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herejusttosufferalong · 24 days

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Ok here's my working theory. I just feel like getting it off my chest as I've been so confused about so much since the PT ended - like I just really haven’t been able to get my head around what happened with L. I would love your thoughts!

I do believe/agree with everyone's perception that L may have had feelings for N for a long time (maybe a spark since the beginning, and a fire since season 3). I don't know if I think N had a crush on him too, before or during season 3. They clearly have love and amazing chemistry. He sparkles with her and looks at her like she’s the love of his life. She sparkles with him too, but she also sparkles with everyone and even alone.

I don't know what happened during or after season 3 between the two of them (if anything did), but we know they ended up apart last summer and L found distractions (from his breakup with J, maybe from his feelings for N) in HBS and then, eventually, a budding relationship with A (of whatever kind it is). Maybe he even started to like A, and maybe he thought it could really go somewhere, who knows? He then sees N again at reshoots in December, and then the PT starts in January, and his big feelings are still there/get stronger as they spend time together again.

What I haven't been able to make sense of is how come, with these big feelings, he not only stayed with A through it all but also brought her around to different locations during the PT, where he was with N (and flirting with N) - because it seems to me that A's presence all but guaranteed that nothing would actually happen with N, so why would he want that outcome if he in fact wants N (and if N was available)? It seems clear that he doesn't have the same big feelings for A as he does for N. I also haven't made sense of how someone who seemed soooo sweet and lovely and doting and soft on the PT with N could be with, and return to, such a (seemingly) vapid situation with A, where he seems not only miserable but almost like a completely different person than he showed us during the PT and how his costars describe him to be (and he's also been treating A more poorly than he treated N - at least publicly).

Now, JD has been in N's orbit for at least 2 years - he's been in productions with Louisa, Laurie, and Dylan (at least). I also remember photos showing that he was at CW's wedding in October, so he's clearly been an entrenched part of the friend group for some time (the fact that they more recently followed each other on insta doesn’t mean they didn’t know each other before). So let's *assume* for a second that JD and N are actually together now (and that that's what the pap pictures show us). He seems to mesh well with who N is and her friends/lifestyle. What if N and JD's friendship had been blossoming, with more one-on-one time, turning into a mutual crush, then turning into something more at some point. What if L knew about this because it was taking place before/while N and L were on the PT together. If N and L are BFFs, N could have talked to L about what was happening with JD. And this would explain why L - to protect his heart - kept bringing A around on the PT (despite not seeming to enjoy her presence there) because he didn't want to be single while watching N fall in love with JD.

Everyone wonders why on earth L brought A to the London premiere (especially given what ended up happening with pap-gate, which I personally don’t think L planned/knew about) - but you know what, JD was there with N's friends too! Maybe L knew that JD would be there, and he knew how shitty that would feel, so he also wanted to have someone with him too (hence A's presence). But remember the conversation on the red carpet, where they're asked for dating advice, and N kind of pointedly says, "wait for the right person, you're worth it" and L looks uncomfortable. Maybe that was N subtly expressing concern about L’s situation with A, as his BFF and not because of any romantic feelings she has for him. But of course, if L had unrequited (probably not communicated) big feelings for N, it explains his discomfort and also his subsequent behaviour with A - carrying on with her after pap-gate (Milan, LA, GQ/Soho House, bday in Italy), while looking miserable, as a continued distraction from his heartbreak over N. It could also explain why he let everything with his public image kind of go to shit (both because he was sad and also because he was still protective of N).

I agree with everyone that by the end of the PT, N started to return L’s heart-eyes and that of course remains confusing. But she's such an effusive and loving person, and she was so proud of him/them for their season and PT, and nostalgic that their big adventure together was ending, that maybe she was feeling so much love for L, her BFF, but not *in love* with L. (Her heart-eyes for Luke T at the London premiere is an example of how she can be so loving with her male friends.)

An imperfect theory, but it's the only one I've landed on, after being confused for months, that helps me to reconcile the L we saw in the PT (N's version of L) with the L of the summer (A and SoHoe’s version of L) - the latter of which has frankly confounded me! - because his summer behaviour can then be explained as a symptom of his unrequited love (for N) and heartbreak (a Sad Boy Summer).

Does this means that L is (in Suffer’s words) still biding his time and waiting for the end of N and JD?

(Of course, big caveats to all this, we don't know anything! We don't know for sure N and JD are together, or what the status really is/was between L and A. This is all my perception of things from what they show us publicly, I’m just trying to make sense of my own confusion about L.)

this is all opinion 😔

#merely speculating #this is all opinion

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laurierollitt · 10 months

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My poster design for This Is The Kit's performance at the Barbican Centre November 25th 2023.

#laurie rollitt #this is the kit #poster #watercolour #watercolor #barbican #london

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feyofmay · 1 year

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The Oak Door

Laurie x March!Reader (aka "Ducky") Summary: At a gathering in london, hosted by Mister Laurence, Laurie gets drunk & the reader is forced to take care of him. While assisting him, Laurie attempts to propose, & the reader is everything but happy word count: 3.8k Warnings: ANGST, literally that's it just angst, also a lot of self doubt from reader

This story is a snippet from my longer Laurie x reader story, Foolish, Honest Love on ao3. If you want to know what happens next, you'll find out there ;P

Also, I am taking requests for Laurie x reader drabbles/minifics in my asks!!! :)

STORY STARTS UNDER THE PAGE BREAK

To say one’s heart & mind works separately is a lie because the heart is an organ that does not think, nor does it hold any greater understanding of what it is. It has no consciousness, yet is unrightfully given the capability to think & know. Nobody truly thinks with their heart or their throat or their liver or their pancreas. When someone says “thinking with their heart” or “thinking with their mind”, they mean thinking with their intuition or their rationality, or thinking with logic or emotion. They create a great divide in thought that, in all honesty, has & will never exist. A black & white. A right & wrong. A sky & sea. Existing between all of these concepts is a great trench, a lack of understanding, that was dug by the hands of men.

In thinking with her heart, the middle March finds it best to avoid Laurie, &, in thinking with her head, she agrees with her heart. All of this to say, for the past couple of days, she’s both missed & feared the sight of his face. It’s easy to grow distant from someone when there’s no possible way to close said distance, but, when you’re staying in the same residence per the request of his grandfather, it’s much harder to remain distant, both in a literal & metaphysical sense.

Within the lounge, where she resides now, Miss March distances herself from the greater commotion of the gathering, in the dining hall, without being fully disconnected, like a hand is to the torso. The walls are dressed in a tender maroon wallpaper with an eloquent & detailed moulding of marble & gold, replicating greek columns, which act as a trim that runs across the ceilings. She shares the chaise lounge with other guests as they squeeze next to each other, and their skirts overlap like incoming tides crossing over one another. She’s unsure if she's become overwhelmed by all the stimulus or simply unable to sense anything. The air doesn’t carry any distinct scent. Oddly, the space around her smells of the sound of bustling people & drinks swishing in crystalline glasses. Around her is noise & people, & all of her senses confirm that truth in a monotone wave. Nursing an empty glass, which she had thrown the contents of into a houseplant & plans to hold for the rest of the evening, she sits within conversation between several men & women, an intellectual hive of people that act more like displays for their attire then beings with bones & blood. For them, knowledge is a sport. It’s a trinket to place on your coffee table to try & impress your inlaws. It’s an accessory to tout & best acknowledge in thoughtful hums & inquisitive gasps.

A man in a matching set of birdseye patterned, taupe slacks & waist drones on about the recent unification of Germany. While Miss March does find the subject, itself, interesting, she can’t seem to hold intrigue in the conversation. Something about the smoke & the long days warping together in England has led her to misplace the inquisitiveness of the young girl who dreamed of moving to Europe & leaving behind the dreariness of subordinate domesticity. While, with age, she’s gained the emotional intellect necessary to process her emotions beyond simply scraping the shallow tide with her toes, she’s also gained the awareness that, oftentimes, the act of digesting her emotions is tiring. She’s learned that the energy used toward emotions is better spent producing something tangible & of worth.

Luckily for her, Laurie’s grandfather is a man in the know, which means he knew several associates with daughters of varying ages with varying tastes in clothes who were more than happy to lend a dress to a young lady. Over her crinoline skirt & bodice, a dress in a sweet champagne shade is draped across her. The lacy trim, not wanting to melt into the dress, itself, is a muted purple, almost a grey, that wraps around her puff sleeves & the edges of the champagne tier, with a silk white skirt with a lavender sheen peeks out from underneath. Nothing about the dress is loud. She feels much more at home in the fabric, especially after walking around in the daunting mauve dress like a living, breathing cake topper, a piece of decor for her employer to flaunt. For the first time since leaving New England & Meg & Hannah’s trusted fingers, she’d had her hair done by someone other than her family’s servant. The trusted maid of Mister Laurence had offered & promised to not pull too hard on the March’s hair. As the maid braided & pinned her hair, the middle March almost cried. However, it wasn’t due to any pain inflicted on her scalp, as the maid’s touch was tentative & gentle. It was the simple act of being touched & cared for, a touch Miss March had been subconsciously craving for since leaving her home. A touch she had forgotten until reuniting with Laurie in the crowded foyer.

Touching her shoulder, a soft hand brushes her & whispers a polite ask for her attention. She flutters her eyelashes, shaking off the weight of the dust that had collected on them, &, with the help of the welcomed touch, swims out of the mental fog she had sunk herself into. Her eyes flitter up & meet with the warm sight of Mister Laurence gazing back at her. Whether the strong scent of candle wax, lingering dust on velvet carpets, & forest breeze eminates from him or the memories of his manor in New England that she spent odd mornings & afternoons in, she’s unsure of. However, it’s another reminder of the young girl she tried to comfort & wish goodbye to before leaving for Lancashire.

“Pardon my forwardness, but, Miss March, I must ask you to join me for a brief moment. I do hate to take away from such wonderful company,” Mister Laurence requests, playing the role of the man wise beyond his years more gracefully than anyone Miss March has ever seen. With a curt nod, not even bothering to bid adieu to the people in the room, she lets curiosity lead her as she rises to her feet & wraps her arms around Mister Laurence’s. Ushering her out of the room at the exact speed that is swift without being suspicious, Mister Laurence guides the young lady to a hallway with no prying eyes or wandering ears. His gaze does not hold the anger of a great man who is weighed down by the hubris of those around him, but in his eyes is something deeply paternal & saddened. Around him, an umber waistcoat & slacks with a herringbone pattern remind her more of a bear then a man of business & wealth. However, her judgement may be heavily clouded from growing up under his watchful eye. While his hair used to be a soft salt & pepper, it has faded to a faint white & grey like the shadow of a tree painted on fresh snow during a cloudy evening. For most, with age comes wrinkles that hide within them their growing envy for the youth that’s being wasted on careless & stupid adolescents. Mister Laurence’s wrinkles are like the rings of a tree, lines that prove that he has lived & seen. They’re a promise that, if one is to ask, he will tell the story preserved in every smile line & crow’s foot. Bending down so his lips hover around her ear, she’s immediately washed in the same sincerity that soaks his demeanour.

“Y/N,” he calls her by her first name, a telltale sign of loyalty & unease from the man, “I do hate to put this upon your shoulders, but my grandson is acting aloof-”.

“In what sense?” she interrupts in the classic March fashion, &, used to this speech pattern, he continues speaking over her.

“And, while I don’t wish to make you pay for his poor decisions, I have an important associate that I do need to impress,” he explains to her as his hand returns to her shoulder, “And you and I are both well aware that no servant is paid well enough to have to deal with my grandson’s… ”

“Stubbornness?”

“...Tenacity.”

Both finish his sentence at the same time & share a gaze that communicates that neither are completely wrong with their wording. Nodding his head to agree with her, he looks away at the hall ahead. No paternal figure wants to admit their children’s faults. To say a truth is to make it known, but to admit a truth makes it tangible. She can feel the glass ball that rolls up & down his throat, ever so often bobbing at the opening to his stomach. Hiding beneath his heavy wool morning coat, his shoulders tense while trying to protect the rest of his body.

“A servant caught him with several other young women & clearly inebriated,” he reveals to her, & the edges of his lips quiver & twitch as they are tugged by invisible strings into a frown. His words dig a hole into her chest. All that remains is her skin, which caves in & sags where her sternum once was. It leaves a tingling sensation where her muscles & bones used to rest. She feels that Mister Laurence is speaking of a different grandson, which she has never met. What happened to the young boy who would treat her childish fears with utmost sincerity? What happened to the boy who made pinky promises seem like the most honourable pacts a man could make? What monster, what man had stolen the skin from him & now wears it as a costume?

“I’ll confess. I’m unsure of where I went wrong with him,” Mister Laurence slips out between hushed lips, telling his secret to the wind & Miss March. Pausing to swallow his words, she furrows her brows & purses her lips. Swimming in her mind, she can’t think of any words that can comfort him in this moment of vulnerability. So, rather than speaking, she wraps her arms around the older man & hugs him tightly. Surprise washes him over as she squeezes his ribcage tightly, &, for a moment, he freezes as his eyes dart around to try & catch leering gazes peaking around the corner. But they are hidden in the inky shadows of the hallway. With a long exhale, Mister Laurence allows his tension to escape, & he swallows her in his embrace..

“You worry about business, and I’ll worry about Laurie,” she comforts him while pulling away, pausing to fix his bowtie, “He’s very lucky to have a grandfather that’s as kind and loving as you.” Mister Laurence smiles at her reminder as the rosy glow on his cheeks alights the hallway for a moment. Each breath they take in the space that they share feels like it fills each corner of their lungs. Nodding to her, a silent show of gratitude, he leads her to an oak door which lays slightly ajar. Holding the nob, he turns back to her before speaking.

“Thank you for your assistance. He’s in here,” Mister Laurence informs her, & he slowly swings the door open. Immediately, the souring scent of wine hits her face, &, as an instinct, her nose scrunches up & a grimace stains her lips. Splayed out on a couch, dishevelled & basking in his own ruin, she sees more of a strange, unfamiliar man than the boy that she knew. She sees a man that will grow to be discontent with his wife, yet who stays for the kids. A man who never really loved his children but is patiently waiting for the fulfilment that comes from acting in the role that society has told him to. A man who will never be fulfilled. A man that has learned that he must settle for what he has, quietly & miserably. A miniscule part of Miss March relishes at the idea that he’d have to learn how cruel the impartial hand of life can be, but the rest of her is well aware that Laurie will never know “enough”. He’d love his wife, even if she loved another man. He’d work to provide for his kids, &, if the wife was never around, he’d raise them all on his own. He’d move mountains to try to find the better side of “enough”. Laurie will love & love because that is Laurie’s nature. He loves wine & women. He loves trekking through forests & acting a fool, even in public spaces. He loves to engage in conversation while in the company of the March sisters, where no sentence is ever finished & nothing is ever truly said but the quiet “I love you” that rattles around in the pauses between words for a quick draw of breath. Laurie loves Jo. Laurie will continue to love, & love will truly be the cause of his death. Yet, Laurie will find a way to love the silent & cold hand of what lies beyond in a way that no person has ever done before. Miss March cannot even entertain the idea of Laurie living a life that is just “enough” because, to her, his company is more than enough. It is good. It is plenty.

That same man has tossed away his vermillion silk tie & waistcoat, leaving him in a starch white shirt that’s a third of the way unbuttoned & hastily tucked into raven black slacks. Closing the door behind her, the click of the door knob alerts him to her presence. However, his verdant eyes don’t move to meet her as he stares through strands of his messy chocolate hair & up at the silver ring that he often displays on his pointer finger.

“Are you here to scold me, oh my dear mother?” He asks to the wind, acknowledging her existence. Miss March inhales deeply as the beating of her heart starts to drown out the sound of her breath. Clasping her hands together, she tentatively begins to make her way over to the cobalt ottoman that rests near the matching couch. The room is a demure periwinkle with small etchings of leaves adding a splash of muted emerald to the room.

“No, Laurie. Your grandfather asked me to keep you company,” she tries to ease his nerves as she inches closer.

“No, he told you to keep me away from the guests as I am his greatest failure,” Laurie shoots up at her words, sitting up far too fast for his drunken mind to handle. A warbling groan of pain slips out of his mouth as he rakes his fingers through his hair & clutches his throbbing head. At the sight of his agony, Miss March rushes to him &, readjusting his legs, sits on the edge of the couch cushion, right in front of him. With a tender touch, she gently wraps her fingers around his wrists & rubs small circles with her thumb.

“Oh, shush, you’re as much of a failure as I am a dancer,” She teases him with a sympathetic smile. At her words, a small & raspy chuckle escapes his lips &, tilting his head, his celadon eyes, in which the fields of Elysium hide, gaze up at her. Hiding beneath a smoke of anger, she’s able to see the young boy that she grew up with. The young boy that she once fell in love with. He’s scared & small & all the things a child is never allowed to be.

In this moment, as much as she despises it, she knows she must admit her faults to him & ask for forgiveness. She was cruel & unjust for bringing up Jo with the intent of spitting in his face. She hurt him with the intention of leaving a mark, & she succeeded in doing so. If he doesn’t ever forgive her, she’ll grow to understand. It won’t be an easy process, but loving Laurie has never been anything close to easy. Taking a deep breath, she shoves the racing thoughts out of her vision & looks him in the eyes.

“I apologise for what I said in the alley, concerning your feelings for Jo. I shouldn’t’ve ever used them to hurt you,” she apologises quickly, &, after speaking, immediately purses her lips together & stares at him. She waits for him to scream. To yell at her to get out. To say he hates her & never wants to see her again. To tell her he always hated her. That he only tolerated her for Jo. To say she’s stupid. She’s vile. She’s not worth Jo or Meg or Beth or Amy’s time. She waits for him to tell her the truth she’s been too scared to say to herself aloud. She waits & waits until, finally, his lips part, & he draws a quick breath.

“It’s alright. I was being mean too, and I, truly, do owe you many apologies, as well, ” he replies with a thin smile, replaying the events in his head. Ducky’s stomach squeezes as relief floods her system, & she sharply inhales while attempting to keep some kind of composure. A tight smile graces her features, slipping past her facade of propriety & decorum.

“I’ve been spending this past year, & some odd months, wallowing in my own melancholy, but,” Laurie pauses for a moment, slouching forward so his eyes are level with Ducky’s, “but I cannot waste away my life being miserable. If money is truly of the highest concern, then marry me.” His words grab her by the neck, shove their long, spindly fingers down her throat, wrench the breath from her lungs, & pry the air out of her. Her mouth falls agape as she struggles to comb through & fully understand what he’s said.

“Laurie, I refuse-”

“You won’t have to work, nor do you have to love me, & your family will be provided for: Beth, Amy, Marmee, everyone,” he prattles on, afraid of the nearing rejection that comes when he stops to breathe. Ducky can’t hear anything other than her own heartbeat & what, to her, sounds like the faint whisper of Laurie’s voice. She can’t even hear herself think.

“You’ll be happy, I promise. Everyday I will spend in honest devotion to your happiness,” he’s breathless as he finishes his speech, &, feeling the walls begin to collapse in on her, Ducky jumps to her feet. Rushing back & forth, in front of her very eyes, are countless memories of Jo & Laurie, of the way it’s always been. Jo loves her work. Laurie loves Jo. Ducky was left to love the footprints Laurie had left while chasing after Jo.

“Laurie, I, as a woman, must either enter a marriage for security or for love,” she whispers out as her arms wrap around her waist, squeezing her sides tightly, “while you can marry for any reason under the sun, and I will not be an accomplice in allowing you to waste that privilege.” The room grows smaller, the air between them thinner. It’s hard to breathe & her vision becomes a swirl of blues & greens with a spotty pillar of white & black wiggling around in the centre. Laurie stops, & Ducky stops. Neither move. Neither speak. Neither breathe. The walls stop moving, & everything around them fades into their shadows. They are a boy & a girl. A lady & a man, all grown up & yet the exact same as they were the day that they met. While his previous proclamations were loud & steady, the words he speaks next are a promise meant only for his lips & the spirits that hide in peoples’ breaths.

“But I can give you both, love and security, if you’d allow me. I’ll inherit my grandfather’s wealth, and we could be happy, all of us.”

Clear on his face is the same sincerity that he’s gifted to her in every moment of embarrassment & shame. His eyes stay glued to hers. After waiting for years for him to say these words to her, she can’t help but feel his admittance is fake. That maybe his words are meant for someone smarter, braver, older, & better then she is. His words are meant for Jo.

“No, no, you don’t get to, this isn’t right,” she bites back, walking backwards & grasping for the door knob yet only finding the air between her fingers, “Stop it, Laurie, please.”. He follows her, &, in his drunken state, collides with the furniture, sending his body awry.

“Yes, yes I can, and we both know it to be true,” he tries to correct her as he raises his hands to grip her forearms. Her shoulders immediately tense at his touch. His fingers crinkle the poofy champagne fabric that delicately floats around her skin.

“You’re acting a fool, Laurie-”

“I can, I swear on my life Y/N, I am able and I am willing and, and content to do so.”

“-I won’t allow it, I simply cannot,” she continues to ramble on, & her finger tips brush against the cool metal of the doorknob. Laurie opens his mouth to rebuke her statement, but, before he can, her palm flies up & presses against his lips. Covering his mouth with her hand, she shakes her head as her eyes gleam with tears.

“Please, stop. It hurts, Laurie. Please, Laurie, you’re hurting me,” she pleads to him as her fingers curl around the door knob, “I cannot do it. You broke my heart once already. Is that not enough for you?”

To watch the boy she admires fall in love with her sister, who she’s loved since the dawn of time, was a constant, real ache that left her sobbing into Beth’s chest as she begged Meg to help her & relieve her of the pain, which was an impossible task. After the middle March had left for Europe & caught word of Jo’s rejection in a letter from Beth, she had a heavy heart knowing that the two people who were connected at the hip for all of her adolescence had now grown cold & distant. It was as if she’d heard that the moon no longer followed the sun, leaving the night cold & bleak. All she has done her entire life is labour & hurt for those she loves without question or complaint. However, she cannot look Laurie in the eyes as he slurs out ideas that would’ve sent her younger self spinning & giggling with a maddening joy. She cannot withstand that pain for him. She doesn’t feel happy or sad. Nor is she angry or scared. All that she can feel is the heavy pounding of her heart & a dull ache emanating through her. The pain swallows her mind, &, while her body still remains, Ducky has clearly fled far from the room. She’s racing down the streets in her dress, seeing how far her legs will take her.

She yanks the door open just before he can reply & heaves her body through, slamming the door shut after her. Leaning her weight against the slab of carved & varnished oak, a few tears trickle down her cheek as she chokes back a sob, not wanting to alert any guests nearby. In her mind, she’s already ran all the way back to New England. There, back in her home, she lies, hiding her tears in Beth’s dress, as her sisters practically cocoon her, protecting her & the fire from the harsh reality of the world that waits outside their loving embrace & on the other side of the oak door.

i told you it's literally & only just angst... sorry. please like & repost :)

#timothée chalamet #theodore laurence x reader #laurie x reader #little women 2019 #laurie laurence #laurie laurence x reader #louisa may alcott #little women #timothee chalamet fanfiction #little women fanfiction #laurie laurence fanfiction

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insanityclause · 6 months

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The Night Manager will be returning for two more seasons with Tom Hiddleston at the helm once again, it has been reported.

The renewal of the hit adaptation of John le Carré’s 1993 novel, which aired to great fanfare eight years ago, has been greenlit by Amazon Prime and the BBC, according to Deadline.

It is understood that the new seasons about the hotel-manager-turned-spy will be filmed later this year in London and South America.

According to reports, David Farr – who wrote the original series – has been brought back to write season two.

The first series, which won two Emmys and three Golden Globes, featured an impressive cast including Olivia Colman, Elizabeth Debicki, Tom Hollander and David Harewood.

It followed Hiddleston as Jonathan Pine, the former British soldier who is recruited by the manager of a Foreign Office taskforce to infiltrate an arms dealer’s inner circle while he is the night manager of a luxury Cairo hotel.

The series quickly became one of the top-rated UK dramas of 2016 and spawned a number of subsequent le Carré adaptations from The Ink Factory, the production company run by le Carré’s sons Simon and Stephen Cornwell.

The new adaptation will be set in the present day, according to Deadline, and will follow Hiddleston’s Pine facing a new and more deadly challenge after being informed that arms dealer Richard Roper – played by Hugh Laurie – is dead.

Laurie, Colman and Hiddleston all won Golden Globes for their performances in the 2016 spy thriller, which became an international success and even led to rumours at the time that Hiddleston, 43, could be the next James Bond.

While the Bond rumours may have been put to bed, it remains to be seen where the plot may take Pine, seeing as Le Carré‘s novel has no sequel.

When Laurie was asked in 2016 whether the series would return, he said: “It’s based on a novel, we’ve got to the end of the novel and John le Carré has yet to write another novel. So in cold practical terms, no, we’re done.”

Le Carré, who died in 2020, took a very hands-off approach to the first series, but was said to be pleasantly surprised by the alterations Farr made to his novel for the script.

Charlotte Moore, the BBC TV chief, told The Telegraph in 2017 that “Le Carré is very involved” in discussions about the next series, saying: “We wouldn’t be talking with them if he didn’t think it was a good idea.”

Announcing the new series, Ms Moore said: “After years of fervent speculation I’m incredibly excited to confirm that The Night Manager is returning to the BBC for two more series.”

“Of course he wants to take part in it, it’s his work. He will definitely be involved in what we do next,” she added.

The Telegraph has contacted Le Carré’s estate for comment on the announcement of the new seasons.

Previously, Susanne Bier, who won an Emmy for directing the first series, revealed that scripts for a second instalment were “slowly being developed”, but she said writers were wary about being able to create the same hit again.

Elizabeth Debicki, Tom Hiddleston, Susanne Bier and Hugh Laurie at the premiere of the first season

Elizabeth Debicki, Tom Hiddleston, Susanne Bier and Hugh Laurie at the premiere of the first season Credit: Michael Tran/FilmMagic

Farr agreed with this sentiment at the time, telling Variety in 2016 that he was “not keen” to do a second series, adding: “I liked the fact that the story ended where the story ended.

“But that’s entirely personal. Given the characters, there is a potential for something more to happen, and I’m sure someone could find the right idea. But for me it’s done. My simple feeling is that I wouldn’t be able to make the next one as good.”

Hiddleston, 43, will be returning to executive produce the new seasons as well as play Pine.

The British actor said: “The first series of The Night Manager was one of the most creatively fulfilling projects I have ever worked on. The depth, range and complexity of Jonathan Pine was, and remains, a thrilling prospect.”

Simon and Stephen Cornwell said season one proved “a landmark moment for the golden era of television – uniting on-screen and behind-the-camera talent at the top of their game – and an audience reception which was beyond our wildest imagining”.

“Revisiting the story of Pine also means going beyond the events of John le Carré’s original work: that is a decision we have not taken lightly, but his compelling characters and the vision David [Farr] has for their next chapter were irresistible,” they added.

Vernon Sanders, the Amazon MGM Studios head of television, added: “We are elated to bring additional seasons of The Night Manager to our Prime Video customers.

“The combination of terrific source material, the wonderful team at The Ink Factory, a great writer in David Farr, an award-winning director in Georgi Banks-Davies, as well as the talented cast truly make the series the full package.”

#tom hiddleston #the night manager

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