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smutoperator · 6 months ago

Text

Detention

Hong Eunchae x Male Reader

Tags: anal, bad cop, begging, daddy kink, dungeon, facial, (lots of) flogging, hole switcheroo, nipple clamps, punishment, teen, vibrator, virgin

Word count: 4020

Every time someone turns 18, they want to try something new that was once not allowed to them. It was no different for Eunchae, who had just got her driver's license.

Eunchae hopped in the car alongside her group leader, Chaewon, who would be instructing her. Both had taken a couple of drinks a few hours before as well but thought it was no big deal. However, things were about to change quickly.

A cop stopped the car Eunchae was driving. "Can you please show me your license?" you asked her. Eunchae started searching her pockets but couldn't find it, growing increasingly desperate. "I-I can't find it," she said.

"Sure, I'll check your alcohol levels too," you said, handing Eunchae a breathalyzer. She was shocked as she found out she was over the legal limit, feeling she was truly screwed. The teenager started crying, but you were merciless towards her. "You're under arrest," you announced to her, dismissing Chaewon shortly after as she passed her test.

Eunchae looked scared as you drove her to jail, detaining her in an individual cell. You kept looking at her tall, young body as she walked around the cell, pondering if she would be able to get bailed out without being involved in a scandal.

"How much do I have to pay to get set free?" Eunchae asked. You, however, just ignored her, checking the paperwork of her arrest. "Come on, I know you can hear me," she said. You finally got up and handed her a few papers. "I need you to sign this," you said.

"Can you explain to me what this paperwork is about?" Eunchae kept asking. "Damn, just sign it," you say, losing your patience and exiting the room. "Please, come back; don't leave me here," Eunchae begs.

"I'll sign it," Eunchae says as you return a couple of minutes later. "Good, that's what I wanted," you tell her. "Now, can you please get me out of here?" she asks. "Yes, but first I need you to take your clothes off," you tell her.

"Why is that necessary?" Eunchae asks. "I'm the one giving the commands; you just obey them, young brat," you say. "Fine," Eunchae says as she starts to strip herself, struggling as you handcuffed her during the arrest. "This is so frustrating," she says. "COME ON, TAKE OFF YOUR CLOTHES, YOU FUCKING SLUT," you yell at her, getting mad.

Eunchae obeys and slowly strips herself down. "HURRY UP, YOU'RE TAKING TOO LONG," you keep screaming. "You could help and take those handcuffs off me," she says. "Nah, that's not gonna happen," you tell her. "Now, take off your panties," you tell her.

"Ok, now what?" Eunchae asks. "Put your hands right here," you tell her, indicating an opening at the cell as you take her handcuffs off, staring at her naked teen body. "Put your hands behind your back, turn around, and put your ass over here," you keep commanding. Eunchae obliges. "Now spread your fucking ass for me," you keep ordering.

You pick up a butt plug and insert it in Eunchae's virgin asshole. It takes you a while as her tight butthole doesn't budge with the pressure of the object, but you finally manage to do it. "Ok, now put your clothes back on quickly," you tell her as Eunchae follows your orders, and you cuff her hands back again but release her from jail.

"Let's go to the room; I need to ask you some questions," you say to her. Eunchae is scared, fearing you'll do something bad to her. "Don't panic; if you behave well, you'll soon be free. Just be quiet," you tell Eunchae as you grab her face and open the doors of the room. However, as soon as she is in there, Chaewon calls her, and her phone rings loudly.

"You had one rule and managed to violate it, such a fucking brat. Now you're going to the dungeon," you tell Eunchae. As she gets into the dungeon, you strip her naked, tying her body to a table while putting a gag in her mouth. She spots the signed photos of many idols, including her fellow groupmates. Her driver's license is on your desk, making her wonder if this was a set-up all along.

"I'm gonna punish you, young brat. All you had to do was follow my rule; now you'll face the consequences for being a bad girl," you tell Eunchae, looking at her face as you carry a whip in your hands. "Do you understand me?" you ask Eunchae, giving her naked ass a couple of spankings. Eunchae nodded positively as her mouth was covered.

"I don't think you had enough discipline; now I'm gonna teach you how to be a proper adult. Do you understand me?" You ask her, giving her ass a few more spankings. Eunchae agrees, but with the gag in her mouth, the words struggle to come out. "I WANT TO HEAR IT LIKE YOU FUCKING MEAN IT," you scream at her.

"How much do you want me to spank you?" you ask Eunchae. "Say it," you continue as her words keep getting muffled. "A lot," you finally manage to hear what she said. "And what do you want me to do to you?" you keep asking. "I want you to fuck my virgin holes," she answers.

Hearing it drives you crazy. You spank Eunchae's ass multiple times. "That's what she wants, you fucking bitch, a good fucking punishment," you tell her, laying your hands all over her body. "You're such a good little girl learning a lesson and teaching you the fucking rules, do you understand?" you keep asking. "Yes," Eunchae answers. "That's what I want to hear," you say.

You bring an even larger whip to hit Eunchae. "Is that what you want? Should have followed the rules, slutty bitch," you tell her, hitting her body with multiple angles but focusing especially on her ass. "What do you say when I spank you?" you ask her. "You say, 'Thank you, Daddy," you quickly answer.

"Thank you, Daddy," Eunchae says, trying to make you hear it despite the mouth gag. "If you take your punishment well, I'll give you a present. Are you gonna behave?" you ask her. "Yes, daddy," she answers as you keep flogging her 18-year-old body, turning it red.

"I think that's good enough," you say, looking at Eunchae's body now full of your red marks. You bring a Hitachi vibrator and place it in her virgin pussy. "What do you say?" you keep asking. "Thank you, Daddy," she answers. "Louder," you say. "THANK YOU, DADDY," she screams. "Now, follow the rules and don't cum without my permission," you continue, increasing the speed of the vibrator.

Eunchae tries to resist as the vibrator heavily massages her pussy. "Don't fucking cum," you tell her, taking the gag out of her mouth as the massage only gets more intense, making Eunchae moan with the pleasure it gives her. "How does it feel?" you ask her. "It feels so good, Daddy," she answers. "How many times have you had one of those massaging your pussy?" you ask her. "A few times, Chaewon unnie has one, and sometimes I borrow it to masturbate while she's away," Eunchae answers.

You spread Eunchae's tight pussy open, making it vibrate further. She moans, trying to resist as much as possible not to cum as you pick up the speed of your moves. Some juices leak out of her teen cunt. "Let me put you right on your fucking clit," you say, spanking her as well. "Thank you, Daddy," she says.

"I think I'm being too nice to you; what do you think?" you ask Eunchae. "I don't know," she answers. "You don't know? Well, looks like you need more discipline," you say, hitting her with a whip. "Looks like you need some cock," you say. "Yes, daddy, my virgin pussy is aching for your cock," Eunchae answers.

"Say it like you mean it," you demand of Eunchae, shoving your clothed pants in her face. "I need your cock so bad, daddy," she answers, licking it. "LOUDER, BEG FOR YOU," you demand. "I NEED YOUR FUCKING COCK DEEP IN MY VIRGIN PUSSY," she screams shortly after.

"And what are you gonna do to get it?" you ask Eunchae. "Anything you want, daddy," she answers. "Okay, there you go," you say, putting a pair of clamps on her nipples. "Perfect, now I can give you some of that cock, but you better keep begging for it," you tell her.

"Please put that cock in my pussy, please," Eunchae keeps begging. You make it as hard as possible for her, shoving your dry shaft inside her virgin cunt. "Ahhhh, oh yeah," she moans as you go very slow, amazed at how tight her teen pussy is. "Tell me how it feels," you say to her. "So fucking good, daddy," she says as you slowly pick up the speed and grab her ass.

"Oh yes, you work my pussy so good, daddy, how does it feel to you?" Eunchae asks. "It feels so fucking tight; how does my big cock feel in it?" you reply, grabbing her hair. "Amazing, keep fucking and spanking me, daddy," Eunchae begs as your thrusts get faster and faster.

"Let me take this out," you say, taking a little break and removing the butt plug you placed inside her anus some hours ago. It struggles even more to get out just like it did to get in, but once it does, you can see her perfect virgin pink asshole and enjoy how small and cute it looks.

"Tell me how much you want that cock back; beg for it," you demand of Eunchae. "Please, Daddy, put it back in my pussy," she says. "Say it again," you tell her. "Please, put your cock in me," she replies. You got much faster this time. "Thank you, Daddy; keep spanking my ass," Eunchae begs. "Are you gonna fucking start listening to me? Oh fuck," you ask, but get interrupted by a groan as Eunchae's teen walls squeeze your fat cock hard. "You like that 18-year-old pussy a lot, don't you, daddy?" she asks.

"Oh yeah," you tell Eunchae. "Now I'll make you taste it," you continue, grabbing her head and fucking her face at full speed, making Eunchae choke hard on your dick. "Open those fucking eyes," you say as your cock gets deep in her throat and you treat her face like an onahole. "What do you say?" you ask every time she gags and you spank her ass. "Thank you, Daddy," she answers. "Then open your mouth," you continue, shoving your cock further balls deep in her mouth and covering her nose.

"You want more of this fucking cock?" you ask Eunchae as you grab her hair. "Yes, please, daddy," she begs as you jerk it off. You get back at fucking her pussy from behind. "Just like that, daddy, give it to me; it feels so fucking good," she says. You keep pulling her hair as you pound her teen cunt faster and faster, her ass completely red after so much spanking. "Is that what you want, young brat?" you ask her. "Ohhhh yeah, fuck my tight little pussy," Eunchae keeps begging as she answers you.

"Yes, yes, yes, yes," you keep saying as you get deeper and deeper inside Eunchae's pink pussy. "Keep going; show me how much you like that pussy," she tells you. "Don't fucking move," you say as you give her clit some rubbing and keep pumping her teen cunt. Eunchae turns into a moaning mess. "Yes, daddy, you fuck that pussy so good," she keeps saying, her perky young tits bouncing and her cheeks getting clapped as your thrusts only get more intense. "Oh yeah, daddy, use that young pussy," she says, making you grow even more animalesque, fucking her like a bull and masturbating her clit hard.

"May I please cum?" Eunchae begs as your big hands are all over her throbbing clit. You don't answer her question, just getting more and more committed to fucking her teen pussy harder and harder before finally answering. "Yes, cum all over my cock, you slutty brat," you say.

You slow down and let Eunchae's juices coat your cock. "Taste that fucking cum," you tell her when she's finally done, turning around and shoving your creamy cock in her young face. "That's it, open that fucking mouth, show me how much you enjoy that fucking cum," you say to her. "Thank you, Daddy," she says.

You grab Eunchae's face and spit on her. "You want more of this fucking cock?" you ask. "Yes, daddy," she quickly answers. "You want it in your fucking ass too?" you keep asking. "Yes, please," she answers. "Then beg louder," you reply.

"PLEASE, DADDY, I WANT YOU TO USE ALL MY HOLES," Eunchae screams. "Beg louder," you command as you spank her butt. "PLEASE, PUT YOUR COCK IN MY ASS," she says. "Keep saying it," you continue. "Put it in me, in my ass, please," she keeps begging.

You shove your cock in Eunchae's butthole in one go, as the butt plug spread it enough for an easy slide. "Ouch," she moans as if she were stabbed. "Oh fuck," she keeps moaning as you punish her as if she was a veteran of anal sex like her unnie Chaewon, not a young girl who to this point had only inserted bananas and butt plugs up her asshole, but never a real cock.

"You like fucking my asshole, daddy?" Eunchae asks. "Yes," you say as you spank her butt. "How about you, bitch?" you reply. She answers positively, but you can clearly tell she's struggling with such a massive cock in her tiny teen asshole, especially with the speed you fuck it. "Don't move that fucking ass; you're getting fucking punished," you say to her.

"Yeah, yeah, yeah, rub that clit, please. Thank you, Daddy," Eunchae says as it gives her some relief from the fast and deep thrusts you give inside her ass. "Keep going, daddy, you play with my clit so good," she says. "Oh, fuck yes, there you go; look at that ass getting stretched out by that big fat cock," you say, picking up the speed further. "FUCK," Eunchae screams as not even your hands in her clit can make her cope with the heat your cock puts in her asshole.

Luckily for her, you have some mercy and switch back to her pussy, but that doesn't change much, as Eunchae's holes are throbbing hard now. "OH FUCK YES," she screams as your cock goes back to pumping her cunt, losing no speed as it switches holes, staying at the same relentless pace.

"Back in your fucking ass," you say to Eunchae, at this point just toying with her teen holes. "Oh god, you're such a fucking tight slut," you say to her, clapping her cheeks and grabbing her hair. "OH DADDY, IT FEELS SO FUCKING GOOD, THANK YOU DADDY," she screams. "Open that fucking mouth," you reply, stretching it as you fuck her.

"Now taste your pussy and ass right there," you say, shoving your cock in her mouth one more time. "You want it back?" you soon ask. "Yes, I want it back in my holes, please," Eunchae answers. "Which hole do you want it?" you keep asking. "Anyone you want, daddy," she replies. "Give me an answer, bitch," you tell her. "I want you to keep fucking my ass," she says. "Say it again," you say. "I WANT YOU TO FUCK MY ASS, DADDY," she screams.

You give Eunchae's ass very heavy poundings. "Fuck yes, put that fucking ass up," you demand. "You like the way my asshole feels on your cock?" Eunchae asks. "Yes, it's so fucking tight, such a tasty little 18-year-old ass," you say as you spank her butt for the hundredth time.

"I want you to fucking cum like the slut you are," you tell Eunchae. "Yes sir, keep fucking my ass like that and I'll cum hard for you," she answers. "You better fucking cum on that cock or I'm gonna punish you," you say, picking up the speed. "Yeah, yeah, yeah, OH FUCK," Eunchae moans as her asshole keeps getting stretched out. "Keep going; that feels so fucking good, ahhhh, yeahhh, ohhhh, thank you, daddy," Eunchae moans as you can't stop fucking her ass.

You pull out of Eunchae's ass and pick back the vibrator. "You're gonna cum all over it, do you understand?" you demand as you shove it on her pussy. "Yes, daddy," she answers. You massage her clit hard with it. "Right there," Eunchae says. "May I please cum?" she asks. "CUM," you give her a positive answer, letting her leak a lot of juices all over the table she's tied up to.

You quickly take advantage of Eunchae's weakness and shove your cock in her cunt. "Yes, please, put your cock back in my pussy," she begs. "FUCK, DADDY, I WANNA CUM ALL OVER YOUR COCK, YES, YES, YES, USE MY PUSSY, USE ALL MY FUCKING HOLES, I'M CUMMING, I'M CUMMING," she screams. "Yes, perfect," you say as you spank her ass and Eunchae cums all over your cock. "Keep that ass up," you continue.

Eunchae takes the little time you give her to breathe, but soon you flip her body around and start spanking her pussy. "I want you to beg again for my cock," you tell her. "I need your cock, need it in my fucking pussy so bad," she says as you put the vibrator back in her pussy. "Keep begging," you tell her. "I want your cock," she says. "It feels so good," she continues as the vibrator massages her clit. "More, you can beg better than that," you say, increasing the speed of the vibrator. "Give me your cock; I need it in my pussy, please, please, please, please," she continues, but you still ignore her pleading.

Eunchae tries to stretch her hands and jerk your cock off as she keeps begging for your cock. "Say it every time I hit you," you tell her, whipping her body. "I want your cock, I want your cock, I want your cock," she repeats countless times. "That's better," you tell her. "Is that what you want?" you ask, shoving it in her pussy. "Yes, thank you, Daddy," she answers.

You fuck Eunchae as you put the vibrator in her clit alongside it. "YEAH, YEAH, YEAH, ALL OVER MY CLIT," she screams. "YOU LIKE THAT, YOU FUCKING SLUT?" you ask her as you spank her face. "Yes, daddy, it feels so fucking good. Thanks for fucking me, daddy. Thanks for using my holes," she replies.

You switch back to Eunchae's ass. "Oh fuck, nice and slow," she begs, already completely wasted as the vibrator makes her clit throb further and further. "Yeah, yeah, just like that," she begs. "I want you to cum in my fucking cock again," you say to her. "Please, daddy, may I please cum all over that cock?" she begs. You spank her face. "Right there, right in my clit, FUCK, I'M GONNA CUM," Eunchae says.

"CUM ALL OVER IT, BITCH," you say, picking up the speed as you fuck Eunchae's ass and grabbing her waist. "Oh yeah," you say as she squirts all over your cock. But you don't stop, getting addicted to her teen holes and quickly moving to her pussy again. "OH FUCK, THAT FEELS GOOD, DADDY," Eunchae moans. "Oh yeah, sure it does," you say to her. You now just toy with her holes, switching from pussy to ass from time to time while hitting her face and her tits, treating Eunchae like a fucktoy as you choke her. "Don't get loud, you bratty bitch," you say, rubbing her clit hard and spanking her whole body with that whip.

"Thank you, Daddy, for using me like that," Eunchae says. You fuck her pussy hard, enjoying your cock bulge under her young belly. Then you switch to her ass and choke her harder than ever. The switcheroo keeps going, Eunchae's whole body getting redder and redder, her rolling her eyes and struggling to breathe as you grab her neck with full force and rub her clit. "Please, daddy, rub my fucking little clit; you're gonna make me cum again," Eunchae moans as she gets completely overwhelmed by your moves in her cunt and her clit. "Fuck, just like that," she says.

"Is that what you fucking want?" you ask Eunchae. "Yes, daddy, but I want your cum too," Eunchae answers. "Then beg for my cum," you reply, spanking her face and keeping your fingers all over her clit, playing a lot with it. You spank her pussy and switch back to her ass, fucking it as hard as possible while you choke her. "I want you to make me cum with that fucking ass," you tell Eunchae as you pump it hard, her struggling hard as you have fucked her for nearly half an hour at this point. "You like that fat pussy too?" she asks as you pinch her clit while fucking her ass. "I like you shutting your fucking mouth, you bratty slut," you answer her.

Ass to pussy, pussy to ass, you keep switching, much to Eunchae's enjoyment. "Use my holes, Daddy; pick whatever you want," she begs as you fuck both of them really hard. Her face is now completely red from all the spanking and choking. "I want your cum," Eunchae begs. "Look at this bitch showing her true colors," you say.

"I want your cum all over my face," Eunchae begs as she gets choked and pounded. "Use my holes, use my fucking pussy, use them for your pleasure," she keeps begging. "Open your mouth wider; show me how much you want that cum," you command. But then Eunchae says the words that finally push you over the edge.

"I want you to cum all over my pretty little 18-year-old face," she says. As soon as you hear it, you pull your cock out of her cunt and ejaculate all over her face, covering her full of sperm like a good teen slut. Eunchae sticks her tongue out as she gets glazed, getting herself full of cum from her hair to her chin, kissing your cock as she thanks you for one final time. "Are you gonna start following the rules now?" you ask her. "Yes, daddy," she replies as you slap your cock in her face.

"You're free now," you say to Eunchae. "Thank you, Daddy," Eunchae says. But as soon as she is ready to get out of the dungeon, another girl arrives and catches both of you.

"Looks like she had a lot of fun," Chaewon says as she looks at Eunchae's face completely covered with your semen. "Sure she did," you tell her.

"Let me see how she tastes, hmmmm, delicious," Chaewon says, putting her mouth on your cock and tasting it as it's still full of your cum and Eunchae's juices. "You know, I think we should give her some extra training," she continues.

"Like what?" you ask.

"Let her learn some new positions and turn her into a proper slut," Chaewon says. "Are you ready, Manchae?" she asks her.

"Yes, unnie," Eunchae answers.

"Then sit your ass on his cock," Chaewon commands, and Eunchae obliges, following her unnie's instructions. "Lock her legs; let's see if this slut can take a full nelson," Chaewon instructs you.

"Oh fuck," Eunchae screams as soon as she's completely immobilized. "AHHH, AHHHH, AHHHH," she starts screaming as you resume pounding her ass under Chaewon's watch.

"Let me make this a little harder," Chaewon says, getting out of both your sights as she switches clothes while you keep fucking Eunchae, returning with a strap-on attached to her waist.

"Let's see if she can take this in her pussy too," the naughty unnie says.

"FUCKKKKKKKK," Eunchae screams, and her second round at the dungeon is just beginning.

#eunchae smut #le sserafim smut #kpop smut #female idol smut #girl group smut #male reader smut

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amirasainz · 6 days ago

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Hello. Can I please request some TP reader where both Lando and Oscar messed up. So reader becomes angry and they see a side they have never seen before. Could you also include sone grid dad Toto wolff? Like how Seb is Charles grid dad or Charles ollies. Thank you

Bruised Ego

The sun blazed down on the track, the roar of engines and the frantic chatter of pit walls echoing into the air as the race unfolded in high-speed chaos. In the McLaren garage, the tension was palpable. Monitors flickered with data, pit crews scrambled like clockwork, and standing at the very center of it all—heels planted firmly, arms crossed, jaw set—was Yn.

At just 22, she commanded more authority than people twice her age. The team principal of McLaren was a force to be reckoned with, admired by the paddock and adored by the drivers. Every engineer, mechanic, and executive deferred to her judgment. Even the most seasoned drivers quieted when she entered the room. And yes—though they would never admit it aloud—all the drivers were completely in love with her.

But right now? Love was the last thing on anyone's mind.

A crash. Between both McLaren cars. Oscar and Lando.

The screen replayed the collision in excruciating slow motion. Oscar had tried a risky overtake. Lando had defended too aggressively. The two McLarens tangled like dancers who missed a beat and spun into the wall, throwing away vital points in the Constructors’ Championship.

Yn’s expression didn’t change. Not even when the pit wall erupted in curses, groans, and stunned silence.

The garage grew colder somehow—not in temperature, but in spirit. Her gaze didn’t flicker from the screen. Her hands were clasped behind her back, chin slightly raised. She wasn’t yelling. She didn’t need to. Her fury was quiet, frozen, and absolute.

And everyone knew—Oscar and Lando were screwed.

When the race ended and the drivers were climbing out of their cars, the broadcast cameras picked up the moment. Yn stepped onto the track in her sleek black slacks and sky-high stilettos. The sun glinted off the silver pin on her McLaren blazer. She walked directly toward them.

"Office. Now," she said, pointing a perfectly manicured hand toward the garage. Her voice cut through the noise, through the interviews and celebration and commiseration.

Lando opened his mouth. "Yn—"

"No."

That was it. No further explanation. No room for argument.

Oscar looked like he wanted the ground to swallow him. Lando looked like a kicked puppy. Both followed her in silence, heads low, like scolded schoolboys being marched to detention.

The garage was dead silent as they passed.

They entered the office. She didn’t speak. Just pointed to the chairs across from her desk.

“Sit.”

They obeyed without a word.

Lando tried again, "Look, we didn’t mean—"

"Did I say you could speak?"

Silence.

She didn’t even sit down. She walked out, heels clicking loudly on the concrete floor. The door slammed shut behind her.

Lando stared at Oscar. "We’re dead. We’re actually dead."

Oscar whispered, "Do you think she’s getting Zak?"

"No," Lando gulped. "Zak would be merciful."

Five minutes passed. It felt like fifty. And then the door opened again.

Yn returned. And she wasn’t alone.

Toto.

The Mercedes team principal. Towering, calm, and intimidating in his own right. He gave them both a short, tight smile as he entered and leaned on the edge of her desk like he had all the time in the world.

Lando’s mouth went dry. "Why is he here?"

"To make sure I don’t smack you both on the head," Yn said coolly as she took her seat. Her expression was unreadable.

Toto nodded solemnly. “I volunteered.”

Neither Oscar nor Lando dared to breathe too loud.

Yn took her time, leaning back in her chair. “Let’s get this straight,” she began, voice dangerously soft. “That was not a racing incident. That was two idiots forgetting they’re not the only people on the track.”

Oscar shifted. Lando looked at the floor.

“You compromised both cars. You cost us points. You embarrassed the team. Do you know how hard your engineers work? How many sleepless nights they spend giving you a car that can fight?”

They nodded.

“Did you act like it mattered?”

They shook their heads.

“Of course you didn’t,” she said icily. “You both behaved like rookies. You want to race each other? Fine. Do it in sim. Not when we have a shot at a double points finish.”

She stood and started pacing. “If I hear one more word about ‘hard racing’ or ‘it was just bad luck,’ I will personally put you both on media silence for the next three races. Try me.”

Toto coughed into his hand to hide a chuckle. “She’s not bluffing.”

Yn turned. “Thank you, Toto. That will be all.”

Toto didn’t move. “I’m staying. This is entertainment.”

She narrowed her eyes. "Suit yourself."

Oscar finally tried to speak. "We’re sorry. It really wasn’t our intention—"

"Do you think I care about intentions?" she snapped.

Oscar shut his mouth.

“For twenty minutes,” she continued, “I’m going to remind you exactly what it means to wear that orange suit.”

And she did.

For twenty straight minutes, she tore them down and built them back up. Not once did she raise her voice. But the intensity, the sheer focus in her words, made it worse than any shouting.

Toto just nodded along, every so often adding, “Mmhmm,” or “She has a point.”

When she finally finished, she leaned back again, eyes hard.

“Get out.”

They scrambled up.

“Oh, and one more thing,” she added, voice deceptively light. “If either of you ever speaks rudely to your race engineer again—especially when they’re trying to help you—you’ll find yourself cleaning the garage with a toothbrush.”

The door didn’t even click shut before the McLaren crew outside burst into suppressed giggles.

Back inside the office, Yn collapsed into her chair, letting out a long breath. For the first time all day, the weight lifted from her shoulders.

Toto, still perched on her desk, smiled softly. “You did good.”

She raised a brow. “I wasn’t sure I wouldn’t actually hit them.”

He chuckled and reached out, brushing a strand of hair behind her ear. “That’s why I came. For protection.”

She smirked.

“Come have dinner,” Toto offered. “Susie made that tart you love.”

“Tempting.”

“You need a break. You’ve been carrying this team with sheer force of will.”

She sighed again, letting her head fall back against the chair. “Only if Susie promises not to mother me the whole night.”

“She already bought you a new coat. Just accept it.”

Yn laughed.

In the driver’s lounge, Lando and Oscar weren’t faring so well.

Carlos strolled in, smirking. “How’s your ego?”

Oscar groaned. “Gone.”

Pierre leaned around the corner. “Did she throw a stapler? I always imagined she’d throw something.”

“No,” Lando muttered. “She didn’t have to. Her eyes did it.”

Charles raised a brow. “Toto was there too?”

Lando nodded. “He enjoyed it.”

Max entered, towel around his neck, holding a Red Bull. “I told you not to fight each other. But do you listen to me?”

“Max, please,” Oscar begged. “Not today.”

“I mean, I’ve had some bad team talks. But that?” Franco said, entering with a grin. “That was historic.”

“She didn’t even let us talk,” Lando said miserably.

“Good,” Alex muttered. “You don’t deserve to talk.”

“Can’t believe you made her that mad,” George added. “She’s always so nice.”

“Not today,” Oscar whispered.

“Hey,” Yuki added brightly. “At least she didn’t make you cry. Yet.”

Lando looked at him. “Yet?”

Yuki smiled serenely.

Later that night, Yn sat at a small candlelit table at Toto and Susie’s place. The warmth of the meal, the soft background music, and Susie’s laughter were a balm after the chaos of the race day.

“You’re becoming more and more like me,” Toto said, raising his wine glass.

“God help me,” she murmured.

“Don’t worry,” Susie teased. “We’ll keep you from becoming too scary.”

Yn chuckled, letting herself relax, finally, as the stars began to rise over the horizon.

She’d handled it. Like always. And tomorrow, she’d do it all over again.

Soo, thought this was kind of fitting for the race today (even though Lando had a little drivers mistake there). Enjoy the story. My requests are open.

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dravidious · 2 years ago

Note

You aaaaarreeeeeeeeeeee the neatestest

I already reblogged this image once but I love it so much you're seeing it again

#it just occurred to me that this might actually be about someone getting food for their cat #and the driver knew somehow with like order notes or something #but the responses don't seem that way #the “meeeeee :3” is just so precious #like “idk what the fuck's going on but screw it i'll play along”#i'm torn because it'd be really neat if someone talked/texted like that to me #but i'm afraid i might not have the courage to play along #it'd definitely be easier over text especially if they set the tone first #if it happened in person i'd probably just shut down #torn between “play cute kitty” and “avoid doing anything even slightly vulnerable”#i wanna play a role-playing game now #that way i can make a cute kitty character that's really silly and i'll be forced to be silly and cute in front of others #AND it'll even be socially acceptable #concept: kitty/catfolk alchemist that's all cute and silly and stuff but talks fairly normally #except when infodumping about alchemy and potions and stuff they switch to uwu speak #purely as an excuse for me to get REALLY silly but i don't have to keep it up the whole game #also the table would fucking riot if i subjected them to uwu speak for the whole session #ka asks

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astonmartinii · 20 days ago

Text

Sex and the City, chapter one: monte carlo meet-whoops | formula one social media au

pairing: 2025 f1 grid x fem columnist reader

never mix worth with pleasure… or maybe do, but expect it to trip you up at the worst moments

MASTERLIST | TIP JAR

note: drivers are not in a relationship unless explicitly stated in this universe

SEX AND THE CITY: WE’RE GOING TO MONTE CARLO…

by y/n y/ln

Despite moving to Monte Carlo a number of years ago, I have never ventured to the Monaco Grand Prix. Perhaps it’s been short-sighted as a sex columnist to forgo the event on the European social calendar where everyone who is anyone is there -

But fear not, I intend to rectify these mistakes!

The past couple of years I have found myself on the other side of the pond at this crucial stretch of the year and have missed out on high society and the opportunity to explore them, I mean it…

The world of Formula One is fast and doesn’t often wait for those standing around. But I want to know, do they fall in love as fast as they drive?

I had a dalliance with a Formula One driver when I first moved to the Principality. Honey Badger had a big smile and a big personality and that’s not where the big theme finished. Maybe his life on track taught him to make the most of opportunities, or maybe handling something as sensitive as a Formula One car gave him an eye for technique…

In Formula One, most if not all drivers will tell you that finishing first is the only way to finish the weekend. But outside of the car, Honey Badger wholly rebuked this notion. Where he would gladly sacrifice a teammate or screw over a friend on track, off track he was the most generous partner I have ever had.

But I couldn’t help but think… are all drivers this generous? Or does a life jet-setting across the continents leave you with a hefty salary and even bigger commitment issues?

I never wanted anything serious with Honey Badger, but I don’t think it would’ve been an option if even I wanted to. Formula One drivers, in my experience, are attached to their careers while they still have them and don’t have time for things as trivial as long-term relationships - especially if you’re not willing to live life in the paddock with them.

So ladies, this weekend in the jewel of Southern France, don’t get your heart broken looking for the one on track, but let them show you what it’s like to live life in the fast lane.

yourusername

liked by landonorris, oscarpiastri and 304,871 others

yourusername: guess who is finally at home for the monaco grand prix? this little lady right here! you can read my column on the place to be this weekend on my website and in The Times (in whatever country you’re in) xxx

view all comments

user1: yes! i’ve been waiting for this one

user2: oh if only i could afford to go to monaco

user3: how i feel after reading any of y/n’s columns

user4: that should be me by justin on repeat

user5: i always wonder how she affords all of this

user6: maybe she’s yachting? she’s at all the events where it happens

yourusername: i have never yachted and i don’t intend to, sorry to burst your bubble!

user7: okay queen but the math ain’t mathing

yourusername: my money is between me and my accountant not random people on instagram

yukitsunoda0511: oh so when you said you had a fling with a daniel i might know you meant my LITERAL TEAMMATE DANIEL RICCIARDO?

yourusername: you know i’ve never been good with last names?

yukitsunoda0511: ‘hey a daniel you might know is featuring in my next column, just so you’re ready’ is not clear enough

yourusername: you should know me by now little sous chef

yukitsunoda0511: i should but you continue to shock me every time

yourusername: i’m taking that as a compliment

user8: i’m sorry she slept with DANIEL RICCIARDO ???

user9: and confirmed he is PACKING

user10: the way she says she doesn’t know anything about f1 but has slept with one of the most iconic drivers

user11: and lowkey shaded him? ‘attached to their careers while they have them’?

user12: she lowkey didn’t lie

danielricciardo: a cameo in sex and the city… you flatter me

yourusername: oh please, honey badger. you always knew your feature was coming at some point

danielricciardo: enjoy the race, i promise it’s usually more exciting

danielricciardo: and if you’re open to recently retired drivers let me know

user13: HOW DOES SHE HAVE THIS MUCH GAME WITHOUT TRYING?

user14: read the column girl and you’ll know

The thing is, they really weren’t lying when they said that Monaco is the jewel of the F1 season… everyone is dressed to the nines in brands as difficult to say as they are to purchase and you can’t go two ft without being offered yet another flute of champagne.

I am aware this is nothing to complain about, but by midday on Friday, it was hampering my ability to act like a normal person and my vision, which was 20/20 last time I checked. I know it’s bad because there’s no way the man I had affectionately dubbed Glastonbury was walking towards me in a quite garish orange race suit.

In a cute and aloof way, Glastonbury does just as vicious a double take as I and trips over his feet. He looks up at me. At first I think he’s happy to see me, but then something else flickers across his face. Maybe he was snapping himself back into action, maybe I had seen a flash of jealousy or maybe the champagne was doing more damage than expected…

I was wholly unaware Glastonbury was a Formula One driver… his physique had always been impressive but based on how many times I had been ushered out of his apartment for a padel session ‘with the boys’, what else was I supposed to expect?

I thought back to my column before the weekend, could he seriously be jealous over my involvement with Honey Badger? That had been dead in the water for a long time, but maybe the flirting in Instagram comments had been a bit much - but, hey! When you have as good a time as I have with Honey Badger, you don’t quite block yourself from a return there…

estebanocon

liked by yourusername, landonorris and 295,603 others

tagged: yourusername & flavybarla

estebanocon: bring your weird friend to work day today in monaco

view all comments

user16: just how many of these bitches does she know?

user17: LMAO the way it’s all coming out this weekend

user18: she’s honestly living her best life and i love that for her

yourusername: weird??? i think you mean unsettling but a hell of a fun time

estebanocon: that’s one way to put it

flavybarla: he loves you really, he’s just still shocked about who honey badger is…

estebanocon: you slept with my teammate and didn’t tell me!!!

yourusername: i don’t think he was your teammate at the time?

estebanocon: wait when did it happen

yourusername: all i know it was summertime in 2021, he had won a race and begged to do a shoey out of my red bottoms (and then a lot else)

flavybarla: slay?

estebanocon: well that was really my fault for asking

user19: new fantasy unlocked?

user20: now i know where all the good dick is going…

user21: for real she should share more

kimiantonelli: @yourusername is esteban the ‘great friend of mine, eiffel, who lives in switzerland and has a girlfriend too beautiful for words’?

yourusername: you got me!

user22: you’re telling me she’s friends with all these guys and didn’t know they were all f1 drivers?

yourusername: of course i knew kimi and esteban were f1 drivers… the rest not so much

kimiantonelli: she’s not even lying lol

yourusername: i’m never in monaco for the race and i’m not really a sports girl, unless you count the met gala!

user23: based on my expert deduction skills… if esteban is eiffel… is mick ‘baby blonde’ who showed her how to make a trip to the swiss countryside exciting?

yourusername: i should’ve never come to this damn race, there’s going to be no mystery left at this point

user24: SHE’S ALSO GOTTEN WITH MICK SCHUMACHER

user25: i’m about to go to prison for life on jealousy charges

user26: are the drivers not offended by her writing about their sex lives in her column, seems a bit trashy, no?

mickschumacher: not if you get a good review ;)

user27: OMFG

user28: i need a full system reboot

yourusername

liked by charles_leclerc, oscarpiastri and 412,954 others

tagged: lando, estebanocon, mickschumacher & maxverstappen1

yourusername: putting the sass in sass cafe xx

view all comments

user29: if she gets with lando, it might be the end of me

user30: after daniel and mick, surely not

user31: i think they’re all grown adults who can do whatever they want

user32: acting all high and mighty as if we wouldn’t want to do the exact same

maxverstappen1: you promised that photo wouldn’t see the light of day

yourusername: i’m so sorry to say that, i don’t care

yourusername: you look cunty !

maxverstappen1: i look evil

yourusername: same thing

maxverstappen1: as long as it doesn’t end up in sex and the city

yourusername: you wouldn’t even know, pretty boy

user33: world’s first ever natural born flirt

user34: i feel like she has an innate need to flirt

yourusername: you wouldn’t be wrong

user35: we love a self aware queen

lando: i do not remember this being taken

yourusername: i don’t think you remember most of last night

lando: that’s omnious

yourusername: that’s a big word

lando: i googled it just for you

yourusername: oh how can I ever repay you?

user36: is it illegal for her not to have chemistry with someone

user37: it’s not chemistry, it’s desperation

user38: found the delusional lando fan

user39: deadass why would he go there knowing she’s already been passed around the grid

user40: two retired/out of the sport drivers over like five years is not mental

user41: also it’s y/n y/ln, she’s smart, a great writer, beautiful and annoyingly funny ???

olliebearman: sex and the city feature when?

yourusername: when you do something other than throw up on my designer shoes… the week’s edition is much cuter

olliebearman: i’m sorry?

Sunday night of the Monaco Grand Prix is talk of legend. The masses of rich busy bodies, socialites and influencers are packed like sardines in Sass or Jimmyz, each looking to get lucky with someone equally as influential as them.

The night was somewhat strange, I didn’t know if it was the text exchange with Glastonbury that had put me off kilter or the daytime champagne that had transitioned to evening cosmopolitans.

Had I assumed he would be like all of the other Formula One drivers? Not all athletes are the same, I thought I of all people would understand that by now… Glastonbury seems to have a sensitive side - I thought it had been part of the aftercare act, but now I’m not so sure.

He seemed so shocked to learn he’s not the only one, but I had seen his text logs, the thong left in the washing basket and the women’s skincare in the bathroom. Maybe they’re not fast to fall in love but fast to jump to conclusions, fast to stake some sort of superficial claim…

Does Glastonbury harbour actual feelings for me? Or has the revelation that he was not the first or only Formula One driver to grace my bed ignited a competition he believes are feelings?

SEX AND THE CITY: THE BEAUTY OF A MEET-WHOOPS

by y/n y/ln

When you live in a big city you can forget how small the world truly is. The busiest weekend of the year in the Principality, and here I am running into flings… in the pit lane of all places.

I thought that with Glastonbury, a lovely boy my age and from the somewhat pretentious village, our relationship was rudimentary and purely physical - but there, in the pit lane, there were flickers of butterflies in my stomach.

Was this an unsafe release or was I ready to confront a man who looks like he wants to sign me to a multi-year contract? Formula One puns aside, had a meet-whoops kicked our relationship into second gear?

What is a meet-whoops, you ask? You might better know their cousin, the meet-cute. This is where two people meet in particularly cute or romantic circumstances, see: your dogs are playing together at the park and the leashes get tangled ending in canine-enforced proximity, etc.

A meet-whoops? Well, it’s meeting a romantic interest accidentally. Meredith Gray meeting McDreamy at work after sleeping with him, unaware of who he was, springs to mind. The meeting being accidental almost makes it better, the feelings are raw and unexpected.

But I couldn’t help but think, are these feelings for Glastonbury genuine or just virtue of the meet-whoops? How would I feel about Glastonbury the next time I see him? The next time I can’t help but snoop through his cupboards and am confronted by life and girls before meeting me?

Meet-whoops are beautiful things, but am I ready to settle down? Can I see myself racing in one colour for the foreseeable future, or are there circuits I still want to race before I retire?

So, I guess what I’m trying to say is, ladies and gentlemen, don’t be fooled by the novelty of the meet-whoops, dig deeper and confront whether you’re on the right strategy: are you looking to do the overtake now because it’s there or will you play the long game, nurture your tyres and cross the line first later on?

fin.

note: can you tell i'm rewatching sex and the city??? i hope you enjoyed... it can go a lot of places so let me know who you might want to see... also i hope you like the nicknames some of the drivers have been given - trust i have the whole list !

#f1 imagine #f1 x reader #f1 instagram au #f1 x you #f1 #f1 social media au #lando norris #max verstappen #kimi antonelli #esteban ocon #mick schumacher #daniel ricciardo

507 notes · View notes

sunbeamlessreads · 2 months ago

Text

Private Negatives - Oscar Piastri x Reader One-Shot

❝ You’re good at seeing things people don’t mean to show. ❞

[oscar piastri x reader] ~7.8k words | rated: E

tw: 18+, smut, voyeurism themes, power imbalance, emotionally explicit content, unprotected sex (wrap it before you tap it, kids), workplace tension

you’re the one behind the lens. but he’s the one who sees you.

notes: this one was super fun to write for me. i really hope i didn't screw anything up lol. i hope you guys enjoy it as much as i enjoyed writing it. <3

my masterlist

request guide

You keep your head down as you move through the paddock, your camera strap biting into your collarbone and a fresh credential swinging at your hip. The McLaren media lanyard feels heavier than it should. Not in weight—in implication. New territory, new rules; three races embedded with the team, to finish off the season. Vegas, Qatar, Abu Dhabi. Your name on the contract, your watermark on the final selects.

Just don’t make noise.

The paddock is already thick with it—generators humming, pit lane chatter bouncing off the concrete, PR staff herding talent like overcaffeinated sheepdogs. You’ve worked in motorsport before, mostly on the American side: IndyCar, IMSA, a brief stint with NASCAR that taught you everything you never wanted to know about beer sponsorships and flame decals.

But Formula 1 is something else. Sleeker. Sharper. Quieter, even in its chaos. Everyone moves like they already know what comes next. You’re the only variable.

You duck into the McLaren garage and make yourself small in a corner, lens already raised. You find your rhythm fast—motion in bursts, posture quiet, shutter clicks softened by muscle memory and padded gloves. You’re good at being invisible. Better at looking than being looked at.

That’s when you see him.

Oscar Piastri, back turned, talking to an engineer in low tones. Fireproofs rolled to his waist, team polo damp at the collar. His posture is precise—his arms are folded, one foot is slightly out, and his weight is settled like he’s bracing for something. You know the type. Drivers are like that: built for pressure, too used to watching every move replayed in high-definition.

You lift your camera and catch the side of his face—jaw set, eyes somewhere far off. The light’s doing strange things to his skin. You click the shutter once. Just once.

He doesn’t notice.

You lower the camera and frown. It’s not a good shot. Or maybe it’s too good, too telling. You can’t tell.

You move on. The lens doesn’t linger.

Through the next hour, you cycle between pit wall and garage, hospitality and media pens, cataloging the edges of everything: mechanics with grease under their nails, engineers pointing at telemetry with a ferocity that doesn’t match the volume of their voices, Lando laughing too loud at something a comms assistant said. You catch him mid-gesture, mouth open, eyes crinkled—a perfect frame. That one will make the cut.

Oscar again, later—seated now, legs splayed, one knee bouncing under the table during a pre-FP1 briefing. Someone’s talking at him. He’s listening, but only barely. You zoom in. Not close enough to intrude, just enough to see the faint vertical line between his brows.

Click.

He glances up, just then. Not directly at you—at the lens. It’s only for a second.

You drop the camera a beat too late. You’re unsure if he saw you, or if you just want to believe he did. Doesn’t matter. You move.

By the time the session starts, your card’s half full and your shoulders ache. You shoot through it anyway—stops at the pit, tire changes, helmets going on and coming off. Oscar’s face stays unreadable. You begin to think that’s just how he is. Not aloof. Not rude. Just… held.

Held in. Held back.

You catch a frame of him alone in the garage just after FP1. Not polished, not composed. Just tired, human, real.

Click.

You keep that one.

You spend the next hour doing what you’re paid to do, but not how they expect.

Most photographers chase the obvious: the cars, the straight-on portraits, the victory poses. But you don’t work in absolutes. You’re not looking for the image they’ll post. You’re looking for the one they won’t realize meant something until later.

Lando’s easier. He moves like he knows he’s being watched—not in a vain way, but in a way that’s aware. Comfortable. Charismatic. You catch him bouncing on the balls of his feet while waiting for practice to start, race suit zipped to the collar, gloves half-pulled on, teasing a junior mechanic with a flicked towel and a crooked grin.

Click. Click.

He’s animated even in stillness.

You crouch by the front wing of the MCL39 as the garage clears and the mechanics prep Oscar’s car for the next run. The papaya paint glows under the fluorescents, almost too bright. You let the car fill your frame—the clean lines, the blur of sponsor decals, the matte finish of carbon fiber. You shoot the curve of the sidepod, the narrow precision of the halo, the rearview mirror where someone’s scribbled something in Sharpie.

You zoom in: “be still.”

It’s faded. Private. You don’t ask.

Oscar again.

He’s suited now, fully zipped, gloves tugged on sharp fingers, balaclava pulled to his chin. A McLaren PR assistant hands him a water bottle, saying something you can’t hear. He nods once. That’s all.

You adjust your position. The light behind him throws his figure into sharp contrast—full shadows across the orange and blue of his race suit, his name stitched at the hip, his helmet in hand. It’s a photo that shouldn’t work. But it does.

Click.

Helmet on. Visor down. The world shifts. He’s gone behind it again.

You lower your camera. Breathe out.

The difference between a person and a driver is about seven pounds of gear and one hard blink. You’ve seen it before. But this is the first time it’s made your fingers tremble.

You offload everything just before sunset, feet sore, mouth dry, memory cards filled past your usual threshold. The McLaren comms suite is quieter now—the day's buzz winding down into a lull of emails, decompression, and PR triage.

You’re at a corner table, laptop open, Lightroom humming. You work fast, fingers skimming across the touchpad and keys, instinctively flagging selects. You’re not here to overshoot. You’re here to find the frames. The ones that breathe.

A shadow crosses your table.

“Show me something good,” Zak Brown says. His voice is casual, but not careless. Nothing about him ever really is.

You shift the screen toward him. He slides his hands into his pockets and leans in. Just enough to see, not enough to crowd.

Silence.

You’ve pulled ten frames into your temp selects folder: Lando mid-laugh, a mechanic half-buried in the undercarriage with only his boots showing, Oscar’s car being wheeled back into the garage under high shadow, smoke curling from the brakes.

Then there’s him.

Oscar, post-FP1. Fireproofs peeled down to his waist. Sitting on the garage floor with his back against the wheel of his car.

Zak exhales. “Didn’t know the kid had this much presence. Or soul.”

You hover the cursor over the next shot—Oscar standing behind the car, half-suited, helmet under one arm, visor still up. His gaze off-frame. Brow furrowed. Light skimming the cut of his jaw.

Zak glances at you. “You ever thought about sticking around longer?”

You don’t answer. Not because you haven’t thought about it, but because you’re not sure you should.

That’s when you feel it. The shift in the air. That quiet, unmistakable stillness that means someone’s watching.

You turn.

Oscar is standing a few feet away.

No footsteps. No sound. Just there—calm, unreadable, still in his fireproofs. His eyes are on the screen.

“That��s not what I look like,” he says.

His voice is even. Not guarded, not accusing. Just… uncertain.

You click the laptop shut. “That’s exactly what you look like.”

A pause.

He looks at you, not the screen. “You’re good at your job.”

Then he turns and walks off, no nod, no glance back—just the low hum of the paddock swallowing him whole again.

You don’t head out with the rest of the team.

No drinks. No debrief. No passing your card off to the media coordinator and pretending to relax. You just take your hard case, your bag, and the image of Oscar Piastri walking away burned somewhere behind your eyes.

You don’t touch the selects folder.

You open the other one. The one you didn’t label. Just a generic dump of the shots you couldn’t delete but didn’t want reviewed, not yet.

Inside, there are maybe five frames.

One of Lando, overexposed and blurred, laughing so hard his face distorts like motion through glass. Another of a mechanic in the shadows, holding a wrench like a confession. A stray shot of the track, taken too early, too bright. A mistake. But not really.

And then there’s the one of him again.

Oscar.

Captured between moments—not posed, not aware. He’s sitting on the garage floor, one knee bent, one glove off, rubbing the bridge of his nose. His suit is creased. His helmet is behind him, forgotten. His head is tilted just slightly toward the light. Not enough to be dramatic. Just enough to feel real.

You zoom in, slowly.

The edge of his jaw is lined with sweat. Not the fresh kind—the dried kind, salt clinging to skin after exertion. There’s a furrow between his brows, soft but persistent. His lips are parted like he’s just sighed and hasn’t caught the next breath yet.

You should delete it.

It’s too much. Too intimate. Too still. A kind of stillness that belongs to someone when they think no one’s looking. It feels like something you weren’t supposed to witness, let alone keep.

But you don’t delete it.

You hover the cursor over the filename. The auto-generated one: DSC_0147.JPG.

Your fingers drift to the keyboard. You add a single character.

DSC_0147_OP81

No tags. No notes. No edits. Just the letter. Just the truth, you’re not ready to say out loud.

You sit there for a long time after that. Laptop closed. Lights off. The glow of the city is bleeding through the curtains in faint, uneven lines.

You wonder if he knows—not about the photo. About what it means to be seen like that. About how rare it is, and how dangerous.

The hospitality suite hums around you in low tones—lights on dimmers, coffee machine off but still warm, the faint scent of citrus cleaner clinging to the corners. The carpet is that neutral industrial gray meant to hide wear. The kind of flooring that swallows footfalls. The type of silence you can live inside.

The rest of the team cleared out hours ago. You told them you needed to finish sorting shots for socials. No one questioned it. Louise nodded once, already halfway out the door, and Zak offered a distracted goodnight without looking up from his phone.

Technically, it’s not a lie.

You told them you were sorting selects. You didn’t say which ones.

You’re tucked into a corner booth at the back of the room, laptop open, knees drawn up, one foot pressing flat against the faux-leather seat. The day’s weight settles in your spine—low, dull, familiar. Your body aches in the ways it always does after being on your feet too long, shouldering gear heavier than it looks.

You haven’t eaten since lunch. You haven’t cared.

A few dishes rattle faintly in the back as catering finishes their sweep. After that, it’s just you. You and the quiet click of your trackpad. You move like you’ve done this a hundred times—and you have. This is your space. Not the paddock. Not the pit wall. Not the grid. Here. The edit suite. The after-hours.

This is where the truth lives. After the lights are off, the PR filters are stripped, and no one’s watching but you.

You scroll through today’s selects—the public ones. The safe ones. There’s one of Lando on a scooter, wind in his curls, mid-laugh, and practically golden in the late light. He’ll repost it within the hour if you give it to him. Another of the mechanics elbow-deep in the guts of a car, all orange gloves and jawlines under harsh fluorescents. Sweat stains, sleeve smears, real work.

And then… him.

Even in the selects folder, Oscar’s different. Cleaner. Sharper. More precise. You didn’t filter him that way. He just arrived like that. Controlled. A study in restraint.

But that’s not the folder you’ve got open.

You tab over. The unlabeled one. The one you didn’t offer.

Five images. One thumbnail bigger than the rest—clicked more. Held longer. A private gravity.

The shot is unbalanced. Technically imperfect. You should’ve deleted it hours ago.

You didn’t.

You should color correct. Straighten the angle. Try to fix it. But some part of you—the part that works on instinct more than training—knows that would ruin it. The frame only matters because it wasn’t supposed to be seen. Not even by you.

You sit back against the booth and stare at it. Not studying. Just being with it.

And then you feel it—not sound, not movement. Just a shift in the air.

A presence.

You glance up.

Oscar’s standing in the doorway.

He doesn’t speak right away. Just holds his place near the threshold, one hand resting loosely on the doorframe, like he’s not sure if he’s interrupting. He’s changed—soft team shirt, track pants, hair still slightly damp. Not a look meant for a camera. Not a look meant for anyone, really.

“I didn’t know anyone was still here,” he says.

You sit up a little straighter. “Didn’t expect to be.”

He steps in quietly, letting the door close behind him. Doesn’t make a move to sit or leave. Just hovers a few paces off, gaze flicking from the booth to the glow of your screen.

“What are you working on?” he asks, softer this time. Not performing curiosity. Just… genuinely curious.

You pause. Then turn the laptop slightly in his direction.

“Sorting photos,” you say.

He tilts his head to see. You expect him to take the out, nod, change the subject, or wave off the offer like most drivers do. Instead, he steps closer. One hand is on the booth’s divider for balance, and the other is loose on his side.

He looks at the screen. Really looks.

You’ve clicked back to the safer folder. The selects. It’s still full of him, though—his car in profile, a side view of his helmet under golden light, his hands resting lightly on the halo as a mechanic adjusts something behind him. Not posed. Just there. Present.

You glance at him.

He’s quiet.

Then: “Do I really look like that?”

The question isn’t skeptical. It’s not even self-deprecating. It’s something else. Wonder, maybe. A genuine attempt to see himself from the outside.

You don’t answer right away.

You scroll to the next frame. Him post-practice, hands on hips, visor up. Sweat cooling on his neck. The curve of tension in his spine visible through the suit. You scroll again—him in motion this time, walking past a barrier, the shadow of a halo bisecting his cheekbone.

He leans closer. Almost imperceptibly.

You look up at him. “What do you think you look like?”

He exhales slowly, not quite a laugh. “Flat. Quiet. Efficient.”

You click on the next photo—one you weren’t planning to share.

Oscar, half-turned. Not looking at anyone. Not performing. His face caught in mid-thought, eyes unfocused, something private flickering there and gone.

“You’re not wrong,” you say. “But you’re not right either.”

He studies the screen. Closer now. You can smell the faint trace of soap on his skin. He’s not watching himself anymore—he’s watching what you saw. And something about that visibly unsettles him.

“These are different,” he says after a moment.

You nod once. “They weren’t meant for the team folder.”

He looks at you then. Really looks.

Not guarded. Not suspicious. Just aware of you, of the space between you, of whatever it is this moment is starting to become.

You don’t look away from him. Not when his eyes finally lift from the screen. Not when they meet yours.

It’s not a long stare. But it’s not short either.

He blinks once and turns back to the laptop, brows drawing together—not in discomfort, but in something closer to focus. Like he’s still trying to understand how you’ve caught something he didn’t know he was showing.

You let the silence hold. Let it stretch into something close to peace. There’s no PR rep in the room, no lens turned back on him. Just you, the laptop, the low hum of refrigeration from the kitchenette, and Oscar Piastri looking at himself like the photo might answer a question he’s never asked out loud.

He gestures faintly toward the screen. “Do you photograph everyone like this?”

You know what he’s really asking. Not about composition. Not about exposure. About intention. About intimacy.

“No,” you say.

That’s it. One word. No performance. No clarification.

His mouth twitches. Not quite a smile—more like a muscle catching a thought before it can turn into something else.

Another moment passes.

Then he shifts his weight slightly, hand brushing the table's edge as he leans in just enough to be beside you now, not just behind. Not touching. Not crowding. But near.

You don’t move away.

And he doesn’t move forward.

You both stay still, eyes on the screen now, like that’ll save you from the implication already thick in the air.

On the screen, he’s in profile. Brow relaxed, mouth parted like he was about to speak but didn’t. You remember the exact shutter click. You hadn’t meant to capture that. It just happened.

“I don’t remember this moment,” he murmurs, half to himself.

You almost say, That’s what made it real.

Instead, you close the photo. Not to hide it. Just to breathe.

You don’t open another image. You don’t need to.

He’s still standing beside you, and the silence between you has started to feel like something structural—a pressure system, an atmosphere. He hasn’t moved away. And you haven’t pulled back.

You’re not touching. But you feel him. The warmth of his shoulder. The stillness of his breath. The way his presence shifts the air around your body like gravity.

You glance sideways.

He’s not looking at the screen anymore.

He’s looking at you.

Not boldly. Not playfully. Just… plainly. Like he’s seeing you in real time and letting it happen.

He doesn’t speak right away. You think he might—you think the moment’s cresting into something spoken, into confession or contact or maybe just a name dropped between sentences. But instead, his gaze flicks once back to the laptop. Then to you again.

And all he says is:

“You’re good at seeing things people don’t mean to show.”

It’s not a compliment. Not exactly. It’s not judgment either.

It’s just true.

You swallow. Your throat is suddenly dry. You don’t know what to say to that. You don’t think he expects an answer.

He steps back.

Not abruptly. Just enough to break the spell.

His hand brushes the table's edge as he moves—the lightest contact, accidental or deliberate, you don’t know. Then he straightens.

Doesn’t smile. Doesn’t say goodbye.

Just leaves.

The door clicks shut behind him like a shutter closing.

You don’t move for a long time.

The garage is quieter after a successful qualifying than anyone ever expects.

There’s no roar of celebration, no sharp silence of defeat—just the low, rhythmic scrape of routines. Cables coiled. . Tools clacking back into cases. Mechanics speaking in shorthand. Half-finished water bottles stacked in corners like the day couldn’t quite decide to end.

You stay late to shoot the stillness. The after. The details no one asks for but everyone remembers once they see them: the foam of rubber dust around a wheel arch, the long streak of oil under an abandoned jack, the orange smudge of a thumbprint on a visor that shouldn’t have been there. These are your favorite frames—the ones no one knows how to stage.

You think you’re alone.

You aren’t.

Oscar’s there—crouched beside his car, still in his fireproofs, the top half tied around his waist. His undershirt is damp across his back. His gloves are off. One hand rests on the slick curve of the sidepod, like he doesn’t want to leave it just yet.

He doesn’t look up at you. Not at first. Maybe he hasn’t noticed you’re there.

But you raise your camera anyway.

Not for work. Not for the team. Just to capture what he looks like when no one’s telling him how to be.

You half-expect him to move—to shift, to block the frame, to glance up with that quiet indifference you’ve learned to recognize in him.

He doesn’t.

He lifts his head.

And holds your gaze.

You freeze, viewfinder still pressed to your eye. Your finger hovers over the shutter. One breath passes. Then another.

You click once.

The sound is soft but rings like a shot in the hollow space between you.

He doesn’t blink.

You lower the camera.

He stands. He steps closer.

Not dramatically. Not like someone making a move. Just a fraction forward, enough that you catch the warmth of his body before you register the space between you is gone. His suit still carries the heat of the day—sweat-damp fabric, residual adrenaline, maybe even rubber and asphalt baked into the fibers.

You could step back.

You don’t.

You look at him. Not through a lens. Not through the controlled frame of your work. Just him. Face bare, eyes steady, skin flushed faintly pink from the effort of the race, or maybe from this—from now.

His gaze drops—not to your lips. Not to your hands. To your camera. Still hanging there. Still between you.

“I thought it’d bother me,” he says, voice low. “Having someone follow me around with a camera.”

You don’t speak. Just let him say it.

“But it doesn’t,” he adds. “Not with you.”

That lands somewhere in your chest, soft but irreversible.

You tilt your head slightly. He mirrors it, barely perceptible—like you’re both circling something you’ve already agreed to, but neither of you wants to be the first to name it.

Your hand twitches—a half-motion toward his arm that you stop before it lands. He catches it anyway. You see it flicker in his eyes: awareness, restraint, the line he’s thinking about crossing.

And for a second, you both just breathe.

You can hear his, shallow and careful. You wonder if he can hear yours.

He looks at you again, not past you, not through you. At you.

He takes that final step toward you.

Close now—too close for the lens, too close for performance. Just the space where breath meets breath. Where silence turns into touch.

Your camera strap tugs lightly at your neck, caught between your bodies. The lens bumps his ribs—not enough to hurt, just enough to remind.

He glances down at it. Then back up at you.

You hesitate.

For a moment, it’s a question: leave it on, keep the wall up, pretend this is still observational. You could. You’re good at hiding behind it.

But not now.

Not with him.

You reach up, slow, deliberate, and lift the strap over your head. The camera slides down and into your palm with a soft weight. You turn and place it on the workbench beside you. Careful. Quiet. Final.

When you face him again, the air feels different.

Lighter. Sharper. Bare.

He looks at you like something just shifted—like whatever existed between you when you were holding the lens has burned away, and now you’re just here. With him.

You take a breath.

So does he.

And then he kisses you.

No warning. No performance. Just the simple, exact motion of someone who’s been thinking about it too long.

His lips find yours with surprising clarity—not tentative, not rushed, but precise. Like he knows how not to waste the moment. Like he doesn’t want to use more force than he has to. His hand comes up to your jaw, steadying. Guiding. His thumb brushes just beneath your ear.

You sigh into it before you realize you’ve made a sound.

It isn’t a long kiss.

But it says enough.

You part—barely—breath warming the inch between your mouths.

Oscar looks at you the way he did in of some your photos. Like he sees you and doesn’t need to say it.

You don’t speak.

You just pull him back in.

After that second kiss—deeper, hungrier, not rushed but no longer careful—your back bumps against the edge of the workbench. Something shifts behind you, a soft clatter of tools or metal. Neither of you reacts, beyond a quick glance to make sure your camera is still ok.

Oscar’s hand finds your waist. Not pulling. Just grounding. He’s breathing hard now—not from nerves, but from restraint. From the way his body wants more than it’s being given.

You want more too.

But not here.

The garage is still too open. You can feel the risk of movement beyond the wall, the flicker of voices down the corridor. You know better than to do this out in the open. And so does he.

You draw back slightly. Not far. Just enough to say: we can’t stay here.

He meets your eyes. Doesn’t ask where.

He just follows.

You slip out through the back corridor, your boots soft on the concrete, camera long forgotten. The hallway narrows. The air feels different—more insulated. Familiar layout. You’ve walked this path before, with your eyes forward and your badge visible.

But this time, you pause.

The door ahead is unmarked, but you know it’s his.

You don’t hesitate.

You open it.

Inside: the quiet hum of ventilation. A narrow cot. A low bench. His helmet bag in the corner. A duffel unzipped and half-collapsed against the wall. One small light left on, warm and low. A private space, lived-in but untouched. No one else is supposed to be here.

The door clicks shut behind you.

It’s quiet. Not padded silence—earned silence. The kind you get after twenty laps of tight corners and exact braking. The kind where everything else falls away.

You put your camera on the bench now.

Oscar stands behind you.

You feel him before you hear him—a shift in air, in presence. And when you turn, he’s already moving.

This kiss is different.

Less measured. More real. His hands find your waist, then your back, sliding up beneath your shirt—fingertips slow, but sure. Like he’s still learning the shape of permission. Like he won’t take anything you don’t give.

But you give it.

You pull at the hem of his undershirt, and he lets you. It peels off in one clean motion. His skin is flushed, chest rising with each breath. The restraint that’s lived in his shoulders for days has nowhere left to go.

Your hands map over it.

He kisses you again, harder now, with that same focused precision you’ve seen in every debrief photo, every lap line, every unreadable frame. But this time, it’s turned inward. On you.

He makes a sound when you push him back onto the bench—not a moan, not yet. Just a low breath punched from his chest, like he didn’t expect you to take the lead. But he doesn’t stop you.

He just watches.

You settle onto his lap, knees straddling his thighs, and he lets his hands drag up your sides like he’s cataloguing every inch. Your shirt rises. His mouth follows.

He kisses you there, just beneath your ribs, then lower.

By the time you reach down to tug at the knot in his fireproofs, his breath is uneven. Controlled, but slipping.

“You okay?” you ask, voice low.

He nods. Swallows.

Then, quietly: “You’re not what I expected.”

You lean in, lips at his ear.

“Neither are you.”

Oscar doesn’t rush.

Even as your fingers fumble with the tie at his waist, even as his hands trace your hips like he’s memorizing something that won’t last, he stays grounded. Breath steady. Eyes on yours. Like he’s still trying to be sure—not of you, but of himself.

You press your forehead to his, lips brushing his cheek, and whisper, “Lie back.”

He does.

You shift to the cot together, clothes half-off, half-on—his fireproofs peeled down, your underwear already sliding down your thigh, your shirt somewhere behind you on the floor. It’s not perfect. It’s not staged.

But it’s real.

He lets you settle over him first. Let's you find the angle, the rhythm, the breath. His hands stay at your hips, thumbs pressing into the softness there like he doesn’t want to grip too tight, like this might still vanish if he closes his eyes.

He exhales sharply when you take him in.

You sink down, slow, controlled—the way he drives, the way you shoot. Like it’s all about reading the moment.

His breath stutters. His mouth opens, but no words come out.

You roll your hips once, slow and deliberate.

Then he says it. Quietly.

“Thank you.”

It’s not a performance. Not something meant to be romantic. It slips out like instinct, like he doesn’t know how else to name what’s happening.

You still, just slightly, your hand on his chest.

“For what?” you breathe.

He looks up at you, eyes wide, completely unguarded for the first time. His answer is barely audible.

“For seeing me.”

You freeze, just for a breath.

It’s not what you expected. Not from him. And not here, like this. But he says it without flinching, without looking away.

And then, just as your chest tightens, just as you reach for something to say, he exhales sharply through his nose—

And flips you.

Your back hits the cot with a soft thud, the thin mattress barely muffling the motion. You barely manage a breath before he’s over you, hips slotting between your thighs like they’ve always belonged there.

It’s not rough. It’s measured. Intentional. Every part of him radiates heat, tension, and restraint held so tight it hums beneath his skin.

Oscar leans in—forearm braced beside your head, the other hand gripping your thigh as he presses it up, open, wide. He looks down at you like you’ve stopped time. Like he’s memorizing what it feels like to have you under him.

“You don’t get to do all the seeing,” he murmurs, voice low and firm. “Not anymore.”

Then he thrusts in.

Slow. Deep. Full.

You cry out—not from pain, not even surprise, but from the way it takes. All of him. All at once. The way he fills you like your body was waiting for it.

He doesn’t move right away. Just holds there. Buried inside you, chest rising and falling against yours. He dips his head to your neck—not kissing, just breathing there, letting the moment press into both of you.

Then he rolls his hips.

Long, steady strokes. Not fast. Not shallow. Each one drags a breath from your lungs, makes your fingers claw at his shoulders, his back, anything you can hold.

“You feel…” he starts, but doesn’t finish.

He doesn’t need to.

He shifts, adjusting your leg higher on his hip, changing the angle—

God.

He feels the way your body stutters, tightens, clenches around him, and groans—quiet, rough, broken. His control flickers. You feel it in the way his pace falters for just a second, then steadies again, even deeper now.

Your thighs shake.

Your nails dig in.

His mouth finds your jaw, then your lips—hot and open, tongues brushing, messy now. Focused turned to need.

He thrusts harder. Not brutal. Just honest. Like he’s done pretending this isn’t happening.

“You wanted this,” he pants into your mouth. “You watched me like—like I wouldn’t notice.”

You nod, breathless. “I did. I couldn’t—fuck, Oscar—”

“That’s it,” he whispers. “Say it.”

“I wanted you.”

His hips snap forward.

“I want you.”

He groans, low in his throat, and fucks you harder.

The cot creaks under you. The air is damp. Your legs are wrapped around him now, pulling him closer, locking him in. He thrusts deep, precise, again and again—your body no longer holding shape, just pulse and friction and heat.

He knows you’re close.

You feel him watch you—not just your face, but your whole body as it trembles under him. His hand slides down, between your thighs, two fingers pressing exactly where you need them, circling once—

And you break.

It tears out of you—sharp and full and shattering. You gasp his name. Your back arches. Your whole body pulses around him, and he feels it—curses once, softly, like he’s never come like this before.

He thrusts twice more, rougher now, chasing it, falling into it.

Then he groans deep in your ear and comes, spilling into you with a low, drawn-out moan. His body stutters against yours, then goes still.

You stay like that. Twined together. Sweaty. Breathless. Quiet.

Not speaking yet.

Just feeling everything settle.

He stays inside you for a few long seconds—breathing hard, his forehead pressed lightly against yours, the heat between your bodies thick and grounding.

Neither of you speaks.

Eventually, he shifts.

Withdraws with a low groan, like he didn’t want to but had to. You wince a little at the loss, at the sensitivity. He notices.

“Hang on,” he murmurs.

He stands—a little unsteady, a little flushed—and crosses to the corner without putting anything back on. You watch him: tall, bare, hair a mess from your hands. He grabs a towel from a low shelf and brings it back, gently nudging your legs apart to clean you up.

You half-laugh through your haze. “Didn’t take you for the towel type.”

“I’m methodical,” he mutters, like that explains it.

You tilt your head. “Is that what we’re calling this?”

He doesn’t answer right away. Just focuses on being careful—one hand steady on your thigh, the towel warm and folded, the silence less awkward than it should be.

Then, quietly: “I’m sorry I didn’t have a condom.”

You blink.

His voice is low, calm, but not casual. Intent.

“I’ll get Plan B tomorrow,” he says. “I’ll—figure it out. I just didn’t think…”

He trails off.

You reach for his wrist. “It’s okay.”

He looks at you, really looks, and nods once. More to himself than you.

He tosses the towel to the floor. You sit up slowly, legs unsteady, shirt still off, everything about this moment too real to feel like aftermath.

He starts to pull his fireproofs back up.

You watch him for a second. Then, without thinking, you ask:

“Do you regret it?”

He doesn’t flinch. Doesn’t hesitate.

“No,” he says. Then, quieter: “Do you?”

You shake your head.

“I don't think so,” you whisper.

And you mean it.

For a long moment, neither of you moves.

Then your eyes drift to the bench, where your camera still rests, right where you left it.

You reach for it.

Not out of instinct. Out of something slower. Softer. He watches you, but doesn’t stop you.

You flick it on. Adjust nothing. Just cradle it in one hand as you shift down onto the cot again, your body still warm, your shirt forgotten somewhere on the floor.

Oscar follows.

He lies beside you, then settles halfway across your chest—head tucked into the curve of your shoulder, one arm looped around your waist. His breathing slows against your skin.

He doesn’t speak.

You lift the camera, carefully—just enough to frame the moment.

No posing. No styling. Just him, resting against you, the tension drained from his body, his face soft in a way you’ve never seen it before.

You take one shot.

Just one.

No flash. No click loud enough to stir him. Just the soundless capture of something unrepeatable.

You lower the camera and let it rest on the floor.

Then you press your hand to the back of his neck, fingers brushing the sweat-damp hair there.

He doesn’t move.

And for the first time all night, you let yourself close your eyes too.

The light coming through the slatted blinds is too thin, too early, and absolutely not the kind of light you wanted to wake up to.

You blink. Once. Twice. Then freeze.

Oscar is still asleep on your chest.

His arm’s heavy across your stomach. His mouth is parted just slightly, his breath warm against your ribs. The sheet barely covers either of you. Your leg is tangled between his. Your camera’s on the floor, lens cap off, body smudged from where your hand landed in the dark.

And from somewhere beyond the door, you hear voices.

Early. Sharp. Professional.

Your blood runs cold.

“Oscar,” you hiss.

He doesn’t move.

You jab your fingers into his side.

He grunts. Groggy. “Five more—”

“No, Oscar. People are arriving.”

That wakes him up.

He blinks fast, eyes wild for a second, then zeroes in on your very, very naked body, “Shit.”

You’re already rolling off the cot, grabbing for your shirt, your underwear, anything. He sits up, hair sticking up in every direction, blinking hard like he’s trying to reboot.

“Where are your—?” he starts.

“Somewhere under you,” you snap, tugging your jeans over your legs with one hand while trying to find your bra with the other. “How the fuck are people already here? It’s—”

He glances at the clock.

“Five fifty-eight.”

You freeze. “AM?!”

He shrugs, one leg in his fireproofs. “We’re a punctual operation.”

You glare. “You owe me a coffee for this.”

“I’ll bring it with the Plan B,” he mutters, hopping on one foot, still trying to get the other leg into his pants.

You both freeze.

Half-dressed. Half-wrecked. Fully undone.

Your eyes meet—and something flickers. Not fear. Not regret. Just recognition.

Then the laugh slips out.

His first. Yours chasing after it. Quiet. Breathless.

It’s not elegant. It’s not even sane. But it cuts through the panic like oxygen.

And somehow, it’s enough to pull yourselves back into motion.

By the time you make it out of Oscar’s room, it’s six-fifteen.

The sky is still dark, just starting to take on that pale, pre-dawn blue that makes everything look more suspicious. The air is cool against your sweat-damp skin. Your shirt clings uncomfortably beneath your jacket. Your hair’s a disaster. There’s dried spit on your collarbone.

You try to ignore it.

You sling your camera bag over one shoulder and walk fast, like speed is professionalism. Like maybe if you move quickly enough, no one will notice that your bra is in your pocket.

The paddock is starting to stir—lights in the garages flipping on, early logistics staff wheeling carts, someone laughing too loud over a radio.

You don’t look at anyone.

Instead, you beeline for the McLaren hospitality suite—the same corner booth you’d claimed last night.

You slide into it like you’ve been there for hours.

You open your laptop. Plug in your card. Scroll through a few photos like you’re reviewing footage from a very long, very productive night.

You sip from the cold cup of tea you left there the evening before.

Someone passes by and nods. You nod back, like, Yes, I live here now.

And when you’re finally alone again—no footsteps, no voices, no Oscar—you flick through the frames.

And there it is.

Oscar. Half-asleep on your chest. One arm slung across your waist. Face soft. Human. Completely unguarded.

You don’t smile. You don’t linger.

You just right-click and rename the file:

DSC_0609_OP81

Then you close the folder.

The room is quiet. Still holding the shape of him.

You let it sit for a few more minutes—the aftermath, the ache, the image that still feels too close.

Then you move.

Hotel. Shower. Clothes. Routine like armor. You scrub his breath from your skin and pull your hair back like a statement.

By the time you reappear, you look like someone who’s been working since dawn.

You slip back into the hospitality suite just after seven-thirty, hair still damp, your badge hanging neatly over a neutral jacket. You walk like you’ve been here all night. Like you didn’t sneak out of Oscar Piastri’s driver’s room just before the first truck arrived.

The booth where you left your laptop is still yours—same coffee cup, same open Lightroom window, same half-edited photo of brake dust curling off a rear tire. You slide into the seat like nothing’s changed.

Your body aches.

Not in a bad way.

Just in a you-should-not-have-done-that-on-a-thin-mattress-with-an-F1-driver kind of way.

You sip lukewarm tea. You click through a few photos. You try to find your place again—in the day, in your work, in your skin.

You almost have it.

And then Oscar walks in.

He’s clean. Composed. Damp hair pushed back. Fresh team polo. His eyes sweep the suite once, briefly, and stop on you.

Not long. Just enough to register.

You feel it in your throat. In your chest.

He keeps walking.

You don’t look up again. You wait until he’s out of sight.

Then, casually, like you’re just checking the time, you unlock your phone.

There’s a tag notification at the top of the screen.

@oscarpiastri tagged you in a post.

Your stomach tightens.

You tap it.

The photo loads slowly—the Wi-Fi is never good this early—but you already know. You can feel it before it appears.

And there it is.

One of yours.

Oscar, from Friday. Fireproofs rolled to the waist. Helmet in hand. Standing just off-center, eyes somewhere past the camera. The light is warm and sharp. The moment is quiet.

He looks human. Present. Exposed.

You didn’t submit that one for publishing yet.

You didn’t even color-correct it.

But he posted it.

No caption. No emoji. No flair.

Just a tag.

Your throat goes dry.

You swipe up to see the comments.

'he NEVER posts like this' 'why does this feel personal' 'who took this photo?? i want names' 'soft launch energy or what'

You lock the screen.

Then unlock it again.

Same image. Same tag. Same hush in your chest.

He chose this. Publicly. Silently. Deliberately.

You don’t know what to feel.

Except seen.

And maybe a little bit fucked.

You flip back to Lightroom, but your fingers don’t move.

The cursor hovers over a batch of unprocessed photos. Tire smoke. Candid Lando. Engineers pointing at telemetry. Everything you’re supposed to be focused on. Everything you usually love.

You stare straight ahead, forcing your breath to even out.

Footsteps approach—light but confident.

You don’t look up until he’s beside you.

Zak.

Coffee in hand. Shirt pressed. Sunglasses hanging off his collar like it’s already noon. He doesn’t sit; he just leans one hand on the booth’s divider and glances at your screen.

“Anything good in there?” he asks.

You click once, purely for show.

“A few,” you say.

He nods. Then gestures vaguely toward your phone, which is still facedown on the table.

“You see what Oscar posted?”

Your throat tightens.

You don’t look at him.

“Yeah,” you say. “This morning.”

There’s a pause.

You don’t fill it.

Zak hums. A noncommittal sound. But there’s something behind it. Something knowing.

“Don’t think I’ve ever seen him post a photo of himself that wasn’t mid-action,” he says. “Certainly not one that… quiet.”

You glance up. He’s not looking at you. He’s scanning the room, like he’s talking about the weather.

Then he looks down.

“That one yours?”

You nod. “Yeah. From Friday.”

“Hm.” He sips his coffee. “Good frame. Eyes open. Looks like a person.”

You don’t answer.

Zak straightens, adjusts his watch.

“Well,” he says, already turning away, “don’t let him steal your best work for free.”

And then he’s gone.

You don’t move.

Because your heart is pounding.

Not from guilt.

From the sick, unshakable feeling that something real is happening, and people are starting to see it.

You’ve made it almost four hours without thinking about it.

Or at least—without actively thinking about it.

You’ve answered emails, flagged selects, and dropped a batch of your best Lando photos into the team's "for publishing" drive. You’ve even had a second coffee. You’ve done everything you’re supposed to do, professionally and invisibly, just like always.

But your phone’s still sitting face down next to your laptop. And it keeps catching the corner of your eye like it knows.

You flip it over. No new notifications.

You open Instagram anyway.

The post is still there. Still climbing.

Sixty thousand likes now. More than three hundred comments. You stop scrolling after the third one that says something about the way he looks at the camera, like he knows who’s behind it.

You close the app.

You open it again three minutes later.

You don’t know what you’re waiting for.

Until the screen lights up.

Oscar Piastri

10:02 a.m.

You okay with me posting that? Didn’t mean to make things harder.

You read it once.

Then again.

Then three more times, like you’re searching for a different meaning. Like the phrasing might shift if you look long enough.

It doesn’t.

You picture him typing it—sitting somewhere behind the garage partition, race suit half-zipped, that permanent crease between his brows as he stares at the screen too long before hitting send. You picture him thinking about the photo. About what it looked like. About how it felt.

About you.

You rest your phone on your thigh and stare out the window beside your booth.

It’s bright now—full daylight. The paddock’s humming. Lando’s somewhere laughing too loudly. Zak just walked by again, talking about tire wear. You’re surrounded by normal.

But nothing feels normal.

Your phone buzzes again.

Same name.

Oscar Piastri

10:06 a.m.

I’ll still get the Plan B. After work. Just didn’t want you to think I forgot.

You let out a breath you didn’t know you’d been holding.

Not because you were worried—but because he remembered.

Because even now, back in uniform, back on the clock, back in the world where no one is supposed to see what happened, he still thinks about what comes after.

You rest your phone on the table. Thumb hovering.

You type:

Thank you. Don’t worry about the post.

You don’t overthink it. You don’t reread it. You just hit send.

And that’s enough.

INBOX

Subject: Assignment Continuation: Photographer, Track & Driver Coverage

Hi,

Following an internal review of mid-season content delivery, we’d like to formally request that you continue in your current capacity with McLaren through the following season. Your on-site coverage—particularly around driver documentation and live access environments—has added measurable value across platforms.

Please note that this recommendation also reflects internal feedback, including a request from one of the drivers for continuity.

If you’re open to continuing, we’d be happy to align on updated terms and logistics for the remaining calendar.

Best regards,

Lindsey Eckhouse

Director, Licensing & Digital

McLaren Racing

notes: well... it's no 'let him see,' but i'd say not too shabby. let me know what you think!! <3

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IF YOU’D LIKE TO BE ADDED TO A TAGLIST FOR ALL OF MY FUTURE F1 FICS, COMMENT BELOW

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