#Vikthor

[bysumex]

LILLY PALMER and a massive lineup at E1 LDN

👉 https://bysumex.com/lilly-palmer-and-a-massive-lineup-at-e1-ldn/

On Saturday, 3 May, the iconic E1 London played host to one of the most memorable nights of the year in the capital’s techno calendar. The event was completely sold out, with fans flooding the venue for an immersive night of cutting-edge electronic music, stellar performances, and an atmosphere that was nothing short of electric.

At the heart of the night was LILLY PALMER, the internationally acclaimed techno powerhouse who took center stage and delivered an absolutely unforgettable headline set. Known for her powerful presence behind the decks and a sound that seamlessly fuses raw, driving techno with melodic and emotional layers, Lilly did not disappoint. Her performance was a true journey—from pounding basslines to soaring synths—and featured several of her own original productions, which had the crowd in awe. Every drop was met with cheers, hands in the air, and total euphoria. Her ability to control the energy of the room was masterful, making it clear why she remains one of the most in-demand names in the techno scene today.

The night’s support lineup was equally impressive, featuring a handpicked selection of rising and established talent that brought their A-game to E1’s legendary sound system. Vikthor, known for his deep and pulsating grooves, kept the early energy simmering perfectly. CENKK brought a sophisticated touch of melodic techno, crafting an emotionally rich set that resonated with the crowd. Sacha Yonan took the energy into darker, more hypnotic realms, while Jasmine Messiah showcased her sharp mixing and unique sound palette, making a lasting impression on everyone in the room. PEEZY closed the night with a high-energy set that perfectly capped off an already incredible event.

From start to finish, the atmosphere in E1 was magnetic. The dancefloor was packed, the crowd was fully engaged, and the venue’s renowned lighting and sound setup elevated the experience to the next level. The synergy between the artists and the audience created a vibe that was intense, uplifting, and unforgettable.

Whether it was the booming kicks, the melodic breakdowns, or the moment Lilly Palmer dropped her signature tracks, the night had countless peak moments that had people talking long after the music stopped.

This event reaffirmed E1 London’s place at the forefront of the UK techno scene and reminded everyone why live electronic music—when done right—has the power to create pure magic.

#bysumex #lillypalmer #london #filmmaker #events

[johnsmthg]

June Playlist - Volucan - 132 Bpm Mix

Hello, wish everyone is ok.

Peace !

Playlist :

01 Radio Slave, Wait A Minute, Rekids;

02 Rico Puestel, Afar (original), Break New Soil;

03 BK, Revolution - BK's Rework (Dense & Pika remix),  We Are The Brave; 

04 Vikthor, Universe (original mix), HE-ART;

05 Patrick Arbez, Leichengift, Volume Berlin;

06 Dawn Razor, Jam Space 2, We Are The Brave;

07 Harvey Mckay, Milk Snatcher, Kneaded Pains;

08 Avision, All Night, Ellum;

09 Dawn Razor, Jam Space 3, We Are The Brave;

10 Vitalic, Poney (Part II), Different Recordings.

 https://itunes.apple.com/fr/podcast/minimal-show-by-john-smthg/id295263061

http://feeds2.feedburner.com/minimal-show

[betoverheks]

Van de regen in de drup, hup. Het wil maar niet zomeren. Heks wordt met een vuurwapen bedreigd door een stel idioten op een brommertje. Midden in de nacht. Gewoon hier om de hoek. Of was het een grapje? Was de loop van dat pistool gemaakt van dikke vingers? Wie zal het zeggen? We zullen het nooit weten.....

Van de regen in de drup, hup. Het wil maar niet zomeren. Heks wordt met een vuurwapen bedreigd door een stel idioten op een brommertje. Midden in de nacht. Gewoon hier om de hoek. Of was het een grapje? Was de loop van dat pistool gemaakt van dikke vingers? Wie zal het zeggen? We zullen het nooit weten…..

Om een uurtje of half twee vannacht loopt Heks door de steeg te paraderen. Met haar hondjes. Oh, wat zijn ze druk. Freya is bezig loops te worden. Voor de eerste keer. Haar frutje groeit met de dag. Ze doet opeens overal kleine plasjes. In plaats van twee keer een hele grote. Ze markeert haar territorium. VikThor likt die plasjes vervolgens zorgvuldig op. ‘Hou daarmee op, gek,’ bromt Heks. We…

[vikthorflores]

I made this as a demo of my workflow on stream  Hope you like it ✌ att: Vikthor Flores

[siskoelectrofanatik]

OUT NOW "Spear EP" in collaboration with IDR3N on Retail Recordings! Incl. Remix by Giovanni Carozza and Vikthor. Listen Full release and Buy here your exclusive copy: www.beatport.com/release/spear-ep/2149635 @vincenzo_nardi_idr3n @vikthor_official @giovannicarozza_dj @retail_recordings @beatport #vikthor #giovannicarozza #idr3n #retailrecordings #techno #outnow #relese #beatport #dj #spear #bomb #remix #sleeve #darktechno #duo #collaboration

[justanotherindie]

Carlbeats x Anthony Poteat - Take Back! (Mark Wise Remix) [Techno]

Carlbeats x Anthony Poteat – Take Back! (Mark Wise Remix) [Techno]

Американский музыкант Mark Wise с 2010 года занимается танцевальной электроникой, и с 2017 года, переключившись на эксперименты с тяжеловесным техно добился впечатляющих результатов – его треки и ремиксы регулярно попадают в чарты Beatport, получают массивный саппорт от таких звезд техно-сцены как Carl Cox, Cristian Varela, Spartaque, Ilario Alicante, T78, Vikthor, Anna Reusch, а его звучание,…

[livesets-dj-mixes-edm-podcasts]

Download Adam Beyer - Drumcode Radio 561 for free now!

Artist: Adam Beyer Show: Adam Beyer – Drumcode Radio 561 – Adam Beyer Studio Mix recorded in Ibiza Quality: 320 Kbps 48000 Khz Genre: Techno Source: RSS

Discover more Adam Beyer live sets & radioshows HERE | Listen or download more Drumcode Radio episodes HERE

Adam Beyer – Drumcode Radio 561 – Adam Beyer Studio Mix recorded in Ibiza Tracklist

Adam Beyer’s music is synonymous with all that is exciting about electronic music today. Having emerged as the figure head of the hugely prolific Swedish techno scene Beyer has now confirmed his position as a globally recognized DJ and producer, headlining the world’s finest events week in week out. His acclaimed Drumcode label has been at the cutting edge of club music for well over a decade; now for the first time Adam takes to the airwaves with a new weekly radio show. Featuring exclusive live performances, cutting edge studio mixes, artist profiles and previews of exciting material on the Drumcode labels, this show is set to be a sure fire hit with electronic music fans worldwide.

Drumcode Radio Live this week is an Adam Beyer Studio Mix recorded in Ibiza

[00:00] Luigi Madonna – Enveloping Times [6:00] Joseph Capriati & Louie Vega – Spirit Brothers (ANNA Remix) [REDIMENSION] [9:00] DEAS – Confusion [13:00] Ugur Project – Detroit [TRONIC] [17:00] Adam Beyer ft. DJ Rush – Control [22:00] Mark Reeve – Pragmatic [27:00] Dubfire & Flug – Rampart [31:00] Vikthor – Universe (Nico Cabeza Remix) [HE-ART MUSIC] [35:00] Kaiserdisco – Together One Time [39:00] Adam Beyer – Dirty Lagoon [44:00] Kazuya Nagaya – Mother Wading In The River (Flug Trip Remix) [SCI+TEC] [48:30] The Reason Y & Tømas Sinn – Better Times [OFF REC.] [53:30] Pig&Dan & Gregor Tresher vs. Bicep – Granular Saku (Adam Beyer Hybrid Mix) [58:00] Ramon Tapia – Hold On

The podcast Adam Beyer – Drumcode Radio is embedded on this page from an open RSS feed. All files, descriptions, artwork and other metadata from the RSS-feed is the property of the podcast owner and not affiliated with or endorsed by EDMliveset.com.

Follow us on: Facebook, Twitter, Instagram, Reddit & VK

[nature-of-meow]

Danny Tenaglia ft. Celeda - Music Is The Answer (Dancin' And Prancin') (ID Remix) [TWISTED AMERICA] DJ Anna - ID [DRUMCODE] ID - ID Darren Emerson - Deadlock [INTEC] Hyperloop & Green Velvet - S-Sound [DRUMCODE] Brennen Grey - Through The Lens (Opus - It's A Fine Day Edit) [INTEC] Elio Riso & Muter - Twilo (Vikthor Remix) Cirez D - Sound ID (Working Title) Adam Beyer & Bart Skils - Your Mind [DRUMCODE] A Homeboy, A Hippie, A Funki Dredd - Total Confusion (ROD Unreleased Edit) [DIFFERENT] ID - ID ID - ID ID - ID Koen Groeneveld - You Gotta Believe ID - ID Cirez D - On Off [MOUSEVILLE] Adam Beyer - What You Need [DRUMCODE] Wehbba - Catarse Enrico Sangiuliano - Symbiosis [DRUMCODE]

Carl Cox b2b Adam Beyer - Live at Junction 2 (London, UK) [2018]

[languagemelodyradio]

Vikthor

Xin gửi cho bạn nữ tên bắt đầu bằng chữ T và kết thúc bằng chữ Y, mong chúng ta cũng sẽ bắt đầu và kết thúc như tên bạn vậy, trong T Y.

[technouk]

Everyman Superstar DJ Carl Cox On Techno, Ibiza, Burning Man And Life In The Fast Lane Carl Cox Photo credit Dan Reid Carl Cox has provided the soundtrack for some of the best nights out for millions of clubbers and music lovers all over the world. "Coxy," as he is affectionately known, is one of the most famous DJs on the planet. It is not every day one speaks to such an iconic figure, so in advance of our interview, I talked to a couple of experts to hear their thoughts. Author, DJ and techno editor at Mixmag, Marcus Golden Barnes, is glowing in his appraisal. "I love Carl! He has worked tirelessly to transmit his unwavering love for music to millions of people all over the world. He is always buoyant and positive, and clearly revels in his job every single time he plays. Carl is a remarkable character who lives for music, there's no superficial facade, just pure, sincere love and soul." Ministry Of Sound DJ, journalist and Ibiza stalwart Timmy Sheridan is renowned for deflating the pretensions of many a superstar DJ with his withering editorial putdowns, and is not a man to suffer pretenders gladly. His evaluation of Carl Cox is telling. "Everybody loves Carl. He is unique because you get a sense that absolutely everything you see is what you get. He's literally the only survivor of the process of becoming famous I can think of in our scene. He is utterly without guile, couldn't be less of a diva if he tried and most miraculous of all, still has a fully functioning sense of humor. On top of all this, he is an unwavering standard of excellence. He's never sold out, faked it or failed to deliver over something like 35 years. Few can say that, almost none in the UK." Sheridan continues, not without a sense of humor himself, "As a footnote, I should add, I also get the impression that if something broke, Carl would be the first one to know and to try to fix it. Most DJs can't even mix, never mind solder, splice or make a cabinet." Sheridan is probably not wrong, Cox worked in all aspects of the building trade before getting into DJing, he tells me by phone from his home in Australia. "My last job before I was a DJ was a scaffolder, and before that, I was a painter and decorator, and before that I was I was a builder's mate, a plasterer's mate and a chippy." Perhaps as a result of his unpretentious roots, Cox has always been alive to his opportunities with a clarity which might elude those with less varied life experience. "I know what it's like to be on the other side of the coin. I know what it's like to wait in a queue, to save up my money to go to an event, when I couldn't wait to hear the DJ play. I was right in the middle of the dance floor listening to the sound system with a big smile on my face, and dancing my ass off! Most DJs don't have that experience, most go straight into the DJ booth. But I was a clubber for a least 10 to 15 years before I was DJing. The only reason that I DJed was that - all the time I was dancing - the DJ wasn't really giving me what I wanted. So I thought, the only way I can do that is to do it myself. So that's what I did, I became a DJ." Carl Cox Photo (c) www.visionseven.co.uk After years of perfecting his craft alongside luminaries such as Paul Oakenfold and Danny Rampling, his big break came when he was invited to perform on three decks at a 1988 Sunrise event in Oxford at 10am. "Since that day I haven't looked back," he reflects. His motivation has remained constant, "I just always love the gift of sharing the love of music. If it moves me then hopefully it moves others." Cox describes the early rave scene as a "Woodstock" for his generation, and is delighted to see new generations embracing aspects of dance music culture, decades later. His distinctive smile behind the decks is a sight welcomed by clubbers of all ages, and one gets a sense that he is still genuinely grateful for every moment. This is no mean feat considering his career is one marked by tireless productivity. "It's taken me a long time to get to where I am," he admits. Cox has performed at over 5,000 events the last 30 years, that's over 166 times a year on average, a punishing schedule when one takes into account the travel needed between events. Cox was one of the first DJ/producers to have a chart hit with "I Want You (Forever)" in 1991, and has sold well over 100,000 records as a solo artist. His 1995 mix CD, 'F.A.C.T.,' set a new benchmark for techno, selling over 250,000 copies, while his label Intec has sold over 600,000 copies of their vinyl and digital releases combined. At the time of his last "Global" radio show, his listenership was a phenomenal 17 million people worldwide. With these staggering levels of reach and influence, Cox is, of course, aware of his role as an ambassador for the music he loves. But he speaks with a palpable enthusiasm when talking about supporting the next generation of techno stars. In particular, he name-checks two young artists signed to his label. "We have a lady called Anfisa Letyago and another guy called Vikthor, both making some really amazing music. Most people don't know these artists, but they are the 'now generation' putting out their own new music." Anfisa Letyago's recent Intec release "Catch The Spirit" is indeed a thunderously euphoric techno banger. One can see why Cox is so excited to be supporting this new wave of the music he loves. Cox is also increasingly involved with events as not just a headliner, but also as a curator. His involvement with the massive US dance music festival Ultra started by curating a relatively small "Carl Cox & Friends" tent which would hold around 2,500 people. The festival quickly had to upscale their allocation for his lineup, and today a purpose-built "Carl Cox Megastructure" holds up to 20,000 clubbers for his specially curated experiences. He admits that the music industry is more demanding now than ever, and DJ/producers also need to be able to perform their music live in order to survive. "People really need to see something tangible," he reflects, name-checking Paul Kalkbrenner, Stephan Bodzin and KiNK as exemplars of the art. The name Carl Cox is also synonymous with the clubbing scene of Ibiza. He has been there since its inception and reminisces fondly about the early days. "You always have certain years in life where it was the best. In the '80s none of the clubs had roofs, you danced under the stars, it was phenomenal. When those roofs went on the clubs, everything changed." Cox's 15-year residency at Ibiza venue Space helped to establish it as one of the most important club nights in the world. "Space was always a club which was a catalyst of how people felt about the island, because it was very much for the people who lived on the island, for the workers and also people who came to club. It had that Spanish feel about it. It was always a non-VIP orientated club, it was a dancefloor club for people who really wanted to have a great time." Cox is well placed to comment on the changes in the island's culture and ethos. "Today there is a VIP 'three-tier system' in most places, and DJs are playing more commercially to get more people in the clubs. It's all progression, it's nothing more than that." While he is pragmatic about the changing emphasis of Ibiza clubland, he is singularly unimpressed with new opportunities to buy overpriced sushi from star chefs. He remembers well being able to get beautiful locally-caught and cooked fish for 15 euros, and reflects on the loss of these simpler times on the island with a hint of sadness. "Well, it's disappeared, that whole idea now is gone. When people are flying in on a private jet or arriving in a superyacht, it's kind of taking away the true essence of what made Ibiza great in the first place." As this gradual transformation of Ibiza was underway, Cox made his first visit to the Burning Man festival in 2008. "As soon as I got onto the playa, I was a Burner, I was just into it." Cox found an opportunity for creative expression unlike anything he had experienced before. "I thought, this is something else, a gathering of like-minded people who go there to be creative, to gift in a way of being able to express themselves, from the biggest sculpture to the smallest detail of something meaningful." Now a regular Burning Man DJ, Cox still relishes the creative canvas, which he has chosen to paint purple in homage to one of his musical heroes. "I decided after three years that I wanted to build a camp at Burning Man, and to have The Purple Party in tribute to Prince. Everyone dressed in purple, and I just played Prince records and '80s music." These days, Cox is spending more time with another lifelong passion, motor racing. He started in 2013 by sponsoring the New Zealand-based sidecar team of his friend, Gavin Sokolich. When they zoomed to victory at the first championship that year, Cox recalls thinking "Wow, this is cool. I wonder what else we can do." True to his nature, Cox embraced the opportunity with gusto. He bought a racing bike, another sidecar, and revamped his team over the course to two infamously demanding Isle Of Man TT races. His team, CC Motorsport, finished in the top three of the TT races last year. Cox also sponsors 15-time Isle of Man TT winner Michael Dunlop, seven-time World Champion Tim Reeves and his passenger Mark Wilkes. He is also a partner in the boutique motorcycle restoration company TT Motorcycles, and obviously loves the work they do, bringing classic '80s Honda and Yamaha motorbikes back to pristine condition. After speaking at length about his teammates and colleagues, he mentions almost as an aside, "I also drag race myself. I have a Mark One Ford Capri, which is very very fast, over two thousand horsepower. It runs this quarter mile from seven seconds dead, at over 200 mph a quarter mile." As our conversation returns to his first love, Cox still speaks with the untainted enthusiasm of his teenage self, unselfconsciously "dancing his ass off" in the middle of the dance floor. He mentions forthcoming gigs at Tomorrowland and Space Ibiza On Tour, recent remixes for Matthew Bushwacker and Yothu Yindi, his Dr. Funk "El Rancho" remix, and his remake of "Dark Alleys". Throughout our entire conversation, his gratitude for his place in the world is obvious. "I'm so happy, I feel blessed and honored to be doing what I'm doing. At the end of the day I feel privileged to be able to be in this position, and to give you what you believe you should be getting from me as a DJ, but also as a person, because at the end of the day I'll have a beer with anyone, "I'll have a shot with everyone. I don't see myself any higher than anyone else." " There is some poetic justice in this self-effacing superstar DJ rising to the highest point in the dance music industry, using his position to inspire and support others, while indulging his passion for life in the fast lane and loving every sweet minute of it. By all accounts, it could not have happened to a nicer guy. Carl Cox Photo by Dan Reid Carl Cox ‘Dark Alleys’ (Remixes) is out now via Circus Recordings. Carl Cox tour dates: Fri, JUN 14 - Kings Hall at Avant Gardner, Brooklyn, NY Sat, JUN 15 - Brooklyn Mirage, Brooklyn, NY Sun, JUN 16 - Olympic Stadium, Montréal, Canada Wed, JUN 19 - Ushuaa Beach Hotel, Ibiza, Spain Fri, JUN 21 - Ciudad del Rock, Monteagudo Del Castillo, Spain Sat, JUN 22 - Marenostrum Fuengirola, Spain Wed, JUN 26 - Glastonbury Festival, Pilton Green, U.K. Thu, JUL 4 - Petrovaradin Fortress, Novi Sad, Serbia Sat, JUL 6 - Parco Dora, Piemont, Italy Sat, JUL 6 - Kappa Futur Festival, Turin, Italy Thu, JUL 11 - Stadion Poljud, Split, Croatia Fri, JUL 12 - DC10, Ibiza, Spain Fri, JUL 19 - De Schorre Recreation Ground, Boom, Belgium Sun, JUL 21 - Poble Espanyol, Barcelona, Spain Fri, JUL 26 - Tomorrowland, Boom, Belgium Tue, JUL 30 - Privilege, Ibiza, Spain AUG 7-12 - Boomtown, Hampshire, U.K. For more live dates visit carlcox.com/tours " readability="191.56632781652"> Carl Cox has provided the soundtrack for some of the best nights out for millions of clubbers and music lovers all over the world. "Coxy," as he is affectionately known, is one of the most famous DJs on the planet. It is not every day one speaks to such an iconic figure, so in advance of our interview, I talked to a couple of experts to hear their thoughts. Author, DJ and techno editor at Mixmag, Marcus Golden Barnes, is glowing in his appraisal. "I love Carl! He has worked tirelessly to transmit his unwavering love for music to millions of people all over the world. He is always buoyant and positive, and clearly revels in his job every single time he plays. Carl is a remarkable character who lives for music, there's no superficial facade, just pure, sincere love and soul." Ministry Of Sound DJ, journalist and Ibiza stalwart Timmy Sheridan is renowned for deflating the pretensions of many a superstar DJ with his withering editorial putdowns, and is not a man to suffer pretenders gladly. His evaluation of Carl Cox is telling. "Everybody loves Carl. He is unique because you get a sense that absolutely everything you see is what you get. He's literally the only survivor of the process of becoming famous I can think of in our scene. He is utterly without guile, couldn't be less of a diva if he tried and most miraculous of all, still has a fully functioning sense of humor. On top of all this, he is an unwavering standard of excellence. He's never sold out, faked it or failed to deliver over something like 35 years. Few can say that, almost none in the UK." Sheridan continues, not without a sense of humor himself, "As a footnote, I should add, I also get the impression that if something broke, Carl would be the first one to know and to try to fix it. Most DJs can't even mix, never mind solder, splice or make a cabinet." Sheridan is probably not wrong, Cox worked in all aspects of the building trade before getting into DJing, he tells me by phone from his home in Australia. "My last job before I was a DJ was a scaffolder, and before that, I was a painter and decorator, and before that I was I was a builder's mate, a plasterer's mate and a chippy." Perhaps as a result of his unpretentious roots, Cox has always been alive to his opportunities with a clarity which might elude those with less varied life experience. "I know what it's like to be on the other side of the coin. I know what it's like to wait in a queue, to save up my money to go to an event, when I couldn't wait to hear the DJ play. I was right in the middle of the dance floor listening to the sound system with a big smile on my face, and dancing my ass off! Most DJs don't have that experience, most go straight into the DJ booth. But I was a clubber for a least 10 to 15 years before I was DJing. The only reason that I DJed was that - all the time I was dancing - the DJ wasn't really giving me what I wanted. So I thought, the only way I can do that is to do it myself. So that's what I did, I became a DJ." After years of perfecting his craft alongside luminaries such as Paul Oakenfold and Danny Rampling, his big break came when he was invited to perform on three decks at a 1988 Sunrise event in Oxford at 10am. "Since that day I haven't looked back," he reflects. His motivation has remained constant, "I just always love the gift of sharing the love of music. If it moves me then hopefully it moves others." Cox describes the early rave scene as a "Woodstock" for his generation, and is delighted to see new generations embracing aspects of dance music culture, decades later. His distinctive smile behind the decks is a sight welcomed by clubbers of all ages, and one gets a sense that he is still genuinely grateful for every moment. This is no mean feat considering his career is one marked by tireless productivity. "It's taken me a long time to get to where I am," he admits. Cox has performed at over 5,000 events the last 30 years, that's over 166 times a year on average, a punishing schedule when one takes into account the travel needed between events. Cox was one of the first DJ/producers to have a chart hit with "I Want You (Forever)" in 1991, and has sold well over 100,000 records as a solo artist. His 1995 mix CD, 'F.A.C.T.,' set a new benchmark for techno, selling over 250,000 copies, while his label Intec has sold over 600,000 copies of their vinyl and digital releases combined. At the time of his last "Global" radio show, his listenership was a phenomenal 17 million people worldwide. With these staggering levels of reach and influence, Cox is, of course, aware of his role as an ambassador for the music he loves. But he speaks with a palpable enthusiasm when talking about supporting the next generation of techno stars. In particular, he name-checks two young artists signed to his label. "We have a lady called Anfisa Letyago and another guy called Vikthor, both making some really amazing music. Most people don't know these artists, but they are the 'now generation' putting out their own new music." Anfisa Letyago's recent Intec release "Catch The Spirit" is indeed a thunderously euphoric techno banger. One can see why Cox is so excited to be supporting this new wave of the music he loves. Cox is also increasingly involved with events as not just a headliner, but also as a curator. His involvement with the massive US dance music festival Ultra started by curating a relatively small "Carl Cox & Friends" tent which would hold around 2,500 people. The festival quickly had to upscale their allocation for his lineup, and today a purpose-built "Carl Cox Megastructure" holds up to 20,000 clubbers for his specially curated experiences. He admits that the music industry is more demanding now than ever, and DJ/producers also need to be able to perform their music live in order to survive. "People really need to see something tangible," he reflects, name-checking Paul Kalkbrenner, Stephan Bodzin and KiNK as exemplars of the art. The name Carl Cox is also synonymous with the clubbing scene of Ibiza. He has been there since its inception and reminisces fondly about the early days. "You always have certain years in life where it was the best. In the '80s none of the clubs had roofs, you danced under the stars, it was phenomenal. When those roofs went on the clubs, everything changed." Cox's 15-year residency at Ibiza venue Space helped to establish it as one of the most important club nights in the world. "Space was always a club which was a catalyst of how people felt about the island, because it was very much for the people who lived on the island, for the workers and also people who came to club. It had that Spanish feel about it. It was always a non-VIP orientated club, it was a dancefloor club for people who really wanted to have a great time." Cox is well placed to comment on the changes in the island's culture and ethos. "Today there is a VIP 'three-tier system' in most places, and DJs are playing more commercially to get more people in the clubs. It's all progression, it's nothing more than that." While he is pragmatic about the changing emphasis of Ibiza clubland, he is singularly unimpressed with new opportunities to buy overpriced sushi from star chefs. He remembers well being able to get beautiful locally-caught and cooked fish for 15 euros, and reflects on the loss of these simpler times on the island with a hint of sadness. "Well, it's disappeared, that whole idea now is gone. When people are flying in on a private jet or arriving in a superyacht, it's kind of taking away the true essence of what made Ibiza great in the first place." As this gradual transformation of Ibiza was underway, Cox made his first visit to the Burning Man festival in 2008. "As soon as I got onto the playa, I was a Burner, I was just into it." Cox found an opportunity for creative expression unlike anything he had experienced before. "I thought, this is something else, a gathering of like-minded people who go there to be creative, to gift in a way of being able to express themselves, from the biggest sculpture to the smallest detail of something meaningful." Now a regular Burning Man DJ, Cox still relishes the creative canvas, which he has chosen to paint purple in homage to one of his musical heroes. "I decided after three years that I wanted to build a camp at Burning Man, and to have The Purple Party in tribute to Prince. Everyone dressed in purple, and I just played Prince records and '80s music." These days, Cox is spending more time with another lifelong passion, motor racing. He started in 2013 by sponsoring the New Zealand-based sidecar team of his friend, Gavin Sokolich. When they zoomed to victory at the first championship that year, Cox recalls thinking "Wow, this is cool. I wonder what else we can do." True to his nature, Cox embraced the opportunity with gusto. He bought a racing bike, another sidecar, and revamped his team over the course to two infamously demanding Isle Of Man TT races. His team, CC Motorsport, finished in the top three of the TT races last year. Cox also sponsors 15-time Isle of Man TT winner Michael Dunlop, seven-time World Champion Tim Reeves and his passenger Mark Wilkes. He is also a partner in the boutique motorcycle restoration company TT Motorcycles, and obviously loves the work they do, bringing classic '80s Honda and Yamaha motorbikes back to pristine condition. After speaking at length about his teammates and colleagues, he mentions almost as an aside, "I also drag race myself. I have a Mark One Ford Capri, which is very very fast, over two thousand horsepower. It runs this quarter mile from seven seconds dead, at over 200 mph a quarter mile." As our conversation returns to his first love, Cox still speaks with the untainted enthusiasm of his teenage self, unselfconsciously "dancing his ass off" in the middle of the dance floor. He mentions forthcoming gigs at Tomorrowland and Space Ibiza On Tour, recent remixes for Matthew Bushwacker and Yothu Yindi, his Dr. Funk "El Rancho" remix, and his remake of "Dark Alleys". Throughout our entire conversation, his gratitude for his place in the world is obvious. "I'm so happy, I feel blessed and honored to be doing what I'm doing. At the end of the day I feel privileged to be able to be in this position, and to give you what you believe you should be getting from me as a DJ, but also as a person, because at the end of the day I'll have a beer with anyone, "I'll have a shot with everyone. I don't see myself any higher than anyone else." " There is some poetic justice in this self-effacing superstar DJ rising to the highest point in the dance music industry, using his position to inspire and support others, while indulging his passion for life in the fast lane and loving every sweet minute of it. By all accounts, it could not have happened to a nicer guy. Carl Cox ‘Dark Alleys’ (Remixes) is out now via Circus Recordings. Carl Cox tour dates: Fri, JUN 14 - Kings Hall at Avant Gardner, Brooklyn, NY Sat, JUN 15 - Brooklyn Mirage, Brooklyn, NY Sun, JUN 16 - Olympic Stadium, Montréal, Canada Wed, JUN 19 - Ushuaa Beach Hotel, Ibiza, Spain Fri, JUN 21 - Ciudad del Rock, Monteagudo Del Castillo, Spain Sat, JUN 22 - Marenostrum Fuengirola, Spain Wed, JUN 26 - Glastonbury Festival, Pilton Green, U.K. Thu, JUL 4 - Petrovaradin Fortress, Novi Sad, Serbia Sat, JUL 6 - Parco Dora, Piemont, Italy Sat, JUL 6 - Kappa Futur Festival, Turin, Italy Thu, JUL 11 - Stadion Poljud, Split, Croatia Fri, JUL 12 - DC10, Ibiza, Spain Fri, JUL 19 - De Schorre Recreation Ground, Boom, Belgium Sun, JUL 21 - Poble Espanyol, Barcelona, Spain Fri, JUL 26 - Tomorrowland, Boom, Belgium Tue, JUL 30 - Privilege, Ibiza, Spain AUG 7-12 - Boomtown, Hampshire, U.K. For more live dates visit carlcox.com/tours Read More

[16richteau]

"Hyrule" by Vikthor Flores via /r/gaming http://bit.ly/2HJuDa9

[betoverheks]

In memoriam onze grote vriend de Duitse herder Carlos van Nieuwlandshof.

In memoriam onze grote vriend de Duitse herder Carlos van Nieuwlandshof.

De laatste weken heb ik het gevoel dat Ysbrandt om me heen loopt te draaien. Ik denk aan hem, mis hem….. En ook noem ik VikThor om de haverklap Ys. Vreemd.

Dan gaat Carlos hemelen. Het is nu toch echt afgelopen met onze grote harige Duitse vriend. Gelukkig heb ik nog afscheid kunnen nemen. Dat was er bijna bij ingeschoten…..

‘Ys is hem vast op komen halen,’ denkt Heks bij zichzelf. Ik…

[mekiampokemon]

¡Damos la bienvenida a Vikthor Frisk!