#TechFlexibility

[centizen]

MicroServices An Introduction

In the technological environment, a lot of people are describing the term “Micro services” because microservices are about to take over the software development. Every technical employee should be aware of microservices.

What are Microservices?

Client, a leading Home Care service is committed to making its services available to their locality. Hiring a qualified care provider is not easy and is what most families are looking for. Home-care Service application could be the solution to this. Our client required a holistic app from finding to hiring and paying for care-taking services in a single application.

Features

Easy Deploy Microservice architecture is built with multiple modules such that the modules can be updated, modified or deleted independently without affecting other service modules. This ensures reusability and in-dependency.

Distributed Broadcast On the rule of distribution, the developing software tools are distributed to others to solve the data problems. Microservices offers decentralized data management. Each microservices have unique databases to modify, operate, deploy, and manage.

Low Cost The scalability cost is low. Because every service uses separate modules hence it is easy to expand the data storage.

Heterogeneous Easy to implement different kinds of technologies for variety of features in services.

Fault tolerance In micro services environment different applications and services communicate with each other. If a service failure happens, the client can allocate another service to do their failed task.

Advantages of micro services

Easy to scale and integrate with third-party services.

No long-term commitment to technology stack.

Better Fault Isolation. If any system fails other systems can work.

If any error occurs in any system. It is easy to manage and deploy the single system, update the component easily.

The developer has to include the new ideas in separate modules.

Flexibility to implement a new technology.

Disadvantages of microservices

It requires large memory space.

It became a distributed environment testing is complicated.

Information barrier is one of the fault due to increasing the number of services.

Integration and management are questionable as the product is distributive in nature.

Need additional attention from developers for updates and maintenance.

Conclusion

To summarize, Microservices is a variation of the traditional software development process that is split as a set of fine grained, loosely coupled services that supports easy deployment with less faults and comparatively at a lower cost, a win-win for all.

[digitalsanshta]

Macbook Pro on Rent in Mumbai

In the fast-paced world of business and creativity, having the right tools at your disposal can make all the difference. Whether you’re a budding entrepreneur, a seasoned professional, or a creative enthusiast, having access to top-of-the-line technology like the MacBook Pro can elevate your work to new heights. However, owning such premium devices may not always be feasible, especially for short-term projects or temporary needs. That’s where RentMobile steps in, offering Macbook Pro on rent in Mumbai, providing a convenient and cost-effective solution for your tech requirements.

why Choose RentMobile for MacBook Pro Rental in Mumbai?

Quality Assurance: At RentMobile, we believe in delivering nothing but the best. That’s why all our Macbook Pro on rent in Mumbai undergo rigorous quality checks to ensure optimal performance and reliability. You can rest assured that you’ll be working with a top-tier device that meets the highest standards.

Flexibility: We understand that every project is unique, and so are your requirements. That’s why we offer flexible rental plans tailored to suit your specific needs. Whether you need the Macbook Pro on rent in Mumbai for a day, a week, a month, or longer, we’ve got you covered. Our flexible rental options allow you to scale up or down as needed, ensuring maximum convenience and cost-effectiveness.

Latest Models: Keeping up with the latest technology is essential in today’s fast-paced world. That’s why we regularly update our inventory to offer the latest MacBook Pro models with cutting-edge features and performance enhancements. Whether you need the sleek and powerful MacBook Pro 13-inch or the powerhouse MacBook Pro 16-inch, you’ll find it in our lineup.

Expert Support: Macbook Pro on rent in Mumbai from RentMobile isn’t just about getting a device; it’s about gaining access to expert support and assistance whenever you need it. Our team of knowledgeable professionals is always on hand to help you with any questions or issues you may encounter, ensuring a smooth and seamless rental experience from start to finish.

Cost-Effective: Owning a MacBook Pro outright can be a significant investment, especially if you only need it for a short period. Renting from RentMobile offers a cost-effective alternative, allowing you to access premium technology without the hefty price tag. With affordable rental rates and flexible terms, you can enjoy all the benefits of a MacBook Pro without breaking the bank.

RentMobile: Your Trusted Partner for MacBook Pro Rentals in Mumbai

In today’s competitive landscape, having the right tools can make all the difference. Whether you’re a freelancer working on a tight deadline, a startup looking to impress potential investors, or a corporate professional needing extra firepower for a big project, RentMobile is here to help. With our Macbook Pro on rent in Mumbai, you can unlock your full potential and take your work to the next level.

Don’t let budget constraints or temporary needs hold you back. With RentMobile, you can enjoy the power and versatility of the MacBook Pro without the commitment of ownership. Experience the freedom, flexibility, and convenience of renting premium technology tailored to your specific requirements. Get in touch with RentMobile today and take the first step towards unlocking your productivity.

[computer-rent]

Computer rent in Gurugram! 99109999099

[penhero]

Porsche Design TechFlex Black Two left: $475 each

An even better deal!

The TecFlex line from Porsche Design employs a stainless steel mesh borrowed from the racing world. The extraordinary flexibility of this material perfectly suits the nature of the products.

The TecFlex fountain pen's shaft is made entirely of stainless steel threads. All metal parts feature a high-quality black PVD finish.

The highlight of the pen is the smooth writing rhodium plated 18 karat gold nib. The TecFlex fountain pen comes packaged in the black Porsche Design Gift Box, making it an impressive gift. Uses widely available International type cartridges or included converter for bottle filling.

One fine and one broad nib pen left! $475 each

Click here to check them out:

Customers outside the USA can see them on eBay:

[nurselaurenatl]

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[dressliketaylorhill]

Taylor wore the SPLITS59 “black” Tread High Waist Techflex Short in her Instagram photoset post on June 10, 2022. You can purchase these shorts for $78 on the SPLITS59 U.S. website!

Also worn with: SPLITS59 Sports Bra, With Honey Please Choker

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[visionitrent]

Desktop on Rent in Mumbai

Enhanced Flexibility

One of the primary advantages of renting desktops in Mumbai is the flexibility it offers. Whether you need a single unit or a fleet of computers, rental providers can tailor their offerings to meet your specific requirements. This flexibility allows businesses to scale their operations seamlessly without being tied down by the limitations of owning hardware outright. Moreover, rental agreements typically come with flexible terms, allowing you to upgrade or downgrade your equipment as needed, ensuring that you always have access to the latest technology without the hassle of managing hardware lifecycles.

Cost-Effective Solution

For many businesses in Mumbai, managing cash flow is crucial, especially in the early stages of growth. Opting for desktops on rent provides a cost-effective alternative to purchasing equipment outright. Instead of making a significant upfront investment, businesses can spread the cost of technology over time through manageable monthly payments. This not only helps in preserving capital but also allows for better budgeting and financial planning. Additionally, renting desktops eliminates the need for costly maintenance and repair expenses, as most rental agreements include comprehensive support services, ensuring that your business remains operational at all times.

Access to High-Quality Equipment

Desktop on Rent in Mumbai enables businesses to access top-of-the-line equipment without the hefty price tag. Rental providers offer a wide range of desktops from leading manufacturers, ensuring that you get the performance and reliability you need to drive your business forward. Whether you require high-powered workstations for graphic design or budget-friendly units for administrative tasks, rental providers can accommodate your needs with a diverse selection of equipment options. This access to high-quality hardware allows businesses to stay competitive in their respective industries without compromising on performance or productivity.

Seamless Support and Maintenance

In the fast-paced business environment of Mumbai, downtime can be costly. With desktops on rent, businesses can benefit from seamless support and maintenance services provided by rental providers. From installation and setup to troubleshooting and repairs, rental agreements typically include comprehensive support options to ensure that your technology infrastructure remains up and running smoothly. This proactive approach to maintenance not only minimizes disruptions to your business but also gives you peace of mind knowing that experienced professionals are always available to address any issues that may arise.

Environmental Sustainability

Opting for desktops on rent is not only a smart business decision but also a sustainable one. By renting equipment instead of purchasing it outright, businesses can reduce their environmental impact by minimizing electronic waste. Rental providers often refurbish and repurpose equipment at the end of its lifecycle, extending its usability and reducing the need for new manufacturing. Additionally, renting allows businesses to adapt quickly to changes in technology, ensuring that outdated equipment doesn’t end up in landfills prematurely. By choosing desktops on rent, businesses in Mumbai can contribute to a greener and more sustainable future while reaping the benefits of cost-effective technology solutions.

Conclusion

In conclusion, the option of “Desktop on Rent in Mumbai” offers businesses a plethora of benefits, ranging from enhanced flexibility and cost-effectiveness to access to high-quality equipment and seamless support services. By choosing to rent desktops instead of purchasing them outright, businesses can streamline their operations, preserve capital, and stay ahead of the curve in today’s competitive marketplace. Whether you’re a startup looking to minimize upfront costs or an established enterprise seeking to optimize your technology infrastructure, renting desktops in Mumbai provides a practical and sustainable solution that aligns with your business goals. Embrace efficiency and unlock your full potential with desktops on rent in Mumbai.

[tommygunnsixx]

#Tech #TechFlex #Flexing #Stunting #Sennheiser #HD215 #SennheiserHD215 #Headphones #HighEndHeadphones #SennheiserHeadphones #AppleWatch #SeriesThreeAppleWatch #iPhoneXS (at Glenelg, South Australia) https://www.instagram.com/p/B048uFUF_-f/?igshid=9jitucs88x0y

[taww]

Review: Furutech DSS-4.1 Speaker Cable & DPS-4.1 Power Cord

Furutech DSS-4.1 Speaker Cable & DPS-4.1 Power Cord

The Audiophile Weekend Warrior (TAWW)

TAWW Rating: 5 / 5

Attainable ultra-high-end performance.

PROS: Incredibly quiet, transparent and open-sounding; powerful and resolving frequency extremes; pure and organic midrange; fast and unfettered dynamics; remarkable sense of space.

CONS: Only sold in parts form, so you'll need to figure out termination; power cord can put some strain on jacks.

My first couple decades as an audiophile were relatively frugal. I bought a pair of used Merlin TSM speakers out of college that I used for 16 years. I rolled my own DIY speaker wire and bought $400 Sony and Onkyo CD players that I modified. My amplifier was a defective review sample that I repaired and got for pennies on the dollar. But after years of self-restraint, I started to slide down the slippery slopes of system upgrades. It started innocently enough with some used pieces... an Ayre integrated here, a Cambridge Audio streamer there... then came DAC upgrades, followed by nicer amplifiers, which naturally necessitated a better preamp. But things really took a turn for the crazy last year (I blame pandemic cabin fever) when speakers were upgraded to Audiovector SR 6 Avantgarde Arreté, which then led to the Gryphon Essence preamp and amp. Along the way I picked up the excellent Audience Au24 SX cables which, combined with Audience powerChord SEi's and a hodgepodge of other wire from Cardas, DH Labs and Mogami, have held me over. But with the system now scaling new heights of resolution and realism, the cable upgrade itch needed scratching... which leads us to the Furutech DSS-4.1 speaker cables ($395/m bulk; $3,138 as tested) and DPS-4.1 power cord ($480/m bulk; $1,458 as tested). While that might seem pricey for wire, they’re positioned to deliver the kind of ultra high-end performance associated with far more extravagant products. Could they deliver on that promise in the new TAWW reference rig?

DIY Ultra High-end??

Furutech is a Japanese cable and accessory manufacturer known for their fanatical attention to material and construction quality. Their AC power components are particularly acclaimed, and the distinctive NCF-series AC plugs and outlets can be found on the finished products of many other high-end marques. Similar to how manufacturers like Dynaudio used to sell raw drivers to other manufacturers while also building complete loudspeakers, Furutech seems perfectly content with anyone in the industry using their parts while they also sell finished products. The enterprising audiophile looking to construct or upgrade their own gear can find Furutech components readily available for purchase, though be warned - there are apparently a large number of knock-offs being peddled as genuine Furutech on eBay and other online marketplaces, so you'll want to stick to an authorized distributor. Fortunately for us in the States, we can turn to reputable online stores such as Music Direct, The Cable Company, Douglas Connection or any number of authorized dealers. The very friendly Scot Markwell of Elite A/V Distribution, Furutech's US distributor, provided the units under review here.

The DSS-4.1 speaker and DPS-4.1 and power cable represent the very highest-end Furutech wire you can buy in bulk - anything fancier requires factory termination. The two are effectively the same cable design, with the DPS version adding the requisite third conductor for grounding. I got a heads up to the remarkable properties of the power cord from my late friend Marty DeWulf a couple years back. Marty had been quietly consulting with an electrical engineer specializing in high-voltage power line transmission to construct his own power cords from scratch, and had reached a point where he felt his DIY concoctions outperformed the dozens of pricey high-end cords he had tried over the years. Marty sent me a number of development prototypes and I can attest that the cord was indeed superb and elevated the performance of most every amp I had at my disposal. Marty was feeling pretty happy with his effort until Scot @ Elite AV sent him some Furutech samples to try out, including the DPS-4.1. Sure enough, the DPS-4.1 performed at a different level from anything else Marty had tried before, including his own creations, and recalibrated his expectations for power cords - it was that good.

I later picked up the DPS-4.1 cable myself, along with the Furutech e-TP80 power distributor he praised, and confirmed their high level of performance. My appetite was whetted and I got in touch with Scot about kitting out the new reference rig with Furutech speaker and power wire throughout. This includes DPS-4.1 power cords on everything save the DAC, a GTO-D2R power distributor (review forthcoming) and DSS-4.1 speaker cables. All my samples were terminated with Furutech’s top-shelf rhodium-plated connectors - NCF plugs on the power cords, locking bananas and spades on the speaker cable. For the Gryphon Essence power amp, I had a 1.5m DPS-4.1 power cable made with 20A connectors. Since the Audiovector SR 6 speakers have tri-wire terminals, Scot also provided bare-wire jumpers made from the same PCOCC copper employed in the finished cables.

Using Furutech's PCOCC wire as tri-wire jumpers

Buying the Furutech parts and assembling the cables oneself can yield a considerable savings vs. finished cables, and most enterprising DIY'ers should be able to manage the job. However proper termination is critical to performance and safety, especially for the power cord, so if you're in any doubt, ask a dealer such as Douglas Connection to terminate them for you. Excluding any such labor, the retail cost of my 2.5m set of DSS-4.1 speaker cables with CF-202 bananas and FP-201 spades is $3,138. The 1.5m DPS-4.1 power cable with the FI-50/50M NCF plugs runs $1,458. High-end prices to be sure, but as you'll see below, I'd have no hesitation using these in systems that many would kit with far more costly wire.

The massive IEC connector is gorgeous and fits surely, but will put some stress on your jacks

Handling-wise, I'd call both on the lighter end of "garden hose," neither supple nor particularly stiff. At 19mm (0.75") thick for the speaker cable and 17mm (0.67") for the power cord, they're substantial but manageable. They'll bend easily enough into gentle curves, but the power cord will put strain on the chunky plugs if not given a good amount of clearance so don't expect to cram it into tight spaces. The speaker cable comes with an attractive woven sheath; the power cord has a purple PVC jacket, but my cables were clad in a silver Techflex sleeve for a more finished look. Both have 11AWG conductors which should allow for plenty of current flow in a typical run, and the speaker cable's capacitance is rated at 51.7pF/m (15.6pF/ft) @ 1kHz. This is an exceptionally low figure - for comparison, Kimber Kable 8TC is rated at 346pF/m, while Cardas Clear is a whopping 912pF/m - nearly 18x the Furutech! The tradeoff is a higher inductance of 0.7µH/m, but at typical lengths the effect of this should be benign.

Furutech DSS-4.1 Speaker Cable

Before we begin: since it’s impossible to say what any one component sounds like in isolation, I made most of my comparisons of the Furutech DSS-4.1 to my current reference cable, the excellent Audience Au24 SX ($3,300/2m pair). I also had Cardas Clear Light, DH Labs Q-10 Signature and a few other things on hand, but given that the Audience is the best of what I had available and is closest in price to the Furutech, most of my comments are relative to the Audience.

The best way I can describe the sound of the Furutech cable is "wide open." Compared to other cables I've had at my disposal, swapping in the Furutech sounds equivalent to the visual effect of renovating your living room from normal-sized windows to floor-to-ceiling glass. Suddenly everything feels more open, airy and illuminated. Notice that I didn't say "brighter - there’s a difference. The Furutech allows more sonic light to pass into your listening room, so when the music is brilliant and luminous, your room is suitably illuminated. But once the sun sets, that wall of glass becomes as pitch black as the night sky - and so the Furutech can be quiet and dark when called for.

In less fanciful terms, the Furutech gives the feeling of extremely wide bandwidth with no attenuation of energy or dynamics across the frequency spectrum, particularly at the extreme highs and lows. This helps it unlock more of the capability of my recent system upgrades - the top-to-bottom dynamics of the Audiovector speakers and ultra-wide-bandwidth of the Gryphon separates. In the lower frequencies the Furutech is a big step up in bass energy and resolution, transmitting more of a recording's energy and tone in the bottom three octaves. Note that this is different from having “big” or “warm” bass - similar to my illumination vs. brightness comment above, those denote colorations that constantly tilt the perceived spectral balance in a certain direction. There is no lower frequency hump or resonance here that could sound favorable on first listen but get a little monotonous in the long run. The Furutech simply allows what’s present in the signal to be transmitted more unimpeded than I have heard before in my system. This gives music tremendous “surprise” factor - it can go from ethereal to thunderous in a heartbeat. And this applies not just when used on the big Audiovectors; it's also a quality I heard on a scaled-back system with the Silverline SR17 Supreme 2-way monitors.

The top end has a similar level of transparency and dynamism, revealing all sorts of harmonics and textures as well as the air and ambience of the venue with striking transparency. Triangle, cymbals, trumpet, violin, and harpsichord are a few examples of instruments with complex high-frequency structure that sound exceptionally realistic via the DSS-4.1. At first, I felt the treble of the Furutech was a bit coarser vs. the Audience, which I have always found to be notably smooth and natural. I initially ascribed this to break-in, and gave the wire a couple hundred hours with a 4 ohm dummy load to try to burn it off. It improved, but it still had a bit of lingering grain. With time, two things became apparent: this cable takes a REALLY long time to break in - things kept getting smoother and smoother over the next couple hundred hours - and the Furutech simply refuses to cover anything up. Once I made the substantial upgrade to the Gryphon Essence combo I realized that grain was mostly endemic to my previous components, which were no slouches themselves - we’re talking all Class A discrete electronics from Pass Labs and Valvet. That just shows you the level of resolution the Furutech brings into play.

Once integrated into a system of even higher caliber, the Furutech sounded close to invisible, with great openness, clarity and detail from top to bottom and little discernible artifact. That said, at some points I did adjust the top end a bit by moving the Furutech's connection to the Audiovector speakers from the tweeter terminal to the midrange terminal. When connected to the tweeter terminal as per Audiovector recommendation (and my standard practice with other cables), things could get a hair bright, and some of the aforementioned coarseness would pop up now and again. Again, the Furutech was just telling it like it was, because later after further improvements to the system (a dedicated 20A power line, IsoAcoustics Gaia feet, breaking in the latest firmware on the PS Audio DAC), the top end sweetened and I was able to return the cables to the tweeter terminal for best transparency. In my system's current state, the Furutech brings out a top end that's wonderfully sweet, extended and natural.

A few other standout aspects bear mentioning. One is the sheer size of the soundstage, both in width and depth. I'm not sure exactly how components that have no effect on actual channel separation can affect the perceived width of the stage so much. Maybe it's a phase thing, maybe it's low level resolution that helps with ambient retrieval, maybe it's dynamic capability to bring out instruments that tend to be at the edges of the stage... whatever it is, the Furutech is able to convey a stage of substantial depth, width and dynamism. Another standout is the Furutech’s ability to convey dynamic contrasts. This is a quiet and fast cable that responds adroitly to the most minute changes in dynamic character, conveying both the undulations of a quiet melody and the surge of an orchestral climax with great color and intensity. Finally, the midrange is wonderfully dense, pure and harmonically complete, with great solidity in the lower range. Unlike many audiophile cables that provide lots of detail and speed at the expense of fullness or balance, the Furutech can better most comers in the "hifi" aspects while bringing out all the natural warmth of a great acoustic recording. Baritones, grand pianos, french horns and celli have never sounded better.

By comparison, the Audience Au24 SX is still a wonderful if more midrange-centric cable. Its slightly laid-back perspective and silkier treble are appealing for a variety of systems, particularly those on the forward side of neutral. There's a roundness and sweetness to the midrange, but at the expense of sounding a hair more congealed, bunching instruments together on a narrower stage. It also isn’t quite as responsive to quick and subtle dynamic contrasts, and the top end isn't as realistic and extended. Prior to hearing the Furutech the Audience was actually one of the best cables I had heard in many of these regards, so we're already talking about a very high level of performance here. And compared to something like the Cardas Clear Light, the Furutech was far more resolving while having a warmer, purer midrange and a sweeter treble.

The DSS-4.1 is an exceptionally transparent, balanced and complete speaker cable that can bring greater levels of realism and naturalness to a commensurate system. It delivers the type of detail and energy one would expect from an ultra high-end wire, but in an honest and unforced manner that draws one to the qualities of the source material and music without distraction. The net musical result is music has wider variation in color, texture, nuance and ultimately emotional impact - or as another reviewer put it, "expressiveness is their strong point."

Furutech DPS-4.1 Power Cord

Remarkably (or perhaps not?), virtually all the qualities that the DSS-4.1 exhibits as a speaker cable also shine through with the DPS-4.1 as a power cord. My longstanding reference is also an Audience cable - the moderately priced powerChord SE-i ($930/6 ft). It’s an incredibly consistent performer that imparts greater body, dynamics and life to most any component vs. a stock cord, not to mention a good number of aftermarket ones.

Compared to the Audience powerChord, again, the Furutech felt wide-open, more transparent and better balanced. The powerChord was a bit meatier in the mid bass and slightly sweeter on the top end - certainly more forgiving, but a little filtered compared to the Furutech. The Furutech also had a much wider and better-spaced soundstage; I won't say "twice as wide and 3x as deep" or anything with such false precision, but it certainly felt significantly bigger, with a lot more air between instruments and a stage that consistently spread beyond the width of the speakers. On pop mixes, this exhibited as stereo reverb and hard-panned effects that popped much more distinctly. Compared to the Audience and anything else I had on hand, the Furutech allowed whatever was plugged into it to transmit more recorded nuance with a sense of effortless transparency, particularly at the frequency extremes.

But like any cable regardless of quality, the Furutech wasn't the best match for everything I had on hand. I found the Audience cable more competitive with the PS Audio DAC; the Valvet A4 Mk.II monoblocks have a bit of upper midrange shine that was slightly prominent with the Furutech; and with the Class D Legacy i·v2 amplifier it was actually the very affordable Audience Forte that clicked better than the rest. But otherwise, the Furutech really shone with the majority of preamps and amps I tried, especially anything Pass Labs.

With the Gryphon Essence preamp, switching from the Furutech back to the Audience wasn’t a huge let-down by any means. And at first blush, the Audience sounded a bit more dense and focused than the Furutech, particularly in the lower midrange. But a few notes into Billie Eilish's "iomilo" [Qobuz] I realized what I was hearing as density was actually a bit of congestion, and the soundstage was quite a bit narrower than with the Furutech... everything sounded a bit more congealed around the center image of Eilish's voice. With the Furutech, the Gryphon preamp was able to eerily float effects around the entire space of the front of my living room, with percussion flourishes sprinkled throughout the track twinkling in ethereal fashion. With the Audience, everything lost some luster and became more confined between the speakers, and the frequency extremes lost some speed and impact. The DPS-4.1 cable really unleashed the wide-bandwidth capabilities of my system, maximizing both the epic bass depth, power and control of the Gryphon electronics as well as the purity and extension of the Audiovector's AMT tweeters. None of this is meant to beat up on the Audience, which costs about half as much as the Furutech and remains one of my favorite cords, but rather to elucidate how a cord like the Furutech can further elevate the performance of a system. At some point, I'll have to get around to trying Audience's latest models, such as the Studio ONE powerChord (closer in price) or the FrontRow (though that one costs 3x as much as the Furutech).

Testing the DPS-4.1 with the Gryphon Essence stereo amplifier was a bit trickier due to the need for a 20 amp IEC connector, so I special-ordered one for this purpose. Once set up, the Furutech rewarded me with incredible detail, an ultra-wide and deep soundstage that extended far beyond my walls, deep and impactful bass response and a heightened sense of purity - the "blackness" between the notes. Transients were immaculate, with perfectly clean attacks and decays - not excessively sharp, not softened, but just natural and energetic. This helped create the sense of greater macro and micro dynamic range; lots of subtle shadings and nuances in the music became clearer, while sudden transients were more explosive. There was a greater sense of both calm and energy with everything, where quiet moments felt finer and more delicate, while pops of energy in the performance burst forward with an effortless impact more akin to the live event. Separation, pitch, and articulation of bass notes were made more exceptional as well. It brought out the more rarefied capabilities of ultra high-end gear like the Gryphon - that ability to hear every element of a performance distinctively, yet perfectly integrated into the overall fabric of the music. All these qualities came to the fore listening to complex, dynamic material such as Strauss Don Juan [Qobuz]. I was struck by just how much clearer a window the Furutech gave into the dense, at times cacophonous orchestration, while making tranquil moments such as the idyllic oboe solo even more delicate and nuanced. The overall performance of the Gryphon + Furutech pairing was exceptional.

One combo where the Furutech power cord worked even better than the speaker cable was with the Pass Labs XA30.5 amplifier. With the DSS-4.1 speaker cable, there was a bit of a tradeoff where the enhanced resolution revealed some of the shortcomings of the amp vs. the more refined (and expensive) Gryphon Essence. However the DPS-4.1 power cord was dynamite with the Pass, helping maximize its dynamics and balance out its midrange warmth with bottom-end impact and top-end extension. The Pass Labs XP10 line stage also never sounded better than with the Furutech cord, with improved dynamics, soundstaging and clarity. The lack of noise and grain further strengthened the quietness, purity and sweetness that many find so endearing of Class A gear. The outstanding synergy with the Pass Labs components makes the Furutech DPS-4.1 cord about as no-brainer a recommendation as I can make for any Pass owner.

Conclusion

The Furutechs were remarkably consistent in their sonic impact. Both the speaker and power cables impart a wide-open feeling, with striking resolution at the frequency extremes, powerful low-end response, highly agile dynamics, super low noise floor and no readily-discernible coloration. They are extremely fast and clean without curtailing any sweetness or richness intrinsic to the music. Both cables are a tad more forward than my Audience reference wire, the Au24 SX speaker cable and powerChord SE-i power cord. There’s a hair more upper midrange energy and treble resolution that will require care with some systems, though it’s less prominent than, say, something with silver or silver-plated conductors such as DH Labs Q-10 or Nordost Valhalla. And the power cord in particular took the extension and resolving power of my system to a different level. They both strike me as reference-caliber cables, exacting enough to round out a tweaked-out $100k system, yet balanced enough to elevate something more modest, with plenty of headroom to grow into more ambitious gear. In particular, if you have a system with significant extension at the frequency extremes, they’ll help extract the most out of those capabilities. And as well as they work with my reference Gryphon separates, I absolutely love how they elevate Pass Labs gear, enhancing their intrinsic warmth and musicality with greater clarity, dynamics and precision. They'll be staying in the system for the long haul as a TAWW reference cable. Very highly recommended!

[computer-rent]

Computer rent in Faridabad! 99109999099

[criscables]

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[nurselaurenatl]

Check out this listing I just added to my Poshmark closet: SPLITS59 Tread Techflex 7/8 Leggings NEW.

[pintureriaparisi]

#membranas #impermeabilizacion #techos #techflex #lomasdelmirador #ramosmejia #villainsuperable #ciudadmadero #tapialescity (en Lomas Del Mirador, Buenos Aires, Argentina) https://www.instagram.com/p/B8xpuv8lM6y/?igshid=glqyseg5t39a