#SOILWORK

[metalcultbrigade]

Soilwork - The Ride Majestic. 28/08/2015

[radiophd]

soilwork -- sadistic lullaby

[randgugotur-6]

𝐉𝐮𝐥𝐲 𝟐𝐧𝐝 𝟐𝟎𝟏𝟎 #𝐒𝐨𝐢𝐥𝐰𝐨𝐫𝐤 𝐫𝐞𝐥𝐞𝐚𝐬𝐞𝐝 𝐭𝐡𝐞 𝐚𝐥𝐛𝐮𝐦 “𝐓𝐡𝐞 𝐏𝐚𝐧𝐢𝐜 𝐁𝐫𝐨𝐚𝐝𝐜𝐚𝐬𝐭” #𝐓𝐡𝐞𝐓𝐡𝐫𝐢𝐥𝐥 #𝐍𝐢𝐠𝐡𝐭𝐂𝐨𝐦𝐞𝐬𝐂𝐥𝐞𝐚𝐧 #𝐃𝐞𝐥𝐢𝐯𝐞𝐫𝐚𝐧𝐜𝐞𝐈𝐬𝐌𝐢𝐧𝐞 #𝐋𝐞𝐭𝐓𝐡𝐢𝐬𝐑𝐢𝐯𝐞𝐫𝐅𝐥𝐨𝐰 #𝐌𝐞𝐥𝐨𝐝𝐢𝐜𝐃𝐞𝐚𝐭𝐡𝐌𝐞𝐭𝐚𝐥

𝐃𝐢𝐝 𝐲𝐨𝐮 𝐤𝐧𝐨𝐰...

𝐓𝐡𝐞 𝐚𝐥𝐛𝐮𝐦 𝐦𝐚𝐫𝐤𝐞𝐝 𝐭𝐡𝐞 𝐫𝐞𝐭𝐮𝐫𝐧 𝐨𝐟 𝐥𝐨𝐧𝐠-𝐭𝐢𝐦𝐞 𝐒𝐨𝐢𝐥𝐰𝐨𝐫𝐤 𝐠𝐮𝐢𝐭𝐚𝐫𝐢𝐬𝐭 𝐚𝐧𝐝 𝐟𝐨𝐮𝐧𝐝𝐞𝐫 𝐏𝐞𝐭𝐞𝐫 𝐖𝐢𝐜𝐡𝐞𝐫𝐬.

[liliakier]

Commission for my friend @livelovechilis of a Night Flight Orchestra themed Björn Strid!

[echo1331]

Distortion Sleep - Soilwork - Figure Number Five

@brittle-crow

[kidpix-album-covers]

Soilwork - Stabbing the Drama (2005)

[metalsongoftheday]

Friday, April 26: Soilwork, "The Flameout"

Natural Born Chaos was both a breakthrough turning point as well as an intermediate step for Soilwork: the combination of sharper and streamlined songwriting with Devin Townsend’s production positioned the band as a leading force in the next vanguard of Swedish melodic death metal, but in hindsight their fourth record was also an iterative move towards what they would ultimately become over the subsequent several records.  As such, something like “The Flameout” was a bridge between two worlds- it was wild and wooly in a way that felt like a natural follow-up to A Predator’s Portrait, but there was also more space and atmosphere, like the guys were trying to create more ambience and texture beyond Bjӧrn “Speed” Strid’s not yet refined use of clean singing in sections.  Looking back over 20 years later, the track plays like the band was aiming towards something more progressive to overlay on top of the usual In Flames-isms, but weren’t entirely clear on what that something was. So “The Flameout” was all over the place, and on its own was a differentiating track for Soilwork in 2002, though in the end it was more of a rough draft of things to come.

[thethcministry]

[metalshockfinland]

IN FLAMES + SOILWORK Announce European "Rising From The North" Tour In October 2024

Brace yourselves, metalheads! In a seismic announcement that has sent shockwaves through the metal community, three of Sweden’s most iconic metal bands, IN FLAMES, ARCH ENEMY  and  SOILWORK  are teaming up for a European co-headline tour titled the “Rising From The North.” The tour promises an unforgettable night of Swedish metal mayhem. Anders Fridén from IN FLAMES: “Couldn’t be more excited to…

[blxckv3il]

Soilwork - Nous Sommes La Guerre

Nous sommes la guerre

Nous sommes le contraire

Nous sommes l'opposition

Nous attendons le porteur de lumière

I can feel the shadows enter, risin' from the earth

Now that everyone is giving me the widest berth

I have nightly visits, sentient absence watchin' me

Nurturin' the itch where other worlds are scratchin' me

When I heard the voices from below

Gently tellin' me where I should go

Speakin' demon tongues in stereo

Face the undetermined, let it show

Let it show

So could you hold my fire?

Would you arise and meet me where the sparks ignite?

Nothing's new

It's just a fear that something's comin' after you

It's the brimstone sparkling, touching me at parts unseen

Just a sharp reminder prodding at what could have been

Would you share my burden, help me lay this ghost to rest?

If you disagree then please pretend it's for the best

Every trial that we must undergo

Trapped between the current and the flow

Melodies above the hellish drone

Sound the unrefined and let it go

So could you hold my fire?

Would you arise and meet me where the sparks ignite?

Nothing's new

It's just a fear that something's comin' after you

Hold my fire

Would you arise and meet me where the sparks ignite?

Nothing's new

It's just a fear that something's comin' after you

Nous sommes la guerre

Nous sommes le contraire

Nous sommes l'opposition

Nous attendons le porteur de lumière

[metalcultbrigade]

Soilwork – Övergivenheten. 19/08/2022

[ladiesinrock]

Arch Enemy + In Flames + Soilwork: una data in Italia a ottobre 2024

ARCH ENEMY e IN FLAMES annunciano oggi il “Rising from the North European Tour”, serie di concerti che vedranno le due band impegnate in Europa il prossimo anno. Prevista anche una data in Italia all’Alcatraz di Milano il 16 ottobre 2024. In apertura si esibiranno i SOILWORK. Michael Amott (ARCH ENEMY) dichiara: “Che grande celebrazione del metal svedese! Condividiamo molta storia con IN…

[pupsnacks]

I actually quite like a good chunk of soilwork's new stuff, but god i would explode if they made another album in the style of Stabbing the Drama. It feels a lot more raw and angry and i think it suits them a little better than the Grand Melodrama

[restinfesteringslime]

Steelbath Suicide Soilwork Steelbath Suicide

[danzameccanica]

Ogni volta che riascolto Natural Born Chaos mi ricordo i miei giri a Perugia al parco Santa Giuliana, su quella distesa di cemento fra parco e scala mobile; ci fu una mega manifestazione e quindi mi ritrovati sotto le tettoie dello spiazzo alto del parcheggio con dei metallari devoti al nu-metal di cui ne parlavano; in quel piccolo momento di condivisione (coadiuvato esclusivamente dall’alcol, altrimenti mai avrei parlato a questi figuri da me considerati sfigati) espressi che in effetti era gran disco, che ti prendeva fin da subito. Era anche un periodo che uscivo con Eleonora di San Sisto e di getto mi vengono in mente quei pomeriggi di ottobre-novembre dove il cielo si imbruniva presto e dovevo correre a Sant’Anna per prendere il treno delle 18:50. È uno dei pochi album a cui ricollego anche qualche videogame, Chrono Cross per l’esattezza, ma in generale la mia vita liceale del terzo superiore. Ricordo che Reroute to Remain degli In Flames mi aveva davvero deluso e questo album - assieme a Damage Done – era considerato il “futuro” del death metal melodico. Non so bene cosa abbia, forse la produzione robotica, quadrata, pompata, ma in effetti indossa la veste del nuovo millennio, con quei synth spaziali che vanno e vengono. C’è da dire che questo album è perfettamente bilanciato fra parti in scream e parti in voce pulita; questi erano anche gli anni nei quali il metalcore usciva prepotentemente da Mtv e dagli Stati Uniti. Personalmente non saprei tirare in ballo dei parallelismi perché in quel periodo ascoltavo tantissimo black metal anche scarno e sotto-prodotto. Eppure avevo bisogno dei miei momenti di svago e di canto e coincidevano con dischi come questo. Ancora oggi “As we Speak” la so a memoria, mi ricorda i compiti al pomeriggio, il cambio di vestito prima di andare a basket, la mia amicizia con Giampaolo Brustenghi… C’è da dire che ci sono pochi riff memorabili ma le armonie principali sono lasciate alla voce eppure la band non ha ancora quell’aura super pettinata e quasi pop degli ultimi album. riff thrash-death accompagnano perfettamente i synth e il resto della composizione regalando ottime tracce da accompagnamento. The Bringer è ancora oggi un brano fresco e attuale (che darà tanto a formazioni future dagli Scar Symmetry ai Sonic Syndicate ai The Halo Effect) e anche Black Star Deciver o Mindfields sono i brani che tutti avrebbero voluto sentire dagli In Flames post Clayman.

[spiritualinstinct]

YEAHHHH SOILWORK