#also i'm pretty bored

[killanyone4you]

can you please point me to your chemicals? i need to feel like i've got rocks in my eyelids ♡

[captainjonnitkessler]

Sometimes I wish we would start calling out the performative radicalism on this site for the poser bullshit it is. "Remember, it's always morally correct to kill a cop!" "Don't forget to firebomb your local government office!" "Wow, it sure would be a shame if these instructions on how to make a molotov cocktail got spread around!"

Okay. But you're not killing cops or firebombing government offices. You are posting on a dying microblogging website to a carefully-curated echo chamber that has radicalized itself into thinking that taking the absolute most extreme position on any subject is praxis but that anyone discussing the most practical way to effect actual change is your sworn enemy. You do not have the street cred OR the activist cred to be talking about killing cops, babe.

[welcometogrouchland]

I understand that literature nerd Jason Todd is kind of overblown in fanon compared to it's actual presence in canon (a few issues during his pre (and post?)crisis Robin tenure that highlight it) BUT consider that I think it's hilarious if the unhinged gun toting criminal has strong opinions on poetry

[blackkatdraws2]

This little NPC is lost. The Narrator [Black] has come to guide her back to where she needs to be.

I imagine Black would be a lot more tolerant toward his NPCs since they're basically just the Dungeons spawns, and by extension, his own creations.

[If you're familiar with manhwas / manhuas that features the dungeon / system genre, you'd be able to understand this AU a lot easier. The majority of my inspiration for worldbuilding came from those specific genres.]

[NOTE: 'Dungeon' is just another term for the Parable. Technically, Black owns a Dungeon and the Parable is just a small part of it. The Dungeon itself is much, much larger.]

For context, the comic below references this post about the Dungeon's children/guard dogs.

[They're more like the immune system since all they do is make sure the (body) is safe.]

[The reason the Narrator [Black] considers them his children is that the Dungeon is feeding off his energy and in turn shares the 'nutrients' to the monsters it produces, which transforms them into an image that resembles his power.]

And the old man below is Joseph!

Joseph is NOT AN NPC! He is a person who exists outside of the Dungeon!

[There are two separate 'worlds' for this AU. Inside the Dungeon (where most of the game-like stuff is happening) and the world outside (pretty much their normal world.)] [There is a secret third world, and that's our world. Our reality.]

These characters are not actually important or anything, I just made them to make the AU feel more lively. To make a world that exists, you know?

When the Narrator [Black] first established himself in their world, he found a growing problem with homelessness. Not understanding human norms or why this has become a problem in the first place, he offers (tricks) them into working for him as janitors for the Dungeon and they accept for the money.

Most of them left after they got paid, but Joseph was one of the people who stayed. He doesn't have anywhere else to go and has no ambitions in life. He just wishes to live a peaceful life with food and a roof over his head.

Joseph defaults to referring to the Narrator [Black] with feminine terms due to his appearance despite his voice. The Narrator [Black] is not the type to care for such terms anyway so he doesn't care how other people refer to him as long as there's respect.

--------------

This post focuses more on the worldbuilding and background aspects of the AU! There are a lot more in store for the Blank Scripts AU, and I want to explore more on how the characters might interact with their surroundings and how this would work to make a world that makes sense.

It would be so cool if people made self-inserts or OCs for my AU actually. I'd love to see how you guys would work with my stuff. Play around with it like a barbie world for your little barbie dolls. Be canon compliant, be canon divergent, who cares, have fun.

[butterflysonnets]

yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

[yuriyuruandyuraart]

self indulgent horross doodles just because i can >B)

[kingofthering]

saw your tags when Fabio was supposed to follow on Marc s footsteps, but a mess happened with his manager.

I am new what exactly happened

Okay, so. Going to gather all the information from Fabio's biography by Michel Turco.

Fabio's first ever manager was Eduardo Martin.

Essentially, Eduardo's main issue is that instead of growing Fabio's career to make Fabio better, he chose the directions of Fabio's career to better fit the promotion and marketing of his energy drink (Wild Wolf) [note : the brand never ever really came to life).

In 2011, Fabio was riding in 80cc and that's where Eduardo approached his parents. He started helping Fabio and buying him a bike so he could train for the next category. He helped Fabio secure a sit in CEV Moto3 in 2013, with the team Wild Wolf Racing. That year, Fabio also moved to Spain in Eduardo's house.

Fabio won CEV Moto3 in 2013, winning the last 3 races (championship had 9 of them).

At that time, Emilio Alzamora (Marc's manager for 18 years, until mid-2022) was working with Monlau Competition and Estrella Galicia to build a ladder to bring young riders to Moto3 and then Moto2 (they had already done it with Alex Marquez and Alex Rins).

During the 2013 season, in Albacete (so either June or September), Emilio approached Eduardo to talk about Fabio. Apparently, Eduardo wasn't liking the potential move to Marc VDS in Moto2 and the presence of Monster (remember when I said that Eduardo only cared about his energy drink brand?) and Emilio said that it took him days and days before being able to have Fabio's contract signed.

In 2014, Fabio was finally in the Monlau Competition structure and he joined team Honda Estrella Galicia 0,0. Emilio says that they taught Fabio a lot of things then, especially in the way his race weekends were structured. Fabio also got to try new bike parts that HRC was then giving to Alex R. and Marc.

The 2014 season of CEV Moto3 contained 11 races. Fabio won 9 of them and finished the other two second. He obviously got a second title that year. Please have a look at one of my fave quotes from the book, where Emilio compares Marc & Fabio at 14 years old.

In the summer of 2014, Emilio had to go talk to Carmelo Ezpeleta because back then, the minimum age to participate in a GP was 16 (note : Fabio would only turn 16 on the 20th of April 2015, the day after the 3rd round of that MotoGP/Moto2/Moto3 season). After a bunch of discussions, Emilio managed to have the big instances say that "a 15 years-old crowned in CEV could start in the World Championship even if his birthday was after the start of the season" [note : we essentially still have that rule today except now you have to be 18 and 17 years old are accepted if they were crowned champions the year prior].

Now the year is 2015 and Fabio is riding for Estrella Galicia 0,0 in Moto3. His season does not go as he would have hoped. He gets two second places in the early part of the season but finishes 10th and has a couple of crashes, ends up beat by his teammate Jorge Navarro.

Here's what Emilio had to say about the situation : "The issue wasn't Fabio but this Eduardo, taking care of him. [...] He didn't know much about racing. He only had one thing in mind : to see Fabio on top of every practice session. He wanted him to win before he had even learnt what had to be learned. This attitude didn't benefice anyone."

Mid-season, Emilio said : "His results until now have exceeded our expectations. The objective of the first half of the season is to gain experience. Some people seem to forget that he's only 16 years old."

As the season progresses, tensions rise between Eduardo and Emilio. Eduardo wants to take Fabio to Leopard Racing (they were on top of the Moto3 Championship with Danny Kent then) while other team managers are interested in Fabio, including Aki Ajo. Aki said that he was really interested in getting Fabio and that he did a lot of efforts to have him in his team. He said : "I remember that it was a real challenge and that insisted a lot, I was convinced that we could do something to help him. When I met him in my office, I immediately felt like he was the type of guy I would really like to work with. I think that he felt the same thing then but there were other reasons, coming from his management or elsewhere, that made this not happen."

Towards the end of August, in Misano, Fabio gets a double fracture in his right ankle and shortens his first Moto3 season. Fabio wasn't doing well then but that's when he met Tom, please see some of my other favorite quotes.

At the end of 2015, Fabio leaves the Monlau structure. Back then, Eduardo justified it by saying this : "When we started renegotiating the contract with Alzamora, the question of our liberties for the future came. The contract we were offered was engaging us for a longer time than I wished for Fabio. Leopard was giving us this freedom and everything else I asked for. The Estrella Galicia project went from CEV to MotoGP, going through Moto3 and Moto2. I understand this philosophy and I suppose it suits most riders. It wasn't fine for me because Fabio is not a rider like the others. He's a special rider and he needs to be free so he can always make the best choice at the right time. The Almazora project is not flexible enough for us."

Also, like I mentioned earlier, Eduardo didn't want long term because he didn't want to end up in Moto2 with Marc VDS. Michael Bartholemy, then head of that team, says : "This guy was crazy. He didn't know anything about motorbikes and racing. He thought he was managing Lewis Hamilton, he wanted 300-pages contracts, wanted to choose the sponsors, etc..."

We'll finish this with one last quote from Emilio, still having regrets about not being able to finish this missions with Fabio six years later [note : the book was published in 2021] : "It was a waste. We had sponsors like Estrella Galicia who had already invested a lot in the project. They were counting on Fabio to launch themselves on the international market, notably the French market. Everything fell through because of a manager not very clear-sighted... At the same time, this taught us how to better write our contracts. On my side, I'm very happy that Fabio managed to bounce back and that his talent didn't end up being wasted."

[jessicas-pi]

y'all got me all hyped to do more merfolk AU art so I finished the Love's Lights scene

[askchuuyanakahara]

What's your fondest memory?

Chuuya: "I'm not obliged to answer, though."

[palossssssand]

Denchuuuu denchu denchu. I think they're the cutest I wanna know more :] Sending you 1, 2, 8 and 21 for funsies from the pride prompts ^^

1. What's your oc's gender identity? What's their relationship to their gender?

Denchu is genderfluid and uses any pronouns (he/she/they/and more?).

2. What's your oc's orientation? (Romantic/sexual/platonic alterous ect) Do they have opinions about it?

I'm not sure if this has a label but Denchu is attracted to masc-presenting people. any gender

8. Have they had struggles with their identity, be it due to internal or external reasons?

I think he definitely tends to downplay how he feels about being genderfluid because he's used to presenting as Girl and it's "easier" to present as Girl. They probably experience the feeling of "I go by any pronouns" and proceeding to only be referred to be she/her and then get frustrated later. Maybe there was a period of time where she didn't want to use she/her at all and ultimately circled back into including it because she still liked being Girl

21. Free ramble card wee

I would not be surprised if Denchu started figuring their stuff out after Kanu confides to them about being a trans guy, inspiring them to figure out their own stuff (says this as if they're not my characters and they're out doing things of their own free will)

[disposal-blueeee]

guess what ! doodles . again

edgar , nny and devi belong to johnen vasquez (even if i only drew nny and devi at the bottom)

scriabin by zarla-s

[rosaline-tinted-glasses]

If you really want to be fucked and flooded with cum why aren't you in the position for it?

i guarantee you i look like this rn

[bookshelf-in-progress]

Daughter of the House of Dreams: A Fragment

Author's Note: This is the opening to a long-abandoned "Sleeping Beauty" retelling that I no longer plan to write, but I still like it as a piece of prose, and it sparked my enduring interest in second-person narration, so it feels relevant, and why should long-dead authors be the only ones who get to have their unfinished fragments published?

If you ever travel to Monetta City, be sure to visit Faraway Lane. Walk past the glittering new shops, and the shoppers in their bright silk dresses and top hats, and you'll find a cozy stone shop at the end of the street. This shop isn't grand and mighty like the other shops. It won't sniff and turn you away if your clothes aren't the latest fashion. It's a grandmotherly old shop that shakes its head at the prancing and preening of the younger shops, and invites you in instead. It holds no wares in its windows; it hardly has windows at all. But it has a warm and wide wooden door, with a shingle hanging above—Alessia Day, maker of dreams.

Don't ponder the sign's message too long—it means exactly what it says. Just slip inside, shut the door behind you, and look. Don't breathe too deeply, unless you want a week of crazy dreams, but allow yourself one gasp of astonishment. You won't be able to stop yourself. No living person has failed to feel awe toward the rows and rows of shelves, longer than streets and taller than palaces, filled to bursting with glass bottles in such bright colors that the dresses in the other shops' windows would weep in envy. Some bottles are the size of thumbnails. Most fit comfortably in the palm. Some are as large as breadboxes or steamer trunks or carriage horses, but the shelves manage to fit them all. And each bottle is filled to the brim with dreams.

If you don't understand, ask Alessia Day. You'll find her at a counter half a mile from the door, polishing bottles and humming a song you've heard but can't remember. She's an old woman now, and proud of it, but squint your eyes and start to daydream, and you'll see her as I remember her—a willow-wand girl with shining brown hair and eyes that sparkle with half-formed jokes.

Tell this girl how pretty she is (she'll laugh and call you crazy) and ask about her dreams. She'll tell you of her stock and sell you any dream you ask for—daydreams and pipe dreams, dreams of love, dreams of adventure, dreams of loved ones lost and loved ones found and people you've never met but wish you had. She'll show you dreams of lush and perfect islands, dreams where fishes fly through the air, and dreams where people swim the seas with fishes' tails. She'll pull down dreams that last a second but linger a lifetime, dreams that fill a month of stormy nights, dreams that fade on waking and dreams that drown out memories. If you let her, she'll talk of dreams until you drift off, and she'll bottle up your dream while you doze.

But if you're smart (I know you are) you'll step to the counter with a clear glass bottle, empty of everything but air, and ask for her story instead. She'd distill it in a dream for you, and be glad to do it—I once saw her whip it up in half a minute, and I'll bet she's even faster now. Buy the dream, but don't drink it right away. You won't be ready for it. Linger in the shop a while. Hear the story first from Alessia Day's lips, in that voice of hers that's sweeter than singing.

You won't believe half of it, but when you stagger from the shop and wander the empty, starlit streets, you'll ponder over passages until you stumble into bed at sunrise. And when you wake, the world will be different—you'll see tiny footprints on the windowsills, know things about the shadows on the walls, tip your hat to creatures in the corner of your eye, and realize there is another color no one else can see. You'll laugh and call it your imagination, but every second Tuesday, you'll start to wonder if the old woman was right, if the things she told you were true.

If you drink the dream she made, you'll know. I'll understand if you don't—some things are easier not to know. But if you do, and dream through her story, come to my house and ring the bell. My man will let you in—he'll know you by the wonder on your face. He'll bring you to my study, set you in my oldest, softest chair, and get us both settled with a steaming pot of tea. Then, once you've finished babbling, I'll close my eyes and tell you my part in the tale.

[to-make-yourself-known]

a fancy guy

[copper-skulls]

guyes

[perhaps-mr-collins-has-a-cousin]

Hello praying people, I'm not doing well and would really appreciate your prayers right now <3