#Kyle Motl

[jgthirlwell]

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Ghost Ensemble performing the world premiere of Catherine Lamb’s Exterius / Interius at the tribute to Richard Teitelbaum concert at Roulette Intermedium NYC. Event organized by James Ilgenfritz. With Margaret Lancaster (flute), Sky Macklay (oboe), Ben Richter (accordion), Chris Nappi (percussion), Lucia Stavros (harp), Martine Thomas (viola), Tyler J. Borden (cello), James Ilgenfritz (contrabass), and Kyle Motl (contrabass), with special guests Catherine Lamb (viola), Katie Porter (clarinet), Jen Baker (trombone), and Thomas Verchot (trumpet).

[dustedmagazine]

Anthony Davis / Kyle Motl / Kjell Nordeson — Vertical Motion (Astral Spirits)

One lesson to be derived from this album is that there may be some gold forgotten in your closet. Given the time gap between the recording of this album in 2018 and its release in 2023, plus the Bandcamp page confession by one of the participating musician that it spent some years on a shelf before it made the transition from raw recordings to finished album, one suspects that this album is a product of that moment when COVID confinement compelled people to finally give the storage closet a good cleaning. The vinyl supply-chain disaster can’t have helped. But while no one should be naïve enough to believe that you can’t keep a good album down — c’mon, what do you think this is, a just world? Neither should you ignore the fact that this is a superb recording by an unlikely ensemble.

Between his teaching and his opera composing, Anthony Davis has not made improvisational piano playing a top priority for eons. But it would appear that he’s open to playing with his students. Bassist Kyle studied composition with Davis at University of California-San Diego, and while he was there, he also played in some bands with Kjell Nordeson. Folks with long memories and big free jazz CD collections might recall the Swedish-born percussionist’s work with Mats Gustafsson and Ken Vandermark. But more recently, he’s settled in California and gotten a PhD from UC-San Diego. Davis was part of his doctoral committee.

The three musicians played together several times, but it was Motl who organized the session and selected the material, which includes two of his compositions, one by Davis, and a couple of free pieces. The resulting music doesn’t slot easily into any genre. There’s a precision of pitch that one might associate with classical music, a flowing lyricism that derives from jazz, and a readiness to create with complete spontaneity that is usually the province of free improvisation. Davis’ contributions are thoughtful and lucid, but also confidently spontaneous. Motl reconciles virtuoso bowing with a rough, physical attack that exploits the fact that he’s playing a big, resonant box of wood. And Nordeson, who sticks to the drum kit, is as adept at close shadowing as he is at channeling energy. Their interactions have so much grace and mystery that they sails right over stylistic boundaries while evoking the otherness that art provides as a tool for tolerating the world we live in.

Bill Meyer

[chansonsinternationales]

Vertical Motion | Anthony Davis / Kyle Motl / Kjell Nordeson

[noloveforned]

no love for ned is on wlur from 8pm until midnight tonight for our typical friday night foray. if you've found yourself elsewhere, last week's show is up on mixcloud for forays more convenient to your schedule.

no love for ned on wlur – september 15th, 2023 from 8-10pm

artist // track // album // label tuscadero // candy song // the pink album // teenbeat babaganouj // stay up for me // jumbo pets // coolin' by sound special friend // fault lines // wait until the flames come rushing in // skep wax the beths // watching the credits // expert in a dying field (deluxe) // carpark the dream syndicate // tell me when it's over // the days of wine and roses // fire lewsberg // an ear to the chest // out and about // 12xu podcasts // cockatoos // podcasts // prefect the sprouts // hammer // eat your greens cassette // tenth court the she's // anywhere but here // all female rock and roll quartet // empty cellar yoko ono // dogtown // season of glass // geffen gaye su akyol // love buzz // love buzz 7" // sub pop hiss golden messenger // shinbone // jump for joy // merge lemon quartet // hyper for love // artsfest // last resort tomas fujiwara // other // pith // out of your head claire rousay // first half // an inevitable solution (to) // kendra steiner editions brandon lópez // billie // vilevilevilevilevilevilevilevile // tao forms anthony davis, kyle motl and kjell nordeson // fictions ii // vertical motion // astral spirits sun ra and his arkestra // enlightment // jazz in silhouette (expanded edition) // cosmic myth navy blue and childish major // dolla // dolla digital single // def jam cleo sol // go baby // heaven // forever living originals eddie kaine and finn // double back // quincy st. blues // copenhagen crates corinne bailey rae // put it down // black rainbows // thirty tigers the finks // love man // birthdays at solo pasta // milk! linda smith // but is she happy? // the space between the buildings cassette // preference tony jay featuring karina gill // just my charm // perfect worlds // slumberland tobin sprout // atom eyes (piano version) // demos and outtakes, volume two // persona non grata anna mcclellan // song about time // off my chest, 2012-2021 // (self-released) bronze float // drink the rain // drink the rain 7" // rc legacy

[eclectic-overdrive]

Eclectic Overdrive is proud to present Damo Suzuki (CAN 1970-1973)’s first show back in the United States in 12 years, and his first and only show ever in Florida. This will be occurring on at Mana Contemporary’s 777 International Mall in Miami (145 E Flagler St Miami, Fl 33131) on October 26th, 2019, starting at 7:00pm. 

We will also be presenting the Abbey Rader Quartet with Abbey Rader, John McMinn, Noah Brandmark, and Kyle Motl at Churchill’s Pub on October 30th, 2019 with a plethora of local talent. 

[freethejazzblog]

Free The Jazz #74 [for Cecil Taylor]

1 - Julius Hemphill - Dogon A.D. (from "Dogon A.D.", 1972 Mbari)

2 - Peter Kuhn Trio - ChaWang (from "Intention", 2018 FMR)

3 - Rempis / Piet / Daisy - The Thousand Natural Shocks (edit) (from "Throw Tomatoes", 2018 Astral Spirits)

4 - London Experimental Jazz Quartet - Time Is Of The Essence (from "Invisible Roots", 1974 Scratch)

5 - Kaze - Moving (edit) (from "Atody Man", 2018 Circum-Libra)

6 - New York Art Quartet - Banging On The White House Door (from "Mohawk", 1965 Fontana)

7 - Tony Irving / Massimo Magee - With A Haggard And Unblest Air (from "The Fog", 2018 Astral Spirits)

8 - Mary Halvorson - The Unexpected Natural Phenomenon (from "Code Girl", 2018 Firehouse 12)

Listen to new shows first on 8K, and find previous shows over at Mixcloud.

[paxlupo]

Artists and a dog named Poppi. Left to right: Keir GoGwilt, Kyle Motl, John Kramel. Front and center: Mary Luft. Leica M3, Summicron, 50mm #leicausa #leica #film #leicam3 #filmphotography #ishootfilm #filmcamera #istillshootfilm #shotonfilm #filmcommunity #grainisgood #keepfilmalive #filmfeed #bnw_universe #insta_bw #bwmasters #excellent_bnw #igblacknwhite #bnw_planet #bnw_magazine #bnw_globe #bnw_of_our_world #top_bnw #bw_photooftheday #bw_crew #IlfordHP5 (at Claverack, New York) https://www.instagram.com/p/B2xSm-MnaMJ/?igshid=cp4olq7oscl4

[contrabassconversations]

909: Kyle Motl on harmonics and sound worlds

Kyle Motl is a bassist, composer, and improviser dedicated to the performance of creative music.

His work explores aspects of chaos and complexity through involved rhythmic and spectral transformations while remaining grounded in an embodied approach to performance. Kyle regularly gives solo concerts that expand upon the vast timbral resources of the contrabass.

  We talk about how he found his way into the world of creative music, harmonics on the bass, what it’s like working as a performing bassist in the genres he explores, and much more.

  Enjoy, and be sure to check out Kyle’s solo album and website and also follow him on bandcamp, YouTube, and Instagram!

  Subscribe to the podcast to get these interviews delivered to you automatically!

  Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists.

  Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle.

Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass.

  Thank you to our sponsors!

  Upton Bass String Instrument Company - Upton’s Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.

  Dorico - Unlock Dorico for iPad – For Life! Want to enjoy all of Dorico for iPad’s subscription-only features – including support for unlimited players, freehand annotations in Read mode with Apple Pencil, support for third-party Audio Unit plug-ins, and much more – but don’t want to pay a monthly or annual fee? Dorico for iPad now provides a lifetime unlock option, so you can access all current and future subscription-only features for a single, one-off in-app purchase. Visit the App Store today and unlock Dorico for iPad for life!

  theme music by Eric Hochberg

Check out this episode!

[newyorktheater]

  Check out:

Favorite stage performances in 2019.

Top 10 Lists of Top 10 Theater in 2019.

Best Broadway Cast Recording of 2019.

Top 10 Theater of the Decade.

Worst Theater of the Decade.

  People who engaged with the arts frequently had a 31 percent lower risk of dying, according to a new study from the British Medical Journal. This was independent of demographic, socioeconomic, health related, behavioral, and social factors. Even those who were infrequent consumers of culture had 14 percent lower risk of dying than shoe who never engaged.

The Journal’s editors observe:”The data show that the very people who have the most to gain from participating in cultural activities are least likely to do so. More than 40% of patients with lung disease, depression, or loneliness reported never engaging with the arts despite robust evidence of the potential benefits. Over 40% of participants in the least wealthy group also reported that they never accessed cultural activities. Work must now be done to ensure that the health benefits of these activities are accessible to those who would benefit most.”

The Week in NY Theater Previews and Reviews

The Sorceress The Sorceress (Di Kishefmakherin), the first work of Yiddish theatre ever presented in America, is back on stage in New York 136 years after its U.S. premiere. In my article for TDF Stages, Yiddish Culture Is Alive and Well and Playing in New York, I talk to Motl and Mikhl, the director of the play and the star, who portrays the wicked witch, Bobe Yakhne, in drag. Though Babe is the villain, she is the title character.

The Sorceress, by the same company that put together the acclaimed “Fiddler on the Roof” in Yiddish, is just one of three events this month that demonstrate a resurgence in interest in Yiddish language and culture.

Luke Kirby as stationmaster Thomas Hudetz in “Judgment Day” at the Park Avenue Armory

Judgment Day with Luke Kirby Luke Kirby, who portrayed a movie star hired to play “Hamlet” in the cult TV comedy “Slings & Arrows” 16 years ago, is now on stage for real, as Thomas Hudetz, a murderer in Ödön von Horváth’s 1937 drama “Judgement Day” at the Park Avenue Armory.

Kirby has lived in New York for some two decades now, but has only appeared in a handful of plays, spending most of his time in television — currently as the real-life comic Lenny Bruce in Amazon’s “The Marvelous Mrs. Maisel,” for which he won an Emmy earlier this year, and as closeted civil servant Gene Goldman on HBO’s “The Deuce.” Why so few stage roles…and why this one now?

Those are the questions I put to him in an interview for TDF Stages.

Ian McKellen as Gus the Theatre Cat in “Cats,” co-written and directed by Tom Hooper.

Cats the movie – pics and reviews Cats” isn’t for everyone – much of it is a cheesy, B-grade affair seemingly crafted solely to take over midnight-movie slots from “The Rocky Horror Picture Show,’ Those with an open mind, though, as well as little kids and the T-Swift posse, might find it somewhat pawesome.” Brian Truitt writes in USA Today, in the most positive review I could find. He’s enchanted by Taylor Swift, but turned off by the “nightmare fuel…when human faces are put on tiny mice and Rockette-esque cockroaches.”

More typical is Manohla Dargis in the New York Times: “It is tough to pinpoint when the kitschapalooza called “Cats” reaches its zenith or its nadir, which are one and the same. The choices are legion…

Sing Street

“Sing Street” is a stage musical based on the sweet, funny “happy-sad” 2016 Irish movie by writer/director John Carney about a teenager named Conor growing up in Dublin during the economically depressed but musically vibrant 1980s, who forms a band to impress a girl name Raphina. The musical has its pleasures, especially for those nostalgic for the era of made-for-MTV, New Wave synthesized tunes. A talented group of young adult actor-musicians, ages 16 to 25, perform mostly original pastiche songs by Carney and Scottish singer-songwriter Gary Clark, who was part of the 80s scene and continues his hit-making now. But “Sing Street” the stage musical is likely to disappoint anybody who has seen “Sing Street” the movie (which is currently available for viewing online, through IMDB TV, for free.)

  The Week in New York Theater News

The opening of West Side Story has been pushed from from February 6 to February 20 due to a knee injury that left the show’s star Isaac Powell unable to perform. The show began preview peformancs on December 10

.@mockingbirdbway will be the first-ever Broadway show to perform at @TheGarden on February 26, 2020, in front of some 18,000 New York City public school students. Here’s playwright Aaron Sorkin and the new cast posing at the arena. pic.twitter.com/txrecILSJm

— New York Theater (@NewYorkTheater) December 18, 2019

..@TheCrownNetflix stars Claire Foy and Matt Smith will perform in @SleeveNotes‘ “Lungs” at @BAM_Brooklyn March 25-April 19 2020. The play is about a couple wrestling with the morality of having kids in an overpopulated planet. pic.twitter.com/96r9elP5hB

— New York Theater (@NewYorkTheater) December 18, 2019

View of the Shed from The Highline

The Shed’s Second Season

Claudia Rankine, “Help”

Arinzé Kene, “Misty”

Tomas Saraceno, “Particular Matter (s)”

Meet at the Shed, January 11,2020

A free, daylong, building-wide takeover with exhibitions, performances, food

  Help March 10 – April 5,2020

An inquiry into white male privilege by Claudia Rankine

Tomás Saraceno: Particular Matter(s) May 6 – August 9, 2020;

A visual art installation that is intended to be neither seen nor heard, but felt.

Misty September 24 – October 24

Fusing live music, spoken word, and absurdist comedy, Misty is a journey through the dark alleyways of a city in flux and a genre-defying excavation of the pressures and expectations that come with being an artist in our time

Live Nation CEO Michael Rapino

Live Nation Entertainment Inc.reached an agreement with the Justice Department to resolve government concerns that the company violated a 2010 antitrust settlement that allowed it to merge with Ticketmaster, according to the Wall Street Journal. Under the original agreement, known as a consent decree, the companies were allowed to combine but had to agree to conditions designed to help preserve competition in the live-events industry.

Dear Evan Hansen

Kerry Butler (Mrs. George), Erika Henningsen (Cady Heron)

Scene from Harry Potter and the Cursed Child at the Palace Theater in London.

Isabelle McCalla and Caitlin Kinnunen as high school girlfriends in The Prom

(l-r) Nicholas L. Ashe, Jonathan Burke, J. Quinton Johnson, Jeremy Pope, Caleb Eberhardt, John Clay III, Gerald Caesar

The problem with teen musicals on Broadway by critic Christian Lewis in American Theatre Magazine.

When it comes to teenagers and Broadway, 2016’s Dear Evan Hansen changed the game. The Tony-winning Pasek and Paul musical was certainly not the first Broadway show about—or beloved by—teens. That credit might go to Spring Awakening (2006) or 13 (2008) or Runaways (1978), or much further back to Babes in Arms (1937), considered the first musical with an entire cast of teenage characters. In the wake of Dear Evan Hansen’s success, Broadway quickly saw a sweep of major productions with teenage protagonists: Mean Girls (2018), Harry Potter and the Cursed Child (2018), The Prom (2018), Choir Boy (2019), Be More Chill (2019), and the latest installation, The Lightning Thief: The Percy Jackson Musical (2019).

….The genre deserves a larger critique, but not the one critics are making. Yes, Young Adult Theatre can seem angsty, the pop score/lyrics can feel basic and the plots contrived. But the central problem with Dear Evan Hansen, Harry Potter and the Cursed Child, Be More Chill, and The Lightning Thief is that they’re all about straight, white, cisgender teenage boys. The supporting casts are often diverse, but the main characters don’t deviate from this norm. Not only are these protagonists about as privileged as they come; worse, each of these pieces is about its hero’s search for his identity. Compared to a person of color, a queer person, a transgender person (let alone any intersection of these), how much do Evan, Harry, Jeremy, or Percy have to figure out about themselves?….We need more shows like The Prom or Choir Boy:

The movie is a wreck, the musical is a joke. Why, then, will we always have ‘Cats’?

By Charles McNulty (who doesn’t really answer the question posed in the headline)

“Cats,” Andrew Lloyd Webber’s blockbuster spun from the light verse of T.S. Eliot’s “Old Possum’s Book of Practical Cats,” is a paradox and a puzzle illustrating the disconnect between theatrical success and respect. The fourth-longest-running show in Broadway history, it is the consummate tourist musical. (“Broadway’s first show for the tired Japanese businessman,” according to Ken Bloom and Frank Vlastnik’s indispensable “Broadway Musicals: The 101 Greatest Shows of All Time.”)

Theater people resent “Cats” not just because it made Broadway uncool until “Hamilton” finally rescued it from the pop cultural stocks. What really infuriates buffs is that “Cats” ushered in an era of grandiose spectacle, the vacuous parade of shows from the 1980s and early ’90s that made it seem as if a musical had to have a helicopter or a crashing chandelier to be worth the rapidly rising ticket price.

Ed Harris and Kyle Scatliffe, center, in “To Kill A Mockingbird”

Q and A about To Kill A Mockingbird with Aaron Sorkin and Ed Harris, its new Atticus

Aaron Sorkin: How did Harper Lee get away with having a protagonist who doesn’t change? Because Atticus isn’t the protagonist in the book or the movie; Scout is—her flaw is that she’s young, and the change is that she loses some of her innocence. While I wanted to explore Scout, I absolutely wanted Atticus to be a traditional protagonist, so he needed to change and have a flaw … It turned out that Harper Lee had [already] given him one; it’s just that when we all learned the book, it was taught as a virtue. It’s that Atticus believes that goodness can be found in everyone….

Ed Harris: I love the film. I think Peck’s portrayal in terms of that story and that script is just indelible. There are little things that happen on the stage even now, just a head move or something, that feels like Gregory Peck! But the inner life of this man I’m playing is so different [from Peck’s character]. He’s trying to hold on to a belief that’s being eroded slowly but surely. It’s really interesting to play.

The Trojan Women’s Project at La MaMa: The artists discuss

I got asked for an end-of-the-decade quote on “emerging trends” and the editors rejected it, so here it is so that it doesn’t go to waste. Happy holidays! pic.twitter.com/b5YBglbJBL

— Young Jean Lee (@YoungJean_Lee) December 24, 2019

Best and Worst Theater of The Decade, and of 2019. See a show, live longer. #Stageworthy News of the Week Check out: Favorite stage performances in 2019. Top 10 Lists of Top 10 Theater in 2019.

[milehousedenver-blog]

Dishonest Advertising Practices By Holland Residential at Milehouse Denver.  LEED Certification Must Be Revoked!

Holland Residential’s dishonest marketing and advertising policies create constant complaints between residents and the management company.  The LEED certification that is displayed on the premises, promotes a healthy space for everyone, yet without the permission of the residents and without the consent and knowledge of the residents, Holland Residential installs unhealthy and risky technologies for cell phone amplification inside the building.

Here is what Holland Residential promotes on their home page:

Yet the reality is much much more Dark and dishonest.  The cleaning supplies that are used to clean the waste of the animals are heavy toxins.  The smell is difficult to endure and there are no windows in the hallways to air it out.

The bleach that is used is smelled inside the elevator every cleaning cycle and the residents are continually exposed to chemicals and heavy pollutants.

The use of radiation technologies is unacceptable, especially without the permission of the residents and without the consent and knowledge of the residents.

Some people come here trusting the company, expecting a healthy lifestyle and healthy, honest experience.  Holland Residential, including Paul Motl,  Regional Manager Brenda Martinez, Kyle and Nick who work as part of management - did not protect the Residents.  Instead they hid and installed covertly technologies that many people (if educated about it) would have never allowed to be present in their environment.

Please look below to see the incongruence between what is promoted versus what is really happening here.

Trust is key here.  Holland Residential is unethical and should not be allowed to hold the LEED certification in this property and I suspect the same is happening in other properties.

[dustedmagazine]

Human Being Human — Disappearance (April)

Human Being Human is a Danish trio led by double bassist Torben Bjørnskov with Esben Tjalve on piano and Fredrik Bülow on drums. Disappearance is the group’s second release, coming just a year after Equals. Bjørnskov, who has appeared with luminaries such as Billy Cobham, offers up a set of eight mid-length and largely slow to mid-tempo original compositions that sound simultaneously well-rehearsed and spontaneous. From an initial slap of a cymbal, tinkle of piano, or burble of bass, the tunes develop organically, with occasional martial beats giving way to gentle reveries and picking up pace again or staccato chords and percussion marking the transitions. Also crucial to their sound, the members of the group know how to hang back and make full use of the spaces among the notes.

These musicians have clearly logged a lot of practice and stage time together and learned how to play off of each other. Bjørnskov’s bass alternately provides counterpoint to the piano and locks in with Bülow’s tasteful percussion as well as providing some nice solos, as on the title track and the ballad “Together Again.” Tjalve has a sensitive touch that keeps him from dominating the sound, as keyboards sometimes do in small groups, and his meditative approach well suits the compositions. The leader also brings in electronics at times, such as on “When You Find It, You Will Know,” that add a little diversity to the sound without distracting from the overall mood.

Over all, Human Being Human contribute to what has been an excellent year for piano trios (other, quite different, examples covered by Dusted recently include Vicente Archer’s Short Stories and Vertical Motion by Anthony Davis, Kyle Motl, and Kjell Nordeson). Disappearance offers a nice balance between gentle melodic passages and moments that demand the listener’s attention. The title, according to the liner notes, refers to anxiety about the fleeting nature of life, but these Danes do not sound melancholy.

Jim Marks

[chansonsinternationales]

Vertical Motion | Anthony Davis / Kyle Motl / Kjell Nordeson

[noloveforned]

tune into wlur at 4pm to catch this week's show. otherwise, there's always last week's show below! (ps- i also caught up with posting a handful of recent shows too so plenty to keep your ears occupied.)

no love for ned on wlur – may 20th, 2020 from 4-6pm

artist // track // album // label thee mightees // paranormal vacation // (bandcamp mp3) // (self-released) non la // not in love // not in love // kingfisher bluez lady legs // idle hands // off days // communicating vessels it thing // borrowed time // cassingle // under heat daniel romano's outfit // sweetheart like you // infidels // (self-released) daughter bat and the lip stings // how to make french toast // internet creeps cassette // under heat gen pop // hanging drum // 36 counties cassette // chapel of crimes parsnip // crossword cheater // adding up 7" // anti fade sustains // golden halo // sick ones cassette // hidden bay the molds // understandable // baby // (self-released) bloods // bring my walls down // feelings // share it peter charles macpherson // gone // dirty and rushed // cubbyhouse eleanor friedberger // the river // (bandcamp mp3) // (unreleased) jac berrocal, david fenech and vincent epplay // ice exposure // ice exposure // blackest ever black kaitlyn aurelia smith // the steady heart // the mosaic of transformation // ghostly international * ned milligan and john atkinson // plunko // call me when you can // fluid audio john truscinski // august closer // bridle path // open mouth patrick shiroishi, kyle motl and t.j. borden // hands clearly trembling // in this failing light // confront anna högberg attack // dansa margit // lena // omlott hideto sasaki and sekine toshiyuki quartet plus one // carole's garden // stop over // barely breaking even weldon irvine // i love you // sinbad // rca records label world quake band // on the one // everything is on the one // mad about mxmjoy // can man conquer it all // p.e.a.c.e // london field jean deaux featuring saba // moody // watch this! // empire elaquent featuring chester watson // airwalk // forever is a pretty long time // mello music happy spendy // feelings two // ready when you are ep // lost map ashley paul // window flower // window flower // takuroku edith frost // nothing comes around // nothing comes around ep // drag city * flowertown // rocks and air // flowertown ep // (self-released) constant smiles // save this house // psychic runners // (self-released) jade imagine // coastal pines // you remind me of something i lost cassette // milk!

* denotes music on wlur’s playlist

[anniehuihsinhsieh]

THIS IS HAPPENING NEXT SUNDAY.

Just getting a little too excited about this! Please drop by my final graduation recital if you are near San Diego next weekend! I’ll be joined by my fabulous friends and colleagues Kyle Adam Blair, Michael Matsuno, Kathryn Schulmeister, Ben Rempel, Judith Hamann, Kyle Motl and Madison Greenstone.

Program:

The Warmth of the Nebula (2016) - for solo piccolo and 8-channel fixed media

Half-Open Beings (revised version, 2017) - for mixed septet

Radius (2017) - for solo pianist

http://musicweb.ucsd.edu/concerts/

FREE ADMISSION