#Pile of thoughts

[streamdotpng]

throwback to a very old thing i did before but hey! here's a random song thought that i think fits very well with ortegaverse

Pick me! by Alec benjamin

[onedayfandom]

It really sucks that the writing in "Black Summer" is so bad cause what they are doing on the directorial/cinematography side is so cool!

There are so many interesting and Experimental shots and do you know how rare it is to see an Episode like "Heist"??!

It's fantastic, I love it so much and the only thing missing so far is an insane mirror shot that I can add to my collection.

Oh and also a story and characters that isn't dumb as fuck...

[onedayfandom]

Iirc the "One Piece" is confirmed to be an actual physical thing and not just the concept of adventure, and with how the Red Line and Grand Line intersect there is a giant X on the planet. And you know...pirates, treasures, X marks the spot.

What I'm saying is, the One Piece World is actually a giant Pokeball

its insane how many of one piece's quirks have insane plot twist reasons behind them. like no one expects there to be a reason why the world is made entirely out of islands, or why the technology is so strange.

these worldbuilding details are played off so casually that you don't think too much about them too much. why would you? one piece is such a weird series that you just adjust to it!

ive seen so many people joke about how one piece has robots and cloning but no cars and they have to use snails as telephones. the concept is so ridiculous that you don't think on it at all.

so when its revealed that this world used to be super technologically advanced before the world government's creation you lose ur fucking mind!!

and thats happening again now with the reveal that this world has been slowly mass flooding for centuries now!! this might happen more in the future so im gonna think myself into a hole over what other silly quirks could be lore important later

[goldensunset]

did you know? if you do your laundry you can get your clothes back

[universejunction]

"You seem kind" (source)

[xitsensunmoon]

He's a bit too excited to see you clock in

[wolfsong-the-bloody-beast]

Rook, with horny intent: Stay awake all night? However shall we pass the time? 😏

Lucanis: Would you talk to me? Your voice is a comfort. 🥺

Rook:

[starflungwaddledee]

time flies when you're feeling loved. happy birthday, bandee! [x]

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[raining-its-pouring]

Has anyone done this yet

[sodaneko]

brother's best friend suna who barks out a laugh when you brazenly ask him for a cigarette, knowing you never smoked one before (not under your brother’s watchful eyes) but here you are, tugging on his sleeve and eyes nervously flicking between him and the party that’s bustling inside. you will never hear the end of it if osamu or atsumu—worse: both—caught you outside in some dark corner with suna, begging him for a smoke. they just don’t get that you’re not a fucking baby anymore.

but suna? suna doesn’t care. or at least he acts like it. he takes a drag of his cigarette, the cherry red tip gleaming in the dark, his big hand encircling your wrist and pulling you closer until you’re nearly standing between his legs. you can feel his body heat, smell the cologne, cigarettes and sweat on him and it’s alluring.

“be good for me.”

his voice is quiet and sultry against the shell of your ear. idle fingers trace across the puls point on your wrist before letting go, cupping one side of your face instead. you have to tilt back your head to catch his gaze—famished, yearning, something dark, too. his thumb brushes over your bottom lip, coaxing your mouth open for him.

suna has a feeling you’d swallow anything he’d put on your tongue when he softly exhales the smoke into your mouth, slender fingers tapping your chin, a silent command to keep it in until he says so. your breath is a little shuddered when you exhale but you don’t pull away, fingers twisting in the front of his shirt, more, more, more, until the half-smoked cigarette is crushed and forgotten under his boot and tongue sliding against yours in a feverish kiss.

[clumsypuppy]

god dammit gamefreak

[ghostlyferrettarot]

Hello guys! I'm Kat. I am tarot and astrology reader. I use my psychic abilities and knowledge in tarot and astrology to help you discover and get to know yourself. I am opening my paid services to help myself pay my university expenses as well as my studies supplies.

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[dxzziie]

theres something in the air…

[biggest-gaudiest-patronuses]

got a worm nibbling my brain. can someone help me find a piece of obscure media?

webcomic/indie comic from the 2010s. basically a sci-fi short story about a young girl (with red hair?) who was being raised by scientists as part of an experiment. she receives a haircut/has her head shaved, in preparation for her annual brain scan/testing. it is revealed that while her body is human, her "brain" is artificial, made of computer implants throughout her skull and spine. at some point her biological mother (also a scientist on the same campus?) encounters her and is repulsed, viewing her as a machine who has murdered her daughter.

it was very poignant and it bruised my heart and i can NOT find it anywhere

[tinytarotandtea]

「 ✦ PICK A CARD✦ 」

A Soft Message From Your Inner Child

Masterlist GET YOUR PERSONAL PAID READING HERE <33

Credits: divider by @/strangergraphics Directions: Take a moment to breathe, calm down and focus as you choose a picture from above. From left to right is pile 1, 2 and 3. Then Scroll down to your pile! Please remember to only take what resonates with you and leave the rest 🫶

Pile One -

Cards Pulled - The High Priestess • Page of Swords reversed • King of cups.

Hello my sweet Pile one! Today, your inner child wants you to know that you're wiser and more emotionally aware than you realise, and they're so proud of how far you've come! As am I!

The Hight Priestess is reflecting your inner knowing. Your inner child is gently reminding you that you've always been intuitive, even back then. You felt things others missed, and that sensitivity is a gift, not a flaw.

The Page of Swords Reversed shows that part of you is still curious and eager to learn. Though, you might be overwhelmed by doubts or mental clutter. Your inner child encourages you to let go of the need to always have the right answer, and to instead turn to wonder. You don't have to be perfect. It's okay to ask questions. It's okay to not know everything yet.

The King of Cups comes in as your emotional anchor. Your inner child sees the emotional maturity you've cultivated. They want you to give that same compassion and steadiness to yourself. You know how to hold space for others, now it's time to hold space for the younger parts of you too.

So, Pile One, my dears — the message from your inner child is to trust what you feel. You've always known more than they gave you credit for. Keep asking questions, stay curious, and hold yourself gently. They see you trying, and they love you for it.

Pile Two -

Cards Pulled - Ten of Cups reversed • Ten of Swords • Two of Cups reversed.

Pile Two, my dears. This one is deep. Your inner child is reaching out with a message that acknowledges pain, disappointment and the longing to truly feel connected and safe. This isn't an easy pile, but it's very meaningful.

The Ten of Cups shows a yearning for emotional security and belonging that might not have been fully met. Especially in the early stages of a relationship or family dynamics. Your inner child might be saying, "I didn't always feel safe or like I belonged." The comfort here is in recognising that those feelings were real, and that you are allowed to grieve what you didn't receive.

The Ten of Swords speaks to deep emotional exhaustion and perhaps betrayal and burnout. Your inner child is gently requesting you to acknowledge the hurt without brushing past it. But they're also reminding you that this is the end of the cycle. The worst is behind you now. There's nowhere to go but upwards. Healing from what you've been through is not only possible, but it's already beginning.

The Two of Cups here points to misalignment in relationships, especially with your self. Your inner child wants you to repair your bond with them. They want you to reconnect with your younger self in a way that is gentle, kind and affirming. You're perhaps pouring love into others, but forgetting to offer it inward. The comfort needed is reunion with your own heart.

Your inner child wants you to know that they know things didn't always feel safe or fair, but they're still here. They're still here waiting to be held by you. You don't need to be perfect. Just be with them. That's all they've ever wanted.

Pile Three

Cards Pulled - Four of Pentacles • Four of Wands • The Star Reversed

Hello Pile Three, my darlings! Today, your inner child asks for safety, celebration, and permission to hope again. Even if all such feels a little far away right now.

The Four of Pentacles here shows that your inner child has learned to protect themselves. Perhaps a bit too tightly. They've held onto what feels safe, even when it meant closing off parts of their heart. Their message to you is that you are safe now. You don't need to hold everything in so tightly. They want you to know that it is okay to soften. And it's okay to let go of some of that guardedness once you're ready.

The Four of Wands speaks of a longing you may have got joy, connection and a sense of 'home'. Not just physically, but emotionally and spiritually. Your inner child wants to remind you that it's okay to celebrate yourself, even for the little things. They want you to create moments of joy and comfort. Build spaces that feel like home.

The Star Reversed suggests that your hope might feel dimmed. Perhaps you've been through disappointment, or your dreams have felt too distant. But your inner child is still holding a flicker of belief for you. Their message is, "Please don't stop wishing." Even when things begin to feel uncertain, even when you're tired — they want you to know that the healing is still ongoing, even in the background.

Pile Three, the message here from your inner child is that you don't have to do it all alone. You're allowed to soften, to celebrate, and to believe in magic again. Even if it's just a little bit at a time.