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#The Archers
musicalfilm · 1 year
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moira shearer as “olympia” in the tales of hoffmann (1951)
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Good Omens season 2 referencing Powell & Pressburger films
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Crowley's angel hair is modeled after Kim Hunter's hair as June in A Matter of Life and Death (1946).
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Maggie's shop is called The Small Back Room in reference to 1949's The Small Back Room.
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The red ballet shoes on the door of Give Me Coffee or Give Me Death are a nod to The Red Shoes (1948). (Note : the klaxons sounding in Heaven at the end of episode 1 are said to be a nod to the alarm bells in The Other World in A Matter of Life and Death. Personally, I don't think they sound at all alike; they are only similar in both being alarms. Plus, it's an audio reference, which I don't have the skill or patience to include here. But it's there!)
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In The Small Back Room, Maggie has a poster for the film Stairway to Heaven displayed. A Matter of Life and Death was released under this title in the US.
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The tartan hills welcoming Aziraphale to Scotland are a reference to the tartan hills welcoming Joan to Scotland in I Know Where I'm Going! (1945). And of course, the third episode is itself titled "I Know Where I'm Going."
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Jim drops the book My Best Games of Chess, 1924-1937, by Alexander Alekhine, onto a table in the bookshop repeatedly as he is discovering how gravity works. This book is featured prominently in A Matter of Life and Death.
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When Aziraphale enters The Resurrectionist pub in Edinburgh, I Know Where I'm Going! is playing on both televisions (I'm pretty sure I found the right scene to match this screenshot). You can also make out the name 'Pressburger' on one of the posters in this screenshot, but we'll get to that later. . .
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The family name on the mausoleum where Aziraphale and Crowley hide out with Elspeth and Wee Morag is Archers. It's never clearly seen in the show, but it can be seen in this BTS photo of the model used for Crowley's embiggening. The Archers was the name of Powell and Pressburger's production company. The interior of the tomb and the urns outside the full-size set also reference the Archers, and Powell & Pressburger individually.
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In Mr. Arnold's record shop, one of the posters on the wall is for a UK music tour; either the band or the tour is titled Met By Moonlight. This is referencing Ill Met By Moonlight (1957), the final film Powell & Pressburger made together. (I personally think this one is a reach, as the title of the film is a line from A Midsummer Night's Dream and thus not really clockable to the outside viewer as a direct Archers reference, but apparently the intent was there so we're counting it!)
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The Pressburger posters are more clearly visible during the Gabriel and Beelzebub rendezvous scene in The Resurrectionists pub. We can see they advertise 'Pressburger Scottish Lager,' which is of course a nod to Emeric Pressburger himself. (Unclear if Michael Powell has his own label that we just don't get a clear view of. . .)
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I clocked a couple of these myself, but they are all referenced in the X-Ray trivia on the Prime Video player. Would love to know if anyone has clocked anymore that aren't divulged. . .
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joezy27 · 4 months
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HAWKEYE - Clint Barton & Kate Bishop
Generations - The Archers: Hawkeye & Hawkeye (2017) #1 Cover by Greg Smallwood
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chaptertwo-thepacnw · 21 days
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blacknarcissus · 1 year
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This room though…
The Red Shoes (1948)
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‘I’ve starred in The Archers for 20 years but could never afford my own farm’
Fame & Fortune: The BBC actor on money mistakes, theatre hecklers, and his 20-year radio stint
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Andrew Wincott, who plays Adam Macy on BBC Radio 4’s The Archers, joined the cast in 2003 (Credit: Gary Moyes/The Archers)
Andrew Wincott is an actor, best known for playing Adam in the BBC Radio 4 drama The Archers, which he joined 20 years ago. After studying English and then doing teacher training at Oxford, the 61-year-old taught for two years before going to Webber Douglas drama school, where fellow actors Hugh Bonneville and Rebecca Front were contemporaries.
He then worked on the regional theatre circuit, and later became a member of the BBC Radio Drama Company, before joining the cast of The Archers in 2003. The father of one lives in Clapham, south London.
How did your start in life affect your outlook on money?
My two brothers and I grew up in Oxfordshire where my parents ran a catering business.
But the 1970s were a difficult time for a lot of businesses, so after 10 years enjoying an idyllic life in the countryside, we moved into the flat above the restaurant and cake shop the family owned, Wincott’s, in Banbury.
Work always came first for my parents, so for a number of years we didn’t go away in the summer.
Did you receive pocket money?
Yes, and I spent it on Marvel comics, and later on albums like Pink Floyd's The Dark Side Of The Moon and Wish You Were Here, which I played endlessly in the mid-70s.
What was your first job?
After leaving school in 1978, before going to university, I worked at the Dragon Prep School in Oxford doing a variety of jobs, one of which involved keeping the headmaster’s drinks cupboard well-stocked, and serving gin and tonics at garden parties.
The G&Ts I poured were notoriously generous. Occasionally I even got to ‘sample’ the headmaster’s gin myself.
But my first proper acting job, which also secured my Equity card [a trade union for the performing arts], came after I gatecrashed an audition in 1987 and landed the part of Alec in Tess of the D’ Urbervilles at the Orchard Theatre Company in Barnstaple, which toured the West Country.
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Wincott says starring in The Archers is like having ‘a second family’. Pictured here with Stephen Kennedy and Mairead McKinley (Credit: The Archers/David Burges)
How long did you work in regional theatre for? Was it lucrative?
The best part of a decade, appearing everywhere from Colchester to Perth, and Harrogate to Theatr Clwyd in Wales, doing both Shakespeare and modern plays, often playing leading roles.
Money was minimal – I was paid about £160-£170 a week on my first acting job – but the Equity Touring allowance helped.
Regional theatre allowed me to hone my skills as an actor. Once, I was heckled by an inebriated audience member who loudly greeted every entrance I made in Tess with a cry of “Asshole!”.
However, you just have to stay focused. He was gone by the interval – probably back to the bar. This was in Falmouth, now affectionately rebranded among friends as “Foulmouth”!
Have you experienced any lean times as an actor?
It took me nine months to land my first proper acting job, and until then I was working on the fringe – just earning expenses, or profit sharing if I was lucky.
Most actors have good years and bad years. So you have to set aside money to see you through the lean spells, as well as save enough to pay your tax bill at the end of the year.
How did you land the part of Adam in The Archers?
I actually played a Danish agricultural student for a few months in the 1990s – but then, a decade or so later, I was invited to audition with a dozen other actors for the role of Adam at Pebble Mill in 2003.
I heard nothing for 10 days, but was then asked to come back for a recall [second audition] and was offered the role.
Now, it's like having a second family. This month I’ve been a cast regular for almost exactly 20 years. Providing you aren’t written out (or killed off), there’s a certain security.
Coincidentally, my mother grew up on a Home Farm [a key location in the radio drama] and went to the same school, although not at the same time, as Godfrey Baseley, who created The Archers.
Does The Archers pay enough for you to buy a farm of your own?
The cast only works on The Archers for about one week in the month – we record blocks of episodes several weeks ahead of transmission – and radio pays somewhere between theatre and television.
So I doubt it would pay for a farm in the UK, though it might eventually just pay for a small farmhouse in rural Andalucia, where I enjoy spending time.
So who knows? I might become a Spanish granjero and grow olives one day.
You also find time to record audiobooks and video games?
I’ve recorded hundreds of audiobooks and video games over the last 15 years or so. An audiobook takes days, if not weeks, to prepare and then record in studio.
I’ve voiced everything from The Wind in the Willows to Nineteen Eighty-Four and the classics of Flaubert.
But it's hard work for often little reward. It can be fun creating bizarre voices for elves, orks or extraterrestrials in fantasy books, but the concentration required when the red light is on is second to none.
It's just you, the words on the page and the voices in your imagination.
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In addition to his role on the BBC’s longest-running drama, Wincott has recorded hundreds of audiobooks and video games. Pictured with Stephen Kennedy (Credit: BBC/PA)
Have you got a pension?
Yes, I took out an Equity pension through my union years ago and still pay into it. I also have a SIPP.
What’s been your best investment?
The investment I made in going to drama school in the mid-1980s. Doing that gave me classical training as an actor. I probably wouldn’t be in The Archers today without that.
Do you own a property?
Yes, a second floor, two-bedroom flat in a property in Clapham, south London, dating back to the 1900s. I bought it for £60,000 in 1991, though it’s now worth a considerable six-figure sum, I imagine.
It’s an excellent location for getting in and out of town.
Are you a spender or a saver?
Instinctively a saver. As an actor you never know what’s around the corner, and we know if we're working there will be tax to pay. Not to mention investing for the future.
What’s your greatest financial indulgence?
Every now and then, I'll spend a few days in southern Spain, specifically Las Alpujarras – the foothills of the Sierra Nevada – where I can recharge my batteries, or prepare a book for audio in tranquility. I'm learning Spanish now, too.
What has been your worst financial decision?
Buying into the Woodford Equity Investment Fund, as part of my SIPP.
Although Neil Woodford was considered a star fund manager, the fund collapsed and the administrator is now embroiled in collective litigation to recoup losses. Never a dull moment.
Do you donate to charity?
Yes, Art Fund, which facilitates the acquisition of artworks for the nation. Doing so also entitles you to half-price admission to special exhibitions, such as those at the Tate, the Courtauld or the National Gallery.
Do you plan to do a June Spencer (Peggy Archer) and still be in The Archers when you’re 100?
Who knows? The Archers is an extraordinary institution, part of our cultural fabric as a farming nation – it boasts such longevity, too.
Maybe my character will outlive me? I'd like to think he will… before the next generation takes over.
The Archers, Radio 4, weekdays at 7pm; Omnibus edition, Sundays at 10am
Source: The Telegraph
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bloodraven55 · 9 months
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took long enough but the archers a.k.a. the longest-running soap opera in the world finally had two women kiss for the first time last week
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livingsurreal · 6 months
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Dear genderneutral Mr Wincott Girlies!
Something new with our dear Mr. Wincott dropped! An interview about his part in the Archers. He is delightful as always.
Go watch and ignore me, sitting in my corner having an emotional breakdown about Mr. Wincott saying "No moaning for me."
Also - dear Mr. Wicott is onto us! He knows we find Raphael attractive. I think we need to get louder, in our demands for a Raphael romance!
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asamuraicalledjack · 2 months
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ashi-samurai-jack-season-5-finale
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lobbycards · 28 days
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The Red Shoes, Italian lobby card (fotobusta). Italian theatrical release 1949
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idlesuperstar · 11 months
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Cinema Unbound: The Creative Worlds of Powell + Pressburger trailer | BFI
Full details HERE
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dlirioss · 8 months
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Black Narcissus (1947) Directed by Emeric Pressburger, Michael Powell.
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joezy27 · 6 months
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HAWKEYE - Clint Barton & Kate Bishop
Generations - The Archers: Hawkeye & Hawkeye (2017) #1 Variant cover by John Cassaday & Paul Mounts
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letterboxd-loggd · 13 days
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Ill Met By Moonlight (Night Ambush) (1957) Michael Powell and Emeric Pressburger
April 29th 2024
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blacknarcissus · 8 months
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Gone to Earth (The Archers, 1952)
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haslemere · 3 months
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Oooh an Archer's documentary!!
Can't wait!
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