#Tsuruno yui

[madokaholic]

涙をごまかして 1 / 2 / 3 / 4 / 5 / 6 by RigeL [pixiv] [twitter]

♡ reprint permission was granted by the artist.

[sayakube]

New Magia Exedra illustration released

[crystalkokoro]

Magia Record (2017-2024) appreciation post

Thank you for all the memories!

[animepopheart]

★ 【猫間 光🐾多忙気味】 「 鶴乃 」 ☆ ✔ republished w/permission ⊳ ⊳ follow me on twitter

[yacchannanamin]

[gabbyp09]

[memoriesofkamihama]

Its 8/22 (in japan)

Happy birthday Iroha!

(X)

[miki-kaname]

Magia Day

[honestlyboringperson]

I Tried My Hand at Designing the Full Witches of the Main Cast of Magia Record.

CAMPANELLA (Yachiyo Nanami)

The ticket puncher witch. Her nature is admittance. From not only beneath her dress, but under her hat and as well as the multitude of eyes on her tail, black watery tears spill forth with such intensity that her entire barrier is flooded with her tears. She eternally waits for a train for her board on and be reunited with her friends, but she struggles to find the train station itself. Using her lantern, she will eternally wander her ever flooded barrier to find her way to the station. If one were to be harmed by the ticket puncher at the end of her scorpion like tail, great devastation and tragedy awaits them in the near future.

YU HONG (Tsuruno Yui)

The witch of ham. Her nature is harmonious. Both great fortune and great success are the ingredients used by this witch in her kitchen, but all that she ends up producing is dubious meals that may or may not cause harm to the human body. She detests any form of household tensions and if she senses even the slightest resentment of a family member, she will force her victim into eating a feast of her aforementioned dubious cooking. Only those who don’t hide themselves from family troubles or conflict can defeat her.

BEATRICE (Felicia Mitsuki)

The eyelid witch. Her nature is tumultuous. A witch who spends most, if not all her time completely asleep within her barrier, and will almost never actively hunt humans when awake. On the other hand, this witch for whatever reason harbours a complete and utter hatred for other witches and whenever she is awake, will mercilessly locate and smash other witches flat with her mallet like hands. If there is something positive that catches her attention however, she will fear that they will somehow leave her and attempt to bury them in her concrete like tears that she spews forth from her eyes.

THERESIA (Sana Futaba)

The inquisition chair witch. Her nature is transparency. Eternally sitting atop a chair with a mind of its own, this innocent witch lives in perpetual torment and agony. The chair itself is not a part of the witch, and carries out its duty to keep the witch chained to its spiked body and weaponize the truly staggering amount of torture devices it has at its disposal. The witch desires not to hurt anyone and is further tormented by the acts of intense violence that unfold before her. Due to being invisible, her sobs are the only clue where to strike if one wants to hunt this pitiful witch. When the witch dies, a single innocuous sound of a cat meowing will echo through the barrier.

ZOLA (Kaede Akino)

The witch of plot lands. Her nature is to be territorial. Within this witches’ head is planted the simple goal of expanding her territory. When she arrives to an urban area, she desires nothing but to return it to nature and covers it completely in rotten moss. She doesn’t tolerate any form of pest, as she sees them as encroaching on her property and will mercilessly destroy anything that steps into her barrier. Despite this outwardly aggressive behaviour, she is gentle towards the plant life in her barrier, which she grows herself. For some odd reason, these plants moan and can move on their own like zombies, so it’s best not to approach them at all.

CENDRILLION (Rena Minami)

The glass slipper witch. Her nature is transformative. This witch detests herself, and desires to change no matter what. When she senses someone in her barrier, she rush up to them and tear their face off. These faces are then turned into masks, and the witch can freely transform into them. However, she cannot imitate the soul of her victims and usually just ends up acting like a wild animal. If one were to gaze into the mirror on her arm like appendage for too long, she will steal their soul. When the witch dies, a single glass slipper will fall out of no where and shatter to pieces.

ELFRIEDE (Momoko Togame)

The witch of manicured nails. Her nature is self-discipline. This witch cares not where it’s power flies. It continually and proudly displays and decorates the fingers and nails that not only make up her body, but also fly around her as well. It takes great care of its shoddy manicures, but when someone insults it’s nails it becomes quite depressed and either attempts to pierce the victim with her razor sharp nails, or becomes paralyzed with insecurity. Only those who can get up again and again even after misfortune can successfully defeat this witch.

TOTENTANZ (Mitama Yakumo)

The witch of flower petals. Her nature is forewarning. This witch doesn’t forget that no matter what, death comes to all things. It resents its environment and desires nothing but it’s untimely destruction. It is strangely gentlemanly, and escorts those who enter her barrier with pure white gloves, but her terrifying power that is connected to the untimely end of all things often ends up decaying anything that her petals fall upon. Even if you manage to defeat this witch, the sheer amount of pent up curses will often end up taint a soul gem to its limit and will end with a new witch springing up in her place.

[abarero]

Saw this meme and thought of Them.

[automatic-purification-system]

Thank You, Magia Record. For Everything

even now, I can't believe that it's really gone. I started playing on NA when it released, and then moved to JP after the english servers shut down. but even before that, I was aware of this game- watching transformation videos and looking up plot synopsis on the wiki.

7 years is a long time. a lot happens. and this game has remained a companion for me throughout the ups and downs of that time

when I thought about what I wanted to do to say goodbye, I wanted to create something big, bold, that'd truly express how much it means to me. But in the end, EOS depression hit hard, so here's a sketch of the mikazuki villa girls instead. I'll probably still create that big piece of artwork sometime.

there's a lot of stuff I still want to create for this fandom, so I won't be going anywhere for a while. plus, I want to finish watching most of the stories that I haven't yet caught up on.

In the end, I guess moving forwards is pretty mundane. something's gone, and I'm gonna be sad about it, but in the meantime there's meals to eat and chores to do and life to live. It's how I think about the villa gang moving forwards after Iroha goes away- moving forwards one step at a time.

I'm not sure if I'll be playing excedera or not- right now the idea seems kind of overwhelming, and I think I'll wait to see more about the gameplay and story to see if I'll be interested.

but for now, thank you, everyone in this fandom who helped turn this madoka gacha game into something truly special and meaningful.

Automatic-Purification-System / AGStudio9

[puellamagiholyquintet]

WIP drawings of final pieces by syaorin_2009!

[sakurafigures]

♡ Tsuruno Yui (Magia Record) - Kotobukiya

[feenixmork]

My contributions to one of the big canvases the Magia Record discord was hosting, I looove these sorts of big shared doodling boards, been a while since I got to join any

[sayakube]

Abit mundane but one of the things I'm gonna miss when Magia Record is gone is the data download screen.

Countless times waiting on this screen, looking at the character art/bio while listening to the instrumental version of kakawari.

I'll miss it. 😔

[gabbyp09]