the outside
week 3 of @ttpdpoetryweek
apologising beforehand because this is not my best and I’m submitting really late. my poetic side has gone due to too much physics and finals
The Outside
I look from the outside,
I look at you,
You smile softly, lighting up the room,
As I stand in the dark cold.
I wish I could take it back,
Take everything back,
I lose sleep over the fact I walked out that door,
And since then you’ve looked me in the eyes no more.
If only I tried to be better,
I swear I’m trying to be better,
But you found better when I left,
You found better because I left.
I’ve never been the kind who always needed someone,
I never really thought I needed someone.
I said I can’t do with you,
But really, I can’t do without you.
Now I’m outside,
I walk towards the door,
The same door I slammed as I stormed out of your life,
And I knock.
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unfortunately i don't think I'll ever understand my sexual orientation because i think abt men alot more than women but the idea of spending the rest of my life with a man makes me wanna throw up and cry whereas the idea of spending the rest of my life with a woman sounds ideal and peaceful and enjoyable but also then i think abt if i met a 6'1 malnourished boy with shaggy blonde hair, baggy clothes, a skateboard, a smoking problem and an eyebrow piercing I'd never go back but also i wld only ever wanna grow old with a woman but also I've only ever dated one man and no one else so I have no experiences to compare it to
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!! [slides in excitedly] hello i hope i am not bothering you all (please feel free to take your time/ignore i won't mind hkjhg <22) i saw that yall got classpects and wanted to help explain!!!!!!! :]
i do not know what Form implies since it is noncanonical, but Doom is about endings, destruction, and the necessity of acceptance! there can be depression or apathy, but endings aren't always bad things. the ending of a tortuous time loop, the satisfying conclusion to a game, the grand finale of an album. leaving awful situations, the end of bad times, sunsets of brutally hot days, the cooling reprieve of night. if things don't end, when will you finally get to rest and process things? the Death card in tarot, essentially: the transition after major upheaval. resting in that dark space after a big change before you begin life again. letting things be as they may, knowing endings must happen, a real "it be like that sometimes" aspect. Memento mori, remember death, and let that make life worthwhile!!
(Life is its opposite aspect, of beginnings, energy, and growth.)
Knights are literally my favorite class (<- this is probably not surprising!! but also i posit there is no bad knight in homestuck, that being Dave, Karkat and Latula.) Knights of Doom can protect doom, allowing people or yourselves to grieve without needing to push straight into the healing process, to rest after a long ordeal. Or to protect using doom, guarding against toxic positivity with needed pragmatism, and allowing things to end as they need to. Or, y'know. Protector using Doom for real, i.e. "You want me to kill that guy for you?"
Knights also often hide behind a facade, sometimes having to do with their aspect. Karkat, for example, hides behind his "ANGRY SHOUTY FUCKASS I HATE EVERYONE" persona, when he actually really cares about his team and friends (<- Knight of Blood). Knights of Doom might put on a facade of some kind to hide the feelings of doom inside.
if yall are Mages, we can be mages together!! :D Mages do NOT get much explanation, but i have personal speculation :3 if yall are Mages of Doom that makes yall Sollux's classpect! Mages gain and keep knowledge of their aspect through experience of/"suffering through" their aspect personally. If yall experienced depression, destruction, and/or upheaval in your lives, this would be fitting. Mages often keep their experiences to themselves, as opposed to their counter class, Seers, who often share this information. (Seers are like teachers sharing knowledge, Mages are like students taking knowledge in!)
They also carry the need to balance between too much and too little of their aspect, using their experiences to know when to shift balance. Mages of Doom would experience too much doom at some points in their lives, and very little doom during others. the cycle of life, doom, then rebirth, and knowing this balancing act intrinsically.
(Personally as a Mage myself, I have to balance between my aspect of Breath [distance, isolation, freedom] and its opposite, Blood [relationships, connections, dependency]. however, im not always the healthiest about these things and can often veer too far into either one!) if yall are Mages, yall might also strive to find balance between Doom (endings, destruction, acceptance) and Life (beginnings, growth, change)! the hibernation of winter to prepare for the new spring, to grow and wither and grow back stronger, to live and die and live again.
TL;DR: [Protector of/Protector using] OR [Knower of/Balancer of] [Apocalypse, Endings, Death, Acceptance, Rest]
sorry i know you all did not ask for this, this is just an old hyperfixation of mine :'] this is all speculation and personal interpretation, thank you for reading any of it if yall did <222
As soon as we finished taking that test actually we WANTED to ask you for your explanation on our classpect, so thank you so much!!! We just. Didn't wanna be a botherUEHFJDJDJF we try to not send you too many asks at once we don't wanna overwhelm you ahaha
Reading your explanation I'm not sure which fits us best tbh we might just Be Both cuz by the end of the day things like Classpects and similar concepts are Boxes people intentionally put emselves in for funsies yeah? And sometimes people just don't fit into one box entirely. (aka Both Fit Us Really Well. Fuck. HFJDJSNFFB)
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(( As a kinda silly OOC thing: I like conceiving of Miranda (and her connections through the Merkingdom) as being an anti-OP muse.
As in, I like the thought of, the more OP someone or something else is, the worse of a time they have being able to do anything to Miranda. She is, very intentionally and within the logic of her own universe, designed to be able to handle those with extreme power and authority and to be able to undermine everything they can throw at her and counteract anything that they try to do.
She's already a royal, next in line to her throne! She has to be able to fully handle other people in similar positions without risking any damage to her own, and this is something that she's dealt with her entire life. She very much knows all the risks associated as a part of her job, her title, her entire reason for being born, and she's well-trained in the formal and informal methods of striking down anyone else who might even come close to a position to her own.
Which, of course, means that muses that very much aren't OP, that are just normal people or much closer to it, are much, much more capable of threatening Miranda and the Merkingdom both as a point of intention. This is something that I very much want and very much want to encourage. Especially because the reason this is such a problem is the way that the Merkingdom and, thus, Miranda, entirely overlook and ignore such threats and treat them like non-issues. The fact that most Merkingdom royals, upon actually encountering a landfolk, have a range of responses from discomfort to dismissal to ignorance, is one that is very purposeful here. The ones that they're most likely to pay attention to are the ones in the most danger, and the ones that they aren't likely to care very much about beyond petty malice and as another means to inflate their own egos. And, as it is, the ones they're most likely to pay attention to are those that have decided to pose a risk.
And it's a thing that I've been dealing with from the beginning too. From the start of this blog I was very bothered by the idea that some OP character would decide to singlehandedly "fix" or destroy the Merkingdom from a position of equal or greater authority. Which is not to say that I didn't want it to be changed or that there weren't ways to dismantle it. But rather, I wanted it to be more organic, and I wanted to deal with the actual question of how that even happens, and I wanted to ask the question of what could measurably improve this situation and Miranda's life both.
Which meant that, yeah, the more OP a muse is the more intentionally destined for failure they are, and the closer they approach "some guy", the more they'll be able to achieve. Which is not to say it won't be difficult or hard to do, or that there's not the possibility for failure (again, even at her most basic, Miranda is a macropredator that can easily maim someone, but more typical "normal" muses are more likely to possess caution and try to read her body language before pressing her), but the fact remains, very intentionally, that they are the only ones who will be able to do it.
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