#akemi

[fifiophobia]

Cinematic parallels

[captainamateur-artistt]

𝐆𝐥𝐚𝐜𝐢𝐞𝐫𝐬 𝐦𝐞𝐥𝐭𝐢𝐧𝐠 𝐢𝐧 𝐭𝐡𝐞 𝐝𝐞𝐚𝐝 𝐨𝐟 𝐧𝐢𝐠𝐡𝐭 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐬𝐮𝐩𝐞𝐫𝐬𝐭𝐚𝐫𝐬 𝐬𝐮𝐜𝐤𝐞𝐝 𝐢𝐧𝐭𝐨 𝐭𝐡𝐞 𝐬𝐮𝐩𝐞𝐫 𝐦𝐚𝐬𝐬𝐢𝐯𝐞 𝐛𝐥𝐚𝐜𝐤 𝐡𝐨𝐥e.

—

Direct reference to that one famous photo of Anne Hathaway, Audra McDonald & Raul Esparza in “Twelfth Night”.

[mu-esli]

[proxysart]

Had to draw the trio

[mysticallilac]

in this essay, i will-

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[stedesbonnets]

your honor!!! the rituals!!! i know them!!!

[balee-art]

What a dysfunctional squad.

[starlight-bread-blog]

[soulsandsoups]

ringo!!!!! against popular conception, ringo is NOT JUST COMEDIC RELIEF!!! HE IS SO MUCH MORE THAN THAT!!! I LOVE RINGO!! LET THIS BE KNOWN!!!!!

this man is disabled!!! he has been abused for it and he has figured out ways to go against it!!!! most importantly, he recognizes his own abilities and still strives for the best he can do. not because he's obsessed with ambition but because he CARES!!!!

he has his own values!!!!! he criticizes mizu the most blatantly and the most meaningfully out of everyone, alongside swordfather.... he's a diligent worker and yeah, he is comedic relief, but he also gives mizu a sense of familiarity. he has a powerful mind because he understands his disability intimately and works WITH it rather than against it. he recognizes his potential rather than be defeated... and he's so freaking cool for that ringo i love you

[hastyprovocateur]

Mizu, Akemi and Gender as a weapon

Mizu's masculinity isn't something she dislikes or is seeking to be rid of. Even at her most feminine, Mizu is still androgynous. Not limited by gender performances, stereotypes and beliefs. It's all part of her. The doting lover, the skilled samurai, the knifemaker, the patron of arts. It just creates internal conflict when she's unable to connect to her femininity in a gendered society, knowing that her femininity will be seen as weakness. On the flipside, we know Mizu suppressed masculine parts of herself in her marriage with the expectation that they'll become a deal-breaker which also wasn't healthy. Mizu doesn't need the go-ahead to be traditionally feminine, she just needs space or a person/people who will allow her be herself without nitpicking parts of her. In that vein, I also wanna address how Akemi is also masculine in her own ways.

Just because she doesn't wield a sword or has an androgynous bodytype, doesn't mean that Akemi isn't masculine (the social understanding of it). She is very much so in her own right. Seki, her tutor, keeps aligning her with her father claiming that they have the same conviction in their beliefs in which their roots are unshakeable. This lays out how traits of power seeking, ambition, stark independence and intelligence that her father prides himself on are discouraged in Akemi as she's a woman. She is politically informed, highly educated and sexually dominant. She is calculative, express in her expertise at Go, something she's been better than grown men at since she was 12. Seki tells her that beyond just surviving in her marital home, she is equipped to succeed, expand her territory, find people's vulnerabilities, capture and win. That she can learn to do anything she wants and be whoever she wants, even if the goal is to become the ruler of Japan. In that same episode, Mizu is parallel to Akemi where she seeks wisdom from Master Eiji to exact an artful revenge where he proceeds to tell her that he didn't train her to be a demon or a human but he showed her how to be an artist. That revenge, swords, pots, noodles are all the same to an artist. The goal is to learn to be good at something. Anything. Mizu's pursuit of revenge is as masculine as Akemi's pursuit of power. They are both capable of learning. Of being successful. They are both elements of their own destiny. Water. Fire.

It doesn't matter what the means used are if the objective is one and the same. Akemi learnt this throughout season 1. That to evolve oneself guarantees success over only changing the scenario by running. Like Mizu, Akemi works with what she has. She is feminine presenting, enhanced through the princess finery, she can't fight but she uses her beauty, charm and wit to execute her plans and bend men to her will. Mizu attempted to maneuvere this same tactic after Mikio called her a monster, dolling up like on her wedding day to appease to his masculinity but it only pushed her towards the one thing she does best- wielding a sword to survive. Mizu knows how to fight, that is her agency, not a definitive of her gender. To fight and evolve is human, not select for a particular gender. Akemi also knows how to fight. She's trained in koto playing, singing, dancing, literature, poetry and the sutras. Her modus operandi is to weaken a man through his own hubris of thinking that she presents no threat. Which, as a personal opinion, I find a requires a tad more skill than cutting through flesh and bone. With Mizu, men brace for a fight, with Akemi, they don't even realise there was one in the first place. I posit that fighting is seen as more glorious than manipulation because it's a traditionally masculine way of dealing with things. Meanwhile, artful manipulation if rife with character bashing because femininity, according to some, should not not exist to take advantage only be taken advantage of, which again. Trash take. Needless to say, both Mizu and Akemi easily outclass the men who stand in their way.

Finit

[sockich]

I WANT TO BE GREAT.

BLUE EYE SAMURAI (2023)

[majij]

still can't get over the fact that my two bes ships are literally this . m

[xiomer-loves-mcr]

Some art i made some time ago idk why it doesnt look like my artstyle lmao

Also hi im new

[speedl00ver]

Akemi- Blue Archive

[artmadval]

I want to be great 🔥