#Zach Grenier

[camyfilms]

FIGHT CLUB 1999

 It's only after we've lost everything that we're free to do anything.

[serenavandrwoodsen]

Flex of the century . (2nd pic : Brad pitts signature . 3rd pic: meat loaf’s signature . 4th: edward Norton’s signature . 5th pic: Jared Letos signature . 6th pic: zach greniers signature . And the last pic is Helena carters signature 😇😇)

[moviemosaics]

She Said

directed by Maria Schrader, 2022

[alex6186]

My MCM aka Movie Crush Monday based on a story and Mafia film classic starring Al Pacino and Johnny Depp in Donnie Brasco

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Gangster Lefty Ruggiero takes a streetwise punk under his wing, unaware that his protégé is really an FBI agent out to bust the New York mob.

#MCM #MovieCrushMonday #AJBMCM #DonnieBrasco #AlPacino #JohnnyDepp #MichaelMadsen #BrunoKirby #JamesRusso #AnneHeche #ZeljkoIvanek #RobertMiano #BrianTarantina #GretchenMol #PaulGiamatti #GerryBecker #MafiaMovies #GreatFilm

[milliondollarbaby87]

Fight Club (1999) Review

When an insomniac officer worker decides his life must change he just happens to meet Tyler Durden a soap maker and together they form an underground fight club that becomes so much more. ⭐️⭐️⭐️⭐️⭐️ *25th Anniversary Cinema screening at Cineworld* Continue reading Fight Club (1999) Review

[clemsfilmdiary]

Chasing Sleep (2000, Michael Walker)

8/20/23

[badmovieihave]

Bad movie I have Pulse 2006

[rookie-critic]

She Said (2022, dir. Maria Schrader) - review by Rookie-Critic

She Said was a very well done, if not at times clinical, re-telling of one of the most important moments in modern equal rights history. Following the story of Jodi Kantor and Megan Twohey's groundbreaking article on the atrocities of ex-Miramax head Harvey Weinstein, She Said follows in the footsteps of films like All the President's Men and The Post (the latter of which I will admit I have not seen) as a movie showing the challenges of getting the truth out there no matter the cost, and I found it to be incredibly well done. Zoe Kazan and Carey Mulligan (to no one's surprise) are absolutely dynamite as the leading duo, each bringing a unique perspective on the story at hand. This wasn't just a story for them, it was personal, as it probably is to every woman on the face of the planet that's ever had a male superior in the workplace.

The movie hits when it needs to, is reserved when it should be, and allows its central duo to breathe and have a life of their own outside of just being the vehicles for truth in this story. It works so well because of this fact; it was so important to portray Kantor and Twohey not just as journalists, but as humans themselves, as women themselves, women who understand the weight of what they were on the brink of uncovering, and what it could mean not only for the film industry, but for the way women are treated in the workplace at large. As the film points out several times, this goes so much deeper than the film industry and is not just about Weinstein, but about the system protecting the abusers and not the abused. Shoutouts also have to go to Jennifer Ehle, Samantha Morton, and Angela Yeoh, who played Laura Madden, Zelda Perkins, and Rowena Chu, who are just a few of the women who suffered at the hands of Harvey Weinstein. Patricia Clarkson and Andre Braugher also deserve praise for their performances as Rebecca Corbett and Dean Baquet, the assistant editor and executive editor at the New York Times who oversaw the production of the Weinstein piece.

If I had one criticism of the film, it's that, for all of its very effective pathos and ethos, the film tends to be quite cold when it comes to the journalistic side of things. Portraying the profession itself as something that is harshly non-emotive, which I can definitely see the argument that it needs to be, and ultimately that's not quite what the focus of the film is on, so it feels like a nitpick. Even with that one small complaint, She Said surprised me in being better than expected and making me feel something other than anger, which I of course still felt a lot of.

Score: 9/10

Currently available to rent or purchase on digital (iTunes, Amazon, Vudu, etc.) and to pre-order on DVD & Blu-ray through Universal Studios.

[ruleof3bobby]

TALK RADIO (1988) Grade: C+

Surprised I haven't seen this Oliver Stone film. Interesting how they did it mostly in real time. Eric Bogosian has been underrated forever it feels like. Found out after it was based off the life of a Denver radio host in the 80s. 

[lonesomedreamereccentriclover]

Happy Birthday Alex Garland!

[bonniehooper]

Top Picks of 2022

My Top 20 Favorite TV Shows - #11: The Good Wife

Show Premiered: September 22nd, 2009

Show Ended: May 8th, 2016

Started Watching: December 2021

[laserpinksteam]

Film after film: She Said (dir. Maria Schrader, 2022)

There's some catharsis in this dry yet exciting account of the NYT investigation process into the crimes of Harvey Weinstein and the ways they had been covered. The focal point is the article that Jodi Kantor and Megan Twohey research for, meticulously, throughout the film. The surprise factor is redundant, which is, I sense, what comes out as criticism in the film's mixed reviews, yet it is unsettling. There's something in the superficially uninteresting shots of empty spaces, in what seems to be generic camerawork, that captures what this story needs. Not everything works, particularly the flashbacks that are increasingly annoying, as they are less potent than the spoken testimonies that they interrupt.

[fairbiography]

Zach Grenier Bio, Age, Height, Wife, Net Worth, Movies And TV Shows

 Zach Grenier Biography Zach Grenier is an American character actor famous for film, television, and stage, best known for his roles in films such as Twister, Fight Club, and Tommy Boy, as well as his television roles as Andy Kramed and David Lee on Deadwood. In a good woman. Zach Grenier Age Zach Grenier was born on February 12, 1954 in Englewood, New Jersey, United States. He is 69 years…

[24zodiacdivisions]

King Tut Fight Club for Satan brings down American tall building in this Q+Satan 1999 Hollywood Glick movie.

[byneddiedingo]

Helena Bonham Carter and Edward Norton in Fight Club (David Fincher, 1999)

Cast: Edward Norton, Brad Pitt, Helena Bonham Carter, Meat Loaf, Zach Grenier, Holt McCallany, Jared Leto. Screenplay: Jim Uhls, based on a novel by Chuck Palahniuk. Cinematography: Jeff Cronenweth. Production design: Alex McDowell. Film editing: James Haygood. Music: Dust Brothers.

What if Dr. Jekyll didn't know he was turning into Mr. Hyde? Fight Club is essentially an exploration of that premise, turning Robert Louis Stevenson's sci-fi into psy-fi, a fiction based on a fantastical psychological premise. But Chuck Palahniuk's novel, and the adaptation of it by screenwriter Jim Uhls and director David Fincher, is more than that: It's also a satire on corporate commercialism and the grip it has on the soul -- particularly the male soul. The Narrator (Edward Norton) is a nebbishy corporate everyman, stuck in a job he hates, doing work that morally revolts him -- he calculates whether an auto manufacturer can get away with dangerously defective parts, whether a recall will be more expensive than paying off accident victims. He's insomniac, and finds that he can sleep only when he goes to support groups for people worse off than he is, sufferers from serious illnesses. At one session he meets Marla Singer (Helena Bonham Carter), beautiful and frazzled, who also goes to these support groups because she wants to feel something that she can't find in her own routine life. Then on a business trip, during which the venality of his job becomes particularly clear to him, he meets a devil-may-care type named Tyler Durden (Brad Pitt), handsome, clever, and completely amoral. Returning from the trip he arrives to find that his apartment, the only thing he feels some pride in, has been blown up in what seems to be an accidental explosion. He has no place to go, so when he finds Durden's card, he moves in with him in a dreadful rundown old house on the edge of nowhere, and becomes drawn into Durden's life, including the formation of the titular club, in which men of various professions gather to beat one another silly. It's the ultimate catharsis for meaningless corporate drudgery. He also introduces Durden to Marla, and lies in his bed listening to the two of them having raucously noisy sex. Eventually, the sex and violence escalate, and when they reach the pinnacle of rebelliousness against establishment values, the Narrator has a revelation: He's Tyler Durden. Fincher beautifully finesses any literal-minded explanations, relying instead on Norton's ordinariness and Pitt's good looks, as well as some careful staging and cutting, to keep from turning this into a tale about dissociative identity disorder. Instead, it's a fable about the ordinary male's repressed desire to become a Brad Pitt, or as Durden puts it, "All the ways you wish you could be, that's me. I look like you wanna look, I fuck like you wanna fuck, I am smart, capable, and most importantly, I am free in all the ways that you are not." The first viewers of Fight Club were often distracted by the violence and failed to respond to the ideas the film is working with. Since then, it has grown in esteem, perhaps because its violence has become more routine in movies, but also because its apocalyptic ending irrupted into real life on Sept. 11, 2001. The film's power to provoke, to appall, and to stimulate argument makes it some kind of minor classic.