#UI Design Services in Northampton

[detypeuk]

DeType Limited

DeType is based in Northampton, Northamptonshire and has been providing web design, branding, communications and video graphics since 2006. They have a strong belief in originality and relevancy. The company continuously delivers creative and engaging solutions to start-ups, SMEs, and global companies. Its services range from branding, UX/UI, motion graphics & videos, web design, brochures, stationery, and other marketing communications. They provide friendly and reliable services while offering competitive rates.

Address : Oxford House, Cliftonville, Northampton, NN1 5BE, United Kingdom

Phone : +44 1604 529175

Business Email : hello@detype.com

Website : https://www.detype.com/web-design-northampton/

[mobileappdevelopmentcompanyinuk]

Importance Of White Space In UI Designs

We live in a digital world with finite screen sizes. Some people prefer to overfill the white space or empty space or negative space to achieve maximum value, but they should be aware of the purpose of the white space and its aesthetic value. The correct use of white space is important, or else the design would appear amateurish and uninteresting. 

Feel free to Call us at + 44 20 38075960 or drop us a mail at info@zimblecode.com 

Read full article here - https://zimblecode.com/importance-of-white-space-in-ui-designs/

[londontheatre]

Lenny Henry in The Resistible Rise of Arturo Ui at The Donmar Warehouse

The Donmar Warehouse today announces full casting for Bruce Norris’ new translation of Bertolt Brecht’s satirical masterpiece The Resistible Rise of Arturo Ui, directed by Simon Evans with design by Peter McKintosh. As previously announced, Lenny Henry will make his Donmar debut as Arturo Ui, he is joined by Michael Pennington, who recently played the title role in King Lear at the Royal & Derngate Northampton, as Dogsborough. Other casting includes Philip Cumbus, Lucy Eaton, Tom Edden, Lucy Ellinson, Simon Holland Roberts, Louis Martin, Justine Mitchell, Gloria Obianyo, Guy Rhys and Giles Terera.

Chicago! A city of jazz and gangsters, prohibition and poverty. Amongst the murk of the Great Depression, there’s room for a small time crook like Arturo Ui to make a name for himself.

Ui and his henchmen just want to look after you, to offer protection for workers, for jobs, for businesses. Nothing to fear. But a little bribery here, some harmless corruption there, and soon something much more dangerous takes hold.

Brecht’s satirical masterpiece about the rise of a demagogue will be given a new translation by Pulitzer, Olivier and Tony Award-winning American playwright, Bruce Norris. Lenny Henry makes his Donmar debut as Arturo Ui. Making theatre accessible to as many people as possible remains at the heart of the Donmar’s mission. The Resistible Rise of Arturo Ui has tickets available throughout the run via KLAXON TICKETS: a new allocation of tickets, starting from £10, being made available every Monday for performances two weeks later. Tickets will also be available across the auditorium at every price band.

The Donmar’s new YOUNG+FREE scheme, which provides free tickets to those aged 25 and under will also continue throughout the season, with releases for tickets on the last Friday of each month. YOUNG+FREE is made possible thanks to donations from Donmar audiences via PAY IT FORWARD. The Donmar has now received almost 2,750 donations alongside their partnership with Delta Airlines, which has enabled the venue to allocate almost 5,600 of these free tickets so far to those aged 25 and under.

Audiences can sign up to receive information about tickets on the Donmar’s website http://ift.tt/QGnINs Philip Cumbus (Clark/Prosecutor) makes his Donmar Warehouse debut in The Resistible Rise of Arturo Ui. Philip has made multiple appearances in productions at Shakespeare’s Globe including Comus, The Inn and Lydda, The Lightning Child, ‘Tis Pity She’s a Whore, Macbeth, Much Ado about Nothing, Love’s Labour’s Lost, Romeo & Juliet and The Merchant of Venice. Other theatre credits include First Light (Festival Theatre), The Importance of Being Earnest (UK Tour and Vaudeville Theatre), Moon Tiger (Theatre Royal Bath and Tour), The Norman Conquests (Liverpool Playhouse), The Master Builder (Chichester Festival Theatre) and The Crucible (Regent’s Park Open Air Theatre). Philip’s television credits include The Rebel.

Lucy Eaton (Dockdaisy) makes her Donmar Warehouse debut in The Resistible Rise of Arturo Ui. Lucy’s theatre credits include A Midsummer Night’s Dream (Southwark Playhouse), Almost Maine (Park Theatre), Win Lose Draw (Waterloo East) and The Duchess of Malfi (Old Vic).

Tom Edden (Announcer/Ragg/Sheet/Actor/Butler) makes his Donmar Warehouse debut in The Resistible Rise of Arturo Ui. Tom’s extensive theatre credits include Amadeus (National Theatre), Doctor Faustus (Duke of York’s), Peter Pan Goes Wrong (Apollo Theatre), Measure For Measure (Young Vic), Les Misérables (Queen’s Theatre), Oliver! (Sheffield Crucible) and One Man, Two Guvnors (National Theatre) for which he won the Drama Desk Award for Outstanding Featured Actor, and was nominated for a Tony Award and Outer Critics’ Circle Award. Tom’s television credits include Upstart Crow, The Woman in Red and Dr Who. Film credits include Star Wars Episode VII – The Force Awakens, Cinderella, The Wolf Man and Mr Turner.

Lucy Ellinson (Giri) makes her Donmar Warehouse debut in The Resistible Rise of Arturo Ui. Lucy’s theatre credits include Grounded (Gate Theatre), A Midsummer Night’s Dream (RSC), Mad Man (Plymouth Theatre Royal), Money: The Game Show (Bush Theatre), Trojan Women (Gate Theatre), Oh The Humanity! (and other good intentions) (Northern Stage/Soho Theatre) and Fib (National Theatre). Television and film credits include New Tricks, Underworld: Dublin Gangland and Really.

Lenny Henry (Arturo Ui) makes his Donmar Warehouse debut in The Resistible Rise of Arturo Ui. He made his West End acting debut in the role of Othello in the Northern Broadsides production at the Trafalgar Studios. His portrayal won him critical acclaim and the London Evening Standard Theatre Award for Best Newcomer. Other theatre includes Fences (on tour and West End), Rudy’s Rare Records (Birmingham Rep and Hackney Empire) and The Comedy of Errors (National Theatre).

Lenny has been a comedian since the age of 16, finding fame as a comedy impressionist on 70’s TV talent show, New Faces. Other television work includes TISWAS, Three of a Kind, The Lenny Henry Show, Hope & Glory, Lenny Henry in Pieces, Chef! and the Saturday night BBC1 show, The Magicians. He has completed many sell-out live stand-up tours in the UK, Australia and New Zealand. On radio, Lenny worked for three years as a DJ on BBC Radio 1. He has also worked extensively for Radio 4, starring in the comedy Rudy’s Rare Records, he wrote the Radio 4 play Corinne Come Back and Gone and presented the series Lenny and Will.

Simon Holland Roberts (Butcher/Judge) has previously appeared at the Donmar Warehouse in Artistic Director Josie Rourke’s production of Saint Joan. Theatre includes Cyrano, All My Sons, Hamlet, Arms and the Man, Aristocrats, Glengarry Glen Ross, The Taming of the Shrew and Arden of Faversham (Theatr Clwyd), Of Mice and Men (West Yorkshire Playhouse), Assembly 13 (National Theatre Wales), Love’s Labour’s Lost, Othello, Sex Strike, Edward IV, Henry VI, The School for Scandal, The Comedy of Errors and Sweet William (Northern Broadsides), Sheepish (Manchester 24:7), The Tempest (Northern Broadsides, New Vic Stoke, UK and China tour), The Man with Two Gaffers (Northern Broadsides, Theatre Royal York and UK tour), Richard III (Northern Broadsides, West Yorkshire Playhouse and UK tour), Sea of Silence (Quicksilver), Man is Man (Steam Industry). Television credits include All at Sea, Da Vinci’s Demons, Stepping Up, Coronation Street, Hollyoaks, Shameless, Eric & Ernie, Accused, The Street.

Louis Martin (Bodyguard/Caruther) makes his Donmar Warehouse debut in The Resistible Rise of Arturo Ui. Louis’ stage credits include Future Conditional (Old Vic), Love’s Labour’s Lost, Last Days of Troy (Shakespeare’s Globe) and A Witness For The Prosecution (The Agatha Christie Theatre Company).

Justine Mitchell (Public Defender/Betty Dullfeet) has previously appeared at the Donmar Warehouse in Michael Grandage’s production of King Lear. Justine’s extensive theatre credits include The Plough and the Stars (National Theatre), For Services Rendered (Chichester Festival Theatre), Love For Love (RSC), Man – Three Plays By Tennessee Williams (Young Vic), The Rivals (Arcola Theatre), Mr Burns (Almeida Theatre), Gastronauts (Royal Court) Detroit and Children of the Sun (National Theatre). Television credits include The Suspicions of Mr Whicher II, Harry and Paul, Doctors, New Tricks and Wild At Heart. Justine has also appeared on film in The Stag, Imagine Me and You, Citizen Verdict, The Honeymooners, Goldfish Memory and Conspiracy of Silence.

Gloria Obianyo (Flake/Hook) makes her Donmar Warehouse debut in The Resistible Rise of Arturo Ui. Gloria’s stage credits include The Wild Party (St James Theatre), The Grinning Man (Bristol Old Vic) and Jesus Christ Superstar (Regent’s Park Open Air Theatre).

Michael Pennington (Dogsborough) has previously appeared at the Donmar Warehouse in The Cosmonauts Last Message to the Woman He Loved. Michael’s most recent theatre credits include King Lear (UK Tour), She Stoops to Conquer (Theatre Royal Bath), A Winter’s Tale (Garrick Theatre), Richard II (RSC), Dances of Death (Gate Theatre), Judgement Day (The Print Room), Sweet William (Michael has also appeared in numerous productions at Chichester Festival Theatre, including Anthony and Cleopatra, The Syndicate, The Master Builder, Collaboration and Taking Sides). Michael has appeared on television in Endeavour, Father Brown, Silent Witness, Holby City, The Tudors, Lewis, Walking the Dead and The Bill, and on film in The Iron Lady and Return of the Jedi. Together with director Michael Bogdanov, Michael founded the English Shakespeare Company in 1986 and is an honorary Associate Artist.

Guy Rhys (Givola) has previously appeared at the Donmar Warehouse in Artistic Director Josie Rourke’s production of Saint Joan. Most recent theatre appearances include Pomona originating at the Orange Tree Theatre, and subsequent National Theatre/Manchester Royal Exchange revival. Other theatre credits include Jason and the Argonauts (Unicorn), Bird (Sherman Cymru and Manchester Royal Exchange), Wendy & Peter (RSC), Rafta Rafta (Bolton Octagon) and Mother Courage and Her Children (National Theatre).

Giles Terera (Roma) makes his Donmar Warehouse debut in The Resistible Rise of Arturo Ui. Giles’ stage credits include Ma Rainey’s Black Bottom, Hamlet, Death and the King’s Horseman, The Hour We Knew Nothing of Each Other, Troilus and Cressida, Candide, Honk!, The Darker Face of the Earth, Mind the Gap and Walk in the Light (National Theatre), The Tempest (RSC). Other theatre credits include The Book of Mormon (Prince of Wales Theatre), Pure Imagination (St James’ Theatre), The Merchant of Venice (Globe Theatre, International Tour) King John (Globe Theatre & UK tour), Don’t You Leave Me Here (West Yorkshire Playhouse), Up on the Roof (Chichester Festival Theatre), Six Degrees of Separation (Sheffield Crucible) and Generations of the Dead (Young Vic). Giles has appeared on television in Horrible Histories and Doctors, and on film in The Current War, Muse of Fire and London Boulevard.

(All other characters will be played by members of the company.)

THE RESISTIBLE RISE OF ARTURO UI By Bertolt Brecht Translated by Bruce Norris Friday 21 April – Saturday 17 June 2017 Press Night Tuesday 2 May 2017 Donmar Warehouse, 41 Earlham Street, Seven Dials, London WC2H 9LX http://ift.tt/QGnINs

http://ift.tt/2mkC7Gq LondonTheatre1.com

[designliciousness]

How to Keep Your Android App Popular After Launch

The vast directory of apps available for download on app stores is one of the key features that is sustaining phones alive around the world.

According to an App Development Company in Northampton, most app developers, on the other hand, overlook the fact that this is not just the construction of an application that will yield positive results. Instead, it is the expenditure in maintaining the app's popularity after it has been launched in the market, resulting in a profit.

Now that you realize how vital it is to continue to work on your application after it has been released, you can take action to maintain your current apps and establish a habit for future ones. 

Here are several strategies, according to a Mobile App Development Company in Northampton,  that developers can use to keep their software from becoming stagnant:

Stay updated with the world's opinion.

Customers' feedback, reviews, and discussions on internet forums & web pages are probably the closest you'll ever get to know what's on their minds and what they want from you as a programmer. 

Customers continue to express their dissatisfaction with a service or product in these forums openly and honestly. As a result, it is your responsibility as a developer to take full advantage of such an open critique and use it. 

Users will uninstall your app if they lose interest and believe their opinions are not being heard. These users' needs are constantly changing, and you must adjust to them so that your software doesn't become obsolete.

Experiment with the new features.

Continue to progressively but enticingly add more functionality to the app once you've launched an easy-to-use, straightforward, and straightforward version, leaving customers wanting more.

 Make an effort to surprise and delight your customers with these added features from period to period. Again, interpreting what they require will be quite beneficial at this point. Before you put these features into your application on the market, make sure you test them. 

Software for automated testing is readily accessible. Jenkins is one such programme that will test your upgraded features and, if necessary, code them to work with your app.

Improve and update regularly

To avoid dissatisfied and forgotten users, upgrade your application regularly. 

As new & improved editions of the Android software are pushed into the digital world, issues and problems will inevitably develop. 

As a developer, it is your responsibility to keep up with the pace of operating system upgrades so that your application remains functional with the smartphone.

The first impression is crucial.

What good is your market reputation if you release your software, and several people start complaining about latency, incompatibility difficulties, and other bugs? Remember that the first impression you make on people as an app developer via the Play Store is always your last impression.

 They'll pursue you as a creator and download your future applications if they like your initial one. As a result, if you want to keep your reputation, make sure your first app is released after you've satisfied yourself by completing pilot tests.

Cross compatibility is a win-win situation.

Android is used on more than just smartphones and smart devices. These operating systems provide users worldwide with a far more personalized and seamless experience. 

As a developer, take advantage of this and make sure your software is equipped enough to have been adjusted to work with the Ui / Ux design as needed. Attempt to convert the fundamental functionality of your app into any other form on Android smartphones.

 When an app works flawlessly across all of its devices, users are pleasantly surprised. That is the finest thing about utilizing an app, and as an Android developer, you have that option. Most competitors have yet to adopt cross-platform interoperability.

One of the most important components of planning before developers even launch an app is retaining users in the long run. You must prepare for upgrades, new features, and improvements well before the programme are ever released.