#Stage Fright 1987

[ceteradesunt]

Stage Fright (1987) dir. Michele Soavi

[celestialmega]

Deliria by Michael Soavi.

[blackcatfilmprod]

Hi Guys,

Next week Boys 'n' Ghouls Film Review Podcast reviews Stage Fright here. https://www.youtube.com/watch?v=7nXS6OAdiMs via YouTube

[phone-in-the-attic]

honestly one of the greatest soundtracks from a horror movie i've ever heard?? it's amazing lmfao

[sillyslasherz]

sorry about inactivity heres this

[classicfilmpunk]

Stage Fright (1987)

[ambreiiigns]

yesterday i watched intruder 1989 btw funniest shit i ever seen

[lonelyzarquon]

That's your cue. What are you waiting for? Go on, kill her! Kill her!

Stage Fright (1987) dir. Michele Soavi

[talesfromthecrypts]

You know that people have a morbid curiosity about murder. And they're going to line up for blocks to see a show in which one of the actresses has been murdered by the real-life maniac in the plot!

Stage Fright (1987) dir. Michele Soavi

[uspiria]

Stage Fright (1987) dir. Michele Soavi

[celestialmega]

Deliria by Michael Soavi.

[blackcatfilmprod]

Tonight Boys 'n' Ghouls Film Review Podcast reviews Stage Fright here. https://www.youtube.com/watch?v=7nXS6OAdiMs via YouTube

[goryhorroor]

happy birthday to me (1981) stage fright (1987)

[krispyweiss]

An “Intellectualized Rock ‘n’ Roll Artist:” Robbie Robertson Dead at 80

Robbie Robertson is dead.

The Band co-founder, guitarist and primary songwriter died Aug. 9, his management said in a statement.

“Robbie was surrounded by his family at the time of his death,” the statement said.

Robertson was 80; no cause was given.

“May Robbie Robertson rest in peace and love,” Todd Rundgren’s Spirit of Harmony Foundation said.

His death leaves Garth Hudson, 85, as the sole surviving Band member.

Robertson was an “intellectualized rock ‘n’ roll artist,” Michael Des Barres said.

“Robbie Robertson is so important in the history of rock ‘n’ roll music, bringing Americana and country music together … he will be remembered,” Des Barres said.

Given Robertson wrote “The Night They Drive Old Dixie Down,” “The Weight,” “The Shape I’m In,” “Stage Fright,” “Up on Cripple Creek” and scads of others, that is an understatement.

“Robbie Robertson’s words wove the fabric of the songs we all wear,” Joe Newberry said. “Rest in peace.”

“The loss of Robbie Robertson is heartbreaking,” Kiefer Sutherland said. “Canada has lost an icon, and music has lost a poet and a scholar.”

Robertson started - as his Band mates Hudson, Levon Helm, Rick Danko and Richard Manuel did - with Ronnie Hawkins and the Hawks. They then became Bob Dylan’s band; then simply the Band.

“One of the all-time greats,” Tinsley Ellis said of Robertson.

When the Band split, Robertson’s output slowed considerably and he made just six LPs released between 1987 and 2019. But that didn’t faze Al Di Meola’s fandom.

“I absolutely adored Robbie Robertson,” the guitarist said. “His (self-titled) solo debut … is to this day my all time favorite pop album. … Robbie, rest in peace.”

8/9/23

[harrisonarchive]

Rest in peace, Robbie Robertson. Condolences to his loved ones.

Pictured with George in 1968 and 1988. Photo 2 by Fabio Nosotti.

“To this day you can play Stage Fright and Big Pink, and although the technology’s changed, those records come off as beautifully conceived and uniquely sophisticated. They had great tunes, played in a great spirit, with humor and versatility. I knew those guys during that period and I think it was Robbie Robertson who invited me down [to Woodstock in Nov. 1968]. […] Artistically, I respected the Band enormously. All the different guys in the group sang, and Robbie Robertson used to say he was lucky, because he could write songs for a voice like Levon’s. What a wise and generous attitude. […] ‘The Weight’ was the one I admired, it had a religious and a country feeling to it, and I wanted that [for ‘All Things Must Pass’].” - George Harrison, Musician, November 1987

“I was very curious about recording techniques the Beatles had discovered. George described their process as extremely experimental and sometimes accidental. I could definitely relate to that. When George inquired about the Band’s recording methods, I could barely keep up with him. For every question I posed to him, he asked me two about Big Pink and The Basement Tapes: ‘How did you get that guitar sound on “Tears of Rage”?’ I told him about Garth’s black box. ‘Speaking of Garth, how does he bend the notes on his organ?’ To that I just gave him a wink. George smiled. ‘I love the sound of Levon’s drums. It reminds me a little of Ringo’s on ‘A Day in the Life.’” - Robbie Robertson, Testimony (2016)

“I played our new album, simply called The Band, for them [George and Pattie, in Aug. 1969], and it sounded rustic and a bit homemade after Abbey Road. As the songs went by, George would jump up, puffing on a smoke, yelling, ‘That’s fucking amazing! Nobody can do that; only you guys can do that. Have you played this for Bob yet?’ George continued, ‘Did you see our little film performing “Hey Jude” on the Smothers Brothers TV show, where Paul starts singing, “Take a load off, Fanny,” in the outro section? Can’t wait to play your new record for the boys. Can I keep this acetate?’ I said yes, even though it was the only copy we had at the time. He handed me his acetate of Abbey Road and I left his house flying high.” - Robbie Robertson, ibid

“Well, I guess ‘The Last Waltz’ did live up to its name” laughs Robertson. “It kind of summed up the end of an era. Though personally I would rate (George Harrison Tribute) ‘Concert for George’ just as highly as a fine film of a concert. That is probably my favourite. But of course that was several decades later.” - pennyblackmusic, 2021 (x)

[slashermovhigh]

Do you think Irving Wallace from Stage Fright (1987) would go to the slasher high? Obviously as a theatre kid considering his character is an insane psychopathic actor lmao. I can imagine Michael being utterly confused by the owl head.

any teather kid with murderous tendencies that confuses the ever loving fuck out of Michael is welcome