#Michael Chance

[90sagony]

#224 Domestic studies: 12 Monkeys (1995)

[frenchcurious]

''Mask'' #1 (DC, 1985), couverture de Michael Chance - Source Heritage Auctions.

[tfblovesmusic]

CW: Strong language in the first video; few explicit themes in the second.

Some people say that I listen to classical music vocalists to avoid the dirty words in the lyrics of most pop and hip hop songs.

Well, tenor Ian Bostridge tells them to hold his pint:

That’s not the only time a classical music vocalist has sung something SUS. In Donna McKevitt’s song cycle Translucence, cheeky countertenor Michael Chance briefly sang about Adam doing something naughty…

[clamarcap]

Mi fa morire

John Dowland (1563 - 20 febbraio 1626): Lasso vita mia (da A Pilgrimes Solace, 1612, n. 11). Michael Chance, controtenore; Monica Huggett, violino; Bruce Dickey, cornetto; Paul Beyer, liuto e direzione. Lasso vita mia, mi fa morire, Crudel amor mio cor consume, Da mille ferite, che mi fa morir. Ahi me, deh, che non mi fa morire. Crudel amor mi fa sofrir mille martire.

[onenakedfarmer]

Currently Playing

Francesco Cavalli GIASONE (1649)

René Jacobs

Agnès Mellon, Bernard Delétré, Catherine Dubosc, Dominique Visse, Gianpaolo Fagotto, Gloria Banditelli, Guy de Mey, Harry van der Kamp, Michael Chance, Michael Schopper, Concerto Vocale

[chasedbybuildings]

William Byrd, 1540 – 1623

In angel's weed

In angel's weed I saw a noble queen

Above the skies

In sphere of crystal bright

Who here on Earth not long before was seen

Of diverse heinous crimes to be indict, indict

By false suspect

By false suspect

By false suspect and jealousy of those

Whom fear had wrought to be her mortal foe

Whom fear had wrought to be her mortal foe

By false suspect

By false suspect

By false suspect and jealousy of those

Whom fear had wrought to be her mortal foe

Whom fear had wrought to be her mortal foe

[raggedy-spaceman]

S02E04 The Hitchhicker

[purrvaire]

they're so in love im gonna throw up real quick

[cloud-based-and-rainpilled]

Love that the new Good Omens Kiss Revelation ™️ basically boils down to “Yeah we had a whole scene choreographed but David and Michael just immediately started making out and wouldn’t stop so we deleted two takes out of embarrassment”

[diamondcitydarlin]

               "I am gonna make you so happy." 🪲🪳

[carrotkicks]

some Post-Scoop Mike + fill-in-the-blanks headcanons

more brainworms below the cut <3

OKOK about those Custom Night headcanons: Michael gets fired from Freddy's (1987 & 1992) because of "tampering with the animatronics" which only happens after the custom nights -> changing the animatronics AI settings is the aforementioned "tampering."

"Putting someone back together" assumedly means that the souls possessing each animatronic are in control of the robots without their endo's AI programming getting in the way. In Sister Location Michael put Elizabeth back together by removing Baby's AI chip, allowing her to "be free."

But in terms of Michael's current experience, he doesn't really know how remnant work yet (he doesn't know that to remove possession he needs to do things -- Happiest Day-- in the Flipside AND burn the metal) All he's got so far as to "The endo-programming has some kind of control over possession"

Which is why he tries changing the settings/internal components of the Animatronics of FNaF 1&2 instead of just going straight to arson like he does in FnaF 3

Then again Mike is like.. a cranky 50-something year old by then. he ain't having it with the clean and neat way.

If you guys have seen the Gibi's Good Idea Bad Idea mega lore video, the entire dual-narrative concept where Cassidy operates in the Flipside/atari minigame spirit realm while Mike works the Nights and fixes things in the physical realm. Literally makes me vibrate because YEAH that literally makes so much sense!!!! Golden Freddy and Mike working in parallel has always made sense. FNaF 1 being when they team up. Yeah.. yes. I just feel so insane about that concept, it's become a fundamental part of my understanding of this series.

Also I like his video because he ACTUALLY acknowledges the Flipside as a big part of the world in his version of the lore because the only thing i know of that actually does that is DSAF. f-ing dsaf...

[tfblovesmusic]

https://vimeo.com/ondemand/lagiuditta

My early birthday gift - OPERA2DAY’s semi-staged production of La Giuditta, an oratorio by Alessandro Scarlatti. The score was the Cambridge edition.

Among the best parts are when the titular character Giuditta (soprano Ana Maria Labin) does a minuet with Oloferne (tenor Krystian Adam), in a HAZMAT SUIT, in “Non ti curo o libertà.” The former later does epic poses with Nutrice (my second-favorite countertenor Michael Chance) as he holds a lightning effect box at the end of the arioso-duetto!

His moving rendition of “Dormi, o fulmine” - while holding an OXYGEN MASK - aside, Ginong Chance’s wig slightly reminds me of my pet Pomeranian to whom I acquired a few months ago…

[mobius-m-mobius]

We're a team, a group. Group of the two of us. And we've spent our existence pretending that we aren't.

[willyhoos]

the mikes.. the michaels, even...

[clairebearsparkles]

Colored a sketch I did of poor… poor… Michael Shelley.

[quillsinkwell]

do you ever think about how Michael probably hated being compared to his father, yet in both Watsonian and Doylist terms, that's all he ever was

like in watsonian ways, all the animatronics targeted him and attacked him because he looked so similar to his father that they were the same people to the children.

and in doylist ways, the only thing that defined him was his quest to defeat his father.

like, what in canon has clued us in about Mike's personality? That has nothing to do with his family or animatronics? it's that he likes a show called the immortal and the restless.

that's it.

everything else we have given him in fanon.

he spent his whole life trying to deal with his father to prove he wasn't him, yet he's entirely defined by his father.

and without him, he's barely a character.

it adds a sort of horror to his death in pizza sim. like when he attempted to lay his father to rest permanently, the universe laid him as well, because it had no purpose for him outside of his father.

it also kinda makes glammike a little fucked up if you think about it this way, even if he either moved on or his spirit lingered in the pizzeria. his father rose again and the universe either dragged him out of the afterlife or kept him in the basement because what else is he if not his father's watcher

do you ever think about that despite his best efforts to not be his father, he's entirely defined by the man

do you ever think about that

or are you normal.