#also please click in and zoom in i may not have much detail but damn if u don’t appreciate what i do have

[therandomartmaker]

did i google the london underground trains for this and then immediately disregard most of my research? yes. Also i haven’t even read any revivebur content??

taglist: @i-amtransexual @badatgmrt @approximately-74373-bees @littleladcami

[phantom-thieves-imagines]

Chapter 1- Let the Game begin  (Akira Kurusu x reader)

Could you write a scenario with Akira and female! Reader, where she is a shy and quiet girl from the Real world.. and one day, she suddenly meets her video game crush, Akira, for real after completing his game with the true ending? From the Reader's POV? Please?

I might make this into a long running fic, oh boy here we go

female reader ofc, tried to make her as general as possible 

and by ‘readers pov’ i assume you mean first person, sorry if that’s not the case, but enjoy 

Please let me know what you guys think of this ! Feedback is my kink oof :0!

-mod goro

Spoilers for p5 

Wake up, get up, get out there

Ryuji nudged Akira who smiled. “Yeah.”

Raise your voice against liars Feed your anger like fire

Akira opened up the hatch at the top of the bus, the wind whipping at his hair vigorously.

Why does nobody want change?

He stared out onto the sea, the road, the clear blue sky and the world. He smiled, hands on top of the bus, feeling the wind blow through his hair, the sun on his face, enjoying the world for what it was.

Just imagine you're out there Swatting lies in the making

Akira looked towards the blinding sun, a happy look on his face as he spoke a wordless goodbye to everyone.

Can't move fast without breaking

The bus zoomed off into the distance, and that was it.

If you hold on life won't change

---

I put my controller down, tears flooding through me like a fountain. Happy yet sad.

It was over. My journey, helping Akira had come to it’s conclusion- he was finally free. The game that had taken over 100 hours of my life. The game I cried, laughed, felt fear and anger with was now completed. 

Wow.

It was late at night, though I doubt I’d get to bed any time soon. I went online, ranting about the game to people, warmth spreading as I scrolled through pictures or comics of the characters who were practically my friends.

It was a bit melodramatic, how slow things grinned to a halt even after the console was turned off. My mind was storming. With the game, the events, the characters...it all was overtaking my system.

What happened to Akechi, Akira, Yusuke, Haru, Ann, Futaba, Makoto- it was all flowing into me, like my whole body was living to process and revolve around them.

The bad parts too. The ones that weren’t perfect, the ones that could have used some tweaking or correcting. How I would have changed details in the game. If I was in that situation.

Overall- It was an amazing experience, winning my heart- or maybe taking my heart would be a better choice of words. 

By the time I finally did (reluctantly) close my eyes it was well past midnight. I’d be dead on my feet at school tomorrow and I wasn’t looking forward to it. 

Troubling enough as I went to lay down I couldn’t help but feel...uneasy.

Not as in a monster hiding under the bed type of unease, but unease as in my body didn’t accept sleep or the conditions of my sleep. It was like floating in the water- parts of me above and the others submerged. The two sides were fighting over which one was superior. Above. Below. Above. Below. Constant, calm fighting. It unnerved me.

And then suddenly it just.

All.

Dissipated.

.....

...

..

.

This story is a work of fiction

Or is what is intended to be.

For many it is considered a fiction, but for many more it is their form of reality.

In turn, how can any of us prove which things are a reality and which are not?

My bad, I am getting off topic.

The only thing required is an acceptance of your form of reality and....

Your mind 

Are these terms acceptable?

.

..

...

....

I jolt from my reprieve with a gasp. The pounding of the blood in my head is so loud that for a few moments it stuns me. I guess the pulsation prevented my eyes from noticing anything. My touch comes back first.  Smooth, wet bumps from the pavement run along my finger tips. Speckles of sand are dusted between the cracks in the rock, they stick to my palm when I pull it away. The next thing that comes back is my sight, blurring into focus like a camera. It’s dark out, the outlines of the nearby building illuminated with a blue neon hue, further back in the distance a golden streetlight shines in a cone-like shape in an intersection. There’s a boy standing nearby, hoodie pulled up over his forehead so I can’t see much of him. I only realize there’s another person standing right in front of me when he snaps his fingers in front of my nose. Then, sound.

“Hey! Kid? Can you even hear me?” His voice is gruff, a clear umbrella hooked over his shoulder, the rain rolls off of it in memorizing streams. 

It takes me two blinks, out of confusion and because of the watter dribbling in my eyes before I find my voice again.“Ahh...?”

The man makes a clicking noise. “Damn...” he bites his lip, before reaching out his hand. “Here, let’s get you out of this rain. Hey, Kid, help me out.”

The one with the hoodie helps the other man drag me up. I nearly fall down instantly. The man curses, letting go of the umbrella to use both of his hands. 

They half drag half help me down the street underneath the overhang to a wooden door. The man fumbles with his keys, there’s barely any light over here other than that coming from inside, just enough to let me see the glasses that hang on his nose and the scruff of his beard.

The door opens and we all scuffle in, soaked. 

Hoodie-boy sets me down in one of the booths, water dripping onto the leather seats below. 

“Man, what were you doing out there?” the bearded man asks, I turn, as he rumbles through the cabinet, pulling out towels. He tosses one to the other boy, who catches it mid-air.

“Uh...I...” What....was I doing out there. I try my best to remember. Everything feels so, otherworldly. Like I’m not really in my body, just floating above it. I try to think. Try to remember why or how I ended up nearly drowning in the rain in the middle of the street. What I was doing before that. I run through every possibility I can think of before I give up. I simply don’t remember.

“Let’s start off with something easier then.” He bearded man hands me a towel as he wipes his neck, pulling up a chair to the booth. “What’s your name?”

The boy removes his hoodie from his head and like lightning, I remember.

“Akira?” The words come out of my mouth before I even think about saying them.

The bearded- no, you know- Sojiro, quirks an eyebrow. “Akira? That’s your name-”

“Ah, no. Uh, it’s-” Wait should I even use my real name? I mean...I don’t think there’d be a problem with it but still I-

This is persona 5. My chance to be a different person. A chance to start from a fresh beginning.

Next to the Sayuri painting- or where the painting should be, there are a bouquet of Roses. Crimson red in color. They remind me of Akira. Similar to the flowers that you saw Haru grow, crouched low and her breath fanning the petals. Roses were beautiful and elegant. The flower itself was silk to the touch and the thorns were rough and would pierce skin. You had to cradle it gently, holding it in your hands in a right way otherwise you’d harm yourself.  Rose.

“Call me Rose.” 

---

And hour and a half of explaining (or at least trying to) why I was alone in the rain, Sojiro thinking about what to do with (another) soaking wet child in his cafe, and a stern talk of ‘no funny business’ later I found myself laying on Akira Kurusu’s bed, doing the best to dry my hair. 

“My name’s Kurusu Akira.” He had said, when Sojiro had left out in the pouring rain to run to his house. “Nice to meet you, we could have maybe met somewhere drier.” A smile lined his words. Complying with Sojiro’s words he was also suffering, or soaking with me in the bottom floor of LeBlanc. Water dripped down from his black locks onto his glasses, he frowned and then removed them, wiping it dry with his towel before resting it on the wooden counter. 

“Nice to meet you too.” I murmured. The amount of force it took me not to run out in the rain again and scream was overwhelming. The boy (who I may or man not have forced to go to the bathhouse more times than necessary because I wanted to see him with just a towel wrapped around his waist) that I had spent months playing as, and knew his motions like the back of my hand, was sitting in front of me, shaking the water from his ears. 

Oh crap. This is real isn’t it.

Akira mother fucking Kurusu is real, and he’s sitting in front of me. I need to say something. Jesus I need to say something I’ll never forgive myself if I don’t. 

Yet my mind was short-circuiting. Every breath I took seemed to take more effort than necessary, my hands twisted with themselves, confused as to what to do and I needed to move otherwise I’d start twitching. 

Anxiety curls itself around my neck, like a snake, it refuses to let go. 

“Since you don’t remember a thing I guess you’re gonna be rooming with us for the night.” he finally said, breaking the silence. “Hope you don’t mind that.” Despite his light words he was still studying me, sizing me up with a serious look on his face.

“I’d rather be here than outside and catching pneumonia.” He laughed lightly at that,  Oh good god. He was even hotter in person. His hair curled back around his glasses, half wet. 

The cafe is just like I remember it. It’s interesting seeing it from another angle but the layout seems more or less the same, the ceiling fans spinning slowly, round and round and round. 

Round and round, as the hands of the clock tick and endlessly count down time.

Tick tock, tick.

“What....day is it...?” I ask slowly. 

Akira looks at me with something mixed between concern and skepticism. “April 13th.”

13th. The volleyball rally at Sujin happened today. Which means tomorrow will be gathering information from Shiho before she...

“Okay, thank you.” I said quickly. 

That all happened within a span of an hour. Now I’m laying on Akira’s bed, as he takes the hard spot on the not-so comfortable couch. His glasses are off, laying on the desk by his feet as he has his arm tucked under his head as a pillow. He’s wincing at his phone and tapping. I assume to Ryuji, who else would it be.

I sniff the clothes Sojiro gave me- long pants and a tank top, probably Futaba’s. The though of the girl holed up in her room, living in her own filth and blocking out every sign of natural light. The girl who drowns in her mind and grief daily. Every waking moment thinking about joining her mother.

I grit my teeth. I make a mental note to save her as soon as I can. 

“Hey.” Akira says, shifting. “I’m heading to sleep, wake me if you need anything.”

“Okay.” I say, because I can’t think of anything else. What are you supposed to say to a person who just a few hours ago- was nothing more than a bundle of code on a cd? 

He rests easy, eyes shutting as he whole body relaxes.  His chest expands and contracts slowly, in the dark of the attic it’s hard to see but it’s there none the less. 

This is everything I could have wanted- Akira existing, being real in the flesh and blood and finally being able to tell him just how much he means. When people beat him down with rumors and  to yell and plead with him to get back up. After everything this rotten world has done to him to finally be able to gently sooth his aches. To finally see his monotone mask fall and to see the emotionless protagonist slip away and show his agony.

I bite my cheek hard, resist the urge to slap myself. That’s just wishful thinking. I have a whole other huge ass problem as is why the fuck am I here and how am I ever gonna get back home.

I wish I was more worried about it, but I’m not.

I guess? It’s because I know my world, the one where I was trapped in my shell constantly. Where there are no such things as personas or changing hearts- that there is really no hope for us. That I’d rather be in a world where at least I know there’s a chance of this world being good.

I hope, I know. 

Akira’s breathing settles, and I fall into a dreamless slumber.

Late into the night, unbeknownst to the world, a phone, my phone, lights up.

The hypnotizing red eye appears, then is gone.

.....

....

..

.

I point at him. Steady my hand. It’s an easy thing to do, really.

Take aim. Kill the murderous, filthy, insane traitor. 

“It’s okay.” he croaks. His eyes are glazed, he’s in pain but he’s doing a good job of hiding it. “We both knew this would happen, at some point. 

I don’t think I don’t want to think.  Don’t want to think about the events that lead to this. My own actions that caused his destruction.

How ironic, Yaldabaoth would know to cause my demise from my greatest joy.

Destruction what a funny word.

“I’m sorry, Akira.” 

I am a ghost. I shoot.

[dreamboatblues-blog]

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[lorrainecparker]

Avid’s slide about the future of Media Composer

One of the most intriguing things I saw come out of NAB 2017 wasn’t on the show floor of NAB but rather an image that popped up on Twitter out of the Avid Connect event held in the days before NAB began. It was the result of an Avid Customer Association survey as to what editors wanted to see in upcoming versions of Media Composer. Since this image was publicly tweeted out by Avid it’s worth dissecting.

These are the voting results for video editing (@MediaComposer). #AvidConnect #ACAVote pic.twitter.com/FNIpg69dC2

— Avid (@Avid) April 23, 2017

I can’t remember another such detailed look at what is a potential roadmap for upcoming features and future development for any of the major NLEs. Usually this kind of thing is kept under wraps. I’m sure such a public discussion makes the engineers shudder in fear as there are a ton of things that can derail a planned feature release. Media Composer has been on a big update path in recent years getting a ton of much need features as well as some cool new stuff along the way so seeing what is on the horizon should give Avid editors more confidence in their tool. Kudos to Avid for showing this publicly.

But it is worth noting that as Avid moves forward into the future Media Composer isn’t one of their biggest money makers as they would much rather sell you server hardware than editing software but they’ll be more than happy to sell you Media Composer. Witness their recent ads touting that both FCPX and Premiere Pro “runs better on Avid.”

Get yourself insane speed—up to 2.4 GB/s—at an unprecedented price. #PremierePro runs better with @Avid #NEXIS | PRO https://t.co/rh2KYwFniY pic.twitter.com/r4EaWn9fEZ

— Avid (@Avid) May 17, 2017

I didn’t hear a lot of buzz around this Media Composer slide that was shown at Avid Connect. I’m not sure if there was a presentation on the main Avid NAB stage where it was shown. Perhaps everyone was talking about the current Avid CEO’s new book The Storytellers Dilemma about media disruption. People were talking about it all right. But let’s take a look at what might be coming to Media Composer. And remember … all this is subject to change.

Background Save

Background saving is one of those features that I think most editors in 2017 wonder why it isn’t in every NLE out there. FCPX has it. Resolve 14 added it. Adobe Premiere Pro CC doesn’t have it. One shouldn’t confuse background save with autosave which is a different thing. Autosave creates a separate project file and editor can go back to while background save is a save of the existing project. And what we most want background save to do is not interrupt our work … which autosave often does.

Live Timeline

Personally I think this is the biggest and most important item on the list. There are few things that make Avid Media Composer feel more aged than jumping onto MC after working for weeks on Final Cut Pro X or PPro and not being able to do simple timeline things (zooming, muting clips, adjusting little things here and there) without the playback stopping. It just doesn’t feel as good. I was once told that this would be a big architecture change to the playback engine so I guess that is why it is listed as under investigation. I hope the research yields real results.

Render Engine Distributed Platform Service

I guess this means being able to use multiple machines on a network for rendering. That certainly can’t be a bad thing as the more power the better. We are living in more of a realtime world than we have been in years past so this might not be high on the single editor’s list but for facilities or finishing I’m sure it is huge.

Enhanced User Interface

I’m speculating here but I get that those voting for changing the user interface are a lot of editors coming from other platforms. The MC interface is a tried and true look and feel that isn’t flashy but it quite functional. Plus I’m sure the engineers know that any changes to the interface invites the wrath of the old school Avid editors who despise any change to anything whatsoever. What I would like to see is some way to better manage all of the many different windows one might end up with. While we do have the ability to save Workspaces there’s no way to easily and quickly adjust them without a ton of clicking and dragging. The fact you can’t adjust both the size of the Timeline and Composer easily with one click/drag contributes to that feeing of the interface being old.

Timeline Audio Effects

I’m honestly not sure what this would be since we already have a form of timeline audio effects. You can apply Audio Suite effects right to clips and RTAS effects to entire audio tracks. My guess this would be some kind of track based mixed where we have sub-mix buses as well as a master output that can take RTAS effects. That would be welcome as anything that could reduce the need for an audio mix down is a good thing.

Enhanced Color Correction

Since this says PLANNED 2017 RELEASE there are a lot of editors and finishers rejoicing. As awesome as Resolve is and as powerful as Baselight Editions can be there is still a lot of color correction done right in Media Composer and Symphony since the integration to the timeline is so darn tight. The color tools have long needed updating (much better video scopes anyone?) and I think many of us though that ship had sailed and Avid had conceded this tool to the third party.

Next Gen Title Tool

This was another surprise as many people though that the bundling of New Blue title tools meant that any new titling advancements in the future were going to lean on Avid partners and third party developers. I’m guessing Avid got a lot of blowback on this because the New Blue tools can be tricky to use and aren’t designed for quick and easy title creation. I think putting resources toward a “Next Gen” title tool shows how much network television is still finished entirely in Media Composer.

Enhanced Visual Effects Model

While personally I don’t have a ton of issues with the Effects Editor and the advanced keyframe graph (well maybe it just seems to create so damn many of those pink keyframes when things get complex) I don’t do a ton of Avid effects (how about a more robust path to After Effects?). There was a time when creating animations in Media Composer was much more difficult. Keyframing aside Media Composer does feel downright ancient when you begin stacking effects and working to build up layers of clips to create interesting composites which brings us squarely to the next one …

Transfer/Blending Modes

It’s borderline incompetence that Media Composer still lacks basic blending and composting modes. This should have been added natively years and years ago but alas here we are in 2017 without it. Yes there are plugins that can do transfer modes and yes you can work around this way and that way and get blending modes but that doesn’t make the fact they are natively missing from Avid Media Composer right. Because it isn’t.

Alpha Channel Support

There is some alpha channel support in MC already (creating a title in the title tool is based around alpha channels). But I’m guessing this goes beyond the importing of PNGs and TIFFs with alphas into more advanced codecs like ProRes 4444 maybe realtime alpha support without have to created new media files. But then again I don’t really have any idea so if you do please comment below. It says “in queue for 2018” so I guess we will see next year.

Multi-cam Enhancements

Like the Live Timeline mentioned above editors coming to Avid from any other NLE that has worked extensively with multicam often feels severely limited when working in Media Composer. Once your multicam groups are set up it’s not too bad but the age of Media Composer multicam shows when setting up mulitcam edits (you’re often limited to IN/OUT points and auxiliary timecode) and modifying mulitcamera groups (you can’t). Sure a perfect mulitcam shoot with matching timecode means it’s an easy setup but how often do we have that these days? While Final Cut Pro X gets much deserved kudos for its very well done implementation of multicamera editing I personally think Adobe Premiere Pro CC sits at the top of the multicam heap due to a few of its features like being able to create a multicam “group clip” from a sync map. Regardless I’m sure multicam editors everywhere are looking forward this “planned 2017 release.”

Improve Interop with Pro Tools

This is one of those things that when talking to both Avid editors and Avid engineers they will just gaze down at their feet and shake their heads. Let’s see: Avid owns and develops Media Composer. Avid owns and develops Pro Tools. Media Composer is the tool that cuts most of the films and television you see. Pro Tools is the tool mixes/sound designs most of the films and television you hear. Why can’t you easily get a mix back and forth between the two with literally a single click?

That might be a little harsh as Adobe hasn’t gotten the integration between Premiere Pro and Audition quite down to a one click back and forth yet but it’s a lot closer that the MC/Pro Tools integration. We also have to remember that Avid has owned both Media Composer and Pro Tools FOR YEARS AND YEARS. This should have happened long before 2017.

Real Time Collaboration

Collaboration is a huge thing these days and while Avid has long been the king of shared editing and productions I wouldn’t call that “real time.” If fact I don’t think anyone has cracked this nut as of yet though Adobe is trying to some extent with Team Projects. Blackmagic is also trying with their Resolve 14 update. As an editor I don’t know how “real time” I might want collaboration as I can’t imagine why I would every want to work on the exact same timeline as another editor because that just seems like frustration waiting to happen. But if you think about multiple editors on the same show you could have an assist working on a string out of the entire program while a finishing editor is working color and putting in graphics and another craft editor is making last minute changes. If that nut can be cracked then Avid has achieved something quite amazing.

Integrated MediaCentral Window

The Avid MediaCentral Platform seems to encompass so much stuff today that I don’t think anyone short of Avid CEO Louis Hernandez himself (hey did you read his book?) can explain it all. And even then I don’t think he can do it. But if you’ve ever used tools like Interplay (and from looking at the website Maestro) you can see that a lot of these products look very different than Media Composer. While an “Integrated MediaCentral Window” isn’t going to make them all look the same maybe this means they will all work more seamlessly as you won’t have to leave the Media Composer application completely to use them.

The post Avid’s slide about the future of Media Composer appeared first on ProVideo Coalition.

First Found At: Avid’s slide about the future of Media Composer

[hellooangela-blog]

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Wow, seems like they forgot to renew their area. looks a little odd, it’s commonly difficult to not set up the automobile renew for a domain with most domain registrars now. Other functions like Leadboxes, Leaddigits and Leadlinks don’t call for anything at all to become mounted on your web site – they’ll work where ever you prefer. You may as well refer to your mailing listing company for popup optin sort code. Even so not a admirer of popups, but need to increase your mailing listing subscribers? thanks very much for sharing this product or service with us and I am inquisitive about being aware of much more on their own membership page… 🙂 I’m genuinely happy you wp profit builder have been able to find this post at the proper second And that i respect you positioning your have faith in in me! There's a free Model of the plugin offered but it’s seriously confined. by way of example, opt-in sorts and templates aren’t obtainable. I like how the Beaver Builder editor is place alongside one another – it’s clear-cut and doesn’t hang. It feels light-weight. Leaddigits element permits people to hitch your listing via textual content messages (only on wp profit builder Pro & Innovative ideas). I ordinarily disable the plugin as soon as I’ve launched a website but I’ll reactivate it Every time I must use maintenance manner. following start I wp profit builder use a unique Software for constructing landing pages. determined by what I must do, I’ll use possibly Thrive Landing internet pages or Leadpages. There’s not Substantially with regards to free of charge landing webpage plugins, but WordPress landing internet pages is the only free of charge one particular worth hoping. The high quality plugins offer a lot more functionality, but damn it’s not undesirable totally free and there's a qualified prospects plugin that integrates with it also (also free of charge I wp profit builder Assume). I obtained Profit Builder for the reason that I had been drawn in by a number of the amazing looking attributes, and was thinking if This may be a cheap different to OptimizePress two.0. Therefore you'll be able to produce wonderful internet pages that convert like nuts – all with no technological problems or having to be an online designer. Double opt-in also helps make self-confident as much as is possible that the checklist in all fairness committed. Listing Some folks might possibly extensive the form, but shed curiosity subsequent some thought and therefore fall short to substantiate – other people will just neglect. These are the parents you hardly ever want. regularly leave some unanswered queries – even as part of your program. Let’s say you source a seven-elementin the way to generate income using Google Adwords. really neat, no? Thrive seems to be good while, would you run into the similar concerns or will it performs good with other themes?

Detailed Notes on WP Profit Builder 2.0

Every landing page you send out site visitors to need to additionally have accessibility to all your various other lawful web pages that confirm to your site visitor that you are a moral firm that abides by the most up to date internet policies as well as policies. Your navigation should be evident but at the exact same time refined. This is quite very easy to accomplish with the many different pieces of web site software readily available, particularly leadpages which makes it simple to produce pages that enhance your visitor experience. Truthfully, wordpress examination net site are becoming well liked and that is mostly due to the many advantages of wordpress. Bear in mind, every point is taken care of via the push of the button, no html understanding required. Click on this link to visit landing page robot official website. with lpr you are able to produce great looking press web pages, testimonial websites, product sales web pages. When transforming your visitors into purchasers or leads, you will certainly should remove all the distractions. Links in addition to your blog site, as well as at the sidebar adds to distract your site visitors into obtaining your information. So, if you are making use of WordPress, is this feasible to develop a high converting WP ProfitBuilder review? You'll be able to link your very own various other straight advertising materials right to your brand-new website, or you can have your brand-new SEO vendor create a landing page as an alternative. This has a detailed review of your business. Develop content that is intriguing for each landing page. Placement your very own website web link in each page. "Free" is often a good unfavorable key phrase to begin with. "Economical" and also "Discount" are tricky, yet might be relevant if your products are high-end. Also remember that there is something "X-rated" around for more keyword phrases than you probably intend to think of. If you're not in the "grown-up" market, add some adverse key phrases because regard.