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#Man and Van Hire Oxford
cmlremovals · 10 months
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Best Removals Company Oxford - CML Removals Looking for the best removals company in Oxford? Look no further than CML Removals. With a dedicated team and years of experience, we specialize in seamless house moving services in Central London as well. Whether you're relocating within Oxford or making the move in Central London, our professional and reliable team is here to make your transition smooth and stress-free.
Contact us now at London - 020 4553 1078 or Oxford - 018 6563 0019
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robertseo2019-us · 2 years
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Are You Searching For Removals Company in Swindon
Superb Moves Ltd Removals Swindon is a fully insured professional registered family-run removal company. Further we always get a five-star rating, and we cover Swindon and surrounding areas. Our employees are properly trained, so you can have the confidence of quality professional service. In other words your products are safe.
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mexcine · 3 years
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I’m All Right Jack (1959) review: I’m All Right Jack was reportedly the most popular British film of the year of its release, and has maintained its critical reputation in the decades since.  While I found it interesting and entertaining, I was slightly underwhelmed by the film, largely due to several structural aspects of the film’s narrative.
    The basic plot: Stanley Windrush, an Oxford graduate and a former serviceman, is the “poor relation” of a wealthy family and decides to “enter business” as a management trainee.  However, he’s naïve, clumsy and outspoken, and is repeatedly rejected by various companies.  Finally, his uncle Tracepursel suggests Stanley seek employment at Missiles Ltd. (a company Tracepursel owns), but as an ordinary worker.  Stanley innocently clashes with the plant’s unions, but head steward Fred Kite (who has pretensions to be an intellectual analyst of the capitalist system) offers to rent Stanley a room in his own house and educate him in the ways of the working class.  Spotting Kite’s sexy daughter Cynthia (who also works at the plant), Stanley accepts the offer of lodging.  [This has little or no bearing on the plot, as Stanley and Kite have almost no interaction after this; and as noted below, even Stanley’s romance with Cynthia is jettisoned at the conclusion.]
    Meanwhile, unbeknowst to Stanley, Tracepursel is conspiring with Sidney De Vere Cox to have Missiles Ltd. default on a contract to supply arms to a Middle Eastern nation so that Cox’s company can take over the contract (at a higher price, which they’ll split amongst themselves and buyer’s agent Mr. Mohamed). When Stanley unknowingly cooperates with a “time-and-motion” study man and reveals that Missile Ltd’s employees could work much harder, Kite calls a strike.  This soon spreads across the nation, including to Cox’s company, so the scheme has worked too well.  Tracepursel urges plant manager Major Hitchcock to negotiate with Kite to end the strike; since Stanley’s removal is a condition for a resolution, Cox tries to bribe Stanley with a bag of cash to “resign for reasons of health.”  During a television broadcast about the strike, Stanley denounces both sides of the dispute as corrupt, and tosses the money into the air, which provokes a brawl among the studio audience.  Stanley is arrested for his actions, chastised, and put on probation for a year.  As the film concludes, he’s living at a nudist colony with his aged father.
    One of the main flaws of I’m All Right Jack is that the film changes focus throughout—it’s not necessarily a case of an “ensemble cast,” the film almost literally switches back and forth between protagonists.  Stanley Windrush seems to be the protagonist, but at a certain point—when Missiles Ltd. goes on strike—he almost literally vanishes from the screen for an extended period of time, and is replaced in the spotlight by union steward Fred Kite.  There are also extended sequences focusing on Sidney De Vere Cox and Mr. Mohamed, with lesser footage (more traditional use of supporting characters) allotted to Tracepursel and Major Hitchcock, while Aunt Dolly appears only briefly and without much effect on the plot.  A more traditional film would have centered on Windrush throughout, but his disappearance for much of the middle section of the picture makes the conclusion feel forced.  I’m All Right Jack has a curious, “unhappy ending”—Stanley is reprimanded in court, and is last seen being pursued by amorous female tennis players at a nudist resort, his relationship with Cynthia Kite apparently terminated (she’s last seen, weeping, while Stanley is being dressed down by the judge, suggesting she still cares for Stanley).
    Additionally, I’m All Right Jack has a needlessly complex and somewhat illogical plot.  As noted above, Tracepursel and Cox’s scheme to have Missiles Ltd. default on an arms contract so Cox can take over the contract (at a higher price that will allow for kickbacks to those involved).  Apparently as part of this plot, Tracepursel has his ineffectual nephew Stanley Windrush hired by Missiles Ltd.  As it develops, Stanley’s naïveté results in a massive strike that shuts down Missiles Ltd. (but then spreads to Cox’s company and in fact nation-wide), but this was not something Tracepursel could have anticipated.  He gives Stanley no instructions or advice, and it’s only purest luck that Stanley’s actions cause a strike--he’s by no means an agent provocateur (despite Kite’s accusation of him being exactly that) even unwittingly. He just clueless. Any number of alternate outcomes could have occurred as a result of his hiring.
    There is some confusion about the film’s setting: it seems to be contemporary to 1959 when it was produced (the most notable auto in the film is Stanley’s tiny, 3-wheel 1958 Heinkel Kabine), but this would mean Stanley—who served in WWII in Private’s Progress (1956), which features the characters of Stanley, Major Hitchcock, Tracepursel, and Cox—is still unemployed nearly 15 years after the war is over, and is probably pushing 40 (in real life, Ian Carmichael was born in 1920 and did serve in WWII), which seems out of character.  The narrator [E.V.H. Emmett, well-known in the UK as a newsreel narrator] specifically says “Industry! With tremendous opportunities for the young man…”
    This is not to suggest I’m All Right Jack is a bad film—it’s amusing and well-acted, and contains a significant number of interesting ideas.  Barbs are tossed at unions, management, the government, political parties, advertising (detergent Detto and snack bar Num-Yums, both with obnoxious jingles), and so on.  Unionism is attacked mercilessly: Missiles Ltd. has 2 unions, so if one is granted higher wages, the other can request an increase in pay, and then the first one has its turn again, etc.  Stanley stumbles across a group of men who play cards all day in a hidden spot (they can’t be fired but have no work to do), the unions resist cooperating with time-and-motion studies and reportedly assaulted a previous investigator, and so on.  While management and ownership is also depicted as corrupt and/or inept, this could be explained away by labeling Tracepursel and Cox as anomalies.  Working-class opinion presumably supports the principles of the strike (although the most prominent union members shown are Kite’s toadies, and his own wife is certainly not on his side, as she leaves him!), large crowds—whose placards identify them as the “Housewives League” and “Empire Loyalists”--are shown applauding Stanley’s actions (“Three cheers for Mr. Churchill and Stanley Windrush!”) as they sing “Land of Hope and Glory.”  The conservative “Daily Express” newspaper headline reads “Salute Stanley Windrush,” while the Labour-oriented tabloid “Daily Mirror” has a large photo of Stanley and Cynthia (emphasizing her bust) and the clever “Stanley Strikes Lucky” headline (referring to his romance with Cynthia).  Tracepursel says Stanley has the press on his side--some papers for ideological reasons, but others apparently only interested in gossip.
    The political content of I’m All Right Jack is mild and even-handed (basically, a plague on both houses).  Curiously, Ian Carmichael also appeared in Left Right and Centre in 1959, a film that’s focused more specifically on politics and while it’s still balanced in its depiction of the political parties in the UK—the protagonists are more or less evenly split between Conservative and Labour—it points out the differences between them more clearly than I’m All Right Jack.
    Trivia note: I was mildly shocked to see some nudity in I’m All Right Jack, in the opening and closing nudist camp scenes.  It’s bare rear-only nudity (and only of women), shown from a distance and in a non-sexual manner, but it was surprising nonetheless.  
    I’m All Right Jack is well-made and has a strong cast.  The comedy is mostly subtle and character-based: the chief exception to this is Stanley’s slapstick tour of the Num-Yum factory, in which he’s repeatedly urged to sample the product and finally ends up vomiting into a mixing machine.  The film briefly pokes fun at advertising (the “Detto” detergent and “Num-Yum” billboards and musical jingles) but drops this rather abruptly.  Not all of the verbal and character humour works—one of Kite’s union cronies stutters, and the “joke” is that you think he’s going to say a profane word based on the first letter but he doesn’t (“F-f-f-f…friend”).
    Ian Carmichael was somewhat typecast as a well-meaning but naïve and bumbling member of the upper class, and he is reasonably effective here.  Peter Sellers’ Fred Kite is a much more complex character, mispronouncing large words, lauding the Soviet Union, reminiscing fondly about the “very good toast and preserves they give you at tea time” at Oxford (where he attended a summer session in 1946).  When his wife (well-played by Irene Handl) and daughter Cynthia (Liz Fraser, also good) leave him, Fred’s home life goes to blazes (sink full of unwashed dishes, etc.) and he gains additional audience sympathy (although he isn’t a really unsympathetic character earlier, just a self-important and overly enthusiastic labour union representative).  Dennis Price, Terry-Thomas, Richard Attenborough, and Margaret Rutherford have clearly-defined supporting roles and play them straight.  Further down in the cast in very minor roles are Esma Cannon, Wally Patch, and John Van Eyssen (who appeared as Jonathan Harker in Horror of Dracula, 1958, if you’re wondering why he looks familiar).  
    I’m All Right Jack is a fine, entertaining film but perhaps slightly over-rated in terms of its overall importance.  Still, recommended.
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mariequitecontrarie · 4 years
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The New Girl
Summary:  David talks Gold into attending Storybrooke’s annual spring fair, and Belle has to sit in Gold’s lap in the car on the way there. Notes: For @rumbelleishope, an excuse for awkward Rumbelle mutual pining and Charming Gold friendship moments. Part of Cufflinks, but you don’t have to read the series. Rating: T
On AO3
Gold peered at his laptop screen with a frown.
The error-riddled marketing proposal for Seven Dwarves Landscaping wasn’t going to correct itself, but the juicy crunching sound coming from his doorway wasn’t going away, either. Someone was eating right outside his office.
With a disgusted sigh, he pushed up the glasses that had slid down the bridge of his nose. This would be the last time he tried to work with the door open. Open door policy indeed. Regina and he were overdue for another conversation about office dynamics. It would be short, simple, and to-the-point: he would make the rules and everyone else could follow them.
He clenched his jaw and tapped the keyboard with renewed vengeance, hoping to drown out the annoying noise.
Finally, the crunching abated. Blessed silence. And then, “Hey, Mr. Gold.”
“Nolan, you chew like a Missouri fox trotter,” he said, without taking his attention from the screen.
“How’d you know it was me?”
David sounded so impressed that Gold looked up from the overdue proposal. The company’s Director of Advertising was leaning against the doorjamb holding a paring knife and a shiny apple. “Since you’re here and clearly not busy, go fetch the centerspread for the Storybrooke Social,” Gold ordered. “And close the door on your way out.”
Satisfied that he’d shooed Nolan away, Gold resumed his work.
But the chewing started again, only this time, Nolan had the nerve to amble in Gold’s direction and make himself comfortable in the leather barrel chair opposite his desk.
“Fox trotter,” David said when he finally swallowed, “that’s a hell of a horse.”
Gold snorted. “It wasn’t meant to be a compliment.”
“Because if you like races, Mary Margaret’s parents have box seats to-”
He held up a hand to stop the invitation midstream. “I don’t socialize.” He didn’t care how well connected Nolan’s future in-laws were. And for reasons he couldn’t understand, the younger man was always inviting him somewhere.
“Right. I forgot.” David furrowed his brow, then grinned. “Why is that again?”
“Because I’m working. You should try it sometime.” Gold’s glasses slipped down his face again, and this time he used it to his advantage. “Get the spread,” he said, looking down his nose at Nolan.
“I’m on it,” David said. But instead of heading toward his own office, he stretched his long legs and carved off another wedge of the fruit. “Apple?” he offered, holding a perfect crescent out on the tip of the knife.
“No, thank you.”
“Hey, I’ve been meaning to ask.” He paused to swallow. “How do you like the new girl?”
Gold pursed his lips. Should he propose a six-month or a 12-month contract? “New girl? What new girl?”
“You know,” Nolan gestured with his knife. “Brunette, petite, blue eyes. She has the workspace next to Ruby.”
He pushed the laptop to the side, knowing a lost cause when he saw it.
They hadn’t hired anyone new since...Nolan couldn’t mean...He swallowed reflexively.  ”Belle French?”
“Yeah!” Nolan slapped his knee in recognition. “She’s great. Pretty too.” He smiled, a sparkle in his eyes.
The telltale redness of embarrassment crept up Gold’s neck and toward his ears. Thank God for his shaggy shoulder-length hair that covered their pointy red tips.
Pretty didn’t begin to describe Belle French. On most days, he had to take a cleansing breath simply to enter the conference room and sit down opposite her or walk past her desk. The mere mention of her name turned him into a blushing, sweaty mess. Belle was more than a lovely face, though. She was intelligent, capable, and had been hired to do a job, one she performed with mastery and infectious cheerfulness. All the clients loved her. But he was her boss. He had no business thinking of her in any way that wasn’t professional.
He coughed, trying to clear the thickness in his throat.
“Two things, Nolan. One, she has a name. It’s Belle French. Two, Miss French has worked here more than six months now, which hardly qualifies her as new. And three—”
“You said there were two.”
“And three,” he said, glowering with all the superiority he could muster. “This is a boutique marketing company of 50 employees of which you are advertising director. As such, we pay attention to details around here. We get to know our people. Miss French has been an employee here for some time. Do you even know her?”
“You make a good point.” Nolan nodded his enthusiasm. “People are the heart of the business and it’s important we spend time together.”
“Exactly.” He clasped his palms in satisfaction, wishing Regina were walking by to witness this conversation. She claimed he was a poor people manager, said he scared their employees away and they wouldn’t confide in him. But hadn’t Nolan approached him today? And here he was, teaching Nolan about the power of valuing people. If his methods were a touch severe, so what? This was the workplace, not his bloody grandfather’s house.
“So I’ll see you tomorrow, then? At Picnic in the Park.” Smiling, Nolan tossed his apple core into the wastebasket and stood. “What a fun way to get to know some of the people we work with.”
Gold swallowed heavily. Blast, he’d forgotten all about that dratted event.
Picnic in the Park was Storybrooke’s annual spring fling. It was a company-wide outing--Regina was crazy for them--and everyone was expected to attend. With its fried foods, rigged games, and death-trap of a Ferris wheel, Picnic in the Park was part fair, part carnival, and one hundred percent nightmare. There was even a dunk tank that Regina was threatening to make him sit in.
Gold eyed the letter opener on the corner of his desk. He would rather gouge out his eyes with the blunt end of the thing than go, but he’d just lectured Nolan about the importance of caring for the people one worked with. No, there was no backing out now.
The sparkle in Nolan’s eye had progressed to a gleam, leaving Gold with the distinct impression that he’d been played.
“Picnic in the Park.” Gold bit back a defeated groan. “Can’t wait.”
xoxo
The plan was to close the office and leave work early. As Gold’s rotten luck would have it, the day was clear and beautiful. Warm, but not hot, and a light breeze ruffled the Oxford shirt and jeans he’d changed into. He felt ridiculous and underdressed, but he wasn’t traipsing about in a field wearing his favorite Armani. If only he were a wizard, he could make it rain and spoil the entire occasion. Why couldn’t one of their high-maintenance clients call a meeting that questioned the entire future of the company?
Work was something he understood. Contracts, words, the fine point of a deal--business made him salivate. Social events made him ill at ease.
But Nolan had thrown down the proverbial gauntlet yesterday, and he had no choice but to assemble in the parking lot with the rest of the sheep. The sun beat down on the back of his head and he ground the tip of his cane into the asphalt with a long-suffering sigh.
Regina, never happier than when she was ordering people about, clapped her hands and blew a whistle.
“What, no megaphone?” he grumbled under his breath.
“Okay, team!” she shouted. “Parking is limited at the event, so we’re going to carpool. Fit as many people into as few vehicles as possible.”
Things seemed to happen quickly, as people swarmed around Gold and darted toward vehicles like an army of ants. All of them seemed to know what to do. All except him.
A white minivan pulled up a few feet away, driven by the unflappable Mary Margaret Blanchard. Beaming, she beeped the horn and waved at him. She was the only person he knew who could get away with driving a minivan that wasn’t filled with children and marching band equipment. David Nolan, her fiance, rolled down the front passenger side window and grinned.
Gold acknowledged him with a cool nod, yesterday’s charade with the apple still fresh in his mind. He’d been tricked into going to this event today and even worse, he’d been tricked into getting his boxers in a twist about Belle French. Nolan knew Belle quite well if the way they were ribbing each other in the breakroom yesterday afternoon was an indication.
The back door on the passenger side slid open. “Hurry up, Gold!” Regina called. Seated next to her in the middle was her girlfriend Emma Swan. Ruby Lucas and her boyfriend Archie Hopper were crowded together in the third row, their knees almost touching their chests.
On the opposite side of Emma sat Belle French, looking so fresh and lovely she eclipsed the beauty of the fine spring day. Her cheeks were a delicate shade of pink, and her chestnut brown hair curled around her shoulders and down her back. The shy smile she sent his way made his heart turn over.
“Gold,” Regina said again, “we’re waiting.”
Where was he to sit? The van was filled to bursting. “Why not rent a bus?” he asked with a wave of his hand.
“Great idea. Next year,” Regina promised, deliberately missing his sarcasm.
He took a half-step backward. “I don’t need to go.”
A chorus of protests met his excuse. “You have to come! Plenty of room! Gold, you can’t miss this!” Only Belle sat in silence, watching him. He wondered what she was thinking.
He squinted into the shade of the building, where his roomy Cadillac was parked.” “My car is right—”
“Not enough parking, Gold,” Regina reminded him. “Come on, everyone else is already on their way.”
“Emma,” Ruby piped up from the back, “why don’t you sit in Regina’s lap?”
Regina pinched her red lips into a thin line. “Em’s wearing dark jeans. I’m wearing white linen.”
Gold nodded in agreement. The delicate linen would stain and Regina would be a crumpled mess by the time they arrived. All the more reason for him to sit this one out. He threw a longing look toward his office windows, which seemed to wink in the sunlight, beckoning his return. “Really, it doesn’t—”
“Hey!” Emma exclaimed, “Here’s a thought. Belle, would you mind sitting in Gold’s lap? It’s not a long drive.”
Gold squeezed the head of his cane, wishing the pavement would open up and swallow him. Why would a sweet young woman like Belle want to sit in the lap of a crippled old grouch? He shot Emma a glare, annoyed with her for putting Belle in an awkward position.
“I wouldn’t mind at all,” Belle replied. Her bright blue eyes seemed to search his face. “But only if Mr. Gold is comfortable.”
Seven sets of eyes were pinned on him, waiting for him to move. Regina tapped her manicured fingers on her thigh.
He wasn’t sure how long he stood on the warm asphalt frozen with indecision before Belle took action. She scurried out of the van and ushered him into her vacant seat with a gentle push.
The tan leather was warm from her body and smelled faintly of roses and mint. Even crowded in shoulder-to-shoulder with Emma Swan, he had to admit the seats were comfortable. Belle climbed in after him and sat down, straddling his thighs like a side-saddle. Her upper body was as straight as an arrow.
“Everyone ready?” Mary Margaret chirped.
Following a round of affirmatives, she set the van in motion and glided out of the lot.
“Is this okay?” Belle asked him quietly, settling more firmly in his lap as they made a right turn onto Highway 212.
“Yes,” he said, trying to sound neither put out nor too comfortable.
She was a delightful warmth against his body and his nerve endings zinged with the unexpected pleasure of holding her close. He thought back to the last time anyone had sat in his lap. Back when his son Neal was a little boy and loved to be bounced, they used to pretend Gold’s leg was a horse named Peggy.
Having Belle sitting in his lap was an altogether different feeling.
Unsure of what to do with his arms, he settled for letting his hands rest against the seat. The van hit a bump and Belle swayed to the side toward the window. He caught her around the waist, his fingertips digging lightly into the fabric of her blue sundress. He wondered if the skin beneath the dress was as warm and soft as the material.
She turned her head to offer him a private smile. “Thank you.”
Satisfied she was balanced, he reluctantly dropped his hands back onto the seat. He didn’t want to let go, but he could see no other reason to continue holding her.
Quiet conversations between the other three couples in the vehicle buzzed around them, but he was strangely unbothered by their presence. Instead, he focused on the woman in his arms. Her head was turned toward the window, her cheeks flushed. Up close, he was surprised by the length and thickness of her eyelashes. He also noticed she had a delightful habit of dragging her lower lip under her teeth, and it turned her plump lips a lovely shade of deep coral.
“You can lean back a bit if you like,” he offered. For some reason, it was important to him that Belle felt at ease. Maybe it was his ego, or maybe it was the confusing attraction he felt toward her--an attraction he decided was better left unexamined.
She settled back against his chest with a soft, contented sigh that sent a thrill up his spine.
At 5’7”, he wasn’t a tall man, but Belle was quite petite. If she were to lean back even more, her head would be resting against his shoulder. And if she turned toward him fully, he would be looking directly into her eyes.
He felt the stirrings of arousal, tamping down on his body’s reaction by biting the inside of his cheek. All she needed was to feel him poking her in the arse like some old lecher in a van filled with people.
Without warning, the van brakes squealed and Belle pitched backward. On reflex, his arms wrapped around her. At the same time, she twisted and threw her arms around his neck. Her breasts were crushed against his chest and her fresh, floral scent tickled his nostrils. He wasn’t sure if the rapid thudding he felt against his ribs was Belle’s heart or his.
“Everybody okay?” Emma asked, ever the policewoman. “Nice reflexes, Mary Margaret.”
Removing his nose from Belle’s hair, Gold looked up in time to see a family of deer scamper across the road.
“Sorry,” Belle whispered to the top of his head before she moved away.
“Quite all right, Miss French.” It was more than all right, which was a serious problem. Having Belle in his arms was quickly becoming habit-forming and he mourned the loss of her closeness.
From across the backseat, he saw Regina flash Emma a triumphant grin before she whipped her head back to stare out her window. He glared daggers at the back of her head.
Carpooling was turning out to be hazardous to his blood pressure.
xoxo
Belle dropped into the Ferris wheel cabin with a grunt, still dazed from her carpooling experience. They’d been here at Picnic in the Park for about thirty minutes, and she’d managed to avoid Mr. Gold for the entire time.
It wasn’t that she didn’t want to see him, quite the opposite. When they’d piled out of the minivan and entered the carnival, she’d thought about asking him to join her for a game of skeeball or a funnel cake, but she didn’t want to prolong his misery any longer.
Although she knew he hadn’t wanted to ride with her sprawled across his lap, he’d been painfully polite about the entire episode. Ever the clumsy one, Belle had almost toppled headfirst into the side window, forcing him to catch her. And then when Mary Margaret slammed on the brakes to avoid a group of deer, she’d clung to his shoulders as though her life depended on it. Then she had held on for far too long, but she couldn’t seem to help it. The muscles of his shoulders were strong and smooth through the thin fabric of his shirt and he smelled divine. Like sandalwood and peaches and masculinity.
“Lonely rider!” the Ferris wheel attendant crowed, bringing her back to the present. “Single! Single!”
Belle winced as several people turned to stare at her sitting alone in the car, while everyone else was paired off. Riding alone was nothing to be ashamed of, but she didn’t want to be gawked at by everyone at the fair. “Do you have to yell it quite so loud?” she asked.
“Sure I do!” The attendant stroked his thick handlebar mustache with a grin. “Lonely rider! Single!”
Single . Belle groaned, wishing she had remembered to toss her well-loved copy of The Secret Garden in her purse. As the last person to be hired at Regal Marketing in the last six months, she was still fondly known as the new girl. The others at the office were friendly and fun, and they had made her feel like part of a large, silly family. But today almost everyone was paired off with their special someone and she was feeling single and new.
The only other single person in the office was Mr. Gold, and he barely knew she was alive.
A shadow fell over the Ferris wheel car and she looked up. There stood the man himself, shading his eyes from the sun, a bit of powdered sugar gracing his square chin.
“If you’ll permit me to join you, Miss French?” He offered a slight bow.
“Really?” This was more than unexpected. From the way she’d overheard him grumbling about the “death traps” at the carnival yesterday, she didn’t think he would care to ride. “Why, yes, kind sir, I would be delighted.”
He handed his cane to the attendant and took the swinging seat, settling beside her so their thighs touched. The attendant dropped the safety bar into place.
His long-fingered hands rested lightly on the bar, and the tiny silver cufflinks adorning wrists gleamed in the sunlight.
“It seems you’re to be my hero twice in one day, Mr. Gold,” she said, as the car began its slow ascent into the sky.
“Accompanying you on the Ferris wheel is hardly heroic. And it was you who saved me in the car. If you hadn’t given up your seat...”
“You’d have simply taken your own vehicle and driven home,” she finished. “Or perhaps turned around and gone back into the office?” From his conspicuous absence at office birthday lunches and bowling outings, it was clear he didn’t care to socialize with the members of the office.
His expression was severe and for a moment she worried she’d overstepped. Then his frown melted into a lopsided smile. “Touche, Miss French.”
Goosebumps spread over her skin, part relief, and part attraction. Gold’s silver-streaked hair and olive complexion made for a striking combination, but when he smiled his looks were positively devastating. For someone who never had a hair out of place and was always wearing a pressed suit with a coordinated silk tie, seeing him in jeans and his face decorated with powdered sugar only enhanced his appeal.
Why no one had snapped him up was a mystery, but selfishly she was glad. She’d been interested in him almost from the first day she’d started work at Regal. There was something magnetic about Gold that drew her closer, made her want to know him.
They stopped again about halfway up, the car see-sawing as another cabin was loaded, and Belle took the opportunity to study Gold’s profile in the bright afternoon light. He had a strong, sharp nose that looked infinitely kissable. The memory of his warm, strong hands on her waist in the van made her pulse skitter. “Out of curiosity, why did you board the wheel?”
“It should be fairly obvious, Miss French.” He waved over the expanse of the fairground below with another twisted smile. “I’m high on life.”
Belle giggled, then gripped his arm as the fully loaded wheel gained speed, carrying them around in circles, faster and faster.
By the time they reached the apex for the third time, her fingers were digging into his bicep and he touched her shoulder, moving his fingertips in a soothing circle. “Are you all right?”
“Oh yes,” she assured him, the wind rushing through her hair and lungs making her feel somewhat breathless. “I’m a bit afraid of heights.”
The glance he gave her was puzzled. “Then why ride the wheel?”
“For the adventure, of course.” She laughed, the exhilaration of the ride and the energy of the man beside her making her feel happy and carefree. “Why does that not surprise me?” His caramel eyes danced with amusement.
“My mother always says do the brave thing and bravery will follow,” she said. “Truth be told, most of my adventures have happened in books rather than real life.”
“I think it’s time to change that,” he said.
“Oh really?” She batted her lashes a bit, unable to resist the urge to flirt. “What do you have in mind?”
“Over there,” he said, pointing down to a large red tent on the ground, “are the best hamburgers in Maine. And once a year, at this event only, Mrs. Lucas does something rather shocking.”
“What?” she asked, her excitement mounting even as the wheel descended. Soon, it would be their turn to exit the car.
“Instead of using regular rolls, she sandwiches the hamburgers between…” Mr. Gold paused for dramatic effect, waving his hand with a flourish. “Glazed doughnuts.”
“Sounds like heaven,” Belle said. Her mouth watered with hunger; she hadn’t had anything to eat yet and the closer they got to the ground, the smells of buttery popcorn, sizzling meat, and fried, sugared dough became even more tantalizing.
Their Ferris wheel car approached the loading dock, coming to a stop with a rocking jolt.
“Lead the way, but first, there’s something I need to do.” She leaned toward him and carefully wiped his chin with her thumb. His eyes darkened at the contact and she swallowed a gasp. “Just a bit of sugar. From your first hamburger, perhaps?” she teased.
”Funnel cake,” he confirmed, an adorable flush creeping up his neck.“That’s been there the whole time, hasn’t it?
“I won’t tell a soul,” she promised, secretly delighted to discover that the oh-so-serious Mr. Gold had a sweet tooth.
They disembarked from the ride, Gold collected his cane, and they started in the direction of the hamburgers. “I hope you like ketchup,” he said.
“It’s one of my four major food groups,” she said with mock solemnity. “Along with iced tea, chocolate, and pickles.”
“Pickles, obviously,” he said. His soft laughter skidded over her, soaking into her bones like sunshine.
It was the first time she’d heard him laugh and she decided she liked the sound of it. Maybe she could get him to do it again before the day was through.
“Shall we?” He offered his arm and she took it, more than happy to allow him to guide her. The rides whirred, voices lifted in laughter and cheers, and the air crackled with glad expectation.
David passed by with Mary Margaret, each of them holding huge cones of cotton candy, and flashed her a wink. “It’s good to see you two having a good time,” he said.
“We are, Nolan, thank you.” Gold said pleasantly. He gave Belle’s arm a subtle squeeze.
Butterflies exploded in Belle’s stomach at the light pressure and she returned Gold’s lopsided grin with a bright smile of her own.
“Care to join us on the Tilt-a-Whirl?” David asked. “Afterward, we’re going to buy some candles from the convent. Mary Margaret helped make them this year.”
Belle’s good mood faltered a bit. She enjoyed David and Mary Margaret a lot, but she wanted to spend time with Mr. Gold. Alone. Alone in public, yes. But still. But before she could figure out how to respond without hurting their feelings, Gold was already answering.  
“Can’t, thanks,” Gold replied. “The new girl and I have a date with a hamburger.”
Belle waved goodbye to Mary Margaret and David and sailed away with Gold, feeling like she was floating on a cloud.
Perhaps Mr. Gold could be interested in her after all.
###
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hdmnews · 6 years
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Detailed character descriptions
From the same Deadline article, we got detailed character descriptions for the series’ cast:
Dafne Keen as Lyra Belacqua, an adventure-seeking 13-year old from a world that is both like and unlike our own. We meet Lyra as an orphan, having been raised in the sanctuary of Oxford’s illustrious Jordan College. Lyra is desperate to explore with her brilliant Uncle Asriel, until the fates intervene and she ends up on a thrilling and perilous journey of her own. A natural and adept liar, Lyra learns the value of honesty and lies when she becomes the owner of an extraordinary instrument that can tell the truth.
James McAvoy as Lord Asriel Belacqua, a brilliant scholar and a fearless explorer. Asriel is one of few who dare to undermine the powerful forces of Lyra’s world. His ambition is limitless and he will stop at nothing to achieve his ends.
Ruth Wilson as Mrs. Coulter, an enigmatic woman whose origins hold many secrets, and who has gained power in a patriarchal society against the odds. Intelligent and manipulative, Mrs. Coulter always needs to be in control; but her motivations are rarely as they seem.
Lin-Manuel Miranda as Lee Scoresby, an aeronaut-for-hire who can keep his head in a crisis, although he is often getting himself embroiled in trouble.
Anne-Marie Duff as Ma Costa, a fiercely maternal, high-ranking gyptian. The disappearance of her youngest son Billy is the latest of an increasing number of missing children, and acts as a call to action for the gyptian people to find and rescue them.
Clarke Peters as The Master of Jordan College, a man who understands politics and is Lyra’s guardian as she grows up in Oxford.
Ariyon Bakare as Carlo Boreal, an authoritative political figure who works with the Magisterium, but keeps many secrets and knows which ears to whisper into to achieve power.
Will Keen as Father MacPhail, a high-ranking member of the Magisterium whose belief is so unwavering that he will preserve its position at any cost.
Ian Gelder as Charles the Librarian, a learned man and counsel to the Master of Jordan College, who helps to care for Lyra.
Georgina Campbell as Adèle Starminster, a bright and inquisitive journalist who seeks to uncover the truth about the mysterious Mrs Coulter.
Lewin Lloyd as Roger Parslow, the 12-year-old kitchen boy of Jordan College and Lyra’s best friend. Where Lyra is a natural liar, Roger is naturally honest and kind. Roger often acts as Lyra’s moral compass.
Lucian Msamati as John Faa, a plain-speaking warrior and king of the Western gyptians, a close-knit, nomadic and honourable people. John Faa leads a band of brave fighters to action when it becomes clear that the governing forces of their world will not help them get their missing children back.
James Cosmo as Farder Coram, a gyptian and key advisor to John Faa. As an elder member of the community, Coram brings knowledge and wisdom to the gyptians. He is a brave fighter with an extraordinary past.
Daniel Frogson as Tony Costa, the eldest son of the gyptian Ma Costa. At 15 years old, Tony’s daemon has just settled, marking him as having come of age. Tony has a gruff teenage exterior as he tries to step into adult shoes, but is also brave and kind.
Tyler Howitt as Billy Costa, the youngest son of gyptian Ma Costa.
Ruta Gedmintas as Serafina Pekkala, queen of the Lake Enara clan, a 300-year-old witch with ties to the gyptians. Serafina believes that Lyra is the answer to the witch prophecy that will change the course of destiny.
Mat Fraser as Raymond van Gerrit, a gyptian who joins the fight for the missing children but knows it will push their resources and capabilities to their limits, and worries that John Faa is getting them into a fight they cannot win.
Geoff Bell as Jack Verhoeven, a gyptian who is relied upon and trusted in a fight, but who has a chip on his shoulder because of the way that gyptians are treated by the rest of society.
Simon Manyonda as Benjamin de Ruyter, a gyptian and talented spy driven to find the whereabouts of the missing children.
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clarabosswald · 6 years
Link
POINTS OF INTEREST:
HBO has partnered with BBC, Bad Wolf, in which HBO owns a small stake, and New Line Cinema to co-produce the adaptation 
Additionally, HBO has acquired the worldwide rights to the series outside of the UK
NEW DIRECTORS REVEALED:  Euros Lyn (Episode 6) and Jamie Childs (Episodes 7 & 8)
DETAILED CHARACTER DESCRIPTIONS REVEALED:
Dafne Keen as Lyra Belacqua, an adventure-seeking 13-year old from a world that is both like and unlike our own. We meet Lyra as an orphan, having been raised in the sanctuary of Oxford’s illustrious Jordan College. Lyra is desperate to explore with her brilliant Uncle Asriel, until the fates intervene and she ends up on a thrilling and perilous journey of her own. A natural and adept liar, Lyra learns the value of honesty and lies when she becomes the owner of an extraordinary instrument that can tell the truth.
James McAvoy as Lord Asriel Belacqua, a brilliant scholar and a fearless explorer. Asriel is one of few who dare to undermine the powerful forces of Lyra’s world. His ambition is limitless and he will stop at nothing to achieve his ends.
Ruth Wilson as Mrs. Coulter, an enigmatic woman whose origins hold many secrets, and who has gained power in a patriarchal society against the odds. Intelligent and manipulative, Mrs. Coulter always needs to be in control; but her motivations are rarely as they seem.
Lin-Manuel Miranda as Lee Scoresby, an aeronaut-for-hire who can keep his head in a crisis, although he is often getting himself embroiled in trouble.
Anne-Marie Duff as Ma Costa, a fiercely maternal, high-ranking gyptian. The disappearance of her youngest son Billy is the latest of an increasing number of missing children, and acts as a call to action for the gyptian people to find and rescue them.
Clarke Peters as The Master of Jordan College, a man who understands politics and is Lyra’s guardian as she grows up in Oxford.
Ariyon Bakare as Carlo Boreal, an authoritative political figure who works with the Magisterium, but keeps many secrets and knows which ears to whisper into to achieve power.
Will Keen as Father MacPhail, a high-ranking member of the Magisterium whose belief is so unwavering that he will preserve its position at any cost.
Ian Gelder as Charles the Librarian, a learned man and counsel to the Master of Jordan College, who helps to care for Lyra.
Georgina Campbell as Adèle Starminster, a bright and inquisitive journalist who seeks to uncover the truth about the mysterious Mrs Coulter.
Lewin Lloyd as Roger Parslow, the 12-year-old kitchen boy of Jordan College and Lyra’s best friend. Where Lyra is a natural liar, Roger is naturally honest and kind. Roger often acts as Lyra’s moral compass.
Lucian Msamati as John Faa, a plain-speaking warrior and king of the Western gyptians, a close-knit, nomadic and honourable people. John Faa leads a band of brave fighters to action when it becomes clear that the governing forces of their world will not help them get their missing children back.
James Cosmo as Farder Coram, a gyptian and key advisor to John Faa. As an elder member of the community, Coram brings knowledge and wisdom to the gyptians. He is a brave fighter with an extraordinary past.
Daniel Frogson as Tony Costa, the eldest son of the gyptian Ma Costa. At 15 years old, Tony’s daemon has just settled, marking him as having come of age. Tony has a gruff teenage exterior as he tries to step into adult shoes, but is also brave and kind.
Tyler Howitt as Billy Costa, the youngest son of gyptian Ma Costa.
Ruta Gedmintas as Serafina Pekkala, queen of the Lake Enara clan, a 300-year-old witch with ties to the gyptians. Serafina believes that Lyra is the answer to the witch prophecy that will change the course of destiny.
Mat Fraser as Raymond van Gerrit, a gyptian who joins the fight for the missing children but knows it will push their resources and capabilities to their limits, and worries that John Faa is getting them into a fight they cannot win.
Geoff Bell as Jack Verhoeven, a gyptian who is relied upon and trusted in a fight, but who has a chip on his shoulder because of the way that gyptians are treated by the rest of society.
Simon Manyonda as Benjamin de Ruyter, a gyptian and talented spy driven to find the whereabouts of the missing children.
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thoughtfulenemyking · 3 years
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madminniefics · 7 years
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Six months after graduating from Tulane University, Sadie Neal is on a one-way trip to Buffalo, New York to start her first real, big girl job with the local professional hockey team, the Buffalo Sabres. The problem? Sadie knows next to nothing about hockey. They use pucks, not balls. They wear skates, not cleats. And they play on ice, not grass. That’s it. How is she supposed to represent them on social media when she doesn’t even know what icing means outside of baking?
Louis Tomlinson (#91 / RW) is coming off a career high season (79 games, 20 goals, 30 assists, 50 total points) that he’s trying to recreate. The goal: Lord Stanley’s Cup. There’s a magic in the locker room that feels like it could be their year. He stays focused by keeping hockey and his personal life separate. Everyone knows that.
Everyone except Sadie.
Bright Eyes / chapter one
When Sadie got off the airplane, the freezing air blowing in from between the cracks of the jet way made all her little hairs stand on end. The breeze blew snow up from the ground, swirled it around the windows, before dropping it back to the concrete and starting over. She shivered, rubbing her bare hands together, as she walked to the baggage claim. She was a long, long way from home. It was almost a different country.
A long way from sun beating down on her skin, warming her entire body as she tilted her head towards it, welcoming the heat. A long way from bikini’s in November and shorts year-round. From sipping fruity drinks with your toes in the sand and sunglasses on your face. Did it even get warm in Buffalo?
What she wouldn’t do to be back home in the unbearable heat and humidity. Matter fact, what she wouldn’t do to be somewhere in the middle. Not too hot, not too cold. But noooo. Have an adventure, Sadie. Do something different, Sadie. Do it while you’re young, Sadie. If she could do the last six months over, she would. Was it too late to turn around and go back to New Orleans? Surely the Saints were hiring.
Her hot pink suitcase was easy to spot five minutes after the bags began dropping onto the conveyor belt. She set her light blue backpack down next to her leather duffle bag so she could wrangle her massive suitcase from the baggage platform. It had been a graduation gift from her momma and it was its first time she’d had a chance to use it.
Sadie pouted when she noticed the huge, black stain across the front of her suitcase. Brand new and already ruined. That’s why she hated flying. Humans weren’t meant to be all up in the sky like that. If they had been, people would have evolved to have wings.
Struggling to carry all her bags, she walked slowly towards the door that advertised taxis were waiting outside. Before she knew it, she was in the backseat zipping through the highway towards her hotel. According to an email she received from a ‘Harry Styles’ in human resources, the hotel the Buffalo Sabres were putting her up in for a week was in walking distance from the stadium and it was clean. The second part scared her a bit—to be real, the first part did because it was colder than ice cubes in January and she hated to walk in the cold—because she wasn’t trying to sleep in a dirty bed. Just thinking about what other people did in hotel beds made her want to gag.
She laid her head on the window as she watched the scenery speed by. The traffic was minimal, it was almost 10pm, and they made it to the hotel in less than 20 minutes. What she’d seen of the city before moving there was via the satellite option on Google Maps. So, not much. There was so much green space. It made her happy even though she knew it would all be covered in snow in a few weeks. What surprised her the most was that, at least in the area where her hotel was, was an actual city. It looked like any other city she’d been to. Maybe Buffalo wouldn’t be so bad.
“Thank you so much,” Sadie said as the taxi driver removed her bags from the trunk. He nodded at her before getting back in the car and speeding off. She took a deep breath, grabbed her bags, and walked into the lobby to check in.
There was a busy week ahead of her. So far on her to do list:
Find an apartment and move in within seven days
First day of real work
Learn hockey
Shouldn’t be hard for someone who graduated with honors…right?
///
In the morning, Sadie learned, the hard way, that she’d forgotten to leave the heater on. She huddled under the thin, cheap, hotel comforter for an extra half an hour trying to extract all the heat from its threads. That only left her shivering against cold blankets. At least she’d slept with socks on the night before; something she’d never done before in her life.
Once she got out of bed, though, Sadie cranked the heat as high as it would go (75-degrees) and took the hottest shower she’d ever taken. Her skin was still slightly pink as she walked into the offices in the bowels of KeyBank Center. The walk had been nearly 20 minutes from the hotel to the stadium, partially beneath a highway, which she didn’t consider “walking distance.” She added ‘Talk to Harry Styles about what ‘walking distance’ means’ onto her mental to-do list.
And, to top it all off, her toes were freezing thanks to a freak snowfall the night before. There was less than an inch on the ground and everyone was going about their normal business. Sadie was amazed. Back home, every store, school, and office would close. One inch meant road closures and, sometimes, the whole city shutting down. But in Buffalo, it was just another day. Sadie sighed and pushed her cold feet out of her mind. Before knocking on the door in front of her, she shook her head and replaced her disgruntled look with her signature smile.
The familiar face that appeared from behind the door made Sadie feel just the slightest bit better about her morning. Gabe Sanders, Marketing Director for the Buffalo Sabres, looked like he was having a worse morning than Sadie. She felt for him. She couldn’t imagine how long he’d been living in Buffalo, but she imagined if she had been living there for as long as he probably had she would have that same look on her face all the time. That ‘Why-am-I-here, what-am-I-doing-with-my-life’ type of look. All dead, red eyes, stubble, and bags under his eyes.
“Sadie, hey,” He said, punctuated by a large sigh. Sadie felt his breath on the exposed skin of her hands. She made a mental note to buy a pair of mittens. “Come on, I’ll show you to your cube.”
She struggled to keep from bouncing as she followed Gabe back into a room off the main corridor. There was a multitude of cubicles—too many to count—some with a head popping out, some not. It reminded Sadie of whack a mole. Gabe stopped next to a cubicle with a plastic plaque that read ‘H. Styles’ on the outside and knocked twice. Sitting in the chair was a man with short brown hair pushed back from his face, a white button up Oxford shirt, and brown khaki pants with some sort of brown, casual work shoe. So much brown.
“Harry, this is Sadie, it’s her first day. If you wanna, hook her up with her log in and stuff, I have a meeting,” Gabe said as soon as Harry turned around. “Let me know if you need anything, Sadie.”
She nodded and Gabe took off. She had trouble keeping her emotions off her face. He was just going to leave her like that? On her first day? She knew she sold herself on that Skype interview but…for real? Harry laughed at the anxious look on her face and she blinked.
“I’ll help you log in and direct you to Vic Stephens, one of the marketing assistants. She’ll be able to help you with all the other information you need.”
Sadie let out a breath in a whoosh. “Thank you so much.”
“No problem, follow me,” He said, standing from his chair and walking two rows over to an empty cubicle with a plastic plaque that read ‘S. Neal’ on the outside. She bit her lip to keep from squealing. Baby’s first cubicle! She made a mental note to take a picture of herself with the sign later, to send to her momma. “Here’s your cube. You can put your jacket and stuff down and I’ll show you to Vic’s cube.”
Nodding, Sadie dumped her black shoulder bag and her dark green, faux fur lined parka on the chair. She retucked the back of her mint green blouse into her straight legged black pants. Three cubes down sat a woman with long, bright purple hair. She turned around with a massive grin after Harry did a special knock on her cube. Her eyes widened when she saw Sadie.
“New girl?” She said.
“Sadie, yeah.” Harry said.
“Yes! I’m so excited,” This she said towards Sadie. “Marketing is such a boy’s club.”
Sadie chuckled because she didn’t know what else to do. She didn’t want things to be awkward on her first day and she really wanted to make friends with her coworkers. She didn’t know anyone in the city and that would get real lonely, real quick.
“I’ve got a bunch of stuff for you,” Vic noticed how Sadie’s eyes widened. “To help you get acclimated! Not huge work stuff, not yet. Just some manuals and ‘how-to’ type stuff. They’re in your email already.”
“Perfect,” Sadie beamed. “Thank you.”
“No problem, I’m here for you if you ever need anything.”
Sadie nodded as Harry wrangled her back to her cubicle. He helped her set up her computer and email log in information before leaving with a ‘Let me know if you need anything!’ Looking around at the bare walls of her cubicle, Sadie took out a tiny picture, in a gold frame, from her purse and set it next to the computer. The picture was of a dark skinned man with an impressive afro, in his late-twenties, holding a seven-year-old girl, dressed head-to-toe in Barney clothing, that looked like a clone of the man. Sadie smiled at the picture before pulling her phone out and taking a selfie.
To: Momma
First day 😬
She attached the picture before sending it. Her momma, a notorious early bird, texted back almost immediately. Sadie slipped out of her Vans and wet socks in favor of her gold, sparkly work-appropriate flats before checking her phone.
From: Momma
Hockey 😬
Sadie choked back a laugh. Her momma had made her thoughts on Sadie’s choice of job, location, and organization no secret. Everyone knew that Sadie’s momma wanted her to hold out, to find a job in New Orleans, to stay at home with her forever. But, just as everyone knew that, they also knew that Sadie didn’t want that. She wanted to leave, find her own way, and that meant Buffalo. She’d made a promise and she intended to keep it. And that started by leaving Louisiana.
Setting her phone to the side before she did something ill-advised, like text her momma talking about how much she missed her already, she opened her email instead. There were five messages, all from Vic, all reading URGENT in the subject line. Her breakfast, if one strawberry Danish and a cup of orange juice could be considered breakfast, threatened to make a reappearance. She took a deep breath to calm herself before opening the first email.
///
Sadie was leaning into her computer screen, eyes flickering back and forth as she read through the employee manual that Vic emailed her, when she heard a noise behind her. She snapped around on her rolling chair—her favorite kind of chair—to see Harry and Vic standing in the doorway of her cubicle. She smiled.
“We were wondering if you wanted to go have lunch with us,” Harry said. Sadie furrowed her brow and looked at the clock. She couldn’t believe it was lunchtime already. Nodding, she grabbed her phone, tossed it in her bag, and tossed that over her shoulder.
“Do I need my jacket?”
“No, we’re just going to the cafeteria,” Vic said.
“Cool,” Sadie said, following closely behind Harry and Vic. She looked down each hallway as they walked beneath KeyBank Center. Her lips pursed and she stopped as she looked down a hallway that led to the ice. Players sped in an out of her limited viewpoint through the double doors. How could they skate that fast, not fall, and remember the rules? Sadie could barely rollerblade in a straight line without falling over.
One of the players skated into her eyesight. The way he stood, legs slightly spread, on the ice made Sadie wonder if it was as easy as it looked. Because that man looked graceful there with his large frame being held up by two glorified knives. As if he could sense that she was staring, he turned his head towards her. Shameless, she kept staring. He had an intriguing look about him. She wanted to know what color his eyes were.
Harry noticed Sadie wasn’t walking alongside them anymore and looked back. He placed a hand on Vic’s hand so that she would stop walking before calling Sadie’s name. She shook her head and jogged up to catch up with them without giving the man on the ice another glance.
“They have open practice tomorrow, if you wanted to watch. Call it research for your posts,” Vic said, winking at Sadie. Her face flushed but it was a good idea. While Vic and Harry talked about what they were ordering for lunch, Sadie was thinking about the Sabres player with the captivating stare.
///
What did one wear to an open practice? Was office attire too formal? Was it cold inside the arena? Did she just need a sweater, a long sleeve shirt, a coat? Were a beanie, mittens, and earmuffs too much? Important questions that Sadie had no answers for that morning as she prepared for her second day of work.
In the end, she dressed casually that day in the hopes that she would fit in both at practice and among her coworkers. A pair of navy blue, skinny, cropped khakis paired with a cream button up blouse and a grey cable knit sweater over that. She wore the same flats she had the day before, mostly because they were her only closed-toe, work appropriate shoe. She had a countdown on her phone till her first paycheck. She was going straight to the mall that day.
After she paid her loans, rent, and miscellaneous bills, anyway.
She smiled at coworkers whose names she didn’t know as she walked down the row to her cubicle. Sadie set her bag down on the desk to remove her jacket and scarf. She fixed her blue accent necklace, a gift from her Auntie Donna for graduation, she hung her jacket and scarf on a little hook on one wall of her cubicle and turned her computer on. Practice began at 10 that morning so she had time to check her email and get her things together before heading over to pick a perfect spot.
The supervisor wanted a mockup of social media posts for the next month by the end of the week. Perfect. Sadie decided to take her phone to take pictures to go along with her posts. They would feel more like fan photos rather than professional and Sadie thought that would be good to make the team seem more approachable.
At ten till, Sadie tucked her notebook and favorite pen into her bag and turned the computer screen off before walking over to the stands. She snagged a front row seat, right by the glass a few feet from the goalie, and got comfortable. Placing her bag in the seat next to her, she grabbed her notebook, pen, and phone out.
There were players’ families all around her. Women holding children by the glass while they spoke to their corresponding player. Fans, too. They were sat on the other side of the stadium, though. Sadie smiled as she snapped pictures. She belatedly hoped that it wasn’t weird that she was taking pictures of people without asking. She would look up the specific players’ names later and send emails asking permission.
She snapped a few pictures of the goalie—Payne, number 35—as he stretched and drank some water. Growing bored, she stood and began taking pictures of the other players as they talked before practice started. She was looking through her pictures when she realized two players had skated up to her.
Looking up, her eyes widened when she saw the Man with the Eyes from lunch the day before. He, and his friend, had yet to put their helmets on. She gave his friend—Horan, number 13—a quick once over before settling her gaze on Mr. Bright Eyes. The smirk on his lips combined with the stubble on his face made him look dangerous.
“You looked lonely,” Left-winger Horan said, leaning an arm against the glass. “We thought we’d come keep you company till practice started. I’m Niall.”
“Oh, no I’m fine, thank you! Just doing some work,” Sadie said, fixing them with her blinding smile. Niall blinked twice, mesmerized. “I’m Sadie! I would shake your hands but…”
She motioned at the glass panels between them and shrugged. Niall nodded and opened his mouth to speak before the goalie called his name. He sighed instead.
“Gotta go. Until next time,” He said, nodding at Sadie. She waved cutely before setting her gaze on Niall’s friend. She looked from his eyes to his lips and back before deciding that she didn’t want to be fired on her second day of work. She focused on his eyes instead of the devilish smirk lingering on his lips. She still couldn’t decide what color his eyes were. Blue, that much was obvious, but what shade? It was killing her.
“I’m Louis,”
His gruff, deep voice combined with the British accent hit Sadie straight between her legs. She swallowed hard and took a soothing breath before responding. What would it look like if she was stuttering and stammering in response to his accent? She’d never been thirsty like that and she wasn’t about to start then.
“Nice to meet you,” She smiled, just as the coach blew his whistle. Louis looked back for a moment before training those eyes back on Sadie. She placed a hand on the glass to steady herself under the weight of his gaze. His eyes flicked down to her hand before looking her straight in her eyes.
“See you around, Sadie,” Louis said, winking before skating backwards away from her. He got to the middle before he turned. Sadie bit her lip, shook her head, and sat back down. She picked up her notebook and pen and wrote:
needs to get done
find an apartment and move in within seven days
one month mock up schedule
learn hockey
talk to harry about walking distance
emails asking for permission for pictures
furniture shopping
what color are his eyes???
Tearing the page out of her notebook, she tucked it away in her bag before paying attention as practice began. Whenever Louis skated past her he would look in her direction with a smirk or a nod, making the family members turn to look at her and whisper. She heard a kid ask their mom who she was and blushed. She couldn’t help but think her job just got a lot harder.
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km-theatre · 7 years
Text
Cast & Creatives The Ladykillers
NEW WOLSEY THEATRE IPSWICH SUFFOLK  UK 15 SEP 2017
Friday 15 September 2017
Ann Penfold — Mrs Wilberforce
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Theatre credits include: The Taming of the Shrew (RSC),Brighton Till I Die(Brighton),, Revenger's Tragedy, Deep Blue Sea,(West Yorkshire Playhouse)Saturday Sunday Monday (National Theatre/West End)  The Wars of the Roses(English Shakespeare Company, world tour and Old Vic) Design for Living (Peter Hall Company,) The Winslow Boy,(Guildford and tour) The Contractor (Oxford Stage company tour) Forty Years On (Scarborough)The Glass Menagerie,(Greenwich), In Celebration,(Chichester.) Duet for One (Edinburgh, Lyceum)
At the Wolsey Theatre: The Winter's Tale; Hamlet; Romeo and Juliet; Mrs Warren's Profession; Perfect Days.
And at Salisbury Playhouse: For Services Rendered ( and at the Old Vic), and The Lady in the Van.
Television credits include: Tripped (Mammoth Screen), Doctors, Casualty, Sea of Souls, Dangerfield, No Place Like Home, Mrs Pym’s Day Out, Cranford, Villette, There is Also Tomorrow (BBC), The Bill, The Vice, Coronation Street, The Brontes of Haworth, The Ruth Rendell Mysteries (ITV) A Wing and a Prayer, Family Affairs (Ch5)
Film credits include: Keeping Rosy, Winter Sunlight, Family Life.
Steven Elliot — Professor Marcus
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Theatre Credits Include: Frankenstein, The Winter’s Tale. (Royal National Theatre) Titus Andronicus, Julius Caesar, Revenger’s Tragedy, Henry V, Twelfth Night, Pentecost, The Bite of the Night, The Jew of Malta, Measure For Measure (Royal Shakespeare Company) The Devil Inside Him (National Theatre Wales) Dancing at Lughnasa (Abbey, Dublin) King Lear (Almeida, London) True West (Glasgow Citz) Arcadia (Bristol Old Vic) Frank, in Educating Rita (Oldham Coliseum) Dumb Show, Inherit the Wind (New Vic Theatre) The Weir (Sherman, Cardiff) Amadeus, Hamlet, And Then There Were None, Jane Austen’s ‘Emma’ (Salisbury Playhouse) Macbeth, Two Princes, A Chorus of Disapproval, Arcadia, Troilus and Cressida, Measure for Measure, The Suicide, Noises Off, Jumpy, Cyrano de Bergerac (Theatr Clwyd)  Steven recently played the role of George Ring in an adaptation of ‘Adventures in the Skin Trade,’ by Dylan Thomas, at the Sydney Opera House and Melbourne Arts Centre, Australia. He also recently played Oscar Wilde in a tour of ‘The Trials of Oscar Wilde.’
Directing Credits Include: Assistant Director to Terry Hands on ‘Pygmalion’ by George Bernard Shaw (Theatr Clwyd) A Midsummer Night’s Dream (Rose Theatre, Kingston) Well Thumbed (Notional Theatre) The Dreamer (Maltings, Farnham)
Television Credits Include:  Da Vinci’s Demons, Holby City, Judge John Deed, Ghostboat, Crash, Tunnel of Love, Porthpenwaig, Inspector Morse, Harpur and Isles, Art that Shook the World, 90 Days in Hollywood, Return to Treasure Island, That Uncertain Feeling, Rhinoceros, Van der Valk,  999 Killer on the line, Mike Bassett - Manager, Gwaith Cartref.
Film Credits Include:  Steven has just finished filming ‘The Watcher in the Woods’ with Anjelica Huston, in which he plays the title role. Other Film work includes; Hamlet, Cold Earth, Rise of the Appliances, Trauma, Trail of Crimson, De Sade, Green Monkey and Time Bandits. Also recordings of Frankenstein (NT Live) King Lear and True West (Digital Theatre)
Graham Seed — Major Courtney
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Graham trained at RADA and is best known for playing Nigel Pargetter in the radio series The Archers for 27 years, until the character’s untimely demise in January 2011. Theatre credits include: Dead Sheep and An Audience with Jimmy Savile (Park Theatre), Dead Sheep (National Tour), 
Bedroom Farce and Separate Tables (Salisbury Playhouse), Flare Path (National Tour) Jim Hacker in Yes Prime Minister (National Tour), Basket Case with Nigel Havers (National Tour)Major Metcalf in The Mousetrap (60th Anniversary tour), Toad of Toad Hall (West
End); Me and My Girl (Adelphi Theatre); Relatively
Speaking and Confusions (national tour); Design for Living (English Touring Theatre); Twelfth Night
(BAC); Translations (Watford and tour); A Chaste
Maid of Cheapside (Almeida and tour); Someone to
Watch Over Me (Frankfurt); An Eligible Man (New
End, Hampstead); The Skin Game (Orange Tree);
Nelson (Nuffield, Southampton); Present Laughter
(Theatr Cymru); French Without Tears (Mill at
Sonning); Journey’s End (National Tour) Accolade at the
Finborough. He has also played many
repertory seasons including: Birmingham, Greenwich, 
Library Theatre, Manchester, and Perth.
Television credits include: The Durrells, I, Claudius, Edward
VII, Brideshead Revisited, Mike Leigh’s Who’s Who, Victoria Wood: As Seen on TV, Jeeves and Wooster, The Cleopatras, Crossroads, Coronation Street, Brookside, Prime Suspect, Nature Boy, Dinnerladies, Station Jim, Band of Brothers, The Chatterley Affair, Doctors, Midsomer Murders and He Kills Coppers. Film credits include: Peterloo, Gandhi, Good and Bad at
Games, Honest, Little Dorrit, These Foolish Things and Wild Target with Bill Nighy and Emily Blunt. Radio credits include: Nigel Pargetter
in The Archers. He is an occasional presenter on ‘Pick of the Week’ and was a regular voice on ‘What The Papers’ Say’ both for Radio 4.
 He was the recipient of the
Broadcaster of the Year Award 2010 from the
Broadcasting Press Guild and the Voice of Listener
and Viewer Special Award 2010.
Marcus Houden — Constable Macdonald
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Theatre credits include: The Tempest (Hope Theatre, London) - BroadwayWorldUK Best Leading Actor nomination, Overture Live (Hippodrome, London), Peter Pan (UK Tour), Robin Hood and the Babes in the Wood(Gala Theatre, Durham), Treasure Island (Cambridge Touring Theatre), A Midsummer Night’s Dream (International Tour), Romeo and Juliet, Sense and Sensibility (Chapterhouse Theatre Company), Bouncers(UK Tour), The Three Musketeers (Jamie Marcus Productions), The Merry Wives of Henry VIII (Edinburgh Festival), Art, Macbeth(Seagull Theatre), Tartuffe, The Beaux’ Stratagem (Lichfield Garrick) and Dick Whittington (Theatre Colwyn).
Damian Williams — One-Round
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Damian became well known to television audiences in the early nineties for his appearances as Ginger Gahagan in the BBC series Billy Webb and the second series Alfonzo Bonzo. His other television appearances include Lumpy in Spatz; Gavin in Exam Conditions and Ian in The Bill. Damian was the presenter of Damian’s Are You Smarter Than Your 10 Year Old for Sky One and was also in the new series of Birds of a Feather.
Damian is always in demand for Musical Theatre and in 2013 and 2014 Damian played Edna Turnblad in Hairspray both at the Leicester Curve as well as a tour of Singapore and Kuala Lumpur.
Damian’s first love is comedy (his heroes are Laurel & Hardy) and he has played various comedy roles from Luther Billis in South Pacific to Pseudolus in A Funny Thing Happened On The Way To The Forum. Damian played Tommy Cooper in the new play Being Tommy Cooper, and toured in the one man play My Dog’s Got No Nose. Most recently he’s also played Tommy Cooper in the short film The Last Laugh, written and directed by Paul Hendy for which Damian won best Actor (Southampton film festival)
Damian has toured the country for over 25 years and has a wealth of experience in Theatre, a well respected farceur Damian has appeared in; Run for your wife, Cash on Delivery, Funny Money, Tom Dick & Harry, It Runs in the Family, Not now darling, There Goes The Bride, Out of Order, Caught in the Net, Dry Rot, See How they Run and Don’t Dress For Dinner.
As resident Dame of 10 years at the Sheffield Lyceum Damian is set to play Mother Goose this year.
Damian was born in Tilbury in Essex and now resides in Southend on sea with his wife Barbie. They are proud parents of twins, Joshua and Esme, undoubtedly Damian’s finest productions to date!
Anthony Dunn — Louis Harvey
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Anthony has worked extensively as an actor in the UK, Europe, Canada and the United States over the last 30 years. Theatre includes Calamity Jane (UK and Ireland Tour), Paved in Gold (Canada), Birds (US Tour), Face (UK Tour), Buddy (Victoria Palace), Bouncers (Hull Truck), L'Ascencore (European Tour) and Don Quixote(Warehouse Theatre). His television appearances include The Murdoch Mysteries (US and Canada), Roomers and The Last Word for the BBC and Stuck on You, The Upper Hand and Frank Stubbs for ITV. Anthony has also worked in academia, teaching and doing Ph.D research in Washington and New Orleans. When not working as an actor, Anthony can be found taking groups of people on entertaining historical tours of London by road, river or foot.
Sam Lupton — Harry Robinson
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Training: Manchester School Of Theatre (Man met, Acting)
Theatre includes: ‘Wilfred Crompton’ in Spring and Port Wine (Oldham Coliseum 2017); 'Seymour' in Little Shop Of Horrors (UK Tour 2016),  'Boq' in Wicked (Apollo Victoria Theatre, West End); 'Princeton’ & ‘Rod' in Avenue Q (UK Tour 2012); 'Man' in Starting Here, Starting Now'; Greg' in Single Sex and 'Gena Hamlet' in Galka Motalka (Royal Exchange Theatre, Manchester);  'Harry' in Love On The Dole and 'Young Collector/Sailor' in A Streetcar Named Desire (Bolton Octagon); 'Colin Ireland & Robin Oake' in Out Out Out (Pitgems Theatre); "Jim/Ensemble" in The Hired Man (Bolton Octagon) which won the 2010 TMA Award for Best Performance in a Musical, awarded to the entire ensemble. He Also originated the role of 'Ben' in Firing Life.
Television includes: The Late Late Show (RTE) and Ireland:AM (TV3).
Radio Includes: 'Nino Sarratore' in The Story Of A New Name & My Brilliant Friend (BBC Radio 4), Various Characters in National Velvet (BBC Radio 4)
Workshops: 'Boy & Zacky' in Big Fish; 'John-Michael' in Doris Stokes
Other Work Includes: The Music of Kooman & Diamond (IlliaDebuts, London Debut), "The Concrete Jungle": UK Album Launch (IlliaDebuts), 'West End Switched Off' (Parallel Productions)
Sam has also worked as a puppet coach for the 2014 professional UK tour of Avenue Q. In 2016 he made is directorial debut with How To Curse at London's Etcetera Theatre.
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5 Nov 2019: Cities and boxes. Health data. Political ads.
Hello, this is the Co-op Digital newsletter - it looks at what's happening in the internet/digital world and how it's relevant to the Co-op, to retail businesses, and most importantly to people, communities and society. Thank you for reading - send ideas and feedback to @rod on Twitter. Please tell a friend about it!
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[Image: Brittainy Newman/NYT]
Cities and boxes: convenient delivery is a growing problem
It’s all in the delivery: Amazon makes grocery delivery free with Prime, ends $15/month fee under pressure from Walmart, whose rival click and collect service was cheaper. Wider picture: the first map of America’s food supply chain.
This is a great read, and shows you what online shopping does to cities: 15% of New York City households receive a package every day - that’s 1.5 million packages, and it’s putting the city under a lot of stress.  
“In some neighborhoods, Amazon’s ubiquitous boxes are stacked and sorted on the sidewalk, sometimes on top of coverings spread out like picnic blankets. ‘They are using public space as their private warehouse [...] That is not what the sidewalk is for.’” 
The delivery networks (Amazon, Fedex etc) are building warehouses closer to customers, to cover the “last mile” more efficiently. But even so there are traffic, carbon/pollution emissions and safety arguments in favour of click and collect, as long as the collect bit reduces the number of car and van journeys.
It feels as if internet-era retailing is now back to being a last-man-standing game of tremendous capital spending and lowered gross margin to win and keep customers who want speed and convenience. You wonder if all of this can ever be sustained.
Health data
Google is buying fitness-tracker company Fitbit, the second-largest product in the “wearables” sector (and the company would probably still be independent and thriving had Apple not done so well with its Watch). There’s an interesting question about the data though. 
“Similar to our other products, with wearables, we will be transparent about the data we collect and why. We will never sell personal information to anyone. Fitbit health and wellness data will not be used for Google ads. And we will give Fitbit users the choice to review, move, or delete their data.”
Now, some readers might be suspicious about that. There’s history of arms-length health tech acquisitions eventually being absorbed into the corporate parent (see Deepmind, though maybe they’ve been diligent about keeping the Deepmind data separated, you cannot know). 
There are wider health concerns because Fitbits are used by some insurance companies to provide proof of activity, which makes your insurance premia lower. Here’s a UK/US example: Vitality. It isn’t crystal clear what data Fitbit sends to Vitality, but their page for a different device says “The Vitality Member app takes your step and heart rate workout data from Apple Health and uses that data to reward Vitality activity points [...] Opening and refreshing your Vitality Member app is the only way to send Apple Health data to Vitality to sync your activity.” (There were also some concerns a few years ago about a Facebook-owned app getting access to Vitality data.)
But you’d hope that the potential reputational risk would be really significant if it later came out that Google just scooped up the Fitbit data and used it to target you with ads for hedge trimmers and retirement planning. Significant enough that it wouldn’t be worth doing, you’d hope! Maybe this whole thing is just a big tech company fearful that it might miss the next big thing, so it’s trying a bit of... everything. Or preventing someone else buying Fitbit.
The wider context for Google is that it’s about search: Google is “looking to make it easier for doctors to search medical records, and to improve the quality of health-related search results for consumers across Google and YouTube”.
Is anything else happening in Big Tech x Health Data? Yes.
Amazon is buying Health Navigator, which does “online symptom checking and triage tools to companies that are looking to route patients to the right place”. Amzn will offer Health Navigator to employees as part of its internal pilot of Amazon Care clinics.
Facebook vows strict privacy safeguards as it rolls out preventive-health tool.
Sustainable John Lewis
“John Lewis has stopped selling 5p single-use plastic carrier bags at its Oxford store as part of a major trial to test and change shoppers’ behaviour. The sustainability initiatives, which were unveiled on Monday, are aimed at encouraging a “reduce, reuse and return” culture among customers and could provide a model for its other shops.”
Facebook and political advertising
Following on from last week, Facebook decided to leave all political speech and ads up [1] and said it’s about free speech and debate, and “it’s not about the money”. It probably *isn’t* about the money - it’s that Facebook are culturally allergic to activities that don’t scale or aren’t algorithmable (so eg effective content moderation will always be resisted at some level).
Twitter took a better position, and one that’s a decent swipe at FB, Twitboss pointing out that “it‘s not credible for us to say: “We’re working hard to stop people from gaming our systems to spread misleading info, buuut if someone pays us to target and force people to see their political ad… well… they can say whatever they want! ””.
[1] There are exceptions though. Someone made some pro-Brexit ads that FB rejected because the ads didn’t say who were promoting them. And in the US someone announced they’d stand as a candidate and deliberately use fake ads - FB didn’t like that. 
(Also from Facebook: a new logo for the parent company, to distinguish the company from the product. The logo has both a shouty ALL-CAPS style and a retro all-of-the-colours 2014 feel. 2014 was a simpler, easier time for FACEBOOK.)
Money
Perhaps all platforms eventually expand until they include financial services? Facebook has a patent for a method of comparing a user’s financial transactions to their peers. If you own several social platforms that are about performative showing-off communicating with friends, it probably makes business sense to lean in to “keeping up with the joneses”.
And Uber announces deeper push into financial services with Uber Money.
Other news
Co-op Bank starts trial of Good Loop’s ethical ad tech.
Tesco and Co-op bosses join forces with plan to fix unfair system: Our solution to reform business rates and save the High Street - “First, cut business rates for all retailers by 20 per cent. Second, level the playing field on tax between online and high street shops by introducing an online sales levy of 2 per cent on the sale of physical goods.”
Why internet-era CTOs hire developers (rather than outsourcing).
News for all of Office365’s fans! Microsoft is combining Word, Excel and Powerpoint into a single mobile app for Android users. And Yammer is being updated and integrated more closely with Outlook, Sharepoint etc.
“The farm has both left- and right-wing troll accounts. That makes their smear and support campaigns more believable: instead of just taking one position for a client, it sends trolls to work both sides, blowing hot air into a discussion, generating conflict and traffic” - life working on a troll farm.
History of the design of the Bloomberg keyboard (the Bloomberg terminal is the Wall Street trader’s computing workhorse). This story is surprisingly interesting as it goes from mad, custom designs to something more like a standard computer keyboard.
Previous newsletters:
Most opened newsletter in the last month: Uber buys grocery delivery co. Most clicked story: Workshop Tactics kit.
News 1 year ago: Just walk out - unintended consequences in checkoutless stores.
News 2 years ago: Politically weaponised social media and election influence.
Co-op Digital news and events
Co-operate: why we prioritised ‘What’s happening’ - “Balancing and satisfying user needs and commercial needs is our top priority in Co-op Digital. But in Co-operate’s case, it was more efficient for us to lay some groundwork first. Choosing to focus on What’s happening as the first product meant we could move quickly and boost team and stakeholder morale, and thinking ahead about what would be sensible and beneficial to us in the future influenced what we built first.”
Public events, most of them at Federation House:
Human values in software production - Tue 5 Nov 6pm.
SenseMaker workshop: exploring the potential for sensor journalism - Wed 6 Nov 6pm.
Practitioners Forum: vital lessons for key co-operators - Thu 7 Nov at the Studio, Manchester.
Northern Azure User Group November Meetup - Tue 12 Nov 6pm.
Content Design Manchester Public Meet-up - Wed 13 Nov 6.30pm. 
Pods Up North , an event for podcasters - Sat 23 Nov 9am..
Mind the Product - MTP Engage - Fri 7 Feb 2020 - you can get early bird tickets now.
Internal events:
All hands - Tue 5 Nov 2pm at Fed defiant.
Co-operate show & tell - Wed 6 Nov 3pm at Fed 6.
Data management show & tell - Thu 7 Nov 2.30pm at Angel Sq 13th floor breakout.
Membership show & tell - Fri 8 Nov 3pm at Fed 6 kitchen.
Food ecommerce show & tell - Mon 11 Nov 10.15am at Fed 5.
Delivery community of practice - Mon 11 Nov 1.30pm at Fed house.
Health show & tell - Tue 12 Nov 2.30pm at Fed 5 kitchen.
Targeted marketing and data ecosystem show & tell - Wed 13 Nov at Angel Sq 13th floor breakout.
Membership show & tell - Fri 15 Nov 3pm at Fed 6 kitchen.
More events at Federation House - and you can contact the events team at  [email protected]. And TechNW has a useful calendar of events happening in the North West. 
Thank you for reading
Thank you, beloved readers and contributors. Please continue to send ideas, questions, corrections, improvements, etc to the newsletterbot’s keyboard gerbil @rod on Twitter. If you have enjoyed reading, please tell a friend!
If you want to find out more about Co-op Digital, follow us @CoopDigital on Twitter and read the Co-op Digital Blog. Previous newsletters.
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biofunmy · 5 years
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What’s on TV Monday: ‘His Dark Materials’ and a Classic Courtroom Drama
What’s on TV
HIS DARK MATERIALS 9 p.m. on HBO. Stream on HBO platforms. The last installment of Philip Pullman’s fantasy trilogy was published nearly 20 years ago and it’s been more than 10 since the film adaptation of the first installment hit theaters. His story of Lyra Belacqua, an 11-year-old girl living in a world where every person has an animal companion that represents their soul, returns to the screen tonight in a new series distributed by HBO and BBC. Lyra (Dafne Keen) is an orphan on the cusp of adolescence living amid scholars at a college in an alternative-reality Oxford. When one of her young friends disappears mysteriously, she finds that he is not the only child who is missing. The kidnappings, she learns, are related to a mysterious substance called Dust. Soon Lyra finds herself caught up in a struggle between a powerful religious group and those who are resisting it.
What’s Streaming
DISTRICT 9 (2009) Stream on Netflix and Crackle. Rent on Amazon, Google Play, iTunes, Vudu and YouTube. In Neill Blomkamp’s science fiction allegory, shipwrecked aliens exist on Earth as poorly treated refugees. The camp in Johannesburg where they were settled after arriving in the 1980s has degenerated into squalor and discrimination is pervasive and brutal. The treatment of the aliens looks like it’s only going to get worse when the government hires a multinational company with sinister motives to relocate the extraterrestrials to a new site outside of the city. Wikus van de Merwe (Sharlto Copley), an incompetent company official involved in the relocation, crosses paths with a group of aliens trying to escape Earth and is transformed in more than one way.
12 ANGRY MEN (1957) Stream on the Criterion Channel. Rent on Amazon, Google Play, iTunes, Vudu and YouTube. Henry Fonda stars as Davis, a skeptical juror, in Sidney Lumet’s classic courtroom drama. After hearing testimony in the case of a young man from a poor neighborhood who is accused of murder, only Davis resists making a snap judgment. He votes not guilty and raises questions about the prosecution’s claims. Over the course of the film he tries to show the other jurors that their inclination to suppress doubt and assume guilt is informed by prejudice, inattention and personal problems.
TRAINING DAY (2001) Stream on Amazon Prime. Rent on Amazon, Google Play, iTunes, Vudu and YouTube. A corrupt but powerful police detective tries to drag a younger officer down over the course of a violent, bewildering shift on the streets of Los Angeles. Jake Hoyt (Ethan Hawke) knows he’s in trouble when he is paired with Alonzo Harris (Denzel Washington) to test his abilities as an undercover narcotics officer. To get away with his crimes, Harris needs the police around him to also indulge in illegal activity. Hoyt resists but as the day winds down, he realizes he will have to fight if he is going to avoid going down Harris’s path, or worse, be killed.
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thoughtfulenemyking · 3 years
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Van and Man West Midlands is the leading removal service company offering cheapest removal van hire there services in Coventry , Oxford , Cambridge , Nottingham , Birmingham , and Leicester.
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New Books February/May 2018
Sorted by Call Number / Author.
170.44 M
David McCullough, Jr., 2014. You Are Not Special : and Other Encouragements. New York : Ecco, and imprint of HarperCollins Publishers, 2015.
326 S
Sellers, James B. Slavery in Alabama. Tuscaloosa: Univ. of Ala. Pr., 1950.
329.3 B
William D. Barnard, 1974. Dixiecrats and Democrats : Alabama Politics 1942-1950. Alabama : University of Alabama Press, 1974.
338.2 D
Dumett, Raymond E. El Dorado in West Africa : the gold-mining frontier, African labor, and colonial capitalism in the Gold Coast, 1875-1900. Athens : Ohio University Press ;, c1998.
398.23 A
Mark Adams, 2015. Meet Me in Atlantis : Across Three Continents in Search of the Legendary Sunken City. First Edition. New York : Dutton: an Imprint of Penguin Random House, 2016.
808.1 J
Donald Justice, 2017. Compendium : A Collection of Thoughts on Prosody. Oakland : Omnidawn Publishing, 2017.
811 F
The Ecopoetry Anthology. "An anthology of American poetry about nature and the environment, divided into a historical section with poetry written from roughly the mid-nineteenth to the mid-twentieth century and a contemporary section with over 300 poems written since 1960 by a diverse group of more than 170 poets. Introduction by Robert Hass"--Provided by publisher.
811.54 S
Cole Swensen, 2017. Gave. Oakland : Omnidawn Publishing, 2017.
915.2 B
Nicholas Bornoff, 2000. National Geographic Traveler Japan. Third Edition. Washington DC : National Geographic Society, 2000.
917.61 V
Virginia Van der Veer Hamilton and Jacqueline A Matte, 1996. Seeing Historic Alabama. Tuscaloosa : University of Alabama Press, 1996.
940.542 R
Micheal Reynolds, 1995. The Devil's Adjutant : Jochen Peiper, Panzer Leader. United Kingdom : Spellmount, Ltd, 1995.
947.084 A
Paul Avrich, 1991. Kronstadt 1921. First Edition. Princeton, New Jersey : Princeton University Press, 2015.
959.704 G
Martin H. Greenberg and August Richard Norton, EDS., 1985. Touring Nam : The Vietnam War Reader. First Edition. New York : William Morrow and Company, Inc, 1985.
961 P
Peoples of North Africa. New York : Facts On File, c1997. Arabs of North Africa -- Baggara -- Beja -- Berbers -- Copts -- Dinka -- Nuba -- Nuer -- Shilluk -- Tuareg.
973.3 M
Edmund S. Morgan, 1956. The Birth of the Republic : 1763-89. Third Edition. Chicago : The University of Chicago Press, 1992.
976.4 H
Sam W Haynes, 1990. Soldiers of Misfortune : The Somervell and Mier Expeditions. First Edition. Austin, Texas : University of Texas Press, 1990.
996.23 I
Pascal James Imperato, 1996. Historical Dictionary of Mali. Third Edition. Lanham, Maryland : Scarecrow Press Inc, 1996.
92 Eleanor of Aquitaine
Polly Schoyer Brooks, 1983. Queen Eleanor: Independent Spirit of the Medieval World : A biography of Eleanor of Aquitine. New York : Houghton Mifflin Company, 1983.
92 Walters
Barbara Walters, 2008. Audition : A Memoir. New York : Random House Inc, 2008.
CD Act
Stern, David Alan. Acting with an accent. : dialect instruction.
CD Act
Stern, David Alan. Acting with an accent. : dialect instruction. Instruction for actors in the reproduction of two major Australian dialects, with emphasis on resonance, vowel and consonantal changes. Author explains differences between Cockney and Australian English and introduces the third dialect of Australia used by the upper classes.
CD Act
Stern, David Alan. Acting with an accent. : dialect instruction. Instruction for actors in the reproduction of English as spoken in Boston and parts of New England, with emphasis on creation of proper resonance, lilt and inflection and vowel and consonant changes.
CD Act
Stern, David Alan. Acting with an accent. : dialect instruction. Instruction for actors in the reproduction of the British Cockney accent, with emphasis on resonance, pitch and pronunciation changes.
CD Act
Stern, David Alan. Acting with an accent. : dialect instruction. Instruction for actors in the reproduction of English as spoken by persons whose native language is French, with emphasis on recreation of resonance, vowel changes, rhythm, pitch and stress traits, and consonant substitutions.
CD Act
Stern, David Alan. Acting with an accent. : dialect instruction. Instruction for actors in the reproduction of English by persons whose native language is German, with emphasis on creation of proper resonance, stress and pitch traits, "r" and other consonantal changes.
CD Act
Stern, David Alan. Acting with an accent. : dialect instruction. Instruction for actors in the reproduction of generalized New York speech, with emphasis on resonance, pitch and phonetic change.
CD Act
Stern, David Alan. Acting with an accent. : dialect instruction. Instruction for actors in the reproduction of English as spoken by persons whose native language is Russian, with emphasis on creation of proper resonance, pitch and stress traits, and consonantal substitution.
CD Act
Stern, David Alan, author, narrator. Acting with an accent. : received pronunciation. Third edition. Narrated by David Alan Stern. Instruction for actors in the reproduction of standard British English with emphasis on resonance, pronunciation, pitch, dropping R's, and isolated sound changes.
CD E
Foer, Jonathan Safran, 1977-. Everything is Illuminated. Prince Frederick, MD : Recorded Books, 2002. Narrated by Jeff Woodman and Scott Shina.
CD S
Mark Anderson, 2005. Shakespeare by Another Name : The life of Edward de Vere, Earl of Oxford, the man who was Shakespeare. Minnrapolis, MN : Highbridge Audio, 2005.
DVD Zat
Zatoichi : New Tale of Zatoichi. c. 1963: Orig. produced by Kadokawa Herald Pictures, Inc. Chatsworth, CA : Image Entertainment, Inc, c. MMVI. Episode 3 of 4-episode DVD set. Starring: Shintaro Katsu; Mikiko Tsubouchi, Seizaburo Kawazu, Fujio Suga, Mieko Kondo, Chitose Maki. With more killer swordsmanship, romance and action-packed drama, the Blind Swordsman is back in the first color episode of the Zatoichi series. Masseur Ichi returns to his home village to discover that his former teacher has been hiring out his swordsmanship skills to a ruthless gang of kidnappers. Meanwhile, the mentor's sister offers herself in marriage to Zatoichi, who must decline because of the danger it would bring to any woman Ichi was known to love.
DVD Zat
Kadokawa Herald Pictures Inc, 1963. Zatoichi : The Fugitive. California : Home Vision Entertainment. Episode 4 of 4-Episode Set. Starring: Shintaro Katsu, Miwa Takada, Masayo Banri, Junichiro Narita, Katsuhiko Kobayashi, Toru Abe, Jutaro Hojo, Sachiko Murase, Hiroshi Nawa. Zatoichi seeks bloody vengeance on a ruthless gang and a powerful ronin in episode four of the Blind Swordsman series. Arriving in the village Zof Shimonita, Ichi learns that a local gang has placed a bounty on his head. A powerful hired ronin attacks Ichi and nearly claims his life, but when a defenseless woman is slain by the assassin, Ichi can no longer control his rage. After laying waste to the entire gang, Ichi's final duel becomes a deadly meeting of the samurai's superior swordsmanship and the blind masseur's unbridled rage.
ES 741.5
Charles M. Shulz, 2015. Snoopy y Carlitos : 1977 a 1978. Barcelona : Planeta Comic, 2015.
ES 745.1 S
Charles M. Shultz, 2015. Snoopy y Carlitos : Soy Cool. First Edition. Barcelona : Duomo, 2015.
ES 745.1 S
Charles M. Shulz, 2014. Snoopy Y Carlitos : Nunca Cacas a un Sabueso. First Edition. Barcelona : Duomo, 2014.
ES 745.1 S
Charles Shulz, 1985. Carlitos : Cuida a Snoopy. Barcelona : Ediciones Junior, 1985.
ES 863.5 M
Jose Marti, 1853-1895. La Edad de Oro. 19th Edition. Santafe de Bogota : Panamerican Editorial, 1997.
ES 891.73 D
Fiodor Mijailovich Dostoievsky, 1821-1881. Cuentos de Dostoievsky : Cajon de Cuentos. 19th Edition. Bogota : Panamerican Editorial, 2003.
ES 891.73 T
Leon Tolstoi, traducido por Francisco Montana, 1996. Cajon de Cuentos. Spanish Edition. Santafe de Bogota : Panamerican Editorial, 1996.
ES F Jod
Alejandro Jodorowsky, 1997. El dedo y la luna. First Edition. Barcelona : books4pocket, 2007.
ES F Pin
Virgilio Pinera, 2004. Cajon de Cuentos. Bogota : Panamerican Editorial, 2004.
ES F Wil
Oscar Wilde, 2009. Cuentos escogidos. Madrid : Lual Ediciones, 2009.
F Avi
Avi, 1996. Beyond the Western Sea : The Escape from Home. New York : Avon Books Inc, 1997.
F Gai
Ernest J Gaines, 1983. A Gathering of Old Men. First Edition. New York : Vintage Books, 1984.
F Gya
Yaa Gyasi, 2016. Homegoing : a novel. New York : Alfred A. Knopf, 2016.
F Jam
Henry James, 1878. Daisy Miller. New York : Dover Publications, Inc, 1995.
F McN
Cliff McNish, 2006. Breathe : A Ghost Story. First Edition. Minneapolis : Carolrhoda Books, 2006.
F Rya
Pam Munoz Ryan, 2000. Esperanza Rising. New York : Scholastic Inc, 2000.
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William Shakespeare, 1993. A Midsummer Night's Dream : Folger Shakespeare Library. New York : Simon & Schuster Paperbacks, 1993.
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shanewwel539-blog · 7 years
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Facts About Best Folding Bike Revealed
The Bickerton story begins in 1968 with Harry Bickerton, having worked as an engineer in both Rolls Royce and Dehavilland, Harry realized there was a gap at the transportation market after taking a break from driving. Disappointed with the option of his own hand made road bike and the quality and layout of the present folding bicycle on the current market, he set about designing the first truly mobile folding bike. He desired it to be the best folding bicycle, which was lightweight and easy to use; the outcome weighed in at only 17lbs and folded down to the size of a shopping bag. After submitting the patent in October 1972, Bickerton were in business. The Bickerton folding bike has been evolved since Harry Bickerton had to combine public and private transport with another cheap, more convenient and wholesome form of travel to expand his personal freedom and felt that there has to be a large market if he could produce the greatest folding bike potential. At first Harry attempted taking a normal, conventional bicycle from home to the channel, this was okay but cost nearly as much as a car to depart at the station and half an adult fare to bring it to the train. When he reduced to leave it at the station, when he arrived at the opposite end of the train journey, he'd have to wait, then pay again to journey by bus, tube, taxi, hire car or walk. In an age when men could land on the moon, Harry felt they must have the technology and materials to work out this requirement more neatly by creating the best folding bicycle he could. The Bickerton folding bicycle was the response, not only for the train commuter who desired speed, market and healthful, yet tender exercise supplied from the Bickerton, but also, of course, for countless car drivers and bus, tube, boat, caravan and maybe even airplane users who want door to door transport and additional private freedom. But before examining the chance for a completely new type concept bike to substitute the anachronism which people generally use nowadays as bikes -- a design, incidentally, which has changed very little in appearance, materials or manufacturing methods for nearly 100 years -- Harry thought of a terrific selection of ideas. Everything, in fact from an inflatable man-carrying balloon into rubber-powered roller skates. In the end however, he best folding bike air travel concluded that a brand new folding bike was likely to be the best answer. To create the best folding bike possible the main requirements were light construction, portability and compact dimensions. When folded, it is small enough to enter the boot of a Mini and light enough to hang a hat stand. The correct components were also key to the success of this bicycle. The Bickerton had regular steel wheels, 14" in front and 16" at back; Weinman brakes; extending and folding handlebars; steel clamp hooks, in the primary fold; a cotterless chainset with nickel plated chain for corrosion resistance and cleanliness; rapid release pedal attachment and a sliding seat pillar adjustment. Possibly the most surprising discovery was that, having designed and made the initial pre-production aluminum bikes, Harry discovered that the machines marvellous to ride. Acceleration was amazing, hill-climbing outstanding, along with the general responsiveness and functionality was rather exhilarating -- in comparison to bicycles of a conventional design or specialist lightweights costing #200 or more. On top of that, these features were provided with a bike that was incredibly easy to lift and handle and that gave a superbly comfortable and resilient ride, which means you would seem to glide over even rough going and badly paved roads. As the first truly portable bike in the world the Bickerton had an unexpected bonus -- its superb riding quality. After passing the mantle onto his son Mark, Harry Bickerton retired to the Isle of Purbeck, in Dorset. He built himself an office and workshop at the garden and spent his last years doing exactly what he loved, 'inventing'. Among his unfinished projects was the Energy Store, a regenerative braking device for trucks and delivery vans. He is still sorely missed but Mark is proud to be continuing his job and fulfilling his dream of building the best folding bike, the Bickerton Portable. Mark Bickerton's involvement with folding bicycles stretches over the previous four decades -- perhaps the longest of anyone in the industry today. Over the past 30 years, he's worked with a highly capable and skilled group of friends to spearhead the development of folding bicycles. Together they are responsible for a number of the most advanced folding bicycle designs. In 2011, Mark re-launched Bickerton Portables as part of Freedom Holdings Ltd, a privately owned group devoted to advancing the art and science of cycling. Bickerton Portables today adopts the legacy and style of the first Bickerton brand with modern designs, materials and production. Mark works from his UK office in Hawkhurst in Kent. The Bickerton commercials offices are located in Taipei. So whilst Bickerton Portables are inherently British, the company is lucky indeed to have team members in design, development, production and supply all over the globe to make sure Bickerton make the best folding bike possible on the marketplace. Our present Selection of Bickerton Bikes includes the Argent, the Junction and Pilot. The Argent utilizes modern layout and materials to provide a super-strong frame. With an upright riding position, curved bars, a stone solid ride and a simple fold, we have made the best folding bike frame on the market today. The Junction range combines classic looks with compact folding size. The Pilot features 16 inch wheels that are big enough to get a great ride yet small enough to get excellent portability. The range begins at #449.99 for its Junction 1307 Nation that's available in Matt Aubergine and Raven Black. Specification below Wheel Size 20″ Speeds 7 Weight 13.2 kg (29.1 lb) Folded Size 40 x 80 x 72 cm (15.8" x 31.5" x 28.2") Fold Time 10 seconds Frame Sizes One size Gear Inches 36″ – 72″ (2.87 – 5.75 m) Distance: Seatpost to Handlebar Min: 620 mm (24.4″) Max: 640 mm (25.2″) Distance: Saddle to Pedal Min: 690 mm (27.2") Max: 940 mm (37.0") Suggested Rider Height 142 – 190 cm (4’8″ – 6’3″) Max Load Weight 105 kg (230 lb) FRAME Frame Junction platform, aluminum, FBL Joint Fork Hi-tensile steel COCKPIT Handlepost Bickerton Forged Aluminum Stem Telescopic, 6061-Al, QR Headset Ball bearing Handlebar Flat bar, 6061-Al Grips Ergo, Single Density Bar Tape N/A Saddle Ergo Seatpost 33.9 mm, 6061-Al, micro-adjust clamp Seatpost Clamp 33.9 mm Pedals Folding, reinforced nylon body BRAKES Front Brake Aluminium V-brake Rear Brake Aluminium V-brake Brake Levers V-brake, aluminium, bracket and lever Brake Cable & Housing Anti-compression housing, slick cables WHEELS Front Hub Mini, aluminum, QR Rear Hub 7 spd., aluminum, QR Spokes and Nipples Stainless steel, brass nipples Rims Aluminum Tyres Kenda K193, 20×1.75″ TRANSMISSION Shifter(s) Shimano 7 spd. Front Mech N/A Rear Mech Shimano Tourney Crankset Cold-forged 6061 aluminum crank arms, double chainguard Cassette/Freewheel Shimano 7 spd., 14-28T Bottom Bracket Ball bearing Chain 7 spd., 3/32″ Shifter Cable & Housing SP EXTRAS Bell Aluminum Chainguard N/A Kickstand Aluminum Clip System Yes Luggage Socket N/A Front Light N/A Rear Light N/A Mudguards 20″ mudguards, with SS stays Rack(s) Steel 20″ ED rack, w/ luggage strap All the way up to £1299.99 for the Junction 1908 City which is available in Oxford Blue. Wheel Size 20″ Speeds 8 Weight 14.3 kg (31.5 lb) Folded Size 36 x 75 x 73 cm (14.2″ x 29.5″ x 28.7″) Fold Time 10 seconds Frame Sizes One size Gear Inches 29″ – 90″ Distance: Seatpost to Handlebar Min: 600 mm (23.6″) Max: 650 mm (25.6″) Distance: Saddle to Pedal Min: 700 mm (27.6″) Max: 960 mm (37.8″) Suggested Rider Height 142 – 190 cm (4’8″ – 6’3″) Max Load Weight 105 kg (230 lb) FRAME Frame Junction platform, aluminium, patented FBL 2 Joint, Igus bearings Fork Aluminium COCKPIT Handlepost Q-Lock, forged aluminium, patented Stem Telescopic (Handlepost), 6061-Al Headset Ball bearing Handlebar Kinetix Comp, double-butted 6061-Al Grips Ergon GP1 BioKork Bar Tape N/A Saddle Brooks Champion Seatpost BioLogic PostPump 2.0 Seatpost Clamp Syntace OverLock Pedals Suntour folding, alloy body BRAKES Front Brake Kinetix SpeedStop V-brakes, Ashima Direct noodle, stainless hardware Rear Brake Kinetix SpeedStop V-brakes, Ashima Direct noodle, stainless hardware Brake Levers Blade, 4 finger, pivot bearing design Brake Cable & Housing LiveWire 7.0, anti-compression housing, slick cables, DuPont L3 lubricant, alloy ferrules WHEELS Front Hub BioLogic Joule 3 dynamo Rear Hub Shimano Alfine, 8 spd. Spokes and Nipples Stainless steel, brass nipples Rims Kinetix Comp, doublewall, CNC sidewalls Tyres Schwalbe Marathon Supreme, 42-406, RaceGuard puncture protection, Reflex TRANSMISSION Shifter(s) Shimano Alfine, 8 spd. Front Mech N/A Rear Mech N/A Crankset Kinetix Supra, forged 6061 cranks, CNC chain ring, CNC chainguard Cassette/Freewheel Shimano for hub gear Bottom Bracket Cartridge, sealed bearings Chain RustBlock, GST coated, 3/32″ Shifter Cable & Housing Shimano EXTRAS Bell Dulcet, brass Chainguard BioLogic Freedrive Kickstand Premium single, aluminium Clip System Magnetix 2.0 Luggage Socket Yes Front Light Trelock i-Mini LED, 20 Lux (w/dynamo hub) Rear Light Spanninga Solo, Dynamo LED with Standlight Mudguards PET 16" mudguards with CP stays Rack(s) Steel 16" silver rack, with elastic http://www.thefreedictionary.com/best folding bike luggage strap
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hottytoddynews · 7 years
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Bob Dorsey (left), John Johnson, Dennis Tosh and Bill Rayburn
This story was reprinted with permission of the Ole Miss Alumni Review.
One day in 1995, a few men huddled around a table at McAlister’s in Oxford, fleshing out a plan on a napkin. The improvised stationery would have to do. The idea just couldn’t wait. The schematic jotted down in the restaurant that day was the blueprint for a new company that would transform the real estate appraisals process for banks and become the industry leader in electronic appraisal management systems. Jokingly called “Four Nerds with Computers,” but later FNC, the company would sell for $475 million 20 years after that first meeting.
Four University of Mississippi School of Business Administration professors and one Ph.D. student drafted the plan for Financial Neural Computing. It prospered in part because the founders, Bill Rayburn, Dennis Tosh, John Johnson and Bob Dorsey, had a good idea, and they hired smart people to work for them.
Rayburn, who was the company’s CEO, says they also had a little something else that gave them an edge.
Bill Rayburn (second from left) attends a trade show in the early days of the company. The original FNC logo, in the background, was designed to reflect the neural network concept of FNC or Financial Neural Computing.
“On Wall Street it’s called ‘street cred,’” Rayburn says. “Man, our street cred was off the charts. If we told somebody we were going to do something, we did it. Clients appreciated that. I had three at our last client’s conference tell me that everyone who has touched FNC has seen their careers soar because we had a lot of credibility.”
“Street cred,” a term widely used in pop culture, predictably translates to credibility in the streets, or in this case, a reputation for excellence within a particular industry. That cred is often hard earned.
“It’s not always a bed of roses, but you’ve got to do the right thing,” Rayburn says. “Clients see that. They make their decision when you’re down in the fire. Anybody can perform when things are going well. My co-founders had a lot of integrity, and they just delivered.”
Bob Dorsey gives a presentation in Oxford.
Rayburn and Tosh had built strong relationships with banks across the country. FNC was able to tap into that network and offer a solution. Dorsey and Johnson, who were economics and management information systems professors, respectively, had worked on the technical side of the idea with Duncan Chen (PhD 97), one of Johnson’s students, who went on to serve as FNC’s chief technology officer.
The idea took root in the wake of the savings and loan crisis of the 1980s and ’90s. The scandal of failing banks led to the federal government bailing out the Federal Savings and Loan Insurance Corp., which insured many failed S&Ls. The cost to U.S. taxpayers was more than $124 billion. Following the boondoggle, cash-strapped banks were looking for as much savings as possible, and FNC delivered a solution to them.
FNC employees pose for a photo during the 2001 annual meeting held at the Yerby Conference Center on the Ole Miss campus.
“I just knew these big banks needed us,” Rayburn says. “They had a big problem. With these big banks, once you perform, the word gets around. It’s a small club. We had one or two take a chance on us, and we performed like champs.”
The first client to use the system was Charter One Bank in January 1999. It worked well. From there, Washington Mutual and Bank of America saw the power of the technology and became clients. The company grew.
Johnson, who taught at Ole Miss from 1987 until leaving to work for FNC full time in 1999, says the idea was that the financial system could remove paper but also add efficiency to the process, resulting in great savings.
John Johnson shows off a solution at another early trade show. FNC’s second generation logo is displayed on the left.
“Taking people and paper out of the process is what really changed things,” Johnson says. “When we first implemented the system, Washington Mutual had in excess of 400 people over four offices. Then there were probably 40 people in four offices. They were able to do so much more with so much less.”
Johnson remembers signing a bank loan for $50,000 to help with capital to start the company. The founders had to come up with $50 million in capital overall to start it. With his financial liabilities on the project, Johnson knew anything less than success could have major consequences.
“Our success came through a lot of perseverance,” Johnson says. “I think if we knew we had to raise $50 million to begin with, we would have thought twice. I just remember going into the bank thinking if this thing is going down, I’m going to lose my house.”
UM Chancellor Emeritus Robert Khayat (BAEd 61, JD 66) remembers hearing about the idea for the company in the late 1990s in a Sunday afternoon meeting at the Lyceum with the founders. Backing the startup wasn’t a hard decision for the university’s leadership. Khayat knew the team was doing important work in an emerging field.
“All universities say our tripartite mission is education, research and service. We also qualified it when I was chancellor by saying ‘meaningful’ research,” Khayat says. “That seemed like meaningful research to me.”
The team’s dedication was memorable.
Ribbon cutting at the opening of FNC’s office on Van Buren Avenue in Oxford
“I had no idea it was going to become a multimillion dollar business, but they were really committed to it, and they worked many, many hours in addition to handling their regular responsibilities,” Khayat says.
He acknowledges the university’s endorsement of the startup helped with selling it to investors and banks that would use the software, but he also credits Rayburn for being a tremendous salesman.
Khayat admits he was somewhat shocked to see the company grow like it did and was impressed with the fundraising the staff did to get the project off the ground. Drawing major clients such as Bank of America to use the FNC so ware while the company was still young certainly got the former chancellor’s attention.
As the number of employees and salaries grew at FNC, Khayat was more and more impressed.
“The FNC story is a testament to the power of university research,” Khayat says. “It’s a classic example of the potential that bright, aggressive and hardworking faculty can do to really convert meaningful research at Ole Miss or other universities into something that is good for society and financially beneficial as well.”
In 1992, three years prior to that noteworthy day with the napkin, a new state law — the Mississippi University Research Authority — was created, giving universities the ability to facilitate and establish spin-off companies resulting from university research. The groundbreaking legislation provided a procedural and regulatory framework and served as a catalyst for researchers to extend their work into the private sector and benefit Mississippi’s economy.
“FNC is one of the very first examples of our faculty taking advantage of the innovative MURA legislation,” says Alice M. Clark (MS 76, PhD 78), interim vice chancellor for university relations, who served as vice chancellor for research and sponsored programs from 2001 to 2016.
“They are the living proof of how university research can directly translate into local community economic impact,” Clark says. “FNC is indeed a great success story, mostly for the forward-thinking founders and investors, and also for the university, the Oxford community and all the lives enhanced including those who came to Mississippi to be a part of this story and are now an integral part of our community.”
FNC was incubated on campus within the footprint of the Office of Research and Sponsored Programs, in space that is now Brevard Hall. The university and FNC negotiated an agreement to transfer the intellectual property to the company for commercialization, and the company made plans to move off campus.
Tosh says those first steps of support from the university and the investors were critical to the company’s success.
“We were fortunate to have a university and a chancellor who understood the importance of incubating a startup business within the School of Business, some angel investors who stood with us during tough times, and a group of investors who believed in us when we were raising money,” he says. “We greatly appreciate what each and every one of them did for FNC.”
FNC Park. Photo by Robert Jordan
Dorsey, whom Rayburn calls the most intelligent person he has ever met, was an economist by trade. He remembers believing the system would work but also knowing a major obstacle to success existed besides the terrifying failure rate of new startups.
“We knew it would work, but the question was whether we could sell it,” Dorsey says. “The sales challenge was significant. We had Bill Rayburn, who is a born salesman. He was very convincing when he was selling it. We followed that with the ability to perform and make it work. Once we had the reputation, the banks all talk to each other, and they knew we could perform.”
Eventually, the company moved to a site just off campus on Van Buren Avenue and later to its permanent home on Office Park Drive. There, the company flourished, despite some challenges.
Mississippi wasn’t fertile ground for tech workers, including programmers, so the company had to find ways to attract them and keep them. Some had offers to work for Google, which is one of the most sought-after tech jobs, as well as NASA and others, before coming to FNC.
The recruitment strategy included touting the quality of life and amenities offered by living in Oxford, and offering those top-flight programmers very attractive salaries and benefits. The retention strategy included getting the new employees involved in the community. The company built FNC Park for local families and company workers to get to know one another at recreational facilities there as well as FNC community events that helped the employees assimilate into Oxford life.
“We recruited top-rate people and wanted to keep them,” Rayburn says. “That’s why the community became important to us. We love the town, but we had a bigger motive. We wanted to get our people involved because the research indicates if you get your people involved in the community the chances of them leaving is much, much less.”
Jon Maynard, president and CEO for the Oxford-Lafayette County Economic Development Foundation, shared that FNC is the type of economic development that is a perfect fit for Oxford.
Bob and Carol Dorsey (left), Bill Rayburn and Lois Lovelady, John and Heather Johnson, Dennis and Beth Tosh, and Chancellor Jeffrey and Sharon Vitter. Photo by Kevin Bain.
“We are working on growing our community with businesses that embrace the culture and charm of our community,” Maynard says. “We encourage entrepreneurs who have ties to the university to grow their businesses in Oxford. They will benefit from the quality of the community and the resources available through Ole Miss.”
It wasn’t all smooth sailing. After they met the enormous challenge of raising the $50 million to get FNC off the ground, the company’s leaders discovered payroll taxes weren’t being paid. The company found the error and self-reported it. The IRS placed a lien on FNC until the taxes were paid.
“Everyone looks at what all we’ve done along the way, and they think it’s great,” Rayburn says. “They don’t look at the struggles. We were fortunate. We had some smart people, but we were very fortunate.”
In December 2015, it was announced that after 16 years as a major employer in Oxford, FNC would be sold to CoreLogic of Irvine, California. At the time of the sale, FNC was the leading provider of IT platforms for real estate collateral information and technology solutions, which automate appraisals and make sure the lender is complying with all applicable laws. Its platforms were used in work ow systems for 18 of the 20 largest banks in the United States at the time of the deal.
CoreLogic bought FNC for $475 million, and the new ownership has maintained local operations. The founders, investors, senior management and the university received generous financial rewards upon the sale of the company.
“These funds — a direct benefit of ‘spinning off’ university research into a successful new business — along with private gifts, are necessary for UM to be competitive as a flagship university,” Clark says.
Jan and Lawrence Farrington with Dennis Tosh (center)
Along with a number of other UM alumni, Lawrence (BBA 58) and Jan (BAEd 65) Farrington, of Ridgeland, were among the company’s early supporters and investors. Jan Farrington served on the FNC board.
“It’s a great story,” Lawrence Farrington says. “The four professors took this from company zero to touchdown with each one contributing their own expertise in this. If I still had 16 years ahead of me, I’d invest in it again.”
Though it was profitable for many, the sale wasn’t an easy call for the founders.
“I didn’t want to sell,” Rayburn says. “But I knew I was the chairman and CEO of the company, and I represented the shareholders, and Bob and Dennis were both 70 years old. They wanted out.”
Money aside, the decision has deeply affected the men who started the company.
“I didn’t think the sale would be emotional for me, but it was,” Rayburn says. “I walked away the day it closed and haven’t been back. FNC has some exceptional people, and I wish all of them well. They are outstanding. CoreLogic got a company with a wonderful group of very talented people.”
Chancellor Jeff Vitter is a strong proponent of the role of higher education in building up individual lives and communities.
“It is remarkable to see how FNC transformed an entire industry sector,” Vitter says. “Their story is a testament to the power of innovation, collaboration and research that are born on university campuses. We are grateful to the four founders for leading the way.
“They not only showed how it could be done, but helped our university gain invaluable perspective and lessons on how to enable future success in translating research into innovative products and economic growth resulting in stronger communities.
“With our continued commitment to fostering an atmosphere of discovery and creativity — hallmarks of higher education — I am confident we will continue to see other great success stories emerging from our university.”
By Michael Newsom. Uncredited photos courtesy of CoreLogic/FNC.
This story was reprinted with permission from the Ole Miss Alumni Review. The Alumni Review is published quarterly for members of the Ole Miss Alumni Association. Join or renew your membership with the Alumni Association today, and don’t miss a single issue.
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