#alessandra garcia

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[worldofbeauties]

Alessandra Garcia

[mortispbf]

[fat-models]

Alessandra Garcia Lorido at Christian Siriano Fall 2023

[thinfatfit]

christian siriano fall 2022

models: candace huffine, alessandra garcia-lorido, idk, idk, lauren chan, marquita pring, idk, marquita pring, lauren chan, candace huffine

[okimargarvez]

[Stupida, Alessandra Amoroso]

Music stuff

[therunwayarchive]

Alessandra Garcia Lorido at Christian Siriano, Fall 2022

[jmunneytumbler]

A Review Called "Some Thoughts About 'A Man Called Otto'"

A Review Called "Some Thoughts About 'A Man Called Otto'"

Purrer and Otto (CREDIT: Niko Tavernise/Columbia Pictures) Starring: Tom Hanks, Mariana Treviño, Truman Hanks, Rachel Keller, Manuel Garcia-Rulfo, Cameron Britton, Mack Bayda, Juanita Jennings, Peter Lawson Jones, Christiana Montoya, Alessandra Perez, Mike Birbiglia, Kelly Lamor Wilson Director: Marc Forster Running Time: 126 Minutes Rating: PG-13 Release Date: December 30, 2022…

[rookie-critic]

A Man Called Otto (2022, dir. Marc Forster) - review by Rookie-Critic

TW: suicide

A Man Called Otto had its moments, but tended to be a little too sickly sweet for its own good (when it wasn't being way darker than advertised). I'll admit that I was on the side saying that I wasn't sure I could believe Tom Hanks as a grumpy old man, but for all of the film's faults, the believability of Hanks' Otto Anderson is not one of them. As much as we as an internet collective have corralled Hanks into the role of "America's Dad," and as much as Hollywood has begun to cast Hanks for roles that genuinely don't suit him (excuse me while I glare at Baz Luhrmann), we tend to forget that Hanks is a phenomenal actor that got as famous as he is now for being consistently great, not just in his more typecast-aligning roles like Big and Sleepless in Seattle, but also for movies like Road to Perdition and Philadelphia. Also, let's be honest, we all love him as Woody in Toy Story, and he's basically playing a giant buzzkill (pun absolutely intended) for a majority of the first film in that franchise. I actually found most of the film's cast to be quite endearing, especially Mariana Treviño, who practically steals the film from Hanks, which in and of itself is an impressive feat. As I've said in previous reviews, I love when we get to see fairly unknown actors play big roles in movies alongside the legacy names. The big name draws in the crowd and then they get to see this new (or new to the average moviegoer, anyway) face thrive. I hope to see Treviño in bigger and better things in the future because she was a delight in this.

The biggest detriment to the film is that it really tends to get caught up in itself a lot. I'm actually quite a sucker for sentiment in a film and get swept up very easily in a movie's emotional manipulation if I'm even remotely enjoying it, and I'm not ashamed to admit that I did shed some tears while watching A Man Called Otto, but there were moments that, had they been dialed back about 75%, would have been so much more effective. There are multiple montages set to the most over-the-top, Josh Groban-esque music (which I'm seeing now was mostly written by Hanks' wife, singer and fellow actor Rita Wilson) that absolutely kill the emotional momentum of the film. It is so unbelievably heavy-handed and saccharine that I think I was audibly groaning by the third time it happened. I really can't stress how hilariously atrocious these sequences are. There's also quite a few scenes of these incredibly out of touch depictions of the younger generation that seem to be plaguing a decent handful of films in the recent months, including one sequence involving a train station that is laughably obtuse, and the way the young people in that scene behave ends up being beneficial to Otto later in the film anyway, so I'm not really sure what the commentary is supposed to be, and I don't think the film does either. I find it odd that these sequences are even in the movie for how amazingly progressive a lot of the film seems to be.

Lastly, I'd like to talk about something I mentioned at the beginning of this review about the film being way darker than advertised. I would also like to take this moment to issue a trigger warning (TW: suicide) for those that might have PTSD or anxiety about this topic. This film presents itself in its advertising as a wholesome family drama where a young, friendly family melts the heart of the neighborhood grump. What this movie is really about is a suicidal man learning to find his reason for living again. I won't divulge the details of why for people who don't want those plot spoilers, but I feel it is heavily important to know going into this film that suicide is a heavily felt presence throughout the entirety of the film, and I think I counted five suicide attempts that are shown on screen (it could be six, but I remember at least five). I'm not against the depiction of suicide or suicidal thoughts in film, I think it's an incredibly important topic to discuss openly and without shame or judgment, but I also think that it is paramount for a piece of media to clearly state when it is going to depict something as potentially traumatizing (or re-traumatizing) as that on screen. When the first attempt happens, the film is barely 15 minutes into its runtime, and I was so jarred by it that I almost thought I had somehow walked into the wrong theater, that this had to be some other grumpy Tom Hanks movie and not the fun-loving, cheery looking one whose trailer got "The End of the Line" by The Traveling Wilburys stuck in my head for weeks. I don't know if I can hold a fault of the trailer against the film itself, but I was quite angry with the film's marketing for not giving some kind of indication of what the film and its tone actually were.

I'm having a hard time thinking of what score to give A Man Called Otto, because for all of the things that were objectively bad about the film, I did find myself getting emotional on more than one occasion. The film's sentimentality gets in its own way a lot, but when it's able to find a good balance between heart and drama it really sings, so I'd say there's a little more to like about it on the whole.

Score: 6/10.

Currently only in theaters.

[dailynoods]

Alessandra Garcia-Lorido

Born: Thursday 20th of June 1991

Birthplace: Los Angeles, California, United States

Ethnicity: Latin

Profession: Plus Size Model

Hair color: Brown

Height: 5'9" (or 175 cm)

Body type: Chubby

Boobs: Real/Natural

Alessandra Garcia american model plus size from Los Agels. She currently resides in New York. She works with such agencies IMG New York, Natural Models LA, Milk Management London, D’management Milan. Alessandra is also known as an actress. She is an activist of the body-positive body.

Model who has earned representation with IMG Models worldwide, and daughter of Andy Garcia. She has starred in numerous campaigns including Lane Bryant and Wet n' Wild, and has walked in runway shows, including Christian Siriano.

BEFORE FAME

She moved to New York to study film producing, but changed courses and signed with IMG Models. 

TRIVIA

She is a body positive activist, much like fellow models, Iskra Lawrence and Ashley Graham.

FAMILY LIFE

Her dad is movie actor Andy Garcia, her mom is film producer Marivi Lorido- Garcia. She has three siblings: Dominick, Daniella, and Andres Garcia.

[bruce-wyatt-burner]

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[bob-the-movie-man-film-reviews]

A Man Called Otto (15): A Man at the 'End of the Line'?

#onemannsmovies review of "A Man Called Otto" (2022). #AManCalledOtto. A delightful Hanks bitter/sweet comedy with a razor edge. 4.5/5.

A One Mann’s Movies review of “A Man Called Otto” (2023). Aside from the excellent Traveling Wilbury’s track “The End of the Line”, the trailer for “A Man Called Otto” really didn’t appear that much to me. The humour seemed quite childish when played out of context. And as it was based on a well-loved Swedish film “A Man Called Ove”, which I must admit I haven’t seen yet, the web was full of…

[fat-models]

Alessandra Garcia Lorido at Christian Siriano SS 2023

[huntsvillehq]

on october 31st, it started as a rumble: a low sound deep within the earth. the telephone poles and street signs began to sway. the ground shifted and opened up: a jagged split down the middle of main street, three feet wide and fifty feet long, revealing a black void beneath.

buildings cracked and crumbled. the huntsville bank lost a third of it's structure; the shelves in the library toppled and crashed into each other; pete's garage collapsed completely; the playground in the park slid to an angle.

the earthquake destroyed all the booths and stalls for the festival. a fire broke out in one of the haunted houses. a pipe burst, spraying the street with water. destruction and devastation reigned down upon main street.

it lasted a total of five minutes before the ground and dust settled and people were able to take stock of what just happened. Mayor Natasha rounded up the police and fire departments, sending them on a search and rescue to ensure everyone was recovered in some form or another and to put out the fires and check that every door with a protection rune remained intact.

shock and horror gained traction over the course of the next several hours, as reports came in. three individuals were killed and dozens were injured. Sunflower Parsons was declared missing, as her body was not recovered and no one could remember where they saw her last.

the list of deaths were posted the next morning: Minnie Garcia, Sammie Thompson, and Zoë Clark.

(below the cut are the people who were injured in alphabetical order. the muns can determine how severe the injuries are, up to and including loss of limb/disability. due to the nature of the disaster, those not listed can still have minor cuts and bruises. the event concludes on nov 11th, at which time no new event threads may be posted and we catch up to the ooc present. you will still be allowed to continue event threads until completion.)

Alessandra Nuwa Chen

Alexa Cruz-Dutton (10)

Andrew Richardson

Andy Flowers

Avery Cowling

Bowie Bardot

Briana Ryan

Calloway de la Luna

Claire Forbes

Cain Barlowe

Daishiro Takahashi

Daisy Theirry

DJ Cruz-Dutton

Domino Otto

Eagan Connolly

Edgar Wayne

Eldon Harcourt

Emma “Em” Dunford

Falco Romero

Halley MacGillivray

James Goldstein

Jane Doe

Jay Romero-Sawyer (15)

Jerico Leeds

Katarina “Rini” Roberts

Liam Jefferson

Lin Xiu

Mallard “Duck” Romero

Mylene “Myles” Karimi

Natalie Gray

Penelope “Penny” Lane

Peter “Rusty” Craven

Saffron Aubert

Salem Salazar

Sandra Quispe

Scout Garcia

Sicilia “Lia” Flowers

Spencer Holmes

Reggie Alson

Ricardo “Ric” Reider

Rosemary Felton

Valeria “Val” Moreno

Victoire “Vic” Dubois

Ward Langston

Wolf Lykaios

[okimargarvez]

And you open my door with persistence, and my destiny is happily destroyed [Romantica ossessione, Alessandra Amoroso]

Music stuff

[therunwayarchive]

Alessandra Garcia-Lorido at Christian Siriano, Spring 2022