#Ryosuke Nakanishi

[otakutale]

Hataraku Maou-sama! Season 3 Announced for January 2023

https://wp.me/p4jiOt-db8

Following the broadcast of the final episode in the second season anime adaptation of Satoshi Wagahara and 029’s Hataraku Maou-sama!…

[pmkscanlations]

PMK DVD Booklet Interviews 6

Here’s the last part of the PMK Omou Michi DVD booklet interview series. It also includes a final word from Nanae Chrono himself! Thanks one final time to @/pmkloveadmin and their kind friend yuunsoba who provided the raws for these interviews! Please enjoy!

THE JETZEJOHNSON (Theme Song)

Please tell us your genuine first impression when you were told you’d be in charge of the theme song for this work.

It’s THE JETZEJOHNSON’s Kojima here. Since I’m a fan who enjoyed the original work, I picked it up right away when I received the request. I’m very honored. The request was for “a ballad with English poetry”, with scenes from the original work appearing as a flashback montage. It was a really happy production time for a fan, since I got to create the song and lyrics while imagining what scenes and whose point of view to write from. As an aside, my biggest favorites are Tatsu-nii, followed by Yamazaki and Hijikata(-sama). I’m so sorry.

What did you have in mind when making the music? Did you stick with your initial concepts? Please tell us if you had any difficulties or points that you paid extra attention to.

After getting the request, I decided on the concept for the world of the lyrics immediately. After that, I decided on the point of view. The song is based on “a certain word” which can apply to any character, and I focused on creating “a feeling which is interchangeable for anyone”. The first part overflowed with big hopes, dreams and ambitions, so this is a song in which we – or the characters – can look back on the “beauty”, “ephemerality” and “glitter” that made up their beliefs. The main character of this song is watching the slow fall of the world by themselves from the dirt of a castle somewhere. Past that red-stained horizon, it’s easy to imagine all of the friends who ran together with them. I think that scenery is very ephemeral and precious.

Please let us know if there are any particular parts of the song that you want us to pay attention to.

The title means “rust”. These characters are just running through the end of the Tokugawa period, one of the greatest periods of unrest in our history, without seeking the “right answer” – just valuing their own beliefs. The song’s main character is looking at the setting sun and asking, “what was the right answer?” And their “technique is rusting”. What do they see when they hold their sword in their hand, when that sword and their skills are no longer needed by the times? We’ll see the answer to that for all of them in this movie.

Finally, please leave a message for the fans who watch this series.

The song “Rust” by THE JETZEJOHNSON will be released after screening. Please check it out at your local shop or online distributor! If you listen to the song and then watch the movie again, you might see it in a different light. On top of that, I made this not only with this first part of the movies in mind, but also drew ties with the currently ongoing Hokujou Arc. It’ll be great to listen to this as background music while re-reading the original, now that you’ve seen the film. Finally, I’m a big fan of Tatsu-nii (the gun is mightier than the sword), but please listen to the song not just imagining Tatsu-nii’s perspective, but also Tetsunosuke and Hijikata(-sama).You might see a different point of view. Especially with Hijikata’s POV, it warps to Goryokaku… No, never mind. Well then, please watch part one to the end!

Ryosuke Nakanishi (Music)

Please tell us your genuine first impressions when you heard you would be in charge of the music for the Peacemaker Kurogane movies.

I was really honored and happy! There are a lot of gadgets with a lot of general purpose that we use when making music for TV animation, so I was a little nervous and worried about carefully expressing the scenery and emotions of each scene for the movie versions. But when I was shown the dynamic storyboard and script for the opening scene, my anxieties melted away and I was more and more inspired. I remember learning about the end of the Edo period as a child in school. I felt that I really wanted to express the chaos, hope and feelings of the characters as well as possible.

Due to the series being set at the end of the Tokugawa period, the music likely differs from modern music. Did you have any troubles with this? Also, do you have any favorite music you’d like to share?

This was my first time composing music for shamisen. To really nail it, I listened to a lot of songs performed in the kabuki and geisha districts between the Edo and Meiji periods. It was interesting to learn how many love songs were sang in the geisha districts at the end of the Edo period, which is when the story takes place. Up to now, I only managed to capture the mood of traditional instruments, but this time I had a great opportunity to study them seriously. I had the idea of wanting to express love with just Japanese scales and instruments, so please enjoy it in the movie.

What requests did you receive from the director?

I received orders to act freely and not get too hung up on the idea of making it super Japanese. Of course, I pulled away from Japanese music a bit while making it, but I think I managed to incorporate various phrases and instruments into other songs without getting trapped by genre.

Finally, please leave a message for the fans who watch this series.

I tried very hard not to be defeated by the lively characters on screen and their delicate, swaying emotions. Please go to the theater and have fun!!

WORD FROM THE MANGAKA, NANAE CHRONO

When I received the offer for a Pisume re-animation, it was around the time I was getting serialization back on track. For me, I was just drawing in the hopes of getting old readers to come back and forgive the follies of the past, so my immediate strong thoughts were, “huh!? Are you going to make this into an anime now?! Will people even watch it?!”, which I felt more strongly than anyone. To be honest, all I could think about was the negative idea that “this will definitely fail…”

But as I got to know the enthusiastic people on the production committee and the technical capabilities of WHITEFOX, and learned more about the specific compositions planned, my feelings began to change. They went from “I’m thankful but mostly I’m just sorry” to “this is seriously a great honor, I’ll give it my all, too”. In the past, I pushed onward with a sense of obligation. But now that I’m involved in the main production, the exhilarating feeling I have gives me more of a sense of purpose, so it seems more like an exciting mission.

It’s another TV anime that was broadcast long ago. All of the voice actors who took care of us during the drama CD have a chance to reunite now, and I can’t wait for the movie’s release! There are the character drawings, the movement of it all – not only the voice acting, but everything from the accessory designs to the backgrounds are really wonderful, so I would love it if you watched it again and again!

Even though this is just a shounen manga drawn by an inexperienced person who isn’t super familiar with history, it’s a great honor to release a new animation in the year of the 150th anniversary of the Meiji Restoration, which borrows the names and parts of the lives of people who actually existed. I’m grateful from the bottom of my heart. Please watch the second part of the movies, too. Thank you for reading this far.

[dgalerab]

Oh! How about these songs? They're more like that soundtrack you posted. These are from my personal music library, unlike for the other ask where I just YouTubed it. Hope this is better!

Formidable Enemy by Ryosuke Nakanishi (2:19) [Instrumental]

Confronting by Ryosuke Nakanishi (2:08) [Instrumental]

Numb My Sins by Jade Kelly (3:37) [Vocals]

I've Been Left Behind, I Made Sure Of It by TCB (4:08) [Instrumental]

Behold by Future World Music (3:48) [Instrumental]

Black Rose / Green Sun by Homestuck (3:18) [Instrumental]

Master Criminal by 林ゆうき(?) (2:23) [Instrumental]

ooh bnha soundtrack! :D

[japaneseadventures]

Wada Masanari invited the Reborn The Stage cast to eat out at Tako Tako King again while they were in Osaka.

[sbnkalny]

Now my song is written by Hata Aki, composed by Yamada Takahiro, and arranged by Nakanishi Ryosuke.

[newsintheshell]

The Devil Is a Part-Timer: la seconda stagione dell’anime andrà in onda arriverà dal 14 luglio, ecco il nuovo trailer

La serie verrà distribuita in streaming su Disney+ in Giappone, ma non ci sono dettali sull’arrivo anche in Occidente.

La lungamente attesa seconda stagione di “Hataraku Maou-sama!” (The Devil Is a Part-Timer!) si mostra in un novo trailer, che fissa il ritorno in tv della popolare serie animata al 14 luglio. 

L’anime è tratto dalla light novel di Satoshi Wagahara che ribalta il concetto di isekai, un volta tanto facendo finire nel nostro mondo i personaggi di un universo fantasy.  In Giappone, la serie verrà distribuita in streaming su Disney+ e al momento non si sa se e quando arriverà anche in Occidente.

A dirigere la nuova stagione presso STUDIO 3HZ (Sword Art Online Alternative: Gun Gale Online, Flip Flappers) è infatti Daisuke Tsukushi (Isekai Cheat Magician, Girl Friend Note), mentre della sceneggiatura si sta occupando sempre Masahiro Yokotani (Re:ZERO -Starting Life in Another World-, The Devil Is a Part-Timer!).

Il character design è curato da Yudai Iino e Yoshihiro Takeda supervisiona il comparto animazioni. Le musiche per la colonna sonora tornano, invece, ad essere composte da Ryosuke Nakanishi (High School DxD Hero, The Devil Is a Part-Timer!).

La prima stagione di 13 episodi, prodotta dallo studio WHITE FOX (Steins;Gate, Re:ZERO -Starting Life in Another World-), è andata originariamente in onda nel 2013, adattando materiale tratto dai primi due volumi della commedia fantasy.

Dopo essere stati sonoramente battuti dall'eroina Emilia, il Re dei Demoni e il suo generale si ritirano precipitosamente in un universo parallelo… solo per atterrare nel bel mezzo della vivace Tokyo dei giorni nostri! Privi della magia necessaria per tornare a casa, i due sono costretti ad assumere identità umane e a vivere come persone comuni, in attesa di trovare una soluzione. Per sbarcare il lunario, Satan trova un impiego remunerativo in un vicino fast food! La sua sete di conquista e la sua mente diabolica lo porteranno a farsi strada anche nella catena dirigenziale dell’industria alimentare?

Lanciata nel 2010, corredata delle illustrazioni ad opera di 029 (Inou-Battle wa Nichijou-kei no Naka de, Kuma Kuma Kuma Bear), la light novel si è conclusa nell’estate del 2020 con l’uscita del 21° volume.

Dal 2011, invece ne viene serializzata sulle pagine di Dengeki Daioh una versione manga, disegnata da Akio Hiragi e giunta attualmente al 19° volume.

L’opera ha anche ispirato un manga spin-off dal titolo “Hataraku Maou-sama! High School!”, pubblicato da Kurone Mishima (KonoSuba, Akashic Records of Bastard Magic Instructor) fra il 2012 e il 2015.

* NON VUOI PERDERTI NEANCHE UN POST? ENTRA NEL CANALE TELEGRAM! *

Autore: SilenziO)))

[FONTE]

[recentanimenews]

CUE! - Crunchyroll Winter 2022 Spotlight

  If you've ever taken a crack at breaking into the world of voice acting, you know it can be a tough endeavor. All the hurdles in the world won't stop the young women of CUE! from trying, though, as they audition for the honor of being one of the most adorable looking shows in Crunchyroll's Winter 2022 lineup. Step up to the mic and check out our full spotlight below for more on the mobile game's journey to the television screen. 

  Official Website

      Navigation

Launch Info

Official Trailers

Synopsis

Characters and Cast

Staff

Additional Info

    Launch Info

  Launch Time: January 7 

Territories: North America, Central America, South America, Europe, Africa, Oceania, the Middle East, and CIS

Show Page

  Official Trailers 

        Synopsis

  Set at the offices of "AiRBLUE", a rookie voice acting agency with no track record or experience, CUE! follows the trials and tribulations of a group of young women who follow their dreams of becoming voice actors. But the voice acting world is highly competitive, and no matter how much someone practices, not everyone will make it past the audition process. Despite frustrations and setbacks, the story of a new generation of voice actors is about to begin.

  Characters and Cast

  Haruna Mutsuishi

VA: Yurina Uchiyama 

    Maika Takatori

VA: Nene Hieda (Yuzu Izumi in Bottom-Tier Character Tomozaki) 

    Shiho Kano

VA: Kyoka Moriya (Hemo Midori in Dropout Idol Fruit Tart)

    Honoka Tsukii

VA: Yuna Ogata 

    Yuuki Tendo

VA: Ayaka Takamura (Nanaho Nanahoshi in Yu-Gi-Oh! Sevens)

    Chisa Akagawa

VA: Satsuki Miyahara 

    Airi Eniwa

VA: Mayu Iizuka (Kawauchi Sensei in Recorder and Randsell)

    Yuzuha Kujo

VA: Manatsu Murakami (Komichi Akebi in Akebi's Sailor Uniform)

    Miharu Yomine

VA: Yukari Anzai (Momo Minamoto in Release the Spyce)

    Aya Kamuro

VA: Saki Matsuda 

    Mahoro Miyaji

VA: Megumi Yamaguchi (Hifumi Takimoto in NEW GAME!)

    Riko Hinakura

VA: Arisa Tsuruno 

    Rie Maruyama

VA: Hina Tachibana (Satono Diamond in Umamusume: Pretty Derby) 

    Satori Utsugi

VA: Ami Komine

    Rinne Myojin

VA: Mai Sato (Nana in iii icecrin)

    Mei Toomi

VA: Rio Tsuchiya (Ranka in SSSS.Dynazenon)

    Masaki Otori

VA: Yoko Hikasa (Freya in Is It Wrong to Try to Pick Up Girls in a Dungeon?)

    Rio Isuzu

VA: Aya Suzaki (Mako Mankanshoku in Kill la Kill) 

    Kirika Yura

VA: Hiromi Igarashi (Yuri Alpha in Overlord)

    Staff

  Original Creator

Liber Entertainment, Inc.

  Original Character Design

Siso

  Director

Shin Katagai (My Sweet Tyrant, Eyeshield 21)

  Series Composition

Tatsuhiko Urahata (Hi Score Girl)

  Character Design

Motohiro Taniguchi (My Sweet Tyrant, RPG Real Estate)

  Art Director

Hiroki Matsumoto

  Music

Ryosuke Nakanishi

  Animation Production

Yumeta Company x Graphinica

    Additional Info

  Liber Entertainment's original CUE! mobile game launched for iOS and Android devices in Japan on October 25, 2019. The game lets players take charge of four teams of four aspiring seiyuu. The characters in the game are voiced by fresh faces in the industry themselves, and the teams they're divided into are Flower, Bird, Moon, and Wind. 

    Here are a few promos showcasing the game prior to its original launch, with each featuring the same voice talent as the anime. 

              -------

Joseph Luster is the Games and Web editor at Otaku USA Magazine. You can read his comics at subhumanzoids. Follow him on Twitter @Moldilox.

By: Joseph Luster

[gotch1976]

The Age

コーラスとハンド・クラップで始まるゴスペル/R&Bを基調にしたミッド・テンポのサウンドを、Gotch、mabanua、中西道彦、シモリョー、井上陽介、そして、feat.でラップを聞かせるBASI、ヴォーカルにインドネシア出身のシンガーソングライターDhira Bongs、Keishi Tanaka、バッキング・ヴォーカルのAchiko、小西真奈美が紡ぎ、大きなハーモニーとなって、聴くものを包み込むメッセージ・ソング。

"この時代"にこそ聴きたい、Gotchの新たなフェーズへの1曲となっています。

「The Age (feat. BASI, Dhira Bongs & Keishi Tanaka)」 single 1曲配信

https://lnk.to/Aj5vEpG2

Masafumi Gotoh : Vocal BASI : Rap Achico (Ropes) : Backing Vocal Dhira Bongs : Vocal Keishi Tanaka : Vocal mabanua : Drums Manami Konishi : Backing Vocal Michihiko Nakanishi (Yasei Collective) : Bass Ryosuke Shimomura (the chef cooks me) : Keyboards, Synthesizer, Programing Yosuke Inoue (Turntable Films): Guitar, Backing Vocal

Recorded by Kenichi Nakamura, Kenichi Koga Mixed by Masafumi Gotoh, Kenichi Koga   Masterted by Kenichi Koga

Photo by Tetsuya Yamakawa

[otakutale]

Hataraku Maou-sama! Season 2 Announced

https://wp.me/p4jiOt-cAy

After 8 years since the first season premiered, it has been announced at the recent Kadokawa Light Novel Expo that…

[rebornthestage]

VS Varia Part II Cast & Ensemble

Note: ♔ = Same actor as the last play ♚ = New actor and/or character

Cast: 　♔ Reborn: Neeko ニーコ || 1983.10.28 || [blog] [Twitter] [Instagram] 　♔ Sawada Tsunayoshi: Takenaka Ryohei 竹中凌平 || 1993.09.22 || [Twitter] [Instagram] 　♔ Gokudera Hayato: Harashima Motohisa 原嶋元久 || 1993.01.01 || [blog] 　♔ Yamamoto Takeshi: Yamamoto Ryosuke 山本涼介 || 1995.05.15 || [blog] [Twitter] [Instagram] 　♔ Sasagawa Ryohei: Uesugi Teru 上杉輝 || 1982.07.05 || [blog] [Twitter] 　♔ Lambo: KIMERU || 1980.06.17 || [blog] [Twitter] 　♔ Hibari Kyoya: Kishimoto Yuta 岸本勇太 || 1993.07.09 || [Twitter] [Instagram] 　♚ Chrome Dokuro: Asakura Fuyuna 朝倉ふゆな || 1999.02.19 || [Twitter] 　♔ Rokudo Mukuro: Wada Masanari 和田雅成 || 1991.09.05 || [blog] [Twitter] 　♔ XANXUS: Hayashida Kohei 林田航平 || 1988.07.17 || [Instagram] [Twitter] 　♔ S. Squalo: Takasaki Shungo 高崎俊吾 || 1992.11.12 || [blog] [Twitter] 　♔ Lussuria: Takagi Katsuya 高木勝也 || 1986.11.28 || [blog] [Twitter] [Instagram] 　♔ Belphegor: Oomi Shoichiro 大海将一郎 || ????.10.05 || [Twitter] 　♔ Levi A Than: Yamaki Takanori 八巻貴紀 || 1992.11.08 || [blog] [Twitter] 　♔ Mammon: Kai Chihiro 甲斐千尋 || 1990.01.23 || [blog] [Twitter] [Instagram] 　♚ Gola Mosca: Kudo Shoma 工藤翔馬 || 1991.02.14 || [Twitter] [Instagram] 　♔ Dino: Yamada James Takeshi 山田ジェームス武 || 1990.05.07 || [blog] [Twitter] [Instagram] 　♔ Colonnello: Fukazawa Taiga 深澤大河 || 1994.12.08 || [Twitter] [Instagram] 　♔ Sawada Iemitsu: Kawai Ryunosuke 河合龍之介 || 1983.05.23 || [Twitter] 　♔ Basil: Maeda Taisho 前田大翔 || 1995.09.16 || [blog] [Twitter] [Instagram] 　♚ 9th Vongola Boss: Takechi Kenji 武智健二 || 1972.03.03 || [Twitter]

Ensemble: 　♚ Tachibana Tekari 橘輝 || 1986.03.22 || [Twitter] 　♔ Nagase Kinuya 長瀬絹也 || 1992.12.02 || [Twitter] 　♔ Fuji Ayachika (?) 藤綾近 || [Twitter] 　♚ Naito Buri 内藤ぶり || ????.??.?? || [Twitter] 　♔ Suzuki Kaguya 鈴木かぐや || 1998.07.20 || [Twitter] 　♔ Tomiyama Barkhas 富山バラハス || 1995.04.27 || [Twitter] 　♔ Nakanishi Tomoya 中西智也 || 1999.11.30 || [Twitter] 　♔ Shimo Mizuho 下瑞穂 || ????.10.06 || [Twitter]

[ljaesch]

The Second Season of The Devil Is a Part-Timer! Anime Is Scheduled to Premiere in Japan on July 14, 2022

The Second Season of The Devil Is a Part-Timer! Anime Is Scheduled to Premiere in Japan on July 14, 2022

The official Twitter account for The Devi Is a Part-Timer!!, the second season of The Devil Is a Part-Timer! anime, has announced that the second season is scheduled to premiere in Japan on July 14, 2022. Daisuke Tsukushi and Studio 3Hz are replacing Naoto Hosoda and White Fox on the new season. Masahiro Yokotani, Ryosuke Nakanishi, Akemi Tejima (Wish), Jin Aketagawa, and Lantis are returning as…

[nzchao]

「ムラカミロキ」映像上映

今週末、本日から日曜までの３日間にかけて京都ルーメンギャラリーで開催される、ビデオパーティーに出品します。 自分は最終日20日の17:30〜、プログラム６大トリ（なぜか）にて『energy』が上映されます。 関西方面の方、連休で京都方面に遊びに行ってる方はぜひとも足をお運びください。 -------------------------------------------------------

VIDEO PARTY 2022

■開催日時

2022年3月18日（金）〜20日（日）

■上映スケジュール

3/18（金）

15:00~ Program 1 17:30~ Program 2

3/19（土）

15:00~ Program 3 17:30~ Program 4

3/20（日）

15:00~ Program 5 17:30~ Program 6

■入場料 1日券　一般1,000円（学生500円） 3日券　一般2,000円（学生1,000円）

■会場 京都 Lumen Gallery http://www.lumen-gallery.com/ Mail: info@lumen-gallery.com Facebook Page https://www.facebook.com/lumengallery.kyoto Twitter: @lumen_gallery https://twitter.com/lumen_gallery

〒600-8059 京都市下京区麩屋町通五条上る下鱗形町543 有隣文化会館2F

京都市営地下鉄「五条」駅１番出口より東へ7分 阪急電車「河原町」駅11番出口より南へ10分 京阪電車「清水五条」駅3番出口より西へ5分 京都市バス「河原町五条」停留所から西へ徒歩2分

------------------------------------------------------- VIDEO PARTY 2022 開催

個人によって創られた映像作品はストーリーが無いものもあり、一見すると内容が難解と思われがちですが、その可能性は無限であり、次々と新たなイメージが産み出されています。しかし残念ながら、そのジャンルを越えたバリエーションに触れる機会は、多いとは言えません。私たちは、確実に増殖する個人映像作品を上映し記録することで、個人映画公開の機会をさらに増やしていきたいと考えています。 VIDEO PARTYは京都を中心に、所属、立場、ジャンルを越えた、ドラマ、アニメーション、実験映像からドキュメンタリーまで内容も様々な、個人で作られた映像を発表する場として企画され、2013年より公募作品の上映活動をしています。

また、2014年より海外映像祭や教育機関、上映団体等と連携し作品の交換上映も進めています。2016年は台湾、韓国、マカオ、中国、札幌での上映をし、VIDEO PARTYの参加作品を各地で紹介しています。 個人の眼差しによって紡がれる映像の行く末と更なる可能性を探る〈場〉へのご参加をお待ちしております。 2022年は3月18日(金)〜20日(日)の3日間、京都のLumen galleryにて開催します。

-------------------------------------------------------

■主催 Lumen gallery ■企画・運営 AF PLAN ■協力 新視角・株式会社電気蜻蛉・ファインダーズビューロ・未來電影日 Future Film Day

AF PLAN http://www.af-plan.com/ Twitter: @AF_Plan_info https://twitter.com/AF_Plan_info

-------------------------------------------------------

■プログラム参加作家（全79作品）

●Program1（13作品103min.） 3/18(Fri.) 15:00

響想詩　水の響影　壱 Mizu No Kyou Ei 1 / 山里 ぽん太 Ponta Yamazato 夢の中の女 Woman in a dream / あさぎ21号 Asagi 21Gou 末期デラックス MATSUGO / 三ツ星レストランの残飯 ZANPANO びくてぃむ Victim / 三ツ星レストランの残飯 ZANPANO 風を聴く Listening to the Wind / 高原 修一 Syuiti Takahara 21:00 21:00 / にわあやの Ayano Niwa さようなら、今日 Goodbye to today / 守山 志保 Shiho Moriyama ビニールな日々 Vinyl Days / 山川 智輝 Tomoki Yamakawa 映像書簡『あぶりだし・アソート』 Video letter "ABURIDASHI Assort" / 鈴木 野々歩 Nonoho Suzuki オーロラコーラスプロジェクト Aurora Chorus Project / 鈴木 椋大 Ryota Suzuki 截斷面 no.444 Ten Thousand Miles Away / 陳 君典 Chun-tien CHEN しょうきっとん Shoukitton / 山口 健太 Kenta Yamaguhci ピンホール日記 Pinhole Diary / 門脇 健路 Kenji Kadowaki 狐の嫁入り Fox Forest / 西村 美苗 Minae Nishimura

●Program2（10作品110min.） 3/18(fri) 17:30

クリスマスの証明 Christmas / 赤木 崇徳 Takanori Akagi こんばんわ　ごゆっくりどうぞ Good evening. Take your time / 前 瑞紀 Muzuki Mae 霜 肥-SHIMOGOE- SHIMOGOE / 三ツ星レストランの残飯 ZANPANO みどりざわめく「とき」 Verdure Rustling in Time / 由良 泰人 Yasuto Yura リバティ・ツリー・サーカス Liberty Tree Circus / 藤井 アンナ Anna Fujii 都城市の随筆（後編） The city essay part2 / Johnny HUNG 透明な私 Transparent,I am. / 村岡 由梨 Yuri Muraoka 1/5400の独歩 Flght and Frame / Johan Chang 君の心が聴けるウサギの耳がほしい。 The heartbreak of first love / 市川 良也 Yoshiya Ichikawa 視点×私点 My point of view / 昼間 行雄 Yukio Hiruma

●Program3（14作品100min.） 3/19(sat) 15:00

京都学生祭典本祭オープニング映像 Kyoto Intercollegiate festa opening movie / 中西 亮介 Ryosuke Nakanishi Showery intersection / らぐすけ Ragusuke 天神さんテクスタイル Tenjinsan Textiles / ライオンズ・マイケル & 三谷悠華 Michael Lyons & Haruka Mitani わたしは恋人 I am girlfriend,aren't I ? / 三木 はるか Haruka Miki 無題 Untitled / HSU Hai-Wen 濁ッた佃煮 TSUKUDANI / 三ツ星レストランの残飯 ZANPANO そうまとう trotting horse lamp / コカエイ GU JIAYING まよなかのいぬごやレース Kennel race at midnight / MATSUMO パウ pow / 東 遼太 Ryota Higashi Samsara / ニシノユキコ Yukiko Nishino redcat channel / 高橋 幸太郎 Koutarou Takahashi Moruman`s in Fab / まきのみつる Mitsuru Makino 耳の見た夢 The dream that ear had / ウエノ アキヒト Akihito Ueno Daydream of TV / 林 ケイタ Keita Hayashi

●Program4（13作品105min.） 3/19(sat) 17:30

scope / うえだしょうた Syota Ueda 蒼い影たちの弔い Blue shadows,funeral / 猪鼻 秀一 Shuichi Inohana アノナツココナツ ANONATSU COCONUT / 多田 文彦 Fumihiko Tada ある日のアルテ ONE DAY IN ARTE / 吉田 孝行 Takayuki Yoshida 外テ物 GETEBUTSU / 三ツ星レストランの残飯 ZANPANO 令和陰陽説 Reiwa Yin Yang theory / 三宅 章介 Akiyoshi Miyake eyes / 役者でない Yakusyadenai MIX / 中村 古都子 Kotoko Nakamura 変調 Hen-Chyou / 立川 清志楼 Kiyoshiro Tatekawa 書動ー序・タイムコラージュー Moving calligraphy―Introduction and Time collage― / 片岡 拓海 Takumi Kataoka 身を焦がす Burn yourself / 島津 凜音 Rinne Shimazu いってきます Ittekimasu / 高山 隆一 Ryuichi Takayama 宿題少女 Homework Girl / 岡松 トモキ Tomoki Okamatsu

●Program5（14作品104min.） 3/20(sun) 15:00

なんてすばらしい祈り parasite and me / 榎本 貫之介 Kannosuke Enomoto atmosphere / 岡澤 侑希 Yuki Okazawa 臓さん Mr.Hormone / 三ツ星レストランの残飯 ZANPANO ALL MY LOVE / 柳瀬 昇 Noboru Yanase 襲歩 gallop / 三上 あいこ Aiko Mikami 同居相手 Roommates / 高橋 鈴奈 Suzuna Takahashi cloud / 山本 宰 Tsukasa Yamamoto 闘え!!ハクマイダーフォー Fight !! HakumaidarFour / 岸本 真季 Maki Kishimoto within 3 blocks / 伊藤 仁美 Masami Ito BASEMENT SHINE / ヤア YAA うごめくゴッホ・ひまわりver. Moving Vincent (Sunflower Version) / ひろさわ Hirosawa Fine as usual #006 / 大力拓哉 三浦崇志 Takuya DAiriki & Takashi Miura Biased view-見えない偏見- Biased view / うずしむ Uzushimu 重み Gravity / みやけ あい Ai Miyake

●Program6（15作品106min.） 3/20(sun) 17:30

YARNimation / さとうゆか Yuka Sato お引っ越し Moving / 小野 光洋 Mitsuhiro Ono Oh K? No / ないとう日和 Hiyori Naito LIGHT TRACE / 波田野 州平 Syuhei Hatano 妙な肉 strange meat / 三ツ星レストランの残飯 ZANPANO 公共避難訓練 Evacuation drills from the public / 山本 美里 Misato Yamamoto 猫マッチョ Cat macho / 中島 楽人 Gakuto Nakajima 食べること、喋ること Eating and speaking / 小野寺 海香 Mika Onodera InSearchofprojectionlight Pre-Composition2 / Yüiho Umeoka MIRROR / RORRIM / 川口 肇 Hajime Kawaguchi 餃子の味 The Taste of Gyoza / 木村 栞緒 Rio Kimura Tokyo Cyanoghosts / 工藤 雅 Masa Kudo おかしなもののダンス Dance of strange things / 延 紗英子 Saeko Nobu energy / ムラカミロキ MurakamiLoki

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VIDEO PARTY 9

WebSite http://lumen-gallery.com/vp/ Facebook Page https://www.facebook.com/video.party.kyoto/ Twitter: @VIDEOPARTYKYOTO https://twitter.com/VIDEOPARTYKYOTO

Facebook Event Page https://www.facebook.com/events/326664668965784

#VIDEOPARTY

https://murafake.hatenablog.com/entry/2022/03/18/112706

[otakunews01]

High School DxD Hero TV Anime PV!! Airs 2018.

Key Visual 

STAFF

Director: Tetsuya Yanagisawa

Series composition: Takao Yoshioka

Screenplay: Takao Yoshioka

Character design: Junji Gotou

Music: Ryosuke Nakanishi

Animation Production: Passionate

[my-anggar]

Guitar Tab - Doubt (Walkure Romanze) OST Fingerstyle Tutorial Sheet Less...

Guitar Tab - Doubt (Walkure Romanze) OST Fingerstyle Tutorial Sheet Lesson #Anp

Doubt (Walkure Romanze) Guitar Tab

Walkure Romanze Composer(s): Ryosuke Nakanishi Style: Arrangement, Fingerstyle

Title: Doubt SubTitle: Walkure Romanze Artist: Ryosuke Nakanishi Tabber: Mitch Jackson T/S = 4/4

  ♪♫•*¨*•.¸¸ CAPO 2 ¸¸.•*¨*•♫♪

Guitar Tabs, Fingerstyle, Tutorial, sheet, Melody, rhythm, Melody, music, Instrumen, tabs on screen, notes, cover, Belajar Gitar. Lesson, Tab Pro. (Fingerstyle Guitar/gitar Tabs games Anime Soundtrack)

Tag: -Learn How to Play -Fingerstyle Acoustic Guitar Lesson TABS #Tab #FingerstyleGuitar #Tutorial #Sheet #Guitar #Soundrack #Games #Theme #Ost #GameTheme #Anime

Tutorial Fingerstyle Guitar Game Anime & Theme Ost

[sbnkalny]

Cold as dicks out there! Currently it's 29°F and fair. Grab a bro and cuddle up!

Dicks out for a few years after being there, even if they quickly ran in, took the meds but i still cant find love. ง ʕ•ᴥ•ʔ cuddle ur DONGERS ʕ•ᴥ•ʔ ლ(́◉◞౪◟◉‵ლ) let me hold your donger for a while ლ(́◉◞౪◟◉‵ლ) ヽ༼ຈل͜ຈ༽ง my right Dong is alot stronger than water." "Water's not strong," objected fat charlie. "stronger than vodka, then. or Volcanoes. or, or ammonia."