#What do we want? How do we want it? meme

[spellbird]

"Illumination Legend of Zelda isn't real, it can't hurt you!"

Illumination Link:

[egophiliac]

So how’s ride kamens going for you as I just pulled my self together long enough to read the other half of the current main story

I've been working on catching up on the event stories since they announced the upcoming main story update! (I totally bombed the last few events...they're so fast-paced and I just didn't have time...😭)

and then of course they went and dropped THIS on us today

(you don't understand, I LOVE Tajador and I already love the two blurry frames they've given us of non-silhouetted Kelka, I'm ready to absolutely lose my shit come the announcement/reveal(?) stream on Thursday --)

[sureuncertainty]

so as a former employee of RMS Titanic Inc, I have some thoughts I need to get out about this whole current situation, or I will literally explode.

for context, I worked for RMST Inc. for a year and a half as a tour guide and artifact specialist. The company owns the salvage rights to the wreck site, and partners with Oceangate and other companies to retrieve artifacts. the artifacts are used for educational purposes only, in the museum that I worked at, although they weren’t above selling little bits of coal from the Titanic in stupid little tchotchkes like snowglobes and hourglasses.

i dedicated so much of my life and passion to that company and that museum and was treated like absolute dirt lol. and I didn’t even get the worst of it, I had friends and coworkers whose safety and wellbeing was consistently disregarded for the sake of profit, fighting desperately for corporate to stop pretending to care about the legacy of Titanic when all they really cared about was making money

so despite my initial shock at reading about what was going on with the missing submersible, I can’t say I’m surprised. This is what fucking happens when you cut corners and put profit over everything else. If only there was some big historical event that we could look to that would show us just exactly how dangerous that can be...  oh wait.

Jack Thayer, who was 17 when he survived Titanic, said that “the world woke up on April 15, 1912″, which pretty much sums up how SURE people were in 1912 that they would never make those same mistakes again. They realized had gotten complacent and swore things would be different. They enacted safety laws, pointed fingers at survivors, created conspiracy theories to try to explain what happened, all out of fear of it happening again. And yet, history always repeats itself

and now people are fucking OBSESSED with the Titanic, they find it fascinating,  they won’t fucking leave it alone, and the company I worked for, and Oceangate, and others, capitalize on that because they’re greedy and want to make money off of it. all they care about is how to profit off of it. they PRETEND to care about Titanic but they don’t. They never did.

I also actually have a personal connection to one of the five members of the team in the submersible. I met P.H. Nargeolet at the event our museum did commemorating the 110th anniversary of the sinking, I spoke to him and heard firsthand some of his accounts of dives to the wreck site, I even took a picture with him. He cared, he cared so much about Titanic and its legacy, and so do I and so did so many of my friends I worked with. The company we worked for took advantage of our caring, it took advantage of how passionate we were about it in order to line its executives’ fucking pocket

I’m horrified, I’m devastated, I’m vindicated.

on the one hand, I hope this ruins them. i want to watch the company die. there’s a satisfaction in that. but the shitty thing is how much suffering has to happen for things to change. i just wish good people didn’t have to die to make change happen. I wish people cared first, before tragedy strikes. I wish our world wasn’t so fucked up and shit like this didn’t happen. But it did. And it does. And money won’t save any of those people any more than it saved John Jacob Astor or Benjamin Guggenheim, or any of the other rich greedy assholes who died on Titanic. I’m not celebrating their deaths. But I won’t ever forget who suffers the most. The coal trimmers and the stewards and the minimum wage guest service associates at the museum I worked at.

I’m glad I don’t work there anymore. But some of my best friends still do. And I don’t want them to suffer more because of this. All I can hope is that it enacts meaningful change that actually lasts. But I know that’s just wishful thinking.

[hecksupremechips]

Ever think about Date’s view on family and how that relates to his character? When Mizuki asks him to define family, he just awkwardly offers that its like being blood related to someone. It leaves a bitter taste in his mouth and Mizukis, but like, he literally had no idea what a real family looks like. He’s an orphan, a man who grew up with no family and no name, but he doesn’t know that yet. He has no memory of his past, no way of knowing if there’s someone out there waiting for him to come home, if he even had a place to call home. His only frame of reference for a family is Mizuki and her parents. Deep down he knows it’s not right, not loving, but it fits the mold of a nuclear family, man and woman, blood related, so that must be what family is. When he’s asked to take in Mizuki, he’s absolutely clueless because he literally has zero frame of reference for how a child is supposed to be cared for. He puts distance between them because this isn’t his place, he doesn’t have the right to love this child as his own because he isn’t the real dad. There’s no place for someone like him in a family. And it’s baffling to him to hear that Mizuki not only loves him, she needs him because he is her family. Date believes he’s a nobody, just a sad, lonely man with no name who absolutely does not deserve this kind of love. But he has it anyway because he chooses it, he makes something that neither he nor Mizuki have ever had before. HES HOME

[puppyeared]

i wanna post my skip to loafer art but i cant do it knowing ppl are gonna put it on tiktok and pinterest bc itd be like. bringing an invasive species ykwim

[skitskatdacat63]

2023 Las Vegas Grand Prix - Fernando Alonso

[vampthropologist]

You know he has to flip for it!

No text + flat under cut

I've been working on this for a bit, and it is done! Two of my f/o's interacting for a silly meme. Ichimatsu's getting held by the scruff like a cat because Harv can't be normal /j/lh

[tastycitrus]

the flora discuss conductors

[blackwoolncrown]

You are not immune to propaganda.

This includes sexuality.

*transphobes DNI*

[carlyraejepsans]

I’ve started watching Utena because of you. What. Is going on

HI. WELCOME TO THE CLUB, watch the trigger warnings. but yeah, revolutionary girl utena veers more and more towards surrealism the further you get into the series. it often and voluntarily forfeits narrative/logical consistency in favor of visual storytelling, metaphors and symbolism. i was just talking about it with nic the other day, and if the story weren't so harrowing, i would recommend it to everyone who wants to get into literary analysis, because it is SO packed with symbolism EVERYWHERE that it actually encourages you to try to decode it.

whatever you think utena is about, it is NOT. you can't go in and treat it like your 49293th classical shoujo. utena is a firework show of visual symbolism and it very rarely, if ever, explains itself to the viewer. it refuses to handhold you, but it never berates you for trying and getting it wrong either. there is SO much handholding in modern day media, but utena trusts its viewer to take away something meaningful from itself and to piece its message together on their own. it's one of my favourite pieces of media of all time just for that

[solradguy]

The hell's up with all these anti-trans men/masc memes lately because I'm getting real sick of it real quick. It's not cute and it was never funny.

[intotheelliwoods]

I got new glasses finally and my brain is ooaoaoaooaoa ooao um adjusting (im having a time)

[widevibratobitch]

Since we're both as unwell about him as we are I consider you to be someone who knows a fair amount and what do you genuinely think the real James Fitzjames would feel if he saw the Terror's depiction of him? (As in watching the whole show)

HUH good question. first of all i think he'd be a little discombobulated by the very experience of watching a tv show but personally i choose to believe he'd at least be happy he was made into one of the main characters?? and that so many cool and sexy insane people are obsessed with him now <3

having said that. as much as i love show!fitzjames they did nerf him down A LOT. they robbed him of the joyous whimsy that was such a characteristic trait of the real jokester supreme fitzjames (show!fitzjames also has little to no relationship with his irl lieutenant buddies which. sad.)

we also know now that. most probably. he was actually fully english so i can only imagine he'd be Not Pleased about the cairn scene to say it lightly lmao imagine you and your adoptive family making significant efforts throughout your whole life to disguise the fact of your illegitimate birth and then 150 years later some people make a high rating show where they babygirlify you not only spill your secret to the millions of people watching (or secrets, plural, and make you call yourself a fake as a cherry on top lol) but they also get it wrong and make it Even Worse (from a victorian englishman's perspective) like stop guys he's already dead lmfao

having said that. he would have loved the britannia costume and the your nails are a terror line. i know he would.

[witchwhaat]

the urge to chop off all of my hair vs the "you know it takes forever to grow them"

[time-is-restored]

btw this might be me swinging a bat at a hornets nest but like. absolutely none of my disappointment from the tl finale comes from ship baiting or any relationships that didn’t happen (though to be clear, i think the tedbecca fake outs were meanspirited and served no narrative purpose - in noted contrast to the season's earlier jamiekeeley fakeouts, for example, which were explicitly there to demonstrate jamie's growth + maturity)

tedpendant is a really fun concept for me, and i LOVE the characterisation + thematic potential there!

but as someone who personally resonated with a lot of ted’s struggles, the idea that ted could leave richmond so… seamlessly, for lack of a better word, really doesn’t sit right with me. the thesis of the shows entire first season - assuming it can be said to have only one - was about how everyone needs the love and support of a community, whether that comes in the flavour of someone who hypes u tf up or someone who will relentlessly call u on ur shit (or, as happened quite frequently, both!).

rebecca, roy, jamie are the clearest examples as the characters with the most screentime: they were all deeply isolated and disconnected from the people around them, and that was making them miserable. the connections they made with the team, the vulnerability they finally allowed themselves to express (the ghost banishing ceremony comes to mind!), and them going on to want *more* out of their life are what made their arcs about *progression* rather than *regression*. without that clear theme of compassion + community inspiring positive growth in everyone who encounters it, there is, frankly, no season one.

my personal favourite scene from season one comes right after michelle walks away from ted, when they’ve agreed to get divorced. ted sits down on the bench looking gutted, and a little shell shocked - and beard sits down with him. hands him the drink, and they sit there together. silent, but together. to me, that scene is an implicit promise from the episode, to the audience: ‘it’ll be okay. it’s going to be hard, but ted isn’t alone, and his friends won’t leave him behind.’

it also makes it clear to the audience that ted isn’t the saintly-giver-of-grace who needs nothing in return, as one might assume on first brush, but rather that he’s Also struggling with his own shit (as is everyone, always, in real life!) and he has something he needs from the people around him too.

and looking at the text of s3, and the conclusion to his arc in the finale, i just don’t believe that he got it. he wasn’t just sad that he was leaving (which would be understandable!), he was completely closed off. unresponsive to the people around him reaching out, borderline confused as to why they were trying so hard!

(side note, while i completely respect the read of ted and trents last interaction being rather rude + ooc on ted’s part, i personally read a different motive into it. for me, it was more like… he didn’t understand where trents enthusiasm was coming from? like, he read that as trent being too invested in what other people think of him, and responded in a way that he hoped would emphasise that ted doesn’t *need* to laugh at everything trent wrote, bc trent Already Knows that he’s done something really cool and kickass, and he shouldn’t value anyone else’s reactions above that. basically, based on his demeanour in the episode, i genuinely don’t think it would’ve even occurred to him that trent was more invested in HIS reaction than he would’ve been with anyone else.)

again, looking purely at the text, the show had already established that ted has really strong depressive + avoidant tendencies, as well as panic attacks (largely triggered by his fear of not being ‘good enough’ in various roles, ie: a father). we saw one area he was able to calm HIMSELF abt these fears (worry for henry, which is a Hell of a choice considering the ending…), but in literally every other heightened moment, he had to rely on his support system to help him make the choices that he WANTED to make, rather than ones inspired by avoidance and fear (ie: confronting michelle abt jake, talking to his mum abt why she was visiting + his dads death).

and to be clear, this is a GOOD THING! we’re not supposed to go through life alone, no matter how bad OR well we’re doing. rebecca and keeleys friendship isn’t worth less for all the scenes where they’re both in good places. if anything, the opposite is true - it’s lovely that they both have someone who want to celebrate the achievements in their life!

and fuck it, we’re sure as hell not supposed to go through life with exactly one (1) person whom we expect to fulfill ALL of our emotional needs at all times either! like, im sure i don’t need to labour my point here, but tying everything to one (1) person in ur life doesn’t make u any less isolated than if u were going it completely alone, whether it’s a family member, a friend, or a partner. i won’t pretend to know the first thing abt what it’s like to be a parent, but i don’t think it’s unreasonable to say that no parent would be at their best if they had absolutely no support/camaraderie/general love provided to them from Anyone other than their child.

so when ted is SPECIFICALLY shown to be in a bad place, over and over again (did he come to terms w his fear to be close to henry overnight???????), and then removed from his community? of COURSE the audience is left feeling unsettled, and like the rug has been pulled out from under them. there was no time in this finale dedicated to how ted would still be in contact with anyone from richmond. no promises of visits, or phone calls - fuck, nothing about emails!! according to the text, we might as well assume this is a clean break (and the maybe-dream-sequence does Fuck All to assure us otherwise. if ted doesn’t go to beards wedding, what WOULD he go to????). and since the show has ALSO completely failed to give us even an IMPLICATION of who/what ted’s support system would be in kansas, there’s… a reasonable argument to be made that this is It for ted. that, after two seasons doing NOTHING but attesting otherwise, the audience is supposed to suddenly believe that ted can (and SHOULD!) pull himself up by his bootstraps, and cope entirely on his own.

that, to me, is a betrayal of the show’s premise. we were promised a show about how, no matter how dark things may get, none of the characters would be left to struggle alone. and then they ended the show with ted alone.

i don’t know. i guess if i had to give this post a tldr; if anyone has any gen fic/meta/Literally Anything in the pipeline, i would absolutely love to be tagged/directed towards it. i’ll be endeavouring to write something myself, as well, but it might take a while before i can return to my WIP, lol.

[post-futurism]

It is very disappointing to be connected to Australians on this website only to quickly discover they are terfs.