#Muse; Bradamante

[anime-bxuty]

"Gonna be honest, not sure about this outfit;Still kinda like it," Bradamante looked over herself. Despite being embarrassed about how her outfit didn't cover, Bradamante liked the look

[animebxuty]

❤

Astolfo is always thinking of Bradamante nude. He just hides it.

"Its because of my ass isn't it?" Bradamante stared at him, and sighed at her fellow paladin. She didn't hate what she learned, but she wasn't happy. "What am I going to do with you, Stolfo?"

[thequeenofknights]

Thinking of adding Bradamante and her perfect ass to the muse list.

[lemusegallery]

Ultimate Muse List

P.S.A.: This post is not meant to be reblogged nor even replied. For this showcases the new changes for my blog as far as muses go and so on. This is applied to here and the @lesinfullgallery (Sinblog) only. For references, bold is both blogs, italic is exclusive to my sinblog and normal only for this blog.

Primary Muses:

Yu-Gi-Oh!: Seto Kaiba

Yugi Muto

Aki Izayoi

Jack Atlas

Judai Yuki

Asuka Tenjoin

Ishizu Ishtar

DMG

Mokuba Kaiba

Kaiser Ryo Marufuji

Star Wars: Darth Vader

Anakin Skywalker

Ahsoka Tano

Shaak Ti

Obi-Wan Kenobi

Darth Sidious

Darth Tyranus

General Grievous

Asajj Ventress

Bo-Katan Kryze

Darth Talon

Aayla Secura

Luke Skywalker

Dragon Ball: Artificial Human #18

Piccolo

Son Gohan

Oob

Vegeta

Seripa

Vegetto

Fate: Saber!Artoria Pendragon

Ruler!Artoria Pendragon

Shirou Emiya

Senji Muramasa

Gilgamesh (Archer and Caster)

Rider!Medusa

Saber!Nero

Lancer!Enkidu

Lancer!Bradamante

Saber!Musashi

Scathach (Lancer)

Rin Tohsaka

DC Comics: Batman

Wonder Woman

Kara Zor-El/Supergirl

Catwoman

Poison Ivy

Raven

Cassandra Cain

MARVEL Comics: Thor

Wolverine

She-Hulk

Amora

The Hulk

X-23

Dr. Doom

Avatar TLA/LOK: Azula

Korra

June

Mai

Katara

Code Geass: Lelouch Vi Britannia

Cornellia Li Britannia

C.C.

Kallen

Naruto: Sakura Haruno

Ino Yamanaka

Sarada Uchiha

Tsunade Senju

Final Fantasy: Tifa Lockhart

Jesse

Akame Ga Kiru: Akame

Esdeath

Leone

BNHA: Katsuki Bakugo

Mirko

Shoto Todoroki

Momo Yaoyorozu

Eijiro Kirishima

Other Characters: The Rowdyruff Boys

Mandy

Medaka Kurokami

Satsuki Kiryuin

Riku

Erza Scarlet

Yoruichi Shihouin

Secondary Muses: Fate: Rider!Achilles

Berserker!Heracles

Caster!Xuanzang Sanzang

Assassin!EMIYA

Assassin!Cursed Arm Hassan

Assassin!King Hassan

Lancer!Karna

Rider!Iskandar

Rider!Saint Martha

Archer!Euryale

Tine Chelc

Assassin of Red!Semiramis

Yu-Gi-Oh!: Kaito Tenjo

Tyranno Kenzan

Rio Kashimiro

Kowora

Star Wars: Darth Maul

Jaina Solo Fel

Lord Starkiller

Barriss Offee

Asajj Ventress

General Grievous

Plo Koon

Kit Fisto

Lumiya

Galen Marek

Avatar TLA: Suki

Ty Lee

Kuvira

Asami Sato

Toph Bei Fong

Dragon Ball: Nappa

Tenshinhan

Mr. Popo (TFS)

Broly

Towa

Android 17

Android 16

Kefla

Code Geass:

Rakshata

Nunnally Vi Britannia

DC:

Big Barda

Cyborg Superman

Harvey Dent/Two-Face

Doomsday

Bane

Final Fantasy:

Lightning Farron

Emperor Mateus

Sephiroth

Noctis

Kefka Palazzo

Other Male Characters:

Syaoran Li (CLAMP Multiverse)

Omniman (Invincible)

Mark (Invincible)

Hiei (Yu Yu Hakusho)

Kill La Kill:

Ira Gamagori

Uzu Sanageyama

Hoka Inumuta

Nonon Jakuzure

Naruto: Tenten (Naruto)

Mei Terumi (Naruto)

RWBY: Pyrrha Nikos

Ruby Rose

Sienna Khan

Winter Schnee

Kingdom Hearts: Xion (KH)

Larxene (KH)

Disney: Jasmine (Aladdin)

Esmeralda (HOND)

Mulan (Mulan)

Pocahontas (Pocahontas)

Exclusive Muses to my sinblog: Chel

Nemona

Nessa

Mai Shiranui

Samus Aran

Rias Gremory

[plumcblanche-blog]

tags, part one.

« main. » cette bradamante fera de son mieux pour répondre à vos attentes! « modern. » avez-vous perdu quelque chose qui doit être trouvé? « inbox. » o lumière, converge! « gallery. » j'ai mis un manteau! « musing. » la chevalerie est quelque chose de trempé avec diligence! « aesthetic. » c'est une bague précieuse offerte par une certaine princesse. « crack. » bradamante exécutera la justice! « headcanon. » un paladin ne tombera pas! il n'y a qu'une victoire pour eux! « dash commentary. » à la place du grand roi charlemagne, je vais te punir!

[megashadowdragon]

Commentary on reddit :

To summarize, Marfisa is basically what you’d get if you combined Penthesilea and Achilles. She starts out as a whirling, if lucid, maelstrom of destruction until she becomes something else; an inverse of Roland being a mostly perfect knight before he abandons chivalry in his explosive grief.

Instead of being taken in by an overprotective wizard, Marfisa was briefly raised by a lioness, adopted soon after, kidnapped and made a slave by a Persian king at age 7, killed her master when she was older, violently took over his kingdom, and then violently conquered several more kingdoms by the time she was 18.

Some writers, even some today, would take her as is. #YAASQUEEN (literally) Knight. Put her up against some strawmen/caricatures and wait for a movie deal. But way back in the 1500s, Ariosto took this character, who was little more than a thug in Orlando Innamorato, and gave her an arc that took her beyond murder and self-fulfillment.

A harder life created a much harder person than Ruggiero, but it also instilled in her a much more mercenary outlook. Tiring of her overlord duties and hearing of the immense war between Charlemagne and the Saracen Kingdoms, Marfisa pilfered the coffers of her subjects and abandoned her empire to challenge the greatest knights either side had to offer.

As a queen with nigh-limitless funds and muscle that allowed her to battle Roland to a standstill, she is a shockingly unencumbered figure in a tale where almost everyone answers to someone, but that freedom becomes a kind of cage as well.

She changes sides constantly, sometimes fighting for the Saracens and sometimes fighting against them. Her one-track mind for combat causes her to gormlessly attack heroic knights and accidentally help slavery ring kingpins. She is also quite vindictive, attacking anyone for slights that range from actual to accidental to simply perceived.

There is hope for her though. During an adventure with Astolfo (who she was on good terms with after allying with him briefly in Innamorato), she, he, and three of his fellow Paladins wind up in Laiazzo, an Amazonian colony 10,000-strong which enslaves shipwrecked men to act as their pet champions and breeding stock (1 man “works” for 10 women). Newcomers can either try and fight their way out or they can slay 10 “servants” in single combat bloodsports, fornicate with a 100 citizens, and earn the privilege of serving the Amazons.

Marfisa (who the Amazons believe to be male because of her armor and mask) is nominated by her companions to do all the fighting. Some take this as a nigh-feminist occurrence where Astolfo and his friends acknowledge a woman (and one not of their ranks no less) as their better in battle. Others believe this is Marfisa having her bloodlust being taken advantage of by the Paladins ala Tom Sawyer so they can do the much more enjoyable 100 women thing as she takes all the hits.

Marfisa kills all but one of the Amazon slave knights and in respect of her skills, he offers to let the group stay the night at his place before they resume their duel the next day.

They learn that in spite of his strength, the knight is barely out of his teens and is terribly depressed with what his masters have made him do. If he wins, he kills a great warrior and remains a slave. If Marfisa wins, then she and the others will become slaves. The Amazons win either way.

This similarity to her own backstory causes Marfisa to feel genuine empathy with someone she had moments ago tried to murder. It might be the first time she’s ever felt it. She muses that if she were to reveal her gender, the Amazons would likely accept her as one of their own or let her go free, but she won’t tolerate such naked vileness, even if it would benefit her.

The next day, she, her new ally, and the Paladins fight to free themselves and the other captive knights despite how outmatched they clearly are. When the fight goes south, Astolfo sounds his dread horn that is cursed to make all who hear it flee in fright (Agartha, baby). He neglects to tell his companions that it affects everyone who isn’t him, and EVERYONE on the island flees so suddenly and swiftly that by the time Astolfo is done blowing (his horn), he discovers he’s been completely abandoned.

Take a look at this illustration (NSFW) by Gustave Doré detailing the escape. That shadowed figure in the background on the hill? That's Astolfo. And that smirking sentinel leading the slaughter? Take a guess.

But the story isn’t done with Marfisa yet. She falls in love with Ruggiero. She gets beaten by Bradamante, her shallow vindictiveness no match for the true wrath of a woman scorned. She sees Ruggiero getting between her and Bradamante in spite of being much weaker than either of them in hopes of stopping the two from killing each other. She witnesses Atlante’s shade, the wizard having entombed himself Merlin style and seemingly disowned Ruggiero for ingratitude at his attempts to raise and protect him, return from beyond to reveal the truth of how she’s Ruggiero’s twin sister to stop the three-way death match.

Throughout this odyssey, this bellicose beauty beholds how courageous a lesser warrior can be, how much and how deeply a man and woman can love each other in spite of distance and difficulty, how a father’s love can be so strong that it can forgive the insults a son sends its way, how painful failure is, and how having a brother feels.

These higher emotions and more complex relationships help her see that there’s more to life than battle. They also inspire her to mature as an individual.

When she, Ruggiero, and Bradamante come across a licentious lord who abuses the women in his domain, they don’t simply overthrow him but reform his society. Rather than let the women completely take over as the Amazons showed her that tyranny is unisex, she demands egalitarianism. Equality. And warns she’ll kill them all if they stray from that path. Hey, baby steps.

Decent extrapolation but it kind of makes me feel like it was written from Cliffsnotes instead of directly reading Furioso.

Within the book it's just said that Marfisa was insistent on fighting the champions on the island of women warriors. It was required that the same person perform both tasks and is supposed to be humorous because Marfisa just heard, "Fight ten strong guys, I am so there" and literally zoned out on the other half. The text also states that the entire group is fortunate they decided to break out, since Marfisa would obviously fail the second trial.

Marfisa, again, was a major fight nut which is the reason that conflicts rose between her and other Saracens. Such as when she had her sword stolen by Brunello and threw off her armor while chasing him, she started a fight by grabbing her arms without saying a word when a contest of martial valor was going on over them - and she is so in love with combat that instead of explaining anything she just started fighting. Or how it was Mandricard who challenged her since she was convinced into one of the few times she wore women's clothes with some friends so he assumed she was a lady and one of her beauty, Mandricard wanted to offer to Rodomont in order to get his romantic rival out of the way. Marfisa merely said that Mandricard had to defeat her personally. Well, in short, it's that the Saracen camp was filled with in-fighting. Shit, when she and Mandricard were about to have their duel, both Ruggiero and Rodomont broke in and EVERYONE wanted to duel EVERYONE over something.

Also it's never mentioned of her falling in love with Ruggiero. Just that the two had a strong bond that the Saracens misconstrued as being romantic love. She only goes out to fight Bradamant because her obviously established love of combat and also that the woman was screaming her name in bloody murder. It's literally when Marfisa is going to confront Bradamant that it mentions the phoenix she wears on her helmet has the meaning that she wants to remain invincible and single for her entire life (as an aside, she killed her slaver and his family and his kingdom out of vengeance when he tried to take her chastity).

As an aside, Ruggiero is on the same level as Marfisa, definitely not "much weaker." There's a reason the Saracens sought him specifically out as an ally despite his being locked away in a tower. When he and Marfisa fight side-by-side the text clearly treats them as equals, and they also view each other as worthy equals.

[monotonous-minutia]

follow-up to the previous question: top 10 productions of 2020 that were of new-to-you operas? (also, is that drawing of Kate Lindsey as the Muse/Nicklausse?)

it’s actually Claire Powell from the 1982 one but basically the same outfit/hair so close enough :3 glad it’s recognizable 

hmm let’s see

is it cheating to put the Pelly Cendrillon on the list again?

Aside from that:

Idomeneo Met 2017 -this one was the first one I saw so it’ll have a special place in my heart. It’s certainly one of the most heartbreaking stagings of this opera. Plus that cast?? I mean?? Alice Coote and Nadine Sierra and Matthew Polenzani and Elza van den Heever?? Not to mention total luxury casting of Eric Owens as Neptune (and he’s on hosting duty and he’s a riot). The ONE thing I don’t like is they don’t let the divas kiss. Aside from that it’s great in almost every way. The costumes are so extra but I dig it. Salzburg 2006 -this one was hot and cold for me for a bit, primarily because of the way they staged the ballet at the end (which I wrote a really long thing about) but I came to appreciate that. I love most of the cast, especially Siurina (she’s impossibly adorable and I want to see her in everything) and Harteros. Also it’s really, really gay. La clemenza di Tito Met 2012 -I feel like I’m kind of an outlier when I saw this one’s my favorite. I just love it so much though. I adore the cast and it’s so ridiculously gay I can’t get over it. Paris 2003 -This one is also very very gay with a great cast. I don’t vibe 100% with the production itself, but it’s not distracting or anything. Also wish the ending included more hugging. This is definitely a production that leaves the ending kinda ambiguous. Benvenuto Cellini Amsterdam 2017 -I really can’t describe how excellently this production captures the spirit and aesthetic of this opera. To me it’s kinda like this production is to Cellini as Sher is to Hoffmann. And once again we just get a top-notch cast (Fieramosca is DEFINITELY one of my favorite roles for Laurent Naouri, if not my favorite) and there’s so much ridiculous stage business in the background of the tavern and Carnival scenes, plus the set and costumes seem perfect for the places and characters this opera introduces. The only thing I don’t like is Ascanio having a moustache, but I can excuse it just once because a) it’s Losier and she is perfection no matter what, and b) everything else is just so wonderful. Les Huguenots Sydney 1990 -Again partially because it was my first; also because it’s just a really classic production. Now that I’ve seen and heard more of it, I can miss some of the pieces they exclude, but my priorities include Urbain keeping both arias and we get that here so. Geneva 2020 -Again for the cast, because there are SO many amazing names on the bill. The production concept is a bit odd and I don’t think it works 100% all the time, but I can forgive most of it because of how amazing the cast is (I’d go into more detail here but that’s just turn into a monologue of me fangirling over the various performers so...yeah. We’ll leave it at that.) Alcina Stuttgart 1999 -Now, there are several things about this production I do not like. I won’t get into that too much, but I’ll say the cast is amazing and it’s one of the gayest frickin things I’ve ever witnessed. Plus it’s Alice Coote so, yeah. Aside from some really weird parts and obnoxious cuts--which, let’s face it, the opera’s already messed-up enough as it is--I could watch Alice Coote singing Handel for hours and she is a very adorable Rugierro, plus the Bradamante/Morgana gayness is unbelievable. Granted, I haven’t seen another production of this in its entirety yet, mostly because they’re all really...strange. But I think the fact that I finished this one and not any of the others says something? Eugene Onegin Met 2007 -This one wasn’t on my other list of operatic discoveries, and granted I have seen exactly ONE production of this opera, but I don’t feel I can exclude this production from a list twice in a row. For one thing, the cast. I could be like “yeah that’s it, the cast” but also the production is just GORGEOUS?? Especially in the first act with all those leaves. Special thanks to @tatyana-dreaming for increasing my appreciation of those leaves with some very awesome gifs 😉 Un ballo in Maschera Met 2012 -I’m kicking myself now because Ballo didn’t make the original list! It is DEFINTIELY one of my favorite operatic discoveries of 2020 and I can’t believe I didn’t think to add it to the other post. I’ve only seen 2 of these in full but this one’s my favorite mostly for the cast and the strange (but strangely fitting) film noir aesthetic. Plus, Kathleen Kim can have my whole heart, and her Oscar is just impossibly cute and amazing. The whole Kitchen Knife of Doom™ will forever live in infamy, and again, I’m not the biggest fan of facial hair for trouser roles, but the amazingness of the cast makes up for it.

[theraikouhotel]

I’m just gonna do some FGO commentary cause I think it’s gonna be a silent night for me and my muses tonight. The best I can do is for Arturia Lancer and Raikou, I don’t have the Ruler version nor Shikibu. 

Raikou does need an NP upgrade, that 300% damage at NP1 is just making her a but more obsolete by the minute, where she is outshined by Arjuna Alter and Xiang Yu. She’s just barely hanging on because of her 3rd skill niche, which I am grateful for. Her crit absorb and crit dmg does wonders too, but still I kinda don’t like her being out done, since she’s a servant that’s stuck with me for ages and I even had looked her up. I do need to do more research though lol

Arturia Lancer needs the NP upgrade too. And I think a change to her Charisma skill, because she’s been reduced to just someone who has an np charge for farming and that’s kind of it. The mana burst does good too, but still I worry for her because of the fact that there are literally better ones like Ereshkigal and Bradamante to Leonidas, who has a role to play. 

Basically, give my waifus more better pressing skills because I don’t like them being obsolete and it hurts my heart that they’re not the best they can be. 

[theabyssalmuses-archived]

✍ + Bradamante? (FGO)

[ Send me a ✍ + a muse for me to try and write them! Open! ]

“Ah..I can’t seem to find it….where is it, where is it…” The lancer rushed around a dimly lit room full of various shelves. “If there’s anything I can do, it’s finding things, but, but…” It seemed she couldn’t find whatever she was looking for! 

The voice of Merlin resonated within her mind…“Yoo-hoo! Bradamante-chan! It’s Merlin, talking to you in your miiiind~! The Chaos Claws are on the bottom shelf, you see? Make sure you’re nice and slow when you go to get them, these shelves are quite rickety, afuhuhu…”

“M..Master Merlin! R..right! Of course! T..thank you, Master Merlin!” She glanced down, seeing the Chaos Claws instantly with Merlin’s Guidance. Very carefully, she bent down to pick up a couple, making sure to take things slow, just in case.

“Yes, yes, that’s right Bradamante-chan~! You put on a most excellent show, you know? Most spectacular…” 

“M-Master Merlin, W..what do you mean by ‘an excellent show’ ? Where are you looking? Huh? Huh? Master Merlin!!” 

“I’m referring to how well you find things, of course, Bradamante-chan. Your searching skills are most exquisite…Indeed, even though you needed my guidance this time, I have no doubt in your abilities. You grow stronger every day, Dear Bradamante-chan…Keep up the good work, Merlin out-!” Click. How does telepathy work?!

“..O..oh! I see, of course, of course! Mhm, right! Im Bradamante, one of the paladins of Charlemagne…of course my skills make a wonderful show..Ehehe, thank you for your praise Master Merlin. This Bradamante won’t give up on making you proud!” She carried the Chaos Claws out of the closet, taking care not to drop them. “Da-Vinci, this Bradamante has what you need!” 

[fatebeastbirthorder]

I am curious, which of your muses would be up for interacting with mine?

God I need to re-alphabetize... 

Quetz

Gudako - Master, so just casual slice-of-life things I guess

Alter Gudako - Also master, but more direct things like teaching her to ride or wrestle and all sorts of things

Astraea - Wrestling Goddesses

Bradamante - Canon relationship exists between them but I have no idea just what it is and I should look into it

Ereshkigal - Catching up after Babylon

Enkidu - “I heard you met my corpse”

Gorgon - They appear to be a ship...

Gudao - Same as Gudako

Hakuno - Possible Extra/Extella verse as they go around in the Moon Cell

Ishtar - Post-Babylon catching up

Luvia - A master and her servant absolutely wrestling EVERYONE and everything in a Holy Grail War

Male!Merlin - Babylon reuinion party that probably ends with him getting knocked out of commission 

Mashu - Daily Chaldea Shenanigans 

Olga - “How is Guda(k)o treating you?”

Proto!Merlin - Trying to fix her Male version’s bad impression made on her

Rin - Fifth Holy Grail AU with Quetz instead of Archerand or Chaldea Shenanigans

Sakura - FHGW with Quetz instead of Medusaand or Chaldea Shenanigans

Tiamat/Alter Ego Tiamat - Guess who’s back!

Medusa Lily - Babylon talks again

Kid Mana - An absolute dork for magical things so just her being a cute kid and calling her “Nee-Sama” or a similar big sister name

Wodime - “Why is a Divine Servant with Guda(k)o?”

Fou - Complaints about Merlin probably

Bedivere

Gudako - Master, daily shenanigans of Chaldea 

Alter Gudako - Contractor, lessons on swordsmanship or simply carrying herself with dignity

Brynhildr - He’s on her Beloved list so

ChiChi-ue - The king returns and the king is confused

Gray - Talks about Saber to try and figure out just why her face is bringing her so much misfortune 

Gudao - Master but a guy

Hakuno - Extra/Extella AU again

Male!Merlin - Merlin messing around and offering him a rocket fist

Mashu - “What was Galahad like?” and similar daily things 

Olga - “How’s Guda(k)o treating you” and beyond

Proto!Merlin - Merlin except softer and a girl

Rin - FHGW AU and or Chaldea Shenanigans

Sakura - FHGW AU (also Does Bedivere is Rider?)and or Chaldea Shenanigans

Fate!Shirou - Talks about Saber cause Shirou love her

Titoria - The king is back! Probably

Saber Lily - The king is back but too young to have actually probably met Bedivere yet originally so she’s trying to learn about him

Kid Mana - Still a dork for the magical

Fou - More complaints about Merlin

Medea

Gudako - Still a Master unless Rule Braker suddenly comes out

Alter Gudako - Masterful Mastery and spell learning

Aoko - “Let’s blow shit up together!” and similar statements

Gudao - Master but a guy

Hakuno - Extra/Extella AU again

Male!Merlin - “Ha ha, I’m the Grand Caster”

Olga - “How’s Guda(k)o doing for you” and probably questions about improving her own magecraft

Proto!Merlin - “I’m sorry my male version is so rude”

Rin - Fifth Holy Grail War in general reallyand or Chaldea Shenanigans

Sakura - See above

Fate!Shirou - They only really met for five minutes in the route so he tries to get to know her

UBW!Shirou - Vengeance for the Fifth Holy Grail War probably

HF!Shirou - They didn’t meet until she was dead so he’s also curious 

Meltryllis - Dolls

Medea Lily - Younger and Older meet

Saber Lily - Little Idol/Model

Illya - Meet the one behind the Install Card

Kid Mana - Dorky Magic Questions 

Miyu - Same as Illya

Chloe - Same as Miyu and Illya but also questioning about magic in general to try and figure herself out better

Nursery - Doll making and talks

OG!Illya - Fifth Holy Grail War generally 

Serenity

Gudako - Masterbater with Hugs and Kisses

Alter Gudako - Again a master, assassination training if she’d do it without getting pushed 

Female!Gilgamesh - Probably has an Anti-Poison Noble Phantasm to solve Serenity’s issue

Gorgon - Poison Immunity really

Gudao - Still a master but in this case probably cuter

Hakuno - Extra/Extella AU even if they probably can’t touch

Male!Merlin - Spellworking around the poison 

Mashu - Should also be immune to the Poison so gal pals

Olga - “How Is Guda(k)o treating you”

Proto!Merlin - Same as Merlin but probably with more flowers

Rin - FHGW AU and or Chaldea Shenanigans

Sakura - FHGW AU, eventually galpals probablyand or Chaldea Shenanigans

Tiamat/Alter Ego Tiamat - Poison don’t work against Primal Mom!

Void - As if you can poison her...

Medea Lily - Can solve and or cure the poison problem so good friends 

Kid Mana - Still a dorky dork

Miyu - Meet the person behind the card (Illya has Hundred Face Hassan so only Miyu here)

Ushiwakimaru

Gudako - Master talks

Alter Gudako - More Master and various questions to see what she can teach her if anything

Gudao - Still master

Hakuno - Another Extra/Extella AU!

Mashu - She’s really friendly with most of the servants

Rin - FHGW AUand or Chaldea Shenanigans

Sakura - FHGW AUand or Chaldea Shenanigans

Tiamat/Alter Ego Tiamat - Guess who’s back!

Kid Mana - Dorky dork dorking about magical people

Ereshkigal - A bit sorry for keeping the girl in the underworld for so long

Gorgon - Laughing in her face over Babylon

Male!Merlin - “Oh right you were in Babylon, weren’t you?”

Proto!Merlin - “I’m sorry my male self is rude”

Fou - More reunions

Medusa Lily - Reunion and catching up

Ishtar - “You were in Babylon?”

Enkidu - “My corpse kicked your ass”

Hans

Gudako - Mastey Mastering Maestring 

Alter Gudako - Master interactions and just being with him to see if he ends up writing her story 

BB - “Hello Bitch”

Extra!Rin - They didn’t really talk much in CCC together 

Female!Gilgamesh - They’ve already talked even 

Gray - “Can you tell me who or what I am?”

Gudao - Master but a guy

Hakuno - Moon Things

Jinako - More Moon Things and probably her getting scolded 

Kazuradrop - Not even sorry for ordering his death by the hands of JK

Kiara - “Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara Ara“

Kingprotea - Headpats for the small guy

Male!Merlin - “I heard you talking shit and you thought I wouldn’t hear it”

Mashu - Just her being helpful and trying not to offer to lift him up to high places given his height 

Meltryllis - “I’m Back, Bitch”

Nero - Many Moony Moons

Passionlip - Just don’t scold her too hard

Rin - FHGW AU and or Chaldea Shenanigans 

Sakura - “How much bad can a person do before they are beyond salvation?”

HF!Shirou - “Am I still myself or Archer?”

Miyu!Shirou - Same as Above

Tamamo Cat - She’s just sending him kids meals

Tamamo Bitch - Mandatory appearance of Tamamos 

Casko - Complaining to him about him 

Void - “Analyze me, if you can”

Kid Mana - Still a little dork for magic? You bet

[anime-bxuty]

@cynthiaandsamus -continued

"Special training snack? I think she mentioned something about going to go find you for that. It made me curious to what she meant by special training. If you want I can help you find her. I like to know more about this special training snack," Okita blushed at Astolfo saying good in her outfit.

Bradamante hadn't been far from either servant. She had been looking around for Astolfo. While it was pure chance she walked back in the hall to see both. "Stolfo! There you are. I've been looking for you,"

[priismata-a]

💛 Such a good smol worthy of Grand Caster one day

Send some hearts to tell my muse how yours feels about them.[ACCEPTING]

@avuaron

💛: Loves them platonically.

“Hmm, maybe I should invite Bradamante-san over on our training sessions! She’s been really dying to meet you, Merlin-san~”

[thequeenofknights]

Rules:

#1. Fuck around and find out.

#2. I don't own any art.

#3. Don't reblog memes from me.

#4. Mordred is a child. She's not for ERP.

Muses:

Artoria (Saber/Swimsuit Archer)

Artoria (Saber/Santa Rider/Swimsuit Rider)

Artoria (Lancer/Swimsuit Ruler)

Artoria (Lancer Alter)

Mordred Lily (unofficial Assassin)

Morgan le Fay (Berserker)

Bradamante (Lancer)

Sesshouin Kiara (Alter Ego/Moon Cancer)

Fairy Knight Lancelot / Melusine (Lancer)

Fairy Knight Gawain / Barghest (Saber)

Fairy Knight Tristan / Baobhan Sith (Archer)

Gareth (Lancer)

[fatedepravityorder-archive]

Bimbo what, Bradamante?

Send ‘bimbo what?’ to turn my muse into a sex obsessed bimbo for however long the asker specifies.

Bradamante just tilted her head She wasn’t exactly the brightest tool in the shed so her intelligence was kept the same 

She did however become more lustful yet open about it, wetness seeping out from her crotch with not even an attempt to conceal it as her mouth seemed to have warmed up as well, a small amount of steam coming out of it in turn with her slowly increasing panting as she considered her own new desires and on who she could unleash them

[memories-of-chaldea]

New Muse!

I have added yet another muse. May I present: Bradamante!

The noble knight of Renaissance era epic poetry is now here in Chaldea! Feel free to interact with her!

[anime-bxuty]

"I would tap that!" Pretender for Bradamante~

I would tap that-accepting

"I'm not getting a reputation because of Astolfo am I?" Bradamante wasn't sure about that, but didn't know what else to react. "I dunno how I feel about that. We can talk about it, I guess,"