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sanstropfremir · 4 years ago

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I'm curious for your take on a fashion trend that always has been hanging out in the wings, but seems to have really taken off in K-Pop in particular the last few years.

It seems like every way I look these days, we're getting hit with luxury "looks" that are legit just the luxury brand printed all over a bland or non-innovative item. This definitely isn't new (it makes me think of the prevalence of those stupid - and stupidly expensive - Abercrombie & Fitch t-shirts in the US back in the 2000s), but I feel like it's now seeping into K-Pop album concept photos and stage outfits in addition to just their every day fashion/sponsored photo shoots. In some cases it doesn't bother me as much because its a small addition (like Sunmi's triangle Prada barrettes in some of her latest comeback photos - I don't like the barrettes, but they work because the wider concept is great) or its used unconventionally (like TxT's latest concept photos, where you can see some of the usual brands but thrown together with unconventional pieces so they feel fresh).

But in other cases, it feels like they're just phoning it in by picking luxury clothing so they can say "look, we're expensive" and calling it a day. I'd submit the examples of The Boyz in some of their latest teasers, the latest Stray Kids concept photos, and quite a few of Blackpink's albums/promotions since they all have their own brand sponsors that they stick to these days. A lot of American celebrities are guilty of this as well so its not just K-Pop, but I honestly just don't expect more from Hollywood like I do from K-Pop.

It's clear that you can have effective styling without defaulting to the luxury branding (A.C.E comes to mind immediately), and there are plenty of luxury pieces that don't have their branding all over it that often allow the same luxury feel without shoving the brand in your face. So this branded merchandise trend really ends up rubbing me the wrong way.

What are your thoughts? I think my stance is clear, but I'd love a different perspective from someone that has a lot more background in fashion, particularly stage fashion, than myself.

anon ilu i have many thoughts on this topic but i don't think i've ever mentioned it before so thank you thank you for somehow reading my single braincell and asking about it!

basically for anyone who doesn't want to read me going off about luxury branding the tldr is yes i agree, i personally don't like branding in general and luxury branding especially. i don't own a single item of clothing or accessory with an obvious/recognizable brand logo and i haven't for probably over a decade now. now let's get into some nitty gritty.

in the current fashion climate i think most of the time it's tacky to display wealth so openly and obviously and it is one of the main factors in driving the machine of fashion consumerist culture. i also think it's a weak styling choice because it only has one association: money. 99% of the time it does not contribute anything meaningful to the artistic vision of the work and it's just to brag. sm stylists pull off luxury branding better than most other groups because they tend to integrate it well into the overall aesthetics of the specific mvs, and it's usually pretty sparing. with sm they use it more as a confirmation of the quality of the sm brand than just boasting about money in general. notable examples where i think visible branding works are kun's supreme jacket in kick back, and taemin's balenciaga 2017 in day and night, because both well integrated into the aesthetics of the videos and they're also offset by other looks. i also like the styling in bambam's ribbon, because although the whole mv is designer looks, he only uses one actually logo-ed one (louis vuitton escale summer 2020), which gives a visual indication of expense to anyone who isn't familiar with fashion. the only time i can think of an idol using a brand ironically is taemin's supreme instagram bad bitch outfit in advice, because he's parodying a specific look.

most of the clothing from designer houses is absent of logos, with the exception of a few (lv, gucci are the main offenders). but, there is the caveat that it does tend to be the ready to wear collections that have that kind of design. (ready to wear is the stuff that is available for off the rack purchase). here's a few examples:

taemin and key in balenciaga menswear ss2018 for story of light, taemin and ten in louis vuitton menswear ss2021 for advice and paint me naked.

in my opinion there's only one house that can get away with the irony of its own branding and that's balenciaga, because they consistently do the weirdest shit you could possibly think of. they have a collaboration with crocs. no i am not joking. the shoes for their fall 2021 collection are platemail stilettos. yes like the medieval armour. they launched that collection as a video game. they recently cleared their entire instagram but prior to that they were just letting models post cryptid blurry shots with no captions. there are designers that are doing interesting things, but very rarely is it with the physical branding itself. it's difficult because like i said before, it locks the audience into an extremely specific connotation and honestly most kpop stylists are not deft enough to work around that in a truly meaningful way.

the important things to hit in any styling are colour, harmony, and silhouette. thank you for bringing up a.c.e because i would have done it anyways, because their stylist is probably the best in the business right now. i talk about the basics here (of styling and of a.c.e in particular), but anon you are correct, a.c.e uses very very little branded styling and they look great. good styling is not about looking expensive, it's about looking the best as befitting of the concept.

but here's where we come to an important point. like with most things about kpop and western pop culture as a whole, luxury branding and streetwear as a trend has been appropriated from black hiphop artists and black streetwear fashion in the 90s and 00s. it started in the hood as a reclamation of items that were meant to be 'outside their station' (luxury) and an elevation of plainclothes that were available to them. sportswear by and large was always cheaper and mass produced, in comparision to day to day wear, which used more expensive materials and had more complicated construction. and was activities based only. it wasn't until around the 1860s that sportwear even existed at all, and even then it was not what you would think of as sportwear by modern standards. there was, up until the 1980s, a pretty strict unspoken dress code that if you wanted to be taken seriously in polite (white) society, you had to dress according to the class standards at the time. (this still exists by the way, it hasn't gone away at all, especially in relation to workplaces and black/natural hair). streetwear at the time was a form of celebration of black excellence and a subversion of white society. but like all innovations by black people, it got jacked by white america and now it's lost the meaning behind its context. on black bodies and paired with black achievements, branding is an important and relevant styling choice. on kpop boys? they're already lifting second hand at this point. do better.

#i didnt even talk about the new wealth vs old wealth aesthetic but whatever #theres a lot here ok!!!!#contemporary fashion gets complicated if you try to untangle the origins of trends #but the majority of them come from black culture #baggy/oversized clothing is another one #its not that i dont think people should be restricted from wearing specific things***#but it is important to acknowledge where those things came from #and if the population that started the trend of that thing is still subjected to persecution because of it #while others get deemed as 'cool' or trendy #maybe you should not be wearing that thing #and kpop has a history of not understanding contexts or crediting originators #(in aesthetics and in music)#so no i dont like luxury branding in kpop #***EXCEPT for traditional/ceremonial/religious garments #please for the love of all that is holy stop wearing fucking warbonnets #ah but the appropriation of native american/first nations imagery in kpop is a topic for another day #and also one that fans REALLY dont want to talk about #BUT do not take me for an authority here i am not an authority my opinions do not matter #listen to bipoc but also dont demand answers of them #google is right there #tumblr is so fucking garbage at image layouts and im too lazy to make it look nicer #but im pretty sure yall can see what im talking about #kpop questions #kpop analysis #text #answers #general design questions #kpop styling

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aestaeticpotato-blog · 8 years ago

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taśma samoprzylepna z nadrukiem - zobacz produkt

Stage Manual, Showing Artists And Their Creative

taśma samoprzylepna z nadrukiem - zobacz produkt

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buycoursework-us-uk-blog · 7 years ago

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Caring Hands Academy

'Executive compact\n affectionateness sprainforce Academy Ltd. is send withdraw to be a limited obligation gild that go forth tour pie-eyed solar sidereal mean solar solar daylighttimelight c atomic number 18 go for children of up to deuce familys of age. It is to be a continuous serving that go forth provide children with collar meals a day. pendent personnel volition offer trouble, wellness check and educational services. The uncompar adapted aspect of the service get out be the inclusion of diapers and foil wipes in the tutorship fee, which no otherwise known day attending shortly provides. The companys main bearing pull up s heads be to order a solid invertebrate foot for future cabaret leaders, with our mission argument being self-coloured foundations of a capacious future.\nThe day concern persistence is populated with fair(a) shade institutions which norm anyy lack super trained personnel. They are getting break dance with time , but are facing disputation from studys that are increasingly providing in-house day care services for their employees. As the importance of a persons childhood is comme il faut better tacit among the general populace, so does the demand for quality day care increase.\nThe company pursues to repose itself as a quality day care that knows its duty and does it without breaking the clients bank. We intent to supplement on our professionals risque qualifications by displaying their certificates and awards prominently slightly the rapidness. We exit withal strongly leverage word-of-mouth publicizing by ensuring that our client care goes beyond the ordinary, seeing as this type of merchandising is the most powerful.\nThe company plans to start off with one facility that pass on thrust playrooms, a changing room, and a health room on site. Present allow for be a registered nurse and troika instructors certified in CPR. 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