#almost all of 1a is good for the a plots and then i'm working on adding in b and c plots

[sapphic-agent]

Let's Talk About the Bakugou Problem

I've been enjoying the Bakugou slander here on Tumblr, but I haven't come across anyone that gets to the root of the problem with Bakugou's character yet. I think it goes further than him having anger issues, being annoying, or even how violent and abusive he is. Why I think Bakugou is a bad character is due to the effect he has on the plot, world-building, and the rest of the characters. There's a lot of layers here, so I'd like to take the time to talk as in-detail as I can while typing on mobile.

*Note: I'll be following the anime as it's easier for me to follow and pick specific examples. Manga readers if you have anything to add I'd love to hear it, even if it's against what I've listed here*

*Note: Bakugou fans you're more than welcome to read, though I warn you might not like what you see. I tried to keep this as constructive as I could without letting my own biases seep in (whether I succeeded is up for debate) so that everyone could read it whether you like Bakugou or not. I'm fine with criticism towards my points, I only ask that you remain respectful. I won't engage with anyone who disrespects me or other users*

1. Consequences

This is a big one among Bakugou critics, so I think it's a pretty good place to start. Bakugou has almost never faced actual consequences to his actions (there's a difference between something bad that happens to happen to him and the world around him not accepting his behavior). There are two instances that I can think of that there was a direct ramification to something Bakugou has done. The first was during the Deku vs Kacchan fight where Bakugou does get suspended for four days while Izuku gets suspended for three days. The other is when he and Todoroki fail the provisional licensing exam. However, there's a problem with these two instances I mentioned.

With the D vs K fight, Bakugou was the one who goaded Izuku out of the dorms and instigated a fight. Izuku was trying to get him to go back to the dorms so they could settle their "issue" under adult supervision. He was trying to do the responsible thing. For Izuku to only receive a day less of punishment seems unfair. Though, you could make the case that he should have ignored Bakugou, it's still very clear that one was way more at fault than the other and there was barely a difference in their punishment.

The provisional licensing exam actually did well with failing Bakugou. It was almost a great lesson; that he can't say and do whatever he wants and expect the world to roll over for him. Unfortunately, it's undermined by Todoroki failing as well. Yes, Todoroki failed because of Inasa. But a) Inasa attacked him first which should have resulted in disqualification (what was Todoroki supposed to do, not fight back when he was being assaulted?) and b) Inasa's entire character seems shoehorned into the story. He doesn't really add anything to Todoroki's character as most of his problems with Todoroki were already resolved back in season 2. He also contributes nothing to the overall story. Shindou, for example, has a hand in testing 1A and forces them to work together congruently. Inasa seems like he was put in the story simply to make Todoroki fail. Why does Todoroki have to fail? Because Bakugou does.

It seems like Horikoshi always softens the blow for Bakugou in a way, if he's dealt any blow at all. By not allowing Bakugou to face consequences on his own, he might as well not be facing them at all.

Why are consequences so important? Because Bakugou's privilege is a problem.

I don't think I've seen anyone address this. The root of Bakugou's behavior comes from the fact that he was allowed to do all those terrible things because the world around him was tolerant of it. Teachers turned a blind eyes when he bullied Izuku because he had a great quirk and Izuku was quirkless. He's allowed to do and say whatever he wants because he has a great quirk. While people seem to be harder on Izuku because of either having no quirk or not being able to fully control his quirk. This is a huge part of the story that was set up in the beginning, but was almost never addressed despite being persistent throughout. And it's the most present with Aizawa.

Bakugou attempts to attack a fellow student the first day of class? Simply restrained, no repercussions. Bakugou uses excessive force against a classmate despite his teacher telling him to stop? Nothing more than a few not-so-nice words. Bakugou assaults his partner and refuses to cooperate? No words at all.

Now look at Izuku. Doesn't have full control of his quirk? His teacher attempts to humiliate and expel him in front of his classmates on the first day of class. Saves a classmate in an admittedly risky rescue mission? Said teacher proclaims he lost his trust and labels him a problem child (despite the orchestrator of said mission- Kirishima- being in the same room and not getting spoken to at all).

(I don't know if Aizawa's projecting, but pandering to the kid with the strong quirk while simultaneously disliking All Might isn't a great look.)

Even before UA, Bakugou is praised by the heroes for his strong quirk against the sludge villain despite the fact that his quirk made everything worse while Izuku is scolded even though they were the ones who did nothing while he did what he could to save someone.

"All men aren't created equal." That's one of Izuku's very first lines and a central point of the story. It's something you expect it to address multiple times, especially in regards to Izuku and Bakugou. But Bakugou being spared from consequences every single time he does something terrible means that the statement is validated, but the problem still persists and is never rectified or solved. Even if you think Bakugou "changed," that doesn't make his privilege go away.

2. Plot Compensation

The story goes out of its way to make Bakugou seem like a better person than he is.

My first example is the Sports Festival, specifically his fight with Uraraka. In this fight, Bakugou is met with booing from the audience for not going easy on her. And right off the bat, this is weird. Because not only have we never seen this attitude toward women heroes before or after this, the show is trying to tell us something when Aizawa tears the crowd down. Almost as if saying, "The crowd is dumb and wrong and if you think like the crowd, you're dumb and wrong." Aizawa claims that Bakugou is treating Uraraka like a real opponent by not going easy on her.

...is he though?

Because we never see Bakugou stand still in a fight like he does with her. Bakugou's fighting style relies a lot on mobility. During his fight with Tokoyami, who he knew he had an advantage over because of the light from his quirk, he isn't standing still. During his fight with Todoroki he isn't standing still. He only does this with Uraraka. Because this isn't Bakugou showing respect, it's him still looking down on her. He doesn't see her as a serious opponent, just an obstacle in his way.

And I know this sounds like a bold claim. But if you recall, Bakugou immediately confronts Izuku after the fight and accuses him of giving Uraraka the idea she used during their match. He assumes it was a ploy from Izuku, implying that he didn't think Uraraka capable of coming up with a plan with the potential to work against him. This isn't respect for an opponent.

(Note: the only thing in Bakugou's favor is it's probably not because she's a girl. He just naturally looks down on everyone who doesn't immediately stand out to him with a show of power like Todoroki)

Then we have the revered scene with the League or Villains.

This scene is praised because it "subverts expectations." That the violent, angry kid doesn't want to be a villain. He wants to be a noble hero. Aizawa- again- silences claims against Bakugou, citing that he wants to win and he knows he can't do that if he's a villain.

My thing is, however, the League targeting him in the first place. Why would they do this? Bakugou clearly has a heroic quirk. He scored first on the entrance exam. If they did any research at all beforehand, they would know that Bakugou was at the top of his class before UA and is in the top five currently. And they'd know he has wealthy parents.

(You would think Dabi especially would draw parallels to Endeavor and would be aware that Bakugou's ambition and heroic quirk don't make him similar to the League who have been discriminated against, shunned, and abused for most of their lives. Even with his behavior at the Sports Festival, Endeavor isn't the noble and kind type like All Might and most other heroes. So I'm not sure why Bakugou's behavior immediately screamed villain potential)

Nothing about him suggests he's had a hard life like most of the League. Nothing about him suggests he'd want to leave his comfortable life and secured future to become a villain.

This scene sets up Bakugou's redemption, right? It leads us to the Deku vs Kacchan fight and All Might's advice is what makes him take on his "save to win" mentality.

But not only does this seem like a convenient plot device, it decidedly ignores the uglier part of Bakugou's decision.

Bakugou rejected the LOV because he saw them as losers. But what if they hadn't been losers? What if they had been doing as well as they were at the end of season 5? Merging and becoming the MLA front, organized teams, wealthy, successfully recruiting members right under the heroes' noses.

Maybe Bakugou wouldn't have outright joined them. But at this point before shifting his perspective, his answer might have been very different.

But the story goes out of its way to hammer in Bakugou's scarce good traits to take your focus away from his overwhelming bad ones.

3. Bakugou's Character Shift "Development"

The way Horikoshi wrote Bakugou in the beginning is very different to how he is portrayed later in the show. No, I don't mean his development. I mean the major shift in his character between seasons 1/2 and season 3/4.

Bakugou in the beginning of the show is cruel, meanspirited, and violent. And he's still all of those things throughout the show. The one difference is that it's played for laughs in later seasons.

Bakugou's actions and words in seasons 1 and 2 are portrayed a lot more serious than in later seasons. He's an antagonistic force, one that Izuku has to strive to overcome not just to be a good hero, but for himself as Bakugou has been one of the most prominent obstacles in his strive to become a hero.

Look at his behavior during the battle trials. It's something serious, something that has even All Might worried. Bakugou knew he could have very well killed Midoriya and didn't care. It's brutal and almost hard to watch because at this point in the show Midoriya is weak and tiny (visually, we know he's never really been weak) compared to Bakugou and can really only outsmart him to win.

We never see Bakugou display anything close to this level of violence in later seasons. Not in the Sports Festival or 1A vs 1B or D vs K or the licensing exam or even against literal villains. Season 1 went out of its way to show Bakugou's cruel behavior even using it as something Izuku has to learn how to overcome even if he has to risk everything.

By season 3, the perspective has changed. Bakugou name calling people, belittling people, yelling, and his acts of violence are now exaggerated for comedy. None of his actions are taken as seriously as they were before, despite some being almost or just as bad.

(It's worth mentioning that this was also around the time Bakugou began to get popular among fans)

A great example of this is in season 5 when he throws his headpiece at Izuku and makes him bleed. His casual act of his aggression towards his lifelong victim is present to make the audience laugh, despite the fact that Izuku was bleeding and the 1A boys are (rightfully) horrified.

(I'd like to add that there was no real reason to do this. Nothing he was saying would have exposed OFA and even if it had, he was done talking by the time Bakugou threw it)

If Bakugou had really changed at this point, this would have never happened in the first place. I can't call this changing or development, I call this his actions shifting into comedic relief and away from the serious connotations they previously held. By taking that away, it allows Bakugou to continue to do the same things he has all his life while under the guise of development. It undermines what's supposed to be his redemption arc.

4. Other Characters

Bakugou isn't the only one who gets a character shift. It's approximately the moment that Bakugou begins to get more attention that the other characters lose the substance they had at the beginning of the show.

The ones hit most notably by this are obviously Uraraka and Iida. They were Izuku's first friends, his original trio. More than that, they are set up as interesting characters with their own arcs and paths for becoming great heroes.

Even though I did have my complaints about her fight with Bakugou in the Sports Festival, it does turn Uraraka onto improving past her goal of becoming a rescue hero. She wants to become better in other aspects of being a hero so that she can succeed and keep up with her stronger classmates. She proved herself capable of this during her fight with Bakugou and it was the catalyst of her character development.

Iida was not only resolving himself with caring for Midoriya as a friend as well as being his rival and wanting to surpass him. There's also this darker side to him that no one expects from goody two shoes, straight-laced Iida that had so much potential for exploration.

Both of them are tossed to the side in favor of Bakugou. I would even go as far as to say that after season 2, they're almost irrelevant until season 6 and even then they're limited (before season 6 Uraraka's only character trait is that she ignores he feelings for Midoriya to become a better hero, which came out of nowhere and does nothing for her character). And they barley ever get moments with Izuku during time despite being his first friends.

Todoroki is a similar yet very different case. At the beginning of the show, he was intense and has strong feelings. (An interesting parallel is that if Iida was his friend becoming his rival, Todoroki was his rival becoming his friend and both relationships speak to Izuku as a character) Even if he didn't express them, we as the audience knew they were there. But as times passes he becomes flat and dull. Even though he's supposed to be part of the new trio, he's barley present (the dynamic between the three of them is uninteresting all around as it's basically Bakugou yelling at Izuku with Todoroki in the background. They never have any deep or heartfelt moments nor do they have good chemistry) and barely gets any one-on-one interaction with Izuku despite them being very good friends.

(I can't blame this all on Bakugou as the show also shifts from focusing to Todoroki to focusing on his own abuser which is part of the issue with his lack of character, but Bakugou's character does contribute to this problem of making the abusers more sympathetic than the victims)

Most if not the rest of 1A fade into the background after this, save for a few who have notable moments sprinkled in throughout the show. You can take this as a Bakugou prevalence problem, or it can be seen as Horikoshi just not knowing how to balance characters.

However, the character that suffers the most because of this is Izuku himself.

I don't think it's a bad thing that Izuku admires or looks up to Bakugou. I don't think it's a problem that he doesn't see anything wrong with Bakugou's behavior against him. Izuku grew up in an environment where that was normalized. That he's worthless because of his lack of quirk and Bakugou deserves to be on top because of his great quirk. Of course he internalized that, even though he knows that a quirk doesn't determine someone's worth. He was never given the tools or the means to beat that mindset.

What I despise is the fact that everyone around him enables it.

As I stated above, Aizawa is definitely the worst when it comes to this. Not only shoving Bakugou and Izuku together and making it Izuku's job to get Bakugou to cooperate, but hardly if ever condemning Bakugou when he lashes out against Izuku. Even without their history, what Bakugou does is wrong and should be treated as such.

Unfortunately and even though I love All Might, he's also guilty of this. It's true that he might not know the full extent of their toxic relationship, but All Might sees Bakugou instigate a fight with Izuku and decides it's okay to tell Bakugou about One For All. Bakugou did nothing to earn this honor: he hasn't shown Izuku support and hasn't been a reliable ally he could depend on. But even disregarding that, Bakugou had just been captured by villains who work for All For One. He was the last person on Earth who should have been entrusted with this secret.

The adults in Izuku's life enable and reward Bakugou's bad behavior and urge them into forming a relationship and partnership that frankly shouldn't exist (and only does to make Bakugou a better person and hero, it does nothing for Izuku). It's to the point where almost Izuku's entire character revolves around his relationship with Bakugou and how he improves because of it and how he helps Bakugou improve. And he further projects this when he "subtly" implies that Todoroki should forgive Endeavor, which feels like a justification towards the audience of his own feelings towards Bakugou.

5. Accountability

I mentioned consequences as my first point. But what many who want this miss, it goes hand-in-hand with accountability.

Unlike consequences, Bakugou more or less does take accountability in the form of his apology. But the apology was lackluster for a couple of reasons. The main thing is that it feels like a list of excuses rather than simply owning up to the fact that he was shitty and there's really no good reason for it. But simply explaining why you hurt the person you hurt isn't giving them the apology they deserve. It's making it about you.

Another thing, though, is that the apology is very scarce. It skips over the worst of Bakugou's actions. Nothing he said was anything 1A didn't already know. They don't know about the s*icide baiting which is one of the worst things he's done to Izuku (and that's only what we saw, who knows what Bakugou's been saying for years?). It also ignores everything he did in UA, which was a very big part of the problem. He treated Izuku poorly months prior to the apology and that shouldn't be ignored.

As far as accountability goes this apology isn't that great. But it's something. No, what's worse is that the other characters don't hold Bakugou accountable.

The other characters more often than not turn a blind eye to Bakugou's behavior. We've already covered Aizawa, but the rest of 1A is guilty of this too. No one says anything about the Battle Trials. Hardly anyone condemns Bakugou when he attacks or insults Izuku. Sometimes they'll chime in like Uraraka or Kirishima, but other than that no one outright tells him off. This is out of character for Iida in particular because he's such a stickler about rules and courtesy for others (he literally told off a six year old when he punched Izuku and tried to stop Mineta from perving on the girls, why wouldn't he do the same when it comes to Bakugou?). It's almost like the characters are blind to Bakugou's behavior.

What's weirder is that Mina and Kirishima- who were both stated to hate bullying- are friends with him. Why would the show go out of its way to tell us this only to saddle them into the "BakuSquad?" It doesn't make sense.

It's hypocritical that everyone in 1A is so tolerant of Bakugou but get annoyed with others; like Monoma for example. Or even Mineta because as much as I dislike him he's constantly being called out by 1A. It means that they know certain behavior is wrong and/or shouldn't be entertained, so we know they aren't completely unaware. But the fact that they largely ignore Bakugou's behavior and condemn Monoma's is so weird. You can't excuse one and not the other.

Conclusion

There's certainly more than this to my dislike of Bakugou. But I think I've mostly covered his negative impact on the story. Doing a deep dive into his awful personality is something I wouldn't wish on anyway. Many others have done that anyway, so I'm content to leave it out. But I hope you liked my little breakdown!

[confundida25]

My hero academia and the Straight agenda

Ok, listen

I have seen a lot of Anime, I had seen Anime for more than 20 years, I hear all the excuses for the poorly written female characters in shonen, all the stupid contrived ways the protagonist and his lame love interest get together in the last second of the last episode because this is a shonen this is not a shojo we don’t have time for silly little romance plots discourse. How it is not that the protagonist is gay, is just that romance is not his priority, and let me tell you that excuse doesn’t work with my Hero academia.

In My Hero Academia, we follow a bunch of teenage kids in their first year of high school, which is a coming-of-age history. 7 seasons and more than 140 episodes, now, I have not read the manga this is only an analysis of the anime.

Now, in the class 1-A, we have 20 students, 6 girls and 12 boys. Did all these girls and boys have a romantic storyline? No of course not that would be insane.

BUT all of them in some way or another talk or act in their view of romance, lets discuss about it, i have nothing better to do with my life and this show is living rent free in my head.

First, the girls, we have, along the seasons multiple times of the girls talking about crushes, about boys, who the cute boys are, we usually see them gossip and whispering about it, hell we have an entire subplot of our only female villain been crazy about her romantic feeling, almost as if this show were written for a middle age man who hasn’t never touch the female experience, but that is beside the point. We can tell without a doubt that at least: Ashido, the invisible girl, and Uraraka like and want male attention, I´M NOT SAYING THAT THEY WANT TO BE HARRAS, I'm saying that they pretty much like things like a boy telling them they look pretty in a nice dress, ok? Are we OK?

Now the boys, Mineta is a caricature of what a teenage boy is, I must say I remember being in middle school and hearing some of the boys be gross about the girls and plan elaborate ruses to harras them, sadly that happened, I also worked as a high school teacher for a few years and there are boys (and even men) who are like him, so yea that.

Besides Mineta, who other boys crave female attention? (in not a creepy way)

Kaminari is mostly the usual Mineta companion in his shenanigans a long with Sero.

Among them we have Tokoyami, he never participates in the russes of the others BUT when they go and examine all class 1A rooms, he along with the Octopus (I don’t remember his name sorry) says that the girl's rooms are “A forbidden paradise” and they are excited to be allowed to see them. Again, pretty standard teenage boy behavior, the girls are equally excited to take a peak in the boy's rooms. Tokoyami also comments in how, when he is carrying Jiro into the battlefield that her but is doing stuff to him, so please stay still to which she responds that he is a stupid boy or something like that, I saw it in Japanese with subtitles in Spanish please don’t fight me.

We also have Izuku.

Izuku Midoriya is a shy teenage boy, he reacts in panic and immediately flushes and stutters when a girl or a woman shows him any affection, we saw this with Uraraka, with Toga, with the girl from the first move, etc, he likes female attention, he thing about the female attention as something positive and desirable

Iida is a strange case, he never said anything explicit about the girls, and he never participates with his classmates in any elaborate ruses because he is the class president and in general a very strict dude, BUT we have that weird exchange when he goes with Midorya to visit Hatsume and make a super weird comment about Hatsume boobs. Like, honestly I don´t know what the hell was that.

Sugarman likes to bake and is more than happy to give pastries to all the girls and feels overwhelmingly good by their response. He seems like a nice dude.

We have explicit confirmation with  Kaminari and Kirishima, they are explicit in their feelings, Kaminari has a crush on Jiro and Kirishima with Ashido.

I'm not saying all these characters are straight, they could be bi, but in the text, in the actuall Text of the show, all of them at least want the opposite sex's positive attention.

Who is left?

The guy that talks to animals, tailman, Aoyama, Todoroki and Bakugo.

Todoroki is a special case because he has his issues, he doesn’t respond like others to social clues, you can read his interaction and admiration toward Momo as romantic or you cannot, I think is pretty ambiguous and we cannot with all true said that he likes girls. He likes positive attention in general, he likes people and taking care of his own business.

So ok, the guy who talks with animals is a shy introverted kiddo, and tailman I don’t know if I´m misremembering but I'm pretty sure that he joined their classmate to ogg the girls during the sports festival when Mineta and company trick them to dress as cheerleaders, I could be wrong.

Aoyama is mostly explicitly gay, or you know, the most explicit gay a shonen anime could be.

But they are minor characters (except Todoroki), is understandable that we are not sure what is their deal, again they are 20 1A students and like a trillion other characters.

But Bakugo Katsuki is not a minor character. He is pretty much a co-protagonist. And we never. Ever. Watch him wanting female attention in any way, nop, zero, nothing. So, it must be delivered.

And this is not me being delusional and claiming Bakudeku is real, this is me confronting the facts.

Bakugo's group of friends are the boys, the bros, Kaminari, Kirishima, and Sero, and he never join them in anything related to the girls.

His interactions with women are few, first, his battle against Uraraka in the sports festival, now, Kaminari also fights a girl and he slips a comment about how pretty his opponent is, Bakugo never comments on Uraraka´s body, he has the opportunity, he doesn’t.

We see him concentrate in the fight, he doesn’t want to lose, not because he doesn’t want to lose to a girl but because he doesn’t want to lose to anybody, he goes hard on her and the audience buuuu him, even his friends call him out in his behavior, to which he responded that Uraraka was not weak, he must take the fight seriously, I know I know Feminist icon Bakugo Katsuki (I'm joking).

We have another interaction with that girl from the other school, the sexy lady that creates illusions that were part of the group of people who fail the test for the provisional license. She pretty much flirts with Bakugo and he pretty much ignores her.

Bakugo is a character who wants fame, he wants power and glory and money, when he is being a brat in the first episode he rants about how he is going to be the number one hero and he is going to be rich and famous, he wants all those significant of success.

He never talks about women in those fantasies.

Girls pretty much don’t matter to him.

But does he ever crave Male attention?

Yes, he does, he likes it when his minions follow him around and obey his orders, he is tormented by Izuku's admiration, he wants all might attention.

I'm not saying that his friendship with the Bakugo squad is not genuine or that he had a crush on All Mighty (he totally had one when he was little and grew out of it but that is my headcanon), im saying that he had no female friends, he doesn’t want or need or crave female attention, his necessity to be the best comes from himself and other men.

So, there is nothing in the text that suggests that Bakugo Katsuki is a straight boy, yeah I know, I also had read the ton of Bakugoxfemalereader works floating around, they are good and fun, but they are an extrapolation of the character.

Nothing in the text ever suggests that Bakugo Katsuki likes girls and that is fact

[justatalkingface]

can I ask you what you think of ochako as a character in bnha? I know that in theory she was 'developed to match toga', with all the things toga has going on with her character and where she is in the plot. But when I think about ochako a little deeper I don't really get her 'goal development' exactly, because don't they kind of conflict with each other rather than evolve together?

Because first ochako wanted to make lots of money for her family, then later it became 'who saves/protects the heroes?' But if she runs with that goal and continues to rock the proverbial boat in hero society, that probably won't lead to her making a lot of money right?

And her third emerging goal likely being something about saving/helping the villains in some way, which is definitely better/more interesting for the overall plot, but even more conflicting with her previous goals.

Which would be cool if it was really focused on in her head about how that all might work out or not but we never really get that with ochako. Can I ask you what you think about all this?

As a series, MHA has reached a point where every character can easily be labeled with 'wasted potential', but Ochako is a special case because she's a main character that was sidelined.

I always knew that, to some extent, 1A as a whole would be sidelined over time (though I couldn't have predicted how fast it would happen), but Ochako was part of the main trio, she was one of the more important characters in the early narrative. Even more, compared to Sakura, for example, or Orihime, she wasn't just the girl teammate, or someone's love interest. She had her own goals and ambitions. Most importantly of all though, and what made her so interesting to me, is that she decided to put aside her own feelings.

Manga is... let's be honest here, manga is broadly sexist. Shonens like this are worse. When a woman in shonen is in love? It defines her character, drives it. Their entire character arcs for the entire time they're in love, if not beyond it, hinge on that basic fact.

Sakura, Hinata, and Orihime are all broadly driven by their love for their men at first, and even when they grow past that being their sole motivation to fight, it still remains a fundamental core of their drives. Sakura's big growth early on, for example, is that she wants to marry Sasuke and become a proper ninja, when before her primary purpose in living seemed to be to unironically to have his babies. It was a good step, but it was kind of an insulting step, is the thing, and she never gets beyond her love of Sasuke even when both of them are trying to kill each other after he abandons her for years.

Ochako, though? She has goals first, then gets a crush, and then weighs being in love with her own ambitions and chooses her ambitions over love.

I shit over almost everything Hori does with anyone that isn't a man, because it's pretty much always shit, and the more I think about it the more I almost want to applaud him, just for this, because this? This isn't just a main heroine uninterested in love. This is one who explicitly rejects it for her own agenda, and as pathetic as it is to phrase it this way, that's a huge improvement for a shonen manga.

I mean, I've seen people say that she didn't need to do that, that she could both train to be a hero and chase her love interest, and when you think about it UA students do seem to have enough free time for her to pursue it, but you know what? Who cares?

Maybe there's actually not that much free time, maybe she just doesn't realize how much time she has, maybe she's exactly right! Does it matter? She decided she's not ready for a relationship at this portion of her life and she'd rather do something else with her time; good for her! Chase your dreams! Do what you want when you want!

And for a time, Hori seemed content to treat her as an actual important character, who develops as a combatant (which, as much as I like to say 'power ups aren't character development', I'm not blind to basic facts that mangas like this orbit around a lot of fighting, and you need to be able to fight to stay relevant to the story line) as well as develop as a person.

Actually, let me stop here and pivot a bit to better handle part of your question: her development.

Early on, Ochika training to be a hero was a basiclly a poor kid going to be a sports star to support their family; it wasn't about the job itself, per say, so much as that the job would pay well, and they could get in without getting crippling debt in the process. She had the talent, so she wanted to use it to support her family because she loved them. This was a lot more modest than, say, Lemillion's goals, but it was still noble, and she'd still do a lot of good while supporting her family. At the same time, though, she also just wanted to help people just to see them smile and what not, and so becoming a hero was really a multifaceted goal for her.

The problem with the later development, though, is the same thing that happened to everything about her post her learning Gunhead Martial Arts or so (let me take a brief aside to kind of laugh at that, because 'Gunhead' Martial Arts, rather than just martial arts or whatever just seems really ridiculously to me, but whatever): she was replaced, then her development was largely just given to her by the author happened off screen so we couldn't really connect with how it happened.

That replacement was bad for a bunch of reasons, really: because Bakugou was being promoted from classroom bully to rival character, he needed more focus with his 'rival' so he replaced Shoto. Shoto, who had all the build up of the rival character at first, needed to be in the story since he was so important to later plotlines, but didn't have a place anymore, so he needed to be put somewhere else still in the audience's eyes. The eventual fallout of all this, plus Endeavor's heavy character salvaging attemptings by Hori, is Izuku's core friend group of Ochiko, Iida, and himself was replaced by New Trio of Shoto, Bakugou, and Izuku.

Or, if I'm being even more honest, The Duo of Shoto and Izuku and then Bakugou is there too for some reason.

Something I want to point out here, while we're on talking about it; then new trio isn't a friend group, like the original one was, they're more... work associates. Shoto and Izuku are friends, by this point (and for some reason Shoto is hanging out with a person channeling the traits of his father he despises the most (cough cough, to try and salvage Bakugou)), but we don't see the three of them, like, hang out: they're together at first because they were all interning with Endeavour (for some god forsaken reason (cough cough, to salvage Endeavour)), then after that because they were heavy hitters and honestly just them being put there by the author. There's every indication that the original three are still friends, we just... don't see it, anymore.

But I'm off topic: point is, with the focus shifting from school life to 'let's save the world as first years!', the friendships took the backseat, and Ochika was just... ignored by Hori.

Eventually, she started being put back into the story, since she was still somewhat important, but by this point we had reached The War Arc (and shit, I don't think there's a post where I haven't dunked on that, is there?), and, well.

Everything Changed When The War Arc Attacked.

Everybody's characterization went to shit after that, not just her, and it's not surprising her story went down the cracks.

So, part of her changes, and part of the reason they're confusing with her original goal, is that at least part of them is mixed with her largely dropped but still weirdly there romance plot. Izuku is the origin of her thinking, 'who saves the heroes', because, well, Izuku needs saving from his own idiot self all the time later on, and he's heroic.

I'll point out that this isn't, fundamentally, a conflict with her original goal of supporting her family: she wants heroes to be treated better, she doesn't want heroes to stop being monetized (because that's too far against the status quo for any hero to support!). Even if that impacted her career (which, logically, makes sense as a possible concern and probably part of why you were confused, yet I don't think she thought about once) she's not Mt Lady; she's not going to be paying thousands in damages everytime she does anything. A rescue hero like her is always, unfortunately, going to find someone who needs to be saved by having heavy things lifted off them. Maybe she'd never be rich if this backfired on her, but she'd certainly be well enough to support her parents, at least, since we've never seen a poor hero (sighs, gestures vaguely in a, 'gee, wouldn't that have been nice to see to help develop the profession in literally any way!' sort of fashion).

The second point of 'development'... now that is honestly shit. I've mentioned before how, after a certain point, MHA's plot started turning more and more from the complex and fascinating topics that they presented to us (and got so many of us engrossed in the first place), to a more cliche format that I fondly call a 'Full Shonen'. Part of a Full Shonen plot is, unless an important villain is truly, absolutely evil (so, basiclly AFO) they aren't beyond redemption, no matter how little sense that makes. If they're not beyond redemption, The Good Guys(TM), are therefore obligated to at least try and save them from themselves. Another typical Full Shonen plotline is, if there's a female bad guy, the female good guy will have to be the one to fight them.

Following that logic, Himko, the crazed female serial killer, is not beyond salvation, and so it fall to Ochako, the female hero, to save her, no matter how little sense that makes on a character or narrative level, because, you know, cat fight or something.

*sighs for forever*

Problem being everything post-War is so quarter-assed that this entire new plot line is built off, and really isn't held together by, the fact they both love Izuku. Or rather, Himiko is vaguely in love with Ochiko because she's cute (or 'cute', by whatever arcane and ill-defined criteria she uses to target people) and feels a bond with her because she also loves Izuku, and Ochiko is just... there, basiclly, and fights her because, you know, she's a villain. The connection is beyond forced, and yet we all know that somehow she'll be essential to 'saving' Toga.

While we're talking about these two, I'm going to point out that people saying Ochaka in the latest chapters wanting to talk about love are dramatically missing the point. She didn't want to go girl talk with Toga about their mutual crush, no matter how hilarious a meme summary that was. Toga was leaving via warp portal, while turning into Twice, and Ochkaka wanted to stop her because, you know, Twice-Toga is going to make their temporary existence everyone else's problem. She couldn't physically stop her from where she was, so turned to the one thing that has always distracted Toga in the past: talking about love. Even a mere thirty seconds of Toga gushing about Izuku, after all, is thirty seconds less of a one man army fucking up the heroes plans, not even mentioning duplicating AFO or SFO or some other nightmare scenario; anything she could do to run the clock on Twice's blood at all is priceless for the heroes.

And before anyone says it, that's not some brilliant insight on Ochako's part, it's not some sign of their 'deep connection'; anyone who spends two minutes around Toga would know that much. Anyways, because of Toga's... random ass character development just before all this happened, she's finally able to control her impulses like a normal person, and leaves instead. Ochaka's comment at the end, 'she didn't want to talk about love', isn't sad that she didn't get to talk about some threesome or whatever bullshit, it's surprise, because that's not how Toga works.

So, yeah, Ochaka's great start early on fell apart after she lost the spotlight, and it's a shame. The evolution to 'saving heroes' could have easily been handled better just by, you know, focusing on her at all, and we could have seen rising concerns about how heroes are treated in their cutthroat line of work (obligatory screaming at failed heroic society development) over time, and grow more organically in her mind and motivation. Saving Toga... Toga is so unreasonable as a character that, barring a drastic redesign of her characterization, or more reasonably, something for Ochika to connect with her and make her care beyond being a female who, gasp, likes Izuku too!!!!!!, that... that was never going to work well. It, and she, are too much of a mess, and Ochaka is too good of a person.

[paigemathews]

I am. still outlining the first season of my next gen thing, but I have somehow backed myself into a corner bc I've been envisioning the first season as having twenty two episodes like the actual show did, but I have somehow managed to create too many plots for what I wanted to do so I'm. trying to figure that out now, I guess?

[kiribakuficrecs]

hello!!! im going on a very long trip at the end of april and I'm looking for some very long fics to download to keep me entertained! i dont care what they're about as long as there's no major character death or mentions of non-con. ur blog is a godsend ilysm and you do such a good job thank you so much 🙏

hi there!! i definitely have a lot of good lengthy fics i can recommend to you!

quote love unquote by newamsterdam 

Sero nods. “It’s the chance of a lifetime, really,” he says. “We want you to date Bakugou, for the sake of his reputation with the press. Some public appearances, a few ‘candid’ photos. For at least a couple of months.”

“Bakugou sent you to ask me to date him?” Kirishima asks, baffled.

“Of course not. We, his people, are asking you to date him. He’s going to have to get on board, if he wants his career to survive. And in the bargain, Riot will get all sorts of publicity, because their lyricist will be dating one of the industry’s hottest stars. A win for everyone.”

When Kirishima Eijirou's band hits the big time, he's not prepared for his newfound fame. He's even less prepared to meet the actor he's been crushing on for years, or to start dating him as a publicity stunt. The closer Kirishima gets to Bakugou Katsuki, the more he realizes he's in over his head. But it's hard to stop, once his heart is in it.

acceptance and denial by poteto

It all goes okay when Kirishima decides to come out to his friends and it all goes wrong when decides that Bakugou is the best fake boyfriend material.

cause the darks not taking prisoners tonight by imatrisarahtops

“Are those soba noodles?” Kirishima asked.

Again Bakugou’s only reply was a grunt. He offered no further explanation—not that Kirishima honestly expected one—as though making soba noodles from scratch at half past four in the morning wasn’t at all a bizarre occurrence and made complete and total sense. For a fleeting moment, Kirishima even wondered if maybe he was the odd one here. Besides, he’d already decided it was generally not in his best interest to question these types of things with Bakugou, especially when it was something essentially harmless.

When Kirishima has a nightmare and is unable to fall back asleep, he accepts defeat and decides to study in the common area of the dorms. What he doesn't expect to find is Bakugou, also very much awake, and Kirishima can't help but think that maybe they're both having the same problems with sleeping. If he's worried, it's just because they're friends. (Right?)

the weight of your hand by kamin

That night, to the citizens, the explosions were a jolt of fear at every blast, but to the heroes and the students of UA, they were punches and swings, fierce fighting and loud strength. The explosions were the pulse of the battle, and the power of a boy that would never back down.

One after another, explosions set a chorus through the shuddering city.

And then, suddenly—the explosions stopped.

(In which Bakugou’s kidnapping goes a little differently, and just a few seconds could change so much.)

so take my hand (your life will be brighter) by multiclassmaps

When a stranger shows up at the ice rink during Bakugou's usually private training sessions, Bakugou expects to hate him. He doesn't expect to develop feelings that become increasingly difficult to deny, or for them to help each other sort through their emotional baggage. - Bakugou really didn't like Kirishima's smile. There was something about it that made his stomach hurt, something about it that made it difficult to focus. He definitely hadn't thought about that smile on his way to the ice rink that day. He definitely hadn't.

distance makes the heart grow fonder (false) by dragontrappedinhumanskin

When Bakugo and Kirishima get hit by a quirk that forces them to literally stick together or face the less then desirable consequences, how the fuck is Bakugo supposed to keep his crush hidden?! Well, turns out he never needed to.

-- “Well, this fucking sucks, how are we supposed to train?!” "Really closely?"

perihelion by tauontauoff

Bakugou was a comet, blazing out of reach. Kirishima knew he was stupidly lucky that his furious trajectory went by close enough that his fingertips got to graze the cowl of fire. It was enough.

During Christmas Class 1A and 1B spend a laid-back week learning about extreme environment hero work in the Alps. Kirishima was used to keeping part of his feelings for Bakugou hidden, and had every intention of keeping it that way, but things don't always go according to plan.

fight me by mr_todoroki

Bright red, spiky hair. Annoyingly bright smile. Clothes that radiate ‘look at me’ vibes. Neon yellow tank top with black shorts. And those were definitely crocs on his fucking feet.

Yeah, Katsuki hated this guy.

-

Bakugou gets a new roommate.

quietly by chezka

“We’ve been taking the same way to and from school for weeks,” Kirishima grinned, and then when Bakugou frowned at him he put on an affected pout, tilted his head so that he was looking at him through his thick, long lashes, “you never noticed? Am I that easy to miss?”

He could barely finish the sentence before a laugh escaped his lips, and Bakugou rolled his eyes, hit him with a shoulder a little more violently than necessary.

“You stick out like a sore thumb, broom-head,” he grumbled, promptly ignoring Kirishima's whining about his hairstyle when it started coming, “I didn’t notice ‘cause I didn’t care.”

“And now you do?”

everyone knows that cats are independent by purplepersnickety

Eijirou enjoys his job, working the graveyard shift at a 24/7 coffee shop. His daemon Riot is always there to keep him company, and he likes meeting the early-morning patrons and giving them the best possible kick-start to their day. It's been his routine for about a year now.

Then one day, a grouchy guy with a daemon in the form of a lion walks into the shop in the dead of night, and Eijirou decides to strike up a conversation with him.

punks not dead by wrunic

“So you want to use me to piss off your mom?” Kirishima summarized, raising one pierced eyebrow at Katsuki.

“Look, if you want to be all fucking judgy about it, I take cash,” Katsuki said, dropping his hand palm up on the table.

“Hey now,” Kirishima said, raising his hands in surrender, “I didn’t say I wasn’t doing it. I’m always down for a little chaos.” He flashed a grin, showing off his ridiculous shark teeth.

“Good,” Katsuki said. “We start tomorrow."

sent, delivered, read, loved by kiribakuhappiness

Kirishima E. [6.49pm]: ur okay for such an angry dude bakugou! :)

Bakugou K. [7.12pm]: FUCK YOU!

Kirishima E. [7.14pm]: haha! :D ttyl!

Bakugou K. [7.48pm]: FUCKING WHAT DO THOSE DUMB LETTERS MEAN???

Bakugou K. [7.52pm]: I JUST LOOKED IT UP DONT FUCKING TALK TO ME LATER!

Bakugou K. [7.52pm]: STOP TXTING ME!!!

- OR -

Bakugou's and Kirishima's relationship develops from classmates to friends to more, as told through their text conversations.

flicker by mr_todoroki

He was starting to feel depressed. Life was so uninteresting. It was so mundane and forgettable. He had no one to hang out with besides Kota, his family didn’t even live in the city.

He grew his hair out as some sort of rebellion, some sort of stand to make his life the slightest bit more interesting. But he could already feel himself giving in to the pressure of cutting it. He needed to work to live. Without a job, he’d truly have nothing.

OR

Kirishima never applied to UA, therefore never became a hero.

let’s get down to business by kjelfalconer

Katsuki Bakugou, one of the brightest rising stars on wall street, is in need of a new personal assistant. Again. Could Eijirou Kirishima finally be the one to last more than two months?

Katsuki's long suffering HR department sure hope so.

something about us by bigstupidjellyfish

nothing like being in highschool and having no idea how to deal with emotions

fireproof by inkbender

Four years after a classmate nobody seems to remember is kidnapped by the League of Villains, Kirishima drags an amnesiac hobo he found washed up on the beach into his apartment, attempts to teach him how to adult (with varying degrees of success), and discovers along the way that the line between heroism and villainy is quite fine indeed. Plot-divergent after episode 45, the Forest Training Camp arc.

blood riot by magicallee (alternatively)

Kirishima from a universe with no quirks is mind-swapped with an alternate universe version of himself where there are superpowers.

And in that universe he’s a super villain.

And Bakugou is the superhero who caught Evil-Kirishima and put him in prison.

blindside by drowclericpelor

“You’re the first guy friend I’ve had that I can just like, be friends with. You’re either the most unthirstiest boy ever...” Camie shrugged and made another wobbly illusion appear between her hands. It looked like a sparkly rainbow with the word ‘friendship’ beneath it, accompanied by what Bakugou assumed was supposed to be a twinkling sound effect, but it had a tinny quality to it and sounded far away. “...or I just ain’t got the kinda straw you like to ssssip.”

Carefully, Bakugou considered the strange turn this conversation had taken.

He had never been asked, point blank, if he was gay before. And he honestly had never thought about how he would respond. Lying about himself didn’t sit right with him. But he’d always wanted to wait until he was the number one hero - when he stood above everyone else - before coming out. Though he’d had times when he’d thought about doing it before then and had almost gone through with it once. But being the number one hero came first. It wouldn’t matter what people would say about it then as long as he’d risen to the top.

Bakugou knew his lack of a response would give Camie all the answers she needed.

flour power by wingsonghalo

“I’m telling you now, Shitty Hair,” the blonde growled, “I am not gonna play house with you. We will cart this stupid flour around for a week like the assignment says. But some of our idiot classmates are naming the thing and setting up ‘playdates’ and dressing it and I am not doing anything that stupid. Got it?”

Kirishima and Bakugou are paired up to take care of a flour sack for a week. It would be so simple, except nothing with Bakugou is ever simple. Also Kirishima might be kinda sorta completely head over heels for him.

sunchaser by chonideno

that feeling when you suddenly want to jump off a cliff for no reason but instead of a cliff it’s your best friend and instead of jumping it’s growing feelings out of nowhere

or how Bakugou has to try really hard not to throw everything to the wind, and Kirishima doesn't help

i also have a tag specifically for fics that reach somewhere between 30k-70k words long if you wanted to check that out as well! i hope you enjoy the fics here and that i was able to help, ily enjoy your trip!!! :D 

[rip-a-dip-dip-you-potato-chip]

what have I created?

idk if yall like this, but they just exist not i guess :/

ok the the first one is Royalty AU

first things first, when I say Royalty AU, I don't mean the classic shit we've all become accustomed to. Im talking about the good old Chinese royalty! And I want to emphasize that these guys will/should be dressed in century appropriate attire. As someone thats read a handful of 'marinette, princess of china' fics from the ML Fandom, I've noticed a common trend. Marinette wouldn't be in the culturally appropriate clothes, always ballgowns. Not that there's something wrong with it, its just most of if not all these fic are set in China, so I'd expect Chinese royalty to dress as THERE dress code calls for. And since this AU takes place far in the past like, it won't make sense for any of the characters to be in royal clothing that wasn't from there region. I'm not trying to white knight/gatekeeping. Im Guyanese not Chinese. But since JTTW and Monkie Kid take place in China, it's only right. In my opinion that it. You don't have to outright agree with me.

With out of the way, it's time for that good old AU crack

- Wukong is the king of the Flower Fruit kingdom(or a different one if you'd like, again I'm only familiar with what western culture has taught me, but I'll try my hardest) 

- he’s single but rumor has it he used to/still is dating the Vigilante/thief The Six Eared Macaque

- *chants ShadowPeach violently* 

- no one know whether it true or not

- On of his wanders around the kingdom he finds an abandoned baby in a basket. 

- and no shit sherlock it's fucking baby Xiaotian 

- I think we all know where this is going because i'm a simp for Monkey Dad & Monkie Son shenanigans

- Xiaotian becomes prince

Shit, ill be referring to Xiaotian as Mk from now on, I mentioned this before in a fic I wrote for lmk that Mk's a nickname for Xiaotian for some reason- wait i don't have to explain my self to you people!

- Sun loves his son

- MK is treated differently by staff and others because he's not blood related to the king

- no one mistreats MK per say, because there King loved his adopted son, but words are said behind his back

- Sometimes MK hears what’s said, and he feels as if he won't live up to his dad’s legacy.

- He meets Mei during a festival

- Mei is from a noble family, that wouldn't mind if they got a connection into the royal family.

- but it becomes hella clear to Mei’s family very fast that the two are just friends, and will always will be. but hey there daughter is bffs with the prince so that's a plus.       

_

- the Demon Bull Family is rules a kingdom as well, I dont/am not creative enough to think of a name I leave that to you.

- It's a common misconception that DBK is a tyrant, when he’s not. 

- most of the time...

- they have been at war with the Monkey King for some time now and settled for a peace agreement.

- that agreement being there sons to marry

- oooo original i know

- MK and Red Son are roughly the same age, Mk being 20 and RS 22

- RS is revolted/disgusted at the idea of being wed to the Monkey Kings child, even more so when he realizes MK is adopted,

- but, that all changes the second he meets MK while he meets him by accident when he gets kinda lost in the palace when he and his parents go to discuss the arrangements.

- the second he looks at MK, he's instantly in love. MK less so, he's nervous and honestly kinda bummed he's not marrying someone he loves but it's for the good of his ppl, and he'll do anything for them.

- RS isn't even aware that MK is Suns adopted son until MK walks him back to the meeting room.

"Oh There you are MK! I was about to have a servant go fetch you!" Sun Wukong says, gesturing for his boy to come sit with him.

"S-sorry for keeping you waiting I got caught up in my lessons with Mr. Tang" MK responds, sitting next to his father. Red Son looked gobsmacked. The beautiful young man he had bumped into, was the prince of this land? Damn, life truly blessed him. Or cursed him depending on how you looked at it.

- the two are left alone in a separate room for a while.

- And MK straight up tells RS why he's agreeing to this union.

"Look Red Son. I've dreamed about meeting my one true love for a while. And I would give almost anything for that dram to be real. But I wouldn't ever dare give up my people, for as there price they mean more to me. I'm doing this for them, no other reason" MK says, his back straight and hands folded neatly in his lap. The look in his eyes was a mix of sadness, but that was drowned out by loyalty and determination. It just made Red Son fall for him even harder. Clearing his throat Red spoke.

"I understand, for im doing this for the betterment of my people to. But I propose a wager"

"A wager?"

"Yes, if i can make you fall in love with me by years end, before our marriage, we can live together like in the fairy tales from far away. But if I fail, in a years time afterwards you will be permitted to find your own path in life" Red Son stated. MK took a moment to process what was happening.

"So, if you succeed in making me fall in love with you, before our marriage we can live happily ever after?" Red Son nodded in response, letting the younger continue.

"And if I shouldn't fall for you, in a years time after our union, im free to leave?" Red Son nodded once more.

"So, what do you say?"

...

"Deal"

In the end, your free to choose their fate, should Red Son win the hart of Mk? Will he fail? Or will he let him go, and let him travel the country, after all Mk's a free spirit and keeping him trapped in a big house is like keeping a cannery trapped in a cage only for its song, only for it to dul. Or will the unthinkable happen and will both boys find their freedom? together or appart? I don't know, because that's all up to you 😉

personally, I’m partial to where MK and Red Son both find freedom together. Like they straight up run away together to somewhere far away and just live out there lives together. 

this could also be genderbent thing as well. MK or Red as their respective counterparts. Again it doesn't have to be, but it’s whatever bro. im just spitting out the idea. 

Also, there is a main side plot that they fight the WBS throughout the year as well, along with other shenanigans you wanna throw in.

____

The second is a My Hero Academia/BNH/MHA AU

truth be told i'm not a big fan of MHA i think it to over hyped(this is also coming from the same person that’s a Fairy Tail fan lol), and the fandom i don't even know how to describe that mess, but I will admit not the whole of its toxic since every fandom has some toxic members, some even more so. 

I just sometimes find myself enjoying MHA AUs like the Fullmetal Alchemist, Danny Phantom, Evil!Deuk AU and several others. 

to make it clear I don't see this AU taking place the same time as the main plot of the actual Anime/Manga. This could be either like 6-10 years before or after the plot idk bro. But i’ll do this after the main story plot of MHA, so keep that in mind ya? another thing, the gang is still in China, the top hero school in the world just so happens to be in Japan, and it’s only ever mentioned by Sun wukong and other pro heros. So MK never attended AU. in short it’s only ever mention/ reference.  

_

- Mk was considered Quirkless as a kid. 

- he was just a late blumer, i swear  

- Mai’s Quirk is called Dragon. 

- it pretty much works the same way as it does in the show(duh)

- Tang’s got a knowledge Quirk, 

- my man can retain information and he’s basically an archive of information drawback being his personality lol 

- Piggsy is a Animal that gained a Quirk

- in cannon to my current knowledge, there are two other characters that can confirm animals can become sentient. the characters being Fumikage Tokoyami, & Nezu the principal at the school UA.  

- Sandy is just Conner Kent, aka he like superman but can't fly, or shoot lasers from his eyes. And blue.  

I have two scenarios for Macaque and Wukong  

*- The first one is that, Sun Wukong & Macaque are brothers. twins to be exact. 

- they where legit people, but have mutation quirks that made them too like monkeys. 

- the added powers were just a boues. 

- Sun and Mac are close growing up, like there brothers but also best friends.

- the draw back to there quirks could honestly be whatever you want bro idk, same with the others tbh. Personally I like to think Sun just has lack of motivation, and Macaque needs to draw on other people's energy.

- Sun is a hero, Monkey KIng and Mac is a villain Six Eared.

- Sun was always treated has the golden child in the family, Mac always resented that, but there shitty up bring didn’t stop the two from being good brothers to one another.

- soon tho the resentment became hatred when Sun was able to attend UA in Japan, while Mac didn't.

- Mac be angy 

- so he became a villain, and joined the Chinese branch of the LOV(league of villains)

- Sun doesn't know this till he finds out during the all out war during the main story. and by that time he’s a full on hero with is own agency(The Flower Fruit agency)    

- when the hero's ultimately win and Mac is arrested 

- This ultimately hurts Sun a lot, his brother was in jail now, arrested for his involvement and wrong doings, he knew nothing about this! this brother, his blood. A bad guy? why? he hadn't seen his brother since he left for UA, he hadn’t seen him when he came home, and started his agency. 

- this just puts Sun into a funk so he’s not as active as he used to be, and he starts thinking he might need a successor 

*- The second one is that they were two separate people that had similar quirks and both attended UA but Sun ended up in the hero corse. so 1A.

- Both Macaque and Sun have similar quirks, Sun’s is obviously more light based while Macaque’s is more shadow based(this applies to the first one as well)    

- Macaque was placed in class 1B, U.A.’s High's Heroics Department, I believe, you can correct me. 

- In cannon Class 1A and 1B both went to the training camp. I can see the teachers pinning Sun and Macaque against each other to hone their skills. 

- And because of that they become great friends    

- In fact when they graduate they both co-found there hero agency together in China and are a duo.

- But due to Monkey King’s popularity and Six Eared's association with shadows(people sometimes saying he has more of a villains quirk than a heros) the public see’s Macaque as Sun’s sidekick when thats far from the truth. 

- now it’s up to you whether you think that Wukong and Macaque would be in a relationship together, but knowing how cooked we all are, ShadowPeach is a thing here more than likely. 

- If you do or don’t support/ like the ShadowPeach aspect, the two would be living together regardless since its more cost efficient. 

- They my be heroes but living costs are expensive!   

- I would imagine there would have been a huge fight/argument between the two in privet of course, at there home.(or in there shared office if you want the extra angst of the other people they work with hearing them fight)   

- If the two are dating, then this would either lead to an out right breakup, or Macaque just up and leaving with Wukong thinking he’ll come back once he’s cooled off. But after a week, with no sign of his partner, or him answering texts or calls, not even coming into work. Wukong gets worried that something might have happened to him. so there wouldn't be a confirmation if they were still a thing or not. 

- But Wukong remains hopeful, despite the nagging at the back of his head, and gut telling him to go find Macaque, or atleast make a public statement, or even just tell another pro hero about it.   

- on the not so shippy side, Macaque and Wukong still have there argument, and much like the ShadowPeach esc side, Macaque up and leaves, and isn't seen for weeks. the only difference here is that when Wukong comes home one night to there flat, most if not all of Macaques stuff is gone. 

- where as if this was the ShadowPeach side, Macaque leaves all of his possession in the flat he and wukong share. for the simple reason being, he still loves him and wants to go back, but Macaque being Macaque can’t bring himself to do it, especially after seeing just how hurt Wukong looked when he yelled at him just before he left.  

- in other words, ANGST DIALED UP TO A 10 BABY  

- in either case, its a news report that confirms Wukong's suspicions that he desperately didn’t want to believe, and that is Macaque turning into a villain.

- much like if the two were brothers, Wukong just can’t take it and is no longer as active as he once was, and is thinking about, either A) Retirement  B) Saying, “Fuck Society, Be Gay Do Crime” and join Macaque as a villain himself, or C) find a successor, and a way to bring Macaque back to there side, but most importantly, back to him.    

- also extra points if you're after people's hearts and want to make them suffer;  - If there dating, Wukong curle’s up in the bed he and Macaque shared, holding/wearing something of great value to Macaque and just crying himself to sleep, where as Macaque is getting wasted on alcohol, as he stumbles out of the bar he’s in, he either see’s something that reminds him of Wukong or while he’s trying to put his wallet back into his pocket, a photo of them on their first date fall’s out. and Macaque just cries in a nearby alley way. And it’s there where he gets indoctrinated into the League.

       - If there just friends, macaque heads to the nearest forest and just levels it, where as Wukong just gets engrossed into his work, trying not to think about it. you could add you own spin on this, again i'm just spitballing.             

- NOW BACK TO MK! :D     

- Obviously MK is a huge Monkey King fan     

- at Twenty MK has come to terms he's quirkless (HE’S NOT)

-for ANGST reasons MKs fokes kicked him out at this realization at 13.

- he works at Piggsy's Noodle shop, and has been since he was 14.

- don't need a quirk to drive or cook!

- the boy lives a content life with his new family, till DBK happens :D

- DBK runs a Mafia(in conjunction with TLOV) and has been in jail for like 5 years thanks to Monkey King, PIF and RS brake him out one night when MK's out making a late night delivery since Piggsy had the bright idea to go 24/7 service!

- one thing leads to another and Mk somehow manifest what looks like the Monkey King's staff, but its not, it’s MKs powers, it just so happens to be the same power the Monkey King has. And it practically goes down the same way in the pilot. 

- but unlike the pilot Mk and Mei go straight to the FF Agency, after making a panicked call to Pigsy and Tang.

- one way or another Mk are lead into Wukongs office. Mei being forced to stay in the lobby.

- they have there convo, butterfly monkey squishing included.

- "And so, I want you do be my success-" BOOM 💥

- from there they rush downstairs and see that the lobby has been infiltrated by the DB fam, and you know fight.

- once the DB family seems like there down, PIF wisks them away. Much to Monkey King’s displeasure.

From there stuff kind plays out like cannon, the calabash ep is just a conjoint quirk the Demon bros have. As for EP9, ill have to script that one out myself lol. I'll get onto it as soon as my will to commit stabs me in the face. Till then have a dancing Kermit the frog.

Now if you'll excuse me, am about to Kermit a felony :D

(For legal reasons thats a joke)

Psst @writingamongther0ses its done

[justanotherlifeff]

Chapter 2

8 April 2316

Monday

Musutafu, Japan

You entered the classroom to find a certain tall black haired boy drilling an ash blonde for putting his feet on the desk. You personally never cared much about rules nor did you feel like poking a nose into people’s business was something that anyone should do, unlike Tenya Iida ofcourse. You knew that he would be aiming for the hero course in UA and to be fair, you certainly hoped to see him here again given that your only form of entertainment at Soumei was pissing him off. Yes, Iida was class president back in Soumei and let’s just say, you didn’t see eye to eye. Although you never full on bullied him like Ash blonde here. Infact, while you enjoyed pissing him off, you considered him as a friend even if being in the same class as him was sometimes a pain in the ass. “Remove your foot from that desk! Such an action is insulting to those who came to UA before us as well as the craftsmen who made the desk.” Iida argued. “Like I care. What middle school are you from, you extra?” Bakugou asked him in a rude tone. That’s when you noticed another student with mossy green hair had got in. He was staring at the bickering pair with a defeated look. “My name is Tenya Iida. I’m from Soumei private Academy.” Iida answered with pride. Ofcourse… Typical Iida… He just can’t see the insult that would come with that… “Soumei? A stuck up enlist then? I should blow you to bits.” Bakugou crackled. Even though you were enjoying the bickering, you decided that you should save your clueless classmate. “Sorry about him. He just cares about rules too much. He’s been on my back about how I wear my uniform for years.” you smiled apologetically at Bakugou as Iida tried to blow away whatever damage control you did by saying, “You’re awful! Do you even wish to become a hero? And (L/N)-kun, your shoes are absolutely inappropriate for school! Why would you wear sneakers to school?”. That’s what you get for trying to save him from blondie. “Iida-kun, give up already.” you told him with a teasing smile before he noticed the green haired boy and ran towards him.

Bakugou glared at the green haired kid for a while before looking back at you and asking, “Are you from Soumei too, extra?” with a frown. “You know, after standing up for you, I expected you to not call me an ‘extra’. You wound me mister!” you told him with, acting dramatically as if his words hurted you. “Oh I know you. You’re the villain kid. And you’re gonna teach me how to behave?” Bakugou sneered. That hit a nerve and all the light bulbs in the class shattered, making Bakugou startled for only a moment. You got yourself in control within moments and smiled at him before saying, “Sorry about that, my quirk's kinda annoying. By the way, come on dude! Lighten up! I know you didn’t mean any harm but that kinda hurted you know. I don’t want any trouble. Let’s get along okay?”. The boy tched in reply. That’s when Aizawa got into the dark classroom. “ (L/N), you can’t keep breaking the lights. Go to the Principal’s office and fill out a form for new lights. We will cut that from your part time job, again.” Aizawa told you firmly. “Yes sensei” you answered with a sigh before heading to the principal’s office.

When you came back, you found the other blonde kid from class waiting for you in an empty class. “(L/N)-kun, everyone’s gone to the grounds for a quirk test. Aizawa sensei asked me to wait for you to give you your uniform.” he told you with a confident smile. “Thank you! What’s your name?” I asked him with a smile. “I’m Kaminari Denki. But, you can call me Shrek, because I'm head ogre heels in love with you.” he answered with a flirty smile, winking at you. “Aside from scaring women away with shitty pickup lines, what do you do for a living?.” I chuckled at him. He dramatically put a hand on his chest before saying, "You wound me, (L/N)-chan. Besides, didn't you just improvise a pick-up line there?" as we headed towards the changing rooms. He had his uniform in his hands too. “Totally did my friend! While I can assure you that you're not my type, I can see that you're a man of culture and I henceforth declare you as my friend. Thanks for waiting!” I joked, pretending that my hand is a sword as I acted as if I just knighted him, making him laugh. "Well, atleast I scored a hot friend!" Denki shouted towards you as you got into the girl’s changing room.

“(L/N)-kun! How did you explode those bulbs?” a shorter brown haired girl approached you, her eyes sparkling in interest. “Yes, your quirk must be very powerful.” a tall black haired girl approached you as well. “I’m Yaoyorozu Momo. Nice to meet you” she bowed slightly with a smile on her face. “Oh right, sorry, I’m Uraraka Ochako. Nice to meet you!” the first girl remembered that she didn’t tell you her name. “It’s alright. I’m (L/N) (F/N). My quirk includes telekinesis. But, unlike the typical telekinesis, mine is in the molecular level. So, when I get any sudden emotion within me, my telekinesis activates and removes molecules from the most breakable things around. Glass molecules come apart more easily which is why they break. I don’t exactly explode them.” you explained my power to them. “I see. That’s impressive. I’m Ashido Mina! You should change quickly. We’ll wait for you.” a pink girl told you with a smile. “Thanks guys!” you answered before starting to change into the training uniform.

When you all arrived at the grounds, the boys were already there with Aizawa. You stood there with the girls as Aizawa explained how things in UA works. Denki saw you out there and approached you immediately. "Now that we are friends, would you introduce me to your hot female friends?" he whispered to you as if he was plotting something devious. "Oh no. I thought you liked me! Such betrayal!" you acted as if you were offended before laughing at your own antics with your new friend. "Well, come on then, let's get you introduced to the hot girls" you laughed as you introduced him to the group of women. While everyone else was pretty much freaked out by his downright flirting, Mina joined you into teasing him about it. After getting a scolding from Aizawa to shut everyone up, you watched upon with interest as he asked Bakugou, to pitch a ball. He used an explosion from his hand to throw the ball 705.2m away while shouting… “Die”? "He is one weird guy" you couldn't help but think. After that Aizawa went ahead to explain that anyone who scores the least would be expelled. He did expel people on their first day before so you hoped that your classmates would take him seriously. He then proceeded to explain why 21 students were admitted in Class 1A instead of 20, (apparantly the two lowest scorers got the same score in the entrance exam).

The event started with a 50 meter dash. You completed it in 1.23 second as you just opened a portal and crossed the finish line taking the highest score in class. Your middle school record was 7.58 seconds. Your strength test machine broke when you used telekinesis. Again, highest score in class. You used telekinesis to levitate during long jump, scoring highest again. You scored lowest in the repeated side step as there was no way to use your powers here. In the ball throw test, you opened a portal to the moon since you decided to learn the coordinates to a certain place in the moon knowing that doing something as flamboyant as this would certainly gain you a reputation and threw the ball in there. When the display read 384400 km, everyone was surprised. You could see the visible anger in Bakugou’s face as you beat him in almost all the tests. However, you weren’t the highest scorer in this one. Uraraka scored Infinity thanks to her quirk.

You were surprised when Aizawa didn’t expel anyone. Specially given that Mirodiya, as much as you found him extremely sweet, literally broke his finger when he tried to use his powers. You were the top scorer, which wasn’t much of a surprise. However, you discovered something during the test. Bakugou seems to hate Midoriya with a burning passion. While you figured out that Bakugou is pretty much an asshole, you sensed an enormous amount of inferiority complex within him. "He has a powerful quirk, more powerful than Midoriya but then, why did he feel like he was inferior to Midoriya?" was a thought that ran through your head. You honestly wouldn’t be bothered by complex people like them usually since you preferred to keep your life simple and fun, however, Bakugou was too explosive to ignore. He ranted on how Midoriya was quirkless before the ball throwing test. It seemed that they had a history and the way Bakugo acted made you interested in knowing. After all, it doesn’t hurt to know more about your classmates, right?

When class was over, you was headed to the teacher’s quarters. However, I was stopped by Denki and a red haired kid. “(L/N)-chan!” Denki shouted as he called you. You waited for him to catch up. “(L/N)-chan, are you busy now?” he asked. “No, not really. Why?” you asked him, confused. “We were going to try out the new cafe that opened nearby. You can stick along with us if you want to. I’m Kirishima Ejiro by the way. I heard you're already friends with Kaminari so I figured that we should go together?” the red haired boy explained. “Oh sure. Why not? I don't have much to do till my shift at the gym and that's not anytime soon.” you answered. “Damn, a working woman.. Now that's cool..” Denki praised in a flirtatious tone. “Yeah working is pretty manly!” Kirishima agreed enthusiastically. “I honestly would rather just stay at home and read a manga. I'm only working cause I gotta pay for all the damage I do to school property.” I sighed only to get reassuring looks from the two boys. "Aww get a sugar daddy, (Y/N)! I've been looking for a sugar mommy my entire life but I'm cursed with sheer good looks" Denki flicked his hair sarcastically. "Oh shut up you moron!" you answered rolling your eyes and flicking his forehead with a small pebble using your telekinesis, making Kirishima laugh at your antics as the three of you went for the cafe. And this is how, the infamous 'Bakusquad' unofficially started.

[thesilverheroineproject]

Hi Oadara, I was wondering: What do you consider the difference between a "silver heroine" and a villain? I know this is probably highly subjective, but are there certain lines a "silver heroine" shouldn't cross or qualities without which a "silver heroine" isn't truly heroic? I'm wondering because I'm thinking about what kind of art or stories would be appropriate for Silver Heroine Appreciation Week.

Hello.

That’s an excellent question, thank you for asking it. 

I spent the weekend thinking about how best to answer this question because I want to be as clear as possible, from my perspective, what I would consider a silver heroine. As you say, the definition can be subjective in regard to where the heroine falls in the spectrum of heroism, however, I do believe that there are parameters that have to be met. 

Before we discuss these parameters, let’s look at what are the standard dictionary definitions of what is a heroine, what is an anti-heroine, and finally what is a villain. 

First, let’s look at the general definition of a heroine by Merriam-Webster:

heroine

noun

her·​o·​ine | \ ˈher-ə-wən, ˈhir-, ˈhe-rə-\

Definition of heroine

1a: a mythological or legendary woman often of divine descent having great strength or ability 

b: a woman admired and emulated

for her achievements and qualities, American heroines such as Eleanor Roosevelt and Rosa Parks remembered as the heroine of the flood 

2a: the principal

female character in a literary or dramatic work the heroine of Shakespeare’s Romeo and Juliet 

b: the central female figure in an event or period

Here’s another definition of a heroine, which I think touches upon some of the issues I want to address with the Silver Heroine Project. 

Heroine

The meaning of the term heroine is relatively self-evident, simply being a conjugation of the term hero into a feminine form. The term, though, may have relatively recent origins, due to the historical fact that until the time of modernism, most literary works have tended to focus on male protagonists. As such, the term heroine would not have become a meaningful one until it became common for women to be protagonists.  

What is a heroine?

You have probably come across the word heroine a lot of times. But if you have ever tried to give it a precise definition, you have probably run into some difficulties. At the most basic level, a heroine can just be defined as a “girl hero”. The word heroine is related to the word hero in the same way that the word waitress is related to the word waiter.

A hero is a male main character of a narrative who has admirable qualities, and who is expected to evoke the reader’s sympathy. So, a heroine is the same kind of character, except that she is female in gender.    

Historical context of heroines

It seems that the word “heroine” has only existed in the English language since the year 1650. This is because historically, most narratives have tended to focus on men (because of gender roles and stereotypes): for whatever social and cultural reasons, men were seen as the ones who really took meaningfully actions, and about whom heroic stories could thus be told. The concept of the hero is an ancient one. The concept of the heroine, though, seems to be tied to the beginnings of the modern era.

This is also why a heroine is more likely to just generically refer to any female lead character. It is almost as if the very fact that the woman is a lead character is itself enough to make her exemplary: it shows other women that they too have stories, just like men, and that it is possible to tell these stories. Also, the concept of the hero is connected with the old tradition of the heroic epic, where only a certain kind of man deserved to be called a hero. The concept of the heroine, though, does not necessarily come with this cultural and historical baggage.  

Here’s the definition of the anti-heroine. Please note I used the Oxford dictionary definition of an anti-heroine because Merriam-Webster redirects you to anti-hero when searching for the definition of an anti-heroine.

The Oxford dictionary defines anti-heroine as:

NOUN

A female central character in a story, film, or drama who lacks conventional heroic attributes.

Finally, here’s the definition of a villain, according to Wikipedia:

A villain (also known as “bad guy,” “black hat,” villainess in its feminine form) is an evilfictional character, whether based on a historical narrative or one of literary fiction. Random House Unabridged Dictionary defines him or her as “a cruelly malicious person who is involved in or devoted to wickedness or crime; scoundrel; or a character in a play, novel, or the like, who constitutes an important evil agency in the plot”.[1] Its structural purpose is to serve as the opposition of the hero character and their motives or evil actions drive a plot along. In contrast to the hero, who is defined by their feats of ingenuity and bravery and their pursuit of justiceand the greater good, a villain is often defined by their acts of cruelty, cunning and displays immoral behavior that can oppose or perverse justice. The antonym of a villain is a hero.

Now that we have these basic and genetic definitions let’s look at what parameters I envision a silver heroine would fulfill. 

They are the protagonist of the story (this can vary from being the sole protagonist of the story to sharing the lead with a hero) 

The general perception of their story is heroic, even if all their actions are not considered heroic.

While their own ambitions and goals are important to their narrative, in the end, they do what needs to be done for the greater good. 

Going back to point number 3, I very purposely said, in the end, because throughout their story a silver heroine might not always do what’s best for the greater good. 

A silver heroine should have genuine flaws. I’m not just talking about making mistakes, I’m talking about genuine shortcomings, that they have to address and might not always be able to fix.

Redemption and a path to a satisfactory resolution/conclusion to their story should be an open and readily considered outcome to their arc. 

A silver heroine does not need to be the moral authority of the story. 

With these parameters in mind, we can see that a silver heroine, wouldn’t be considered villainous by any standard measure. However, I do concede that given our social expectations for how women should behave, some people might consider some of their actions villainous, even if they are not. 

The standard definition of a heroine is to be a virtuous and moral example throughout the story, they can make mistakes but they are for the most part a paragon of virtue. 

Anti-heroine doesn’t really have much of a definition. It’s basically a heroine that doesn’t meet all the heroic standards. It’s a very broad definition and somewhere in there is probably where a silver heroine would fit. Having said that, a silver heroine is more than just an anti-heroine because unlike the anti-heroine of the vast majority of stories, a silver heroine is THE protagonist of the story, whereas the anti-heroines are usually relegated to being part of the cast of characters. Rarely are they the focus of the story. 

I hope this helped. If you or anyone else has any more questions, please just send an ask and I’ll do my best to try and answer them. 

[captainkirkk]

ok so. so so so. this will be a long message, because frick on a stick there is so much i want to tell you and thank you for. so brace yoself: i read history has its eyes on you only yesterday, but i've been desparately rereading it ever since, almost non-stop, because holy macaroni if this fic ain't one of the most perfect stories these tired eyes have ever seen. i love SO MANY THINGS i'm not sure where to even start, gosh. okay. okay. let's start at the beginning. (1/?)

WEEPS. You sent me A DOZEN messages, bless you? And thank you!!!

This ask and my response got long, so I’m putting it under the cut. There’s a bunch of headcanons about the ‘see it all in bloom’ universe in here, so if you’re interested, keep reading. 

your headcanons regarding class 3-a’s rise to fame/the july attacks/deku’s leap in the limelight as future number one, i adore it all. it makes sense, it’s exciting even if we don’t get to see it on the page word-for-word/in real time, and it’s inspiring too! but most of all, it fits them all so well – they deserve to be written as great heroes and i’m beyond happy you gave that to them in your story – to ALL of them, including shinsou. cookies for you. (2/?)

secondly, the rankings you picked for them – deku as no.1 of course, and katsuki ACTUALLY BEING CONTENT WITH SECOND PLACE, EFF YEAH! and shouto at no.4, holding neither all might’s nor his father’s former ranks, i appreciate the heck out of this. just… all the kids becoming awesome heroes and having wonderful, fulfilling careers just like they’ve always wanted, i’m here for this and i’m here to STAY. (3/?)

thirdly, katsuki’s character. i will be the first person in this fandom to admit my intense dislike of him, but you’ve written him in exactly the way i’ve always wanted him to turn out – significantly less jaded, noticeably more humble (and sane…), actively working to correct the mistakes of his past by becoming an advocate for quirkless kids and participating in anti-bullying campaigns (as an ex bully-victim, reading this made me want to kiss you) with deku, that felt sweet on the soul (4/?)

and also being married to kirishima, of course. DUH. speaking of which, the ships! THE SHIPS! ALL. MY. FAVOURITE. SHIPS. they were all there, they all got attention, and i love you all the more for it. tododeku especially. i just love how tenderly yet comfortably they were written. in my mind, they’ve always felt like the couple that will get the happily-ever-after kind of romance, like two souls mated in a fairy tale come to life. and they, above all others, deserve that everlasting joy (5/?)

and the parts with toshinoti, how he’s dealing with his new(-ish?) lifestyle and the world is spinning on without him, but also taking care of him, because he’s more than earned it – how all his former friends and students have become family to him and are so eager to remain an active part of his life, how he helps bakugou with teaching (for dummies ;P) and is so painfully proud of deku, it was all so deeply touching and heartwarming, i loved every single one of his scenes to bits! (6/?)

the writing was wonderful forma purely technical point as well: there were some typos but nothing serious, and it all flowed quickly yet smoothly – you stylde felt simple and dynamic, but also somehow profound, perhaps precisely because of its simplicity. i still can’t put my finger on it. i just know i loved it. your ocs were a great addition too! their personalities felt distinct and they left good impressions without overstaying their welcome in a class 3-a-centred story, top job! (7/?)

the whole domestic feel of the fic was wonderful as well! it felt like a true slice-of-life piece, even though the lives in question are filled with action and danger. you captured the nature of the balance between working your (adventurous and stardom-speckled) dream job and living your private life/spending quality off-time with friends very accurately. the final excerpt (the description of the photo) left a sweetly nostalgic sense buzzing in my chest. just… thank you for this story. (8/?)

and now that i’m done singing your praises, time for the payback! i adore this verse, and therefore i naturally have questions. first and most importantly, the tododeku relationship development. could you tell me when and how they got together in this verse, how that whole tidbit with suing endeavour went, and when and how exactly they got engaged? i assume it’s in the 5 months leading up to the reunion, but details please? future wedding details too? give me ALL THE DETAILS. (9/?)

then, ranking details! we know deku’s no.1, bakugou’s no.2, and shouto’s no.4, but the fic mentions the class currently has 6 members in the top 10. who are the rest, and who’s the number 3 hero? please tell me it’s momo. PLEASE. also, have their ranks changed since the time they graduated, or have they remained the same for the last 7 years (i.e. deku’s always been no.1 ever since he entered the ranklist, shouto’s always been no.4, etc.)? and what’s shinsou’s rank? (10/?)

what about teaching details? where’s nedzu if aizawa’s principle? is shinsou a part-time teacher or a guest lecturer? does bakugou now do teaching full time, or does he only do homeroom for one class and keeps hero-ing in the meantime? will he even remain in the ranklist if he stops fighting villains? will he even care? and on a less-related note, are bakushima the only married couple? and when did they get married? was deku best man? my shameless curiosity demands to know everything (11/?)

finally, in case i haven’t tormented you enough, i wanted to ask, how do you envision our heroes’ futures? we know they’re only 25 in the story, and tododeku are about to soon get married. and bakushima are married already, bakugou’s switching careers, yada yada. but if you had to plot a course for the rest of class 3-a’s lives, what would it look like? all might mentioned grandchildren, but would tododeku want that? and where even was/is kouda in this entire fic? xDDD thank you!!! (12/12)

Again: thanks for the comments! I’m so glad you enjoyed this.

The next ‘in bloom’ instalment will focus on Bakugou becoming involved in anti-bullying campaigns. I’m with you, Bakugou makes me very uncomfortable in canon, but occasionally we get these glimpses of character development (esp in the manga), and I just needed to bring that out and expand on it. 

And there will always be typos in my work, unfortunately. I don’t have a beta, and I’m a dumb-ass who always misses my errors. I do my best, but I am only human.

I won’t give you all the details (partly because I don’t have this universe entirely mapped out yet), but you can have some answers:

TodoDeku have a long engagement. They were engaged before we see them in ‘history…’ actually. They’re in no rush, and are very busy with their work lives, and are enjoying the blissfully engaged lifestyle. They’ve been engaged for about a year, and they have some vague plans, but nothing concrete. At the moment, they’re debating the merits of getting married somewhere private in the city vs. getting married on Toshinori’s estate. I’m not sure which one will win out. 

Their rankings have changed A LOT! When he officially entered the rankings when he was 19, Deku only ended up no. 20, because it had been over a year since the July Attacks, and he hasn’t actually done much since then, being busy with exams/graduating/entering a hero agency. A lot of people were upset by this, but it didn’t bother Deku. He was ecstatic to scrap into the Top 20 as it was.

Sorry, no. 3 belongs to Inasa (from the manga). The top 10 has changed a lot, too. There’s actually seven 1a heroes in the top 10 - Uravity was No. 11 but got a jump in popularity recently. In order: Deku, Detonation, Gale (Inasa), Polarise, unnamed number 5, Creati, Red Riot, Ingenium, an unnamed number 9, and Uravity. 

Shinsou is rankless. He’s an underground hero, and I headcanon that those types of heroes are not typically assigned ranks.

Shinsou has his own role at UA. He does a bunch of stuff: watches the entrance exams, works with some of the Gen. Ed kids, oversees possible transfers between courses, and does guest lectures. Aizawa gives him a lot of independent power.

Bakugou co-teaches Class 1-B. He occasionally guest lecturers other classes (like how Thirteen worked one-off with 1-A during the USJ attack). He has enough time to do hero work too, but he has a less intense work-load now that he’s also teaching.

Kirishima and Bakugou are the only married couple at the moment. They got married when they were 23, before TodoDeku had gotten engaged. They were the first couple to start dating in high school, too. They just … clicked, and never looked back.

Do you mean Kouda or Kouta? Kouda is probably off running a rescue animal shelter while doing minor hero work, too. Kouta is doing amateur film work and arguing with classmates when they don’t believe that he knows pro heroes irl.

I almost wrote Jirou and Momo announcing their engagement at the reunion, but at that point, I had been writing the fic for months, and I needed to upload it before I combusted. So. Yeah. They get engaged around the end of the fic.

I haven’t thought too hard about kids but … I can’t get the image of Kiri/Baku adopting an orphaned girl when they’re in their 30s, and Bakugou ringing up Midoriya to ask him to be the godfather, and Midoriya CRYING FOR HOURS. HOURS. He catches the train over at like 11pm, still in his pjs, still crying, and all over twitter there’s pics of Deku crying into a phone, sparking all kinds of terrible rumours, until he uploads a photo of him cradling his goddaughter in his arms a few hours later. 

I also have more headcanons in my history verse tag, if you’re curious. Thanks again!

[helenus-secondsight]

(This got long, sorry!)

The thing that bugs me about that Kurt stuff in S6 is that... I actually quite like S6 as a whole, outside of that.

It feels like the most focussed the show has been since Season 1. They refocussed on McKinley. Yes, Dalton and Carmel appear too, but they're handled okay in my book...

The overall narrative theme of the season is about rebuilding and about finding a new path when your old options suddenly close to you, and they explore that with all of the main characters... Will having to move on from McKinley; Rachel having to find herself again after her show bombed; Blaine going back to his roots to re-find his passion and reset after the breakup and subsequent drop-out; Beiste finding himself again after coming out...

The ones they REALLY dropped the ball on, for me, are Sam and Kurt.

Sam could have had a GREAT arc in Season 6. We see him make the decision to leave modelling in 5x20, and then suddenly in 6x01 he's assistant coach... and in 6x13 he takes over New Directions. Like, there could have been a good STORY there. That's the story I'm currently writing a fic about, because Glee treated Sam as a prop in S6.

But Kurt... I don't necessarily disagree with the choice to bring him back to Lima. I think he'd have thrived better in New York (finding new queer friends, reconnecting with Adam, having fun with Elliott and Dani...) but there are reasons to put him in Lima to refocus on himself that make sense to me... There's a story you could tell there around him going back to his roots, to refind his passion outside of a relationship, or at least helping his friends find their next steps... But Kurt was instead a prop for the Klaine storyline. Kurt and Sam were BOTH props for the Rachel storyline.

And it irks me, because there is some LEGITIMATELY good writing in Season 6. Not necessarily in the dialogue, but so many moments and entire episodes where Glee recaptured the heart of S1, in terms of its narrative parallels and theming:

- The "Everything falls down, but it's about how you rebuild" theme in 6x01 that's explored mostly through Rachel, but is paralleled in Blaine, Will, Sam, and LeRoy... and eventually Kurt and Karofsky at the end of the episode...

- The "transitioning" metaphor in 6x07 is a LITTLE stretched, but I think it still works. If it weren't for the fact it was SO focussed on Rachel, at the expense of everyone else, that theming could easily have been applied to everyone too.

Even the overall plot. Outside of the personal stuff with Rachel or Blaine or Kurt or Sam or Will or Sheldon... the actual New Directions and Warblers plots parallel this "how do we rebuild" plot, and it's a pretty clear knock-off of the 1a "We need more members for Sectionals" stuff, but I think it works.

Homecoming isn't a great episode on the whole, but I LIKE it still. I like how 6x01-2 make a decent two-part première and the way 6x02 ends with that intercut between the alumni and the New New Directions... I like the symbolic handing of the baton and celebration of community that it has. The "Glee club brought us all together" stuff is a bit trite and stretches disbelief a little... but it's also just the core thesis of the show, and I can forgive it a little of that.

I think its because everything seemed to trail back to Rachel's success somehow, which made kurt and Sam into props, which was pretty awful.

Kurt seemed to be doing well at nyada, and didn't have much to benefit from returning home and starting again, of course other than reuniting with blaine. but that didn't quite fit in with the rest of the characters plotlines, with Rachel's busted tv show, and Blaine's dropping out of nyada. perhaps thats why he was almost treated expendably, by rachel.

Sam, who had dropped his modelling career basically wasn't given anything new to work with, it was literally just Finn's s4 job but *make it sports* they didn't give him a storyline at all basically. he had no purpose other than to be an accessory to rachel. he's a lovely character, who has a good personality and deserved something to happen to him, in terms of plot.

the overall story point of the season used a good message, but once again ruined the continuity of the show and most characters developement in favour of rachel having everything handed to her. the writers gave themselves an opportunity to have her learn from her mistakes and try to become a better person, reflecting on those times where she could've done better, but no.

the parralles between nnd and nd make for it to be entertaining, but I don't think that the new characters filled the hole that was the 'usual' dynamic,not that season 5 was a great example of it.

I think season 6 was a decent TV season, just not in the way that people expected it to go. also the actual plot lines of the characters weren't consequential l, besides Rachel's, which makes me annoyed. it had a rushed pace, which isn't unlike earlier glee, but was still entertaining in the first sense.

[sapphic-agent]

Let's Talk About Shinsou

*Note: Lmao, do I tag this as Anti Shinsou or Pro Shinsou??*

Despite being a pretty popular character overall, Shinsou seems to be under a lot of scrutiny with my fellow Bakugou antis. And I understand why. Our first introduction to him isn't a pleasant one; he's first shown taunting Class 1A about being attacked by villains (a generally traumatic experience) out of jealousy. It's also been noted that Aizawa spends more time training him than his actual class (though, this is more of an issue with Aizawa than Shinsou). Personality wise, he (subjectively) isn't pleasant or very entertaining either.

I'm impartial to him myself as I don't love him or hate him. He's just... there really (a fate many characters suffer). But you know what I think of when I think about Shinsou's character? Wasted potential.

My Hero Academia is constantly tossing the term rival around the show. There's the rivalry between Izuku, Bakugou, and Todoroki which is why they became the main trio (don't @ me for this I'm speaking technicalities here). There's also the infamous (one-sided) rivalry between All Might and Endeavor, a driving force behind not only Endeavor's actions against his family but a large part of the overall plot of the show.

When I first watched the Sports Festival and Izuku's match with Shinsou, I was positive they were setting them up to be rivals.

No, I don't mean the "rivalry" Izuku has with Bakugou (Bakugou stans don't @ me). I don't mean the friendly rivalries he has with Todoroki or Iida either.

I mean a straight-up rivalry. Where they don't become friends. Where they don't get along with or like one another (maybe a grudging respect at the most). I was sure Shinsou was going to be someone to constantly challenge Izuku; not only on a physical level, but ideologically too.

The Sports Festival partially set this up by calling attention to the similarities between Izuku's past and Shinsou's. While Izuku was discriminated against for his lack of quirk, Shinsou was treated differently and outcast because he had a "villainous" quirk. But they take on two different attitudes. Shinsou is bitter and full of contempt while Izuku was optimistic and determined to help a world full of people who shunned him. The show was deliberately setting up parallels between them.

But this dynamic is almost non-existent. Whatever interaction they do get is towards the end of the manga (Shinsou was introduced in the Sports Festival, an extremely early part of the series and in the show he's non-existent until season 5). And there's none of the previous complexity there was before.

Even if Shinsou was unlikable overall, it might have been worth it for him to be Izuku's real rival. His opposite not only in personality and attitude, but also heroics. Izuku can rely on his strength and the powers OF A give him, Shinsou would have to rely on his skills and brain. Their quirks are somewhat opposite to one another (at least in how they use them). Seeing them have to work together even though they'd usually approach things differently would have been way better than what we usually get.

I think that dynamic would have been a lot more interesting to watch than the trio or whatever you can Izuku and Bakugou (I will not refer to them as the Wonder Duo because wtf is that).

What do my fellow antis think? Would Shinsou have been a good rival if written well enough? Is there anyone else you would have preferred? Personally, I'd take anything over Izuku and Bakugou.

*Note: While we're on this topic, I think Monoma could have been Bakugou's rival. Someone who's calm and collected to contrast Bakugou's temper and whose quirk can easily rival his. I would have preferred that over subjecting Izuku to abuse under the guise of rivalry. I really wish Horikoshi would have kept them separate and allowed them to grow as heroes on their own without their toxic, codependent relationship. Maybe I would have tolerated Bakugou more. Monoma also isn't bothered by Bakugou so he wouldn't have had to go through the same thing Izuku did*