#Paul Dunlap

[mariocki]

The Naked Kiss (1964)

"You know what's different about the first night? Nothing. Nothing... except it lasts forever, that's all. You'll be sleeping on the skin of a nightmare for the rest of your life."

[screamscenepodcast]

You'll never see it coming! It's INVISIBLE INVADERS (1959) from producer Robert E. Kent and director Edward L. Cahn!

Starring John Agar, Philip Tonge, John Carradine and Robert Hutton, what moral imperatives will this DAY THE EARTH STOOD STILL-rip off impart?

Context setting 00:00; Synopsis 10:37; Discussion 25:21; Ranking 37:07

[meetmeinthesandbox]

Timeless Cool

[reluctant-martyrs]

Record exec: Hey, guys, you need to give your album a name if we're going to release it.

The Replacements:

[anxsity]

that time of year

Paul Baribeau, "Christmas Lights" // Sleeping At Last, "Snow" // Matt Dunlap, "We'll Leave the Light On" // Thomas Roppenecker // David Herzog

[quacka-quacka]

Hello ~

Just came across your post about Paul and Jim (pretty interesting!) and saw the part about Mal's death. Could you elaborate on that please?

I saw somewhere before that "something" had happened to him but I never looked for more..

Hello. Here are bits about Mal’s death in Many Years From Now:

The first member of the Beatles’ inner circle to die - after Brian Epstein - was their roadie and bodyguard Mal Evans, who was shot to death by police in his rented duplex at 8122 West 4th Street in Los Angeles on the night of 4 January 1976. His life had been defined by his relationship with the Beatles and when the band broke up, Mal not only had nothing to do but seemed to lose his identity. He separated from his wife Lil, who reportedly had asked for a divorce shortly before Christmas.

Mal moved to Los Angeles, where he lived with his new girlfriend Fran Hughes and worked on the manuscript of his memoirs, Living the Beatles Legend, which he was supposed to deliver to his publishers, Grosset and Dunlap, on 12 January. The evening of the 4th Mal had been so despondent that Fran Hughes called John Hoernie, Mal’s collaborator on the book, and asked him to come over. Hoernie said he found Mal crying, 'really doped up and groggy'. Mal told him, ‘Please make sure you and Joanne [Lenard, Hoernie's assistant on the book] finish the book.' Mal and John Hoernie went to an upstairs bedroom and in the course of Mal's incoherent conversation, he picked up an unloaded 30.30 rifle. A scuffle ensued, but Mal was a big, powerful man and Hoernie was unable to take the weapon away from him.

Fran telephoned the police and told them, 'My old man has a gun and has taken Valium and is totally screwed up.' Four cops arrived shortly afterwards and two of them, David D. Krempa and Robert E. Brannon, went to the upstairs room. According to the police report, when Mal saw the police officers he turned and pointed the rifle at them. Lieutenant Charles Higbie of the LAPD robbery and homicide division said, 'Officers directed him to put down the rifle. He refused to put down the rifle.' The cops fired six shots at him, four of which struck Mal, killing him instantly. Mal was an honorary sheriff of Los Angeles County.

PAUL: 'Mal was a big lovable bear of a roadie; he'd go over the top occasionally, but we all knew him and never had any problems. Had I been there I would have been able to say, "Mal, don't be silly." In fact, any of his friends could have talked him out of it without any sweat, because he was not a nutter.'

I don’t know what exactly happened on that occasion, still I find Paul’s defense kind of ridiculous - a guy who took advantage of girls who wanted to see the Beatles and used to put a gun against his girlfriend’s head doesn’t sound like a big lovable bear to me. He just didn’t treated Paul the same way he treated those girls, and Paul, beyond all doubt, never thought treating women like shit is a problem.

[paradlselost]

⠀ ⠀ ˙ . ꒷ 𝓕ANDOMS . 𖦹˙

TASK FORCE 141 — john price , simon ‘ghost’ riley , john ‘soap’ mactavish , gary ‘roach’ sanderson , kyle ‘gaz’ garrack , nikolai , ++ alex keller , farah karin , alejandro vargas , rodolfo ‘rudy’ parra .

KORTAC — könig , nikto , kim ‘horangi’ hong-jin , sebastian kruger ++ valeria garza , philip graves + the shadows , vladimir makarov .

TWO — arthur morgan , john marston , dutch van der linde , hosea matthews ( platonic only ) , abigail marston , mary beth gaskill , karen jones , tilly jackson , javier escuella , sean mcguire , charles smith , lenny summers , josiah trewlany , sadie adler , molly o’shea , kieran duffy , albert mason , charles châtenay , eagle flies , proetus + acrisius .

ONE + REVOLVER — jack marston ( teen + adult only ) ++ red harlow .

NEW VEGAS — arcade gannon ( mlm only ) , benny gecko , craig boone , fantastic , jason bright , joshua graham ‘ the burned man ’ , robert house , sunny smiles , viktor , yes - man .

FOUR — nate / nora , ada , cait , curie , paladin danse , deacon , desdemona , glory , john hancock , nick valentine , piper wright , porter gage , preston garvey , robert maccready , x6 - 88 .

SHOW — lucy maclean , norm maclean , the ghoul - cooper howard , maximus , lee moldaver , thaddeus .

VOUGHT — homelander , a-train , black noir , black noir II , queen maeve , lamplighter , translucent , firecracker , sister sage , the deep , ashley barrett , soldier boy , crimson countess , stan edgar .

THE BOYS — billy butcher , hughie campbell , annie january , sergei ‘frenchie’ , kimiko , marvin milk .

OTHERS — victoria nueman , luke riordan , andre anderson , cate dunlap , marie moreau , jordan li , emma meyer , sam riordan , maverick , popclaw , webweaver .

SLASHERS — jason vorhees : friday the thirteenth , michael myers : halloween og + rz , billy loomis : scream , stu macher : scream , brahms heelshire : the boy , harry warden : my bloody valentine , billy lenz : black christmas , bo sinclair , vincent sinclair , lester sinclair : house of wax , bubba sawyer : texas chainsaw massacre , thomas hewitt : texas chainsaw massacre reboot + beginning .

FAR CRY — john seed , joseph seed , jacob seed , faith seed , sharky boshaw , jess black , hurk drubman jr , adelaide drubman , grace armstrong , jerome jeffries , eli palmer , joey hudson , staci pratt , earl whitehorse . pagan min , ajay ghale . vaas montenegro , jason brody .

BALDURS GATE 3 — orgin dark urge , gale dekarios , astarion ancunín , shadowheart , lae’zel , wyll ravengard , karlach , halsin , jaheira , minsc , minthara , dame aylin , isobel thorm , omeluum , the emperor , rolan , dammon , ketherick thorm , enver gortash , orin , kar’niss , nym , sorn , raphael .

SUPERNATURAL — dean winchester , sam winchester , castiel , gabriel , adam winchester , lucifer , michael , anna milton , charlie bradbury ( wlw only ) .

OTHER — connor : detroit become human , joe goldberg : you , eddie gluskin : outlast whistleblower , father paul hill / john pruitt : midnight mass , riley flynn : midnight mass , sheriff hassan shabazz : midnight mass , kurt wagner : x - men , remy lebeau : x - men , peter maximoff : x - men , adrian chase : peacemaker , abner krill : suicide squad , edward nashton : batman .

[stevebattle]

ComRo Tot TMC3000 by Jerome Hamlin (1982), ComRo Inc., New York, NY. The Comro Tot mobile programmable multilingual personal robot is fully programmable, and can also be operated using radio-control. It has a four-wheeled mobile base, both arms are functional, and its head rotates, enabling it to perform a wide variety of tasks including serving drinks. It’s based on a SYM-1 6502 computer, and like Comro 1, can talk using the Votrax SC-01 speech synthesiser. The body is fibreglass painted white. A TMC3000 was the top prize in a sweepstake run by Warner Communications, called the “GREAT Robot Giveaway” (final image); runners-up won a Comro Tot T-Shirt. Tot also made an appearance at the “Robot Exhibit: History, Fantasy and Reality” at the Avenue of the Americas in 1984. “WORDS failed Tot. It was only days before he was to usher visitors into the new exhibition at American Craft Museum 2, and all he could do was flail his arms or blurt out the wrong time. ''He's not outputting speech properly,'' said his creator, Jerome Hamlin. ''His battery must be low.'' Running out of whatever it is that passes for patience in a robot, Tot advanced - right arm raised - toward the museum's director, Paul J. Smith. ''Is he handing me a glass of water?'' Mr. Smith asked hopefully. ''No,'' Mr. Hamlin answered, ''this is an attack.'' The assault turned into a simple feint, so Mr. Smith walked off, unharmed.” – PAST AND PRESENT ROBOTS GATHER FOR EXHIBITION, by David Dunlap, The New York Times, Jan 12, 1984.

In 1984, "The Tot robot, manufactured by the now-defunct company Comro, puts a California sea lion through a series of tests during a demonstration at the New York Aquarium at Coney Island. The aquarium said at the time that they had plans to study the feasibility of incorporating a robot into its marine mammal shows." – Betamax and Chill But One of You is a Robot and the Other is a Seal, Paleofuture.

The video clip is from 'The Equalizer', Season 1 Episode 20 (1986) via Scott McDonnell's "80's Robot Revival."

[theultimateflix]

Gen V is an American superhero television series, developed by Craig Rosenberg, Evan Goldberg, and Eric Kripke, serving as a spin-off of The Boys by Kripke, and based on The Boys comic book story arc "We Gotta Go Now" by Garth Ennis and Darick Robertson. The series serves as the third entry in The Boys franchise.

The series, set concurrently with the fourth season of The Boys, premiered on Amazon Prime Video on September 29, 2023. In October 2023, less than a month after its premiere, the series was renewed for a second season.

Premise

Young adult superheroes, or "supes", are tested in battle royal challenges at the Godolkin University School of Crimefighting founded by Patrick Godolkin run by Vought International.

Cast

Main

Jaz Sinclair as Marie Moreau, a hemokinetic (the ability to psychically manipulate blood) Supe with a tragic past.

Jaeda LeBlanc portrays a young Marie.

Chance Perdomo as Andre Anderson, a popular student and Luke's best friend with magnetic manipulation capabilities.

Lizze Broadway as Emma Meyer / Little Cricket, a Supe with the ability to alter her size by "purging" or eating.

Maddie Phillips as Cate Dunlap, a Supe with telepathic abilities, primarily in the form of tactile mind control, and Luke's longtime girlfriend.

Violet Marino portrays a young Cate.

London Thor and Derek Luh as Jordan Li, a Supe gender-shifter. Thor portrays Jordan's feminine form who can fire energy blasts and Luh portrays Jordan's masculine form who has superhuman durability.

Asa Germann as Sam Riordan, a young Supe with superhuman strength and durability.

Cameron Nicoll portrays a young Sam.

Shelley Conn as Indira Shetty, the dean of Godolkin University and former behavioral therapist who does not have superpowers.

Recurring

Patrick Schwarzenegger as Luke Riordan / Golden Boy, Sam's older brother and a popular student with pyrokinesis and superhuman strength.

Maia Jae Bastidas as Justine Garcia, a Supe influencer attending the Crimson Countess School of Performing Arts

Daniel Beirne as Social Media Jeff, the social media manager for Godolkin University.

Sean Patrick Thomas as Polarity, Andre's dad and a famous superhero who is a trustee at Godolkin University.

Alexander Calvert as Rufus, a psychic student at Godolkin University who possesses telepathy, astral projection, and clairvoyance.

Marco Pigossi as Dr. Edison Cardosa, a therapist at "The Woods".

Guest

Ty Barnett as Malcolm Moreau, Marie's father

Miata Ada Lebile as Jackie Moreau, Marie's mother

Robert Bazzocchi as Liam, a classmate of Emma's

Alex Castillo as Vanessa Haycraft III

Clancy Brown as Richard "Rich Brink" Brinkerhoff, a renowned professor at Godolkin University and Chairman of the Lamplighter School of Crimefighting.

Warren Scherer as The Incredible Steve, a student with a healing factor sufficient to reattach lost body parts.

Jessica Clement as Harper, a rat-tailed student at Godolkin University.

Siddharth Sharma as Tyler Oppenheimer, a student with intangibility.

P.J. Byrne as Adam Bourke

Jackie Tohn as Courtenay Fortney

Matthew Edison as Cameron Coleman

Laura Kai Chen as Kayla Li, Jordan's mother.

Peter Kim as Paul Li, Jordan's father who disapproves of their gender-shifting ability.

Derek Wilson as Robert Vernon / Tek Knight, a former supe turned true-crime TV host who uses his show to cover up scandals for Vought.

Jason Ritter as himself via Sam's hallucinations of an episode of the educational TV series Avenue V.

Andy Walken as Dusty, a Supe resembling a teenager whose body ages slowly.

Special guests

Elisabeth Shue as Madelyn Stillwell

Jessie T. Usher as Reggie Franklin / A-Train

Colby Minifie as Ashley Barrett

Chace Crawford as Kevin Moskowitz / The Deep

Jensen Ackles as "Soldier Boyfriend", Cate's childhood imaginary friend who is based on the films of Soldier Boy

Claudia Doumit as Victoria Neuman

[freetheshit-outofyou]

USS Albacore (SS-218), a 311-foot, Gato-class submarine lost 7 November 1944 of the coast of Hokkaido Japan, she was presumed lost on 21 December 1944 and struck from the Naval Vessel Register on 30 March 1945, found 16 February 2023.

The USS Albacore earned 9 battle stars, received 4 Presidential Unit Citations and was responsible for sinking at least 10 ships.

Below is a listing of the ships compliment, their names are written in memorial at the National Memorial Cemetary of the Pacific in Honolulu, Hawaii:

IN THESE GARDENS ARE RECORDED

THE NAMES OF AMERICANS

WHO GAVE THEIR LIVES

IN THE SERVICE OF THEIR COUNTRY

AND WHOSE EARTHLY RESTING PLACE

IS KNOWN ONLY TO GOD

Walter Henry Barber, Jr., Kenneth Ripley Baumer, Henry Forbes Bigelow, Jr., Edward Brown Blackmon, William Walter Bower, Allan Rose Brannam, Herbert Hodge Burch, Nicholas John Cado, John Joseph Carano, Charles Lee Carpenter, James Louis Carpenter, Pasquale Charles Carracino, Stanley Chapman, Douglas Childress, Jr., Frederick Herbert Childs, Jr., Perry Aubrey Collom, Audrey Cecil Crayton, Eugene Cugnin, John Wilber Culbertson, Philip Hugh Davis, Ray Ellis Davis, Fred Wallace Day, Julius Delfonso, James Leroy DeWitt, James Thomas Dunlap, Carl Hillis Eskew, John Francis Fortier, Jr., Gordon Harvey Fullilove, Jr., John Wilfred Gant, John Paul Gennett, William Henry Gibson, John Frederick Gilkeson, Charles Chester Hall, James Kenneth Harrell, Robert Daniel Hill, Allen Don Hudgins, Donald Patrick Hughes, Eugene Edsel Hutchinson, Burton Paul Johnson, Sheridan Patrick Jones, George Kaplafka, Nelson Kelley, Jr., Morris Keith Kincaid, Victor Edward Kinon, Joseph Mike Krizanek, Arthur Star Kruger,Walter Emery Lang, Jr., Jack Allen Little, Kenneth Walter Manful, Patrick Kennyless McKenna, Willie Alexander McNeill, Joseph Norfleet Mercer, Leonard David Moss, Richard Joseph Naudack, Encarnacion Nevarez, Joseph Hayes Northam, Frank Robert Nystrom, Robert James O'Brien, Elmer Harold Peterson, Charles Francis Pieringer, Jr., James Teel Porter, Jerrold Winfred Reed, Jr., Francis Albert Riley, Hugh Raynor Rimmer, A. B. Roberts, James Ernest Rowe, Philip Shoenthal, George Maurice Sisk, Joe Lewis Spratt, Harold William St. Clair, Arthur Lemmie Stanton, Robert Joseph Starace, John Henry Stephenson, Maurice Crooks Strattan, Earl Richard Tanner, William George Tesser, Paul Raymond Tomich, Charles Edward Traynor, Theodore Taylor Walker, Elmer Weisenfluh, James Donald Welch, Richard Albert West, Wesley Joseph Willans, Leslie Allan Wilmott, David Robert Wood

[filmnoirfoundation]

NOIR CITY 20 day five at Oakland's Grand Lake Theatre: HOLLOW TRIUMPH (5:00) & THE HUNTED (9:00). Films introduced by Eddie Muller. Tickets and full festival schedule: www.NoirCity.com

Tuesday • January 24

DOUBLE FEATURE

7:00 PM

HOLLOW TRIUMPH

Fugitive crook Johnny Muller (Paul Henreid) finds the perfect hiding place—in the guise of a psychiatrist who is his identical twin ... almost. One of the sublime examples of noir fatalism with a clever script that will keep you guessing right up until the end. It's also an amazingly evocative look at 1940s Los Angeles, photographed by the great John Alton. This was the first film produced by romantic leading man Henreid, who like many actors in the late 1940s turned to crime dramas to revitalize their careers. Co-starring Joan Bennett at her flinty best.

Originally released August 18, 1948. Eagle-Lion, 83 minutes. Screenplay by Daniel Fuchs, from the novel by Murray Forbes. Produced by Paul Henreid. Directed by Steve Sekely.

9:00 PM

THE HUNTED

Paroled after serving a prison term for her part in a jewel heist, Laura Mead (Belita) returns to the city looking to reclaim her life. Waiting in the shadows is her former boyfriend, detective Johnny Saxon (Preston Foster), who may have railroaded her into the pen out of jealousy. Is Laura ready to forgive … or make good on her jailhouse threat to kill the men who sent her up? A strange, hypnotic twist on the femme fatale tale, resurrected from obscurity in a 35mm preservation print funded by the Film Noir Foundation.

Originally released April 7, 1948. Allied Artists [Warner Bros.], 88 minutes. Screenplay by Steve Fisher. Produced by Scott R. Dunlap. Directed by Jack Bernhard. 

[lindenattic]

right so for stick figure suicide i got:

Sprout = Chris Anderson

Paul Suicide = Paul Dunlap

The Cuban = Omar Puebla

Emo Maggot = Neil Sabatino

Ducky = Keith Slater

Snee?

Mikey?

Mark/Remark?

The Nut?

Pigpen = Tymmo ? (ended up in Hopeless Dregs of Humanity, god knows if ill get a last name though)

Steve? (was in Speedbump! and Chasing The Yellow Line but I cant get any worthwhile info from looking into either of those

B-Nut? Separate from The Nut?

i gotta go eat dinner

[jayhawksofficial]

Random Archival Dig 10 (3-2-23)

More from The Jayhawks Archive HERE

Compilation Special Edition - part 1

Jayhawks music has appeared on a number of compilations over the years dating all the way back to 1986 (see below). These releases have included many radio station live session collections, promo samplers, some totally random concoctions and even a few film soundtracks.

Here's an interesting one from 2006, a benefit CD released in the wake of the Hurricane Katrina disaster - For New Orleans: A Benefit For The Musicians' Village Habitat For Humanity, featuring Dan Wilson, Marshall Crenshaw, Indigo Girls, Jeff Buckley and several Twin Cities artists, including a rare, exclusive Paul Westerberg track under the guise of "PW & The Honky Heartattax." The Jayhawks, who were on hiatus at the time, contributed "Caught With a Smile on My Face," an early 2000s demo recorded at Flowers Studio in Minneapolis that originally appeared on the More Rain bonus disc of the 2003 deluxe edition of Rainy Day Music. Gary Louris also contributed a brief essay to the booklet. The Jayhawks didn't have an official website at the time so the old Jayhawks Fanpage (RIP) was listed instead.

"Caught With a Smile on My Face" made a handful of live appearances in 2003, a one off in 2016 and has also been performed by Gary Louris on some of his livestreams in recent years.

The Jayhawks first compilation appearance was in 1986 on Big Hits of Mid-America, Volume IV, released on LP by Twin/Tone, the legendary Minneapolis indie label. The Big Hits compilation series started in the mid 60s with two volumes on the Soma label, featuring many classic Minnesota bands of the era (The Castaways, The Underbeats, The Gestures, et al). Twin/Tone revived the series in 1979 with a 2LP set that collected many of the best local acts at a time when the punk and new wave scenes were exploding. Big Hits 3 very much helped to (re)establish the Twin Cities as one of the key music scenes in the country, a reputation that it still holds to this day.

The 4th Big Hits volume came out at a time when Twin/Tone was in a transitional period. They had already lost their 2 biggest artists, The Replacements & The Suburbs, to the majors, with Soul Asylum soon to follow (although The Replacements rhythm section does appear here on one track).

Big Hits 4 is of special interest to Jayhawks fans:

It features an early track unique to this compilation, "Jesus in the Driver's Seat," which was a popular song in the band's live act at the time.

Interestingly, all of Louris' former band mates in Safety Last appear here in a couple of places: backing about-to-be Replacement Bob "Slim" Dunlap on one of his songs and on a song by Twa Corbies (Lianne Smith and Jim Tollefsrud), which also features guitarist Dan Gardner, who would briefly play with The Jayhawks in 1988 after Louris took time off after a serious car accident.

Finally, the late Caleb Palmiter, who had formed a short-lived, early version of The Jayhawks with Mark Olson in 1984, is here with The Magnolias playing bass on a song he co-wrote.

Jayhawks tracks would also appear on Twin/Tone promo samplers in 1989 and 1992. A few years after Big Hits 4, The Jayhawks signed to Twin/Tone who would release Blue Earth in 1989, which directly led to the band signing a major label deal. The rest, as they say, is history.

Big Hits 4 has never been physically reissued and is mostly missing from the streaming platforms, but it is available on Apple Music HERE with song previews.

The Jayhawks artist page at Twin/Tone HERE

Twin/Tone compilation page with song previews HERE

1989 Twin/Tone Jayhawks bio

[byneddiedingo]

Richard Loo, Richard Monahan, and James Edwards in The Steel Helmet (Samuel Fuller, 1951) Cast: Gene Evans, Robert Hutton, Steve Brodie, James Edwards, Richard Loo, Sid Melton, Richard Monahan, William Chun, Harold Fung. Screenplay: Samuel Fuller. Cinematography: Ernest Miller. Art direction: Theobold Holsopple. Film editing: Philip Cahn. Music: Paul Dunlap. We tend to think of the American civil rights movement as beginning on May 17, 1954, when the United States Supreme Court handed down the Brown v. Board of Education decision, declaring segregated schools illegal. But it's worth giving credit for the climate change that led to the decision to many precursors, including, of all things, the Hollywood film industry. Timid and tepid as "race-conscious" films like Pinky (Elia Kazan, 1949) and No Way Out (Joseph L. Mankiewicz, 1950) seem to us today, they were made by major directors, and showed a willingness to confront American racial conflict that would have been unwelcome a decade earlier. But maybe no movie suggests how profound that change in attitudes would become than Samuel Fuller's The Steel Helmet, an unabashedly low-budget movie, shot in ten days, by a director regarded as second-string and a producer, Robert L. Lippert, known as "The Quickie King." It's a war movie with all the clichés of the genre, including the old familiar melting-pot cast of soldiers, except that in the war movies of the 1940s, made as morale boosters, the ingredients in the melting pot were mostly of European origins: Irishmen, Italians, Swedes, and so on, and a mix of Catholics, Protestants, and Jews. But Fuller's Korean War-era melting pot added an African-American medic and a Japanese-American sergeant to the mix. And it directly confronted the issue of racial discrimination when a North Korean POW taunts both men about their lives back home. Granted, the response of the medic, Cpl. Thompson, is a little disappointing, essentially a these-things-take-time shrug, but the fact that a black actor, James Edwards, has been included in the cast, and on a more-or-less equal footing -- he sasses back when sassed -- is extraordinary. And the POW's mention of the American internment camps for Japanese-Americans is one of the first references in a movie to what was then still a little-known blot on American justice. Because Fuller is just so damn good at telling a story and keeping the action hot, all of this goes by without feeling like a blatant attempt to stir the liberal conscience. If his characters are stereotypical -- Sgt. Zack (Gene Evans) isn't much more than the hard-bitten, cigar-chomping old hand, and Lt. Driscoll (Steve Brodie) is the greenhorn officer a bit out of his depth -- Fuller still knows how to put them into play. He works miracles with locations that are clearly not Korean or even Asian -- they were shot in Griffith Park in L.A. -- and with studio sets -- a door in the Buddhist temple slams and the wall visibly shakes. It's doubtful that The Steel Helmet converted any racists in the audience, but the fact that it must have got them into the theater at all -- it grossed more than $6 million on a budget of a little over $100 thousand -- is a tribute to Fuller.