Support and Rehabilitation Programs for Construction Workers
In the physically demanding world of construction, the well-being of workers is paramount. Support and rehabilitation programs for construction workers play a crucial role in maintaining a healthy and productive workforce. This article delves into the significance of these programs and the various components that make them effective.
The Critical Need for Support and Rehabilitation
The…
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Understanding the New York Law Preventing Mandatory Overtime for Healthcare Workers
Healthcare workers play a vital role in providing quality care to patients. However, the demanding nature of their jobs often leads to long working hours and fatigue, which can compromise patient safety and worker well-being. To address this concern, New York State has implemented a law aimed at preventing mandatory overtime for healthcare workers. In this article, we will delve into the details…
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this year my challenge for everyone is to unlearn the association between love and morality. love is not something that is inherently morally good, and the absence of love is not something that is inherently bad. sex without love isn't morally bankrupt, it's just an action. people without love aren't less kind or less good, they're just people. when we can get past this false (and often unnoticed) dichotomy of good love/evil lovelessness then i think we are going to be able to take leaps and bounds in sex positivity, aro advocacy, certain discussions of mental health...
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To the anon earlier who may have needed a drink, she saved you a batch after her shift. Bottoms up!
Hey since you're here, check this out!
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marta svetek -- voice of gregory, vanny, roxanne wolf in fnaf: sb and its dlc, ruin -- has joined kellen goff in voicing her thoughts on ai reproductions of her voice. again: if you want voice actors to maintain a living wage (and their own mental health), please respect her wishes and ensure that this kind of behaviour is heavily discouraged in the future.
full text of thread below the cut for brevity:
Been getting tagged in all kinds of posts and popular TikToks of people using AI voice clones of my FNAF characters to have them sing or say all kinds of random stuff.
You might think it's fun.
But really it's contributing to the problem all VAs are facing in the wake of AI.
The more these AI voice clones get used, the more they're normalized, and the more businesses see it as a viable alternative to real VAs when making content for you. Slowly but surely, most of your favourite VAs will be out of work.
Not to mention what this will cost in terms of future generations of VAs. Incredible performances we'll never get to experience because most businesses will more often than not go for the cheapest, quickest option as soon as the technology is up to scratch.
This is made even worse by the fact that we currently have very few legal protections against the unauthorized use of our voices using AI. And we're being pressured to waive those too, for a fraction of their worth. This is one of the big reasons the current strikes are a thing.
If you enjoyed my work in FNAF and have any respect for the amount of time and effort VAs put into bringing characters to life, don't use AI voice clones in your fanart. I can't express how violated I feel every time I hear my voice say words that aren't my own.
And just in case it wasn't clear - I have never consented to having my voice, likeness or any of my performances synthesized into AI voices/avatars etc.
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this fandom doesn't get dabi tbh. Like outside of the aesthetic, if given half the chance, he would have become a workaholic to rival his dad. Like he'd complain about it more than Enji tho, but he'd still be out there working his ass off.
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What if servant!MC worked herself too hard? Impaired with at least tiredness and sore muscles, and at worst a broken or sprained limb? How would the kind lords react?
Sans: Depends on the severity of it. If she's just sore, or seems more tired than usual, he'll lure her into resting by pretending he needs her to do something for him. It's notoriously hard to pry Mc from her work. But Sans is sly- he convinces her she's still working, still doing something for him, he talks her into sitting down with a book she needs to 'check for errors'. Eventually she snaps back to her senses an hour later and realises she's just been tricked into sitting by the fire in his room and reading a novel.
If it's a bit more serious, he gets more hands-on. Sans is deceptively strong and he will gladly combine his aptitude at manipulation with a bit of manhandling. Mc has the 'just shut up and get it done' mindset so deeply ingrained after so long that she'll work herself into slightly feverish stupors... he distracts her with pretty words while he physically leads her away somewhere he can keep a better eye on her.
Red: Unlike a lot of men his rank, Red isn't afraid of getting his hands dirty. He knows that it's incredibly difficult to talk her out of work, so if she is visibly struggling, he'll just help out with whatever she's doing. She always appreciates the extra hands and strength. Red's presence is also just good for the Soul; he's witty, he's a big flirt, he halves the load while making it twice as fun. Whatever limb she's injured barely hurts by the time the jobs are done, she's too distracted giggling.
He's not quite as subtle or graceful as Sans, in his methods. But when it comes down to it, Red is probably the only one out of the three who could genuinely talk her into taking a break. Mc often feels like Red is the one who best understands the reality of being a servant- Sans is nice but he's kinda uptight, Skull is far too rich to ever get it. Red's as down-to-Earth as a nobleman could be. And if Red is expressing genuine concern, dropping his persona for a second...
... Maybe she does need to just rest for a while.
Skull: He doesn't have time for subtlety. When it's clear she's pushing herself, he gives her a 'gentle' warning.
He looms over her, covering her entire body with his shadow, with a face like he's about to eat her. He softly murmurs that if she doesn't stop working so hard... there will be consequences.
... It's a pretty clear message. But if she still refuses to stop? He literally just steals her.
He doesn't care what she's doing, what task she's in the middle of, who's in the room or how important what she's doing is. He gave her a warning. He'll grab her right in the middle of a task, throw her over his shoulder, and (ignoring her protests) carry her off to his chambers. There's a big comfy chair covered in blankets with her name on it... and if there's one thing you can say about Skull, it's that when he's determined, he's like a machine. She won't be going anywhere. Her protests don't matter.
Wife will stay and wife will rest. He warned her. She doesn't get a choice anymore.
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as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.
and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.
and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.
and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).
but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.
and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.
it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.
and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.
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I feel like for the first few years of guardianship Darius and Hunter really struggle to figure out how to refer to each other.
Like it's easier for Hunter, he pretty quickly settles on "guardian" for explaining their relationship to other people and just referring to Darius by name when talking to the man himself. Overtime the phrasing gradually warms, becoming "foster parent" and eventually, once Hunter's already an adult old enough to move out, "Dad".
(Sidenote: he doesn't move out til he's in his mid to late twenties, bc he's under no obligation too, Darius low-key doesn't want him too, and the two of them want to make up for lost time in a sense, since Hunter only had 2 years of legal dependency on Darius before aging out of the system. Darius adopts Hunter retroactively as an adult)
Darius on the other hand has a real conundrum on his hands for those first few years. He has a lot of options! But "ward" is too formal and makes it sound like Darius picked him up off the street like after his parents were murdered, "apprentice/student" isn't really accurate considering the focus of Darius and Hunter's relationship has less to do with Hunter learning magic and more to do with Hunter being housed and fed. "Kid" and "foster son" are there...but...
Look, Darius isn't going to refer to Hunter more familiarly than Hunter refers to him! He's not gonna make it WEIRD. He's not a dad, because Hunter doesn't want/need him to be (and also parenthood is scary <3). Darius doesn't know the first thing about being a dad, despite how his friend group teases him.
Eda and Eberwolf are the two who are worst about it. They torture him with how 'fatherly' he's allegedly being (allegations Darius will DENY til his GRAVE!!!) And Eda specifically compares his journey to hers, saying it always starts off with you referring to them as your apprentice (again, Darius doesn't plan on doing that), as your roommate (...kinda weird in Darius' opinion? But okay Eda), or even your pet (????HELLO???). But eventually, they always become your dumb kid when you least expect it.
She's had a couple cups of appleblood by this point, but Darius knows on some level she's right and he's steadfastly ignoring that fact, even as Eber continues to refer to Hunter as his "cub" (kinda cute but Darius doesn't know how Hunter would feel being compared to an animal). The only people who are even remotely reasonable about all this (besides Lilith who's a bit disinterested in kid talk) is Raine and Alador, who both sort of neutrally, a bit awkwardly refer to Hunter as Darius' Boy.
Darius referring to Hunter as "my boy" is funnily enough what sticks the longest before it evolves to son boy. Hunter's crushing it at a derby match? Darius is whooping and cheering, yelling "THAT'S MY BOY!!!" At the other parents in the stands. Hunter is doing something dangerous or inadvisable where others can see him? "Darius, your boy-" "AHH! MY BOY". Hunter, a year into his stay with Darius finally comes clean about everything to do with him being a grimwalker, and is afraid that he's going to go back to seeing him as just an inferior replacement for Darius' beloved mentor? Darius (who has just had to process some of the most bonkers, emotionally heavy information in his life) gently, hesitantly puts a hand on his shoulder (the 'good' one Hunter doesn't mind people touching), and says that Hunter's much more than that. He's Darius' Boy and he's not going to kick him out or get angry or love him any less for things out of his control. It's good. They're good.
Like I said, it evolves over time and 'boy' becomes somewhat obsolete as the two get caught up in the joy of finally feeling able to explicitly refer to each other as family. But unlike "guardian" or "ward" the word never gets fully retired. Even when Hunter is 30 and is arguing that he's more of a man than a boy now, he is still getting referred to by Darius as "his boy", the way some parents never really stop calling their adult kids baby or kiddo (Camila and Eda respectively btw).
Hunter makes one of those corny matching shirt sets at some point for a father's Day gift when he's 17/18, where the two shirts say "if lost, return Boy to me" (Darius) and "I'm Boy" (Hunter). Hunter mostly did it so he could own a funny shirt that says "I'm boy". Darius openly weeps upon seeing them. Like Oh my Titan he's boy. He's my boy. Oh wow
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Breaking news:
New to workplace colleague is seen sitting a little awkwardly and doing absolutely no harm whilst the colleagues who have been there long enough to become friends share a joke and laugh.
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How powerful is Vocx compared to Vox? Is either more powerful than the other? How differently is the Voxtech run and what's their reputation like in Hell?
Vocx is more powerful by far. I picture vox as one of those people who smiles on the surface but attempting to teach him anything makes him resent the fuck out of you. Vocx doesn’t have that problem. He’s got pride but he’s got no problem putting away to learn from his betters. So he both has more tricks just from the other overlords and more social connections and powerful friends. Letting other people teach you things is a sure fire way to make friends. People, no matter how awful, all like feeling smart and helping.
Plus I’m kinda yanking the Yrz method of contracting and having Vocx be one of the fairest overlords to work for (except without yrzs moral objections to literally owning people lol. When in rome etc). He treats it like an actual job, with performance reviews and everything. You catch more flies with honey than vinegar, so being one of Vocxs people is considered pretty desirable. The grunts in the company don’t get contracts but above a certain level, being promoted means being contracted to Vocx.
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Managing Safety in Summer Construction Projects
As the mercury rises, managing safety in summer construction projects becomes increasingly crucial. The unique challenges posed by hot weather demand careful attention and specific strategies. This article will explore why it’s essential to prioritize safety during summer construction and the best practices for ensuring a safe working environment.
Understanding the Risks: Heat and Construction…
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imagine if westley rlly betrayed wander n sylvia n stayed in the hater empire jk jk unless
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Ive seriously been thinking about Fred and the other Federation Workers so much like to me Fred has a whole ass friend group.
In my brain Fred tries to be Distant and Mysterious bc that's what the Federation tells them all to do but nobody takes the rules as seriously as Fred does. So they're all pals who rope a reluctant Fred into their shenanigans.
Despite his best efforts Fred is always Included and invited to things even when he tells everyone they're not supposed to be hanging out together and they have work to do. Basically he's The Strict One
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So, genuine question here.
While it is a truth universally acknowledged that Kunikida is Dazai’s partner in the ADA…
Has Dazai ever canonically called Kunikida partner?
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