#USCAnnenberg

[ernestowens]

I DID IT! With the submission of my final presentation today, I’ve officially completed grad school!

I can finally say that I’ll be graduating from USC Annenberg School for Communication and Journalism with a Masters in Communication Management. Just like with my undergraduate studies in communications at Penn, I’ll be graduating from the top school in America for my field of study.

This was just as much of a personal goal as it was a professional one. I never thought I would have enough time or drive to go back to school after Penn. Between managing my journalism career, writing a book, planning a wedding, being on several nonprofit boards, navigating this pandemic and confronting racism, completing a master’s degree program in the middle of all of this felt like mission impossible. But with the encouragement of my close friends, some of whom were also pushing through with their programs during this time, I kept going.

I’ll be the first person in my immediate family to get an advanced degree. USC sent me a cool t-shirt that I’m wearing to celebrate being a first-generation master’s degree holder. I hope to walk across the stage in person at USC in May to celebrate the occasion with family. I may be the first, but I definitely don’t intend to be the last.

Introducing Ernest Owens, M.C.M. (Not Man Crush Monday, Masters of Communication Management)

Photography by Ronald Gray

[soupyfficial]

#tbt Big shout out to my younger bro beans for graduating with his masters in journalism last weekend. Proud of you! #tranclan #uscannenberg https://www.instagram.com/p/BxicOZxAP4b/?igshid=y6dl89gfg87u

[killenvy]

Great to catch the stories behind some of the most Iconic photographs shot by @bpleasel @estevanoriol @melodiemcdaniel #uscannenberg #contacthighproject #danielluperciophotography #photographyicons #killenvy (at USC Annenberg School for Communication and Journalism) https://www.instagram.com/p/BwbyitRgS3r/?utm_source=ig_tumblr_share&igshid=14l9n96wr1kpg

[beverbutter]

Straight outta SC . . . . #uscgrad #usc #uscannenberg #annenberg #losangeles #graduation #done #freedom #wedidit #queenb

[ruseg]

Associate Professor @safiyanoble interviewed on @iamsambee @FullFrontalSamB about algorithmic bias & predictive policing. Along with @thesheertruth, they discuss "Afrofuturism" & reimagine a future where black & marginalized communities are at the center. https://t.co/R72oRhDGfj pic.twitter.com/j2F594LrC9

— USC Annenberg (@USCAnnenberg) March 21, 2019

[kimafreeka]

Wonderful Evening & Beautiful Conversation with Bethanne & Mara. @bethannhardison @maraakil #tv #fashion #gender #uscannenberg #indiefilmmaker #fashiondesigner #boutiquecurator #keepitmovingstudios #houseoaggie (at USC Annenberg School for Communication and Journalism)

[helenarase]

Tomorrow I start my master's program - beginning with a month-long review/crash course in the basics. I'm excited but also realized I'm super rusty at like... everything. I haven't photographed "for real" in two or three weeks and last week I spelled floor like flore so this might be a rough week😬 #journalism #uscannenberg #photojournalist 📷💻🖊 (at USC Annenberg School for Communication and Journalism)

[librosbeforepitos]

Aside from my bruja illustrations, I also do journalism. I’m earning my MS at USC, and what a rollercoaster ride of a year it has been. I’ve picked up many skills. Check out this project from Fall, which is also interactive.  

http://uscstoryspace.com/2016-2017/gonz065/Fall_Final/melanie/

[danaigurirasource]

Danai’s talk begins around the 20 minute mark.

[basshitter]

Flashback #friday @californiasciencecenter #museums #losangeles #learning @uscannenberg @rubiks_official @mlb @converse @basshitter https://www.instagram.com/p/BueP1GrlR5I/?utm_source=ig_tumblr_share&igshid=1djrielm28j2y

[scrappyoakland]

Had to visit the HSC of the ol' alma mater to handle some business earlier this morning so I took advantage and got myself a new cap. 😁😎 #usc #usctrojans @uscdornsife @uscprice @uscannenberg @usc_athletics #fighton #fighton✌️ #losangeles #socal #southerncalifornia (at USC Health Sciences Campus)

[itchronicles12]

Digital Device Addiction Threatens Family Life in Japan - ITChronicles

The USC Annenberg School for Communication and Journalism today released the first-of-its-kind study titled The New Normal: Parents, Teens and Digital Devices in Japan, based on a comprehensive survey of 1,200 teens and parents in Japan revealing that many teens and parents feel digital devices are a source of concern, anxiety, and conflict. Conducted last April, this is the first such study of teens and families in Japan, where 90% of parents and teens own a smartphone, and the first to compare those insights to existing U.S. data from Common Sense Media, a leading independent nonprofit, on digital media use among families in North America.

A key finding from the new research is the degree to which Japanese teens and parents feel distracted by — and even feel addicted to — their mobile device. In the survey, parents and teens were asked about their own media habits, and to reflect on the habits of their family members. When asked about their children ages 13–18, most parents say they feel their teens are addicted to mobile devices — and many indicate that they feel addicted themselves. In fact, 1 in 3 teens in both countries think their parents are addicted to their mobile devices.

“Advances in digital media and mobile devices are changing the way we engage not only with the world around us, but also with the people who are the closest to us,” said Willow Bay, dean of the USCAnnenberg School for Communication and Journalism. “These shifts are happening faster and more dramatically than any change in recent history. To truly understand their impact on our relationships, we needed to dig deeper into the media habits and attitudes of parents and teens.”

In addition to tracking addiction, distraction, and conflict, the study also explored questions related to the potential benefits of device use, as well as ubiquity and usage. The trends uncovered in Japanoften mirror the results of two similar studies conducted in 2016 in the United States by Common Sense Media. Specifically, the comparative study found:

Feeling Addicted. In Japan (45%) and in the U.S. (50%), one out of every two teens feel addicted to their devices and the majority of parents (61/59%) agree that their teens are addicted. Notably, a higher percentage of Japanese parents (38%) than American parents (27%) feel addicted to themselves.

Source of Distraction. When asked if their devices are a source of distraction, 72% of American teens say they feel the need to immediately respond to texts, social-networking messages, and other notifications — a number that is significantly higher than the percentage of Japanese teens (48%). Although their numbers are still significant, Japanese parents and teens are less likely to feel that the other gets distracted by mobile devices than do families in America. Read more…

[jeffmccarter]

Next adventure in media education (somehow I left the house at 4am to come back to LA 🤪) -- thank you for the lovely invitation and opportunity @odettekeeley @maynard.institute and thanks @jenjunehumke @macfound for connecting me with Colin & Sophie at the Innovation Lab. @uscannenberg #futurestories #maynard200 @uscannenberg @freespiritchi #FSMfam #layeredworld #fsmbuildingbridges (at USC School of Cinematic Arts) https://www.instagram.com/p/B3x_sj9Fhb_/?igshid=1xqn1mp5hoqz

[estevanoriol]

Come thru at USC . This Thursday, we’re a panel discussion about our work in the @contacthigh Book. Repost @traciimcgregor ・・・ I invited a few old friends up to @uscannenberg for a panel discussion inspired by the bestselling book and forthcoming museum exhibit, @contacthigh! Legendary photographers @bpleasel, @melodiemcdaniel and @estevanoriol will be in the building, alongside author/curator, @vikkitobak and #hiphop pioneer/creative director, @fab5freddy! Hosted by the director of USC Annenberg’s school of Communication, @joshkun, and moderated by yours truly... Come through, LA! Thursday, April 18th from 6-8pm. #thisislosangeles #estevanoriol #contacthighproject (at USC Annenberg School for Communication and Journalism) https://www.instagram.com/p/BwVdglwBlPv/?utm_source=ig_tumblr_share&igshid=3a1v8posiqxo

[superspunarticle]

What It Means to Get Branded Content Right

SEO tips & tutorials.

Brand-new piece of content just published by Content Marketing Institute. In my opinion one of the most popular sources of free training online.

Whenever someone mentions the term “branded content,” my mind still drifts back to the original inspiration for my love of the technique: BMW’s The Hire.

The 2001 series consisted of eight online episodes, each featuring Clive Owen as “The Driver” – a mysterious man who fully commits to completing his assigned mission at all costs, taking viewers along for the ride. The films were directed by notable Hollywood pros like Ang Lee, Guy Ritchie, and Alejandro Iñárritu; they oozed style, sophistication, and Hollywood star power; and each told a compelling story of action and intrigue. But, more importantly from a content marketing perspective, each episode spoke volumes about the excitement and luxury of the BMW driving experience – without overtly mentioning anything about the brand or the vehicles themselves.

A lot has changed in digital marketing since BMW released The Hire; but the content approach it leveraged still holds plenty of power and possibility for businesses that want to capture audience attention and showcase their brand’s values without coming off as pitchy and promotional. In fact, with the technique’s influence growing over the years, we may have reached the point where branded content is the best vehicle marketers have for bridging the gap between initial awareness and ongoing affinity.

Branded content is the best vehicle for marketers to bridge the gap b/n awareness and affinity, says @joderama. Click To Tweet

In the name of brand love

To understand what branded content (also known as branded entertainment) entails, let’s start with a basic definition offered by the internet’s default dictionary, Wikipedia:

“Branded content is the practice of marketing via the creation of content that is funded or outright produced by an advertiser… (it is) designed to build awareness by associating (the brand) with content that shares its values.” 

As definitions go, it’s a good start; but it doesn’t really get to the heart of what sets efforts like BMW’s The Hire apart from other forms of content marketing, let alone why 74.5% of communications professionals say they rely on branded content in their campaigns or why 67% project that their and/or their clients’ spending on branded content will increase over the next 12 months, according to a USC Annenberg survey.

74.5% of communication professionals rely on branded content. @USCAnnenberg ‏#research Click To Tweet

What makes this approach universally appealing – to viewers seeking a great story as well as businesses looking to enhance brand awareness? Look at some hallmarks of the technique (when executed properly):

They take an immersive, sensory-driven approach to storytelling: Branded content typically leverages multimedia formats like audio and video, which can enable deeper topical conversations and more emotionally resonant experiences than text and/or static images alone.

They build connections through mutual interests and shared values, not sales goals: Because these content pieces are often focused on establishing thought leadership, raising awareness, and generating positive brand perceptions, they are more likely to be viewed as worthy of the audience’s trust and attention as compared to more product- and pitch-driven formats like digital ads.

They make the experience entertaining, valuable, and memorable for viewers: Branded content campaigns excel when it comes to capturing audience interest, but they also are well-suited to contributing to lower-funnel goals. In fact, a recent study by Turner Ignite and Realeyes found they make viewers more likely to consider the featured brand when it comes time to make a purchase (compared to traditional 30-second ads).

Their potential for cross-channel distribution capabilities enables on-the-go engagement: It’s easy for brands to publish branded content campaigns across multiple social networks, owned media properties, and other external websites. And, because they are primarily audio- and video-driven, these efforts are well-suited for mobile consumption.

They present opportunities to collaborate with other high-profile brands: Co-producing stories with other businesses that share your values and interests makes it easier to gain much-needed traction among your partner’s established audience.

 Ideally, branded content campaigns create marketing experiences virtually indiscernible from what the audience might seek from their favorite media/ entertainment personalities and properties – including film studios, TV networks, and streaming media services.

For instance, as CMI founder Joe Pulizzi pointed out years ago, the LEGO Movie entertained mass audiences and earned millions in revenue as a traditional feature film; but it also performed strongly as a marketing vehicle by winning the hearts and minds of a new generation of prospective LEGO consumers.

As another example, not only has Jerry Seinfeld’s online interview series, Comedians in Cars Getting Coffee, been capturing audience attention and critical praise since 2012, the branded content partnership (the production is fully underwritten by Acura) has earned three Primetime Emmy Award nominations and won three Producers Guild of America awards for Outstanding Digital Series.

Of course, not all branded campaigns are created alike in terms of their quality, transparency, or ability to inspire consumers to engage and interact. And when brands don’t have the right strategy, protocols, or expectations to achieve success, the results can turn out to be more harmful than helpful (as was the case in 2013 for The Atlantic).

When companies don’t have the right strategy for branded #content, the results can be harmful, says @joderama. Click To Tweet

Content that’s outstanding in its field

What makes for an engaging, emotionally resonant branded content campaign that can further your brand objectives without subjecting your audience to blatant promotions, poorly timed placements, and empty platitudes? Look at some artfully crafted examples that struck the right balance between powerful positioning and subtle persuasion en route to attracting an audience.

BMO Harris Bank offers a lesson on engaging millennials

Growing a younger customer base is crucial to any financial service company’s future success. But few banks give off youthful vibes. When BMO Harris Bank (BMOHB) wanted to increase consideration among millennials beginning their journey to financial independence, it went for the unexpected. The bank partnered with humor-focused content agency Onion Labs and Resolution Media to develop a series of videos that promotes its (fictional) mobile banking app capabilities. The video parodies the features millennials seem to like in other popular apps – photo filters (that make faces look like ATMs), couch surfing (in a bank vault), and the opportunity to swipe right and left on potential dates (based on how attractive their checking accounts appear).

This content was served across both The Onion’s owned properties and BMOHB’s social sites to complement and amplify reach, and it ultimately drove users to download the real BMO Harris Bank mobile app. According to Resolution Media, the effort resulted in a record-breaking brand lift (a big win for a campaign aimed at driving awareness) and paved the way for BMOHB to “own” comedy within the financial services space – earning a 2018 Content Marketing Award for Best Branded Content.

War Child UK sparks a meaningful conversation

War Child UK – #EscapeRobot by Raw London from Raw London on Vimeo.

Humor is a sure crowd-pleaser, but it isn’t the only way to capitalize on branded content’s power. In fact, branded content campaigns can also communicate positions on societal issues that are anything but a laughing matter.

For example, children’s charity War Child UK used a branded content campaign to change the conversation around the mental health and well-being of children affected by war. A thought-provoking, video-led branded content campaign took aim at the hearts of 18- to 40-year-old professionals who are aware of the residual effects of global conflict (and, thus, likely to feel motivated to help). The film also supported the release of the charity’s new report on the subject, Reclaiming Dreams.

The lead video #EscapeRobot takes viewers on a journey that poignantly illustrates the scale of mental health and psychosocial support urgently needed to help children recover from war-related traumas they may have experienced. With just £8,000 (about $10,500) media spend, the video achieved 2 million views, driving huge engagement and traffic to the campaign’s landing page, where visitors could explore additional details on War Child UK’s charitable efforts and opportunities to get involved.

HANDPICKED RELATED CONTENT:  3 Purpose-Marketing Lessons From Innovative Brands

Nulon supplies the fuel for a driving passion

Nulon is an independent, family-owned, Australian motor oil brand founded in 1980. In contrast, its competitors – like Shell, Castrol, Valvoline – are global giants with massive marketing budgets and over 100 years of earned brand affinity.

To help level the playing field, Nulon set out to produce five branded content films that capture the excitement shared by those who love to tinker under the hood and customize their cars to test the limits of the road. With the help of Edge Agency, the Born This Way mini-series became such a brand-building – and sales-driving – force among mechanically inclined gearheads that the company kept the momentum going and extended the campaign indefinitely. To date, Nulon relies solely on these videos, SEO, and in-store POS for all its marketing needs. 

Autodesk enables innovation, one maker at a time  

Autodesk’s AutoCAD computer-aided design (CAD) software is used by millions of architects and mechanical engineers. For its Original. AutoCAD. campaign, the company aimed to drive subscriptions by profiling creative entrepreneurs who produce groundbreaking ideas, while highlighting the role its software plays in producing their pioneering projects.

From a talented designer of custom IoT guitars to a self-proclaimed “chefitect” – an architect-turned-chef attempting to create universally understood recipes through CAD drawings – the campaign’s three distinct microsites – Original. AutoCAD., Original. Projects, and Original. People – showcased the customer stories, innovative inventions, and transformational ideas made possible by AutoCAD.

Autodesk, which earned recognition as a Content Marketing Award finalist for the campaign, shared some of the impressive year-over-year results, including:

99% increase in site visitors

244% increase in AutoCAD trial initiations

89% increase in visits to its e-commerce store

385% increase in orders of AutoCAD

.@Autodesk saw 385% increase in AutoCAD orders after its branded #content campaign. @joderama Read more > Click To Tweet

HANDPICKED RELATED CONTENT: How to Be an Agent of Change: Examples From Top Content Marketing Award Winners

Entrepreneurs Organization reveals members’ personal habits

Another innovation-focused branded content effort – and 2018 Content Marketing Awards finalist – comes from the Entrepreneur’s Organization (EO) – a global, peer-to-peer networking association dedicated to helping the entrepreneur community achieve greater business success.

EO is not widely known in the regions it serves so the organization set out to raise its visibility with the help of Muse Content Group. To prepare for the campaign, EO’s Central U.S. chapter invited its members to enter its “Truth Booth” – an experiential on-location studio – take a shot of “truth serum” (tequila option available), and candidly answer revealing questions about their personal experiences as business leaders and innovators.

The resulting series of raw and authentic videos speaks to the heart of what it takes to succeed in roles where there’s no established path to follow, while also helping the organization bolster its ranks. According to EO, the series earned over 400,000 impressions and 5,500 clicks in the first five months, which brought in 55 qualified leads and increased paid membership dues by more than six times the cost of the paid ad spend. In addition, the campaign has been recognized on a global scale with many inquiries from EO regions around the world requesting to use the Truth Booth videos in their chapter marketing initiatives.

HANDPICKED RELATED CONTENT: Are You in a Boring, All-the-Same Industry? Your Content Doesn’t Have to Be

A joint expedition leads to an intoxicating journey of discovery

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Heineken teamed with National Geographic on a branded content partnership that showcases the best of what both brands have to offer. A Wild Lager Story details the history behind the beer brand’s new H41 Wild Lager and includes a three-minute documentary that follows biologist Diego Libkind and Heineken’s global master brewer Willem van Waesberghe as they explore the untamed reaches of Patagonia in search of a rare yeast, then return home to create a new category of beer.

HANDPICKED RELATED CONTENT:

Learn From the Best: 8 Inspiring Content Marketing Examples

Documentary Storytelling: 6 Examples From Brands That Nail It

A brand-building pitch that audiences can’t wait to catch

Are you experimenting with branded content in 2019? These examples show how great branded content campaigns can help you build rapport with a new target audience, expand your business’s creative horizons, or simply entertain and engage the experience-loving masses. We’d love to hear about your plans for leveraging the technique and, for those already giving it a try, how it’s been working for you.

Have a branded content project or other content marketing initiative you think is worthy of celebrating? Entries are now being accepted for the 2019 Content Marketing Awards. You can learn more and enter here. 

Cover image by Joseph Kalinowski/Content Marketing Institute

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