#Paduka Puja

[mindfullofyoga]

Paduka Puja

Bhole Baba Qi Jai

Paduka Puja tour. Saturday October 22nd 20.00 - 22.00 Jordaan studio

We have the honor to welcome again this year the sandals of Babaji, coming from the ashram in Loenen. Babaji is one of the Himalayan Yogis who is called the 'deathless Master'. According to tradition, a visit from his sandals is equal to a visit of him in the body. A traditional Indian Puja will be performed. It is a free program open to all. There will be chanting. This can be a great opportunity to receive blessings

[ajaygiftkyade12]

Laxmi Charan Paduka is a rare Lucky Charm, very well described in Vedas and Puranas. It is believed that keeping this in your Puja Room, Office, Home or Business Premises etc. is very good for Wealth. As it symbolizes the footprints of Maha Laxmi, Devi of Wealth and Prosperity.

[sonisukhraj]

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[pujacelebration]

Lakshmi Ganesha Charan Box| Puja Celebrations

Bring home the blessings of the almighty in the form of this festive gift set. These beautiful charan padukas of god will give you a unique touch. It can be a great return gift for Wedding, Upanayanam, Baby Shower, Housewarming or any other occasion etc.

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[ank6266]

[astroruchi]

लक्ष्मी पूजन, बगलामुखी पूजन, कुबेर पोटली पूजन, Lakshmi Pujan for Diwali 2022

Dr. Abhiruchi Jain has identified that how to attract Goddess Laxmi to our house or working place. Goddess Laxmi attracts by some special Tantra Objects(items) like kaudi, Laxmi Paduka, Potali and lot of other things.

Benefits of Lakshmi Puja:

Resolves all financial issues.

Removes all obstacles and hurdles related to career and business.

Helps you achieve success in all ventures of life.

This puja gives youpower, success and prosperity.

Lakshmi Puja also blesses you with beauty and intelligence.

Also Kuber Potli is must to control the wealth by the God of Wealth Control ‘Kuber’

Benefits of Kuber Puja

To gain boons and wealth, devotees perform Kuber Puja at their shops, offices and homes. Some call Pujari Ji to perform the rituals properly as well.

Lord kuber, the god of gold, bless his devotees with prosperity, wealth and treasure and can benefit his devotees in different ways.

Benefits of Bagalamukhi Pujan

Legal Matters:

This Puja helps in resolving ongoing legal cases pertaining to divorce, property disputes, money disputes etc.

It is also very effective in cases where a person is wrongly accused. No matter how unfavorable the legal issue is, this Puja brings a favorable outcome.

Enemy Protection/Evil Eye:

It safeguards against visible and non-visible enemies and protects/shields from evil eye.

Neutralizes/Removes Black Magic:

It helps to neutralize/remove the effects of black magic and also provides protection against the same for future.

Business & Career:

It helps to grow or start new business ventures, resolves career and business related issues.

Financial Issues:

If you are in financial debts or have incurred huge financial losses, this Puja is the solution to all those problems.

Health, Wealth & Prosperity:

This Puja gives you a life you have only dreamed of. Name, fame wealth - the possessions that make life a happy one can be attained through this Puja.

To prosper yourself by making Goddess Laxmi happy, follow the Dhan Akarshan Vidhi on this Diwali and take the advantage of it.

For all types of Aarti click on below link

https://www.astroruchi.com/kuberji-ki-aarti/

https://www.astroruchi.com/baglamukhiji-ki-aarti/

So, my kind request to follow the steps given in the Video and Achieve High Success in all fields of Life.

for more details feel free to call/whatsapp on 9922113222

.

Shubham Bhavatu !!

AstroRuchi

Dr. Abhiruchi Jain

'Messenger of Stars'

Contact : 9922113222

[littlegingermochipie]

zukaang | rajamandala | राजमण्डल | 羅闍曼荼羅 devdas, chigo, lengger lanang and layla-majnun inspired tale

the day zukō was born, agni bestowed him with a single eternal flame, everlastingly alight inside the gentur lamp which he would carry along with him everywhere he went. no one could extinguish and light it back at will except the one who’s destined to guide his fate, as prophesied at naloni mitoni.

after his genpuku as the successor of ōzai tennō, zukō accompanied azhura in attending durga puja and seren taun, hosted by baginda bhumi at the central port of canggu. the siblings then reunited with maiko and tài linh, who became patrons of entertainment in northern manjung.

their seventh generation of tawaifs featured the esteemed amrapali, whose swara and abhinaya effortlessly enamored kaldera royals. as she danced, not only did she take everyone's breath away, but also the life of every kindled flame in the room. then, when she lit them back with gentle sway of her hands, zukō knew that she's the one.

realizing that his son had set his eyes on a mere yìjì, ōzai warned the prince that he might be deceived by outlanders witchery, but zukō insisted that he trusted agni's sacred will. he continued to chase the tawaif in unquenchable desire to know about her more, unaware that the fate he would thread on was to become a madman, lost in utterly blind love which turned into the purest form of devotion.

because amrapali was, in fact, not merely a dancer and disciple of buddha. she was bodhisattva kannon in her avatar form－a man named āng, awakened in rana pota lake as the only living sky dweller. his kin were mercilessly wiped from existence milennium ago by zukō's ancestor, souzan tenshi, who begun the conquest of rajamandala.

āng's crimson henna, drawn by performers of tide drifters; adinda katara and kakanda saka, covered his distinguished irezumi, while his voice was trained to move even the most hardened heart by paduka běifāng and a hia haru, the stone wielders. together with his beloved shrivijayans, the avatar would liberate the victims of war under ōzai's tyrant rule.

however, it was out of āng's prior knowledge that he would possess karmic ties with the very son of his own enemy through vortex of conflicted, mortal feelings. willingly bestow thousands of blessings to zukō's thousands of prayers, he would, but even as the emanation of god, āng still could not simply pull the strings of fate as he selfishly pleased.

by the will of sang hyang widhi, āng was destined to succeed in ending the misdeeds of fire breather’s forefathers, but at the cost of his heart falling forever in unfulfilled love. for he knew, that even though zuko took the role of mirabai to krishna, their wish to be united would be granted only in death like that of layla and majnun.

for @zukaangweek third day prompt: sacred/possesive

[shinymoonbird]

Bhikshanta Shiva - Supreme Naked Beggar

✨

A comprehensive description by Yogi Ananda Saraswathi:

BHIKSHATANA is a manifestation of Lord Shiva as the Supreme Naked Beggar. Bhikshatanar is the murti who asks for alms. He is smeared in white ash, forehead bears the Tripundra, the Shaiva tilaka composed as three horizontal lines with red dot in the middle; with good omen in eyes, fingers with grass to the right, with Trishula and Kapala in the left hands, nice paduka in feet, with dangling red matted hair, jatamandala or jatabhadra, disheveled matted locks, moon on head, patta, ornamental head band, deer-mrigam in the right hand, a vessel for alms in the left, with bulged belly, multiple necklaces, armlets, elbow bands, bracelets, snake tied around his waist, white yagnopavita worn across the chest, followed by love-sick women, so much describes Bhikshatana. Various Puranas describe the backdrop of Lord Shiva taking this manifestation. In the South, Bhikshatana has a different depiction. The front arm is stretched out and downwards. It is holding a bit of grass or another plant in the kataka gesture, near the mouth of a deer who is leaping playfully by his side. The back arm is raised holding a Damaru. The front left holds a Kapala for begging. The back left hand holds a Trishula decorated with peacock feathers. The left leg is firmly rooted in the ground while right is slightly bent. He wears the wooden sandals, the Paduka or is barefoot. His attendants, the ganas and women, often seven in number eager to embrace him, follow. These women are shown to have their cloths slipping from the loins symbolizing lust. This depiction shares much of Bhairava iconography and is linked to the forest legend. This begging iconography is also described in the Satarudriya. It is symbolic of a sustainer of the universe and life-sustaining food. Again this is uniquely from the ascetic Kapalika and Pashupata sects. Images of Bhikshatana are found throughout South Indian Shaivite temples and almost unknown in Northern Indian. Near naked, the phallus is covered either by a tiger skin loin cloth or heavily ornamented as a cover. UPADESA UNDHIYAR: Sri Muruganaar’s Tiruvundyar reached up to Verse 70. As Muruganar was translating this story to Tamil he stopped at the part where Siva is to teach the rishis. Since this portion was to be in the voice of Siva as the Mahaguru, he wanted Bhagavan Ramana to complete this portion. In Murguna’s eyes, Bhagavan was a manifestation of Siva Himself. Bhagavan was compassionate to write the remaining portions. These verses narrate Lord Siva enlightening the ascetics of the Daruka Forests. As such Verses 70-137 was sung by Bhagavan. This culminated as 37 verses in Upadesa Undihyar. It was later translated in sanskrit as Upadesa Saram. DARUKAVANAM FOREST: The background story of Daruka or Darukavanam Forests is this. While the Puranas describe the householder ascetics life, their tapas shows that they were following the path of ‘kamya karma.’ This mean one emphasizes on deeds and performing rituals. They were performing tapas for a long duration and prayed to Siva. They were staunch ritualists who believed that rituals karmas were the way to ultimate Bliss. They exhibited their ignorance by performance of various kinds of yagas and yagnas –sacrificial rites to obtain siddhis – powers for both this world and the next. They had become intoxicated by the use of mantras, yantras and tantras techniques. ‘Karma alone is of foremost importance; even God cannot prevent them from yielding fruits’ was their arrogant attitude. So they stopped worshiping God. They were not to realize that, whatever be the deeds, is there One Who provides the doer with the fruits? How can inanimate deeds automatically give fruits. Not realizing these facts, the rishis pursued their dogma of karma. These paths are prescribed by the Purva Mimamsa school which concerned with the interpretation and practice of Karma Kanda. This portion of Vedas relates to rituals and ceremonial rites. In all His compassion, Lord Siva appears to purify their minds by teaching the ultimate truth. This was to make them realise that actions are born out of ignorance of one’s own nature. Knowledge is the only way to the Ultimate Reality. So Lord Siva’s makes his advent as a Bhikshatanar-beggar. Vishnu accompanies as his wife, Mohini, glamorous girl. In this form the Lord is naked but quite enchanting. His appearance is Urdhvalinga, with an erect phallus. So was Mohini. The Naked Lord came to the street of the rishis to get alms and Mohini followed Him. The rishis are attracted to the enchanting Mohini and started following her. They forgot all about their karmas. On the other hand the rishi pathinis, the wives, are attracted to the robust-built Siva. They forgot what they were doing, allowed their clothes to fall off and followed Him. They were also dancing, singing and love-sick. The rishis get upset. They started to have double standards. While they were in pursuit of Mohini, they got upset with Siva as their wives have lost their virtue by following a Naked Beggar. So they uses all the mantras and ritualistic powers to destroy Siva. They performed abhichayagam which will produce bad effects. They directed snakes, demons, tigers, fire and drum that came out of the yagna fires against the Lord. Siva was beyond defeat and made them all as ornaments. He peeled off the skin of the tiger and wore it round his waist; caught hold of the ball of fire in his left hand and held it aloft and calmed the serpent and wore it round his neck as an ornament. By now, Lord Shiva had begun to dance in joy. This irritated the rishis because the wives started to enjoy the dance. So they set up the monster against him, He dwarfed the monster, stood on it on one leg and continued his dance. Vishnu and the others were charmed by this Ananda Tandava - Joyous Divine Dance of the Lord. Finally the forest dwellers realise Siva’s true nature when Anusuya, the wife of sage Atri enlightened the sages that the Beggar couple was none other than Shiva and Vishnu. PASHUPATA: Shiva later returned with Parvati and eventually revealed his Supreme form and exalted the Pashupata vow – by which a man restrains his passion, becomes celibate, and roams naked smeared with holy ash, declaring that such a lifestyle would lead to moksha. The forests prostrate at his feet and beg for knowledge. Lord Siva led the ascetics from their low level spiritual maturity. They had to be elevated gradually from the grosser methods of spiritual practice such as puja, japa, dhyana and pranayama towards the refined method of Self-enquiry. Siva takes His true form and taught that “there is only one thing here that is called the Self or God or Brahman. Whatever is seen in this dual world is only Consciousness and not different from it, and that perfect Blissful Consciousness You are. KURMA PURANA: Brahma declares that he is the Supreme Creator of the Universe in the council of rishis. Lord Shiva appeared as an infinite pillar of light and challenged Brahma. The council accepts Siva’s superiority. Brahma remains obstinate and upsets Siva. He transforms into a terrifying Bhairva and cut off one of Brahma’s heads with the flick of his fingernail. This form is depicted as Brahmashirascheda Murti. Brahma’s death is redeemed by his lifetime asceticism. Thereafter Brahma accepts Shiva’s superiority. The story does not end here. The Shiva Purana, Matsya Purana and Skanda Purana give different reasons for the decapitation. The reason given is Brahma’s lust and incest for his daughter. However all the Puranic versions point to Brahma’s head getting stuck to Bhairava Shiva’s left palm. KAPALIKA: It is also a sin to kill a Brahmin as this is Brahmahatya or brahamnicide. To expatiate the sin of brahmahatya, Shiva as Bhikshatana, had to perform the vow of a kapali, wondering as a naked beggar with the skull as the begging bowl. He wanders the three worlds begging from door to door accompanied by bhutas. Here again women are attracted to Bhikshatana despite his appearance, singing and dancing. He finally reaches the Daruka forest. There he shocked the sages with his ‘lewdness and nudity’ and also tempts the sage’s wives. But Bhikshatana-Shiva made them realize his greatness after they confronted them. There are various other plots related to his wanderings. After the Daruka forest encounters, Bhikshatana reaches Vishnu’s abode. The gatekeeper, Vishvaksena refuses entry. He is killed and the corpse is impaled on Shiva’s Trishul. This is an additional sin. Kankala Murti is the form of Siva with a corpse on the Trishula. He enters Vishnu’s abode to beg for food, where one version states that Vishnu offered his own blood. The other version is Vishnu cutting an artery on Bhikshatana’s forehead and a stream of blood spurting into the begging bowl. Vishnu then directed Bhikshatana to make a sacred trip to Varanasi to expatiate his sin. At Varanasi, Brahma’s skull falls off Bhikshatana at a place called Kapala-mochana. It means ‘liberating from the skull’ and Vishaksena’s corpse also disappears from the Trishula but he is revived to life by Shiva. Now Bhikshatana enters the sacred ponds of Varanasi. He then casts off the Bhikshatana form to return to Kailash. KAPALESHVARA: This legend in the Skanda Purana narrates that Bhikshatana appears as a naked, fierce Kapali beggar. In a sacrifice hosted by Brahma, Bhikshatana appears and begs for food. He is driven away by Brahmin because they find a begger unfit to attend sacrificial rites. Bhikshatana throws his skull begging bowl on the ground and the brhmins throw it out. But other skulls appear in its place. Consequently hundreds of skulls appear and pollute the sacrifice. This compels Brahma to promise that no sacrifice would be complete without invocation to Kapalshvara-Shiva, the Lord of the Skulls. Yogi Ananda Saraswathi

[godsgift730]

Happy Birthday to Her Majesty Raja Isteri Pengiran Anak Hajah Saleha.. Selamat Puja Usia kehadapan majlis Kebawah Duli Yang Maha Mulia Paduka Seri Baginda Raja Isteri Pengiran Anak Hajah Saleha binti Al-Marhum Pengiran Pemancha Pengiran Anak Haji Mohamed Alam https://www.instagram.com/p/CUurXtrBRM9/?utm_medium=tumblr

[mindfullofyoga]

What comes around goes around.

We invite all of you to come hang out with Babaji Mahavatar.

We again have the honor this year to host the Babaji Ashram Paduka Puja tour. We welcome the sandals (Padukas) from the deathless Himalayan master Babaji to our Jordaan studio. According to tradition a visit from his sandals equals to a visit from him in the body. So please feel free to join us for Dharsan. We will celebrate with a traditional Indian Puja (fire offering) and chanting Bhajans and Mantras. 

This is a free program open to all.

Svaha Yoga Amsterdam

[hairoladiman]

اَلْحَمْدُلِلّٰه Dengan bersyukur ke hadrat Allah SWT merafak sembah & kesyukuran menyambut Puja Usia kehadapan Majlis Kebawah Duli Yang Maha Mulia Paduka Seri Baginda Sultan dan Yang Di-Pertuan Negara Brunei Darussalam Sempena Hari Keputeraan Baginda yang ke 76 Tahun. YA ALLAH, LANJUTKANLAH USIA KEBAWAH DULI TUAN PATIK & KEKAL KARAR MEMERINTAH DI ATAS TAKHTA أَمِيْن أَمِيْن أَمِيْن يَا رَبَّ العَالَمِينْ DAULAT KEBAWAH DULI TUAN PATIK! (at Istana Nurul Iman) https://www.instagram.com/p/CgA2ZzMBN8eCU-S7hB5ROU1tiqnVYHA5KcTi5s0/?igshid=NGJjMDIxMWI=

[booksblog663]

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[living-enlightenment]

🔱🌻 Wishing everyone a Happy Nithyananda Purnima, as all the Kailasas around the world and our sagha celebrate this auspicious day! Deep gratitude to our beloved Swamiji for landing on Mother Earth for humanity! Avatar’s love and compassion is beyond our ability to grasp with illusory sensory and intellectual capabilities! 🙏🏻 Kailasa Nithyanadeshwara Hindu Temple in Los Angeles invites you and your family, to join the celebration with us on the auspicious occasion of Nithyananda Purnima, as we offer our love and gratitude to SPH Bhagavan Sri Nithyananda Paramashivam, celebrating his first enlightenment day. This is the day he experienced Oneness with everything and a 360 degree vision while sitting at the foothills of Sri Arunachala Hill. This is the same rock on which Devi Parashakti sat, as she performed tapas and achieved her enlightenment. 🔱 Sri Nithyananda Homa - Sunday May 15th 10:00am PST 🔱Sri Nithyananda Sahasranamam Namavali Puja - Sunday May 15th 5:00pm PST Followed by Paduka Puja and Maha Aarti Bring your entire family for these celebrations. 🔱🌻 Sponsorships are available at: tiny.cc/sponsorships @srinithyananda @nithyanandeshwaratemple_la #Kailasa #Nithyananda #Enlightenment #Spirituality #yoga #nithyanandayoga #spiritual #bhakti #spiritualawakening #avatar #losangeles #cosmicconsciousness #superconsciousness https://www.instagram.com/p/CdlasxwryDR/?igshid=NGJjMDIxMWI=

[pujacelebration]

Lakshmi Paduka Darbar | Puja Celebrations

[kailasataiwan]

帕冉瑪希我含三級課程的第 3 天，日期為 3 月 3 日。 從新加坡標準時間（SGT）晚上 10 點到第二天下午 4 點結束，我們度過了非常忙碌的 18 小時。 這一天開始於： 1) 1 小時第一套108式呼吸與體式同步漸進式尼希亞南達瑜伽（Nithyananda Yoga, Prathama Vinyasa Krama）。 2) 一系列的智慧課程，包括關係的圓滿、自我的圓滿（我的世界和真實的世界）、健康的圓滿、財富的圓滿、非二元生活課程、前世回述——圓滿你的 3 層過去。 3) 蒙眼閱讀的超能力顯化。 顯然，亮點是每天與斯瓦米吉的長時間會議。 這一天，印度（興都）教最高教皇 聖尊尼希亞南達 帕冉瑪希瓦上師進行了 2 次非常強大的點化： 1) 《生活在開悟的智慧中》日—— 3 月 3 日是《生活在開悟的智慧中》日，點化進入生活在開悟的智慧中，慶祝 2010 年 3 月虛假視頻和迫害等反印度教元素得到破壞。 2）平行宇宙中的數量和頻率。 星期五是我的寺廟服務日，我去新加坡凱拉薩供奉神像。在我完成所有的禮拜法事（puja）時，一切都非常順利，之後我準備與祂坐在一起上課。 接下來，斯瓦米吉在 ZOOM 上直播並與我們一起度過了 5 個小時，他介紹了“平行宇宙——數字和頻率”的主題。太多平行宇宙的神聖秘密被揭露了——簡直太令人震驚了！ ！核心是第一個平行宇宙被稱為數字宇宙——一切都是數字。你的大腦能夠將數字轉換為母語，用母語處理並將其轉換回來，這些知識將為你的健康創造奇蹟！如果你通過電磁力和核力為這個數字宇宙（與震動頻率遊玩）提供燃料，則稱為人工智能（AI）。斯瓦米吉向我們展示瞭如何增加財富、名聲和名望，保持清醒，保持健康和增加線粒體（細胞能量）！一切都在了解條形碼！然後祂帶我們進入了凱拉薩和數字與頻率平行宇宙的第一次神秘點化。 讓我在這裡記錄一下我的個人體驗！ 點化開始的那一刻，能量讓我不自覺地閉上了眼睛，我發現自己面對著像神——這就是每當我降落在凱拉薩山時他都會向我打招呼的方式。就像新西蘭毛利人的土著部落如何揉鼻子一樣，像神把他的臉放在我的臉上。我看到南迪牛神在他身後。凱拉薩山的白色景觀中還有其他生物，但我看不清楚。 突然，我聽到斯瓦米吉叫我們睜開眼睛，於是我被帶回了我的肉身所在的新加坡靈修院。祂引導我們看帕冉瑪希瓦的照片，並冥想他的 25 個頭、50 隻手和 75 隻眼睛。從 1 個頭開始，我看到我在第一層乘以 9 個頭，然後是 7 個頭、5 個頭、3 個頭，最後是頂部的 1 個頭。接下來，從 2 手，我開始將手增長到 50 手。當我看著我的 3 隻眼睛時，我覺得 24 個頭中剩下的 72 隻眼睛也被喚醒了。我感到如此沉重，巨大而有力。 當我凝視著屏幕上有 25 個頭的帕冉瑪希瓦的照片時，我突然發現我就是那 25 個頭的臉——它看起來像我。我看的時間越長，我越發現圖像不是 2D，它像 3D 一樣活生生地不斷發展。帕冉瑪希瓦不斷變化，Manom​​ani 也在不斷變化。太超現實了！ ！ 在那強烈的膨脹中，斯瓦米吉發出“OM”的一聲，突然我感到我的神性之輪（Ananda Gandha）能量爆炸，我的身體從我所坐的地面上抬起。爆炸並沒有結束，持續了二十多輪，我像能量球一樣在地上彈跳，懸浮！覺醒的昆達里尼能量伸展了我的整個脊椎後背，打開了我的整個正面身體和脈輪。 這個過程持續了 30 多分鐘，我的身體開始被如此多的昆達利尼能量所刺激。最後，當斯瓦米吉結束點化時，我的身體正好倒在我面前的他的聖履（paduka）上，深表感激。在這個激烈的點化之後，我在那里呆了一分鐘以保持鎮靜。 APPA！ ！ 今晚開始第 4 天 - 點化繼續，因為還有 14 個級別！敬請期待更多！ #ParamashivohamLevel3 #帕冉瑪希我含3級課程 #平行時空點化 #數字 #頻率 ～尼希亞南達翻譯小組 原文鏈接： https://www.facebook.com/ParamahamsaNithyananda/posts/519362882889881 #凯拉薩 #ParamashivohamLevel3 #SHRIKAILASA #尼希亞南達 #吠陀 #财富 #Nithyananda https://www.instagram.com/p/CbCrg1RLy4E/?utm_medium=tumblr

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