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tyriq-edits · 3 months ago

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Research Notes for the Consort of Peace (Part 1)

The different dynasties/Periods of chinese history

Below the cut you will find the first part of my research notes for my Megop AU based on the ancient chinese tale of Wang Zhaojun [here]. Unfortunately it is rather difficult to get access to peer reviewed books about ancient China where I'm from. So for this part a huge chunk of my research unfortunately relies on different documentaries and Youtube videos. If i got anything wrong in my research please feel free to tell me.

Xia Dynasty: 2100 - 1600 BCE

Probably very likely or even most definitely mythical -> the archeological record shows no proof of them ever having existed.

Before them china was ruled by so called “legendary sage emperors”

A guy named Yu had been commissioned by them to find a way to manage to floodings of the Yellow river -> managed to do that and founded the xia dynasty (Madsen 0:34)

Shāng Dynasty: 1600-1050 BCE

Capital near Zhengzhou (Tsin 1)

Bronze artifacts (Madsen 0:58)

Warlike in nature → Similar to the Mycenaeans in ancient Greece.

Technology regarding Bronze smithing improved throughout this dynasty

Probably invented writing/earliest form of chinese writing attributed to them (Madsen 1:10)

Jiǎ gǔ wén -> Oracle Bone inscription (Madsen 1:20) -> Writings on bones and turtle shells for divination

Women had a lot more rights during this time and were politically and militarily engaged → Example Fu Hao (Zhao 2022, 3:20)

Ended in a period of decadence and replaced by the Zhou (Madsen1:35)

Cool fact: Shang King Wu Di (Husband of Fu Hao) would travel around his kingdom disguised as a commoner to understand the troubles of the common people better (Zhao 2022, 5:00)

Zhōu Dynasty: 1050 - 256 BCE

Divided into 2 periods: Western Zhōu (1050-771 BCE) and Eastern Zhōu (771-256)

Eastern Zhōu happens at the same time as the Spring and Autumn Period (770-475 BCE) and the Warring states Period (475-221 BCE)

Capital Western Zhou: Hao (near Xi’an)

Capital Eastern Zhōu: Luoyang (in the province of Henan)

Confusius creates the idea of confucianism around this time (the -> Huge influence on chinese culture (Tsin 1)

Main rule of Confucianism: “do not do unto others what you would not want others to do unto you” but “felial Piety”/devotion to the family is equally if not even more important

Idea of Mandate of Heaven is created (Madsen) → Joshua Mark however claims the Mandate of heaven was created under the Shang Dynasty, the Zhou just developed it further (Mark, Han 3)

Mandate of Heaven: A king could only rule if he acted just -> He had the heaven’s favour and was granted the right to rule by the heavens. But the heavens could take that right away from him if he acted unjustly.(Madsen 1:51) → The ruler HAD to look after his people in order to keep the mandate of heaven.

Kinda like the “Gracie dei” in western medieval kingdoms except your god given right as a king came with conditions

There will be signs by the heavens before hand -> natural disasters (Madsen 1:55)

Book of Songs was written around this time (taken from personal university class notes)

Functioned under a complex feudalistic system → Decentralised government (Epimetheus 1:50)

The Zhōu decline was long and painful starting with the Spring and Autumn period

In the end China broke into many different kingdoms and states (Zhōu being but one of them)

Warring States Period: 475-221 BCE

The Zhou were, according to Cartwright: “No longer dominant in military terms, the Zhou were forced to rely on armies of other allied states, who on occasion took the opportunity to forward their own territorial claims. For this reason, the Zhou king was compelled to sometimes make the military leader of another state the military leader of the Zhou alliance.” (2) → The greatest of these military leaders received the title of Hegemon.

By the 4th century BCE 100 smaller states had been “consolidated by conquest” (Cartwright 2) into 7 major states: Chu, Han, Qi, Qin, Wei, Yan and Zhao.

“In each state, the ruler declared himself king and independent of the Zhou empire.” (Cartwright 2)

Basically everyone was fighting everyone at all times.

It also marked the beginning of China’s use of a cavalry in the military as well as the chineses’ entry into the iron age through the use of iron swords and crossbows (Cartwright 3)

There were still cultural developments despite the constant wars (Cartwright 5)

Metalworking developed (Iron)

agricultural revolution (Iron tools)

cities grew in size

large defensive walls

towers were erected

Multi-storey citygates to impress visitors

Rulers’ Palaces became more extravagant

Marketplaces → Trade

Industrialised pottery and weapon production

Town planning (Grid pattern similar to Roman and Greek Colonies in the West)

Introduction of bronze coins with a hole in the middle

Philosophy → Writings and contemplation on Confucius, Daoism, Legalism, War Tactics (Sun Tzu)

Qin Dynasty: 221-206 BCE

Before the rise of the Qin Dynasty, the Qin had remained “one of the few states which remained loyal to the Zhou” (Cartwright 4)

Several Qin rulers had received the title of Hegemon from the Zhou kings during this time (Cartwright 4).

Qin conquered all the other nations at the end of the warring states period.

Reunited China into one nation

Rulers of previous dynasties were called kings (Wáng 王)

the Qin ruler (Qin Shi Huang) invented a new title for himself -> Emperor (Huáng Dì 皇帝）(Madsen)

Qin Shi Huang was known for his brutality and draconian rule

Qin Shi Huang “understood that the Zhous's policy of a decentralized government had contributed to its fall and so established a centralized state which decreased the power of the aristocracy, eliminated the borders between different states, and operated according to the precepts of the philosophy of Legalism”. (Mark, Qin 2)

He forced a unified writing systems onto those he conquered and had hundreds of historians executed and historical records burned ->he wanted to unite the people of China under one shared identity and for the “history of China to start with him”.

But his bookburnings had other reasons → Scholars would write tracts criticising Qin Shi Huang’s rule and comparing it with more benevolent rulers of the past Zhou dynasty and saying Qin Shi Huang was ignoring the mandate of heaven by not caring for his subjects correctly (turning them into slaves) (Mark, Qin 5)

People who tried to hide the history books and writings of past dynasties were also executed (Mark, Qin 5)

But not only history books were burned also “any works expressing the concepts from the period of the Hundred Schools of Thought should also be destroyed including the standard educational texts known as the Four Books and Five Classics from the Zhou Dynasty. Anyone speaking on such topics should be killed and any officers or officials who heard of such conversations and did not report them should be likewise.” (Mark, Qin 5)

Only medicine and science books were spared. (Mark, Qin 5)

→ Had scholars executed by burying them alive in a mass grave (Madsen 3:40)

“Shi Huangdi suppressed all freedom of speech, had the legal codes rewritten to adhere more closely with his own personal vision.” (Mark, Qin 6)

“A one hit wonder of a dynasty” (Montgomery)

Joshua Mark: “213 BCE, his need to control every aspect of his subjects' lives, and fear of rebellion, had turned China into a police state in which freedoms were severely limited and the peasant class was reduced to a level of conscript slavery” (2)

Under Qin Shi Huang China saw the first version of the Great Wall (protection against the invading Xiongnu), the Grand Canal, introduction of state coinage, highway constructions, and the terracotta army in his tomb. (Mark, Qin 2)

Joshua Mark: “His early reign seems, at first glance, a model for any monarch in true leadership and care for his people but Shi Huangdi only interpreted the Mandate of Heaven in terms of his own power and self-importance; his subjects were a means to an end, not an end in themselves. Those who worked on the wall, the canal, and other public projects, if they even were initially paid, quickly became conscripts taken from their homes to labor for scraps of food and communal lodgings.” (Qin 4)

“He encouraged science and discouraged letters” (Mark, Qin 4)

Joshua Mark: “The people's lives under the Qin became harsh, narrow, and more uncertain (..) because government officials could take anyone they wanted to work on the emperor's projects, no matter their social class or occupation. Only the emperor's men were allowed weapons so there was no armed resistance possible and, even if arms had been available, Shi Huangdi's network of spies, secret police, and informants would have revealed a plot before it had a chance to be put into action”. (Qin 5)

Shi Huangdi became increasingly more paranoid as time went on leading to more and more restrictive laws → Scared of usurpation and assassination → Grew obsessed with the idea of immortality → Sent officials to find the elixir of immortality

Qin Shi Huang famously died after swallowing mercury, believing it’d turn him immortal.

Shi Huang’s chief advisor Li Siu changed the emperor’s will after his death → Shi Huang intended his “commanding eldest son Fusu” as his heir → Li Siu feared Fusu would replaced him as chief advisor and made the “spoiled, coddled, youngest son” Hu Hai as he was “easy to manipulate” (Mark, Qin 8)

“He (Hu Hai) was famous for his bad temper, ordering the death of anyone who brought him bad news, and his lasting legacy is the origin of the saying “Don't kill the messenger” regarding a negative reaction to receiving unwelcome information.” (Mark, Qin 9)

The Qin Dynasty officially fell under the rule of Qin Shi Huang’s grandson Ziying who was unable to stop the rebellion of Liu Bang of Han and Xiang Yu.

Liu Bang of Han had accepted the surrender of Ziying and treated him well.

Xiang Yu however had Ziying and his entire family executed.

Han Dynasty: 206 BCE - 220 AD

Existed around the same time as the ancient Roman Republic and Empire and the Diadochi all the way up to the reign of emperor/empress Elagabalus. → Even traded with the roman empire → See the Roman Silk ban of 14 AD.

This is the dynasty during which Wang Zhaojun lived during the reign of emperor Yuan

The majority of Chinese people are part of the Han ethnic group, which receives its name from the Han dynasty. (Mark, Han 2)

Divided into the earlier Western and later Eastern Han Period (named after the location of the capitals)

Western Han: 206 BCE - 9 AD

Xin Dynasty: 9 AD - 25 AD → Regent Wang Mang declared the Han Dynasty is over and created the VERY brief XinDynasty after which the Han resumed (Mark, Han 1)

Eastern Han: 25 AD - 220 AD

Joshua Mark: “(The Han Dynasty) established the paradigm for all succeeding dynasties up through 1912 CE.” (Han 1)

Founded by Liu Bang, a commoner (born a peasant, worked as a sheriff) → Later called Emperor Gaozu → Liu Bang straight up rolled Nat20 on every single Charisma and Deception Check and faked his way onto the throne.

Liu Bang and Xiang Yu, after defeating the Qin dynasty, turned on each other → Liu Bang finally gained the upper hand by kidnapping Xiang Yu's concubine, Lady Yu, who was the great love of his life, and luring the Chu forces into a hopeless situation at the Battle of Gaixia (202 BCE). Lady Yu committed suicide and Xiang Yu, after burying her, fought his way out but was pursued and killed himself rather than be taken. Liu Bang then established the Han Dynasty, ruling as the Emperor Gaozu (r. 202-195 BCE)” (Mark, Qin 9)

Liu Bang later executed and demoted his other generals upon the request of his wife empress Lu Zhi → known as one of China’s most cruel women (Montgomery).

Capital was moved from Luoyang to Chang’an (Mark, Han 3)

“With no experience in government, Gaozu had to rely on earlier models and so adopted the decentralized government of the Zhou and the Legalism of the Qin (though the latter was implemented more benevolently). The decentralized state was divided into 13 administrative districts known as commanderies (also as jun) and awarded ten kingdoms to members of his family whom he expected to rule justly” (Mark, Han 3)

According to Poulpart: “Liu Bang created a new governmental structure composed of three actors with overlapping functions, guaranteeing that one would not dominate the other. This system was relying on a chancellor (chengxiang), who was responsible of the cases that would be managed by the emperor, a supreme Commander (taiwei) responsible of any military action or decision, and an imperial counsellor (yushi dafu) at the helm of the bureaucracy and administrative system.” (1)

As a former peasant Liu Bang understood how commoners had felt under the Qin rulers → Lowered Taxes for commoners, redistributed wealth, made some of the rules less strict (Mark, Han 3)

Liu Bang opened up bureaucratic positions for people of all social classes (Mark, Han 3) → His successor emperor Wen of Han would later take this idea further and introduce the imperial state exam → An Exam people of all social classes could take in order to become imperial civil servant

During the Han period Confucianism was the state religion → According to Confucianism’s ideas the state system of the chinese emperors was superior to every other form of civilisation → Han Emperors used this as explanation for expansionist politics (especially under emperor Wu of Han) → It was their mission given to them by the Mandate of Heaven (Poulpart 1)

Confucianism grew in popularity even amongst commoners but they still practised their own local cults (Poulpart 2) → Confucianism was mostly popular and important within the higher social classes (Poulpart 2)

The Han Dynasty was a period of lots of scientific and artistic advancements, marked by Confucianism and the creation of the silk road under emperor Wu. (Mark, Han 2)

The Hans invented the water wheel, the compass, the seismograph, musical theory and paper (Mark, Han 2)

Creation of the silk road -> Trading routes would reach up to the Roman Empire

The Han also “encouraged literacy and the study of history” (Mark, Han 2) → Sima Qian, the chinese Herodotus, lived during the Han Period

Iron, copper and Salt were regulated by the government → Government held a monopoly on those markets (Poulpart 2) → The Han-Xiongnu wars were partly the reason for that monopoly

Chinese Mythology underwent development during this time → Think Nezha, the Queen mother of the West, Guanyin, Chang’e, the Jade Emperor etc. (Mark, Han 2) → Many of these figures have existed since the Shang Dynasty

Wars with the Xiongnu (A distinct ethnic group from the mongolian Steppe)

Xiongnu wars lasted for 200 years → Will talk about these in more detail in the Xiongnu section

After Liu Bang’s death his wife Lu Zhi was in charge through several puppet rulers (Mark, Han 3) → She was then executed and Emperor Wen of Han took over.

Wen’s son Emperor Jing saw that the decentralised government was not working well → centralised the Han empire (Mark, Han 4)

Reigns of Wen and Jing = Golden Age

After Jing came Emperor Wu → Expansionist policies, made everyone (nobles and commoners) equal under the law code, gave commoners better opportunity to become government officials, adopted Confucianism as the state philosophy (Mark, Han 4)

Expansion into Korea and Vietnam ( → the Trung Sisters Rebellion) and more wars against the Xiongnu (Successful) & establishment of the Silk road (Mark, Han 4)

After Wu → Emperor Zhao → Emperor Liu He → Emperor Xuan → Emperor Yuan (The one from Wang Zhaojun’s tale)

Emperor Yuan (Or Yuandi) → Big supporter of Confucianism → Because of this (filial piety) he gave powerful positions to his wife’s family members → This and “failure to check the power of his eunuch secretaries” lead to the fall of Western Han and rise of the Xin dynasty

Yuan’s son, Emperor Cheng continued his father’s mistake until his cousin Wang Mang seized power and declared himself Emperor in 9 AD. (Encyclopedia Britannica 1) →Xin Dynasty

Wang Mang was meant to act as a regent to Cheng until he came of age → did not give the power back to Cheng when he was an adult

Joshua Mark: “Wang was a Confucian scholar and idealist who believed that a single, strong ruler with a clear vision and the freedom to do as he pleased would be more effective than one who took counsel and had to discuss policy with others before implementing it.” (5) → Wang Mang was kinda useless as a ruler → “The people grew frustrated with his ineptitude and a mob overran the palace, hacked him to pieces, and used his head as a kickball” (Mark, Han 5)

Emperor Xuan → Reestablished the Han Dynasty → Weak and was soon deposed during the Red-Eyebrow-Rebellion (Mark, Han 6)

Emperor Guangwu → Moves capital to Luoyang → Begin of the eastern Han period → created reforms to avert another Xin situation (Mark, Han 6).

“the Han ruling house fairly quickly devolved into a series of monarchs who cared more about indulging their pleasures than ruling a country” (Mark, Han 6) → The emperors left country affairs to their Eunuchs.

By 130 AD the imperial court had become corrupt by Eunuchs who held all the power (Mark, Han 2)

At the same time the Han were spending money on expansionist policies into Korea, Vietnam and on wars against Xianbi (A Nomadic group from the mongol steppe like the Xiongnu and Huns)

Famines, Floods and taxes

The Han Dynasty ended after General Cao Cao defeated the yellow turban rebellion, tried taking over control of the empire. After his defeat via his fellow military commanders, the kingdom was split into three different realms. (Mark, Han 2)

Three Kingdoms: 220-264

After the Fall of the Han Dynasty

Romance of the three kingdoms takes place around this time

Basically summarised as “Warring States Period 2: Electric Boogaloo”

Jin Dynasty: 265 - 420

Very shortly lived Dynasty

Descendants of the generals who usurped the imperial throne

It was of the three kingdoms of the previous era, the Wei Kingdom which prevailed and re-unified China (Madsen 5:00)

United China but their reign was marked by wars and violence (Epimetheus 3:30)

Palace intrigue → Civil war 299 - 301 AD

Jin Dynasty fell at the hands of Xiongnu tribes who “settled in the north of china and proved hard to govern” (Madsen: 5:20)

Xiongnu attacked both of China’s capital cities Luoyang and Chang’an

“Many people fled to the south of Nan Jing where the Jin had set up a government in exile” (Madsen 5:30)

Period of the Northern and Southern Dynasties: 386-589

Northern Wei and the Southern Qi empires

Often considered a dark age of Chinese history (Epimetheus 3:40)

“Dominated by warlords who raided the lands and by barbarian invasions” (Epimetheus 3:48)

Buddhism increased in popularity (had been around in China since the Han Dynasty however) (Madsen: 5:40)

At the end the Wei and Qi kingdom had around 9000 buddhist temples combined (Madsen: 5:48) → Many rulers openly supported Buddhism

Sui Dynasty: 581 - 618

Had only 2 reigning emperors

Was able to unify China again

Instead of following the rules of Confucius, the Sui emperors tried to act upon Buddhist principles. (Madsen 6:30)

Their “structural changes which paved the way for a more long-lasting successor, the Tang Dynasty” (Cartwright, Sui 1)

Reinstalled the rule of ethnic han chinese (Epimetheus 3:53)

Integrated the barbarians that had invaded China during the previous period (Epimetheus (4:10)

After 1 million men were taken to Korea for military service → Rebellions arose in China during this time → Rebellion lead by Sui Emperor’s cousin Li Yuan overthrew the Sui → Renamed himself emperor Gaozu (Like Liu Bang of Han)

Tang Dynasty: 618 - 906

The second golden Age

Most C-Dramas i watch tend to take place around this period

Arts flourished around this time → Especially Poetry

Tea became more popular → Tea ceremonies (Madsen 8:10)

The story of Yan Gufei (another one of the 4 beauties of China) is set during this time

Internal stability

Scientific advancement

China’s population grew to 80million (Epimetheus 4:20)

The imperial exam of the han was picked up again and modified → Meritocracy (Madsen 7:30)

Surprisingly tolerant of foreigners for an ancient civilisation → Chang’an was cosmopolitan (Madsen 7:40)

All three religions of China (Daoism, Confucianism and Buddhism) thrived during the Tang

Towards the end they began persecuting Buddhists and were deposed after several rebellions (Epimetheus 4:50)

Five Dynasty Period: 907-960:

China broke again

There is once again war between everyone

Song Dynasty: 960 - 1279

Divided into Northern Song(960-1127) and Southern Song (1127-1279) (Tsin 1)

Scientific advancements and military development

Started out with a strong economy but was militarily a lot weaker than previous dynasties (Madsen 8:40)

Mass printing and gunpowder was invented during this period (Epimetheus 5:05)

First Paper currency

Southern Song started after Jurchens attacked the capital city and took the Emperor and several officials hostage → The north of china was lost to the Jurchens → New emperor crowned in the south where the Song remained until 1279 (Madsen 8:50)

Tea houses and night markets became popular around this time

Storytellers within these tea houses (Madsen 9:10)

Art in the form of poetry and landscape paintings flourished during southern Song (Madsen 9:20)

North of China during this time was ruled by the Jurchens who after a while took over the chinese imperial system, language, writing system and way of life (Madsen 10:00)

Yuan Dynasty: 1279 - 1368

Mongol Invasion → Genghis Khan’s grandson Kublai Khan

Moved the Capital city to Dadu (Today Beijing)

Taken from class notes: Around this time the novel became popular → The Mongol emperors did not care for poetry → They preferred theatre → Journey to the West style stage play → Was written down as a novel → entered the “mainstream”

The Yuan controlled the entire silkroad from China to Europe (Epimetheus 5:30)

Diversity in culture (Epimetheus 5:40)

But Marco polo did note that there was “ethnic tension” in China → Different ethnic groups were placed in different taxation groups (Madsen 13:30)

“A chinese could land with a hefty fine if he fought a mongol, but a mongol could get away scot free if he killed a chinese” (Madsen: 13:40)

The Mongols kept chinese advisors however and adopted the idea of the chinese emperor being “the son of heaven” (Madsen 14:00)

More Europeans visited China around this time (Like Marco Polo)

Just like the Mongol empire as a whole, this period was very short lived

Ming Dynasty: 1368 - 1644

Founded by a commoner (Taizu) after a successful rebellion against the Mongols

Taizu was a harsh ruler → Went after literati (kinda like emperor Qin but with a bit less executions)

The Imperial exam remained under his rule however → one had to study the 4 great Books → Confucius Analects, Mencius, Doctrine of the Mean and the Great Learning (Madsen 15:30)

Another golden age

Construction of the famous forbidden city in 1406-1420

Ming Vases were a popular exported good

Literature and Art flourished

The great Wall of China was expanded to keep the Mongols out

Problems with Pirates

Chinese age of exploration → Explorers went as far as east africa and returned with Giraffe’s to the emperor’s court (Madsen 16:00)

Foreign merchants were limited to outposts but could not really go deeper inside China (Madsen 16:40)

Some emperors had around 10’000 concubines around this dynasty (allegedly)

Famine lead the end of the Ming Dynasty

Qing Dynasty: 1644 - 1912

The Manchu ethnic group ruled China after crossing the great wall (Madsen 17:00)

All men in china were ordered to get the Manchu Hairstyle to show their loyalty to the new Dynasty (Madsen 17:10)

Period of stability followed

Most on the information i could find on the harem system came from this period

Not nearly as glamorous as depicted in C-Dramas (shocker)

“Started as a golden age, ended in disaster” (Epimetheus 5:50) → Opium wars

Fell after the Chinese revolution and the establishment of the Republic of China

The life story of the last Emperor of China is honestly a hot mess.

After the fall of the Qing Dynasty some Consorts and Concubines had to become prostitutes to survive

Sources:

Cartwright, Mark: Warring States Period, World History Encyclopedia, 2017 https://www.worldhistory.org/Warring_States_Period/

Cartwright, Mark: Sui Dynasty, World History Encyclopedia, 2017. https://www.worldhistory.org/Sui_Dynasty/

The Editors of Encyclopaedia Britannica. "Yuandi". Encyclopedia Britannica, 16 Apr. 2024, https://www.britannica.com/biography/Yuandi, Accessed 22 March 2025.

Epimetheus: All China’s Dynasties explained in 7 minutes, Youtube, 2018 https://youtu.be/fFNzX3tYTXU?si=eZd4uWgxxgJTlufI

TSIN, Micheal: China - Timeline of Historical Periods, Asia for Educators, Columbia University, 1995 https://afe.easia.columbia.edu/timelines/china_timeline.htm

MADSEN, Jared: All of China’s Dynasties in ONE Video - Chinese history 101, youtube, 5th August 2022https://youtu.be/Fz_uQNQBK0g?si=Dm4_3DoomfgN7jZo

Mark, Joshua: Han Dynasty, World History Encyclopedia, 2020. https://www.worldhistory.org/Han_Dynasty/

Mark, Joshua: Qin Dynasty, World History Encyclopedia, 2020. https://www.worldhistory.org/Qin_Dynasty/

MONTGOMERY, Lazlo: The Han Dynasty (Part 1), in: the chinese history podcast, Ep. 18 https://open.spotify.com/episode/1umFA07mSPCuPyCCcAKiK4?si=pe4iHig8QFOO6_-kv9XTzg

Poupart, Jean-Baptiste: Han Dynasty, Academia https://academia.edu/resource/work/40640987

Zhao, Xiran Jay: China’s forgotten Warrior Queen – Fu Hao, Youtube, 2022.

https://youtu.be/U0luii3sKjQ?si=MDSuCUOqVKn20TIN

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dylanaz · 1 year ago

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The new show just feels like a watered down version of the original.

Character flaw? We don't have it.

Solutions? Pretty much handed to them.

The episodes don't feel as satisfying as the original show because they don't learn a lot by the end of an episode (because they're nearly perfect). It's like watching a history documentary instead of a show that is supposed to teach you morals and dilemmas. Also, none of the episodes are focused on a specific character.

The biggest character defining moments? Nahhh. Because they're perfect, they don't exist. Sokka will learn the watered down version of accepting that he is a bad fighter. Instead of assuming that girls can't fight.

Katara won't steal anything because she's not that desperate to learn waterbending. Also, because it's not feminist, she won't have any bad treatments due to being a girl. Oh and she never got to save earthbenders from the Fire Nation through the power of her persuasion. She doesn't need to feel like she has to be in charge because Sokka will take care of her.

Zuko won't save anyone's life besides his Uncle's, because he is a tolerable jerk. He won't call out Zhao and win, just to not be cruel. He's neither kind nor angry. Oh and Zuko tried to KILL Katara eventhough in the original Zuko tries to explain his situation.

Aang learning to accept his fate as the last one of his kind? We don't have it. Instead we have Gyatso tell him about it and Aang is like, "Ok. I won't be sad anymore". And Aang doesn't want to goof away. He just wants to save the world.

Uncle Iroh doesn't feel as genuine as he is in the original.

I understand that the new show needed to change the script, but they should've still kept the heart and soul of the show. The character flaws and the lessons, character defining moments should've stayed right where they were. Plots should've revolved around those. Or they should've made their own versions to demonstrate Zuko's kindness, Katara's determination, Aang's dilemma and Sokka's acceptance more strongly.

#avatar the last airbender #avatar live action #avatar the last airbender live action #zutara #aang #zuko #sokka #katara #uncle iroh

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whileiamdying · 1 year ago

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All the Films in Competition at Cannes, Ranked from Best to Worst

The twenty-two films that premièred in the 2024 festival’s main program offered much to savor and revile.

By Justin Chang May 26, 2024

The seventy-seventh annual Cannes Film Festival came to a startling and joyous conclusion on Saturday night, when the competition jury, chaired by Greta Gerwig, awarded the Palme d’Or, the festival’s highest honor, to “Anora,” a funny, harrowing, and finally quite moving portrait of a sex worker’s madcap New York misadventures. It was startling because the movie, though one of the best-received in the competition, had not been widely tipped for the top prize, which seldom goes to a U.S. film; with “Anora,” Sean Baker becomes the first American director to win the Palme since Terrence Malick did, for “The Tree of Life” (2011), thirteen years ago. And it was joyous not only because the award was bestowed on a worthy and remarkable film but because Baker used the occasion to deliver the best, most eloquent and impassioned acceptance speech I’ve ever heard a Palme winner give.

Reading from prepared remarks, Baker singled out two other filmmakers in the competition, Francis Ford Coppola and David Cronenberg, as among his personal heroes. He dedicated the award to sex workers everywhere, a fitting tribute from a filmmaker who has put their lives front and center, with drama, humor, and empathy, in movies like “Starlet” (2012), “Tangerine” (2015), and “Red Rocket” (2021). He tossed some exquisite shade in the direction of the “tech companies” behind the so-called streaming revolution—including, presumably, Netflix, which came away as one of the night’s big winners; its major acquisition of the festival, Jacques Audiard’s musical “Emilia Pérez,” won two prizes. And, in a moment that drew rapturous applause, Baker delivered a plea on behalf of theatrical films, declaring, “The future of cinema is where it started: in a movie theatre.”

I was fortunate to see all twenty-two films in the Cannes competition on the big screen, projected under superior conditions in houses packed with fellow movie lovers. It’s my hope that, when these movies are released in the U.S., as the great majority of them likely will be, you will seize the chance to see them on the big screen as well—even “Emilia Pérez,” which Netflix may not keep in theatres for long, but whose bold dramatic and stylistic risks have the best chance of winning you over if they have your undivided, wide-awake attention.

I have ranked the movies in order of preference, from best to worst. Here they are:

1. “Caught by the Tides”

Jia Zhangke, a Cannes competition veteran, has long been the cinema’s preëminent chronicler of modern China (“Mountains May Depart,” “Ash Is Purest White”), mapping its social, cultural, and geographical complexities with great formal acumen, and also with the longtime collaboration of his wife, the superb actress Zhao Tao. Jia’s latest work, drawing on an archive of footage shot in the course of roughly two decades, unfurls a story in fragments, about a woman (Zhao) and a man (Li Zhubin) who fall in love, bitterly separate, and have a melancholy reunion years later. It’s an achievement by turns fleeting and monumental: a series of interlocking time capsules, a wrenching feat of self-reflection, and a stealth musical, in which Zhao dances and dances, standing in for millions who have learned to sway and bend to history’s tumultuous beat.

2. “All We Imagine as Light”

As the first Indian feature invited to compete at Cannes in nearly three decades, Payal Kapadia’s narrative début (after her 2021 documentary, “A Night of Knowing Nothing”) would be notable enough; that the movie is so delicately felt and sensuously textured is cause for outright celebration. Winner of the festival’s Grand Prix, or second place, it tells the story of two roommates, Prabha (Kani Kusruti) and Anu (Divya Prabha), who work as nurses at a Mumbai hospital. It teases out their personal circumstances—Prabha’s estrangement from her unseen husband, Anu’s frowned-upon romance with a young Muslim man (Hridhu Haroon)—with a quiet truthfulness that, like the glittering lights of the city, lingers expansively in the memory. (A forthcoming Sideshow/Janus Films release.)

3. “Grand Tour”

The Portuguese director Miguel Gomes (“Tabu,” “Arabian Nights”) delivered some of the most virtuosic filmmaking in the competition—as the jury recognized by giving him the Best Director prize—with this characteristically yet extraordinarily playful colonial-era travelogue. Shifting between color and black-and-white, set in 1917 but full of fourth-wall-breaking anachronisms, the movie tells a story of sorts about a roving British diplomat (Gonçalo Waddington) and a fiancée (Crista Alfaiate) he’s in no hurry to marry. But its true fascination lies in the humid atmosphere and wanderlust-inspiring splendor of its East and Southeast Asian locations, ranging from Singapore and Bangkok to Shanghai and Rangoon. It’s a movie to get lost in.

4. “The Seed of the Sacred Fig”

It’s impossible to absorb this blistering domestic drama without thinking of its dissident director, Mohammad Rasoulof, who recently fled Iran after being sentenced to prison and a flogging. (His appearance at his film’s première made for one of the most emotional moments in recent Cannes memory.) Shot entirely in secret, the story follows a Tehran-based husband (Missagh Zareh) and wife (Soheila Golestani) who are increasingly at war with their progressive-minded young-adult daughters (Mahsa Rostami, Setareh Maleki) during nationwide political protests led by women. The result is a thriller of propulsive skill and blunt emotional force, marrying the muscularity of an action film to the psychological intensity of a chamber drama. (A forthcoming Neon release.)

5. “Anora”

The director Sean Baker is near the height of his storytelling powers with this dazzling (and now Palme d’Or-winning) portrait of a Manhattan strip-club dancer (a revelatory Mikey Madison) who impulsively marries the ultra-spoiled son (Mark Eydelshteyn) of a Russian oligarch. Much comic chaos ensues, some of it pushed past the brink of plausibility, but Baker’s multifaceted love for his characters proves infectious and sustaining, as does his belief that acts of unexpected kindness can redeem even the darkest nights of the soul. (A forthcoming Neon release.)

6. “The Shrouds”

Early on in this elegantly sombre yet mordantly funny new movie, which stars Vincent Cassel, Diane Kruger, and Guy Pearce, the director David Cronenberg, a master of cerebral horror, unveils his latest invention: a technologically advanced burial shroud that allows people to watch a loved one’s body decomposing in the grave. So begins a drolly fluid inspection of classic Cronenberg themes—the deterioration of the flesh, the instability of the image, the paranoia-inducing incursions of technology into every aspect of life—but imbued with a nakedly personal dimension that the director has noted in interviews; the story was inspired by his wife’s death, in 2017, from cancer.

7. “Megalopolis”

In this legendarily long-gestating passion project, which I’ve written about at length, Francis Ford Coppola posits that our fragile, battered civilization is headed the way of the Roman Empire. The grimness of that prospect is unsurprising from a director accustomed to peering deep into the heart of American darkness (the “Godfather” movies, “The Conversation,” “Apocalypse Now”). For all that, the filmmaking here glows with a particularly hard-won optimism, even a welcome sense of play—borne out by an ensemble of actors, including Adam Driver, Giancarlo Esposito, and especially Aubrey Plaza, who fully embrace Coppola’s rhetorical and conceptual flights of fancy.

8. “The Substance”

Sympathetic or sadistic? Feminist or misogynist? Coralie Fargeat’s body-horror bonanza, which won the festival’s award for Best Screenplay, has been one of the competition’s more polarizing hits, which is unsurprising; divisiveness should be expected from a story about an aging actress and TV fitness guru who, desperate to regain her youthful bod of yesteryear, effectively splits herself in two. Whether the outlandish premise (think “The Picture of Dorian Gray” by way of “Death Becomes Her”) and its blood-gushing fallout withstand intellectual scrutiny, there’s no doubting the ferocity of the two leads, Demi Moore and Margaret Qualley, or Fargeat’s sheer filmmaking verve as she pushes her ideas to their sanguinary conclusions.

9. “Motel Destino”

Just a year after the Brazilian director Karim Aïnouz appeared in competition with a surprisingly stiff-corseted English period drama, “Firebrand,” it was bracing to watch him rebound with the competition’s most sexually uninhibited and flagrantly horny title; corsets don’t apply here, and even underwear proves blissfully optional. Set at a seedy roadside motel where the clientele never stops moaning, it’s a feverishly shambling erotic thriller starring three very game actors (Iago Xavier, Nataly Rocha, and Fábio Assunção) in a romantic triangle that plays like James M. Cain with sex toys—“The Postman Always Cock Rings Twice,” as it were.

10. “Emilia Pérez”

A trans-empowerment musical set against the backdrop of Mexico’s drug cartels might sound like a dubious proposition on paper, and, for the many detractors of this genre-melding big swing from the French director Jacques Audiard (“A Prophet,” “The Sisters Brothers”), what actually made it onto the screen was no better. But I was disarmed from the start by Audiard’s quasi-Almodóvarian vibes, his touchingly imperfect embrace of song-and-dance stylization, and, most of all, his three leads: the remarkable discovery Karla Sofía Gascón, a scene-stealing Selena Gomez, and a never-better Zoe Saldaña. All three (along with Adriana Paz) were recognized with the festival’s Best Actress prize, awarded collectively to the movie’s ensemble of actresses; Audiard also won the Jury Prize. (A forthcoming Netflix release.)

11. “Oh, Canada”

After a tense trilogy of dramas about male redemption through violence (“First Reformed,” “The Card Counter,” “Master Gardener”), the writer and director Paul Schrader has taken a gentler turn with an adaptation of “Foregone,” a 2021 novel by the late Russell Banks. (It’s his second Banks adaptation, after the 1997 drama “Affliction.”) In exploring the fragmented consciousness of an aging documentary filmmaker (played at different ages by Richard Gere and Jacob Elordi), Schrader bravely forsakes the narrative fastidiousness of his recent work and takes on grand themes of memory, mortality, and artistic self-reckoning, to formally ragged but sincerely moving effect.

12. “The Girl with the Needle”

This stark and terrifying black-and-white drama from the Swedish-born, Polish-based director Magnus von Horn (“Sweat”) was perhaps the competition’s bleakest entry. Set in Copenhagen immediately after the First World War, it pins us so mercilessly to the hard-bitten perspective of Karoline (an excellent Vic Carmen Sonne), a factory seamstress who becomes pregnant out of wedlock, that we scarcely notice her story shifting in a different, more sinister direction. It’s a bitterly hard-to-stomach brew of a movie, at once hideous and beautifully made, with a chilling supporting turn by Trine Dyrholm as a friend whose interventions turn out to be anything but benign.

13. “Three Kilometres to the End of the World”

The setting of this well-observed but emotionally opaque drama, from the Romanian actor turned director Emanuel Pârvu, is a small rural village where a closeted teen-age boy, Adi (Ciprian Chiujdea), is brutally beaten after being caught in an intimate moment with a male traveller. Pârvu teases out the legal, psychological, and moral fallout with the pitch-perfect performances and laserlike formal focus that have become hallmarks of new Romanian cinema. But, though the movie is persuasive enough as an indictment of small-town religious fundamentalism and homophobia, it proves curiously incurious about Adi’s perspective, to the detriment of its own human pulse.

14. “Kinds of Kindness”

After his Oscar-winning period romps “The Favourite” (2018) and “Poor Things” (2023), the Greek director Yorgos Lanthimos scales back—but goes long—with a sprawling, increasingly tedious compendium of comic cruelty. My favorite of the film’s three disconnected stories, all featuring the same actors, is the one where Jesse Plemons (the ensemble M.V.P., as the jury recognized with its Best Actor award) plays Willem Dafoe’s Manchurian candidate; my least favorite is the one where Emma Stone joins a sweat-worshipping sex cult. The one where Stone slices off her finger and cooks it for Plemons falls—much like the movie in Lanthimos’s over-all œuvre—somewhere in the middle. (A Searchlight Pictures release, opening June 21st in theatres.)

15. “Bird”

My admiration for the English filmmaker Andrea Arnold (“American Honey”) is such that I’m eager to revisit her latest rough-and-tumble coming-of-age story and find that I undervalued it. Arnold is certainly skilled at integrating recognizable actors, which in this case includes Barry Keoghan and Franz Rogowski, into her grottily realist frames, and she has an appealing lead performer in Nykiya Adams, as a twelve-year-old girl who overcomes persistent abuse and neglect. But the story may lose you—as it lost me—with a magical-realist turn that magnifies, rather than minimizes, the tortured-animal symbolism that has often dogged Arnold’s work.

16. “Beating Hearts”

An exchange of insults at a high-school bus stop provides a saucy meet-cute for a good girl (Mallory Wanecque) and a ne’er-do-well boy (Malik Frikah); so begins a raucous and endearing love story for the ages, in which the director Gilles Lellouche, with outsized glee and little discipline, merrily appropriates the conventions of classic Hollywood musicals and gangster flicks. The result is much too long at nearly three hours—the story spans several years, with Adèle Exarchopoulos and François Civil playing older versions of the two leads—but I can’t say I didn’t warm to its rambunctious cornball charm.

17. “Limonov: The Ballad”

Why make a film about Eduard Limonov, the globe-trotting Russian dissident poet and punk provocateur reviled for his pro-fascist sympathies? The filmmaker Kirill Serebrennikov never musters a satisfying answer in this muddled English-language bio-pic, despite an energetically uninhibited central performance by Ben Whishaw and a cheeky panoply of filmmaking techniques—jittery camerawork, lengthy tracking shots—meant to catch us up in the épater-la-bourgeoisie exuberance of Limonov’s revolt. Considering his earlier work, I prefer the rebel-youth vibes of “Leto” (2018) and the dazzling cinematic assaults of “Petrov’s Flu” (2021), both of which also screened in competition here.

18. “Parthenope”

Nearly every new picture from the Italian auteur Paolo Sorrentino could be reasonably called “The Great Beauty,” the title of his gorgeous 2013 cinematic tour of Rome. (It left that year’s Cannes empty-handed, but won the Oscar for Best Foreign Language Film.) His latest work remains most intriguing for its ambivalent but still sensually overpowering vision of the director’s home town, Naples, from which springs a modern-day goddess, named after Parthenope, a Siren from Greek mythology. She’s played by Celeste Dalla Porta, a great beauty indeed and an empathetic screen presence, though only fitfully does her character seem worthy of this movie’s epic enshrinement.

19. “Wild Diamond”

Another disquisition on beauty and its discontents, this time from the débuting French writer and director Agathe Riedinger. She hurls us the life and busy social-media feed of a nineteen-year-old, Liane (a terrific Malou Khebizi), who has nipped, tucked, and tailored every part of herself to realize her dream of being selected for a hot new reality-TV series. Part influencer-culture cautionary tale, part bad-girl Cinderella story, the movie glancingly suggests the soul-rotting effects of beauty worship, but it falls victim to the trap that Liane is trying to avoid: in a sea of worthy candidates, it doesn’t especially stand out.

20. “The Apprentice”

Donald Trump’s attorneys have threatened legal action to block the release of this drama about his early rise to fame and wealth under the mentorship of the attorney Roy Cohn (Jeremy Strong). It speaks to the useless proficiency of Ali Abbasi’s movie that the prospect of such censorship provokes more indifference than outrage. Shot to evoke cruddy nineteen-eighties VHS playback, the movie is well acted by Strong, Maria Bakalova as Ivana Trump, and an increasingly makeup-buried Sebastian Stan as Trump himself, depicted from the start as a sack of shit that gets progressively shittier. It’s not dismissible, but it’s hardly the stuff of revelation, either.

21. “Marcello Mio”

In this trifling meta-comedy from the French filmmaker Christophe Honoré (previously in the 2018 Cannes competition with the lovely “Sorry Angel”), the actress Chiara Mastroianni embarks on a strainedly whimsical personal odyssey to examine the legacy of her late father, the legendary Italian actor Marcello Mastroianni, and her own conflicted place therein. To that end, she spends much of this overstretched movie in “8½” and “La Dolce Vita” black-suited drag as she navigates a roundelay of industry in-jokes; among the French cinema luminaries making appearances are Fabrice Luchini, Nicole Garcia, and, most welcome, Chiara’s mother, Catherine Deneuve.

22. “The Most Precious of Cargoes”

The French director Michel Hazanavicius continues his uneven post-“The Artist” run with this animated Second World War fable, adapted from a 2019 novel by Jean-Claude Grumberg (and narrated by the late Jean-Louis Trintignant). It has an affecting opening stretch, in which a baby girl, thrown by her desperate father from an Auschwitz-bound train, is rescued and raised in secret by a woodcutter’s kindhearted wife. But when the child’s provenance is discovered, stoking local antisemitism, the movie becomes a bathetic wallow in Holocaust imagery, drowned in an Alexandre Desplat score whose every surge turned my heart increasingly to stone. ♦

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eqt-95 · 2 years ago

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a new kind of romance, pt 3

part 1 | s'mores s'mores part 2 | purple purple

👗 zippers

“Kara?”

“Yep?” Kara called over her shoulder, one hand placing the kettle in its cradle and the other fiddling with the top button of her shirt. It was late. Far too late to still be dressed in formal wear but that didn’t stop Kara from accepting Lena’s post-gala offer of tea, blankets, and a documentary.

Plus Lena promised snacks.

“Can you come here?”

And, really, Kara should have known.

Because Lena’s voice was coming from the bedroom.

Strike that. Because Lena’s voice was coming from the closet of the bedroom.

So, really, she should have been prepared to turn the corner and come face-to-face with the exposed patch of alabaster skin where a plum evening gown had been sitting snugly over shoulders and back moments before.

And Kara had never before loved the spectrum of purples as much as she did seeing it hang off Lena in that moment (and that included the burgundy-clad legs she’d felt wrapped around her a few short days earlier). She loved it so much her mouth fell ajar, eyes expanded to the size of small planets, and heart jumped straight into her throat.

“I think it’s stuck. Would you-?”

And because Kara’s brain was having a brown out, it took Lena yanking at the half-drawn zipper for Kara to register the very simple request.

Because it was, fundamentally, a very - very - simple request.

Because of course Kara could unstick a tiny little zipper. She was Supergirl, after all. And Supergirl could definitely - definitely - handle this itty bitty tiny late-night conundrum.

Definitely.

Except Kara’s nod came out strained and legs stumbled all leaden-like and when she tried to swallow it felt like a desert and then she wondered if maybe they should have a cup of tea first because if she was parched then Lena might definitely be thirsty but Lena was looking at her reflection in the mirror with an expression that might as well have been kryptonite because only that could explain the tremble of her own fingers trying desperately to maneuver their grip onto the world’s tiniest pull tab without intentionally - accidentally - brushing the porcelain skin that Kara so desperately - respectfully - wanted to touch and maybe that’s why the sharp whistle from the kettle made her jump and fingers pull, and the tear that followed sent Kara blushing and rambling apologies in broken english and kryptonese because wow now there was like, just so much skin.

“Well, that’s definitely one solution,” Lena laughed, her rosy cheeks a pale challenge to the flush red that engulfed Kara.

“Oh, oh zhao, uh, uhm, R-Rao I mean, oh I’m so sorry-” Kara rambled, stumbling backwards and running into a rack of Lena’s business suits which, timely as they were, all came tumbling down on top of Kara. “Oh golly-”

“It’s really no problem,” Lena laughed, taking the whole catastrophe in stride because of course she would and of course Kara would make it a mess and turn blubbering and foolish and-

“But it was so nice,” Kara continued from beneath an avalanche of clothes. “and you looked so nice and pretty and now-”

“Darling, watch out for the-

“-now it’s all, oh, oh shoot,” because another rod of clothes caved to Kara’s desperate floundering and efforts to avert her gaze from glimpsing - gawking - at the porcelain surface that surely - surely - belonged captured in marble and displayed for all galaxies to see.

And then there was Lena’s hand gripping Kara’s arm and guiding her out of the mountain of pretty clothes Lena wore while a mountain of apologies sat on Kara’s tongue.

“And your dress,” Kara said again, face the shade of embarrassment and eyes staring firmly at the fixture hanging from Lena’s ceiling. Were those real crystals?

“What about my dress.” A statement, not a question. A challenge, not an accusation.

“It’s… it’s ruined,” Kara continued, hand gesturing blindly toward the tattered fabric she couldn’t see because boundaries.

“Well, that’s the thing about dresses,” Lena continued, hands climbing to adjust Kara’s collar.

“The… the thing-?” Kara asked, eyes breaking from her safe spot to meet Lena’s gaze.

“They’re meant to be taken off,” Lena winked and smirked and said with a voice that was far too husky and far too effective at turning Kara’s brain to mush.

“Taken...?"

"Off.”

And, really, Kara should have known.

Because whatever brown out occurred moments earlier had nothing on the full black out that followed.

- - - - - - part 4 | frosting

#these started at silly little things but we might be uncovering a plot soon folks #supercorp ficlet #lena luthor #kara danvers #new romances #supercorp

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thebramblewood · 7 months ago

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thebramblewood's Legacy Universe: A Primer

I've never really been one for following specific legacy challenges, but I do get incredibly attached to families and love seeing genetics play out, so generational gameplay has always been my thing. Recently, I've been very distracted by Helena Zhao Is Dead, which means my long-running family of nine generations (!) has been on indefinite hiatus for most of this blog's life.

I discovered their save got accidentally deleted, which is probably for the best, considering it was the same damn save I started back in 2018. Luckily, I had the current generation in my library, and I missed them, so I decided to bring Naomi and Micah back for Life & Death. I thought it might be helpful to summarize past events for those who might be interested in their family's background. Don't worry, we're not going all the way back! I love my earlier generations, but I didn't start getting into a more story-based approach until pretty far in. So here are the relevant details from generation five on (and I really did try to be brief, I promise).

GENERATION FIVE

This generation's heir was Gaby Martinez-Jang. After saving Strangerville from the Mother Plant with her ragtag investigative team, she moved to Sulani with the hunky conspiracy theorist she met along the way, Alvin. The impetus for this journey was Alvin being adopted and deciding he wanted to learn more about his birth family. In Sulani, he not only met his biological sister, Kaimana, but also discovered and embraced his mermadic ancestry! Meanwhile, Gaby became a conservationist and even won a Starlight Accolade for her documentary film on Mua Pel'am!

GENERATION SIX

Gaby and Alvin's one child, Noelani 'Aukai, became the new heir. After struggling to figure out their identity as a teen, Noelani's love for music led them to pursue DJing and producing. They started off doing pop-up performances in Sulani that gained traction on social media and led to a record deal. Meanwhile, they were falling in love with their childhood BFF, Nani Kealoha. Eventually, the two of them moved to San Myshuno, where Nani pursued her political dreams and Noelani was thrust into stardom.

This is where it becomes really important to pay attention. Noelani's other best friend was Malia Kahananui. The result of MCCC shenanigans, she became the granddaughter of Mele and Alika Kahananui because I thought they were too old for a surprise baby, lol. She was left with her grandparents by her reckless and impulsive mother, who was always going off on grand adventures and eventually just never returned. A yoga enthusiast and masseuse, Malia discovered her talent for communing with the island spirits when she was visited by her recently deceased grandparents, who encouraged her to nurture the gift they never got the chance to tell her about.

The spirits were always cryptic, but during one visit she received a more specific warning: "One day, there will be a cataclysmic threat to the realm where all spirits go. Humans occupy this realm, too, humans with supernatural talents who coexist with us in exchange for the protection they offer. A human of modest background and raw power is the only one capable of defeating this threat. They will sacrifice greatly to save our realm from extermination." She promptly filed that information away for a decade or two.

GENERATION SEVEN

This generation's heir was Noelani and Nani's son and robotics enthusiast, Sione 'Aukai. Unfortunately for him, he was almost immediately overshadowed by his eventual spouse, Malia's daughter, Cassie. Oh, Cassie... Possibly my favorite Sim of all time. As kids, they had a long distance friendship, bonding over their love of magic and fantasy. When Cassie started having dreams of a world beyond her own, her mother remembered the warning from the spirits and, fearing the worst, tried to deter her interest, which only made Cassie more stubbornly determined to seek out magic. Malia thought her daughter's rebellious streak might be fixed by a change of scenery, so she moved in with Sione's family in San Myshuno.

Unfortunately, Sione decided he was "too cool" for their shared childhood interests and rejected Cassie's long-time crush. Even so, they agreed to share a house for uni, where he studied Robotics at Foxbury and she studied Art at UBrite. Cassie soon decided college wasn't for her, but she used her connections in the Secret Society to make her way to the Magic Realm, where she met L. Faba and finally began her magical training. A few years later, she and Sione met up again in the city, finally worked it out, and got married. (Can you tell I'm a big fan of the childhood friends to romantic partners pipeline?)

GENERATION EIGHT

Sione and Cassie have twin girls. Rowan 'Aukai is the heir of generation eight. Rowan and her sister, Sabrina, are just beginning their own magical educations when tragedy strikes. A rogue spellcaster, having acquired forbidden magic, storms the Magic Realm and kills the three Sages. As word spreads, Cassie is one of the first spellcasters to arrive. She defeats the rogue spellcaster but dies of magical overload. Overcome by grief, Sione forbids the girls from continuing their training. Rowan misses magic and her mom every day, though everyone else seems to be moving on. She starts having visions of her mom trying to communicate something important. After clashing with her dad, she runs away from home, determined to teach herself the magic she needs to bring Cassie back to life.

Rowan ends up in Evergreen Harbor, where being a homeless teen in a smog-infested city isn't conducive to developing her magical prowess. She temporarily loses her abilities but is introduced to a couple who takes in wayward teens. After a dream visit from her mom, her magic returns. She and her friend, Alejandro, research all things paranormal and find themselves in a haunted house, where she receives advice from Claude René Duplantier Guidry. Eventually, she returns to the Realm, which is shockingly still intact, and where she finally learns what she needs to do. She casts dedeathify at her mom's grave, and her family is finally reunited.

GENERATION NINE

Whew, we're finally almost finished. Generation nine is ongoing, and its heir, August Uchiyama, only just became a teen the last time we saw him (and will probably look a bit different when we see him again because I have to remake his teen version 😭). After bringing her mom back, Rowan started dating one of her friends from Evergreen Harbor, Raveena Uchiyama. They eventually got married, settled into a hippie lifestyle on a big Henford-on-Bagley farm, and had five kids. August is the middle child and only boy. He's had a rather idyllic childhood full of farm animal friends, oversized crops, and adventures with Uncle Alejandro and Grandma Cassie. He has a lot coming up for him that remains top secret. 🤐

Back to Naomi and Micah, they're August's older twin sisters. (They also have younger twin sisters, Tess and Sadie.) Since August is the heir, they've existed mostly in the background so far. But Naomi proved herself to be a cigarette-smoking rebel who frequently snuck out at night and cut class to hang out with her delinquent friends, and Micah was a reserved, rather moody teen who enjoyed painting and journaling but eventually branched out and joined the cheer team. In The Mourningvale Files, they're meant to be in their late 20s and still struggling to find their footing as adults. I'm excited to develop their characters more before I eventually (hopefully) make my way backwards to fill in the rest of August's story. This may be the final generation for how fucking long it's going to take me to finish. 😅

And that's what you missed on thebramblewood.tumblr.com!

#friends do you see how much of my life i've committed to this family #been writing these dumb (affectionate) little stories for years now #legacy: g5 #legacy: g6 #legacy: g7 #legacy: g8 #legacy: g9

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thisissirius · 15 days ago

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get to know your mutuals

tagged by: @madroxed

favourite colour: yellow ☺️

currently reading: iron widow by xiran jay zhao

last song: eye of the tiger, 2cellos

last film: moulin rouge because i’m working my way through ewan mcgregor’s filmography ahead of seeing him in theatre at the end of the month (◡‿◡✿)

last series: andor (season 2 omg!!!!) and our universe. back on my nature documentary bullshit.

sweet/salty/savory: oooh i don’t really have a preference?? savoury probably though 🤔

tea or coffee?: coffee is gross. tea only in siri’s household.

working on: the robron bonnie and clyde rewrite we deserve. obikin being their usual freak for freak selves. knowing my worth at work and at home. being productive instead of lazy 💕💕

tagging: @mistchievous @mellaithwen @littlespoonevan @capseycartwright @ediediaz no pressure though (especially if you’ve already done it!!) 😘

#this is me #siri speaks

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ninja-muse · 11 months ago

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As you can tell, my plan to acquire only two books this month went perfectly. No notes. 😰 On the upside, four of these I did not pay for and only one of them was full price, so it’s like I saved money.

I really do need to get better at reading off my physical TBR though. I’ve started a Storygraph challenge for myself, so we’ll see how that goes.

July started with a bookish bang: there was the planned bookstore visit (three books bought, not two, but I unhauled ten and used my credit), and then my dad came down so we could marathon the local Shakespeare festival, which was great! And somehow not the Shakespeare overdose I was worried about, and they nailed the play we were worried they weren’t going to.

After that, it’s been business as usual. I feel like I’m behind in my reading because Malady of the Mind took so long to get through, but honestly, I suspect I’m not because I’ve been blowing through lighter fiction on the side. The library’s finally getting April releases into circulation though, so I’ve had physical reads from them again. (Which will totally help my physical TBR goals, I know.) Very much looking forward to The Library Thief, which I picked up this week.

The only other noteworthy thing of the month is I discovered my library has an ebook of Rose/House by Arkady Martine! Except it’s in French, so it’s been taking me a bit to get through. I might not even get it done before it’s due back, but if so I’ll just check it out again because it is good, just … in French.

Click through to see everything I read this month, in the rough order of how glad I was to have read them.

Malady of the Mind - Jeffery A. Lieberman

A history of schizophrenia, with a hopeful ending.

10/10

warning: detailed descriptions of the symptoms of schizophrenia and past and present medical and societal treatments of the mentally ill

reading copy

The Reappearance of Rachel Price - Holly Jackson

Bel’s participating in a documentary about the disappearance of her mother sixteen years ago when her mom walks back in the door. Now nothing is okay.

8.5/10

Black British secondary character

warning: kidnapping, gaslighting, psychological abuse

library ebook

The Pairing - Casey McQuiston

Theo is over Kit. Four years over, which means there’s enough distance to take their dream European food tour solo and close the book. Except Kit had the same idea. Out in August.

8/10

🏳️‍🌈 protagonists (bi man, bi enby), 🏳️‍🌈 secondary and incidental characters (sapphic, achillean), 🏳️‍🌈 author

reading copy

Dear Wendy - Ann Zhao

Two aroace teens start competing college advice columns. Professionally they’re rivals. Unknowingly, they’re becoming friends.

7/10

🏳️‍🌈 protagonists (aroace), Chinese-American protagonist, 🏳️‍🌈 secondary characters (lesbian, bi, demisexual), Indian-American secondary character, Black secondary character, Latin secondary character, Chinese-American author, 🏳️‍🌈 author

warning: aceophobia

library book

Goodnight Tokyo - Atsuhiro Yoshida

Interwoven stories about nighttime life in Tokyo. A prop procurer seeks the perfect items, a crack detective seeks his father’s films, a diner owner seeks a past customer, and more.

7/10

Japanese cast, Japanese author

reading copy

Peking Duck and Cover - Vivien Chien

Lana’s helping run the Chinese New Year celebrations at Asia Village and everything’s going great—until someone kills a lion dancer.

7/10

Taiwanese-American protagonist, largely Chinese-American cast, Taiwanese-American author

warning: gun violence

borrowed from work

The Tomb of the Mili Mongga - Samuel Turvey

A conservationist seeking fossils in Indonesia is sidetracked by a local legend of a giant wild man, and along the way muses on extinction, human cultures, folklore, and our place in the world.

7.5/10

Indonesian secondary characters

library book

My Love in Stitches, Vol. 1 - Emily Gossmann

Frankie’s trying to get her life together when she meets Momo, but dating her is going to be hard. First, she needs a job, and also their friends are dead set on keeping them apart….

7/10

🏳️‍🌈 protagonists (sapphic), 🏳️‍🌈 secondary characters (sapphic), 🏳️‍🌈 author, 🇨🇦

kickstarted/off my TBR

The Dishonest Miss Take - Faye Murphy

Desperate to clear her name after a murder she didn't commit, a superpowered former villain stumbles onto a mystery—and a curious assassin. Out in September.

5.5/10

🏳️‍🌈 protagonist (sapphic), 🏳️‍🌈 secondary character (sapphic)

digital reading copy/won

Picture Books

It’s Raining Bats & Frogs - Rebecca Colby

The witch parade is in danger of being rained out but one young witch has the solution. Or does she?

Scorch, Hedgehog of Doom - Cate Berry

Scorch is going to be the biggest, baddest hedgehog ever, no matter what.

Into the Goblin Market - Vikki VanSickle

Two sisters live near the goblin market. When one seeks out its temptations, the other follows to save her.

Reread

Timeline - Michael Crichton

In the late 1990s, a tech company finds a way to send people to the Hundred Years’ War. Immediately, things go wrong.

7/10

warning: misogyny, attempted sexual violence

library ebook

Currently reading

A Gentleman from Japan - Thomas Lockley

The true story of a Japanese man who found himself at the court of Elizabeth I.

warning: slavery, orientalism

library book

Rose/House - Arkady Martine

There is a body within Rose House—two, if you count its architect, who ordered the house shuttered with his passing and left to its AI. Only one person is allowed to enter now, and she’s accounted for. And yet there is a body within Rose House….

library ebook

Music from the Earliest Notations to the Sixteenth Century - Richard Taruskin

A history of early written European music, in its social and political contexts.

The Penguin Complete Sherlock Holmes - Arthur Conan Doyle

Victorian detective stories.

disabled POV character (limb injury), occasional Indian secondary characters

warning: racism, colonialism

Monthly total: 9 + 1 + 3 Yearly total: 68 Queer books: 4 Authors of colour: 3 Books by women: 5 Authors outside the binary: 1 Canadian authors: 1 Classics: 0 Off the TBR shelves: 1 Books hauled: 11 ARCs acquired: 4 ARCs unhauled: 4 DNFs: 0

January February March April May June

#booklr #bookblr #reading wrap-ups #rec lists #book recommendations #stacks of books #read in 2024 #my photos

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hananoami · 11 months ago

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Love and Deepspace × Embroidered Silk Ball

Special Documentary Released Threads of embroidery weave a long-lasting affection. As craftsmanship takes shape through skilled hands, artisans use their fingers to tenderly pass on every romantic tale.

💫Exclusive Chinese Embroidered Silk Balls

Meticulously crafted with heart, a true work of art, Each piece is a masterpiece, where skill and love impart. Gifted with care and a touch of grace, Every silk ball brings affection to your embrace.

💫Expert Guidance

Huang Xiaoqin, Zhao Jinyu Representative Cultural Inheritors of Jingxi Zhuang Embroidered Silk Ball Craft

Lu Shan Director of Jingxi Zhuang Nationality Museum

Special Acknowledgement to Department of Culture, Radio, Television, Sports and Tourism of Baise Department of Culture, Sports, Radio, Television and Tourism of Jingxi

#love and deepspace #lads #lnds #l&ds #;collaborations #embroidered silk ball

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proudchildlesscatlady · 6 months ago

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Do have any headcannons about William lark tor

William:

1. Was raised by a single parent as his other parent died because of the abatement. **Not sure if Will is the Scion of Gawain through his mother or father **

2. His favorite music genre is jazz, blues, and classical music.

3. He doesn't watch TV and movies as much but would often listen to the radio. He has his own portable radio. If he does watch TV it would be documentaries.

4. His love of tea developed after he was awakened by Gawain but before, he could care less for it. Tea helps Will alleviate the stress and pain of being the healer.

5. He likes to eat scones and cucumber sandwiches with his tea.

6. His family is the "poorest" out of all the Legendborn members. His family still had wealth but not as much as the families of the Legendborn members.

7. One of his parents is a doctor and William would often read his parent's notes, medical books, and listen to them talk about their jobs.

8. Green used to be William's least favorite color. After being awaken, he learn to appreciate it.

Lark:

1. Born and raised in Scotland but him and parents moved to the United States so he can attended the Merlin Academy.

2. He can do a very convincing American accent.

3. His favorite TV shows are The Bing Bang Theory and Brooklyn Nine-Nine.

4. He likes listening to Minnie Riperton and Stevie Wonder. Lark's favorite music genre is soul, blues, and R&B.

5. His favorite desserts are lemon cakes and orange creamsicles. Anything that is citrus 👀😉

6. During his time at the Merlin Academy, his father was very strict towards Lark as he wanted his son to win the Kingsmage title. Lark endure harsh trainings from his father to ensure he beats Sel which did not end up happening.

7. He does not get along with all of his Mageguard coworkers but is cordial with them. He dislikes Zhao and Ramirez the most as those two would often bully Lark.

8. Even though he didn't show it, Lark was hurt (for a bit) that Bree didn't want to him to be her Kingsmage. He was so excited to meet Bree and trained hard to ensure he is the best for her. In the end, he harbors no harsh or ill feelings towards Bree.

Tor 🙄😒🤬

1. She has one younger brother who she does not get along with because the siblings are nothing alike.

2. She once made her dad lose a big business opportunity because she said something bigoted to one of her dad's clients. She was grounded for two months.

3. Despite being a racist, she secretly finds super model Anok Yai attractive.

4. Would use Sar when Tor gets called out for her racist/ biogeted behavior. She would say, "I'm not racist my girlfriend is Mexican" even though Sar is half Venezuelan and not Mexican.

5. She does not have any [real] friends because she is so unlikeable and unbearable. Sar is the only person that actually wants to be around Tor instead of just tolerating her.

6. She is a Trump supporter and has voted for him (should not be a surprise 😑). She thinks Kamala Harris does not deserve to be President. She also thinks Harris is a "DEI hire" or got her position as vice president because of Affirmative Action.

7. She tried to get back together with Selwyn but he said "Fuck off."

Sorry not sorry but I hate Tor and I can't come up with any headcanons that is remotely kind or positive.

#legendborn #legendborn cycle #bloodmarked #william sitterson #larkin douglas #victoria morgan

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cinemacentral666 · 2 years ago

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24 City (2008) & Cry Me a River (2008)

Movies #1,065 & 1,066 • Part of My JIA ZHANGKE Director Focus

JZ’s dual offerings for 2008: a faux-(or not so faux?)-documentary (24 City) and a short film, Cry Me a River (featuring long-time regulars Wang Hongwei and Zhao Tao), feel like minor works in the grand scheme of things. 24 is an interesting setup and potentially his most boundary pushing insofar as bleeding realism into the realm of narrative fiction is concerned. But I was a bit bored by both.

SCORE: ⭐️⭐️⭐️⭐️⭐️⭐️ (for both)

#jia zhangke director #joan chen #lü liping #zhao tao #chen jianbin #wang hongwei #hao lei #guo xiaodong #documentary #drama #short #2008 #6 #🇨🇳

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boybff · 2 years ago

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wait hiiiii hi hello bestie i didn’t know u like video essays!! i’ve been trying to find more to watch recently, do u have any other recs? about any topic 👀

HIIIIII bestie Robin, are you ready?? After harvesting my Youtube subscription and liked video lists here is what I have compiled. I'm gonna put my current top 5 video recommendations and then the rest of the list, under the cut, is organized by creator.

Why Are There So Many Confederate Vampires

The art of religious interpretation (midnight mass vs god’s not dead)

Defunctland: Walt Disney's City of the Future, E.P.C.O.T.

Hogwarts Legacy, JK Rowling, and Trans Advocacy

Cultural Inspirations in Avatar: The Last Airbender Book 1 - Water

CHANNELS

biz barclay - hilarious, brilliant, my best friend who drinks wine and weaves me long insightful stories while sitting on the dresser or in the bathtub. The vast amount of knowledge, historical

understanding snapewives: religion, fandom, sociology, & erotica

Goncharov (1973) video essay

The art of religious interpretation (midnight mass vs god’s not dead)

Xiran Jay Zhao - Author of one of my FAVE YA novels, “Iron Widow” (which is a MUST read). I always want more avatar content that focuses on cultural inspirations from trusted sources. Xiran taught me so much about the avatar universe I already loved as well as valuable critiques. They also do retellings of historical events such as- Bisexual Han Dynasty Emperors and Forgotten Warrior Queen - Fu Hao.

Cultural Inspirations in Avatar: The Last Airbender Book 1 - Water

Cultural Inspirations in Avatar: The Last Airbender Book 2 - Earth

Cultural Inspirations in Avatar: The Last Airbender Book 3 - Fire

Fundie Fridays - Jen, a leftist queer feminist, and her husband James examine different aspects of Christian fundamentalism, American conservative politics and pop culture. She has remade a lot of her older videos so make sure to watch the updated versions! She was also featured in the Amazon docuseries “Shiny Happy People” which I would HIGHLY recommend.

Vacation Bible School of Rock (3 part video series History of Contemporary Christian Music)

Ken Ham’s Creation Museum & Ark Encounter

Ask a Mortician - Caitlin Doughty!!! The adult Wednesday Addams we should have got. So compassionate, informed, and moving!! I love her work and she has taught me so much about what it means to have a relationship with death and grief. Her work deals with heavy topics and you can tell she does this work from a deeply respectful, informed place.

The Lake That Never Gives Up Her Dead

Let’s Visit the Churches Made of Human Skulls

Why are Black and White Funeral Homes STILL Separate? With Dr. Kami Fletcher

Iconic Corpse Series

Princess Weekes - Nuanced video essays on pop culture, race, feminism, and other social issues. Takes time to break down complex concepts, their origins and material consequences. The essay on confederate vampires and the connection later made to sci-fi media like Firefly were so paradigm shifting to me!

Why Are There So Many Confederate Vampires

The Magical Negroes of Stephen King

Ro Ramdin - Poetic, biting, and introspective essays on pop culture.

Do Celebrities Hate Their Fans? (Doja Cat, Frank Ocean)

Hogwarts Legacy, JK Rowling, and Trans Advocacy

DefunctLand- History of extinct theme parks and themed entertainment experiences.

Defunctland: Walt Disney's City of the Future, E.P.C.O.T.

Disney Channel’s Theme: A History Mystery

Mina Le - Fashion, movies and pop culture

WHY IS EVERYTHING SO UGLY: The Curse of Modernism

FAIRYTALE COSTUMES: it’s giving renfaire but why?

Quinton Reviews - Extensive videos covering niche topics, most popular for Nickelodeon deep dive retrospectives.

How Documentaries Lie to You

The ICarly/Victorious Saga Playlist

TheEpicNate315 - yea i fucking love endless hours of useless skyrim lore because the conspiracies are so deep and I have to do 0 of the research to get all of the information years of scouts worked to piece together!

The Skyrim Mysteries Iceberg (Part 1 of 4)

The Fallout Mysteries Iceberg (Part 1 of 2, incomplete series)

Mike’s Mic - Silly, goofy, and thorough breakdowns of nostalgic TV shows

Any of his unhinged recaps - LOST, Pretty Little Liars, Glee

Tiffanyferg - Media criticism and commentary

Internet Analysis Series

Zoë Ligon - sex educator, artist, and writer, who also owns SpectrumBoutique.com, a health and education oriented sex toy store. Such a special place in my heart for her!! Her bondage mini-documentary with Midori was so touching.

Sex Stuff | Japanese Rope Bondage with Midori

Channels Newer to Me

Broey Deschanel - a mixture of film analyses, retrospectives, politics and just absolutely overthinking anything to do with pop culture

Elvis (2022) and the Utter Mediocrity of Biopics

Meeptop - rambling about movies and stuff

Who is Dahmer Even Made For?

LadyJenevia - discussing entertainment media content including films, television series, etc. Expect to find reviews of recent cinematic releases, video essays on older releases, and interviews with talent from the film/television industry

Glass Onion: A Knives Out Mystery and The Art of Hiding in Plain Sight (Netflix Review/Video Essay)

As a disclaimer, I am not endorsing any creator fully and if you see someone you think I should not promote please reach out to me so I can edit this list. As a general rule of thumb the more I had to write about someone, the more informed the recommendation.

#if you read/watch this monster list thank you and I hope you enjoy!!#you can really see my niche interests displayed here lmao #send me asks if you have questions! or have recommendations for me!!#boybff reccomendations #video analysis #video essay reccomendations #video essay #YouTube recommendations

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