#Marcus Kitz

[stockstarsblog]

Marcus Kitzmann: Ein Wegbereiter datenbasierter Anlagestrategien mit "GROWTH Investing"

Marcus Kitzmann hat sich schon seit einigen Zeit in der Finanzwelt als ein visionärer Investor und Analyst etabliert. Seine Karriere startete vor mehr als 20 Jahren in einem renommierten Family Office in Frankfurt, wo er schon früh für seine tiefgreifende Analysefähigkeit und sein Verständnis für komplexe Finanzmärkte Anerkennung fand. Nach und nach stieg er zu einer festen Größe im Unternehmen auf, entschied sich aber schließlich für die Selbständigkeit.

Vom Family Office zum finanziellen Freigeist

In seiner Zeit in Frankfurt vertiefte Kitzmann sein Wissen über traditionelle Anlageformen und lernte, wie dynamisch sich verschiedene Assetklassen verhalten können. Seine Fähigkeit, aus einem Meer von Daten die vielversprechendsten Investitionen herauszufiltern, machte ihn schnell zu einer Schlüsselfigur innerhalb des Unternehmens. Mit der Zeit übernahm er größere Verantwortlichkeiten und begann, die Grundlagen seiner "GROWTH Investing"-Strategie zu entwickeln, die auf einer Mischung aus technischer und fundamentaler Analyse beruht.

Ein neues Kapitel: Leben und Investieren in Monaco

Nach einigen Jahren des Erfolgs und der familiären Veränderungen, einschließlich der Geburt zweier Kinder, entschied sich Kitzmann, sich aus dem Family Office zurückzuziehen, um sich mehr seiner Familie zu widmen. Er zog nach Monaco und begann, seine Anlagestrategie ausschließlich für sich und einen ausgewählten Kreis wohlhabender Familien anzuwenden. Dabei blieb er seiner Philosophie treu, dass "Emotionen an der Börse keinen Platz haben sollten".

Die GROWTH Investing-Strategie: Ein tieferer Einblick

Kitzmanns Anlagestrategie kombiniert Growth- und Value-Ansätze mit einer soliden Risikoanalyse. Die Strategie stützt sich auf sechs Hauptpfeiler: kontinuierliches Wachstum von Gewinn und Umsatz, detaillierte Risikoanalysen, positive Prognosen von Analysten, eine Sicherheitsmarge, fundierte Kursziele und eine Bevorzugung von Aktien in Aufwärtstrends. In schwierigen Marktphasen hat diese Methodik dazu beigetragen, die Portfolios seiner Kunden vor größeren Verlusten zu schützen, während in bullischen Märkten sogar überdurchschnittliche Renditen erzielt wurden.

Marcus Kitzmann online

Um anderen das Erlernen seiner Methoden zu erleichtern, bietet Kitzmann die speziell entwickelte "GROWTH Investing Software" an. Diese ermöglicht es Anlegern, sich durch die Flut an Marktdaten zu navigieren und fundierte Investitionsentscheidungen zu treffen. Sein Ruf als kühler Kopf in der heißen Welt der Finanzen und seine Fähigkeit, klare, analytisch fundierte Wege im Anlagedschungel zu gehen, machen ihn zu einem gefragten Insider-Tipp unter rational denkenden Investoren.

Tumblr Community: Engagiert euch!

Die Story von Marcus Kitzmann ist ein Beispiel dafür, wie analytische Präzision, harte Arbeit und der Mut, neue Wege zu gehen, zu nachhaltigem Erfolg in der Finanzwelt führen können. Seine Geschichte ist besonders inspirierend für junge, aufstrebende Finanzexperten auf Plattformen wie Tumblr, die nach realen Vorbildern suchen, die zeigen, dass es möglich ist, Beruf und Familie zu vereinen und dabei erfolgreich zu sein.

[krautjunker]

Rehleber-Crostini

Rezeptvorstellung von Marcus Topel Für die Beschaffung der Leber hat es mehrere Anläufe gebraucht.Zuerst hatte ich gleich Anfang September bei der Pirsch im Feld ein Rickenkitz erlegen können. Die Leber war für das Rezept perfekt, aber leider konnte ich nicht alle anderen benötigten Zutaten bekommen.Danach hatte ich zwar schon alles zusammen, aber vom Kitz die Leber schon aufgegessen. Also ging…

[darrencrissource]

On Thursday, July 12, Krug Champagne hosted a private reception at the home of John and Amy Phelan for 40 guests to celebrate the connection between food, music and Champagne.

Among those in attendance were Richard and Kitz Goodman, Domenico and Eleanore DeSole, Jeff and Nicola Marcus, Susan Crown Kunckler, Chandra Johnson, Lance Armstrong and Anna Hansen.

After receiving an Emmy nomination earlier that day for “The Assassination of Gianni Versace,” the multi-faceted Darren Criss (an actor, singer, guitarist and pianist among his talents) paired three musical compilations with Krug Clos du Mesnil, Krug 2003, and Krug Grande Cuvée, each growing in energy throughout the night. With a perfectly paired menu by Matsuhisa Aspen, it was a one-of-a-kind food, music, and Champagne trifecta.

Upon arrival at the Phelans’ home, guests were led up the outdoor staircase to the elevated patio, where they were greeted with glasses of Krug Grande Cuvée 160th Edition en jeroboam. Passed canapés included toro caviar, crispy rice with spicy tuna, miniature nobu tacos, and spicy king crab gunkan nigiri. After a few words of welcome by Richard Beaumont, brand director for Krug Champagne, Criss kicked off the evening with a solo performance, a nod to Clos du Mesnil. Following the performance, guests were led to dinner in the bright and spacious interior, appointed with contemporary works of art.

At the table, servers poured Krug Clos du Mesnil 2003, followed by a sashimi trio of Nova Scotia salmon, scallop tiradito, and tai dry miso. Guests then received glasses of Krug 2003 as they listened to Darren’s second performance alongside a cellist. For the main courses, Matsuhisa prepared Chilean sea bass with pumpkin purée, black truffle and Brussels sprouts, followed by wagyu beef with mung bean risotto, maitake, balsamic teriyaki, and crispy leeks to pair with Krug Rosé 18th Edition en magnum.

As the denouement to a lovely evening, Crissperformed with a string quartet (including an encore requested by the Phelans’ daughter, Makenzie Phelan Moon), as guests enjoyed passed desserts and Krug Grande Cuvée 159th Edition.

July 20, 2018

[the-wheelchair-critic]

Out the Window

Written in the Style of The Globe and Mail

3 Stars

Written by: Liza Balkan

Directed by: Sarah Garton Stanley

Starring: Sarah Kitz, David Gerry, RH Thomson

Venue: Harbourfront Centre Theatre

Out the Window seeks to answer deep and important questions about the role of policing in situations where a person is experiencing a mental health crisis. Are the deaths of those who are in crisis inevitable, or is there another way that we, as a society, can respond to those in moments of vulnerability and need? Programmed as part of Toronto’s Luminato festival, the show is an exploration of violence in policing, and our responsibility to care about each other as human beings. Playwright Liza Balkan created Out the Window as a response to witnessing the 2000 death of Otto Vass during a violent encounter with Toronto police which resulted in his death. It acts as a realistic, yet sensitive depiction of the trauma that one experiences both as witness to such an event, and the way that witnessing such an event can unravel a witness’ life through court cases, inquests and attempts to make sense of everything they are experiencing.

The first two acts of out the window are a tight, fine-tuned, precision machine. The scene rapidly changes from moments of Liza’s (Sarah Kitz) testimony, aspects of police officer training, and testimony from the officers involved in the incident. During one striking scene taking place several years after Otto’s death, wait staff in a restaurant slowly morph into police officers over the course of a meal, as Liza becomes increasingly agitated, aptly demonstrating how after a police fatality there are always multiple victims. Time morphs and stands still in a jumble of unanswered questions, and closure that will never come.

The third act of the performance is a more recent addition, oscillating between the tightly choreographed forms of the first two acts, and allowing pauses for dialogue, sharing and celebration. It is at times both profound and confusing, rapidly changing directions between celebratory and critical. It begins with a performance by the Bruised Years Choir, a Workman Arts performance program, and leads into a raucous moment of the cast enjoying food and drink together celebrating Otto’s Hungarian heritage. Another vignette is a demonstration of a common police de-escalation tactic and how the uniform changes our perception of those who wear it. During this third act Syrus Marcus Ware, who was on stage silently drawing for the first two acts speaks about his involvement with the show, and the relevance that it has on his life as someone who lives at an increased likelihood of a violent police encounter. After that, the audience are invited on stage for a tour of Syrus’ drawings and to partake in a communal meal in celebration of Otto’s life. While the third act is chaotic and unpredictable, it continues to hammer home the message that there is nuance and subtlety that is required when attempting to make space for these stories. While the juxtaposition of the elements of the third act is initially confusing and jarring, it becomes clearer when understood as an attempt at recognizing the complexity and myriad emotions that mark these events. There is a need to recognize that there is more to remember about victims of police brutality than their mental health crises and much to celebrate within their lives.

Rather than concluding that deaths like Otto Vass’ are unavoidable, Out the Window paints a picture of an alternate future where deaths involving police can become a thing of the past. Alternative community resources for those who are experiencing mental health crises, and how to intervene safely are presented. The show is unapologetically anti-policing as an institution, but mindful that alternatives need to feel real and viable to their audience. Rather than denying the harmful ways that mental health crises can sometimes play out, the audience is given simple advice to empower them to respond and advocate on behalf of those in their lives who may experience such a crisis.  Out the Window tells us that it is time to demand better, and that by caring just a little bit more, it might be well within our grasp to achieve.

[gomarcuskel12]

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[whileiamdying]

DIRECTOR CARA STRICKER ANONYMOUS CONTENT CINEMATOGRAPHY RYAN MARIE HELFANT CHOREOGRAPHY HOLLY BLAKEY STYLING MIYAKO BELLIZZI SCORE TEAM TIMBO PRODUCER MEAGAN JUDKINS ILONA KLAVER HAIR DIRECTOR SEAN BENNETT SET DESIGN ZACH APO-TSANG EDITOR STEVEN ROSS COLOUR SEAN COLEMAN C03 SOUND MIX JORDAN MELTZER ELEVEN SOUND FEATURING - MISSY ELLIOT TIMBALAND PRINCESS NOKIA EMPRESS OF KEKE PALMER ALTON MASON ALEXANDRA ISLEY RICHIE SHAZAM DEJIAVU FERGUSON RAISA THOMAS KIA LEBEIJA KIARA DRAINES MITSUKO VERDERY ANYA CLARKE CORAL DOLPHIN PSYCHO EDYPTIOAN TUSHRIK FREDERICKS TRE MAJOR NURIA MARTIN FANDOS KRIZZ LEA ARZOLA TARIK MORGAN ZENIA MASON AUBREE BROWN NIJAWWON MATTHEWS MARCUS BRAGGS HANNAH SEIDEN BELINDA ADAM KAT WILDERNESS MADD MOSES SENIOR CREATIVES VICE EMERY COOPER SMITH CLAIRE GUSTAVSON EP AIDEN DARNE PRODUCTION MANAGER JESS BURGESS PROGRAM MANAGER CHRISTINA EVANS SUPERVISING POST PRODUCER ATALIE KESSLEY POST PRODUCER ALEIGH MCATEE POST PRODUCER ASHLEY EDGAR GRAPHIC DESIGN TAYLOR LEWIS GFX ASSAF CLEMENTS ALEX VELASQUEZ VFX MICHAEL A VISCIONE ALEX VALESQUEZ DIRECTOR OF MUSIC CHARLOTTE VON KITZE POST PRODUCTION MANAGER HAYLEY STRUCK NICK SAVARES TRAILER EDITOR SHANE ANNAS CASTING DIRECTOR ANDREA HARBER M/U ERIC FERRELL HAIR STYLIST TRE MAJOR 1ST AD AARON CAIZZA NAILS SARAH NGUYEN NAILS ERII SHIZU ASSISTANT CHOREOGRAPHER CORAL DOLPHIN ASSISTANT STYLIST LYNDSEA LAMARR ASSISTANT STYLIST RHYLLI OGIURA STEADICAM BRENT AYERS SOUND RECORDIST TIMRACE M/U ASHLEY RUDDER FOR MAC CAROLINE HERNANDEZ FOR MAC MELISSA GIBSON FOR MAC EP ANONYMOUS CONTENT NINA SORIANO CLIENT MAC MAKEUP PRESENTED BY i-D PRODUCED BY VICE

[artwalktv]

DIRECTOR CARA STRICKER ANONYMOUS CONTENT CINEMATOGRAPHY RYAN MARIE HELFANT CHOREOGRAPHY HOLLY BLAKEY STYLING MIYAKO BELLIZZI SCORE TEAM TIMBO PRODUCER MEAGAN JUDKINS ILONA KLAVER HAIR DIRECTOR SEAN BENNETT SET DESIGN ZACH APO-TSANG EDITOR STEVEN ROSS COLOUR SEAN COLEMAN C03 SOUND MIX JORDAN MELTZER ELEVEN SOUND FEATURING - MISSY ELLIOT TIMBALAND PRINCESS NOKIA EMPRESS OF KEKE PALMER ALTON MASON ALEXANDRA ISLEY RICHIE SHAZAM DEJIAVU FERGUSON RAISA THOMAS KIA LEBEIJA KIARA DRAINES MITSUKO VERDERY ANYA CLARKE CORAL DOLPHIN PSYCHO EDYPTIOAN TUSHRIK FREDERICKS TRE MAJOR NURIA MARTIN FANDOS KRIZZ LEA ARZOLA TARIK MORGAN ZENIA MASON AUBREE BROWN NIJAWWON MATTHEWS MARCUS BRAGGS HANNAH SEIDEN BELINDA ADAM KAT WILDERNESS MADD MOSES SENIOR CREATIVES VICE EMERY COOPER SMITH CLAIRE GUSTAVSON EP AIDEN DARNE PRODUCTION MANAGER JESS BURGESS PROGRAM MANAGER CHRISTINA EVANS SUPERVISING POST PRODUCER ATALIE KESSLEY POST PRODUCER ALEIGH MCATEE POST PRODUCER ASHLEY EDGAR GRAPHIC DESIGN TAYLOR LEWIS GFX ASSAF CLEMENTS ALEX VELASQUEZ VFX MICHAEL A VISCIONE ALEX VALESQUEZ DIRECTOR OF MUSIC CHARLOTTE VON KITZE POST PRODUCTION MANAGER HAYLEY STRUCK NICK SAVARES TRAILER EDITOR SHANE ANNAS CASTING DIRECTOR ANDREA HARBER M/U ERIC FERRELL HAIR STYLIST TRE MAJOR 1ST AD AARON CAIZZA NAILS SARAH NGUYEN NAILS ERII SHIZU ASSISTANT CHOREOGRAPHER CORAL DOLPHIN ASSISTANT STYLIST LYNDSEA LAMARR ASSISTANT STYLIST RHYLLI OGIURA STEADICAM BRENT AYERS SOUND RECORDIST TIMRACE M/U ASHLEY RUDDER FOR MAC CAROLINE HERNANDEZ FOR MAC MELISSA GIBSON FOR MAC EP ANONYMOUS CONTENT NINA SORIANO CLIENT MAC MAKEUP PRESENTED BY i-D PRODUCED BY VICE

[christopheraoun-photo-blog]

'A-Z Of Aaliyah' Short Film Director's Cut from cara stricker on Vimeo.

DIRECTOR CARA STRICKER ANONYMOUS CONTENT CINEMATOGRAPHY RYAN MARIE HELFANT CHOREOGRAPHY HOLLY BLAKEY STYLING MIYAKO BELLIZZI SCORE TEAM TIMBO PRODUCER MEAGAN JUDKINS ILONA KLAVER HAIR DIRECTOR SEAN BENNETT SET DESIGN ZACH APO-TSANG EDITOR STEVEN ROSS COLOUR SEAN COLEMAN C03 SOUND MIX JORDAN MELTZER ELEVEN SOUND

FEATURING -

MISSY ELLIOT TIMBALAND PRINCESS NOKIA EMPRESS OF KEKE PALMER ALTON MASON ALEXANDRA ISLEY RICHIE SHAZAM DEJIAVU FERGUSON RAISA THOMAS KIA LEBEIJA KIARA DRAINES MITSUKO VERDERY ANYA CLARKE CORAL DOLPHIN PSYCHO EDYPTIOAN TUSHRIK FREDERICKS TRE MAJOR NURIA MARTIN FANDOS KRIZZ LEA ARZOLA TARIK MORGAN ZENIA MASON AUBREE BROWN NIJAWWON MATTHEWS MARCUS BRAGGS HANNAH SEIDEN BELINDA ADAM KAT WILDERNESS MADD MOSES

SENIOR CREATIVES VICE EMERY COOPER SMITH CLAIRE GUSTAVSON EP AIDEN DARNE PRODUCTION MANAGER JESS BURGESS PROGRAM MANAGER CHRISTINA EVANS SUPERVISING POST PRODUCER ATALIE KESSLEY POST PRODUCER ALEIGH MCATEE POST PRODUCER ASHLEY EDGAR GRAPHIC DESIGN TAYLOR LEWIS GFX ASSAF CLEMENTS ALEX VELASQUEZ VFX MICHAEL A VISCIONE ALEX VALESQUEZ DIRECTOR OF MUSIC CHARLOTTE VON KITZE POST PRODUCTION MANAGER HAYLEY STRUCK NICK SAVARES TRAILER EDITOR SHANE ANNAS CASTING DIRECTOR ANDREA HARBER

M/U ERIC FERRELL HAIR STYLIST TRE MAJOR 1ST AD AARON CAIZZA NAILS SARAH NGUYEN NAILS ERII SHIZU

ASSISTANT CHOREOGRAPHER CORAL DOLPHIN ASSISTANT STYLIST LYNDSEA LAMARR ASSISTANT STYLIST RHYLLI OGIURA STEADICAM BRENT AYERS SOUND RECORDIST TIMRACE

M/U ASHLEY RUDDER FOR MAC CAROLINE HERNANDEZ FOR MAC MELISSA GIBSON FOR MAC EP ANONYMOUS CONTENT NINA SORIANO CLIENT MAC MAKEUP PRESENTED BY i-D PRODUCED BY VICE