright

Alternatives: My Girlfriend is a Gumiho, Goblin, Scripting Your Destiny

I had measured expectations for this drama. Na In Woo had previously worked with the same director in 2021's River Where the Moon Rises, a show I enjoyed a great deal, though mostly because it was the first time I delved deep into the history behind the drama, namely the tale of Princess Pyeonggang and On Dal the Fool, and the history of the Three Kingdoms' period. He was brought in late, with production underway, to replace Ji Soo; he barely slept, had to adlib a lot of his scenes, and still managed to have great chemistry with Kim So Hyun and, to my mind, had the better grasp on the character of On Dal. I'd hoped Jinxed at First would give him another opportunity to shine, but, alas, that was not the case.

The first episode alone is a hectic storytelling mess (and, incidentally, River Where the Moon Rises alumni reunion), rushing through a lot of backstory and setup for the rest of the season. We're introduced to Soo Gwang, a bright student with a promising future and powerful friends, whose life takes a turn for the worse when he meets Seul Bi (Seo Hyun), a woman imprisoned since birth by his best friend's dad because of her strange ability to see a person's future through a single touch. Cut to a year later, where we find Soo Gwang working as a fishmonger under a different name, only for Seul Bi to track him down again, determined to remain by his side.

Honestly, I'm not sure what genre this show wanted to be, but I'm pretty sure it failed at most of them. For the first 6 or 7 episodes it tried to resemble something like My Girlfriend is a Gumiho, as Seul Bi is just as innocent and naïve as Miho was (even if Miho sold it better than Seul Bi did, to my mind), and both male leads were resolved to get rid of her. This is perhaps the strongest portion of the show, as Seul Bi adapts to her new environment and neighbors, making new friends while at the same time helping Soo Gwang get rid of his (never explained) bad luck. I even enjoyed some of the comedy. However, unlike My Girlfriend is a Gumiho, there is not enough chemistry between the leads to have them fall in love with each other over the course of 6 or 7 episodes. Well, not in Soo Gwang's case at any rate, as Seul Bi has been infatuated with him for years. Upon falling in love, the trope that naturally follows is a break-up, after which point the show starts to resemble more of a makjang, turning to corporate and chaebol intrigue and infighting. This is also around the time Soo Gwang's best friend, Min Joon (played by Ki Do Hoon, from Scripting Your Destiny), decides he's in love with Seul Bi (what?), something even more out of left field, especially when he's already engaged to Lee Ho Jung's (Soljiwan!!!) charming character, Ja Kyung, who effortlessly stole every scene she was in. Min Joon, if you don't want her, I'll gladly take her off your hands!

Seemingly having exhausted the depth of its narrative well, the show dragged its feet for several episodes, eventually deciding the story was better served by turning a character into a psychopath, who also wanted Seul Bi for himself and was willing to kill anyone in the process, an eye-rolling set of circumstances eventually resolved thanks to Seul Bi's expansive (aka nonsensical) repertoire of supernatural powers. And, of course, in a show of this caliber, the amnesia trope could not be absent, a card that is dealt in the very last episode and resolved at the very last minute. What a payoff.

When I first learned of this drama I recall reading an outline that went something along the lines of, "Unlucky man meets a goddess of luck." Would it have been too much to ask for a show fitting that description, but in the vein of the excellent Goblin instead? Or maybe something like Scripting Your Destiny, which is certainly not as good as Goblin, but is still way better than this, and much shorter too. If you want to watch a show that features a romantic relationship between a god and a human, I encourage you to give those a try instead, as well as the aforementioned My Girlfriend is a Gumiho.

[consigliere-vincenzo]

Alchemy of Souls: A Review

And so the 30 episodes have come to an end.

I never expected to fall so hard for this series. I watched Season 1 with a light heart- it was one of those shows I would have turned on in the background while I got other work done.

When I heard the actress would change in Season 2 from JSM to GYJ, I had my doubts. I mean the face I saw Jang Uk fall in love with was Mudeok’s, it would feel weird seeing another replace her. But when I saw that poster for Season 2, I instantly fell in love with their chemistry and I thought, this could work.

I was right. The chemistry between LJW and GYJ was incredible and made what could’ve been a disaster work. They carried Season 2 and it wasn’t hard for me to believe that it was Naksu in Mudeok/ Buyeon’s body all during S1.

Sure the writing wasn’t always superb but it was a great escape from reality and the actors and music, cinematography and overall high production value was more than enough (for me) to make up for the sometimes splotchy plot.

And we got a happy ending- which I give kudos to the Hong sisters for. It shows that they weren’t arrogant in this endeavor- they knew their show for what it was and didn’t fall into the trap of having to be artistic or dark just for the sake of it. They were like hey- this is a fantasy in a fictional land with mages and priestesses and soul switching and firebirds and at the end of all that, if you’re still here watching our show- you get a prize- the power couple standing at the top of a tree, going monster hunting together. It doesn’t make us edgy writers but it’s our gift to you- 30 episodes nicely wrapped up, complete with a flower crown wedding scene and resurrections of your favorite characters who you thought were dead just one episode ago. Go in peace, viewer.

[phant0m-l0rd]

(I should’ve learned my lesson the first few times this happened, never to edit big chunks of text on tumblr because sometimes it’ll refresh for no reason and I’ll lose everything right before pressing send. Anyway, off to rewriting this whole thing I go!!)

I felt like doing this because I watched a lot of kdramas this year. Everything will be after the “keep reading” line. Some prompts will be edited because I didn’t watch any dramas actually made in 2022, so if you see things being crossed out like this and [inserted text], that’s what that is.

(featuring a bunch of gifs I made over the course of this year and never posted anywhere)

→ First drama completed in 2022: Black (2017).

→ Favourite actress discovered in 2022: Kim Hye-soo. I absolutely loved her in Hyena (2020) and fell in love with both her acting and her (she's literally the perfect woman). She was fabulous in Signal (2016) as well. Her ability to nail both comedic and serious acting is a testament to her amazing range.

→ Favourite actor discovered in 2022: Honourable mention to Ji Chang-wook, whom I adored in the 3 series I watched him in this year.

However, my favourite actor I discovered this year has got to be Lee Joon-gi. Truly a master of his craft; I’m convinced there isn’t a single thing he cannot do. His acting range is amazing, from subtle and subdued to incredibly emotional.

→ Favourite original song from a drama [discovered in 2022]: Adrenaline (Vincenzo OST). I feel like this song fit the series so perfectly, but also sounds really good as a stand-alone song. I love its brooding, ominous, yet entrancing atmosphere.

→ A visually beautiful kdrama [discovered in 2022]: I’ll be mentioning this series a lot in this post, if only for the reason that it’s become one of my favourite series of all-time, from the second I watched it, the series being Flower of Evil (2020). The cinematography of this series is one of the many elements that makes it stand out from a lot of other dramas I’ve seen. It’s so beautiful, the lighting is always stunning, the colours are soft, the framing is always on-point…

Take this shot, for instance, which is from the opening scene of the drama (I just had to gif it). It instantly draws you in and sets the tone for the rest of the series.

→ A drama you dropped in 2022: Strong Girl Bong-soon (2017). I’m actually surprised I made it this far into this series before dropping it considering how uncomfortable the humour made me feel. From thinly veiled homophobia to crass humour to making light of domestic abuse, this series shocked me, especially considering it isn’t that old. So many series have had narratives of female empowerment and have done so so amazingly well that this series feels very subpar in comparison, in my opinion.

→ Favourite character [discovered in 2022]: Do Hyun-so in Flower of Evil (2020). He stood out to me the most because of how complex and multidimensional he was, and how well all the different facets of his character were portrayed by Lee Joon-gi. I felt so empathetic for his character, angry at the tragic circumstances that had shaped his life, and endeared by the kindness and softness he retained despite all he had been through. His character is tragic but is also an exemplification of resiliency in the face of adversity.

→ A [drama discovered in 2022] with an interesting story: W (2016) had a very interesting premise that was actually executed surprisingly well, in my opinion. In brief, it centres around a webcomic that has somehow come to life, with there being a portal between the real world and the world within the comic book. It’s very entertaining.

→ Oldest drama you watched in 2022: Time Between Dog and Wolf (2007) which I’m currently watching (only 1 episode left). I started it because of Lee Joon-gi and have honestly not been disappointed one bit. Sure, the filming and editing is dated, but that doesn’t detract from the quality of the narrative and the acting. Nowadays, this premise (a revenge undercover story) feels like it might’ve been done many times, however it does not feel boring in this series at all, quite the contrary. It’s been incredibly engaging.

Furthermore, I just have to say… I love 2000s fashion and hairstyles. I mean, look at this. Oh and how could I forget the single earring.

→ Have you rewatched a drama in 2022? Oh yes. I tend to rewatch series quite a bit once they’ve graduated to being comforting series for me. Not sure if I rewatched The Guest (2018) this year or if it was in very late 2021, but I know for sure that I rewatched Her Private Life (2019) (my comfort series at the moment), Vincenzo (2021), Flower of Evil (2020), Sell Your Haunted House (2021), and Suspicious Partner (2017).

→ A drama that kept you on the edge of your seat: Most action/thriller series I watched this year kept me at the edge of my seat, so I cannot list but one. The 3 that stressed me out the most were Signal (2016), Mouse (2021), and Voice 1 (2017).

→ A drama friendship that stole the show: There’s actually quite a few so narrowing it down to one is hard. I think the friendship between the 3 lead girls (Yoon Ji-ho, Woo Su-ji, and Yang Ho-rang) in Because This is My First Life (2017) was really great and heart-warming.

I must also mention the amazing friendship between the two leads (Hong Ji-a and Oh In-beom) in Sell Your Haunted House (2021).

→ A drama you found boring: Nice Guy / The Innocent Man (2012). I watched this series for Song Joong-ki and sadly found it quite boring past the halfway point, which is a shame because it was really great up until that point. I kept with it until the end for both Song Joong-ki and Moon Chae-won but I’ll admit I did fast-forward quite a few scenes near the end and just wanted it to be over.

→ A writer or director who caught your attention: I’ll admit, I didn’t really look up writers or directors this year, but I was really impressed by the writer of Black (2017), Choi Ran (who, it turns out, also wrote Mouse (2021), which I’m only now finding out). Her writing in Black impressed me because of the sheer amount of plot twists and details that were in the series and the fact that there were still very few plot holes.

→ Favourite drama poster of 2022: Flower of Evil (2020) has some of the most memorable posters, to me.

→ Standout secondary character [discovered in 2022]: Choi Yoo-jin in The K2 (2016). I don’t know if she can really be considered a secondary character given her prominence in the series, but nonetheless I absolutely adored her. The perfect antagonist, not one-dimensional at all, on the contrary. Song Yoon-ah’s acting was stunning.

I must also give an honourable mention to Mo Tae-Goo in Voice 1 (2017), whose portrayal by Kim Jae-wook was both haunting and captivating.

→ A drama that made you laugh: Quite a few dramas actually did manage to make me laugh this year, and one of these is Live Up to Your Name (2017). Kim Nam-gil is truly an amazing comedic actor (I loved him in Fiery Priest (2019), which I watched last year). I have yet to watch his more serious roles, but I will.

→ A drama that made you cry: I don’t know why but, despite watching quite a few depressing series, the one that has made me cry the most this year is Time Between Dog and Wolf (2007). I don’t know what it is but this series has made me sob, whereas I know more recent series with similar premises haven’t tugged at my heartstrings in this way. I don’t know if it’s the nostalgia factor but safe to say this drama is making me feel all the emotions.

→ A drama that was better than expected: Simply because I was apprehensive when I saw it was about sports (as a non-sports fan), I did not expect Hot Stove League (2019) to be the absolute masterpiece that it was. Goes to show, you truly cannot judge a book by its cover. This series may be centred around baseball, but it’s so much more than that. It truly amazed me with how realistic it was, with the characters feeling like very real people whom I greatly empathised with.

→ Shortest / longest dramas you completed in 2022: None of the series I watched were shorter than 16 episodes or longer than 20.

→ Favourite costumes of 2022: Simply because I loved Hong Ji-a’s fashion style in Sell Your Haunted House (2021) and would wear it myself, I’ll go with her wardrobe.

→ Sweetest romance of 2022: Toss-up between Healer (2014) and Suspicious Partner (2017). I guess the key to a good romance, for me, is for either Park Min-young or Ji Chang-wook to be involved haha.

→ Most disappointing drama of 2022: Strong Girl Bong-soon (2017), for all the reasons listed previously.

→ A [drama discovered in 2022] that deserves a shout-out: Hot Stove League (2019) simply because I’m afraid people might glance over it simply because, in appearance, it’s about sports, but it’s truly spectacular and I think more people should give it a shot. Another drama that I want to shout-out even though I know it’s already incredibly popular is Itaewon Class (2020), simply because it’s great and heart-warming (despite it getting depressing at times).

→ Something you want to see more in dramas: I’m enjoying seeing more and more lgbt representation in dramas and hope it’ll keep going in that direction because it’s just a nice thing.

→ A 2023 drama that you’re excited for: I don’t really look at future releases, I just find out about them after everyone else…

→ Was 2022 a good drama year for you: Yes- I believe I watched a total of 23 kdramas this year (not counting rewatches) and the vast majority of them were quite enjoyable. Other dramas I watched this year but haven’t mentioned in this post were Crash Landing On You (2019), Lawless Lawyer (2018), Descendants of the Sun (2016), 38 Task Force / Squad 38 (2016), and What’s Wrong With Secretary Kim (2018).

→ Favourite drama [discovered in 2022]: Flower of Evil (2020) (*pretends to be shocked*). Honestly though, this series was such a masterpiece that it’s second only to Stranger / Secret Forest (2017) when it comes to kdramas, in my mind. Everything that it set out to accomplish it did so well. It’s one of those rare series where I struggle to find any flaw in it. My mom, who also watched it (and has watched even more kdramas than me at this point), also said it might just be the best series she’d ever seen right after she finished watching it.

[ramyeongif]

Why I started watching this show If a tv show or Korean drama has food in the cover art, tv show name, or promotional materials - I’m in! In the end, it was the perfect show to go with dinner. Otherwise, I’d imagine being super hungry watching this!

#MysticPopUpBar

[offbeatcappuccino]

the you used to be my academic rival to lovers pipeline ~ dr slump ramblings (episodes 1-4)

I often joke that I watch k-dramas in lieu of therapy because a central theme of many k-dramas is unresolved trauma and healing. Dr. Slump is one of the many "healing" dramas to hit our screens this winter and it is perhaps one that few dramas that I have resonated deeply with and I don't think I can speak on what this show means to me without describing my background.

Before the third grade, I was a mediocre and sometimes below-average student, often to the disappointment of my Indian family. However, something "clicked" during the spring of my third grade and eight year old me decided on one fine afternoon that I was going to take school seriously for the first time and become an academic powerhouse. What ensued over the next sixteen years was my dogged persistence in an extremely hyper- competitive, academically rigorous, and slightly controversial charter school for the entirety of my secondary school education. Despite the workload, I was surprisingly sane for all of high school, enjoyed some of my classes, and played with my kindergartener sister on the weekends. It was also during this time that I continuously changed my professional career. An episode of "Cosmos" had me thinking I wanted to be an astrophysicist, but it was my junior year volunteering at a hospital and having two hypochondriac parents that firmly planted a desire to pursue medicine.

While I never was the valedictorian or salutatorian of my school, I graduated from high school with a fairly high GPA and acceptances to moderately competitive schools.For many, this would be the time that they could finally rest. "Grades don't matter in college", they would say and "Have fun in college and party because it's a breeze" . However, being a premed was the exception to these mantras. I was once again on the hamster wheel of academic excellence trying to maintain a high BCPM GPA and stellar extracurriculars, only to realize that graduating summa cum laude was never enough to get in to medical school. What subsequently ensued was two years of working long hours and below minimum- wage jobs to gain "clinical experience" and "boost my applicant profile". Now even with two medical school acceptances, I can't help but feel slightly disappointed and unsatisfied. The ever-lasting imposter syndrome creeping in during the wee hours of the night to tell me that "it's not a big deal" and "if only I took research more seriously in undergrad."

It is in this similar mentality that prioritizes academic validation above else that we find our protagonists, Nam Ha Neul and Yeo Jeong Woo, in as high schoolers. In Busan, Ha Neul has just been announced as the "top student of the nation". Similarily, in Seoul, Jeong Woo receives a similar accolade. Their lives collide when Ha Neul transfers to Jeong Woo's school in their senior year and they are pitted against each other for the top student position in their class. Though they have similar ambitions, it would be erroneous to suggest they are carbon copies of each other, because they both occupy opposite sides of the "academically gifted spectrum." Ha Neul is the diligent hard worker, studying 17 hours a day, running to school to not waste any time, and chowing down instant coffee packets to stay awake. She has deprived herself of all the joys of her adolescence to be the best student she can possibly be. In contrast, Jeong Woo is the effortless learner, while hardworking, he's never had to lose out on the fun to maintain his comfortable and uncontested position as the best student in his grade level. Things however take a turn with Ha Neul's arrival after she ends up scoring higher than him on the midterms, causing him to hilariously faint in front of the whole class. He embarks on an obsessive journey to reclaim his spot, pushing himself to outdo her unsustainable lifestyle.

The show fast forwards sixteen years later and we now see Ha Neul and Jeong Woo as an anesthesiologist and plastic surgeon respectively. While both were vying for an acceptance at Hankuk Medical School as high schoolers, Jeong Woo manages to score slightly higher than Ha Neul and ends up attending there while Ha Neul ends up attending a slightly less prestigious medical school. After being featured in a global health documentary, Jeong Woo, experiences a meteoric rise in popularity for his handsome looks and he makes millions in the process with a successful Neotube channel and brand endorsements. However, just as spectacular was his rise, his decline was equally catastrophic. During a routine cosmetic surgery, Jeong Woo loses his patient on the table due to excessive bleeding. His patient was a wealthy casino heiress from Macau and her family hits him back with a medical malpractice lawsuit. To make matters worse, not only is the CCTV footage from the surgery surprisingly missing, but a bottle of heparin, an anti-coagulant, is found with Jeong Woo's handprints even though he claims to never stock anticoagulants in his clinic. In a matter of days, Jeong Woo loses everything from his home, practice, and even friends.

Ha Neul is no better position than Jeong Woo. As an assistant professor at her teaching hospital, she is subject to daily physical and emotional abuse by her superiors and is forced to work 24+ hour shifts at the cost of ignoring her own pain. It was during one particular episode of unbearable abdominal pain that Ha Neul collapses mid-traffic on the crosswalk. She's rushed for an emergency gallbladder removal and Ha Neul is irrevocably altered by the incident because in the moments before she fell unconscious, she realizes that she would rather die than continue living. A visit to the psychiatrist confirms that Ha Neul has depression and she soon quits her job after she "karate kicks" and apprehends her superior for trying to make her take the blame for this medical error.

It is during their respective "slumps" that Ha Neul and Jeong Woo reunite in the oddest of circumstances as daughter of the landlady and tenant when Jeong Woo, after being denied housing almost everywhere due to his highly publicized court case, is finally able to move into Ha Neul's terrace room. At first, both are horrified to meet each other, but as they learn more about each other's respective circumstances, they grow closer over their shared failure.

For Ha Neul, while she chose to resign her job, being unemployed and diagnosed with depression takes a toll on her self esteem because she derives her self worth from her productivity and discipline. For her, Jeong Woo is her gentle reminder that it's okay to take a breath, eat tteobokki, drink soju, lose a million rounds of Tetris, and sing off-key kpop songs at the karaoke bar. This is in direct contrast to those who judge her for quitting her job and her family, who while well-intended, have a poor understanding of her depression. While they cook her favorite meals and cut store bought cake, behind their comical actions is the misguided belief that depression is like the common cold. They hope for her "recovery" but in reality, depression is a chronic illness that can be managed but has no cure. Jeong Woo is one of the few people around Ha Neul who has not made a spectacle out of her diagnosis. Similarily for Jeong Woo, Ha Neul is the only person who steadfastly believes in his innocence even when those around them and the physical evidence believe otherwise. After he is abandoned by his friends, parents, and fellow colleagues, Ha Neul becomes Jeong Woo's sole support system.

Park Shin Hye excels in playing a character she has been able to hone throughout her career- the tough and withdrawn gunner, much like her previous character, Yoo Hye Jung, from the 2016 medical drama Doctors. While I personally relate more to Ha Neul, I have to say that I enjoy Park Hyung Sik's Jeong Woo more. While I have never watched Strong Woman Do Bong Soon, I have watched several clips from the series and PHS brings a similar "Min Min" energy to this role. Jeong Woo is chaotic good personified. He's a little self-obsessed and a tad bit delusional, but he's also someone who deeply cares for the wellbeing of others. PHS is stunning in how he balances comedy with the vulnerability and fear of Jeong Woo. Behind his charm and goofiness, is a man struggling with abandonment and what appears to be early signs of PTSD. To both characters, there's an intense relatability that heightens the audience's captivation with the story.

Within the first few episodes of Dr. Slump, there are more questions asked than are answered. How will Jeong Woo be absolved of the false accusations imposed on him? How did the casino heiress really die? Who is the mysterious stalker who broke into Jeong Woo's home? Will Ha Neul get another job and how? Will she get justice for the mistreatment she faced at her prior hospital? However, the writers intentionally move the spotlight from the answers to these questions to instead shine light on perhaps the most pressing query this show chooses to grapple with- how do you learn to love yourself

Dr. Slump tackles head-on the "grind" that our hyper-capitalist and delusive meritocratic society feeds to us. It's a reminder that you don't always have to run in the marathon of life. You can walk. You can skip. You can sit. You can eat. You can drink. You can even sleep. What matters is not how close you are to the finish line, but whether you can breathe.

Rating: ⭐️⭐️⭐️⭐️/5

[stephreviews]

Hwarang: The Poet Warrior Youth (2016-2017)

This drama follows the stories of the men of Hwarang, an elite warrior group loyal only to the king of the Silla era. However, a twist in the story is that the current king is in hiding. The previous king was assassinated when the current king was a child, so the king is in hiding until he is powerful enough to protect himself. Until then, his mother, the Queen Regent rules. The story predominantly follows the king, Kim Ji Dwi/Sam Maek Jong, an orphan commoner who doesn't know his own ancestry and assumes the identity of his best friend (Kim Sun Woo), Gae-Sae, and Kim Sun Woo's sister and doctor of the Hwarang warriors, Kim Ahro.

Phew. 😵 That was a long explanation. And that's not even spoiling anything. Now, to the ratings!

Extremely complicated political drama: 10/10

Hilarious wise old man mentor: 10/10

Adorable side couple: 20/10

THEY ARE UNJUSTLY UNDERRATED AND YOU CAN'T TELL ME OTHERWISE! BAN RYU AND SOOYEON FOREVER! 💘

Love triangle that isn't infuriating: 8/10. Minus 2 points for being predictable.

Morally ambiguous queen that I'm not sure if I like or not: 10/10

Sexy Shower Scene: 10000/10

I'll leave the shower scene with a cast like Park Seojoon, Park Hyungsik, and Shinee's Minho up to your imagination 😉 Check out this underrated gem and give it the love it deserves!

Just look at these two!!! Ban Ryu x Sooyeon my beloved ❤️❤️❤️

[weshallflyaway]

I’m really enjoying Three Bold Siblings, it’s hitting the right notes for my daily/weekend kdrama cravings.

Family members you care about, a nice lead pair..: and as someone who loves an Ahjusshi romance I am completely and utterly here for Somin and Mr Shin.

[unnursvanablog]

Queen Woo / kdrama review.

This is a pretty much a spoiler free review of the kdrama of Queen Woo.

While Queen Woo draws you in with its scope and brutal epicenes in the beginning where it promises some good political intrigue as fierce battle between tribes that make up the ruling class of Goguryeo it never truly becomes anything more than a very paint-by-numbers historical spiel with some interesting characters and fantastic cast that never really lives up to it's potential.

It certainly feels like a historical drama that is meant for the big screen and not necessarily a tv show where it both felt stretched out to fill up its eight episodes runtime but also not deep enough and a bit too rushed with endless number of flashbacks to explain to us how the characters had arrived at this point of the story. If it had twelve episodes with three distinct arcs (the rise to power, the fall and the fight) all told from the perspective of Queen Woo it might have worked out and felt more like a complete, fully fleshed out story.

There is enough action, and you can see that a lot of effort was put into the epic which makes it seem like a very long film and the scenes are well done, but I'm not sure if the drama works too much on the epic for the narrative itself. It's never said anything more than that this team was brutal. Most of the nuances in the story are missing. The drama seems to let the actors, and the action and violence do a lot of the dramas heavy lifting. The narrative is too standard and nothing we haven't necessarily seen before in historical palace politics.

The excessive sex and violence often feel quite perplexing or just straight up oddly presented within the story and really doesn't convey much about the story, the society or the characters. Often it just seems to be forced in there just because they could and it would make the story more daring, but it just feels lazy way of telling us about the characters and some of their ruthlessness. There must be a point with the things you put in your story.

You can't just endlessly give us characters acting unhinged and deranged if it has no value or adds any nuance to the story. It's just there for the shock. The characters must be built up, little by little. You must work for the things that happen within the narrative for it to work properly. While it's fun for a while, and shocking, and can be brainless mayhem that's exciting to witness, it gets tiresome after a while if it leaves nothing more. No nuance or reason.

Queen Woo certainly was one of those interesting characters on paper, but she feels a bit too much like a puppet in this whole game at times, and I am sure that angle could be compelling as we see her slowly come into her own, but the drama spends a whole of time getting there and I am unsure if the payoff was worth it. She is clever, she is calm under pressure and has a lot of prospects as a character. But she also comes off as somewhat of a girlboss female character that was too much written for modern audience to really become more than a standard female character in a historical drama.

The drama seems aware of its own flaws, as it's so intent on covering up its lack of proper narrative with shocking scenes, flashbacks and battles, but the story itself is something that's been told so many times before in costume dramas like this, aside from the violence and the nudity when it comes to kdramas, so it never becomes anything grand or special. It forgets that it is supposed to tell you an interesting story. This drama certainly had an idea, but an idea is not a narrative. Impressive in scope and quite entertaining once you turn your brain off and just enjoy the cast, the battles and costumes but if you peel back any of the layers of the actually storytelling you see that there isn't too much there.