#actually obsessed with the fictional version of Vic

[justsalpals]

The newest Very Important People makes me feel like I'm losing my mind but in a surreal emotional way that's probably positive

You put rocks in the bag. You carry it as long as you can. And then you find somewhere you love and you put the rocks down.

[ambrossart]

Hi, I know I've said it a lot of times, but I really love your writing. It seems like watching a movie because while reading I can actually picture it in my head.

I wanted to ask you how you plan your characters or stories. I mean, do you immediately get an idea and start working on it or you have to think and rethink about it until you find the right inspiration?

like you mentioned in a previous ask about how you created Vic, and you said you were flexible because he wasn't really described in the novel, but still he had to fit in some image. But what about implementing new characters to an existing universe? I'm thinking about dwm reader, Scottie, Evelyn, Hannah-Beth etc, they all feel like they belong there and I'm wondering how you decided to create them the way they are.

Also, if I think about DWM everything is falling into the right place and when I read a knew part of the story I'm like "oh this was hinted chapters ago" and I think it really is amazing or also the little references here and there, I think it shows how much effort you put in that story. And..I'm curious to know...are the reader and Jason actually friends? He had some kind gestures towards her, but were they out of kindness or because she is his girlfriend's bff?

Regarding the future fics... I'm kinda loving all of your ideas, I'm looking forward to read the one where he gets jealous, or when she gets high because I strongly believe it's going to be hilarious and super cute, and you know everything involving Scottie or Gareth and the other guys.

I always write too much, so I get it if you want to skip this one 😂

Hi! First of all, I would never skip one of your asks (or anyone else's for that matter). If someone takes the time to write me a question, they deserve a well-thought-out response. Always.

Anyway, regarding how I approach my stories, I usually get an idea (or a random scene pops into my head) and I build off that one idea. With DWM, for instance, it was the image of Eddie hanging out in the bathroom with a girl at prom, and I just built the rest of the story around that. "Who is this girl?" "Why is she here?" "Why is Eddie here?" etc. I always have a general outline before I start writing, but it's not rigid because I always come up with new ideas and directions for the story as I write. For example, I was always planning on having the reader have a little crush on Eddie, but it wasn't supposed to be as deep as it ended up being (certainly not one she was harboring for 6 years 😂). That changed while I was writing Pt. 3 and then by Pt. 4, I had their relationship and history completely figured out, and that ultimately changed the entire direction of the story.

I have a similar approach to characters. With DWM, I knew instantly that I wanted the reader to be Chrissy's best friend who's kinda stuck living in her shadow. I think she plays up her sarcastic, snarky persona in an attempt to stand out from Chrissy. She wants to be the sour to Chrissy's sweet; otherwise, she would be even more invisible than she already is. I also gave her a lot of my own qualities and flaws, and most of her personal anecdotes are taken directly from my life. Yeah, DWM is completely self-indulgent. I basically created a fictionalized version of myself and had her date Eddie, and I'm not ashamed to admit it.

With Paper Men, most of those characters were born out of necessity. I needed a main character to guide us through the story, and Richie already had a sister (who doesn't appear) in the movie, so that was an easy starting point. I just created my vision of his sister, taking a lot of his qualities and twisting them around to suit her. Since I decided to make Evelyn a very friendly and outgoing person, I needed to give her friends, so I made Hannah, the shy Christian girl who's obsessed with trashy romance novels and lives vicariously through Evelyn (I love her so much), and Paul, the professional slacker who's always sabotaging her grand plans with his laziness. Because most of the story takes place at school and Evelyn is so involved in school, I needed the school to feel real, so I created a bunch of students to populate it. Gradually, a lot of them developed their own unique identities, and I let them go crazy.

Another thing I like to do is create a lot of shared history between the characters. I think that's an easy way to make all the characters feel like they exist in the same world. That's why both DWM and Paper Men make so many references to the past.

Speaking of references, I'm glad you appreciate all my foreshadowing and callbacks to earlier stories/scenes in DWM because that's one of my favorite things to do when I write. Whenever I'm working on a new story, I always try to think about how it relates to what's already happened and how it will affect future works. For instance, the most recent fic "Out of the Loop" has set the foundation for a lot of future fics. The reader is definitely going to find out about Claire Dunnock, the girl who Eddie absolutely slept with 😬. Claire said she had a class with Eddie last year, well... guess who else was in that class? The reader and she saw them flirting. I don't have it on the list, but it'll be a story. The reader has already expressed discomfort about Eddie's previous sexual experiences, and this will only make that worse.

Finally moving on!

To speak about Jason and the reader's relationship. They are truly friends and not just because of Chrissy (although that is a huge factor). They've known each other since elementary school. They weren't "hang out outside of school" friends, but they were friends. I've mentioned this before, but the reader used to have a crush on Jason back in elementary school, but once she found out he liked Chrissy, she had to let that crush go. She can't compete with Chrissy. Nobody would ever choose her over Chrissy. So she had no choice but to step back and surrender. She doesn't have romantic feelings for him anymore, but she still admires his good qualities (and Jason does have really great qualities). That being said, Jason does truly care about her as a person, which is why he bought her a corsage and danced with her at prom. It wasn't just because he felt sorry for her or because he felt obligated to do it. He genuinely cares about her, and he thinks she can do a lot better than Eddie.

Lastly, regarding future fics, the one where the reader finally gets to high school is going to be funny (because Scottie's in it and he knows that Eddie has been pining for the reader for the last two years) but it's also going to be really sad. They're both so excited to see each other and are secretly hoping to jump back into their friendship again, but as we know from the main story, that doesn't happen. They don't talk to each other. Nobody apologizes. They just fall into their expected roles and go back to being strangers. It's almost as if that summer never even happened. It's really sad and Eddie takes it very hard.

Holy crap, I wrote too much. Gold star to anyone who finished this! ⭐️

[softlass27]

Directors cut of One More Word and you Wont Survive 🙏

Gah, this fic is so long, but I shall try and break it down!

So the initial idea came from a brief conversation I had with @soft-husbands about how ridiculous it was that in 2018 the writers had Lachlan kidnap Rebecca (who literally no one cared about) instead of Robert, which would have been a much better storyline. Since I needed to write something for her in a gift exchange, I decided to do my own version of it!

These are the key points/main ideas that were the most important for me:

Aftermath

One thing I knew I definitely wanted to do – even before I’d really worked out the exact plot – was include a lot of the actual aftermath of the kidnapping, and really show how it mentally affected Robert (as well as Aaron). I didn’t want to write one of those fics where you just have the drama, and then maybe one scene at the end where everything’s suddenly okay again. Which, y’know, is what the Emmerdale writers tend to do. 🤷 

So that’s why the fic is literally divided into two halves – the action and the aftermath. And I loved writing the second half – looking at Robert’s mental state, showing other characters’ reactions, lots of communicating between him and Aaron etc.

I didn’t want Robert to just be fine straight away, I wanted him to take some time to settle back into things again, to go to counselling and to work towards recovering from what he’d been through. I kept it mostly quite upbeat and hopeful – I couldn’t bring myself to make it too angsty – but I did have Robert struggle to come to terms with what had happened to him.

On top of that, I wanted Aaron to be his rock. The writers never really gave Aaron a chance to be the strong one in the relationship, not for longer than a couple of episodes or so, and I wish we could’ve seen it. It would’ve been great to watch, but also a nice switch for Danny and Ryan (who would’ve both smashed it!).

And of course this was an excuse for me to write lots of soft fluffy husbands content, which as you all know, is my jam.

Lachlan

So in the show, I thought the writers did a good job of building up Lachlan’s psychotic tendencies. In late 2017, he did begin to seem quite scary, you could see they were building up to him properly snapping.

But then as soon as he actually did start killing people, he became kind of… meh. They’d done all this buildup to make him as deranged as possible, but from the Whites car crash onwards, his character lost all that great creepiness and just became a bit of a wet wipe. His killing of Gerry was completely lame, his kidnapping of Rebecca was rubbish and so was the aftermath. He spent most of his time flapping about what to do and obsessing over Belle, and honestly he became one of the most boring soap villains they’ve ever done. By the time he was arrested and went to prison, they’d lost so much momentum it was kind of a pitiful ending for him.

Maybe it’s because I watch a lot of crime stuff (both true and fictional), but I just wanted more. I wanted him to be terrifying, to be unhinged and scarily cold. And it made sense to me that he would really show this side of himself by kidnapping and torturing Robert. Robert’s been his number one enemy from the beginning – he hates him more than anyone and essentially blames him for every single thing that went wrong in his life. In terms of storytelling, it only seemed right that his final showdown would be with Robert and no one else. It’s what both characters deserved.

So that’s what I wrote. I did a big final “fight to the death” between the two, and I tried to make Lachlan this cold-blooded psychopath who got off on making Robert suffer as much as possible – for as long as possible. All those years of built-up resentment finally spilled out of him and it made him totally lose the plot. But at the same time, he was able to switch that off and act completely normal when he was with Belle. I tried to show this in a few scenes, like including a moment where he told Robert – his kidnapped victim – he had to go because Belle was expecting him to go for breakfast with her family.

I really enjoyed doing it, but at the same time I was terrified that the way I was writing him would seem ridiculous, like he’d come off as a bit of a silly pantomime villain. It seems to have paid off though, judging by peoples’ reactions, so I’m quite happy with how my Lachlan turned out :)

Chas/Paddy/Liv

I knew from the beginning that Chas, Paddy and Liv would all be on the “wrong” side of the story, so to speak. They’d be the sort of “lesser” villains, the ones causing conflict on Aaron’s end and in the second half of the story.

On the show, I never really believed that any of them actually accepted Robert as family after reunion 2.0, to me it seemed like Chaddy were just civil with him as long as he made Aaron happy. And I never bought into the whole “roblivion” concept during boyfriends era, so I was even less convinced of it in husbands era. I always found it shallow and fake on Liv’s end.

This was pretty much proved right by Chas, Paddy and Liv’s behaviour during the aftermath of Robert’s exit – all three of them showed their true colours and their true feelings about him very quickly. 

Considering every time things got rough for Robron on the show, Chaddy and Liv either turned on Robert or just acted like he never existed/meant anything and actively tried to push Aaron to “grow up” and move on from him, it made perfect sense to me to have them suspect the worst of Robert in my story. To assume that him disappearing meant that he’d done something wrong, rather than he was in trouble.

(Fun fact: the scene where Robert has that big showdown with Chaddy in the pub was actually one of the first ones I wrote. Ah, priorities.)

I wanted Aaron to be strong, to never doubt that Robert was in trouble and to unapologetically stick by him in the aftermath. I wanted him to stand up to Chaddy and to put Robert before Liv for once (judging by quite a few comments that I got, lots of other people did too, so I’m glad I went for it!). I also wanted him to make it very clear that his main family unit – his priority – was Robert and Seb, not the Dingles’ feelings. Anyone who disagreed with him could fuck right off as far as he was concerned.

By the end of the story, Aaron has very much allied himself with the Sugden family, that’s why we saw lots of him with Diane and Vic. I really wanted to call back to the “Who Shot Robert” era, where they both stepped up and rallied around Robert 100%, only this time with the bonus of Aaron being on their side, too.

Rebecca/Ross/Seb

I mean… this is quite self-explanatory, but I knew from the beginning that Rebecca would die and Ross would end up going to Liverpool miserable and alone. No happy ending for either of them because they didn’t fucking deserve it.

And of course, this would mean that Seb would stay with his dads where he belongs. I will never get tired to coming up with new ways for this to happen (just you wait for Aaron week).

The ending

Since I was writing this fic for the engagement anniversary gift exchange, I thought it’d be fun to include an actual engagement at the end of it. I hadn’t necessarily planned to make it another lay-by proposal, but when I looked at my story timeline (yes, I did make an actual timeline lmao) and I realised that the 4th December wasn’t very far away, I knew I HAD to get them back to that spot. It was only right!

So I’m probably in the minority here, but I’m not actually a huge fan of proposal 2.0. Don’t get me wrong, it’s nice and super cute, but the whole “trying to propose to each other at the same time” gimmick just wasn’t really for me. I thought it was a bit unrealistic that they’d both separately just randomly come up with the same idea at the same time (I know, I’m sorry). And since we’d already had Robert do it the first time, I kind of wanted the second one to be totally Aaron’s thing, let him have a proper turn.

So I took elements of proposal 2.0 that I liked – the location, some of the dialogue – and took out the bits that I didn’t – Robert trying to propose, Aaron’s funfair lie (I’m sorry but that was just dumb), the jinx thing, other people (Chaddy and Liv) being so involved. Thereby creating my own perfect version of proposal 2.0 (what can I say, I am a self-indulgent girl).

I think in this universe, after everything they’d been through, after Aaron’s terror of losing Robert for good, it seemed right that he would be the one to do the asking. And because we know he’s a sentimental sod, it made sense that he would wait until their lay-by anniversary to do it.

[aion-rsa]

Stephen King: 10 Best Horror Novels

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From a story about a demonic clown to a haunted hotel, these are the 10 Stephen King horror novels you can't miss!

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There's no doubt that writer Stephen King is best known for the horror novels that haunt his special corner of American literature. But the extremely prolific writer has also written plenty of dark/epic fantasy, science fiction, literary, mystery, and even romance. In fact, there are plenty of examples of genre-mixing in his writing. Books like Lisey's Story (a truly fantastic read), Duma Key, The Green Mile, The Eyes of the Dragon, Bag of Bones, and The Dark Tower series are fantastic examples of what King can do with just about any genre of fiction. 

It can be hard to make a distinction between King's true horror books and those that happen to have some scary moments in them. But that's why we're here. We've made a ranked list of ten pure horror novels by King that we think will keep you up for plenty of nights to come. A Halloween treat!

Related Article: 12 Best Stephen King Movies

We really tried to focus on novels where horror was at the forefront of the story, where without the scares, the book wouldn't be a book at all. That's why you probably won't see The Dark Tower books or The Stand, largely considered to be the King's magnum opus, on this list. But you should read those, too. 

Here we go:

Revival 

In recent years, the King of Horror has taken an interest in hardboiled detective and science fiction novels. Things like the Detective Bill Hodges trilogy, Under the Dome, and 11/22/63 have been among his latest offerings. But his 2014 novel Revival was a return to form for the writer.

This homage to Mary Shelley's Frankenstein, the cosmic horror tales of H.P. Lovecraft, and Arthur Machen's "The Great God Pan" is quite the revelation, literally and figuratively. The novel tells the story of a Christian minister who uses strange methods to cure the ill. After his wife and son die in a car accident, he denounces God in front of his entire congregation and is forced to leave town. Years later, he's back to bring a dead woman back to "life" in order to learn more about the afterlife. 

What he discovers on the other side is truly terrifying. Revival is must-read recent King. 

The Dark Half

If there's one thing King loves, it's writing books and stories about writers. There have been plenty over the years, including "Secret Window, Secret Garden," "1408," and another novel on this list that we'll get to momentarily, but The Dark Half is probably the most "autobiographical" of the bunch. 

You see, King used to write under a pseudonym, Richard Bachman, in order to publish more than one novel a year without overwhelming his audience. The Bachman books consist of a series of gritty novels that were published from 1977 to 1984, and King has revisited the pseudonym since being outed, too.

Related Article: 10 Best Supernatural Stephen King Villains

The protagonist in The Dark Half has to deal with the death of his own pseudonym in an unexpected way, as his better-selling alter ego comes after the people that tried to kill him off. It's all a fun bit of supernatural horror that includes a lot blood, violence, and some pretty gross body horror. It's an especially fun horror novel if you're a writer...

Watch The Dark Half on Amazon

Pet Sematary

But not as fun as King's ridiculous novel about undead pets. A book that was definitely inspired by EC horror comics (King's early brushes with horror were in the pages of those books), this novel might be classified as a delicious, campy romp with plenty of scares. The novel's B-movie sensibility cannot be understated. 

In Pet Sematary, a family moves to the small town of Ludlow, Maine, where people bury their dead pets in a special cemetery, which is actually an ancient Micmac Indian burial ground. Obviously, that means that these animals come back to life as evil shadows of themselves.

Oh, the setup is so perfect. When the family's little two-year-old boy is suddenly killed by a speeding truck, the father decides to bury the boy in the pet cemetery in the hopes that he will be revived. What happens next is what the best campy horror is made of. 

Watch Pet Sematary on Amazon

Misery

King's best book about a novelist is also a great horror story that is still quite relatable today. A disturbing look at fandom, Misery is what happens when a writer's work becomes a mad woman's obsession.

Paul Sheldon, writer of Victorian-era romance novels, suffers an accident on the road during a snowstorm. He is rescued by Annie Wilkes, a former nurse who is coincidentally Paul's biggest fan. And she's not very happy about the ending of his last book. So Annie decides to kidnap Paul and keep him hostage until he fixes the damage he's done. 

Further Reading: Stephen King's 10 Best Human Villains

Imagine being kidnapped by an angry mob of Ghostbusters fans after telling them that the new team will be made up of an all-female cast, and then forced to rewrite the entire script. That's Annie Wilkes. 

Misery is a fascinating psychological horror tale about the dangers of fandom and a writer's connection to his work. And if you need a great Stephen King movie, the film adaptation is pretty fantastic, as well. 

Watch Misery on Amazon

The Girl Who Loved Tom Gordon

This slim novel (to King's standards) has plenty in common with a fairy tale, as a little girl finds herself lost in the woods with nothing or no one to help her find her way except what's in her backpack: a bottle of water, two Twinkies, a boiled egg, a tuna sandwich, a bottle of Surge, a poncho, a Game Boy, and a Walkman. Thankfully, King's little protagonist proves to be quite the survivalist as the book progresses. 

Walking a thin line between an intense examination of loneliness and isolation and a supernatural thriller, as things grow weirder in the woods as time passes, this is a compact horror novel that you can read in one sit-down and you'll get King at his best, as his character exemplifies the meaning of human resilience, even as she begins to hallucinate due to hunger, fear, and thirst. 

Her love for her baseball idol pitcher Tom Gordon allows her to face her fears and even confront the "God of the Lost." This is a really good one. A few years later, a pop-up book adaptation of this novel was fittingly released.

Cujo

Cujo is one of King's more "realistic" novels, featuring a setup that's real enough to send shivers down your spine, especially if you live in the suburbs or ever owned a Ford Pinto... The story goes like this: the Trentons move from New York to Castle Rock, Maine (where nothing good ever happens in the Kingverse). Vic and Donna Trenton, who are having some marital problems, have a four-year-old son named Tad, because children should always be in danger in these books.

Meanwhile, longtime residents Charity and Brett Chambers have a nice St. Bernard named Cujo that loves chasing wild rabbits in his spare time. During his latest safari, Cujo is bitten on the nose by a rabid bat. And, as you can probably imagine, all hell absolutely breaks loose. 

The dog kills several people before feasting its eyes on the ultimate prey: a boy and his mother, who have stopped by the Chambers' place in their little Ford Pinto. What follows are very tense moments of terror inside a little car, as a mom tries to protect her son from the rabid terror that awaits them outside.

King has said in interviews that he doesn't really remember writing Cujo, as he worked on it at the peak of his struggle with drug addiction, but we wish he had. He wrote a fine horror book. Cruel ending and all. 

Watch Cujo on Amazon

Salem's Lot

King's ode to Bram Stoker's Dracula is a classic vampire tale that might even formidably rival the novel it pays homage to. When Kurt Barlow comes to Jerusalem's Lot, Maine (where nothing good happens, either), shit hits the fan, as he preys on the living and ignites an outbreak of vampirism in the town. 

The only guy who can stop him is, you guessed it, a writer named Ben Mears, who already has a strained relationship with his hometown, which he abandoned years ago. Like a modern team of Draculian vampire hunters, Ben teams up with his new sweetheart Susan, a little boy named Mark, and some other townspeople to take down the vampire and his unholy creations. There's also Father Callahan, this story's version of an incompetent Van Helsing, who loses a lot in the novel but redeems himself in King's The Dark Tower series. 

Related Article: A Reading Guide to Stephen King's Dark Tower Universe

All in all, this fat novel holds plenty of scares, including a school bus full of vampire children who hunt down the school bus driver who tormented them. We have goosebumps. 

Watch Salem's Lot on Amazon

The Shining

By now, The Shining, along with the other two entries in the top 3 of this list, has become embedded in American pop culture, whether because of King's book or Stanley Kubrick's excellent movie (King would disagree). Either way, this is the novel that never made you want to become a hotel caretaker.

An alcoholic writer (surprise!) named Jack Torrance brings his wife Wendy and his son Danny to his new job as the off-season caretaker of The Overlook Hotel in Colorado, where he hopes to make a bit of extra cash to support his writing. The job seems easy enough until all the guests leave and the doors shut behind them until the spring. That's when the hotel's ghosts come out to fuck with the living.

Related Article: How The Shining Examines the Immortality of Evil

You'll recall plenty of the spooky ghosts Danny encounters on his treks through the claustrophobic hallways of the hotel. It's because he was born with telepathic powers that allow him to communicate with the lost souls of the Overlook. It unfortunately also triggers the place's supernatural energy, which quickly takes control of Jack, who is convinced into killing his wife and son due to cabin fever and a pretty bad case of writer's block. 

This is one of those special novels that you only get once in a lifetime and an especially good example of King's unique brand of horror. Get to it, Constant Readers!

Watch The Shining on Amazon

Carrie 

The story of how debut novel Carrie came to be a huge hit for the future King of Horror is now as famous as the actual book. King began working on a short story about a girl with telekinetic powers when someone accused him of not knowing how to write about women. He typed up the infamous shower scene while living in a trailer and working as a high school teacher. King didn't love the scene, so he tossed the first pages of his bestseller in the trash. It was his wife Tabitha who pulled the pages out of the wastebasket and convinced him to finish the story. And here we are. 

Apart from all the telekinesis, Carrie is another book that has remained quite relatable. On one side, it's a lot of social commentary about religious fanaticism, alienation, adolescence, and bullying, while the rest is pure horrific fun.

While many will point to the high school cruelty or Carrie's eventual vengeance upon her classmates as the source of true terror in the book, we'd say there's nothing scarier than Margaret White, an unstable Fundamentalist who unceasingly punishes her daughter Carrie for her sins. Waiting to see how their conflict plays out is the best part of the book, as the real moments of cruelty take center stage amidst all the supernatural stuff. 

The 1976 movie from Brian De Palma, starring Sissy Spacek and Piper Laurie, is quite good, too.

Watch Carrie on Amazon 

IT

Well, here we are. Like the Losers Club, as much as we'd like to forget about Pennywise, we just can't. Sparking a pretty logical (let's face it) fear of clowns, IT is King's terrifying, gruesome, trashy, cosmic, demonic horror masterpiece that we still can't claw out of our minds so many years later. 

Not only does IT, a shape-shifting evil entity, prey on your worst fears, he also lives in the sewers and eats little children. As the story unfolds, it is revealed that IT has stalked the town of Derry, Maine (where nothing good...you get the picture) for centuries, waking up every 27 years to murder and eat everything. 

Related Article: 10 Best Stephen King Heroes

It's up to the Losers, a group of childhood friends, to confront the monster not once, but TWICE in order to finally rid the town of the ancient, otherworldly evil. Watching Pennywise haunt their memories throughout the book quickly becomes a guilty pleasure. Are we bad people?

The true power of this masterful novel is in the all-encompassing evil nature of the villain that we can't quite understand. It not only makes a group of kids desperately aware of their own mortality, but scars them for life in more ways than one. And for what purpose? We may never truly know. 

Watch IT (2017) and Stephen King, IT! (1990) on Amazon 

What are your top Stephen King horror novels? Tell us in the comments!

John Saavedra is an associate editor at Den of Geek. Read more of his work here. Follow him on Twitter @johnsjr9. 

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Feature John Saavedra

Sep 3, 2019

Stephen King

Carrie

IT

Salem's Lot

The Shining

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