Now, Voyager (1942) dir. Irving Rapper
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Paul Henreid and Bette Davis in Now Voyager (1942) dir. Irving Rapper
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Bette Davis on the set of Now, Voyager (1942).
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I’m me so of course I haven’t stopped wondering why they chose to have Armand mention Now, Voyager (1942) of all movies bc as we know, these writers are a very intentional bunch. It’s funny bc I think the film almost reads as what Louis, Claudia, and Armand could’ve had if Armand wasn’t so unwilling to leave his pre-existing structures behind.
Bette Davis’s character is initially very quiet, neurotic, meek, shaped that way by her relationship with her controlling and emotionally and verbally abusive mother. It’s not until she begins traveling on her own that she’s able to escape this dynamic and start building a new identity for herself. She also ends up falling in a love with a married man whose wife is similarly controlling and cruel.
She even eventually forms a close bond with his daughter, whom she sees herself in:
The title of the film is taken from Walt Whitman’s poem “The Untold Want:”
The untold want by life and land ne'er granted, / Now, voyager, sail thou forth, to seek and find.
Perhaps the most Armand moment of the film, to me, is when Jerry, the love interest played by Claude Rains, passes Charlotte/Bette a cigarette, lights it, and says: “I wish I understood you.”
After he has left the table, Charlotte remarks to herself: “He wishes he understood me.” And finds herself looking at her reflection in the nearby window. “He wishes,” she says.
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On May 9, 1914, President Woodrow Wilson issues a presidential proclamation that officially established the first national #MothersDay holiday to celebrate America’s mothers.
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Clarulitas
Bette Davis in "Now Voyager" (1942)
Digital painting
2024
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