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#Water line repair in New Orleans
nationaleconomy999 · 1 year
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Are you making these water line New Orleans mistakes
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accutemphvac · 5 months
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Water Leak Repair and Detection Services in Baton Rouge and New Orleans, Louisiana
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Police: Officers shot, killed man who pointed gun at them METAIRIE, La. (AP) — A Louisiana state trooper and two levee district officers shot and killed a man who was pointing a gun at them, Louisiana State Police said. Alleged shooter surrenders in death at Louisiana gas station NEW ORLEANS (AP) — A man wanted in the shooting death of another man during a dispute in a line at a gas station in suburban New Orleans is in custody, authorities confirmed Saturday. Louisiana deputy fatally shoots woman who dragged colleague METAIRIE, La. (AP) — A Louisiana deputy shot and killed a woman who dragged another deputy with her car after yelling racist slurs at workers repairing a water main, authorities said.
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Best Plumbing Service in New Orleans
Website : https://neworleans.plumbingdrainservices.com
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Cleaning sewer lines with a jet can prevent buildup in your pipes. Huge problems can be avoided with routine maintenance. For Water Jet Cleaning Service in New Orleans, Blair Plumbing Inc offers a wide variety of service contracts to suit your needs.
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olivemac · 3 years
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1300 miles | chapter one | b.b.
Summary | Bucky Barnes is adjusting to civilian life, living in Brooklyn, visiting Sam in Delacroix when he can, and trying to figure out what he wants. When he meets Jo Landry, the tattooed lead singer of a New Orleans-based band, he thinks he might have found the answer. Too bad they live 1300 miles apart.
Time Frame | post-TFATWS
Pairing | Bucky Barnes x fem!oc
Rating | explicit
Warnings | mentions of combat-related injuries, alcohol use, tattoos/body piercings, coarse language, gay male character, bisexual female character, recreational/medicinal drug use (weed), pet names (doll, Sarge), smut (f/m, mutual masturbation, fingering, slight dom!Bucky, praise kink), angst if you squint but not really, and all the romance tropes/fluff because I'm a sucker for it; more warnings to come; 18+ ONLY, minors DNI
A/N | It’s my birthday, so to celebrate I’m sharing chapter one of my new WIP. This started its life as a one-shot but then my enneagram 4 brain took over and now it’s looking like it’ll be a multi-chapter short. Enjoy!
Also, feedback – comments, likes, etc. – is always appreciated, my loves.
AO3 link | 1300 miles playlist
_____
The sun is just starting to sink in the sky as Sam and Bucky finish the latest repairs on the boat. Sam has spent the last hour pestering Bucky about things he’s missed over the last 80 years — things he needs to do, shows and movies he needs to watch, music to listen to, places to go. Bucky is considering the consequences of putting his vibranium fist through the new Captain America’s face.
“You’re telling me you’ve never been to New Orleans?” Sam half-shouts at Bucky in amusement.
“Sam, besides the airport, when would I have been to New Orleans?” Bucky sighs.
“We’re going. Tonight.” He stands up. “But none of that Bourbon Street bullshit. I know a place,” he says.
_____
The bar is crowded on a Saturday night, but they manage to find a table near the small stage where a band is setting up.
“I’ll get drinks,” Sam says, heading to the bar.
“Sam said he knows the owners?” Bucky asks Sarah.
“Jo and Danny. Yeah,” Sarah says. “Danny served with Sam on his last tour. Real young kid when he served. Took some shrapnel to the chest and face in an RPG explosion and got out early. He and Sam kept in touch.”
Bucky watches Sam talk to a man with a mop of curly, brown hair and an auburn beard behind the bar. From where he sits, Bucky can see a jagged scar peeking out from the top of the man’s beard over his cheek, stopping just below his right eye.
Sam returns with three beers. "Danny says hi," he tells Sarah. "Says he'll come over when he has a free minute."
"Jo around?" Sarah asks.
Sam nods toward the stage. "She's playing tonight. Danny says she's in the office rewriting the set list."
Bucky sips his beer and looks around. When they entered, there was a wave of enthusiasm as people recognized Sam as Captain America, but it seems to have died down and now no one is paying them much attention. Bucky prefers it that way, though he’s happy that people are excited for Sam.
“Speak of the devil,” Sam says, smiling and nodding toward a woman emerging from a door beside the bar marked ‘Employees Only.’ She’s wearing a loose-fitting white tank tucked into light-wash jeans cuffed just above a pair of black combat boots. Her wavy, dark hair fans out behind her as she rushes towards the stage. She's clutching a piece of paper in one hand, and the smile on her face makes Bucky's heart stutter for a moment.
Sam catches the way Bucky is watching Jo as she jumps onto the stage. He elbows Sarah and nods at the lovestruck look on Bucky's face, and they share a smirk. Bucky doesn't notice the exchange. He's too busy studying Jo. Her arms are covered in tattoos, from shoulders to fingers. When she tucks a strand of hair behind her left ear, Bucky can see the row of piercings adorning the curve of her ear. There's a gold ring between her nostrils. Bucky's seen some of the kids in Brooklyn with that piercing, but he doesn't know what it's called. He's seen plenty of women like her since moving back to New York — with tattoos and piercings and dark hair — but there's something about the combination with her green eyes and soft smile that makes his mouth go dry and his palm sweat.
He takes another sip of his beer to ground himself.
Jo picks up an acoustic-electric guitar from its stand, swings the strap over her shoulder, and plugs the guitar into a small amp at her feet. She raises her right hand in the air and sets a count with her fingers — one, two, three, four. The band starts, and Jo strums the guitar, smiling at the crowd. When she steps up to the microphone and opens her mouth, Bucky is surprised at how sweet her voice sounds. He was expecting it to be rougher, but it's gentle and warm, and he likes the way her mouth looks as it forms the words to the song.
Next to him, Sam taps his foot along to the music. Bucky can't remember the last time he saw a band play live. God, he thinks, it was before the war, before everything. He takes another sip of his beer before Sarah hands him a fresh bottle. He hadn't even noticed that she'd left the table and gone to the bar. He smiles and nods his thanks.
Sarah leans over and whispers to Bucky just loud enough for Sam to hear, as well, "You should ask her out after the show."
Bucky grimaces and shakes his head. As he told Yori once, there's a dance to these things, and he's eighty years out of practice. Plus, his last date didn't exactly go as planned.
But he can't stop staring at Jo's painted black nails and tattooed fingers as they move across the guitar strings. LOVE is written across the top knuckles of her right hand, HATE on the left. A series of lines and dots decorate her lower knuckles. There’s a snake curling around her left wrist, its inked head resting on her hand, and several large peonies cover the back of her right hand and up her forearm. Bucky wonders what her tattooed hands would look like wrapped around his cock. He also wonders where else on her body she has tattoos and what that voice would sound like when he's between her thighs. Fuck.
The band transitions into another song, and Jo's eyes land on Bucky. She's used to people staring at her, especially when she's on stage, but she's caught by the way his eyes never leave her, never wander to look at the band's female bassist or to Sarah sitting next to him. She's certain his stare could burn a hole right through her, and she wouldn't even complain. He’s fucking gorgeous.
She knows who he is, of course. She’s seen the recent footage of him with Sam in New York and read the Times article detailing his move from assassin to almost Avenger. Plus, her twin brother, Danny, was a bit of a history nerd as a kid so she’s definitely seen a Captain America documentary that mentioned the Howling Commandos. And they may or may not have hidden a fugitive Captain America and Falcon following the Accords.
Jo tears her eyes away from the super soldier and focuses on the rest of the audience. She can see Danny behind the bar, flirting with the man he's been trying to sleep with for the past two weeks. She catches his eye and smiles her encouragement between lyrics. Get his number! she tries to say with her eyes. Danny's usually pretty good at reading her mind. She doesn't know if it's a brother thing or a twin thing or just a Danny thing, but when he holds up his phone in surrender and smiles back at her, she knows he got the message.
The first half of their set ends with a crash of drums and a long guitar riff. Jo takes a swig from the mason jar full of water she keeps on stage. Her eyes meet Bucky's again as she swallows, and he licks his bottom lip. Heat curls in the pit of her stomach at the thought of what else that tongue could do.
Willow, the band's bassist, steps over and whispers in Jo's ear, “If you don’t fuck him after the show, I’m going to."
When Jo looks at her, she can see the amusement dancing in Willow's eyes. She rolls her own eyes and avoids looking directly at Bucky for the rest of the set.
_____
After the last song, Jo thanks the crowd and helps the rest of the band tidy up the stage, unplugging amps and turning off the mics. She's still trying not to look at Bucky, even though she can feel his eyes on her.
"You have to stop staring, man," Sam whispers to Bucky.
"I'm not staring," Bucky grumbles.
Sarah laughs, "You're definitely staring."
“Here," Sam says, "I'll introduce you." And before Bucky can protest, Sam is waving Jo over. "Josephine," Sam says, hugging her.
"Samuel," she returns, smiling. "Congrats on the new gig." She punches his shoulder lightly. "Better you than that John Walker douchebag," she says. Bucky snorts, and she catches his eye and smirks before turning to Sarah. "Hey, Sarah." They exchange pleasantries while Bucky tries to get his tongue to turn back from lead.
Sam points at Bucky, "This is—"
Bucky stands. "Bucky. Barnes."
Jo smiles and shakes his gloved hand. "Jo. Landry," she says, matching his cadence.
Sam was right. Bucky can't stop staring at her. This close, he can see there's a bit of gold in the green of her eyes and a slight gap between her two front teeth. She smells like sandalwood and citrus and just a little bit like pot.
Jo returns his stare. His five o’clock shadow doesn’t hide the dimple in his chin, and she briefly imagines pressing her lips against it. She’s trying to name the exact shade of blue of his eyes when Sam clears his throat.
She’s not usually so easily flustered by attractive people, but Bucky's blue eyes and chiseled jaw have done a number on her self-control. “Let me grab a drink,” Jo says, turning quickly.
“No need,” Danny says, appearing in front of her and handing her a glass. He leans in and whispers in her ear, “He’s cute.”
“Please fuck off,” Jo hisses in return, widening her eyes at him. She’s only half-serious, and Danny knows it. It’s a twin thing.
When she looks at Bucky again, he’s smirking, and she wonders if enhanced hearing is a super soldier trait. Bucky pulls out the fourth chair at the small table for her to sit, and Jo can't remember the last time someone did that for her.
"The show was great," Sarah says, grabbing Jo's attention.
"Thanks," Jo replies. "Took a while to get back to it after…” she snaps her fingers but doesn’t finish her sentence.
"You were snapped?" Bucky asks.
Jo nods. "Yeah. You?"
"Yeah."
"Cheers," she says sarcastically, raising her glass in a toast. She shakes her head again and pushes her hair behind her ear. "Five years just," she holds her hands open, "gone. Danny was still here, holding all this together by himself."
She tucks one leg under the other, and her knee bumps Bucky’s beneath the table. When she moves to pull her knee away from his, he places a gloved hand on her thigh, holding her leg in place.
Bucky surprises even himself with this move. He hasn’t been this forward with a woman since an auburn-haired nurse in Italy during the war. With her, it was all hands and mouths and skin on skin because he was certain he was going to die any day. Now he supposedly has all the time in the world. He just isn’t sure what he wants to do with it.
But in this moment, he's comfortable here, in this tiny bar, with a beer in his hand and Jo's knee pressed against his. He's confident that Sam would never introduce him to someone he couldn't trust.
Bucky's flirted with Sarah, sure, but that was mostly to irritate to Sam. And as much as he doesn't want to admit it, the thought of something happening between himself and Sarah and then ending badly and ruining his relationship with Sam makes his stomach hurt. Pursuing Jo seems safer in that regard. She and Sam are friends, but if — when, he thinks — he ruins things, he can just go back to New York instead of losing his only friend.
Jo asks Sarah about AJ and Cass to distract herself from the butterflies forming in her stomach at Bucky’s touch, and Sam starts a story about the boys' latest interests. Bucky is content to listen to the three of them talk, his eyes barely leaving Jo. When she flicks her gaze over to him every now and then, she doesn't seem phased by his staring, and she hasn't pulled her knee away from where it's softly touching his. After a while, Danny emerges from behind the bar and joins their table, introducing himself to Bucky with a firm handshake.
While Danny and Sam trade updates about people they know, Jo leans towards Bucky and asks, “You want another drink?”
“Sure,” Bucky replies.
Jo doesn’t say anything else, just nods her head toward the bar, stands, and offers Bucky her hand. He takes it, the leather glove of his right hand warm against her palm. He wishes he could feel her skin without the gloves between them. He doesn’t usually wear them around Sam and Sarah and everyone in Delacroix, but he wasn’t sure how the metal arm would be perceived at this bar he’s never been to. Sam told him not to worry about it, but Bucky doesn’t like to draw unnecessary attention to himself.
Jo leads him through the sea of tables to a barstool, then moves behind the bar and grabs him a fresh bottle of the beer he's been drinking all night. "Unless you want something stronger," she says, pausing before she hands it to him.
"This is good," Bucky replies.
She pops the top and hands him the bottle. He takes a sip as he watches her maneuver around the bartender on duty to fix herself another whiskey sour before taking a seat on the barstool next to him.
"Full disclosure; because it's only fair," she says, taking a sip of her drink. "I know who you are, Sergeant Barnes. Not the whole story, but bits and pieces."
Bucky pauses. He searches her eyes for the fear he's expecting but finds none. "And you're okay with that?" he asks.
Jo quirks the corner of her mouth up in a half-smile and says, “If Sam trusts you, I trust you."
“I’m not great with meeting new people, and I was telling myself the same thing about you," Bucky admits, almost sheepishly.
“You know we can never tell Sam about this, right?" Jo says, conspiratorially. "We’ll never hear the end of it.”
“Never,” Bucky agrees, and knocks his beer bottle lightly against her glass in understanding.
They talk for a while, just the two of them alone at the end of the bar. Jo asks him how he likes Louisiana ("Hot, but the people are friendly"); where he's staying ("Sarah's"); when he's heading back to New York ("A week from tomorrow"); what he likes to do for fun ("Still figuring that out"); his favorite place ("Wakanda") and favorite book ("The Hobbit"); and a myriad of other questions — some of which Bucky answers easily and some that make him pause. He makes her give her own answers to each one in turn.
Jo leans close to Bucky so she can hear him over the noise of the room, and he takes the opportunity to study her features more closely. He's practically mapped all of her face when her eyes leave his for a brief second and land on Sam, Sarah, and Danny staring at them from the table across the room.
"Don't look now," she whispers, leaning even closer, "But we seem to have an audience."
Bucky makes a big show of looking over his shoulder at the group.
"I said 'don't look!'" Jo laughs and swats casually at his arm.
Bucky takes the opportunity to pin her hand with his own, holding it tightly and licking his bottom lip before smiling at her. He can see the blush paint her cheeks and creep down her neck and chest.
He likes Jo, likes how easy it feels to be around her. He isn't used to that. He isn't used to feeling comfortable with people. Hell, he thinks, I barely feel comfortable with myself. But there's something about Jo that makes him feel safe and calm. Of course, there's attraction there — plenty of it — but he's sure it's more than that.
For her part, Jo is enamored with Bucky. She likes his hard edges and his snark, but she also likes the small glimpses he's given her of the man beneath all of that. She doesn't usually fall for people so easily, but she's found herself drowning in the sea of blues that make up Bucky's eyes, and she doesn't want to be rescued. How fucking cliche, she tells herself.
"We should probably go back over there," Bucky says, squeezing her hand once before releasing it.
They both stand and make their way back to the table. Bucky pulls Jo's chair out for her again, but this time, he makes sure to pull it a little closer to his chair in the process. This doesn't go unnoticed by Sam who smirks at him. Bucky returns the smirk with a thin-lipped smile of his own before scooting even closer to Jo.
Jo finds it hard to focus on the conversation in front of her with Bucky's warm body so close to her own, and she realizes she misses the pleasant feeling of his gloved hand around hers. She places her own hand on his thigh and hopes he gets the hint.
Bucky’s fascinated by even the slightest movements of Jo's tattooed fingers, and when her hand rests on his denim-clad thigh, he thinks the sight alone might kill him. Before he can second-guess himself, he pulls the glove off his right hand and links his own flesh and bone fingers with hers.
Jo doesn't look at Bucky — she's trying not to draw attention to her hand in his lap — but Bucky watches the corner of her mouth quirk upwards into a smile, and he squeezes her hand in response.
The conversation continues a bit longer before Danny leaves the table to check in with his bartender. Jo excuses herself to get another drink, and Bucky watches her pop behind the bar to fill a glass for herself.
"I need to get home, relieve the babysitter," Sarah says when she finishes her beer.
"We're heading out then," Sam says, then turns to Bucky, "You coming?"
Bucky looks toward Jo and says, "No, I'm gonna stick around. I'll get a cab back or get a hotel room in the city."
Sam smirks. "I don't think you're gonna need a hotel room, man."
Bucky rolls his eyes.
"Just promise me you'll use protection," Sam laughs. "We don't need any little super soldiers running around just yet."
Bucky gives him a sarcastic smile, but realizes Sam's probably right, and he definitely doesn't have any condoms in his wallet. He's not planning on sleeping with Jo tonight — he just met her, and he's not sure he's ready for that yet — but if the army taught him anything, it's to be prepared. As if reading his mind, Sam pulls out his wallet and places a condom in Bucky's palm before pulling him in for a hug and clapping him on the back.
"Have fun, man," Sam says.
Sam and Sarah say their goodbyes to Danny and Jo on their way out, and Bucky joins Jo at the bar, sitting on the barstool next to her where they sat earlier.
"Sticking around, soldier?" she asks. She reaches for his dog tags and tugs them gently. The drinks have been strong, and she's feeling more flirtatious than she would otherwise.
"If you don't mind," Bucky replies.
Jo smiles and reaches for his hand this time. "Not at all."
"Are you gonna finish your interrogation of me?" Bucky asks, amusement apparent in his voice.
Jo laughs in return. “I thought I'd read your palm instead," she says, turning his hand over in her own.
Bucky snorts but doesn't pull his hand away. "Is this a trick you use on all the guys?"
"And girls," Jo says, meeting his eyes. Then she studies his hand carefully, running her index finger across the lines that crisscross his palm.
"Your dominant hand," she continues, "determines your future, while your non-dominant hand is tied to your past."
Bucky snorts again at the truth of it all.
"I'm not making this up!" Jo laughs. "I mean, someone did, but I'm not!" She can see the laughter shining in Bucky's eyes, so she goes on, "Your head line is deep, meaning your thinking is clear and focused, but it's also curved downward which indicates a creative spirit and an appetite for literature and fantasy." She looks up at him, "Explains the love for Tolkien."
"I'm not sure I'm buying this," Bucky says.
"You've literally fought aliens, and you're gonna give me a hard time over palm reading," Jo laughs.
"The aliens were real," Bucky deadpans.
"And in New Orleans, palm reading and psychics and crystal balls and voodoo are real," Jo says, still laughing. "But I promise not to read your palm again or read your aura or get out the tarot cards."
Bucky likes the way her slight accent makes New Orleans sound more like Nawlins. He also likes the sound of her laughter and the way her face lights up when she smiles. She's still holding his hand in her own, so he turns his palm over in hers and brings her tattooed knuckles to his lips.
_____
Meanwhile, the bar closes, and Danny and the bartender clean glasses and close up for the night.
Danny points at Jo as he comes around the bar. "I’m locking up then heading upstairs," he says.
"Thanks, love," Jo replies.
Danny walks the bartender out and locks the front door, then retraces his steps to the back of the bar. On his way past Jo, he stops and kisses her on the cheek, saying, "Be good. And set the alarm."
He turns to Bucky. "And you, Sergeant Barnes," he says, pointing at him now, "I know you're an Avenger or whatever, but if you hurt her, I'll kill you."
"Bye, Danny," Jo says, rolling her eyes as he disappears through the door marked 'Employees Only.' "Don't worry about him," Jo says, turning back to Bucky.
“Older brother, right?” Bucky says. He understands; he was an older brother once.
“Twins, actually,” Jo smiles.
Bucky takes a sip of his beer. "Sarah said Danny served with Sam," he says.
"Yeah. Afghanistan. A lifetime ago," Jo says. “He only had one more mission before he could come home so he switched with someone. An RPG barely missed the helicopter he was in, and he was pretty badly injured in the explosion and the resulting crash. Almost lost an eye. He came home, got out of the Air Force, went to business school. Now we own the bar..." She pauses to take the last sip of her drink. "...and the building. Sam's really helped Danny get past everything."
"He's good at that," Bucky says.
"Another thing we can never tell him," Jo laughs.
"Agreed. So, when do I get to ask about your tattoos?" he questions.
"What do you want to know?" she asks.
Bucky licks his bottom lip. "Anything."
He likes her dagger tattoo the best. It’s inked on the inside of her right forearm, nestled amongst the peonies, the hilt facing the crook of her elbow and the knife’s tip pointed toward her wrist. It’s feminine and dangerous and incredibly sexy. She blushes when he tells her how much he likes it. He doesn't tell her it reminds him of one of his favorite knives, currently tucked at the bottom of his backpack back in Sarah's living room.
"In some ways, they're my armor," she explains. "When I'm on stage, people look at the tattoos, not me, and I kind of like that. It lets me be whoever I want to up there."
Bucky understands the desire to hide better than anyone. But she knows who he is so there's really no point in hiding from her any longer. Plus, he feels like his arm is something she would understand, something she could accept — not just because of her brother's military record but because of her own unique body modifications.
He pulls his left glove off and shrugs out of his leather jacket, revealing the vibranium arm beneath his black t-shirt.
Jo takes in the black metal and gold details. "That," she says, pointing to his arm, "is lovely."
"It's lethal," Bucky warns.
She cocks her head to the side and says, "If you're trying to scare me, it won't work, Sergeant Barnes."
Bucky can't stop the corner of his lip from pulling up in the slightest hint of a smile.
"Okay,” she says, placing her palms flat on the bar top. “You want another beer?" she asks.
Jo stands and turns to move behind the bar, but Bucky's vibranium hand on her arm stops her. She looks at him curiously, and he slides his arm behind her back and pulls her flush against his chest. She settles between his open thighs, her palms resting gently on top of his legs. He's staring at her so intensely she's convinced he willburn that hole right through her, but she can't bring herself to look away.
He leans in, his lips only a breath away from hers.
"Can I kiss you?" Bucky finally asks, his flesh hand moving up to cup her cheek.
"Please," Jo whispers, desperately.
Bucky closes the distance between them, and his lips meet hers. He's hesitant at first, but when he feels Jo respond, wrapping her arms around his neck and pressing even closer, he runs his tongue along the seam of her lips until she opens them for him. She tastes like bourbon and lemon from the whiskey sours she's been drinking, and Bucky loves it. His tongue sweeps along the roof of her mouth, and Jo moans. Bucky is determined to hear that sound again.
He kisses across the corner of her mouth and over her jaw. The hand that was cupping her cheek moves to her hair to angle her head backwards and give him better access to the bare skin of her neck. He laves his tongue over the corded muscles there, then nips at the skin with his teeth. She moans again, and Bucky is on fire.
Jo's right hand weaves into his short hair and tugs until his mouth comes away from her neck. He catches his breath while Jo nuzzles his nose with her own and places a soft kiss against the Cupid's bow of his upper lip. His eyes meet hers, and her pupils are blown wide with lust.
The need to kiss her again is overwhelming. Bucky’s lips find hers, and Jo somehow leans even closer into his body, her hands tracing down his chest to his waist. Bucky lets his own hands move to Jo’s ribs, resting just beneath her chest, his thumbs teasing the underside of each breast. Jo gasps when Bucky’s right thumb moves across her taut nipple.
Fuck, he thinks, I need to slow down. While he’s shared kisses with the handful of women he’s met on dating apps, he hasn’t done anything this intimate in a lifetime.
Bucky pulls away, panting. He rests his forehead against Jo's and stares into her green eyes.
"I should leave," he says. “I’m getting carried away. I…I want to do this right.”
And he does. Desperately. He wants to buy her flowers and take her out and learn what makes her swoon. But he also wants to map every tattoo on her body with his fingers and tongue and then fuck her until she can’t walk straight.
He closes his eyes and takes a deep breath.
Jo laughs breathily. “We don’t have to do anything, but it’s almost three o'clock in the morning and your ride already left. You can sleep on my couch if you want to be a gentleman.”
Bucky groans. “I should be a gentleman."
She kisses him again, lightly, then moves away to set the alarm and turn the rest of the lights out. She leads him through the 'Employees Only' door and up a set of stairs to her apartment.
"You're not allergic to cats, are you?" Jo asks, as she unlocks the door.
"No," Bucky says. As far as he knows, he's not allergic to anything thanks to the knock-off serum, but he doesn't say that.
Inside her apartment, Jo kicks off her combat boots at the door, and Bucky does the same, leaving them both in their socked feet. There's a fluffy black cat sitting on the back of the green velvet sofa.
"That's Toulouse," Jo says. "Or Louie. He doesn't answer to either, so it really doesn't matter what I call him."
The cat regards Bucky with indifference before standing up, stretching, and leaving the room.
"Guest bathroom’s just there,” she nods. “Let me get you some blankets and pillows for the couch," Jo continues. "Unless you've changed your mind about being a gentleman." She smirks at him.
Bucky laughs through his nose. “Don’t tempt me.”
Jo leaves the room for a moment, which gives Bucky a chance to look around. He's standing in her living room; one wall features a set of French doors that lead to a balcony overlooking the street, and the opposite wall holds bookcases stuffed from floor to ceiling with books, framed photographs, and various knick-knacks. From where he stands, he can see a small room with an upright piano and guitars hanging on the walls. The exterior walls of Jo's apartment are brick, and everything else is set in jewel tones. He likes it. It's dark and cozy, and from what he knows of Jo so far, her living space matches her well.
When she returns, Jo is holding a stack of blankets and pillows. She sets them on the ottoman and moves across the room to close the curtains.
"There are some sweats and a t-shirt there that should fit you" she says, turning to Bucky.
"Thanks," Bucky says, smiling softly.
Now that they're here, in her apartment, Bucky isn't sure what he's supposed to do or say. He can still feel the heat of Jo's lips on his, and he's painfully aware that the condom Sam gave him is still in his pocket.
Jo must sense the hesitation rolling off him because she crosses the room to stand in front of him and takes his hands in hers.
"Get some sleep, Sarge," she says, squeezing his hands in tandem before dropping them.
"Goodnight, Jo," Bucky returns.
_____
Bucky lays on Jo's couch in the dark beneath blankets that smell like laundry detergent. He wishes they smelled like her. He unlocks his phone and looks up the distance between New Orleans and Brooklyn. Just over thirteen hundred miles. He sighs and drops his phone onto the coffee table before closing his eyes and reliving each kiss as he falls asleep.
On the other side of the wall, Jo falls across her bed, deflated. She likes this guy. She wants him — painfully so. But leave it to her to fall for the one guy in her bar who lives half-way across the country.
_____
next chapter
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nationaleconomy999 · 5 days
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sleepysera · 3 years
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Aug 31 Headlines
WORLD NEWS
Afghanistan: Afghans face uncertainty as Taliban celebrate victory (BBC)
"Taliban fighters have declared victory at Kabul airport after the final withdrawal of US troops. The final American plane departed just after midnight on Tuesday. Heavy gunfire was reported in Kabul overnight, as pro-Taliban forces celebrated. US officials said that together with allies, they managed to evacuate some 123,000 people before the 31 August deadline. US Secretary of State Antony Blinken says a "new chapter of America's engagement with Afghanistan has begun""
Cyprus: Syrian oil slick spreads across Mediterranean (BBC)
"Authorities in Cyprus are monitoring an oil slick that originated from a power plant on Syria's Mediterranean coast and could soon affect the island. Syrian state media said last week there had been a spill from the plant, which is inside the Baniyas oil refinery. Satellite imagery showed that the slick spread north along the Syrian coast before moving eastwards towards Cyprus."
Brazil: Hostages describe terrifying getaway car ordeal (BBC)
"Bank robbers in Brazil who used hostages as human shields by forcing them to lie on the roofs and bonnets of their getaway cars told them they would be shot in the face if they did not cling on, one of the hostages has said. They took at least 11 people hostage and held them for nearly two hours. Police are searching for the bank robbers, most of whom are on the run. Three people, one of them a suspect, were killed in the robbery in the city of Araçatuba in São Paulo state."
US NEWS
Hurricane Ida: No power, no flights, scant drinking water (AP)
"Louisiana communities beginning the huge task of clearing debris and repairing the damage inflicted by Hurricane Ida are facing the dispiriting prospect of weeks without electricity in the oppressive, late-summer heat. Ida ravaged the region’s power grid, leaving all of New Orleans and hundreds of thousands of other Louisiana residents in the dark with no clear timeline on when the electricity would come back on. Some areas outside New Orleans also suffered major flooding and damage to homes and businesses."
Afghanistan: Last troops leave, ending America's longest war (AP)
"The United States has completed its withdrawal from Afghanistan, ending America’s longest war and closing a chapter in military history likely to be remembered for colossal failures, unfulfilled promises and a frantic final exit that cost the lives of more than 180 Afghans and 13 U.S. service members, some barely older than the war. Hours before President Joe Biden’s Tuesday deadline for shutting down a final airlift, and thus ending the U.S. war, Air Force transport planes carried a remaining contingent of troops from Kabul airport late Monday. Thousands of troops had spent a harrowing two weeks protecting the airlift of tens of thousands of Afghans, Americans and others seeking to escape a country once again ruled by Taliban militants."
Wildfires: California fire approaches Lake Tahoe after mass evacuation (AP)
"A ferocious wildfire swept toward Lake Tahoe on Tuesday just hours after roads were clogged with fleeing cars when the entire California resort city of South Lake Tahoe was ordered to evacuate and communities just across the state line in Nevada were warned to get ready to leave. The popular vacation haven normally filled with tens of thousands of summer tourists emptied out Monday as the massive Caldor Fire rapidly expanded."
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newstfionline · 3 years
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Tuesday, August 31, 2021
Hostile school board meetings have members calling it quits (AP) A Nevada school board member said he had thoughts of suicide before stepping down amid threats and harassment. In Virginia, a board member resigned over what she saw as politics driving decisions on masks. The vitriol at board meetings in Wisconsin had one member fearing he would find his tires slashed. School board members are largely unpaid volunteers, traditionally former educators and parents who step forward to shape school policy, choose a superintendent and review the budget. But a growing number are resigning or questioning their willingness to serve as meetings have devolved into shouting contests between deeply political constituencies over how racial issues are taught, masks in schools, and COVID-19 vaccines and testing requirements. In his letter of resignation from Wisconsin’s Oconomowoc Area School Board, Rick Grothaus said its work had become “toxic and impossible to do.” “When I got on, I knew it would be difficult,” Grothaus, a retired educator, said by phone. “But I wasn’t ready or prepared for the vitriolic response that would occur, especially now that the pandemic seemed to just bring everything out in a very, very harsh way. It made it impossible to really do any kind of meaningful work.”
California fire approaches Lake Tahoe after mass evacuation (AP) A ferocious wildfire swept toward Lake Tahoe on Tuesday just hours after roads were clogged with fleeing cars when the entire California resort city of South Lake Tahoe was ordered to evacuate and communities just across the state line in Nevada were warned to get ready to leave. The popular vacation haven normally filled with tens of thousands of summer tourists emptied out Monday as the massive Caldor Fire rapidly expanded. Vehicles loaded with bikes and camping gear and hauling boats were in gridlock traffic, stalled in hazy, brown air that smelled like a campfire. Police and other emergency vehicles whizzed by. “It’s more out of control than I thought,” evacuee Glen Naasz said of the fire that by late Monday had been pushed by strong winds across California highways 50 and 89, burning mountain cabins as it swept down slopes into the Tahoe Basin.
Hurricane Ida traps Louisianans, shatters the power grid (AP) Rescuers set out in hundreds of boats and helicopters to reach people trapped by floodwaters Monday, and utility repair crews rushed in, after a furious Hurricane Ida swamped the Louisiana coast and ravaged the electrical grid in the sticky, late-summer heat. People living amid the maze of rivers and bayous along the state’s Gulf Coast retreated desperately to their attics or roofs and posted their addresses on social media with instructions for search-and-rescue teams on where to find them. More than 1 million customers in Louisiana and Mississippi—including all of New Orleans—were left without power as Ida, one of the most powerful hurricanes ever to hit the U.S. mainland, pushed through on Sunday and early Monday before weakening into a tropical storm. As it continued to make its way inland with torrential rain and shrieking winds, it was blamed for at least two deaths. But with many roads impassable and cellphone service knocked out in places, the full extent of its fury was still coming into focus. The governor’s office said damage to the power grid appeared “catastrophic.” And local officials warned it could be weeks before power is fully restored, leaving multitudes without refrigeration or air conditioning during the dog days of summer, with highs forecast in the mid-80s to close to 90 by midweek.
Heavily armed criminal group ties hostages to getaway cars after storming Brazilian city (Washington Post) A heavily armed group of bank robbers wreaked havoc across a southeastern Brazilian city early Monday, striking several banks, setting fire to vehicles and tying hostages to their getaway cars, in an assault that left at least three people dead, officials say. Even in a country long accustomed to random spasms of violence, Brazilians reacted with shock and fear. The group stormed Araçatuba, a city of 200,000 in São Paulo state, around midnight to strike several city banking agencies. Gunshots punctured the early-morning quiet. Authorities asked residents to stay inside. Images on social media and local news reports showed at least 10 people clinging to getaway cars, apparently strapped there to deter fire from police. The hostages were reportedly released after the group escaped. The raid bore the characteristics of what criminologists have called a growing pattern: nighttime assaults on midsize Brazilian cities—often elaborate bank heists, intricately planned, well choreographed and executed by well-financed criminal groups equipped with the weaponry and gadgetry of war. The group flew a drone over Araçatuba during the raid, according to local reports, to track movements throughout the city.
EU travel restrictions (AP) The European Union recommended Monday that its 27 nations reinstate restrictions on tourists from the U.S. because of rising coronavirus infections there, but member countries will keep the option of allowing fully vaccinated U.S. travelers in. The EU’s decision reflects growing anxiety that the rampant spread of the virus in the U.S. could jump to Europe at a time when Americans are allowed to travel to the continent. Both the EU and the U.S. have faced rising infections this summer, driven by the more contagious delta variant. The guidance issued Monday is nonbinding, however. American tourists should expect a mishmash of travel rules across the continent since the EU has no unified COVID-19 tourism policy and national EU governments have the authority to decide whether or how they keep their borders open during the pandemic.
Italy’s record droughts (La Stampa) The earth is cracking in Italy’s northwest region of Piedmont: the crops and the animals suffer. Italy has been ravaged by fires and storms, like Greece, Turkey and much of Southern Europe. Italy has recorded 1,200 “extreme” meteorological events—a 56% increase from last year. Wildfires ravaged the southern regions of Sardinia, Calabria and Sicily. The town of Florida, in Sicily, is thought to have recorded the hottest temperature ever recorded in Europe: 48.8 °C. Meanwhile, heavy rainfall devastated other parts of the country. Coldiretti, Italy’s largest agricultural association, has just summed up the bill for this Italian summer: The damages to agriculture, it says, amount to €1 billion. Wheat yields have fallen 10%; cherries 30%, nectarines 40%. Tomato and corn crops have also suffered heavy losses. Giovanni Bedino, a 59-year-old Italian farmer, has been working the land since he was 15. “I love this job, but a year like this takes away your love,” he told Turin daily La Stampa. “We couldn’t water the fields and nothing came down from the sky. I remember, the summer of 2003 was a very difficult one—but it wasn’t even close to this year. I have never seen such a drought.”
In India, a debate over population control turns explosive (Washington Post) Yogi Adityanath, a star of India’s political right wing, stood before television cameras in his trademark saffron tunic and dramatically introduced a bill pushing for smaller families—two children at most. In previous decades, this measure by the leader of the country’s most populous state might have been uncontroversial. Over the past month, it’s been explosive. Critics saw a veiled attempt to mobilize Hindu voters by tapping into an age-old trope about India’s Muslim population ballooning out of control. As India barrels toward a pivotal election in Uttar Pradesh early next year, population bills introduced by the ruling Bharatiya Janata Party (BJP) have become a new flash point in the national debate, vividly illustrating how the issues of religion and identity, spoken or implied, form the most powerful undercurrent in the country’s politics. Since 2011, when official census figures emerged showing Hindus dipping to 80 percent of India’s population compared to 84 percent in 1951—Muslims increased from 10 percent to 14.2 percent during that same period—the question of how to maintain “demographic balance” has gained urgency for the Hindu movement’s leaders. A 2016 national survey finding that Indian Muslim women had, on average, 2.6 children compared to 2.1 for Hindus provoked more concern.
North Korea appears to have restarted Yongbyon nuclear reactor, U.N. body says (Washington Post) North Korea appears to have restarted its main nuclear reactor at Yongbyon in July, a “deeply troubling” sign that the country may be on track to expand its nuclear program, according to a new report by the United Nations’ atomic agency. The finding adds another challenge to the Biden administration’s goal of denuclearizing North Korea. Although Yongbyon is not the only site where North Korea has produced highly enriched uranium, its role at the heart of Pyongyang’s nuclear ambitions made the facility a bargaining chip in previous negotiations. In 2008, North Korea ceremoniously blew up the reactor’s cooling tower in a largely made-for-TV event amid nuclear talks between the United States and former leader Kim Jong Il. (A new cooling tower was built after the negotiations fell through.)
Last troops exit Afghanistan, ending America’s longest war (AP) The United States completed its withdrawal from Afghanistan late Monday, ending America’s longest war and closing a chapter in military history likely to be remembered for colossal failures, unfulfilled promises and a frantic final exit that cost the lives of more than 180 Afghans and 13 U.S. service members, some barely older than the war. Hours ahead of President Joe Biden’s Tuesday deadline for shutting down a final airlift, and thus ending the U.S. war, Air Force transport planes carried a remaining contingent of troops from Kabul airport. Thousands of troops had spent a harrowing two weeks protecting a hurried and risky airlift of tens of thousands of Afghans, Americans and others seeking to escape a country once again ruled by Taliban militants. In announcing the completion of the evacuation and war effort. Gen. Frank McKenzie, head of U.S. Central Command, said the last planes took off from Kabul airport at 3:29 p.m. Washington time, or one minute before midnight in Kabul. He said a number of American citizens, likely numbering in “the very low hundreds,” were left behind, and that he believes they will still be able to leave the country. The final pullout fulfilled Biden’s pledge to end what he called a “forever war” that began in response to the attacks of Sept. 11, 2001, that killed nearly 3,000 people in New York, Washington and rural Pennsylvania.
Afghanistan’s ‘Gen Z’ fears for future and hard-won freedoms (Reuters) Almost two third of Afghans are under the age of 25, and an entire generation cannot even remember the Taliban, who ruled Afghanistan from 1996 until it was toppled by Western-backed militia in 2001. During that time they enforced a strict interpretation of Islamic law, banning girls from school, women from work and carrying out public executions. Since 2001, the militants fought an insurgency in which thousands of Afghans died. Since re-taking power, the group has been quick to reassure students that their education would not be disrupted, also saying it would respect the rights of women and urging talented professionals not to leave the country. But used to a life with cellphones, pop music and mixing of genders, Afghanistan’s “Generation Z”—born roughly in the decade around the turn of the millennium—now fears some freedoms will be taken away, according to interviews with half a dozen Afghan students and young professionals. “I made such big plans, I had all these high reaching goals for myself that stretched to the next 10 years,” said Sosan Nabi, a 21-year-old graduate. “We had a hope for life, a hope for change. But in just one week, they took over the country and in 24 hours they took all our hopes, dreams snatched from in front of our eyes. It was all for nothing.”
They made it out of Afghanistan. But their path ahead is uncertain. (Washington Post) As the United States winds down its evacuation operation in Afghanistan, the Biden administration is accelerating efforts to resettle Afghans on U.S. soil, where they will be expected to apply for visas or humanitarian protection that could put them on a path to legal residency and citizenship. But the chaotic nature of the enormous airlift means that much is unknown: Officials have not said precisely how many Afghan evacuees have made it into the United States or whether all will be allowed to stay. More than 117,000 people had been evacuated from Afghanistan on U.S. and other flights as of Saturday, and Pentagon officials said the vast majority are Afghan citizens. Thousands have arrived in the United States, while thousands more are waiting in “transit hubs” in Europe and the Middle East. They are a mix of brand-new refugees and families with existing immigration applications that have been pending for months or years. Where the evacuees will end up is “a hard question to answer,” said Mark Hetfield, president and CEO of HIAS, one of the refugee resettlement agencies operating in the United States. “I don’t really know where they stand,” Hetfield said in an interview. “It’s chaos.”
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Radio Host & Radio Ghost - Nov 14
Alastor meets a ghost possessing a vintage radio.
He’s absolutely delighted.
Valera
Valera hums, rubbing their hands together. What a lovely day to bring demons into their home. Not a single consequence could possibly result from this! With Alastor's okay, they could finally get around to opening a portal for him, whatever water he'd decided was sufficient rippling and turning into an inky void before his eyes. On her side, Valera plops back on the couch and awaits his arrival.
Alastor
And Alastor’s more than ready to jump through the inky void he’s been promised is a portal!
He has not, however, been informed that the portal he just jumped DOWN into is VERTICAL on the other side.
He lands on his back with a blurt of confused mixed frequency crosstalk. What.
Valera
A laugh track plays from across the room, and Valera leans forward to get a good eyeful of the poor, confused fellow. "My dear, if I'd known you were falling all over yourself to get here, I'd have invited you much sooner! Come now, pick up those sorry spirits and have some spirits with me." Funny way to talk about spiked tea, but alright Val.
Alastor
Disoriented by the 90° shift in the angle of gravity, he blinks up at the ceiling for a moment. “What, was the repeated pleading to come see it not obvious enough?”
As his head sorts itself out he abruptly registers the laugh track—SOMEBODY ELSE’S laugh track—and he immediately sits up and looks toward the source of the sound. “Well!!” He’s on his feet in a flash and crossing the room, heading like an arrow toward the authentic, vintage, genuine, incomparable 1931 Philco 90 Baby Grand Cathedral Radio. “Oh my goodness, what a beauty! Look at this! Oh, this is the only cathedral I’ll ever worship at.” He kneels down to get a better look at the front of it. “The wood needs a little love and care—walnut, isn’t it? I don’t know wood but I know my radios, I could swear Philco used walnut—but it’s in fantastic condition!” He presses the side of his head to the front, eyes closed like he’s trying to listen to it. “All nine tubes sound beautiful, just beautiful!” Apparently that’s something you can hear, at least if you’re Alastor.
He sits back and turns to the man sitting next to the radio, beaming. “Listen to me, gushing away without even—Hello! May I compliment you on your lovely home, sir!”
Valera
Whatever Valera was planning to say is forgotten immediately, Alastor's enthusiastic response to her latest acquisition more than entertaining enough to distract her from her train of thought.
The radio flicks on and off like its fluttering its lashes, dial twirling playfully in a reflection of the Ghost Of The Hour's own beaming grin. A waggle of his fingers, and he speaks, voice emanating from the radio and rather garbled as the dial flicks back and forth.
"Compliment taken and appreciated, you beautiful stranger! Aren't *you* all the candy and then some? Lovely to meet a man who knows his stuff, you're right on all counts! Walnut, hand rubbed finish, this is a genuine type two article straight from the production line of late 1931! Updated with AVC and the beautiful addition of type 47 power pentode tubes for the finest and most reasonably priced audio on the market!" A pause to "breathe" as the radio's light flickers, and he shrugs, still beaming. "I'd offer to shake your hand, my good man, but I find I left my tangibility back home. Though I'm happy to try!"
Alastor
His invisible studio audience oohs and aahs appreciatively at each new technical detail. “Reasonably priced, oh, boy—I’d barely paid off a ‘32 when I died! Eighty bucks, if I remember right! Well with the price but good golly if I wouldn’t have loved to enjoy it a little longer.”
He gets to his feet, leaving one hand lingering on top of the radio affectionately. “Oh, I’d give it a shot! Typically, the dead can touch the dead.” He offers his hand. “The name’s Alastor! I’m a radio man myself—on air from ‘24 to ‘33, you might have heard me if you were in range of New Orleans! And what do I call you, my friend?”
Valera
"Oh! A fellow dearly departed? And so close to my own time, give or take a few years! I'd offer my condolences on your departure from the mortal realm, but it seems to me that you're doing rather well for yourself! PLEASURE to meet you, Alastor!" He takes the offered hand in his own, grinning even wider when he realizes he can actually touch the red newcomer. He's got a handshake like he's going to sell you something, firm and eager. "New Orleans, you say? KTRD? Well I never! I do believe I played your station in my old shop! Your broadcast helped me sell quite a few radios back in the day."
A delighted chuckle, and he gives Alastor's hand a last squeeze before dropping it to mess with his suit lapels. "My friends called me Al, but my name is Alexander! I had some other names too I'm sure, but they haven't found their way back yet."
Alastor
He shakes back just as eagerly and his grin stretches wider. “Yessiree, that was me! *Your Pal Al, first voice you hear in the morning and last voice you hear at night!* Why, if I’d known that I was doing free advertising for Philco, I would have written them a letter and asked them to give me a Baby Grand on the house. Still, probably the best eighty bucks I ever spent.”
He takes a step back, giving Alexander a bit of his own space. “I’d catch you up on what you missed, but I’d probably only be able to offer you a couple of years—were you ‘31, or did that just happen to be the model you had nearby when you shuffled off the mortal coil?—and I’ve spent my time since then down in Hell—hope that’s not too off-putting, you know how it is, make a few little mistakes and forget to say your Hail Marys before you kick the bucket and suddenly you find you’re serving an afterlife sentence without possibility of parole! I expect you’ve had a better chance to keep up with the news than I have!”
Valera
"I'd have sent you one myself if I hadn't bought the farm! But your business was appreciated, I'm sure. A radio broadcaster with your chops has quite the eye for quality if I do say so myself, your radio was in the best hands possible!"
"This beauty was a gift from my parents, got it new and died within the month, if memory serves! Damn shame, but it all worked out. I'm sure my mothers would be charmed that I was so attached!"
He waves off the news of Alastor's new home with a scoff. "Oh, pah to that! I was never much for religion before I bit the dust, God always struck me as a terrible sort of man. If you wound up in Hell, it's probably for the better! I'd hate being in close quarters with the kind of parent who thinks tossing his children into fire and brimstone was the best teaching method!"
Alastor
A studio audience laugh at “attached”; attached in more senses than one, apparently. “They must have been women with exquisite taste! Quite a pity about the timing, but at least you’ve had plenty of time to enjoy it! Amazing how well it’s held up, can’t tell you the last time I saw quality like this. Of course,” he arches his eyebrows, “that might just be a side-effect of the neighborhood I’ve been living in, eh? Lucky you latched onto this beauty—otherwise you probably would have ended up living there too, considering your personal leanings. Fair enough if you don’t want to move into that big gated community in the sky, but I wouldn’t recommend the alternative, either.”
He glances over at Valera—wow, look at that, he actually does remember that they’re in the same room. “Speaking of which...” He nods at the spot of the portal he so gracelessly stepped out of earlier. “You probably don’t want to take this with you the next time you spend the night at your fiancé’s. I’ve never heard of a ghost voluntarily walking into Hell so I’m not sure if they’d immediately notice, but I do know that imps conducting business topside are charged with keeping an eye out for rogue spirits that ought to be down below. You take him in, they might not let him back out.”
Valera
Alexander rolls back on his heels, happy to peek around Alastor and back at Valera. Ah, his unexpected rescuer who he's trying very hard not to be wildly rude to by screaming at over the existence of actual aliens! Thumbs up!
As for Valera, she looks at Alastor with raised eyebrows. "Good to know! I hadn't made any plans yet, but it would be a damn shame to get this fellow stuck in a new prison so soon after getting him out of the previous one." A sip at her cup, and she curls her tail politely around her legs. "Either way, I brought you here to help with repairs! Bring your friend over here and lets start getting the cobwebs out of his home, hm?"
Alastor
“Why, of course! Pardon me—“ And up it goes. As he carries the radio over to Valera he’s cradling it half like it’s a heavy sack of groceries and half like it’s a baby. “I didn’t have an opportunity to look around the back, what all needs doing?”
Valera
Valera opens her mouth, and is immediately cut off as Alexander practically flings himself forward to 'sit' on the floor next to the cleaning supplies. "There's almost no damage to the internals, lucky for us! My lovely little number's managed to hold up beautifully despite the.. Unideal conditions. This sweet faced dame here scraped off most of the wax from my previous landlord's attempt at what I assume was an exorcism, but a gentle wash wouldn't hurt! Aside from that, it's largely dusting and polishing! Mindless, really."
He chuckles, the dial on the radio tapping back and forth like a metronome. "Though the lady here took one look at the bottom of the chassis and said she'd rather call an expert, poor thing. From what I saw, it's just a bit of rust and dirty wires, nothing even a child couldn't handle! I'm sure a man like yourself wont even break a sweat!"
Alastor
“So I see.” He leans forward, arching an eyebrow as he inspects the remaining wax. “What kind of ‘unideal conditions’ are we talking about, here? And how *did* this end up here?” He directs that question to Valera. “Of all the places I’d expect to find a ‘31 Philco, you have to go pretty far down on the list before I start listing locations off of planet Earth. And even at that ‘the moon’ and ‘Mars’ would have been my next guesses.” SPEAKING OF WHICH, he leans toward Alexander and gives him an excited look. “Did you know we put ROBOTS on MARS?”
Okay, exciting news shared, back to business. He carefully inspects the bottom of the chassis himself—nothing too bad down there. “I’m as good an expert as you’ll need! I’ve lovingly cleaned off enough fine old radios in my time—although I’m hard-pressed to think of one as fine as THIS!” He looks over the selection of cleaning tools.
Valera
Valera's attempts to speak are once again completely drowned out by Alexander's crackly voice. "Oh she got me on Earth, rest assured! I was in one of my.. grand nephew's attics, I believe? And yes, I DID hear about the robots on Mars! I had nothing to do but listen to the radio while I was up there, and as much as they like to pretend they've murdered the art of broadcasting, there certainly are still plenty of stations out there sharing the news! Nothing compared to your own, of course, but still." A dip of his head towards Alastor, and he scoots closer to watch him work.
The standard tools are available. Wood cleaner, a few soft rags, a small steel wool brush, and rust removing solvents, along with a little pack of cloths for polishing brass. Val side eyes Alexander and deliberately doesn't speak as she picks up a rag to offer to Alastor.
Alastor
He's starting to detect a pattern here. "Say, my phantasmal friend!" He leans over and slings an arm around Alexander's shoulders. "I realize you haven't had much experience with conversation in a while—but let's let our friend Valera get a couple of words in edgewise from time to time, shall we?" He winks, then returns to studying the radio, this time inspecting the innards. He takes the rag and starts brushing out the worst of the dust, just a rough pass to get out the easy stuff. "Ah, of course you would have heard! Naturally. What kind of a state is radio broadcasting in these days, anyway? I've heard some dismal things."
Valera
There's a flash of confusion on Alexander's face as he looks between Alastor and Valera, but he nods without any protest, obligingly leaning in until Alastor releases him from the casual half embrace. "Of course! Terribly rude of me, I'll curb the enthusiasm. My manners could use as much dusting as my radio, it seems!" A light chuckle, and he props his chin on his hands, watching Alastor's movements intently.
"Miserable! It's atrocious the kind of programming they think passes standard these days. Once they broke the stations into specialties, the bar dropped straight past hell! Why, if you have a grave, Alastor, I'm sure you were rolling in it. Half the contents is advertisements, and the other half replays the same songs every few hours with no shame!" He heaves a dramatic sigh, shaking his head. Valera rolls her eyes.
Alastor
“Oh, Hell hasn’t fared much better, I’m afraid—although I’ve helped keep things interesting on the AM band, at least!” A weary sigh. “And to think in the twenties we were butting heads against the regulations that discouraged specialization. Who would have thought the alternative would make so many stations so bland?” His tone darkens. “Although I blame the networks more than anything else, truth be told.”
He’s got a bone to pick with networks.
Valera
Valera finally has a chance to speak? Good. "Well, I'm glad you two have so much to talk about! I'd say you should exchange numbers or find a way to talk in DMs, but I haven't had a chance to try and explain texting or tumblr blogs to Alexander yet." And she is NOT looking forward to it!
"Though, Alastor, if you'll indulge my hypotheticals while we tidy this fellow up. What do you think would be the best way to deal with his current state? I've thought about asking Pentious to make him some kind of automaton frame around his radio, or find a way to separate him from the radio entirely and... Force him to manifest some form of body."
Alexander shrugs, flipping a dismissive hand. "I've got no knowledge of the supernatural, and barely any on the normal natural either, so this is all Greek to me!"
Alastor
“I wonder if it would be possible to get a radio signal through to Hell! I’ve never picked up a radio broadcast from the living world before, but as far as I know none have been sent out by the dead. At any rate, if Internet can get between here and Hell, radio should be able to just as easily—it’s all the exact same stuff, just traveling through the air on different frequencies.”
Alastor considers the issue of Alexander’s body for a moment, glancing over at him. There’s a brief quiet humming noise like microphone feedback from the radio’s speakers as Alastor stretches out with his own energy field, prodding around Alexander’s, measuring it.
Then he snaps it back in and continues working. “Automatons are all well and good, but if you want to know how I’D do it—the easiest thing would be to get him trained up as a poltergeist! There’s three parts he’d have to learn: drawing more energy from his environment than he’s currently getting through passive processes; focusing it so he can telekinetically affect his environment; and finally, focusing it to visually and physically manifest a form for other people to see and touch. It’s essentially what I’m doing any time I step out of Hell, although I’m cheating: coming straight from Hell means I’m carrying enough Hellish energy with me that I don’t need to gather or focus any more, I’m fully solid from the outset. But it’s a skill that can be learned!”
He beams at Alexander. “You’re lucky you’ve got a focus for your energy, here! I’d hazard a guess that all this time you’ve been using what ambient energy you’ve picked up to help power it—but I bet it wouldn’t be too hard for you to use IT to help power YOU!”
This is all too exciting. The study of the interactions between spirits and electricity had only been going a few decades when Alastor died, and the topic is obviously irrelevant in Hell; what he’s proposing was supposedly possible even in his own time, but he can’t imagine what information might be available today.
Valera
Alexander twitches as Alastor's field brushes against his. It's an almost ticklish sensation, like almost but not quite touching something charged with static electricity. The moment passes, and he rubs at his arms. Could ghosts get goosebumps? It sure seemed so! Weird! Everyone he's met has been so strange and colorful, he'd hardly even thought about his own appearance. Immediately distracted, he starts looking for a mirror to check his hair in.
"Hm, I don't have any experience with poltergeists.." Valera's at a bit of a loss, narrowing her eyes as she squints at the two radios. Three radios? Does Alexander count as a separate entity from the radio? Gods, she should have taken the Mortals and Their Souls elective in school. She heaves a sigh. "Well! I hope you're willing to help teach him, Alastor, because otherwise I'm going to have to start doing _research_."
Alastor
“You and me both! Ha! Most of what I learned about poltergeists in life was how to get rid of them, imagine that. But! You know where ghosts end up once they’re got rid of! I’ll inquire around, see if there are any ex-poltergeists interested in sharing their tricks of the trade. If not, I’m sure the imps will know all about it.”
He beams at Alexander. “Oh, this is going to be fun. I haven’t had a reason to dip this deep into the occult since the sixties!”
Valera
"Oh that's marvelous. Thank the gods, the less I have to try and muddle through human focused occultism the better, it gets damnably frustrating trying to find books that aren't full of teenage angst and garbage." She sighs, taking her tea in hand and busying herself with draining the glass. That's ONE problem out of the way.
Alexander glances over, feeling eyes on him again, and offers Alastor his sunniest grin. He wasn't really following the conversation, but that doesn't matter when there's an obvious opening. "Don't leave us hanging, my good man! What happened in the sixties? Inquiring minds, and spirits, want to know!"
Alastor
“The first step is to get book recommendations from actual occultists.” Where is Valera picking up teenage angst?
Oh, Alastor is going to love this new guy, he follows up on the topics that Alastor leaves dangling. “A deep dive into angelology! Researching what sort of defenses Heaven has aside from being ridiculously high in the air—this was before rockets, you see, so we couldn’t just fly up and check—and trying to deduce any of the angels’ vulnerabilities.”
Valera
"Fair enough, I assume you knew a fair few back in your day?" Meet enough overly young heroes and some of them are going to write about their experiences while unfortunately being teens. Combination diary and field guides are the _worst._
Alexander BEAMS as Alastor speaks, the light on his radio dial glowing like a little beacon. "Fascinating stuff there, Alastor! I never even knew that was a field of research, shows what I know! Did you learn anything useful in your forays?" A pause. Wait. " You have rockets in Hell?"
Alastor
“A decent amount! I had a healthy circle of pen pals. None of them quite as successful as me, if I do say so myself—but that had less to do with their occult knowledge and more to do with their heads for business. All the symbols, herbs, and precious metals in the world won’t do you a lick of good if you don’t know how to make a deal with a demon.”
He’s gotten the inside about as clean as he feels safe to while the radio is still clearly *on*—there’s probably no way to fully turn it off as long as Alexander is connected to it, is there?—and starts on the outside. “In the living world, it probably isn’t one! Angelology in general, sure, but penetrating the gates of Heaven? Maybe in an ‘astral projection’ way, but certainly not a ‘breaking and entering’ way! I can’t say I picked up much of practical use, but...” He falters a moment before rallying. “The project I was researching it for fell through, so I abandoned it early with several research avenues unexplored.” Shrug.
For a moment he’s tempted to let Alexander think they DO have rockets. But then he bursts out laughing. “No, no, hah! I only meant that humanity in general has rockets, don’t we—and enough people with the know-how to make ‘em are in Hell by now. We *could* have rockets if we decided to. But we don’t have our act together enough for that—put together a list of everyone who could make it happen, and even the person at the very top of the list has priorities pointed very firmly elsewhere. Anyway, where would we go with them?”
Valera
"You can say that again. Though of course, my experience is decidedly _not_ from the mortal's side." A hum, and Valera leans in to take a peek at Alastor's work. "I knew you were the person for the job, that little darling is looking almost as good as new." A grin for his efforts, that's more than payment enough. That and getting to work on such a nice radio. Probably.
Alexander snickers, pressing a hand to his chest in mock dismay. "My goodness, you really had me going for a moment there, Alastor! I suppose there wouldn't really be anywhere to go, you're right! Though that does beg the question. How *does* Hell compare to all the biblical stories? I can't imagine it being all fire and brimstone if you're as well dressed and decidedly not prodded by pitchforks as you appear to be!"
Lowering her empty cup to the table, Valera flicks her eyes over to watch as Alexander quickly turns to try and pick up the teapot to offer a refill. Bless his dead little heart, he gave it a good shot even if all he managed was a slight rattling.
Alastor
Getting to work on such a nice radio is *absolutely* its own reward. “A professional could do something about the scuffs. And you definitely want somebody else to do something else about the last of the wax.” He rubs a thumb over the last little bumps stubbornly stuck on the wood. “I don’t think I can get the remains off without scuffing the wood.”
He tries to think back to what he was taught Hell was like before he saw the real thing. What had his first impressions been like? “Picture Dante’s Inferno. So you’ve got your rivers bile, your fields of icy mud, your endless hurricanes—but then dump a bunch of humans in it and assume they’re going to do what humans always do. We build cities and civilizations in scorching deserts, frozen tundras, and smothering jungles—and we do just the same in Hell. Sure enough, fire and brimstone is Hell’s natural, untrammeled state—but we��ve been trammeling all over the place for thousands of years by now! The native demons and fallen angels in charge are largely content to ease up on the pitchforks as long as our labors improve their standard of living, too.”
Alastor watches Alexander attempting to manipulate the teapot, then puts his hand on top of the radio and focuses on channeling as much of his own energy into the cathedral case as he can. “Try again now.”
Valera
"You can say that again. Though of course, my experience is decidedly _not_ from the mortal's side." A hum, and Valera leans in to take a peek at Alastor's work. "I knew you were the person for the job, that little darling is looking almost as good as new." A grin for his efforts, that's more than payment enough. That and getting to work on such a nice radio. Probably.
Alexander snickers, pressing a hand to his chest in mock dismay. "My goodness, you really had me going for a moment there, Alastor! I suppose there wouldn't really be anywhere to go, you're right! Though that does beg the question. How *does* Hell compare to all the biblical stories? I can't imagine it being all fire and brimstone if you're as well dressed and decidedly not prodded by pitchforks as you appear to be!"
Lowering her empty cup to the table, Valera flicks her eyes over to watch as Alexander quickly turns to try and pick up the teapot to offer a refill. Bless his dead little heart, he gave it a good shot even if all he managed was a slight rattling.
Alastor
Getting to work on such a nice radio is *absolutely* its own reward. “A professional could do something about the scuffs. And you definitely want somebody else to do something else about the last of the wax.” He rubs a thumb over the last little bumps stubbornly stuck on the wood. “I don’t think I can get the remains off without scuffing the wood.”
He tries to think back to what he was taught Hell was like before he saw the real thing. What had his first impressions been like? “Picture Dante’s Inferno. So you’ve got your rivers bile, your fields of icy mud, your endless hurricanes—but then dump a bunch of humans in it and assume they’re going to do what humans always do. We build cities and civilizations in scorching deserts, frozen tundras, and smothering jungles—and we do just the same in Hell. Sure enough, fire and brimstone is Hell’s natural, untrammeled state—but we’ve been trammeling all over the place for thousands of years by now! The native demons and fallen angels in charge are largely content to ease up on the pitchforks as long as our labors improve their standard of living, too.”
Alastor watches Alexander attempting to manipulate the teapot, then puts his hand on top of the radio and focuses on channeling as much of his own energy into the cathedral case as he can. “Try again now.”
Valera
"Fixing the wood? Not a problem. I just didn't trust anyone else with the internals!" She shrugs, seemingly content to lay back and idly listen as he explains the inevitable human nature of settling even the inhospitable lands of Hell. But the moment Alastor's powers are channeled, Valera stiffens, head swiveling to stare at where his hand at the radio meet as her fins flare out.
Alexander looks between Valera and Alastor, then down to his radio. You know what that reaction sounds like? None of his business! He nods, then carefully, carefully, picks up the teapot and pours a single cup of tea out with a look of utmost concentration. Once the teapot is safely back on the table and the cup is delivered into Valera's hands, and ONLY then, he shuffles back a few feet, looks around to make sure there's nothing breakable near him, and finally throws his arms in the air with a cheer. "Alastor! Whatever you did got me back on the trolley!"
Alastor
The motion catches Alastor's attention and he meets her gaze. Oh, hello? What's all *that* about?
But he doesn't get a chance to ask before Alexander is celebrating his triumph. Alastor switches his attention back to him, beaming. "Back on for the time being—although I'm afraid this trolley company makes you pay by the block and I essentially gave you one nickel. Still, it's proof of concept! You're powering your radio—and your radio can power you. This expands our options immensely!"
Valera
Scoffing while grinning ear to ear isn't something you see often, but Alexander is quick to wave off even minor pessimism with the cheeriest dismissal. "Bah, who cares about that! That's more interaction with my environment than I've managed since I died, I'll take this nickel as far as they'll let me." He pushes the teapot to the left, then the right, and then picks it up once more for good measure before moving to start carefully prodding at Valera, who tolerates it with the face of the family dog tolerating bratty kids yanking their fur.
Alastor
“I suppose five blocks is exciting if it’s the first time you’ve been allowed on the trolley,” he says dryly; then, while Alexander is distracted, he gives Valera an inquiring look. He’s not going to ask Valera about their reaction to his magic while Alexander is around, but he wants them to know he *noticed* and he’s *going* to as soon as he has a chance.
Valera
Valera looks at Alastor, giving him the most innocent stare they can manage with those big ole eyes... And then snorts, shakes their head, and gives a thumbs up. Yeah, yeah. Quiz them later, radio deerman.
Looking back to Alexander and his prodding hands, Valera finally hauls herself up to cheerfully clap her hands together. "Well! This has been lovely, but I think that's enough excitement for the day. We've both got new projects to get to, and the sooner we sort this fellow out the better!"
Alastor
“I think you’re right! Happy I could offer my assistance.” He offers a hand to Alexander. “And a pleasure to meet you, my good sir!”
Valera
Alexander pauses in his prodding to take Alastor's hand in both of his, giving it a firm shake. "I hope I'll see you again, Alastor! Even if we can't figure out how to help me, meeting a fellow radio enthusiast of your caliber is more than worth being stuck in an attic for so long!"
Alastor
“Oh, I’m sure we’ll find a way!” And a firm shake back. “And even if not, I’ll be visiting from time to time anyway, never you fear.”
Valera
Val would ask if that was a threat or a promise, but she isn't really sure she wants to know. A portal is prepared in short order, one wall of the sitting room turning a familiar inky black as she rises from the couch. She does, however, make a point to look Alastor dead in the eyes as she speaks her goodbye. "I'll see you in Hell, Alastor."
Alastor
It’s only a threat if Valera finds his presence threatening.
“Imminently, or eventually?” He *does* still want to find out what that Look was about.
Valera
She grins, ignoring Alexander as he quietly oohs and aahs over the portal. "Eventually! I'll be there tonight or tomorrow, depending on wherever Penny decides to sleep, but who knows when you'll actually _see_ me there."
Alastor
“Well, track me down to talk when you can.” An unnecessarily dramatic half-bow and he steps through the portal.
Carefully. He doesn’t know what angle he’s going to emerge at.
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florasportfolio · 4 years
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Beyonce: Love Drought
"Reformation""Forgiveness"
Love Drought co-written by artist Ingrid, who was childhood friends with Beyonce. The song, in fact, is not about Jay Z, but about Ingrid’s professional relationships and how she was lied to by Beyonce’s label.
Ingid said: "I couldn't get out of my head the fact that they just lied to me," she said. “The only way that I could really get over it was like, 'She’s gonna sing the song I wrote about her label one day.'" However, we may believe that in the context of Lemonade, the song can be interpreted in the context of relationships.
The first lines of the song ““Ten times out of nine, I know you're lying / But nine times out of ten, I know you're trying / So I'm trying to be fair” “  express understanding and change. In the verses “I don't care about the lights or the beams / Spend my life in the dark for the sake of you and me” refer to Beyonce’s success and fame that she would still be willing to give up. The suggestion that she’d be just as happy without her fame is an expression of love and dedication to her lover.
“Cause you and me could move a mountain” is a reflection on the strength that a good relationship gave her. Beyonce dedicates the first half of the first album to seeking empowerment within, but here she’s vulnerable and open enough to admit that the relationship was also a source of power and energy for her. “We could make it rain now” is a metaphor referring to the song title - rain is necessary to cure a drought, just like love is needed to cure the “love drought”.
The verses “Tell me, what did I do wrong? / Oh, already asked that, my bad” suggest that “Love Drought” is a new chapter in which Beyonce starts to reflect and seek fault in her own actions and mistakes. It’s much different to the songs that this chapter is preceded about - for a change the lyrics don’t express anger or don’t suggest Beyonce will be better off without her partner, but shows how much she needs to understand why their relationship has not worked out.
“You and me will stop this love drought” is probably the crucial verse for this song and a promise of making an effort to cure the drought and thus, fix the relationship. The fact that the phrase used is “you and me” once again shows the strength that lies within being together.
The visuals for the song begin with Beyonce lying in an empty superdome, wearing a white lace dress. White is the color of purity and innocence, which creates great contrast to the first part of the album, where Beyonce’s costumography is strong and vivid. The white is also a juxtaposition to red that dominated the visuals for 6 inch - red is the color of power, danger, sex and sacrifice. The poem “Reformation”, followed with the change of visuals, show a change in Beyonce’s attitude.
We can also see this change through the fact that the wedding ring is back on Beyonce’s hand - its most probably a reversal of the gesture from “Don’t Hurt Yourself” where she throws the ring at the camera. 
In the visuals, Beyonce leads a group of eight other women into the water. They are unified in dress, expression and motion, which is once again a possible allusion to female empowerment and the problems that connect all black women. Wading into the watter suggests a form of Baptism, which traces back to the concept of being reborn, reforming and changing the perspective.
Final clip is Beyonce affirmed with makeup similar to the art of Ori used in Apathy, which is probably another allusion to spirituality and seeking God within, which directly connects to the idea of Baptism and purification expressed in the visuals. The shot rotates, which may suggest a journey that has come full circle.
He bathes me until I forget their names and faces. I ask him to look me in the eye when I come home. Why do you deny yourself heaven? Why do you consider yourself undeserving? Why are you afraid of love? You think it's not possible for someone like you. But you are the love of my life. You are the love of my life. You are the love of my life.
Title: reformation - a moment of change after thinking about childhood & daddy lessons - catharsis, the next stage 
Visual: empty stadium (New Orleans, Superdome) - important because place of her first Super Bowl performance & shelter during hurricane Katrina (three people dies) , Beyonce lies alone in the middle → loneliness, black and white images (return to the past) → house and burned plantation, reformation in race equality, abolishing slavery 
Rhetorical questions “Why are you afraid of love?” - not directed at anyone 
“You are the love of my life” - tripling, echo (empty stadium) 
Baptize me ... now that reconciliation is possible. If we're gonna heal, let it be glorious. 1,000 girls raise their arms. Do you remember being born? Are you thankful for the hips that cracked? The deep velvet of your mother and her mother and her mother? There is a curse that will be broken.
It is important to forgive as it is the only way to heal.
Visuals of the lake - connected with baptism, symbolising purification and a new beginning, Beyonce being ready to move on. 
Cracked bowl - kitsugi art, broken pieces of pottery repaired using laquer mixed with gold. Symbolises how Beyonce’s broken relationship can be fixed, and will become even more beatiful.
Motif of the past and present merging, generations of women going through the same issues, hopeful tone: ‘There is a curse that will be broken’.
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nationaleconomy999 · 12 days
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New Orleans Plumbing Experts – Precision and Excellence in Every Job
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