#abramorama

[haute-lifestyle-com]

Abramorama announced they have acquired North American theatrical distribution rights for the feature-length documentary A Storm Foretold, a behind the scenes portrait with Roger Stone, directed by Christoffer Guldbrandsen.

[usnewsper-business]

Deep Rising, Starring Jason Momoa, Gets Release Date from Abramorama #abramorama #deeprising #jasonmomoa #movie #releasedate

[usnewsper-politics]

Deep Rising, Starring Jason Momoa, Gets Release Date from Abramorama #abramorama #deeprising #jasonmomoa #movie #releasedate

[film-book]

‎

BATTLEGROUND (2022) Movie Trailer: The Tumultuous Anti-abortion Fight via Cynthia Lowen's Doc Film https://film-book.com/battleground-2022-movie-trailer-the-tumultuous-anti-abortion-fight-via-cynthia-lowens-doc-film/?feed_id=100045&_unique_id=63289fdeee2e5

[bkenber]

Underseen Movie: 'Paul Williams Still Alive'

Underseen Movie: ‘Paul Williams Still Alive’

Going into this documentary, I thought it would be one of those great comeback stories of a fallen celebrity who gets their dormant career resurrected through the help of one die-hard fan. But while filmmaker Stephen Kessler seems intent on reminding the world of what this gifted songwriter has given us, “Paul Williams Still Alive” is not that kind of documentary. Instead, it’s a story of a man…

[meadow-dusk]

Neil Young © Abramorama / Shakey Pictures, 2019

[bananaofswifts]

One notable nomination is megastar Taylor Swift’s “The Eras Tour” in the music documentary category. The re-capturing of the pop star’s sold-out SoFi Stadium show in Los Angeles is coming off a record-breaking opening weekend, grossing the biggest opening for a concert film of all-time with $95 to $97 million, surpassing “Justin Bieber: Never Say Never” (2011). If “Eras Tour” ended up grossing the higher end of that range, it will become largest October opening ever in North America, surpassing “Joker” (2019) at $96 million. Unfortunately, this can’t translate to Oscar attention, as the film isn’t eligible under the Academy’s current rules (and neither is the upcoming Beyoncé one).

Music Documentary

“American Symphony” (Netflix)

“Carlos” (Sony Pictures Classics)

“Ladies First: A Story of Women in Hip-Hop” (Netflix)

“Little Richard: I Am Everything” (Magnolia Pictures/CNN Films)

“Love to Love You, Donna Summer” (HBO)

“Taylor Swift: The Eras Tour” (AMC Theatres)

“What the Hell Happened to Blood, Sweat & Tears?” (Abramorama)

[haute-lifestyle-com]

Billion Dollar Babies, from Abramorama, brings to the screen the story of the Cabbage Patch Dolls, the toy craze that initiated the Back Friday madness, and the mystery behind the true parent of these adoptable cuddly babies Billion Dollar Babies, the Story of the Cabbage Patch Doll Craze, and the Mystery Behind the Real Parent of these adoptable "Babies." #janetwalker #hautelifestylecom #theentertainmentzonecom #cabbagepatch #toys #toyindustry #toysforkids #dolls 

[back-and-totheleft]

"America's on a road to war"

Brainy political lightning rod Oliver Stone isn’t making feature films anymore. Sure, he’d love to add a 21st to his 20 films to date; he just can’t find backers. His alternate route, like many other directors today, from fellow Cannes entrant Ron Howard (“Jim Henson: Idea Man”) to Martin Scorsese, is documentaries.

Stone has churned out a career total of ten, including recent 2021 Cannes entry “JFK Revisited” (Showtime) and 2022 eco-doc “Nuclear” (Abramorama). His latest, “Lula,” marks a move to the left from his much-criticized recent portraits of right-wing leaders such as Cuba’s Fidel Castro (HBO’s “Comandante”) and Russia’s Vladimir Putin (Showtime’s four-part “The Putin Interviews“).

Since his start as a filmmaker in the 1970s, the Yale-grad-turned-Vietnam-vet, now 77, has leaned into political fiction, from “Salvador,” “Wall Street,” and “W.,” to Best Director Oscar-winners “Platoon” and “Born on the Fourth of July.” His last Oscar nomination came in 1996, for “Nixon,” after earning three Oscar nominations including Best Picture in 1992 for the controversial global smash “JFK.”

More informed than most, historian Stone’s complex global viewpoint is more nuanced than the current polarized American political landscape will tolerate. He has alienated folks on every side of the political debate. He has been criticized for promoting violence with “Natural Born Killers,” celebrating a whistleblower in “Snowden,” and conducting affable documentary interviews with Castro and Putin. “My main causes are America and keeping peace in the world,” said Stone at the Hotel du Cap outside Cannes. “And America plays a fundamental role there. And unfortunately, we’ve been bad boys.”

Now he’s taking a walk on the Left side with “Lula,” co-directed with frequent collaborator Rob Wilson, a friendly portrait of Brazil’s working-class hero president Lula da Silva, who never finished school, learned to read at ten, built a labor movement, commanded an 83 percent approval rating when he left office in 2011, and then was thrown in jail on a trumped up charge by the right-leaning courts, abetted by the corporate-owned right-wing media, opening up a path for controversial right-wing Jair Bolsonaro to win the office of president.

Stone got help from Brazilian Oscar-nominated filmmaker Petra Costa, whose 2019 “Edge of Democracy” covered the way the right wing took over the elections in Brazil. “Her film is definitely worth seeing and we’re not trying to go into that depth because her film is directed at her country,” he said. “This one is directed more at the rest of the world. I wouldn’t say news is being broken, but the story is unknown to the U.S..”

Stone again is in the Cannes Official Selection hoping to make a sale in a challenging market for non-fiction fare. Showtime is no more. “Like Francis [Coppola], we’re out there,” said Stone. “I saw him. He’s quite ballsy. And it’s his own money.”

He also relies on reporting from controversial journalist Glenn Greenwald, who helped to break the Edward Snowden NSA whistleblower scandal. “Glenn Greenwald is the Donald Sutherland figure from ‘JFK’ in this movie,” said Stone, “who’s giving all of the background to the audience in a quick and concise manner.”

When Stone went on a South American tour, he interviewed seven leftist presidents for documentary “South of the Border” (2009), including Lula during his first term in office. “Lula is a beautiful, extraordinary story,” said Stone. “It’s just to give credit to a man who has been around a long time. It’s a movie, if you think about it: working class hero emerges out of nowhere. He’s got no education. I don’t think he even learned how to read until he was about ten. It’s from the bootstraps up and dire poverty. He worked his way up to the trade union ladder. And he got into union leadership, which is unbelievable, because the Workers Party was not a big deal back then. And he made the Workers Party over time, into one of the leading power centers in Brazil, which, given how the [country] was stacked against lower classes, is an amazing story. As if Eugene Debs became president of the United States.”

More viewers in the U.S. would likely recognize the flamboyant Bolsonaro, who is constantly in the news, more than Lula. “I didn’t realize until looking at all the news reports recently,” said Stone, “how blunt Bolsonaro has been about calling for a coup everywhere.”

What got Bolsonaro into office after Brazil’s most popular president ever was lawfare. “[Lula] leaves office in 2011 with an approval rating of 83 percent,” said Stone. “How often do you get that when you’re a president of any country? It goes to show that there was a huge, almost unanimous approval of him after eight years, where all the media is controlled by rich people. And they’re definitely to the right over there in South America. He goes, they vote for his favorite candidate, Dilma Rousseff, who’s an important, extraordinary woman. She turns and becomes president and in her second term, they start to revolt. The right wing begins to activate strongly. And they impeached her on the basis of bookkeeping bullshit. So they got rid of her very happily. And then they came for Lula.”

The former president is tried and convicted on trumped up charges — that were completely unsubstantiated — by the politically motivated court. Stone starts filming after Lula comes out of the jail after 19 months. “Lawfare is a way to get rid of somebody who’s legitimate by the media and the judiciary,” said Stone. “And they have an independent judiciary in Brazil.”

The question is whether this could happen in the United States. “This guy Bolsonaro came along,” said Stone. “And he was in Congress since the early ’90s. And he’s been calling for a coup since the early ’90s. You can do that in Brazil. In America, they would throw you in jail. You’re not allowed [by law] to call for the overthrow of a government. Trump didn’t cross that line. He never said that. He may have implied it. But no, he was careful about that. Trump keeps saying, ‘I’m a Democrat. People will put me in if you just let me fucking get a little election.’ So there’s similarities to Brazil, for sure. Because look how close Bolsonaro came once Lula got to jail.”

The nailbiter scene in the movie is the 2022 election, as Bolsonaro and Lula watch the numbers come in over a long, long night. “The mentality in Brazil is that we need law and order,” said Stone. “Law and order is a big deal. People get that it’s a stock phrase, think of Nixon: ‘Law and order, law and order.’ It seems to work. It registers with the poor, it registers with the rich, it registers with the middle class especially. And that’s what Bolsonaro has been saying all along: ‘We need a cleaning out of the government, we need to have military people running the show. They know what they’re doing.'”

The vote among the Brazilians was close. In the end, Lula wins. “In this whole thing, Lula has been very cool,” said Stone. “And let this thing play out. But Lula is interested in a bigger picture of running the country and making it work. So that the people’s party, the Workers Party will stay in power, or at least be close to the levers of power.”

One reason Lula stayed in power so long was that the economy was flourishing. “So even the people that wouldn’t support him later, were supporting him then because they benefited. Lula is instructive for audiences in the US. It’s good to know that a person can get elected, serve two terms, deliver for people and leave office.”

President Biden is doing measurably well in terms of the economy and helping people get the things that they need to lead a decent life. But his approval rating remains low, at 38 percent, because of the right wing media’s dominant alternate narratives. Stone is a Democrat who voted twice for Barack Obama, but disapproves of Biden’s stance on Ukraine. “I don’t like Trump,” he said. “Maybe I like Kennedy. You have to allow for that choice. Because I don’t read the media religiously. I do not buy their line. America’s on a road to war, and I don’t think it’s a good one. Just today we raised the number of our commitment to Ukraine, so we have to be careful. This is how you get to a War World War I situation. I’ve been a fan of peace.”

Next up: Stone has been writing a second book, the follow up to “Chasing the Light,” “which is a bitch,” he said. “The whole thing has been hard to do; 40 years telling a long story short.”

Stone’s long-gestating memoir film “White Lies” is not getting made: “It doesn’t deserve the fate it would get in studio hands. I am pursuing something. I’ve got one more. Fernando Sulichin is producing it. And Rob [Wilson] is involved. But I’m old. I’m not as independently wealthy as Francis [Ford Coppola]. Like everybody else, I’m subject to market conditions and actors. Getting the right elements together and the budget and by God, by the time you make a movie, you’re dead. Even when you start, you’re dead, right?”

-Anne Thompson, "Oliver Stone: ‘America’s on a Road to War, and I Don’t Think It’s a Good One," IndieWire, May 24 2024

[agendaculturaldelima]

   #ProyeccionDeVida

🎬 “PEARL JAM - DARK MATTER GLOBAL” 💽🎶💿

🔎 Género: Documental / Música

⏰ Duración: 84 minutos

🗯 Argumento: El nuevo disco de la banda”Dark Matter” se proyecta en pantalla grande, convirtiéndose en una experiencia cinematográfica especial, global y de una sola noche. Los fanáticos serán entre los primeros en escuchar el nuevo disco de la banda.

👥 Reparto: Eddie Vedder, Mike McCready, Stone Gossard, Jeff Ament, Matt Cameron y Kenneth Gaspar

© Productor: Andrew Watt

📀 Distribuidora: Abramorama

🌎 País: Estados Unidos

📅 Año: 2024

📌 PROYECCIÓN:

📆 Martes 16 de Abril

🕖 7:00pm.  

📽 Cartelera Nacional: Cinemark Open Plaza Angamos, Jockey Plaza, San Miguel y MallPlaza Comas.

[metalshockfinland]

PEARL JAM: "Dark Matter" in Movie Theaters Worldwide One Night Only on April 16th, Trailer Out Now

Photo Credit: Danny Clinch To celebrate the release of the new album, Pearl Jam will present an exclusive cinematic engagement, Pearl Jam – Dark Matter – Global Theatrical Experience – One Night Only, on April 16, 2024. Distributed by Abramorama, Dark Matter will come to life in over 800 locations worldwide, including US theaters AMC, Regal, Cinemark, Landmark, Marcus, Cinepolis, Harkins, Alamo…

[richdadpoor]

‘Full Circle’ Documentary Release Date Set By Abramorama – Deadline

EXCLUSIVE: The documentary Full Circle, on athletes in search of reinvention following traumatic injuries to the spine, has firmed up North American release plans with Abramorama. Directed by Josh Berman of the production company Level 1, the film will hit NYC’s Village East by Angelika on October 20, expanding to L.A.’s Laemmle theaters and across the U.S. and Canada beginning on the…

[ubu507]

Syd

Credit…Aubrey Powell/Abramorama

[captainmdhridoyhossain-blog]

[ad_1] For the reason that onset of the COVID-19 pandemic, many movie gala's have shifted to online-only or hybrid codecs. Later this month, any other film will premiere as a paid on-line tournament. This time round, you are able to watch it on Fb. Customers in any nation the place Fb's paid on-line occasions are to be had (which now quantity greater than 100) can watch the premiere of The Outsider, a behind-the-scenes documentary concerning the Nationwide 9/11 Memorial and Museum in New York Town. A digital price ticket prices $4, and the movie will debut on August nineteenth at 8PM ET. It is going to be to be had for 12 hours. As Axios reviews, a Fb Reside panel dialogue will practice the premiere of The Outsider. The document will hit choose theaters and different streaming platforms in September. Fb will run some promos for the development, which is being run by way of distributor Abramorama, nevertheless it would possibly not take a reduce of price ticket gross sales. The corporate is waiving commissions on creators' income via 2022. The movie has already led to controversy. Officers on the museum requested the filmmakers to chop 18 "defamatory" scenes from The Outsider, however administrators Pamela Yoder and Steven Rosenbaum stated they would not backtrack. Michael Shulan, the museum's former ingenious director and a central determine within the movie, reportedly claims within the film that the museum represents the “Disneyfication” of the September eleventh, 2001 terrorist assaults. Movie distribution is a difficult nut to crack for indie studios and filmmakers, particularly when they are trying to unencumber motion pictures in a lot of markets. Just like others have had luck in web hosting on-line categories or livestreaming gameplay on Fb, they may harness the platform's huge achieve to seek out an target audience. It continues to be observed whether or not different filmmakers and vendors premiere their motion pictures on Fb. Nonetheless, with the corporate having its palms in an ever-increasing choice of pies, it isn't exhausting to believe Fb being enthusiastic about web hosting an identical occasions someday.All merchandise really useful by way of Engadget are decided on by way of our editorial staff, unbiased of our mother or father corporate. A few of our tales come with associate hyperlinks. If you purchase one thing via the sort of hyperlinks, we might earn an associate fee. [ad_2]