#Richard Cotton

[cultfaction]

New Midnight Peepshow trailer and poster released

In MIDNIGHT PEEPSHOW we are introduced to an unnamed Madame who owns and operates a peepshow offering patrons a tailor-made experience wrapped around their deepest desires, fears, and sins. Tonight, it welcomes a businessman who has a unique connection to an extreme fantasy website on the dark web. He soon becomes a witness to three stories of victims that found the same website, and now the…

[erstwhile-punk-guerito]

[chernobog13]

LATITUDE ZERO (1969)

And the question is: what film stars Akira Takarada, Cesar Romero, Joseph Cotton, Richard Jaeckel, and King Moonracer of the Island of Misfit Souls?

[chaotic-history]

omg gay marriage real

[movie-titlecards]

The Cotton Club (1984)

My rating: 7/10

I enjoyed this way more than I expected - it feels a lot less stuffy and self-important than most of the Coppola movies I've seen, which I think may be partly due to its focus on the entertainment industry at the time. There's a bunch of great song and dance numbers in there, which work nicely to break up the gangster shenanigans.

[itcanbefilmed]

The Cotton Club Encore (Francis Ford Coppola, 1984)

[havatabanca]

[troublcmakcrs]

//this boy is thinking about killing himself

[theoscarsproject]

The Cotton Club (1984). Meet the jazz musicians, dancers, owner, and guests (like gangster Dutch Schultz) of The Cotton Club in 1928-1930s Harlem.

Man, but Francis Ford Coppola knows how to direct a musical. The plot of this one's a bit all over the place, but the sequences where he throws story to the wind and leans into the energy of performance and the pace of the music are some straight up movie magic. Also I kind of wish the entire movie had been about Gregory Hines and Lonette McKee's characters. 7/10.

[moviemosaics]

The Cotton Club

directed by Francis Ford Coppola, 1984

[cultfaction]

Midnight Peepshow debuts on digital this February!

In MIDNIGHT PEEPSHOW we are introduced to an unnamed Madame who owns and operates a peepshow offering patrons a tailor-made experience wrapped around their deepest desires, fears, and sins. Tonight, it welcomes a businessman who has a unique connection to an extreme fantasy website on the dark web. He soon becomes a witness to three stories of victims that found the same website, and now the…

[waugh-bao]

Backstage at the Stones first concert without Charlie (St. Louis, 2021)

[theersatzcowboy]

The Cotton Club Encore (1984 / 2019)

Director: Francis Ford Coppola

Cinematographer: Stephen Goldblatt

Starring: Gregory Hines, Richard Gere, Diane Lane, Lonette McKee, Bob Hoskins, James Remar, Nicolas Cage, Gwen Verdon, and Laurence Fishburne

[grizzledyoungimpact]

Febuwhump 2024 #11: Alternative Prompt: Found Footage

Febuwhump 2024 February 11th, 2024 Alternative Prompt: Found Footage Edmund Dyer (OC) TW: Blood

𝐒𝐄𝐂𝐔𝐑𝐈𝐓𝐘 𝐅𝐎𝐎𝐓𝐀𝐆𝐄: 𝐓𝐇𝐄 𝐄𝐋𝐄𝐂𝐓𝐑𝐈𝐂 𝐁𝐀𝐋𝐋𝐑𝐎𝐎𝐌, 𝐂𝐀𝐌𝐃𝐄𝐍, 𝐄𝐍𝐆𝐋𝐀𝐍𝐃 𝟏-𝟐𝟖-𝟐𝟒

[The footage before us shows Progress Wrestling faithful Alistair Lawrence leading Progress favorite Gene Munney through a door in the back of the Electric Ballroom, the two men laughing. Alistair makes Gene sit down on a steel chair in the back, tying a blindfold over the man's eyes. We cannot hear what is spoken, but by the looks of it Gene says "oh kinky". Alistair disappears from the screen before another man steps into the frame. This one is long-haired, dressed impeccably in a nice suit. He runs his hands over Munney's shoulders from behind, before leaning in to smell the man. The long-haired man's eyes flash unnaturally, as if they are reflecting light. Munney's face looks rather euphoric as the long-haired man laughs to someone off camera. We vaguely see the second figure before the security footage goes to static.]

⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉⑉

Edmund Dyer laughed as he watched his beloved, Richard Cotton, feeding from the ever gullible Gene Munney. It wasn't the poor boys fault, he was simply guilty by association. His friendship with The Lykos Gym had assured his destruction, especially after the loss that he and Richard had suffered against a team the likes of the Sunshine Machine. Gene had simply been a warning: 𝗱𝗼 𝗻𝗼𝘁 𝗺𝗲𝘀𝘀 𝘄𝗶𝘁𝗵 𝗖𝘂𝗹𝗹𝗲𝗻 𝗮𝗻𝗱 𝗗𝘆𝗲𝗿.

Edmund stepped closer to the seated man, aware of the security camera above them. It would not show any of the following actions. After all, his curse as a La Sombra was that technology didn't like to work in his presence. In this moment, it was a blessing.

He crossed to the seated Munney as his Richard moved into the seated man's lap. From a stack of nearby crates, Alistair Lawrence watched with a perverse sense of wonder. Edmund's eyes went completely black as he sank sharp fangs into Munney's neck.

Those passing would have heard the weak scream before it turned into a pleased moan, but there was no passing help.

Only the power of Edmund Dyer.

[whats-in-a-sentence]

At times on the hustings, Jones rambled on about the fine prospects for cotton and once or twice he veered off track to condemn the neglect of Christians in the bush:

The sound of the Gospel is seldom heard in their tents, and the performance of a religious rite almost a stranger in their land. Contrast this spiritual destitution with imperial Sydney, her viceregal palace, her many towering and costly churches, her courts of justice, and other paraphernalia of greatness, one stands in amazement to contemplate that the people contributing largely, as they do, to the General Revenue, should be so much neglected.

"Killing for Country: A Family History" - David Marr

[tenth-sentence]

Cotton especially seized his imagination.

"Killing for Country: A Family History" - David Marr