#Oh Row You Didn't

[yahoo201027]

A MAN TRYING TO ROW FROM NEW ZEALAND TO NOVA SCOTIA VISITS THE RESTAURANT ON AN ALL-NEW EPISODE OF BOB'S BURGERS SUNDAY, FEBRUARY 19, ON FOX

A man trying to row from New Zealand to Nova Scotia visits the restaurant to have a burger and it changes everything in the all-new "Oh Row You Didn't" episode of Bob's Burgers, airing Sunday, Feb. 19 (9:00-9:30 PM ET/PT) on FOX. (BOB-1211) (TV-PG L).

[movies-tv-more]

BOB’S BURGERS 13x12 “Oh Row You Didn't” airs tonight at 9pm on FOX

[tinabbelcher]

🎵 Can't quit, not quitting ya, baby

Can't quit, not quitting ya, baby

I thought of quitting ya maybe

But I can't quit, not quitting ya baby

Can't quit, not quitting ya, baby

Can't quit, not quitting ya, baby

I thought of quitting ya maybe

But I can't quit, not quitting ya baby 🎵

⠀

⠀

S13 E12 ; Oh Row You Didn't

Bob's Burgers

[robertbelcherjr]

The new episode of Bobs Burgers was literally just Bobs Autism on display

[dreamboundedstar]

Ugh! I hate waiting so long for the new Bob's Burgers episode! All I ask for is a summary, is that so much? I want to know what's coming up on the 19th of February so bad!

[tapakah0]

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[meirimerens]

genuinely and legitimately when i see how so chronically incurious about the world some americans are i wish i could buy everyone a geoguessr subscription and every evening mandatory 15 rounds of Country Streak so you get to see how other people live

[randomnameless]

Re about Cat :

In Nopes she complains because her dad asks her to lend CoS troops, instead of asking Dimitri or Rhea herself...

But unless Count Charon is as dumb as Leopold, he knows pretty well Cat isn't the one who can lend him Church soldiers.

Of course Fodlan dgaf about non students characters, especially if they are affiliated to the Church, but I wondered, maybe Count Charon didn't want to ask Rhea herself to lend him some troops because he has a strange relationship with her -

Rhea is, after all, the one who welcomed his daughter when she was hunted by the Kingdom and the reason she's alive, Dad!Charon, whatever was his position during the "Cassandra hunt" wasn't the one who protected his daughter, Rhea was.

Maybe he feels already to indebted to her to even ask her, in person, for more soldiers?

As for Dimitri...

I always found it disappointing how both game never explored more Cat's backstory, ffs if Faerghus was "feudal uwu", the Crown (even if it was during Rufus' regency) ordered Cat's death, she was branded a traitor and someone who commited regicide ffs.

What was happening with House Charon at that time, were they happily going to give their daughter to the crown, when Catherine was the presumptive major crested heir, to have her executed? When the entire Kingdom branded her a traitor and had her name besmirched, was House Charon totes okay with, you know, the accusations that their precious heir participated in the plot to kill Lambert?

Lonato throws a fit because Christophe was executed by the Church, but Lonato is only Rowe's bannerman - Charon is one of the major Houses in the Kingdom, wouldn't they have thrown a "larger" fit if the crown wanted to execute their heir??

Or maybe that could fell in the larger "the Kingdom was in chaos" thing - House Charon might have been "this" close to rebel against the Crown ?

In a way, it might explain why Garreg Mach wasn't visited by the Kingdom's forces asking Rhea to hand Cassandra over if the crown's forces had to cross Charon territory to reach Garreg Mach...

So in with this BG, it would make perfect sense why Count Charon wouldn't ask Dimitri for more soldiers (granted we're talking about Church soldiers?) - Charon is still a loyal bannerman who fights for Faerghus, but his trust in the crown would have been severed, and it's up to Dimitri to rebuild that bond.

[peridots-pixiwolf]

[Start ID. A dark, warm-toned drawing of Tundra, a robot with bladed legs and mechanical hands both lightened by frost, and a face like that of a fencing mask. She wears a blue jacket with a fluffy white ruff and pockets on the shoulders and chest, a long green skirt with tassels and pale wavy lines at the border, and a brown belt with a pouch at the side. She's shown from the right, leaning back on a stack of pillows and a wooden wall as she looks out to the left, disregarding the open book in her hand, her legs bent in front of her. Under her is a yellow and red rug which pads gritty flooring, over her are series of low, round string lights, providing soft lighting in a room that's partially open to the night sky.]

it's a friend's birthday today yet again... in honor of the occasion here's a Tundra for @automatonknight :]

[yahoo201027]

Day in Fandom History: February 19…

When a man attempting to make history by rowing across the globe from New Zealand to Nova Scotia decides to call it quits when making a pit stop at the restaurant, the Belchers try to convince him to change his mind before his interview. “Oh Row You Didn’t” premiered on this day, A Year Ago.

[tinabbelcher]

wow, Bob is basically saving his career by rowing his boat to prevent it from being towed

basically, don't give up on things you're enjoying or starting

[agentravensong]

so my college had a huge event tonight where all the acapella groups on campus each performed a couple of songs, and they also got a bunch of other acapella groups from nearby colleges to come and do the same,

and i need to share this version of the oh hellos song "constellations" one of the visiting groups did. choosing not to name the group for the sake of not doxxing myself; they're on spotify but the one album they have on there doesn't feature this arrangement. if any mutuals really want to know i can pass it along.

[pzfr]

📺 TALK SHOW A-GO-GO! ( Immensely fun prompt. Please choose whoever you wish from my roster, whoever you’ll have the most fun with 💙 )

Send "📺 TALK SHOW A-GO-GO!" for your muse to get interviewed on Rex's new talk show!

____

"--Cleo. Cleo, c'mon. Just let the band do their thing, you have your own segment later to do whatever you want. Look, Cynara will be here any moment. Ah! There they are. It's our special guests for tonight: Lord Kelvaan and Cynara!"

♫

The band played something to begin Kelvaan's entrance, and then something else, *very* quickly for Cynara, when she entered the stage, while the video editing specialist-- the dictator-supervillain Sergio Sidewinder made small talk with the blue bio-android, taken on as an intern with the band on Cynara's request.

"Welcome to the show, Lord Kelvaan, and Cynara!" exclaimed Rex. "Music was a little last minute on our part, but we appreciate that you made it here on time. So, Kelvaan: How's the coalition? Keeping everything bright and shiny, are we? And Cynara, great to see you. Started that err... that uh, that Grim Tour yet? Any insights from your skinned self over in that other universe by way of Gotham City?"

[folklouire]

Can’t help but notice you reblogged that post about still feeling 19 like six times, you good?

[unclefathersantateddy]

I find myself disliking my art so much recently that maybe it is just the fact my art is not very good,, oh god that's not the realisation I wanted