#Pentax Program A
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Coney Island by Ellen Munro
#35mm#35mm film#Analogue#SLR#film SLR#Pentax Program A#Pentax#film#New York#NYC#USA#New York City#Coney Island#Brooklyn#seaside#beach#promenade#parade#pier#Tower#flickr
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…so i bought another camera.
#thoughts#so now i have my canon ae-1 program and a polaroid now and a pentax pc35af-m and now the bewest addition is a pentax iqzoom 160#i got it specifically because of the zoom because yes ill be bringing that to red rocks despite being row 5#anyways feel free to beat me with a rolled up newspaper
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Absolutly love this photo
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Untitled by psychedelicatessen Via Flickr: get on my body.
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I am sorry to be rattling on about my AI work, but it is as if my photographic eyes have had some cataracts removed!
Eight years ago I took this...

And today in less than a minute, I made it do this!!!
It's a bit bloody scary! You usually have to describe in detail what to want to happen. I just put this into the program, wrote nothing, and just clicked on generate! Before my eyes they start walking!!
I mean....bloody hell, to see that happen on my phone before my eyes, strewth!!! It is bloody spooky! And I must have about ten thousand photos I have taken over the last fifteen years.
I could edit the little video and export the last frame and let it do it again, then again etc...God knows where they would end up! And all from one seconds click of my old Pentax all those years ago.
An amazed Asa!
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the earth has music
shot on Kentmere 400 pushed 1 stop in a Pentax Program A
#film#film photography#photography#analog#shoot film#35mm film#black and white#urban photography#pushed film#kentmere pan 400#pentax
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I know through instagram that a lady in my program has an Asahi Pentax camera that I myself desire and I am tempted to talk to her about it but I will not because I am not interested in making any new female friends and because I do not want it to seem like I am interested in anything other than the Asahi Pentax camera because I know and you know that I am definitely just interested in that camera but man talks to woman about photography is a well worn script that I am not about to appear to be indulging and she is definitely going to think that's what I'm doing
Therefore I am telling you lot about it instead
it's just a cool camera that LRRPs happened to use
#footnoteinhistory here has one too#and we have discussed it#oh also even though it's y'know instagram and we follow each other and know each other and she's putting it all out there anyway#I feel like--all else being equal--'hey i saw in your reel you have an asahi pentax' is just slightly too weird even for me
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June 2024 JAPAN
■Podcast No.3925 PENTAX 17:)
My Podcast It's a Japanese program :)
■Spotify
■Apple Podcast
■Google Podcast
■Amazon Music for Podcast
© KOJI ARAKI Art Works
Daily life and every small thing is the gate to the universe :)
#2024#June#June 2024#JAPAN#Spotify#podcast#original talk#koji araki art works#ZOOM F3#SHURE BETA 58A#SONY MDR-M1ST#SHURE#GarageBand#風とあそぶ
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"📸 Meet My Pentax Super Program: A Timeless Gem! The first time I held this beauty, it felt like a portal to another era. Every shot is full of warmth and character—a world away from today’s cold digital snaps. I spent the day shooting and got results that left me speechless. Truly, they don’t make cameras like this anymore! Want one for your collection or just curious? Let’s chat—DM me!👇 📍 Etsy: https://www.etsy.com/shop/AntiquesUSSR7 📍 eBay: https://www.ebay.com/str/gavshyn #filmphotography #filmcamera #analogphotography #vintagecamera #filmisalive #filmisnotdead #classiccamera #35mm #shootfilm #expiredfilm #believeinfilm #filmlife #filmforever #shootingfilm #filmcamerapassion"
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California’s abandoned homesteads fascinated me as a kid. Then my childhood home became one

By Melody Gutierrez
Los Angeles Times / Aug. 12, 2022
Helin Bereket spent hours driving her rental car down the dusty roads just east of Twentynine Palms earlier this year, photographing the abandoned homesteads that littered the desert landscape. The Berlin-based photographer had read online about the forgotten shacks filled with shriveled reminders that they were once homes decades ago.
Many of the homesteads were built in the 1950s as part of the Small Tracts Act, a popular federal program that awarded five-acre parcels to people who agreed to build homes on the property. Today, the abandoned shacks are as much a part of the desert as the creosote bushes that dot the land.
As her lens captured the dilapidated exteriors that the desert seemed intent on swallowing, Bereket said she was left with a nagging curiosity about who would relinquish these time capsules in the remote, unincorporated community of Wonder Valley.
I know the answer.
Bereket’s image of a crumbling sky blue structure with wood-trimmed windows on Raymond Drive, featured in an online magazine in June, was my childhood home.
As a kid in the 1990s, I wandered this desert freely, catching iguanas when I couldn’t find horny toads. I shared Bereket’s curiosity when I peered inside some of the abandoned homesteads, using a Pentax camera to capture the way shoes curl into themselves over time or the way a steel pot was still carefully placed next to a long dry sink as if it had been washed yesterday. I invented stories about the people who lived there and why they left.
Now, 25 years later, Bereket was peering into my former life.
“I actually wanted to go inside, but I didn’t have that much time because there were so many houses and some of them were not empty,” she said when I reached out to her after seeing the image of my childhood home.
My parents bought the 714-square-foot house with its two bedrooms and single bathroom for $19,000 in 1990. I was almost 9 years old. They believed that leaving Upland for a small remote town would sever the pull of gangs and drugs that kneecapped the future of those around them. Twentynine Palms was a place where the mayor coached the high school softball team. A place where homeownership was possible for two high school dropouts starting over with three kids.
After several weeks of camping in the summer heat while waiting to move in, we finally got the keys for the house on Raymond Drive.
My parents purchased it using risky alternative financing, signing a contract that would now be considered a predatory loan, but that was one of the few options available for 20-somethings with few assets. The first night in that house, we perched lawn chairs on the flat roof and stared at the night sky in awe of what city lights had long obscured.
The five acres of land around the home was ours, but with few occupied properties nearby, the vast desert felt as though it was all mine.
We quickly learned the lessons desert dwellers know all too well: that bumpy dirt roads slowly dismantle cars, that dust devils create whirlwinds capable of breaking windows and that removing an oddly placed sand berm for aesthetic reasons will bring the water from flash floods to your front door.
Even earthquakes are different in the desert. You hear them first, like a freight train announcing its arrival.
But before we figured out how to navigate the land of little rain, we realized that our house was missing something absolutely critical: a well. Instead, our home had an 800-gallon water tank perched on the roof. It cost $40 to fill and needed to last us two weeks. There wasn’t always money to refill it when it was running low, so flushing was judicious and showers were short.
In the weeks after we moved in, my younger brother and I caught small snakes with a stick and a mason jar, and brought them home to my horrified parents, who told us that the nubs on their tails would grow to be rattles. We learned the difference between a sun spider and scorpion and, despite my certainty, the sting from the latter hurts but is rarely deadly.
Our small ranch-style home, which was built in 1965, was half a mile from the school bus stop. I know this only because I recently asked my mom about it; my childhood memories had it closer to three miles, or maybe 20 miles, but perhaps that’s what the walk felt like in the arid afternoon heat. The ride to school in Twentynine Palms was some 35 minutes, with our bus hauling some of the area’s poorest kids.
For a while I thought I was an exception. My parents had opened a sign-painting business, and we had learned to navigate desert life. When I once commented about neighbors who were poor, my dad quickly corrected me. We were no different. We were poor too.
But as long as we had the house on Raymond Drive, I didn’t think that was true.
The loan went bad in 1997 over a dispute about contract language. Our only recourse was to walk away before we were evicted. I was in high school, and the anxiety of that time while we searched for a place to live, never sure whether someone would show up to kick us out, is my foremost memory of that home.
We ended up moving to a house three miles away, down a different dirt road slightly closer to town. Despite the proximity of the two homes, I had no interest in returning to Raymond Drive, blaming the house for abandoning us.
Last year, nearly 25 years after we last drove down that road, I was in Wonder Valley visiting my parents, and I had a sudden desire to look at my childhood home. My mom joined me as we made the short trek to Raymond Drive, where we assumed someone would be living.
It was barely standing.
The sky blue house with the wood-trimmed windows now looked worse than the surrounding homesteads, many of which have been reclaimed by the gentrification that has transformed Wonder Valley and nearby Joshua Tree into trendy destinations with abundant short-term rentals. Skyrocketing real estate prices have made housing here unattainable for many of the residents who have weathered this desert for decades.
We entered the house through a large exterior hole in what used to be the closet of the room I shared with my siblings, and I stood there, cellphone camera in hand, staring in disbelief at the remnants of my past.
The home was even smaller than I remembered; the ceilings lower.
Amid the dirt and debris inside my old bedroom I spotted my Barbie doll, a hand-me-down from my mom discarded by my teenage self when we moved. The crocheted dress my grandmother made for her was yellowed with age. The linoleum flooring we’d laid in the living room had peeled and cracked below a roof threatening to surrender to the fierce heat and wind. We spotted a sign my dad painted and a bucket we used to fill the swamp cooler with water; our blinds were still hanging in the window. The house had been vandalized, but it appeared no one had lived here since we left.
Our names are still carved into the concrete we poured on the front patio. The railing my parents built is now the most sturdy part of the home, which still had a black padlock on the front door despite the large hole in the back siding. The water tank is missing from the roof.
My mom’s shocked silence was punctuated with the occasional “oh wow” when she discovered other items that were once ours. It felt as though the house had been waiting for us this whole time.
After my visit, I returned home to Sacramento, where I cover state government for The Times, and tweeted about how it felt to walk into my childhood home and realize it had been empty for all these years. Lawmakers, lobbyists and readers emailed or texted me pictures and stories of their own childhood homes. For weeks, people reached out to say the Twitter thread resonated with them, that returning to their own childhood homes was more than just a trip down memory lane. It conjured emotions they hadn’t been expecting.
It’s an experience millions of Americans seek out each year, said Jerry Burger, a retired Santa Clara University psychology professor. Burger spent more than a decade researching people who visit their childhood homes for a book titled “Returning Home: Reconnecting With Our Childhoods.”
He found that one-third of Americans older than 30 have returned to their childhood homes. His own interest in the subject stemmed from his nagging desire, as he neared his 40s, to revisit the places that served as a backdrop to his childhood.
Burger says people feel particularly strong emotions about the place they lived between the ages of 5 and 12. “It seems to be those are key years,” he said. “For many people their identity is tied up with that place, with that time.”
I know this is true for me. I showed my husband and children the photos of my childhood home, zooming in on the picture of my Barbie, her red hair a matted mess. I’d left her behind a second time.
I tried to explain the layout of the bedroom I shared with my two siblings to my 6- and 12-year-old boys, telling them about the time my older sister lodged her bed in the closet so she could say she had her own room.
As I talked, I knew I wanted my preteen to see it in person.
I envisioned a kind of Hallmark movie moment inside the dilapidated home that would lead to my 12-year-old reflecting on his own middle-class privilege. My “mom brain” was allowing me to pat myself on the back for the solid parenting moment I was manufacturing even before I booked our travel.
We set out in April, our rental car bumping along the dirt road, a dust cloud following closely behind us as we headed toward Raymond Drive. When people used to ask where I lived, I would tell them, “Along the back road to Las Vegas.” Now, I regularly see stories glamorizing Wonder Valley and the eclectic lifestyle offered here.
We passed the myriad homesteads that are now rentals, boasting amenities such as outside baths called cowboy tubs, a rock climbing wall or yoga rooms. I talked about the impact it was having on locals who were being priced out of the desert, and added “gentrification” to my son’s vocabulary.
“There was nothing like that when I was here,” I told him.
As we pulled up to my childhood home, I warned him we shouldn’t enter the circular driveway my siblings and I lined with large rocks as part of our weekend chores. There could be nails or other debris, and I didn’t want to risk a flat tire.
“Wow, is that what it looked like when you lived there?” he asked.
No, I told him, looking at the way the sagging structure appeared to be frowning.
We parked on the side of the house, and as we walked up, it was clear something was different from my last visit six months earlier. There were hundreds of nails scattered on the porch and driveway, stopping us cold. Nails can act like a home alarm when there’s a reason a resident doesn’t want you around, a warning more clear than any “do not trespass” sign in the desert.
The barking dog in the house was another clue that someone was now living inside.
We left quickly, driving a quarter-mile away before I pulled over. Disappointment washed over me as I realized my pre-scripted parenting moment would not happen. My son saw the house, but he didn’t go inside; he didn’t see my name in concrete or what remains of the black and white checkered kitchen.
It could be squatters, I said.
“At least someone is living in it, right?” he responded, recalling my talk about the state’s housing crisis.
Outside, the wind pelted the car with sand as we stared at what was no longer an abandoned shack. I could see what appeared to be a swamp cooler perched in the window of what was once my parents’ bedroom. The hole in the exterior was boarded up haphazardly with plywood. There was a pile of debris outside, and I wondered whether my Barbie was in it.
I took out my phone to capture one more picture of the weathered sky blue homestead with the windows we’d trimmed in wood. Like Bereket, I was just another out-of-town passerby with a nagging curiosity about who was calling it home.
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180624 - Pentax Super Program, Lomo Purple, 35mm
New York trip 3/7
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Pentax Program A with a 135mm f2.8 Sears lens (and also sometimes the 50mm f1.8). Shot on Kentmere Pan 400
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16/05/2024
Testing both the camera (Pentax Program A) and lenses (50mm f1.7 and 135 f2.8). In good order, but the 135mm is soft wide open (pleasantly so, and expected).
Please excuse the dark streak on the one long side of each photo - I underfilled the developing tank a small amount and so there was a strip if film that didn't get covered properly
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hi! welcome to my photo blog! everything posted on this account will be my photos, please use with credit! (i may post a picture my dad took bc it’s amazing, i will cite it as such!) at first i wont include aperture, shutter speed, etc. but if someone requests it, i’ll reblog below the post with the info. i will always tag at least a general location!
advice is appreciated!
What I shoot:
- mainly landscapes
- occasionally more plant centric
- wanting to start shooting architecture, abstracts/studies, and cars!
my gear:
- Nikon D3400 DSLR
- Nikon 70-300mm
- Nikon 18-55mm
my editing policy:
- post only the best photos
- editing for improved color, contrast, etc- not heavy
- program used: apple/google photos 🥰 
- if i get really invested i’ll learn lightroom
i’m looking to start shooting film again, mainly b&w but wanting to try colour! probably a pentax k1000 35mm but i’m sketchy about buying them online :/ maybe a medium format, feel free to recommend! i won’t be developing film myself, but i have a (semi-local) community darkroom!
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Neptune says Trans Rights
shot on Fujicolor 200 in a Pentax Program A
#35mm film#analog#film#film photography#photography#shoot film#color photography#urban photography#barcelona#pentax#fujifilm#trans rights
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