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bluejayblueskies · 3 years

Text

in the reciprocal

Words: 8.3k

Relationships: Jon & Martin (QPR)

Tags: Season 1, Scottish Safehouse, Light Angst, Queerplatonic Relationships, Gray-Aro Martin, Kiss-Averse Jon, Kiss-Averse Martin

Warnings: internalized arophobia, mild external arophobia, mild internalized homophobia, canon-typical Lonely depression and dissociation, teasing someone about a crush (in a friendly manner), mention of canon character death, Martin briefly pretending like he still has romantic feelings for Jon and participating in a romantic relationship that makes him uncomfortable (this is addressed and resolved)

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Martin’s relationship with romance has always been … complicated.

He has distinct memories of his early teenage years, when the major topic of conversation had shifted abruptly to who had a crush on who and who had kissed who after school and who had asked who on a date. Martin had never really participated in those conversations, though that could be owed more to the fact that he didn’t have many friends than that he wasn’t interested.

Because Martin was interested. The idea of romance had always intrigued him—a fairy-tale thing where there was somebody who would choose you and love you and never let you be alone ever again—and he wanted, more badly than he knew what to do with sometimes, to be in love.

The world, as Martin quickly learned, was not a fairy tale. No matter how much Martin tried to pretend otherwise. In fairy tales, when people got sick, they eventually got better. In fairy tales, parents always loved their children and showered them with affection. (Or were villainous and cruel, locking their children away in towers and treating them like objects to be discarded. Though Martin was never fond of those stories.) And in fairy tales, love was always easy. It wasn’t something that had to be learned or forced. It was instead like breathing—nearly effortless unless you thought about it too much—and, like breathing, it was something that everyone did.

So Martin couldn’t understand why he was so bad at it.

Just before he’d dropped out of school to work full time after his mother couldn’t anymore, he’d been asked on the first and only date of his entire life. Nino had been his friend for nearly a year and a half, and Martin loved spending time with him more than he loved most things in his life back then. School was growing more difficult as Martin had to take on a second part-time job, his mother was growing sicker and shorter with her temper, and he was quickly coming to the realization that he was … different.

After all, he’d never once felt the same kind of affection toward the girls whose names he attempted to doodle in the corners of his notebooks as he felt toward Nino.

Coming to terms with the fact that his first real crush was on his very lovely, very male best friend was … hard. But one day, Nino had bumped his shoulder against Martin’s as they sat in the library and had said something funny that Martin has long since forgotten, and he’d found himself smiling widely. His heart was a stuttering mess in his chest, his stomach twisted up into knots, and … things hadn’t been so bad, then.

Loving Nino had felt safe. Looking back, Martin is sure that Nino had been able to read all of Martin’s stutters and flushed cheeks and clumsy attempts at affection for what they were, but at the time, it had felt like a private indulgence. Just another way for Martin to spend time with the boy who was gradually becoming the most important person in his life. (Behind his mother, that is. She would always come first.)

What was funny about the whole situation, in a way that was actually not very funny at all, was that Martin was even considering asking Nino out. He liked to fantasize about what it would be like—creating clumsy scenarios in his mind where he would slip a note into Nino’s backpack before they parted ways or blurt it out on their way to the tube or whisper it quietly under his breath in the library so that nobody else could hear it but them. He imagined what it would be like if Nino said yes, his face lighting up with a smile and his hand reaching for Martin’s.

He tried to imagine what would happen after that—the date, the kissing (which he could never quite picture without grimacing and pushing the image quickly away), the hand-holding, the…

Well. He actually wasn’t quite sure what was meant to come after.

(Like breathing. It was supposed to be like breathing.)

It was funny, except it wasn’t. Because when Nino pulled Martin aside on their way home one day, face flushed slightly darker than normal, and hesitantly asked if Martin would like to go to a movie with him in a way that was very clearly meant to be a date, Martin expected to feel happy. He expected to feel relieved, that he hadn’t had to muster up the courage to ask Nino himself, or nervous, that he was finally going to be pursuing a romantic relationship with the boy he cared so much about.

Instead, he felt … stiff. Uncomfortable, like his skin was suddenly just a bit too tight. He felt the sudden urge to hide, or maybe to run, or to vanish into thin air so he didn’t have to be standing here anymore, now desperately trying to avoid the eyes of the boy who had just bared such a vulnerable part of himself to Martin.

Confused, Martin tried to look within himself for that warm, stammering affection that had been there a minute ago and found it transformed into something awkward and tense and devoid of all desire for romance. But that didn’t make any sense, he thought as he stared blankly at Nino, who was becoming increasingly nervous, shifting from foot to foot as his mouth pinched into a thin, anxious line. He remembered liking Nino. He remembered the fantasies, remembered coming up with a thousand scenarios just like this one, remembered stammering and stuttering and wanting so badly to take Nino’s hand in his own.

It was like remembering a story he’d been told. Just a fairy tale.

“You … can just say no,” Nino said finally, and Martin felt a curl of guilt in his stomach at the clear upset in Nino’s eyes. “If you have to think this long, it’s … probably not a yes. Is it.”

Yes, Martin tried to say. It’s a yes—of course it’s a yes, I’m just … surprised. Maybe things would make more sense if they actually went on a date. Maybe Martin would just … sort himself out. He was just surprised, or maybe in shock.

He loved Nino. He did; he knew he did. He just … had to figure out how to bring it back.

He didn’t get the chance. (Though, thinking back on it now, Martin knows that even if he’d tried, it wouldn’t have worked.) Nino pulled back slightly, hands going to the straps of his backpack self-consciously. “Right,” he said, sounding terribly embarrassed, and Martin felt himself mirroring the emotion. “S-sorry, I … I guess I was reading things wrong. I—I thought that you … never mind. It doesn’t matter.” Nino forced a smile then, and it lacked all the bright and shining things that Martin liked about it. “S-suppose I’ll … see you in school tomorrow.”

“Yeah,” Martin managed to say. And then Nino was gone, and Martin walked home alone.

He dropped out a few months later. Nino said that he would call, but Martin has always been good at lying and even better at telling when somebody else is doing so. And Nino hadn’t been putting much effort into it.

That was … probably for the best. At least Martin didn’t have to feel that dizzying, sickening sensation of guilt and awkwardness every time he looked at Nino anymore.

So, there it was. The world was nothing like a fairy tale. His mother only ever got sicker, her affection for him only ever grew more a thing of the past, and love was…

Well, love clearly wasn’t for him.

That didn’t stop him from falling hopelessly, irrevocably, head-over-heels in love with Jonathan Sims.

Martin, as a rule, makes a habit of not talking about his love life. For one, because there is a distinct lack of it (a fact that he much prefers but doesn’t generally feel like explaining in detail). And for two, because Martin just knew it would turn into something like this.

Martin places his head in his hands to hide the flaming red of his cheeks. “Can we not talk about it?”

“I think we’re actually obligated to talk about it now,” Tim says with what Martin is absolutely certain is a cheeky grin. “Given that you’ve just admitted that your not-so-mysterious crush is Jonathan Sims.” He drops his voice to an exaggerated conspiratorial murmur. “Is he the one you’ve been writing poetry about then?”

“I don’t have to say anything,” Martin mumbles into the very clammy palms of his hand.

Tim, fortunately, drops the poetry topic. He unfortunately does not drop the crush topic. “I mean, don’t get me wrong,” he continues. “You’ve got good taste. The whole … sweater vest, ‘disgruntled professor’ vibe is attractive, and he’s funny, you know? In his own way.”

Martin lifts his head from his hands and gives Tim an exasperated look that he hopes screams can we please stop talking about this. Tim must misinterpret it as jealousy instead because he holds his hands up in the air placatingly. “Hey, no competition here. We’re just friends, and I’m not really interested in dating anyone at the moment.” A pause. “Though, I suppose if Jon asked, I wouldn’t say—you know what, that’s not helpful.”

“He is pretty hot,” Sasha pipes in from her spot on the break room couch. “I definitely get where you’re coming from.” Then, after Martin turns that same exasperated look onto her: “Just trying to show our support for the cause, Martin.”

“Yeah, well—don’t.” Martin stands, maybe a little bit too abruptly, and crosses the room to where the kettle sits on the counter. He fills it in the sink and then clicks it on, the blue light reflecting off the countertop and faintly illuminating his hands.

“Hey,” Tim says, leaning against the counter next to him and giving him a surprisingly serious look. “I’m sorry. If talking about this makes you uncomfortable, we’ll drop it.” He mimes zipping his lips closed and throwing away the key. “No questions asked.”

“I’m pretty sure talking afterward negates the ‘zipping your lips shut’ thing,” Martin says, which earns him an amused huff of laughter and a gentle elbow in the side. He finds himself smiling, if only briefly before it falls from his lips once again. “And it’s … fine. I’m not upset. It’s just…” He hesitates, considering, and settles on a suitably vague, “It’s complicated.”

Tim makes a noise of understanding. “Say no more, Marto. Consider the subject dropped.”

“Thank you.”

There are a few moments of silence between them, filled only with the gentle hum of the kettle. Martin reaches for the mugs, and as he pulls four from the cabinet, Tim says abruptly, “So wait—is that why you always bring him tea?”

Martin nearly drops the mugs. “Tim.”

“Sorry, sorry.” Tim grimaces at him sheepishly. “I’m dropping it.”

Martin nods and pulls the box of tea from the cupboard. As he gets the mugs ready, however, he can feel Tim’s eyes on him, heavy and curious. Finally, it gets to be too much, and Martin sets the box down with a sigh. “I bring him tea because he never leaves his office and at least this way he’s hydrated. If you absolutely must know.”

“Caffeine is a diuretic, you know,” Sasha says from where she’s still sitting on the couch.

“Yes,” Martin says tersely, grabbing the kettle as it clicks off, “but it’s better than nothing.”

The tea isn’t related to the crush. It really isn’t. But Martin knows that the more he tries to make excuses, the more it’ll seem like he’s deflecting, which will just be counterproductive. So he prepares the tea and passes Tim and Sasha’s mugs to them. Then, fully aware that Tim and Sasha are watching, he grabs Jon’s mug and makes his way to his office.

He doesn’t knock. He found out his first week here that Jon doesn’t like it when people knock and prefers them to verbally announce themselves instead. It wasn’t because Jon had told him; Martin gets the feeling that Jon is too stubborn to admit to that sort of weakness in front of him. It was because of the subtle tension in Jon’s shoulders every time Martin opened the door after rapping three times on the doorframe; the way his voice sounded ever so slightly pinched when he asked what Martin wanted.

So Martin says, just loud enough to penetrate the thick oak door, that he’s coming in, and then, after a moment, he opens it.

Jon is sitting at his desk, mountains of papers and files stacked on either side of him. His laptop is open in front of him, and he’s currently focused intently on something on the screen, the harsh white light of the LCDs reflecting off his glasses. He doesn’t seem to notice when the door opens, but when Martin takes a few steps closer and gently clears his throat, he looks up from the screen, blinking a few times as his eyes adjust to the dimness of his office.

“Ah,” Jon says, his gaze landing on the mug. “Right. You can…” He looks at the disastrously cluttered surface of his desk and, after some consideration, pushes a stack of papers to the side to make a mug-sized gap in the mess. “You can place it there.”

Martin does. He doesn’t mean to linger afterward. Even though things are ... better between them now that Martin is staying in the Archives and Jon seems to have softened slightly toward him, they’re not quite at the ‘hold a casual conversation’ stage of their relationship yet. Still, Martin finds himself standing in front of Jon’s desk long enough for Jon to glance back up from his computer, a small furrow forming between his eyebrows.

“Did you … need something else from me?” he says, sounding more confused than annoyed.

No, Martin means to say. I’ll be going now.

Instead, he says, “How are you doing?”

Jon stares blankly at Martin, like he doesn’t understand the question. Martin briefly curses his complete lack of a verbal filter at the worst times and purses his lips, telling himself that frantically trying to rescind the statement will only make things worse. “I’m … fine,” Jon says with a hint of incredulity in his voice, like he can’t fathom any reason why Martin would want to inquire after his well-being.

Good, Martin opens his mouth to say. Let me know if you need anything else.

Why he says instead, “I just … noticed that you haven’t been going home lately,” he doesn’t know. He hasn’t had a crush in so long—is this what it was like the last time? God, it’s a bit embarrassing, isn’t it?

Jon still looks bewildered, though there is an edge of irritation to his voice when he says, “There is a lot to do here, Martin. I assure you, I can take care of myself.”

“Right, yeah.” Martin fights the urge to rub his hand along the back of his neck, settling for the inside of his wrist instead. “Just … I know I’ve taken your cot recently, and if you’re not going home at night, I—I would hate to feel like I’m making you sleep at your desk.”

“You are not making me do anything. I can make my own choices.” Jon purses his lips for a moment before saying, more gently, “Besides, you … have more need of the cot than me at the moment.”

Martin can’t help the little shudder that goes through him at the reminder of why, exactly, he is in need of the cot. “Yeah,” he concedes. Then, because it’s only been a week or so and he still feels like he hasn’t said it enough: “Thank you again, for … for letting me stay here.”

Jon’s expression softens into something almost sympathetic, just for a moment, before growing closed-off and shuttered once again. Martin’s traitorous heart thuds in his chest at the sight, just like it had when Jon had listened to his story impassively and then matter-of-factly offered him the cot like it was the only logical thing to do.

(He hadn’t understood why he’d reacted like that—pounding heart, sweaty palms, cottony mouth—until that night, staring at the dark, cracked ceiling of the Archives and running Jon’s words over and over again in his mind. But it wasn’t surprising, was it? Of course Martin would find himself attached to his prickly, no-nonsense boss who kind of hated him the first moment he showed him an ounce of kindness.)

“It’s … really no problem at all,” Jon says, sounding a bit stiff in a way that’s hopelessly endearing, like he doesn’t quite know what to do with Martin’s gratitude. Then, even more stiffly: “You’re … doing all right?”

The tentative concern in Jon’s voice is enough to bring a flush to the tips of Martin’s cheeks that he desperately hopes can’t be seen in the low light of Jon’s office. “Y-yeah. As well as I can be, I—I suppose.”

“Well,” Jon says in a businesslike voice, like he’s delivering a report, “if you need any further accommodations, please let me know. Given that this was a workplace incident and you were investigating the Vittery building on my request, the Institute and I are responsible for ensuring that you remain safe while you’re … displaced from your previous home.”

Martin has always been good at reading people. And for all that Jon wears various masks of professionalism and skepticism and authority, he’s still surprisingly easy to read. It’s easy to control an expression, to control a tone of voice, but Jon’s eyes are always so much more emotive than he probably means them to be. Right now, they’re flitting around the room, from Martin to the floor to his desk to the floor again, like they’re afraid to settle on one place for too long.

It’s easy to identify the emotion as guilt. It takes Martin a few more moments to place what, exactly, Jon is guilty for.

“It’s … not your fault, you know,” Martin says slowly. “What happened with Prentiss. You’re not … responsible for it.”

Martin expects Jon to brush him off—to tell him that he’s being ridiculous. He doesn’t expect him to say, with a voice that leaves no room for argument, “I am not responsible for Jane Prentiss’ presence in the Vittery building, yes, nor for the fact that she followed you home. But I would be remiss not to acknowledge that you encountered her while following up on a statement, per my request, and that I … was not as cautious as I should have been with regards to sending you on dangerous assignments.” Jon’s eyes are sheepish now, and a touch concerned. “I will be sure to take the appropriate precautions in the future, as it would be unacceptable for you to be injured or … otherwise hurt whilst performing your duties as an archival assistant.”

It’s not a heartfelt statement by any measure. Really, it’s just common decency, and definitely what should be expected from one’s superior in a line of work that is (apparently) much more dangerous than it appears to be on paper. But Jon’s eyes when they finally turn to Martin are softer than he’s ever seen them, even as his expression remains carefully neutral and professional, and it feels like Jon has just said something profoundly kind.

Martin’s heart has some stuttering, skipping things to say about that particular fact.

“Um,” Martin says eloquently. “Th-thanks.” He considers mentioning again that Jon really isn’t at fault for sending him into a building that, for all Jon knew, contained nothing more than a few very persistent spiders. But he doesn’t. Instead, he holds the little scrap of kindness he’s been given close to his chest, stammers something about getting back to work, and leaves Jon’s office before he says something embarrassing like I like it when you care or you have kind eyes or we could share the cot if you stay too late.

Tim wiggles his eyebrows at Martin as he takes a seat back at his desk, and Sasha gives him a much more subtle knowing look. Martin ignores both of them and busies himself with the statement sitting on the corner of his desk, diving back into the formatting he’s been struggling with all morning.

Jon is his boss. Jon doesn’t even really like him, when he’s not feeling guilty for almost getting Martin killed. It’s never going to work between them.

A bit of the tension bleeds out of Martin’s shoulders. His eyes drift back toward the door to Jon’s office—the golden nameplate outside it, embossed with Jon’s name, the frosted window, the old, warped wood—and he feels something light and comfortable settle in his chest.

Jon is prickly and lovely and blunt and awkwardly conscientious and completely unattainable. Jon is never going to look at Martin with affection in his eyes and ask Martin to run away with him to pursue a romantic, fairy-tale ending, and Martin is never going to feel that intense, awful discomfort that seeps into the gaps where the love once was. He can blush and stammer and imagine holding Jon’s hand and kissing the inside of his wrist and tangling his foot with Jon’s underneath a table, and nothing will change.

It’s never going to happen between them. And it’s better that way.

The car ride to Scotland is quiet. Jon keeps sneaking glances at Martin when he thinks Martin isn’t paying attention, as if Martin will vanish if he doesn’t keep a watchful eye on him. It should be irritating, but … maybe he’s right. Martin doesn’t feel fully here yet. He still feels empty and numb, like all of the emotion and life and things that make him him have been cut away, consumed by the salty fog that had filled his lungs and stung his throat as he inhaled.

Peter Lukas is dead. Martin had felt it happen with a sort of empty detachment—the ripples of fog as Peter disintegrated into nothing but mist and static. Jon hasn’t spoken about it since they left the Lonely, but Martin had seen the tension in his shoulders as they’d returned to their flats to pack and taken the keys to the car from Basira and made their way painstakingly through London traffic.

Martin had wanted to tell Jon that it was all right—that everything was going to be okay. But his throat refused to form the words. It took all of his energy to remain present and solid, and he just … couldn’t. So he remained silent and gripped Jon’s hand as tightly as he was able and focused on not giving in to the Loneliness that still lingered underneath the surface of his skin.

Now, both of Jon’s hands are on the wheel of the car, his fingers and elbows rigid and stiff. Generic pop music spills out of the radio, the signal distorted enough that Martin only catches about half of the song, the rest swallowed by static. Better than him, he thinks absently. Right now, he feels as if he’s only static.

He can’t remember if he was like this before the air opened wide in front of him and he was swallowed whole by the fog, the panopticon gone in an instant and replaced with nothing but endless gray. He was … close, he thinks. Every day, things grew dimmer, his own thoughts and feelings more difficult to get a handle on. It grew harder and harder to remember why he was resisting at all. What his goal was, other than to just … be alone. He thinks he would have forgotten entirely, had Jon not been three floors beneath him, alive and breathing and reminding him that he was doing this—all of this—for a reason.

It had been … lovelier than Martin ever could have imagined, falling in love with Jon. It grew within him like a garden, new flowers cropping up every day. Some were white and delicate, blooming in his lungs when he looked at Jon and felt the all-consuming need to bundle him up in a blanket and make him tea and hide him away from the things in the world that wanted to hurt him. Others were purple and angular, blossoming with every lunch they had together and story Jon told him. And some were red and thorny, roses with waxy petals that made Martin’s cheeks grow hot every time Jon said his name like it was special or treated him kindly or smiled.

So when things grew difficult—when the loneliness crept too close, when he grew too comfortable being invisible, when he had to look Jon in the eye and tell him that he didn’t want to see him—Martin retreated to the quiet garden in his soul. He ran his fingers along the petals and stems and leaves and reminded himself that he needed to do this, or he’d lose Jon again and the garden would shrivel and die.

It had been an easy decision, in the end.

There’s a soft crunching noise, and Martin breaks free from his thoughts to see that they’ve transitioned from the smooth asphalt of the motorway to an unpaved gravel road. It’s bracketed on either side by trees, and though the sun has long since set, Martin can still see the gentle swell of hills around them, outlined softly in the moonlight. He thinks, for a moment, that he sees fog, clustering around the bases of the hills and swirling around in tight eddies, but when he blinks, the image is gone.

“We’re almost there,” Jon says quietly. It’s one of the few things he’s said to Martin the entire trip. Then, after a moment: “It’s … rather nice out here.”

Martin supposes it is. The landscape around them had been a vibrant green before twilight had washed it out into deep blues, and there have been cows dotted around the fields, shaggy and brown and grazing contently. It’s a stark change from the grays and browns of central London, with buildings on all sides and people everywhere and no chance to ever really see the stars. If circumstances were different, Martin thinks he would be cooing over the cows and trying to get Jon to stop so he could take pictures and enjoying his first trip outside of England.

Instead, Martin just nods.

Jon seems to understand. He sneaks another glance at Martin—full of something soft that Martin, in his foggy state, doesn’t quite know how to parse—but remains silent for the rest of the trip. It could easily be a stiff, uncomfortable silence, but … it’s not. It feels companionable.

When did being around Jon become so easy?

Daisy’s cabin is small and squat, nestled between two hills and idyllic in a way that doesn’t match the rough-hewn, steel-eyed woman Martin had known. The inside is dusty and cold, and Jon mutters something about central heating before disappearing down the corridor and leaving Martin standing in the living room, staring at the place he’ll be living in for the foreseeable future.

The place he’ll be living in with Jon for the foreseeable future.

Martin feels something in his chest stir at that—a strange, twisting emotion that’s there and gone before he can put a name to it. He shivers, in a way he doesn’t think is from the cold, and goes to find Jon.

He … doesn’t think he should be alone right now.

They find an old, rusted radiator that miraculously still works, pumping out hot air with a groan of metal. Jon digs a set of musty sheets out of the linen closet and begins dressing the bed. Martin notes the lack of a second bedroom, and he thinks he might object to the implication that they’ll be sharing a bed if he weren’t aware of the fact that he might vanish if left alone for too long. (Or if he were himself enough to feel embarrassed. Or to feel anything.)

He doesn’t think anything shows on his face, but Jon’s always been keen, even more so now that knowledge drips into his mind like water from a leaky faucet. Jon’s hands flutter over the sheets for a moment before he says, “I … hope this is all right?”

Martin tries to find his voice to agree, but the energy required to summon it is too much, so he settles for a shallow nod. He doesn’t think it’s a sufficiently enthusiastic agreement, but Jon doesn’t question it. He worries his bottom lip between his teeth for a moment, then says, “And … you’re all right?”

It’s a bit of a ridiculous question, really. No, Martin isn’t all right. No, there’s nothing Jon can do about it. No, he doesn’t know when things will be better. Or if they’ll ever be better.

Martin just looks at Jon, eyebrows slightly raised. Jon lets out a small, dry laugh. “Right. I … suppose that was a silly question. I—I meant…” Jon hems and haws for a long moment before finally saying, “Do you feel … safe, here? W-with me?”

That question has a much easier answer.

When Martin nods without hesitation, Jon visibly relaxes. “Good,” he says, voice rough around the edges. “That’s … that’s good.”

They stand there for a moment longer, the silence between them thick and heavy but not uncomfortably so. Finally, Jon clears his throat and says, “Well, I—I suppose we should rest then. We can … talk tomorrow?”

Martin nods and tries to smile. He doesn’t quite manage it, but … that’s all right. For now, this is enough.

Jon retreats into the bathroom, and Martin finds himself overcome with exhaustion. He slips into the soft pajama trousers he’d absently stuffed into his duffle bag, climbs under the covers, and is asleep before the sound of running water from the other room abates.

Martin doesn’t remember what happened in the Lonely. Things had been foggy and disjointed, slipping through his grasp when he tried to hold onto them. He barely remembers what came after, when Jon had led him away from the sand and the fog and the waves, his palm a searing heat against Martin’s. His first few days at the safehouse are spent in a similar fog, like each muscle in his body is frozen solid and he’s slowly attempting to warm them with a matchstick flame.

His third day is … better. His fourth, better still. By the end of the first week, Martin feels more himself than he has in months, if still acutely aware of the fog that now lives in his lungs and creeps out of his throat when he thinks too hard about what’s transpired or when Jon is out of sight for too long.

Martin remembers what it’s like to be happy. He feels it when he shuffles sleepily into the kitchen on their eigth morning in the safehouse and sees Jon standing in front of the stove, hair tied up in a neat bun and eggs sizzling in a pan in front of him. He remembers what it’s like to be frightened. He feels it when he wakes at night, shivering and shaking with the lingering memory of dreams of nothing but endless fog and aching loneliness.

And he remembers what it’s like to be in love.

He remembers it just in time to lose it.

The worst thing, Martin thinks, is that he’d almost managed to convince himself that it would be different this time. He knows, logically, that it’s not that simple. He’d done a little bit of research after what happened with Nino, reading through a few web pages on aromanticism before becoming overwhelmed and closing out of every single one of them. He tentatively returned to them a few years later after realizing that this wasn’t something that he was going to grow out of or move on from.

He had difficulties settling on a label, partly because of the sheer number of them and partly because he … didn’t quite know how to categorize his feelings. How could he categorize something that he’d only felt once before? Gray-romantic seemed the safest option, so that was the one he settled on.

(Not that he ever told anyone that he was arospec. It never seemed important, even when Sasha would needle him about his crush and Tim would make too-loud suggestive comments that could surely be heard through the door to Jon’s office.

… Martin misses Tim and Sasha. He thinks, if he’d had the chance—if he’d had more time—they would have been the first people he told.)

Martin knows that his relationship with romantic attraction is complicated. Yet somehow, he’s still found it within himself to hope that this time, things will be different. This time, when he tells Jon that he’s very in love with him and has been for a while, those words will continue to be true even after they’re spoken. (He ignores the fact that the actual thought of saying them aloud makes his stomach twist and his mouth grow chalky.)

But, just like with Nino, Martin doesn’t get the chance to try. Jon beats him to the punch.

“I … I love you,” Jon says quietly. He has Martin’s hand in his, and he’s holding it so gently Martin might cry. There were things Jon said before this moment—a conversation that has led them here—but Martin is having a hard time recalling any of them. All he can think is no, no, not now, not here.

His skin crawls. His hands are clammy, and he’s sure that Jon can feel it. He has the instinctive need to get away, but he’s also frozen in place, the lump in his throat sealing away all of the words that he should be saying.

He should be saying something.

The silence stretches on between them, the vulnerability on Jon’s face slowly morphing into concern. “... Martin?”

He sounds so confused, and Martin … he can’t. He just can’t. He doesn’t think he’ll survive the moment when that confusion turns to hurt.

So Martin swallows sharply and forces his hand to squeeze Jon’s and says, “I love you too.”

And he does, in a way. He wants Jon here, by his side, eating breakfast next to him and rambling to him about whatever latest thing has piqued his interest and listening to Martin describe the cows he’s seen on his walks. The thought of Jon leaving—of losing him, the same way he lost Nino—makes his stomach twist into knots, because Martin loves him.

Just … not in the way that Jon thinks he does. Not anymore.

And Martin can’t help but feel guilty about that fact.

Jon frowns at Martin for a moment more, like he can tell that something’s wrong but he’s not entirely sure what. Martin breathes out slowly and gives Jon as genuine a smile as he can muster, trying to convey that everything is fine. That nothing’s wrong—why would anything be wrong?

It must work, because Jon exhales slowly, his expression softening into one of the gentle smiles that Martin has grown so fond of. He rubs a thumb over the back of Martin’s hand in a motion that should be comforting but only reminds Martin of the fact that Jon is doing it because he loves him.

Martin thinks that Jon is going to kiss him then—isn’t that usually what comes after things like this?—and dread coils in his stomach. But Jon doesn’t. Later, Martin will find out that Jon dislikes kisses just as much as he does (though for different reasons). For now, though, Martin can only feel relief when Jon squeezes his hand once more before letting go and standing. “I’ll go make us some tea,” he says quietly, then retreats to the kitchen.

Thinking back on it, Martin wonders if Jon knew then. That something was wrong. But for now, he just feels relieved that he has the space he needs to breathe.

It’s their second week at the safehouse, just a few days after Jon told Martin that he loves him, that Jon finally sits Martin down after dinner and says softly, “Martin, am I … am I making you uncomfortable?”

“What?” Martin says, like he has no idea what Jon’s talking about. (Like a liar.) “No. What … what makes you think that?”

Jon wrings his hands together. He’s wearing one of Martin’s sweaters, and Martin doesn’t know how he feels about it. The clothes sharing is fine. The fact that Jon is clearly perceiving the clothes sharing as a romantic gesture is … less than fine.

Martin told himself that it would be okay if Jon perceived their relationship as a romantic one and Martin didn’t. He was good at pretending. And besides, how different could things be?

Very different, as it turned out. In all the ways that mattered.

Jon seemed to take any opportunity he could to touch Martin—a hand brushing against the small of his back when he passed behind him to grab a mug, an ankle nudging against his underneath the table as they ate, a head resting on his shoulder as they sat side-by-side and read. Martin had never been particularly touch-averse or touch-starved; touch was just … touch. He’d liked it when Tim had tousled his hair or when Sasha had thrown her legs across his on the breakroom couch, but he didn’t feel like he was missing out on anything on the days he went without any human contact at all.

Now, it’s all Martin can do not to flinch away from Jon’s touches, knowing that each one is delivered with love and affection that Martin can’t return. Though perhaps he hasn’t been doing as good of a job as he’d thought, judging by the concerned look Jon is giving him now.

There have been other things too—whispered I love yous in the early mornings and soft smiles that seem somehow more and little gestures that are so Jon but also so romantic—and Martin wants so badly to disappear back into the fog in those moments. But that … that wouldn’t be fair to Jon. It’s not his fault that Martin is like this, after all.

(It’s not Martin’s fault either. He knows this, logically. He’d spent a long time hating himself for what happened with Nino, for how he couldn’t just be normal and go on dates and enjoy something that the rest of society seemed to prize above all else. It had taken him years to finally come to terms with the fact that he wasn’t broken, and he couldn’t be changed. That this was just … who he was.

It doesn’t mean that sometimes, he doesn’t wish that he could be someone else. And he’s never wanted it more acutely than when he stares at Jon’s kind brown eyes and soft smile.)

So Martin lied and lied and lied. And he thought he’d been doing so successfully. But here Jon is, frowning at him, a careful distance between them, and Martin feels his chest begin to tighten.

“I just…” Jon begins, then stops. He looks down at the couch, studying the ugly floral pattern with apparent rapt fascination. Martin doesn’t know what to say, so he waits anxiously until Jon finally continues, “It doesn’t feel like you’re … happy. I know that things have been hard, a-and … it’s all right if you still need time after the Lonely, but it…” Jon swallows. “It feels like some of it may be because of me? W-when I touch you, sometimes you get … tense. And sometimes…”

“Jon?” Martin prompts after a moment, the word strangled by the growing lump in his throat.

“Sometimes,” Jon says quietly, “when you tell me that you love me, it … it feels like you’re lying.”

And the way Jon says it—tentative, with wide, hesitant eyes, like he’s the one that’s the problem—makes Martin’s desire to keep up the ruse crumble away in an instant.

It still isn’t easy to come clean. But he forces himself to do it anyway.

“It’s complicated,” he begins, then winces. Not a good start. Sure enough, Jon’s shoulders grow tense, and he shifts slightly further away, like he thinks Martin wants more space. Because he thinks he’s done something wrong. “You haven’t done anything wrong,” Martin adds quickly. It’s not you, it’s me, he thinks wryly. “It’s … not your fault.”

Jon opens his mouth—to say what, Martin doesn’t know. He barrels on before Jon gets the chance to speak, his haste making his words harried and blunt.

“I’m aromantic.”

Jon blinks at him, clearly surprised by the abruptness of the statement. After a long, awkward moment, during which it becomes abundantly clear that Jon is waiting for Martin to make the next move, Martin continues, “My relationship with—well, with relationships—i-is complicated. I-it’s, um … it’s hard to explain? A-and I don’t want you to think that I—I don’t care about you. I want to be here, w-with you, just…”

“Not in a romantic capacity?” Jon finishes softly.

Martin exhales heavily, feeling a bit like a hole has been punched in his chest and he’s slowly deflating. “Yeah.”

Jon is looking at him with soft, kind eyes, and Martin doesn’t know what to do with them. So he buries his face in his hands. “I’m sorry,” he says, his voice coming out muffled.

“Hey, hey.” Jon’s hand brushes against Martin’s shoulder before pulling away quickly, and that just makes Martin feel worse. “You haven’t done anything wrong either.”

“Yes, I have,” Martin says into his palms. “I lied. I let you think that I—I was still in love with you, and … Christ, that was shitty of me.”

“I … do wish you had told me sooner,” Jon concedes. “But … only because I care about you, Martin, a-and I don’t want you to be uncomfortable around me.” He hesitates. “You … do know that I’m not mad at you, right? Th-that I wouldn’t have been mad, o-or upset, or hurt, if you told me that you didn’t feel the same way about me?”

Martin takes a deep breath, then another. “But I did,” he says raggedly. “For … for so long, I did. Ever since Jane Prentiss locked me in my flat for two weeks and you believed me when I told you about it a-and let me stay in the Archives. A-and I didn’t lie, in the Lonely. I did love you, a-all the way up until…”

Martin trails off. Jon lets the silence linger for a moment before saying gently, “If you don’t want to explain it to me, o-or if it’s hard, you don’t have to. But … if you can, I’d like to understand. For myself, a-and for you.” He wraps his hands tightly around his knees where they’re tucked against his chest. “This is important, and … I want to get this right.”

Martin exhales. He picks at a loose thread on the couch between them, focusing on it so he doesn’t have to meet Jon’s eyes and can pretend like he isn’t so extremely exposed and vulnerable right now. “I … I do want to explain. O-or I want to try. It’s … hard, though. Mostly b-because I’ve never had to explain it to anybody else? But also because … I don’t really understand why I’m like this.”

Jon opens his mouth, and Martin holds up a hand. “I know, I know—you don’t … have to comment on that.”

Jon closes his mouth and tentatively shifts so his knee is pressing against Martin’s. Martin waits for the tingling of his skin, the pins-and-needles discomfort, but it never comes. Maybe it’s because he knows that this is an act of comfort rather than one of affection. It’s … really nice.

He presses back with a sigh, feeling a bit of the tension and nerves drain out of him. “I—I get that love is difficult for me,” he says quietly. “I’ve just … always had trouble with the fact that what makes it difficult is that I’m someone who apparently never actually wants their love … requited. And if it is, I just … can’t anymore. It all goes away, a-and I just … fall out of love?”

Martin can feel Jon’s eyes on him, inquisitive and searching, but Jon doesn’t say anything. There’s a moment of silence between them, during which Martin tries and fails to collect his mess of feelings and thoughts and emotions into something that he can verbalize. Finally, Martin sighs and says, “It’s ironic, isn’t it. I’ve loved you for so long, a-and I still do, but … not in the way you love me. Not anymore. And now you’re the one who—who loves someone w-who doesn’t … who can’t…”

“Oh, no, Martin.” Jon’s hand is covering his then, and it’s warm and gentle and lovely, and Martin could cry. “I’m not…” He hesitates, squeezing Martin’s hand once. “Well. I am still in love with you. In the … romantic sense. I—I don’t want to lie to you about that. B-but I also love you in … so many other ways. Y-you’re my friend, Martin, a-and you’re someone that I can trust. You … you make me feel safe, e-even when there’s … so much in my life that’s dangerous and unpredictable, and I know that you’ll … always be there for me when I need you to be. I want to be here with you, always. I would … be happy in a romantic relationship with you, yes. But I would also be happy to just be with you. In whichever way you will have me.”

Martin’s throat feels very tight. “Oh,” he says faintly. He feels a pressure at the corner of his eyes and realizes, with a flush of embarrassment, that there are actual tears collecting there. He stares hard at the lamp just behind Jon, trying not to let any of them escape.”You, um … you really … mean that?”

“Of course,” Jon says, like there’s no question to be had about the matter. “You are … such an easy person to love, Martin. In all the ways it’s possible to love someone.”

Martin tries—he really does—to keep the tears back. But it’s just … so much, and Jon is so lovely, and this is more than Martin ever thought he was going to be able to have. So he takes a shaky breath in, and on the exhale, a few tears slip free and trail down his cheek. He brings a hand up and scrubs them away, mutters a sorry underneath his breath, but Jon just squeezes his hand tighter.

“It’s okay,” he says. “It’s okay, I’m … I’m here. I’m not leaving you.” Jon hesitates. “Provided that that’s … all right with you, of course.”

Martin can’t help the shaky laugh that escapes him. “Yes, it’s all right with me. Of course it is.”

Jon smiles, and Martin aches with it. “Good.” He nudges his knee gently against Martin’s. “Because this cottage would get very dull without you in it. Who would I talk to about all of Daisy’s awful romance novels?”

Martin laughs again, and it chases away most of the lingering tension in his body. “Be careful what you wish for. I’m going to start doing dramatic readings next.”

Jon’s eyes sparkle with humor, but his voice is sincere when he says, “I look forward to it.”

True to his word, over the next week, Martin does increasingly dramatic readings of the worn, water-warped romance novels stacked haphazardly on the safehouse shelves. (Skipping the, quote, ‘unnecessarily erotic’ bits to avoid Jon’s pinched look of discomfort and his own beet-red face as he stares down at words that should really not be used in a sexual context ever.) He bakes cookies, laughing when Jon drops the cup of flour he’s holding and ends up covered in it. He spends the first three walks after their conversation wringing his hands together before finally asking, in a series of nervous stutters, if Jon would like to hold hands while they walk.

“But not in a romantic way!” he hastens to clarify. “You just have very nice hands, a-and I’ve always liked the idea of holding someone else’s hand, but—you know, th-the romantic connotations of it aren’t … great, and … you know, now that I think about it, this was a stupid question, you don’t have to—”

And then Jon takes his hand and squeezes it gently, and Martin feels a warmth spread through him that he doesn’t quite know what to do with.

That’s been happening a lot lately. He … doesn’t think he minds at all.

Then, a few weeks after their conversation, Jon turns over in bed to face him and says, without any preamble, “Have you ever heard of a queerplatonic relationship?”

Martin has, but only in passing, so he shakes his head. Jon explains, sounding very much like he’s reciting the wiki page for the concept, which is … more endearing than it has any right to be, probably.

“Does … does that sound like something you might be interested in?” Jon says nervously. “W-with me, of course. If that wasn’t … clear.”

Martin nods before Jon is finished speaking. “Yeah,” he says, maybe a bit too eagerly. Then, quieter: “Yeah. I’d … I’d like that.”

Jon smiles then, bright and wide and lovely, and it occurs to Martin—not for the first time, and probably not for the last—that he can have this. That he can be with Jon—maybe for the rest of his life, though that’s a … big thought that he definitely isn’t ready to look at head-on yet—without the dates and the kissing and all the other romantic gestures that Martin always thought were necessary for something like this. That they can be happy, together.

That Martin can have his fairy tale ending, and it doesn’t have to look like he’s always been told it should.

Martin smiles back at Jon, reaching across the bed to brush his fingers lightly against Jon’s. And for the first time in a long, long while, he finally feels like he’s home.

#tma #the magnus archives #jonathan sims #martin blackwood #jonmartin #(in a queerplatonic capacity)#my writing #my fic

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