Robert Smith of The Cure, Italy, June 1984. Photographed by Tom Sheehan (Source: The Guardian)
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Robert Smith of The Cure, Italy, June 1984. Photographed by Tom Sheehan (Source: The Guardian)
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Two things I love: Pete Wentz (in a skirt!!), and fire
What do you think about this photo? Who else loves the fire bass as much as I do?
📸 by me, Fall Out Boy, Seattle 2024, 2ourdust
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The Cramps ride into Milwaukee, July 1986. Photo by & © Greg Helgeson.
Source: Historyofpunkrock on Instagram.
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Nova Twins
Fender Vintera II launch at Lower Third, 20.09.2023
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Chaka Khan, Live in New York City. 1979.
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Lux Interior, lead singer of the Cramps, 5/5/1980
Los Angeles, California
photo: Ann Summa
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Will Ramos of Lorna Shore @ O2 Academy Leeds, UK // 29.11.2023
(feat. Alan Grnja of Distant :) )
📸 by me 😊
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Sampha x i-D Magazine / Photo Frank Lebon
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some photos I took of Melanie Martinez the other night in Los Angeles🧚♀️✨
Please credit me if you repost!!
Instagram: AshlyNicolePhoto
Twitter: Ashhpotato
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Photos I took of Nine Inch Nails' Tension 2013 tour, which was running 10 years ago this month. I also served as art director for the tour’s extensive visual design, working with lighting director Roy Bennett and production company Moment Factory (our team from the 2008 Lights in the Sky tour). Tension was the third full original stage production we designed/executed in 2013 (following the How to Destroy Angels live show and the NIN 2013 festival production), and its unique challenges damn year killed us (watch the Vevo behind-the-scenes feature for some insights into the creation of Tension), but we pulled off quite a spectacle both visually and musically.
If you enjoy these looks back at my work with NIN, consider supporting me on Patreon, where I share tons of behind-the-scenes design insights including song-by-song tour production commentaries. Plus frequent exclusive hi-res wallpaper packs, downloads, events, contests, and an awesome fan community. Direct fan support is what keeps me going as an independent creator, and it means the world to me.
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