Minolta SRT 303b, Rollei Superpan 200.
Rákosrendező II.
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“Rowena Path and Tree, September 2023.”
©2023 Gary L. Quay
Getting ready for Fall with an exploratory mission to Rowena to check on the white oaks. They haven't turned colors yet, but they're close.
Camera, Hasselblad 500CM
Lens: 80mm Zeiss Planar with a yellow filter
Film: Rollei Superpan 200 developed in 510-Pyro
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A Few Frames - Rollei Superpan 200
A Few Frames - Rollei Superpan 200: another post that does what it says on the tin #believeinfilm
All images: Bronica SQ-A | 80mm lens | yellow filter | Rodinal (1+50)
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Andre av en serie på åtte fotografier av trær - på Kalnes, i snø og tåke. Analogt mellomforamtskamera fra 1950-tallet; Rolleicord VA1. Svart/hvitt-film; Rollei Superpan 200. Håndholdt lysmåler; Sekonic Twinmate L-208. Film fra @analogheld [120mm] (Rolleicord) #analogheld #rollei #rolleisuperpan400 #120film #120filmphotography #rolleicord #rolleicordva #rolleicordvatype1 #squareformat #mediumformat #lensfayre #upczine #analog #analogphotography #upcstreet #emulsive #shotonfilm #lo3f #rolleiflexworld #magicflexcamera #frontphotography #bnw #noir #blackandwhite #sorthvitt #appicoftheday @rollei_de #rolleimoments #minimal_perfection #bw_perfect #sekonic (ved Kalnes Videregående skole) https://www.instagram.com/p/CpmLnwTIxsP/?igshid=NGJjMDIxMWI=
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... door ... . Camera: Yashica Mat124 G Film: Rollei Superpan 200 Developer: Rodinal Scanner: Epson V850 with vuescan pro . . . #analogcamera #shootfilm #filmisnotdead #filmisalive #rolleifilm #rolleimoments #rollei #yashicamat124g #photography #adox #fotoimpex #rodinal #epson #vuescan #dark #lost #abandonedplaces #abandoned #black #darkmood #darkmoodphotography #bnwmood #bnw_captures #bnw #abandonedworld #door (hier: Butzbach, Hessen, Germany) https://www.instagram.com/p/CjGaj4wI60y/?igshid=NGJjMDIxMWI=
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Minolta SRT 303b, Rollei Superpan 200.
Rákosrendező I.
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B&W film stock comparison
Since I do shoot quite a lot of b&w I wanted to give an overview of the stocks I have used so far and my thoughts on them. All of them shot at box speed.
Agfa APX 100/400 (panchromatic)
This was one of my go to film stocks for black and white, because I like the vintage look it creates combined with an old lens, however the grain is quite big in the 400 ISO stock, and the contrast is a bit too low for my taste.
Rating: 7/10
Adox CHS 100 II (orthopanchromatic)
I love Adox stocks for their fine grain and good contrast and this one is no exception.
Rating: 8/10
Rollei Superpan 200 (panchromatic)
Since I am fond of high contrast film stocks, this one is my absolute favorite. It is the perfect fit for me with fine grain and nicely balanced contrast.
Rating: 10/10
Kentmere Pan 100 (panchromatic)
Intense contrast, although it's not as balanced as the Rollei Superpan. The only problem I could see is that the grain is quite prevalent for a 100 ISO stock.
Rating: 9/10
Adox Silvermax 100 (orthopanchromatic)
My favorite b&w film stock, unfortunately now discontinued and really hard to come by. Silvermax has probably the finest grain I've ever seen, and nice contrast.
(unfortunately I don't have a scanned example)
Rating: 10/10
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Stained Glass
shot with Rollei Superpan 200 in a Praktica MTL5
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Camera : Leica MP / Lens : Summicron 28mm f2 ASPH / Film : Rollei SuperPan 200 Developed by @hk_camera #Summicron28 #LeicaMP #rolleisuperpan200 #菲林 #菲林日常 #底片攝影 #필름카메라 #フィルムカメラ #フィルム写真 #フィルム写真普及委員会 #leicaphotography #leica #leicafilm #leicaphoto #leicamonochrom #monochrome #monochromephotography #blackandwhitephotography #28mm #28mmphotography #filmphotography #film #filmcamera #filmphoto #filmisnotdead #filmwave #filmlife #shootfilm #shootfilmmag #hkfilm https://www.instagram.com/p/CoeLldnrdk4/?igshid=NGJjMDIxMWI=
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“Garibaldi Marina, June 2023”
©2023 Gary L. Quay
We were out to the Oregon Coast with some cameras, and stopped at Garibaldi for supper, and got a few pictures of the marina while we were there. I had a bunch of film backs for the Hasselblad that needed emptying, so I finished off a few at this spot.
I used PMK Pyro as the developer for the first time in almost 10 years. I decided to try it again after I developed a really grainy roll of HP5 in Rodinal. I know that punchy grain is Rodinal's trademark, but I really did not want it for those pictures, so I am trying Pyro again to see if the grain situation can be improved.
I am trying to get down to one or two developers, and a handful of films. This film is out of the running. I will not be buying any Rollei films. Once the ones I have are used up, that's it. They have backing paper issues that left tiny splotches all over the negative. I had to resort to some Photoshop trickery to make the sky look presentable. I've had a number of rolls do this, and it doesn't matter what the developer is. I will likely go back to only Ilford and Kodak for my black and white work.
Camera: Hasselblad 500CM
Lens: 50mm Zeiss Distagon
Film: Rollei Superpan 200 with a Hoya R72 filter
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