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juangallojongaro · 8 months

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Recently, I spent a non-insignificant sum on tickets to see The Killers during their upcoming Las Vegas residency. A couple months prior, I bought tickets to see Death Cab & The Postal Service perform their now 20 year old breakthrough records. This is not to brag, but only to say: I am not relevant. I am a skeleton. I am an irrelevant skeleton.

Once I looked at my music list as an Important Document of the Past Year. I’d try to listen to all the stuff, read the lists, and put together a coherent and definitive list. I didn’t do that in 2024; I didn’t try, I didn’t care to try, and, therefore, I just didn’t listen to that much stuff. This is fine! My life is no better or worse for the change! Also, no one gives a shit about what I listened to last (or any) year!

So, a format change. I’m gonna list a bunch of songs I liked with the normal commentary. After that, I’ll rank my top ten movies of the year and my top five favorite books I read in 2023. Sound good? I think it’s fine.

2023 YEAR IN MUSIC!

Big Thief - “Vampire Empire” A slow dawning of just, like, oh, Big Thief is just one of my favorite bands. They’re hitting that mid-2010’s (teens? Twenty-tens? What are we doing with this one?) The National-zone where every record they put out is a unique and rockin’ bop. This track is a good example of the more aggressive yelly-stuff.

boygenius - “Not Strong Enough” 2023 was the year of Taylor Swift and the guys were a part of it. My favorite supergroup was at their peak powers last year, releasing the ALBUM OF THE YEAR as well as MY FAVORITE CONCERT OF THE YEAR WHERE I CRIED A BIT DURING “COOL ABOUT IT”. I fucking love that record so much. Before they all blew up, Baker was the stealth star carrying the pathos while Dacus made us sad and Bridgers screamed excellently. Just watch them on SNL; they’re so happy. It’s nice.

The New Pornographers - “Pontius Pilate’s Home Movies” Not much to say about a middling album that produced this banger with the funniest line of the year, “Now you're clearing the room just like Pontius Pilate/When he showed all his home movies/All of his friends yelling, ‘Pilate, too soon’” Side note: You ever notice how English people don’t say “quotation marks,” but instead, “inverted commas?” Frankly, it’s fucked up.

Slaughter Beach, Dog - “My Sister in Jesus Christ” Really enjoyed this album by the former Modern Baseball co-frontman. He’s settled into a more shambolic pop-oriented sensibility which suits him fine.

Sufjan Stevens - “Will Anybody Ever Love Me?” I kinda came to Javelin late but after sitting through several listens it’s definitely in the pantheon of Stevens albums. I’m not sure there’s anything on here that’s a hit, but it’s so lush, dense, and achingly beautiful. He’s a man genius. ALSO ALBUM OF THE YEAR; SURE, WHY NOT?

Taylor Swift - “Cruel Summer” I don’t care this song came out in 2022. I’m in my Lovers Era! It’s pop perfection! I love(er) it! I have a lot of thoughts about Taylor Swift but no one caaaaaaaaaares. Go Chiefs.

Wednesday - “Chosen to Deserve” A twangy, meandering tune about all the embarrassing things you did when you were younger and still torment you and will forever except now you’re in love so maybe it won’t be so bad anymore? BONUS: Really enjoyed MJ Lenderman’s live album; those Wednesday folks are doing great!

2023 YEAR IN CINEMA!

Best Pictures

Past Lives (*****)

Anatomy of a Fall (****1/2)

Godzilla Minus One (****1/2)

Spider-Man: Across the Spider-Verse (****1/2)

The Zone of Interest (****1/2)

Poor Things (****1/2)

Barbie (****)

All of Us Strangers (****)

Oppenheimer (****)

Showing Up (****)

Four Daughters (****)

Honorary Mention

Stop Making Sense (****)

Best Short Film

Donald Trump NOOOOOOO

The First Twelve Seconds of the Maestro Trailer “If Movie List doesn’t sing in you, then nothing sings in you. And if nothing sings in you, you can’t make Movie List.”

2023 YEAR IN BOOKS!

(In no particular order)

Nixon Agonistes: The Crisis of the Self-Made Man by Garry Wills

The Luminaries by Eleanor Catton

The Narrow Road to the Deep North by Richard Flanagan

The Goodbye People by Gavin Lambert

Blood Meridian or The Evening Redness in the West by Cormac McCarthy

#bestof2023

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ashtreelane · 1 year

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2, 3, 4 for music ask

Favorite song of all time? :

I am once again cheating and putting multiple because i have endless love for tunes in my heart 1. Life Itself - Glass animals Nothing will ever top the feeling of listening to life itself for the first time . WOOF !!!!!!! Glass animals is a band I discovered when I was younger that pretty immediately became a huge favorite & has been a very solid cornerstone of what I wanted to present myself as . 2. Holland, 1945 - Neutral Milk Hotel My brotherMom Amanda introduced me to this one & it is still like fucking . EVERYTHING to me . Between that connection to someone I love very dearly & also just the way it sounds . It is in my brain like a parasite .

3. Lust for a Vampyr - I Monster i didn't really enjoy whole Bands for a long time but I Monster is one of the few thats teaching me i do actually enjoy a lot of the discography of one-off songs i listen to . The brass instruments (i dont think its trumpet. its something) breakdown in this song make me fucking INSANE !!! 4. On Ex - Husbands and Wives - Quiet Company Very personally important to me because I found it right as I broke it off with a partner I had serious plans to marry . & It doesn't fit the situation at all but it also does in a deeply personal way so its like . U know how it is 5. Poor George - James Supercave Poor George is like . THE song I listen to when I'm upset. It has such a ridiculously fun tone to it . The buildup is definitely buildup to the last verse & the breakdowns there, but it never feels boring or like you're Waiting for something . It feels so melancholic without being slow yk ? [Slow songs are also good . but catching that same tone with a more crash-y song is impressive] Honorary mentions to The Weekend - Modern Baseball, You Told the Drunks I Knew Karate - Zoey van Goey, I Play Computer - Workmans Comp Mix - Caustic, The Gothsicles, and Boats and Birds - Gregory and the Hawk. Favorite song from your favorite band? : Life Itself - Glass Animals will always always sweep. If I had to pick another because its already on this post, I'd go with Youth - Glass Animals. Song from your favorite album? :

It'd be a cop-out to do Glass Animals again, so I'm going to say Wake - The Antlers on Hospice. I discovered Hospice out of the tail end of a super abusive relationship followed by a super abusive group, both of which made me feel EXACTLY like the singer in Hospice. It genuienly took me like a month to get through it because it just hit That Hard. Not to say that it isn't good !! Its so fucking good. Its just like too good it tried to kill me

#Anonymous #Ask Games #Sev #FEED.BACKER

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thoughtbugatti · 2 years

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Hot Mulligan - you’ll be fine

Hi! Been a while lol. For quite some time now I’ve been feeling sort of uninspired by the music I listen to. Many of my favorite bands and artists really just aren’t putting out much music right now. Bring Me the Horizon have had one single in almost a year and there’s no word on their new album. Well, they’re the only one I can think of off the top of my head, I just want new music from them lol. Motionless in White did just put out an album fairly recently that kicked ass, as did Dance Gavin Dance but I’ll save those for some other time. ANYWAY. Back in like April I got on a Midwest Emo kick. Mom Jeans, American Football (again), Modern Baseball (also again). Then while mindlessly scrolling TikTok one night, I discovered Hot Mulligan. How Do You Know They’re Not Armadillo Shells in particular. Oh boy. At first that was the only song I really cared to listen to, then I found Please Don’t Cry You Have Swag while also mindlessly scrolling TikTok one night while the power was out. THATS what did me. I probably listened to that song 30 times that night. Few days later, I decided to listen to this album, and I just fell in love with them. Since I found this album, my last.fm scrobbles for Hot Mully went from like 60 to over 1100 in just a few months. It’s a real obsession, I mean I literally just saw them live with Heart Attack Man last night. Fucking killer performers by the way. Anyway!

In a very short time, you’ll be fine has become one of the most important albums in my life. Absolutely one of my top 5 albums of all time. The way each song is written and the way that Tades and Chris just belt each song is just so…raw and beautiful. On Digging In, they sing of the importance of consent as well as deadbeat fathers who fuck up their kids. On BCKYRD, they scream of how as you become an adult, your plans you make as a kid just kind of…die. Shit doesn’t get better, it just changes. I find myself coming back to this one in particular the most. On The Song Formerly Known as Intro, you’re greeted with:

“you’ve got a type, pasty skin and dead inside. Oh and green eyes. Eyes that look just like mine. You’ve got a motive, you pull your hair back oh I noticed, you can relax. Oh I make you panic call me when I’m manic but know that I’ll never call you back.”

EVIL. EVIL VERSES. It doesn’t scream to me, but it screams to relationships that I’ve had in the past and I find it HEARTBREAKING. Every time.

Equip sunglasses, Green Squirrel in Pretty Bad Shape, Dirty Office Bongos, Feal Like Crab, OG Blue Sky, We’re Gonna Make it to Kilby!; SPS, Analog Fade. Every single song on this album, I’ve grown a deep attachment to. I know every single word front to back, and any chance I get, I scream every single word at the top of my lungs just to feel something. Absolutely adore this album to bits and absolutely adore this whole band to bits. I can’t wait to hear what the fuck they come up with after this album, especially after Drink Milk and Run. Tades, if you ever read this, your hair is fucking gorgeous and I want a big ol smooch from you. Lol.

#music #midwest emo #hot mulligan

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dyklopces · 4 years

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what kind of music do u like

HANNAH thank you so much. I love talking about music aahhh :3

what first comes to mind is indie rock. i adore modern baseball and told slant and girlpool and it's my DREAM to see modern baseball in concert (will never happen but GOD I wanna scream just another face so fucking BAD)

after indie rock is pop but ONLY from 2013. like 50 ways to say goodbye, story of us, when can I see you again, metropolis (owl city bangs what can I say)

AFTER that is genuinely almost all emo music. im a fake fan cause ive like, barely listened to three days grace and linkin park but like. shit like that . obligatory "mcr was the first band I ever loved and gerard way is the reason I understand my gender at all"

also pop punk cause i have mental illnesses. my entire family makes fun of me cause i listen to blink 182 skdhsjdh but all time low was too important to me from 11-15 for me to do anything but adore the genre.

as for Everything Else, my guidelines are heavy drums, and sexy bass

#frankie fucks about #hannah banana #long post #AKDJSJJDHSH i love gushing about music sm SUE ME

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spitzofseidou · 4 years

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ace of diamond (season 1) review

Hey there! I have recently finished the first season of Ace of Diamond and I’m going to be reviewing on five categories: plot/pacing, characterization/relationships, voice acting, art and OST. Aaaand because of how much I enjoyed it, I’m going to throw in my favorite character, dynamic and OP/ED. At the end I’ll be adding rewatchability/recc score.

Genre: Shonen / Sports Subgenres: Comedy / Slice of Life / School Synopsis: Sawamura Eijun is a unique southpaw pitcher from a small town in Nagano with a lot of potential but unpolished skills. After being scouted to play for Seidou High School (a prestigous baseball school in Tokyo) he is encouraged by his friends and family to go and accept the offer and pursue his passion for baseball at a higher level. Confident to the point of arrogant, he declares that he will be the ace pitcher on this new team and be the best -- but has to grapple with the fact he is surrounded now by extremely powerful, talented players who have been honing their skills for years-- some of whom are better than him, like his rival Furuya Satoru, a pitcher with a wicked fastball. Together, this team aims to be the best in Japan and aim for the Summer Koshien, tackling formidable teams who stand in their way--as well as work on their own goals, dreams, fears and insecurities.

Plot & pacing: The pacing of this show is very well done. In a 75 episode first season, it is rather long, with many of the baseball games drawn out. But its well worth it, as the writing brings a lot of emotional gratification by “feeling what they feel.” Starting with Sawamura being scouted, going through intense spring training and the selection of the summer starting roster, throughout the highs and lows of the summer season and into the post-summer scrimmages and finally rounding out the season with the third-year retirement game before the fall tournament raffle, every bit is given important narrative attention.

The reveal of information through the eyes of the protagonist; not knowing about Chris Yuu Takagawa’s injury until Sawamura knows it, not knowing how much the current third years sucked as players until the right moment through flashbacks during the tipping point of the finals game, for example -- is such an important choice that we as an audience feel what he feels. The summer games feel very high stakes, the emotional impact is well-earned; every victory feels like it was earned and not given through plot armor or well ~obviously Seidou is the protagonist team, they have to win.~ Seidou as a team was written as strong but not invincible. SPOILER: This is emphasized at the finals game against Inashiro. Despite losing, while emotionally devastating, it feels like it was a logical writing choice and will be important growth for not just Sawamura but the team as a whole.

The yips arc that follows the loss wraps up in a very wholesome retirement game, with Sawamura not fully recovering, but beginning to do truly do so, and the hopeful note of beginning the fall tournament, leaving the audience ready and excited for more.

As a side note, Ace of Diamond very beautifully balances comedy to drama, so it takes itself seriously but is also genuinely comedic. I have two running jokes of “fellas, is it gay to x” and “screenshot of out context being x” as well as actually laughing over some of the planned jokes. But it is truly an emotional carthartic journey.

[Did I cry? yes. so much.]

characterization & relationships: All of the characters feel very well-rounded with diverse ethnic and social backgrounds and personality traits. Some may be static but many of them experience growth to become better people and players. Sawamura is a good “bouncing board” of a character, as someone who goes from arrogant to experiencing several setbacks and a devastating loss that makes him examine his own biases, weaknesses and flaws that also reveals to his opponents their own shortcomings. Several other characters are better players than him, and that’s okay. On the flipside, one of the canon examinations as well as audience reaction is that Coach Kataoka has a team who is a family, a well-oiled machine who works amazingly together because they trust and care for one another, that he encourages growth and inspires them to be the best not just as baseball players, but as individuals as well. The opposing teams are also not just blank slates to fight against, but thoughtful people with their own desires, backgrounds and flaws--Mei Narumiya is cocky and unable to handle criticism once put on a pedestal, Sanada Shunpei has low stamina, etc etc.

Something that’s extremely important to reemphasize is the relationship the Seidou team has to one another in that everyone affects everyone else. Sawamura chooses to go to Seidou specifically because Miyuki Kazuya, a first year at the time, encouraged him to pitch, so he had one upperclassman who already believed in him by the time he enrolled. Sawamura has both batchmates (first years Furuya Satoru and Haruichi Kominato) that encourage him through rivalry (Furuya) or gentle friendship (Haruichi) and several upperclassmen he admires and multiple times states he adores this team as it is, because he looks up to them for guidance and inspiration-- quiet team captain Tetsuya Yuuki, loud outfielder Isashiki Jun (the namesake of this blog, “the spitz of seidou”), speed demons Ryousuke Kominato and Youichi Kuramochi, and more.

In particular, he has an exchange of growth with Chris Yuu Takagawa, someone he mistook for being uncaring and hopeless about baseball with a dead-eyed appearance. Chris, after being injured, all but had given up on playing again, but Sawamura’s noisy and blunt personality who kept pushing him encouraged him to return to the field, and have hope again. Chris is a teacher that Sawamura then deeply respects and is there for him when he has the yips, returning the favor to help break him out his funk. The symbolism. *weeps*

Important to note also it that is isn’t just about Sawamura and the effect he has on them, but the relationships they have with each other. The Kominato brothers have their own relationship where Haruichi wants to be like his older brother; Isashiki may act wild and aggressive and cocky, but he is truly humbled by their team captain Tetsu; Miyuki and Chris met years before Seidou and that informs their dynamic and the kind of players they are today. This also extends to other teams; some have similarities like Akikawa Academy revering their pitcher Yang Shunchen and how that parallels with Seidou adoring Tanba even when he was out with an injury, and others juxtaposed with them i.e. how some players at Inashiro seem to resent the spotlight Mei receives or Shirakawa callously telling another player to kill himself.

I also wanted to note the way Coach Kataoka also sees his team; he is in many ways like a stern but loving father figure who wants the best out of his boys in every way, off and on the field. Other coaches seem to care more about money or fame than their wellbeing (Coach Todoroki or the replacement coach for Seidou), and others have different styles as coaches whether from pro experience or just age. It really emphasizes that it’s not just about the talent a team may or may not have, but how those players are nurtured as people.

(Favorite relationships: Chris & Sawamura, the Kominatos, Miyuki & Chris, .)

[Side note: if you care about shipping, this is a buffet, you’re going to have a great time.]

Voice Acting: The voices of this cast are spot on. Everyone’s voice seems to match their face and personalities and all of the voice actors give 110% to the character. The voices really make it for me, as I’m very particular about the sounds. It feels very realistic and the voices really make them seem like actual people and gives the audience a reason to invest. I’ve got nothing but praise for the voice actors and voice direction of this cast. Art: I could go on and on about the art. The motion is very fluid, the backgrounds are amazing. The character designs are stunning and everyone feels unique and given thought. Style-wise it was very refreshing to see as a lot of modern anime I’ve been watching seems to have the stereotypical “2000s” feel, whereas Ace of Diamond feels like a gorgeous late nineties/early 2000s homage--fitting since, despite airing in 2013-2015, the manga originated in 2006 and it followed the art of the manga nicely. The color palettes are very beautiful and vibrant. I remarked more than once while watching it that it was clear that the artists cared for studying human anatomy, movement and realism (in comparison to how some battle shonen care more for looking cool.) The art is what drew me in to begin with and it never disappointed. OST: I loved the OST so much. Frying-Pan did such an amazing job delivering gorgeous pieces of music. The beauty of it was just off the charts and went above and beyond to make fitting pieces for character themes, scenario specific pieces etc. Also the OPs by Tom H@ck and Glay were appropriately themed and got me pumped every time. I love the various endings also and their little character revealing bits. I like them all so much I never skipped them while watching.

[Favorite OP: Perfect Hero. Favorite ED: Cloud Nine. I listen to Cloud Nine literally every day.] Can I rewatch? Absolutely! Even knowing what’s going to happen, the emotional journey is worth it. Would I recommend? 10/10. Even if you don’t like sports, this is a great one. It was my first sports anime and it has set the bar so very high.

#spitz watches #spitz reviews

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ckret2 · 5 years

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“You’re so vain” “Give em hell kid” And “I hope you die” I’d love to hear those explanations

Righto! Okay so recap for the people who might have missed it, this is about the radiosnake playlist I mentioned/linked a bit over a week ago, Serpentine & Demonswing. When I posted it I also added an “and if you wanna know why any songs are on the playlist you’re free to ask.” The playlist is a work in progress so some of my answers are gonna be “so here’s the explanation for why it was included but tbh I’m not 100% on keeping it.”

Important things to mention before getting into it: the playlist is build specifically off my headcanons from “Cold Day In Hell,” and so all of the songs act on the assumption that CDIH is “canon.” (tl;dr: they’re exes, because Alastor got scared of emotional intimacy, told Sir Pent he never actually liked him, and ran off after blowing up all his airships.) The first chunk of songs is from Sir Pent’s perspective, the second chunk is from Alastor’s, the third is from them both or about them both, and the last few songs are “I like the vibe but honestly am not sure this fits the playlist.”

Also, y’all are welcome to keep asking me about songs, because this is a lot of fun.

I’m absolutely sure that tumblr is going to delete this read more out of the post but I’m going to put one anyway, maybe it’ll let this one work just to be contrary. If it doesn’t, I apologize for the dash stretcher, that’s just how tumblr do.

So! Explanations:

You’re So Vain (Lyrics)

This one is on the Sir Pentious side, so, although it’s not directly/accurately about Alastor, it is about how Sir Pent sees him in light of their catastrophic breakup.

Verse 1 is less on the nose in its description of Alastor, but you get the impression of someone who is obsessed with how he comes across to other people, and who is far more interested in himself and the image he’s giving off than he is in any of the people he’s trying to impress. A great deal of Alastor’s personality is—or at the very least, comes off as—completely performative. As though to this day he’s still nothing but a radio host performing for a listening audience, even when he’s only talking to one person. The fact that he’s always wearing a fake smile and pointedly providing his own sound effects adds to that impression of a performer who never breaks character.

And the fact that the character in the song is still wholly self-absorbed even when he’s dancing with a partner gives a nice little glimpse into how Sir Pent’s retroactively reinterpreted his last evening with Alastor.

Verse 2 is the stanza that comes closest to completely accurately reflecting what went down between them. First, the alliance between them, the implicit promises that they the were going to conquer Hell and then Heaven as partners in crime—“Well, you said that we made such a pretty pair / And that you would never leave”—and then, the breakup—“But you gave away the things you loved / And one of them was me.” It’s the one line that acknowledges that the character in the song did, indeed, actually love the singer, and wasn’t just performing a role/playing at being in love.

It’s also a line that would ring false to Sir Pentious, because in the aftermath of CDIH, he genuinely doesn’t believe that Alastor ever loved him. He completely buys Alastor’s claim that he was just screwing around with Sir Pent’s emotions for his own entertainment. Words to the effect of “one of [the things you loved] was me” would never come out of Sir Pent’s mouth.

However. Of all the lines in all of the songs in Sir Pent’s portion of the playlist, that one line is the most accurate thing that could be said about Alastor, the blade that would stab into the core of who he is and the role that he played in this story. Because of his vanity—his selfishness, his pride, his obsession with his own independence, his fear of love, his fear of vulnerability, his fear of sharing his life with someone else, etc.—he didn’t just lose what he loved, he did very deliberately and intentionally give it away.

(I’ve always found that line to be the most interesting in the song, for the hint that this vain person did indeed truly feel for someone else, so I’m glad that line fits so well here.)

Verse 3 is just more “what Alastor is like as observed by Sir Pent,” except even more accurately than the first stanza. Constantly running around, constantly moving on from one brief source of entertainment to another (just stuff “threw his support behind the Happy Hotel” somewhere between “gambled on a horse race” and “watched an eclipse”), constantly socializing with dangerous people and people whom he’s going to hurt without caring in the slightest.

Okay so that’s the lyrics.

Making sure the aesthetics/styles/genres of the songs match the character they’re for is one of my high priorities on this fanmix—not to the extent that having the wrong style is an instant dealbreaker, but I’m going to be hesitant to include a song that doesn’t at all match the sound I’m going for. For Sir Pentious, I’m kind of running with two styles.

The first style is “sounds Victorian-ish enough to get a shrug and a nod from anybody who doesn’t actually know/care about Victorian-era music,” so that’s gonna be just about anything orchestral/symphonic that doesn’t clearly fall into a different genre, symphonic metal that sounds symphonic enough to satisfy me, instrumental covers of other songs (string quartets, piano, full orchestra...), things with harpsichords (LISTEN i know that harpsichords are more baroque but they’ve got the right Vibe, you know, they’ve got the Feeling), and things with organ—but like, it’s gotta sound like pipe organ (pipe organ—sounds like a church) and not like Hammond organ (Hammond organ—sounds like a baseball game). Also steampunk, except a lot of “steampunk” genre music sounds swingy/jazzy, so those songs get ruled out because that’s Alastor’s aesthetic. And also, like, actual classical music, but I’m not into a lot of actual classical music, so I don’t think any’s actually made it in yet, lmao.

The second style is based on what the creator herself said about Sir Pent’s music preferences: “Sir Pentious would listen to Blink-182. Pentious would literally listen to stuff like Linkin Park, Green Day, the emo stuff.” So I took "the emo stuff” as “oh okay cool so the stuff I listened to at 15 got it” and ran wild with that. I’ve been most heavily drawing from My Chemical Romance, Panic! At The Disco, and Mindless Self Indulgence to represent that half of Sir Pent’s preferences. (MSI because I feel like that fits an in-your-face and morally jaded villain, P!ATD because their newer stuff fits his flamboyance and exuberance and egotism, and MCR because... because I know them best.) I haven’t yet made much time to carefully comb the discographies of the other bands listed or look into other more traditional emo-associated acts.

Carly Simon’s original “You’re So Vain” matches neither of these styles.

I combed through about 60 different versions of “You’re So Vain” on Spotify looking for ones that meet one of these aesthetics. Like 90% of them were, I’m pretty sure, just various singers adding their vocals directly over a karaoke version of Carly Simon’s original.

In the end, the only one that came close was Marilyn Manson’s cover. He’s a bit outside of the bounds I try to stick in for Sir Pent, but like, okay, he’s industrial metal, but in a particularly goth way, that’s close enough to emo. To my mind, “Sir Pent listens to emo” is like... Sir Pentious’s musical preferences are going to be, 1) counterculture, the kind of stuff that causes conservative Christian moms to go into moral panics, but also 2) mainstream counterculture, the kind of bands that produce huge hits & get featured in major blockbuster movies, but also also 3) slightly dated mainstream counterculture, i.e., at the end of the 2010s he’s listening to the bands that may still be popular but that peaked in the mid 2000s, in keeping with the way he’s trying to keep hip and modern but always seems a little bit behind.

So, in the 2010s, he’s listening to 2000s emo acts. In the 2000s, he was listening to the 1990s’ biggest metal acts (like Marilyn Manson) and possibly grunge acts (things like Nirvana, Smashing Pumpkins). In the 1990s, he was listening to the 1980s’ biggest post-punk and new wave acts (like The Cure, Joy Division/New Order, Depeche Mode). Always evolving his stylistic preferences, always trying to keep up, but always a little behind. So that’s how I justify putting Marilyn Manson in lmao.

Although that was the only version of “You’re So Vain” I thought fit well enough, I also found a version by Trash Pour 4, a version by Les Reed Orchestra, and a version by Giant Sand that were all very good. Trash Pour 4 is driving me crazy because I can’t quite figure out what genre they are, I just can’t place them—but they’ve got several other good covers that I’d like to take advantage of at some point.

I also found a song called “You’re So Vain (Christian Dior)” by The Energy Commission that’s not a cover of Carly Simon’s song, just a new song with the same name. I’m lowkey considering including on Alastor’s side of the playlist. It’d serve as a very sharp critique of how image obsessed Sir Pent is, there’s some snappy turns of phrase that seem like they’d appeal to Alastor’s sense of humor (my two favorites are “He went off the deep end ‘cause he’s so shallow” and “He’s got a timepiece on his wrist and it says ‘watch me’”), the fact that it’s a critique specifically of high class materialism fits with the fact that I headcanon Sir Pent as coming from British nobility while Alastor’s ancestry is both racially and socially mixed (including at least one close relative who was a slave, I’m thinking a grandparent but haven’t settled on my headcanons yet), and I love when there are parallels like that in playlists about the relationship between lovers/partners/rivals/siblings/any-combo-of-two-people.

The reason I haven’t added it yet is because, by the end of the song, it’s not just a critique of being a rich shallow image-obsessed douche, but specifically of how that culture ties in to exploitative capitalism that’s wrecking human lives and the world—which, in the context of the characters we’re talking about here, would translate into a criticism of Sir Pentious’s very-imperialist-sounding take-over-the-world villain ambitions. Which isn’t something I think Alastor cares about. He probably should, but like, he just doesn’t. He’s a villain himself. I’m sure he’s got his own morals and standards and hard limits but “take over the world” isn’t on his list of dealbreakers. What’s taking over the world include? Mass murder and subjugation? Yeah, he’s cool with that. So that’s why I’m still on the fence about adding it.

Give ‘Em Hell, Kid (Lyrics)

So remember how I said that My Chemical Romance is one of the bands I’ve drawn from most heavily so far in looking for emo Sir Pent songs? Yeah for about a day there were six different MCR songs sitting in Serpentine & Demonswing as I slowly whittled them down to the ones that I thought fit best. “Give ‘Em Hell, Kid” is one of the last three, and actually one that I’m constantly on the verge of cutting.

Lyrically, it’s an Alastor song. There’s mentions of the singer having come from New Orleans (listen... i am a sucker for songs that mention New Orleans, it automatically earns five points on the imaginary “is this an Alastor song?” rubric in my head). The singer is singing about a love interest who’s gone, and he’s making no moves to pursue/reclaim the love interest, wishing them well (“So go on, live your life”), but he’s a wreck and a lesser person without them (“If you were here, I'd never have a fear,” “Well I'm a total wreck and almost every day”), and it’s just getting worse with time, not better (“But I miss you more than I did yesterday”).

The line “Some might say we are made from the sharpest things you say” although directed toward “you,” i.e. the love interest, i.e. Sir Pentious, in my head actually reflects more on the things Alastor said to Sir Pentious: the cruel things he said to Pent—that he’s weak, ineffective, behind the times, a has-been, never going to conquer hell—ended up a self-fulfilling prophecy, because that’s exactly what Alastor’s rampage made happen. Today, as he is now, Sir Pentious is made from the sharpest things Alastor said.

“Your dreams and your hopeless hair” makes me think of Sir Pent’s wild efforts to conquer hell (and, of course, his ridiculous cobra hood), and “We never wanted it to be this way for all our lives” is a perfect expression of Alastor’s regrets/remorse over what his actions have done to both of their lives, but especially to Sir Pent’s life.

And all the references to violence—murder scenes, firing squads, sharpest things—fit with the fact that both of them chose to live lives soaked in blood.

So it’s a perfect Alastor song. The only problem is, it’s an MCR song, which is sooo far outside of my acceptable genres for him. (I’m not gonna get into Alastor’s genres now bc there are better songs to do that on, just know emo ain’t it.) And not only is it outside of his acceptable genres, it’s in the OTHER character’s acceptable genres, which is very messy. I can vibe with “lovers’ songs borrowing from each other’s aesthetic” a LITTLE bit when it’s used to represent, like, emotional synchronicity or the like (ex: both “Roustabout” and Vernian Process’s “Maple Leaf Rag” are on my “Alastor+Sir Pent style fusion songs” list). But MCR is a big departure from Alastor’s acceptable styles.

Plus, the playlist already has two MCR songs, and do I really need three songs from the same band? Unless there’s a really good reason, I try to avoid having repeats from the same band on one playlist—I feel like a good well-rounded fanmix oughta have a diversity of sources. (With “a really good reason” being something like “I’ve got the playlist divided into five sections detailing five phases of the character’s life and each section is introduced with a different track from the same band” or “I’ve got an instrumental version of the song to kick off the playlist to serve as ‘foreshadowing’ for when the version with lyrics shows up at the most dramatic moment” or something like that.)

If I was going to, like, make it a thing, I could. Justify it like “there’s one MCR song that represents them when they’re together, one MCR song from Sir Pent’s perspective, and one MCR song from Alastor’s perspective, like a little triangle,” but like... if I was going to do that I feel like I’d want to do it with a style that’s either representative of both of them or else independent of both of them, and MCR is so heavily a Sir Pent sound. Basically, having three songs from one band would be okay if it was a band that vibes with the overall tone I’m shooting for in the playlist—but it’s not. So I’m very torn on “Give ‘Em Hell, Kid.”

“El Tango De Roxanne” + “Overture” + “I Hope You Die”

Okay before I can talk about “I Hope You Die” by itself, I kind of have to explain its exact position in the playlist and its relationship with the other two songs I just listed.

While MOST of the playlist is chunked up into the four sections I mentioned earlier (Sir Pent, Alastor, both, undecided), within those sections the songs aren’t really in any particular order. The one exception is the very first three songs on the playlist/the very first three songs in Sir Pent’s section.

These three songs, presented in that order, all as Sir Pent songs, serve as Sir “in war, the side remembered is the side with the most style” Pentious the Super Villain making his big entrance like:

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“El Tango De Roxanne” starts slow/quiet, and then (with a couple of brief dips) it gradually builds in volume and pain and intensity, getting faster and more emphatic, switching from mournful longing to nearly-angry anguish, until it ends with a pained scream, steampunkish percussion, howling background singers, and a wailing violin.

And then it pauses, for just a moment.

And then “Overture” hammers you with the most dramatic opening chord you will ever hear on an organ in your life, perfectly matching the energy at the end of “El Tango De Roxanne” and maintaining that level of energy throughout the song.

And then it stops so quickly it’s like someone gasped, holding its breath for a split second—and then some dude yells “You must die! I alone am best!” and the guitars kick in for “I Hope You Die,” leading into a depiction of the most intense, vitriolic, disgusting sort of loathing imaginable.

The build-up from “El Tango De Roxanne” and “Overture” really revs up “I Hope You Die,” the intensity of the organ in “Overture” highlights the intensity of the guitar in “I Hope You Die,” and all together it hypes up what could have been just a dark humor song about hating someone into something that sounds like a very genuine demonstration of hatred.

And taken all together, it makes for a fantastic intro for Sir Pent.

It also serves as a perfect intro to the current state of affairs between him and Alastor—sort of expressing his personal emotional journey on the morning Alastor betrayed him, as his reaction transforms over the course of three songs from grief/despair to fathomless fury.

There’s more I could say individually about “El Tango De Roxanne” and “Overture,” but I won’t, because it’s “I Hope You Die” time.

“I Hope You Die” (Lyrics - warning for a whole stanza dedicated to hoping someone gets raped in prison)

A small handful of the songs in my Hazbin playlists were discovered in and added from existing Hazbin character playlists I found on Spotify before I started making my own. “I Hope You Die” was one of them, found here. Which is why it was added even though it doesn’t fit my strict genre standards, it won me over before I narrowed down the styles I’m working with lmao.

(I feel like “El Tango De Roxanne” was one of those too, but I can’t now find a Spotify playlist containing it that added it before I did. Where did I grab it from? It’s not something I would’ve looked up on my own, something must have inspired me. IDK what though. None of the other songs mentioned in this post were found on other playlists.)

So this song is, obviously, just about how much some dude hates somebody else and wants extremely horrible things to happen to them. It’s sorta... *eyes lyrics uneasily* ... sorta tasteless; but, tasteless in a way that I feel like reflects back on the character singing the song. The feeling I come away from after finishing the song isn’t “the band wants you to think the person they’re singing about deserves this to happen to them,” because it doesn’t even give a reason why the singer hopes this person suffers; but rather, “the band wants you to think that this is the kind of hatred that the character/persona the singer is portraying is capable of, this is the kind of vile stuff that character wants to see done to their enemies, this is representative of the depths of that character’s rage.” Which is why I’m like “yeah... okay, sure, that fits” even though I’m real iffy about the last couple stanzas.

Because for a character who’s in Hell surrounded by people who have stomped on the last dredges of their civility and decency, and a character who’s patterned after a super villain (and, because the series creator dropped the idea that there are heroes/villains in the living world, the only super villain in this setting), and a character who gleefully boasts about being evil, and a character who we know demonstrates very rapid/extreme emotions and expressions of hate/outrage... Yes, I can absolutely see this song as the exact sort of hatred Sir Pentious would level at somebody who’s slighted him. And Alastor blew way the hell past “slighting” him. Alastor, without exaggeration, has ruined his life (afterlife?) and over fifty years later Sir Pent is still unsuccessfully struggling to get back up to the level he was at before he even met Alastor. Right now, Sir Pentious really and truly and deeply despises Alastor.

A song like this—sheer, frothing, unrestrained, vengeful contempt—tells you a whole lot about what kind of emotions Sir Pentious is capable; and it tells you a whole lot about the kind of effect Alastor’s actions have had on him, to inspire this level of reaction from someone who was very close to him for fifteen years and increasingly in love with him for probably a good amount of that time.

Plus, the “You must die! I alone am best!” is such a very, very Sir Pentious sentiment.

So that’s those songs! Again, y’all are free to ask me for my thoughts on more. Yes, most of them will probably be like this, lol.

#(i'm p sure the fact that i included links means this will stay out of the main tags)#(but i'm gonna include some dummy tags so the main fandom tags aren't in the first 5 just in case)#anonymous #ask #music #radiosnake #hazbin hotel

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minkillah · 5 years

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hello everyone!! my name’s lua, my pronouns are she/her and i’m a resident of gmt+1. i’m super excited for this group to get rolling so i can write with you all. i play choi minki (kim taehyung) of lotto fame. if you’re interested in interacting with him just ♡ this post and i’ll give you all of my love.

born and raised in busan’s gamcheon village, south korea, the former underground rapper turned ambitious lotto all-rounder has been under marathon entertainment for nine years. winners know him as the unspoken protector of the group, and his observant nature allows him to encapsulate ideas in his music with a persuasive edge, but he’s at times criticized for being too eccentric and sardonic.

OVERVIEW

FULL NAME: choi minki

STAGE NAME: MINKI, minkillah (pre-debut/underground)

NICKNAME(S): min, key

GENDER (PRONOUNS): cismale (he/him)

DATE OF BIRTH (AGE): 1994, march 5th. (25)

HOMETOWN: gamcheon village in busan, south korea

RESIDENCE: seoul, south korea

OCCUPATION: lead rapper, vocalist and visual of lotto.

SEXUALITY: bisexual.

HEIGHT: 181cm

HAIR COLOR: naturally jet black (often dyed for his job, currently dark brown)

EYE COLOR: dark brown

TATTOOS: upper arm white tiger (sleeve tattoo, is a work in progress), roman numeral wrist tattoos (left wrist: lotto debut date / right wrist: his mother's birthday)

PIERCINGS: several in his ears.

SCAR: small childhood scar along his knee from falling on broken glass at the beach.

NOTABLE FEATURES: intense and piercing eyes / long eyelashes / big hands / deep voice / nose, cheek and lip moles / big boxy smile.

FACE CLAIM: kim taehyung

PERSONALITY

POSITIVE: protective, contemplative, playful, mischievous, ambitious, loyal, soulful, creative, plainspoken, focused, steadfast, sentimental, observant, intuitive, tenacious, passionate, wry.

NEGATIVE: eccentric, sardonic, juvenile, intense, pent-up, stubborn, hard to know, single-minded, competitive, temperamental, moody, untrusting, all-or-nothing.

LIKES: art, music, anything unique, reading long letters from fans, writing, working, poetry, performing, sincerity, intimacy, the sea, candles, mystery, travelling, warm hands, depth, long conversations, feeling connected to someone, driving at night, visiting home, his mother.

DISLIKES: feeling controlled, invasions of privacy, assumptions, loneliness, boredom, shallow conversations, having his trust broken, spinelessness, being lied to, self-victimizing, blowhards, people who don’t keep their word, his father.

HABITS: staying up late to work on music, collecting headbands and baseball caps, chewing gum, bouncing his leg, man-spreading, calling his mom every day, stuffing his hands into his pockets, scribbling lyrics on things he shouldn’t (napkins, his hand), clicking his tongue, quirking his eyebrows, making funny faces to relax, stretching his neck by tilting his head to the side, rolling his shoulders.

FEARS: losing his mom, never being accepted for who he is, resembling his deadbeat dad, the general public finding out his father left their family.

STYLE: streetwear, skatewear, city-ready and modern, comfortable, relaxed fits, a touch of grunge, baseball caps, logo t-shirts, headbands, thick rimmed glasses, black trousers, hoodies, worn buckle-boots, chunky sneakers, retro runners, wide-cut trousers, shirt tuck, pleated pants.

SMOKE? no.

DRUGS: no.

ALCOHOL: yes.

HEADCANONS

minki’s outer mask of aloofness is a cover for his stormy inner life. he’s always battling between his heart and mind, conscious of how emotions can make him look; sometimes he’s cool and level-headed, and other times he’ll throw his weight around. ultimately he’s emotional and has a great desire for intimacy.

once he lets his guard down, he’s more than willing to show how much he truly cares for someone. for special someones, he feels a poignant love strong enough to walk through the valley of the shadow of death. when these feelings are hard to verbalize, he expresses them best through action.

the promise of emotional depth and soul-level understanding shines out of his eyes. he’s a good listener, maybe because he’s often listening into the hidden layers of what people are saying. his closest relationships are the equivalent of feeling an overwhelming urge to call someone, only to find they were just about to call you.

in a world of tell-all social media, he’s quite a private person. anyone close to him has to be able to keep secrets. the classified files of his personal history are only ever revealed to those who’ve earned his trust.

while it can be hard for minki to let others in, he also intensely needs others, and he needs to go deep with them. it’s important for him to have close friends and special someones who are in it with him for the long haul.

he’s got an animal magnetism on stage and knows how to turn it on for the effect of something tender, edgy, soulful or brutal.

prone to jealousy and paranoia and will do anything to hide it. he needs mutual reassurance in relationships, and betrayal of any kind is the death knell for any relationship with him, friendship or otherwise. a true loyalist.

ambitious and will do whatever he needs to attain his goal. he also has a strong competitive characteristic that pushes him to strive for greatness.

drops one-liners and quotables in public that, for good and bad, will follow him until the end of his career. doesn’t seem to get embarrassed even when he misspeaks in interviews and can help dispel tensions at times using poker-faced humor at his own expense.

minki knew next to nothing about fashion or make up prior to joining the company and was shocked to learn stylists saw enough potential in him to appoint him as "visual" of the group. these days he moves with more awareness in regards to how he represents lotto to the public, and sometimes jokes in interviews that his face does all the work.

shockingly good at aegyo despite his image and the intense vibes his face gives off. variety shows used to love asking him to perform cute gestures and whatnot back in the day, but thankfully that doesn't happen as much now that he's older.

sheds not a single tear all year but can be seen full on bawling at the end of annual fanmeetings.

as the third oldest in the group, he’s something of a bridge between the younger members and the oldest members of lotto.

that big goofy rectangle grin makes him look like a different person when he smiles.

one of the members most likely to slip into satoori.

plays the piano; currently learning guitar.

RELATIONSHIPS

MOTHER: choi misun (52), a writer and local artist in gamcheon culture village.

FATHER: doesn’t know his father.

SIBLINGS: none.

OTHER RELATIVES: they’re rarely in touch.

PETS: none. loves & wants pets of his own, but worries he won’t be able to care for a living thing. dotes on other people’s animals instead.

LOVERS: single.

HISTORY

CHILDHOOD

when minki was born, his mom decided the only thing scarier than being a single mother was not being a mother at all. her ex-boyfriend, minki's dad, denied the child was his and refused to support her decision to keep him. her parents begged her to give the boy for adoption, threatening to disown her, but it was too late: looking into her son’s eyes she felt certain, more than she’d been of anything, that he wasn’t a mistake. he was her miracle. she would raise him alone, an unwanted mother and the black sheep of her family.

relatives gathering for holidays didn’t want the two of them attending, and neighbors were told made-up stories of a husband passing away, all to protect the family’s reputation. for some time, minki was too young to notice anyone’s absence: it’d always been just him and his mother and he didn’t know of anything different. this changed as he grew up and was confronted with the lack of a father figure in his life - or grandparents, aunts and cousins.

he became painfully aware of his mother’s struggles. her writing and art wasn’t enough to support them, and she worked too hard for most of her life, taking on several labor-intensive jobs to feed and clothe him. theirs was a humble but colorful life in the poor seaside village of gamcheon, located in the coastal city of busan.

at the epicenter of art, beauty and chaos, minki spent his childhood running through steep slopes and tiny alleys nestled between a mishmash of pastel-colored houses, a deep blue sky and ocean in the background. he was often alone, as all throughout school, there were classmates whose mothers instructed them not to play with him, or would tease him for not having a father.

birds of a feather flock together. minki found friendship in the company of children who either seemed different, outcasts just like him, or those who accepted him and didn’t care about rumors and social status. his best friend was a neighboring child of an eclectic couple of local artists and acquaintances of his mother.

in his early teens, there was anger and hurt simmering beneath minki’s exterior. he was at an emotionally painful passage of his life and wanted to act out, but knew that it would break his mother’s heart if anything ever happened to him. not wanting to hurt her the way his father had hurt her, minki turned to art as an outlet for destructive thoughts, and music became his way of dealing with the sense of chronic loss.

hip-hop was raw, emotional and honest. it was a device in and of itself, a friend to play with. twotime had a huge influence on minki as a teenager, and inspired him to start writing songs when he was 14 years old. thanks to the democratization of music through the internet, he found a way to pirate software and started producing beats in his bedroom.

CAREER

he was active in busan’s underground hip hop scene during high school, competing in rap battles under the name minkillah. it wasn’t only his rapping that garnered attention; minki eventually began establishing himself as an emerging producer, composing beats for local talent in his hometown.

looking for a challenge that would take his music to the next level, minki entered a hip hop competition held by marathon entertainment. when staff met with the young man in person, they insisted he enter a second audition with the potential of joining a new idol group the company planned to debut.

minki passed the second audition and joined marathon entertainment as a trainee at 16. dreaming of one day providing his mother the kind of life where she never had another day, and possibly making music with his role models in twotime, he moved away from home and enrolled into a high school in seoul to complete his formal education while attending daily vocal, rap and dance lessons.

after the grueling trainee period, he joined the final lineup of lotto and debuted as the group’s lead rapper, vocalist and visual.

CONNECTIONS

MASC.

SQUAD GOALS: masc. 20-30. (0/5) simply put, i’d love for minki to have this big dumb friend group featuring top dog male idols from marathon ent. they’re often seen hugging at award shows, going out for bbq, travelling together, clowning each other and breaking the internet whenever they upload selfies!!

MENTOR: masc. 35+. (0/1) this is an older muse minki looks up to and confides in. whether y/m realizes it or not, they’ve become a father figure to minki. he doesn’t have to be another artist! anyone who works at marathon ent (producer, choreographer, etc) would work, as long as minki feels like he can trust them. they’re equipped with the maturity and experience to give him advice about his life, music or relationships.

SOULMATE: masc. 23-25 (0/1) soulmate /ˈsəʊlmeɪt / noun “a person ideally suited to another as a close friend or romantic partner.” these two are each other’s, through and through. y/m is minki’s second home; they complement and complete each other. their relationship doesn’t have to be romantic at all, even if it has potential to be, in the case of complicated feelings and the crossing of lines. platonic or not, though, minki is in need of deep and meaningful connections, where he feels known. where he feels understood. he thrives off of them. y/m either knows minki since he lived in his hometown busan (there was a childhood best friend, if you’re interested) or since they were trainees. possibly they both attended the same high school in seoul, too.

RIVAL: masc. 23-27. (0/1) a little bit of friendly competition never hurt anyone. these two boys are seen as evenly matched in many regards (leave it to their fans to debate the validity of that, though) and often pitted against each other, sometimes on purpose to rack up clicks and excitement. whether there’s any truth to the rivalry or genuine animosity can be discussed! a future collab between them would create immense amounts of buzz, though.

FEM.

OLDER SISTER. fem. 35+ (0/1) quite similar to the connection above, but in this case, y/m is more of an older sister to minki, maybe even a mom away from home. seeing right through him, she knows when to put him in his place and when to offer him gentle guidance. she’s one of the people he’s come to respect the most at marathon entertainment and he absolutely loathes to disappoint her.

HEARTBREAK: fem. 21-25. (0/1) minki’s last love was a lost love. maybe they could’ve been happy together if they weren’t both idols, but it’s too late for that now. foolishly, though, they still keep in touch and spent time with each other as “friends.” they’ve seen so much and know so much of each other, there seems to be no greater comfort for him than hearing y/m’s voice and feeling their warmth in his arms when life goes to shit. but they’re still just friends… let’s hash the rest out to make sure we’re on the same page! inspiration for this connection comes from the lyric “isn’t that what friends are for, even if we used to be more?” from the song partners in crime. if the world was ending is another inspiration.

KNIGHT. fem. 18-23. (0/2) minki as an older brother to y/m!! growing up an only child, he never knew what it was like to have siblings, let alone a younger sister. i think his inexperience in combination with protectiveness could result in endearing and fun interactions. however, he is prone to projecting his own cynical and hostile views onto men that approach women he’s fond of, which isn’t exactly fair to anyone? having someone like y/m in his life could push him toward character-development, though.

NIGHTINGALE. fem. 22-24. (0/1) a nightingale made a mistake; she sang a few notes out of tune: her heart was ready to break, and she hid away from the moon. a small, sweet-voiced songbird that goes on singing late into the night. she's far too bright to be a nocturnal creature in his eyes, but she breaks the stillness, and she’s taken to asking him for advice. they’re quiet company, willing to sit in silence or talk for hours about who knows what, trying to figure out what they are. not even minki knows. he just enjoys her company, and perhaps they’ve found something to bond over. it's still small and precious and new.

ALL.

ALWAYS: if you're thinking of a different connection that isn't listed here but pings you, please dm me about it!! i'd love to plot and throw in my own suggestions. as a quick aside, i'm always open to friendship, group members, platonic m/f & mf/m dynamics, mentoring, flings, exes, secret relationships, rivalries, innocent crushes, muses, staff members, co-writers, trainees, unrequited feelings, pining, etc.

#ment.intro #OOC.

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redcarpetview · 5 years

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Charley Pride To Receive Inaugural Crossroads Of American Music Award At GRAMMY Museum® Mississippi's Annual Gala

Charley Pride

CLEVELAND, Miss. - Three-time GRAMMY® Award-winning, Mississippi-born country artist Charley Pride will be the inaugural recipient of GRAMMY Museum® Mississippi's Crossroads of American Music Award at the Mississippi Museum's 2019 Gala on Friday, Nov. 1. Established by the Museum's Board of Directors, the Crossroads of American Music Award honors an artist who has made significant musical contributions influenced by the creativity born in the cradle of American music. Pride will appear at the Museum's 2019 Gala to accept the award on Nov. 1 at GRAMMY Museum Mississippi.

"We are thrilled to recognize the great Charley Pride as the first-ever recipient of our Crossroads of American Music Award," said Emily Havens, Executive Director of GRAMMY Museum Mississippi. "As a native of Mississippi, Charley has had a significant impact on American music with his uncompromising honky-tonk country music. Charley broke new ground in the '60s when he emerged as one of the most successful black country artists at that time. It's an honor to recognize Charley Pride as the inaugural recipient of our Crossroads of American Music Award."

GRAMMY Museum Mississippi's Red Carpet Guild, an organization of committed volunteers whose mission is to promote, support and sustain the Mississippi Museum, is currently developing plans for the Mississippi Museum's 2019 Gala, with this year's theme being "Girls, Guitars, & Rocktail Bars." The Gala will celebrate the impact of women on music, and proceeds will benefit the music education initiatives of the Mississippi Museum. The event will take place on Friday, Nov. 1, at 6 p.m. at GRAMMY Museum Mississippi and will feature a reception, dinner and cocktails, live music, and a silent and live auction. Additional details regarding the 2019 Gala are forthcoming.

“I'm honored to be the first recipient of this award from the GRAMMY Museum Mississippi," said Pride. "And thankful to the many great American music artists before me that helped to pave the way for my success. I applaud the Museum for celebrating those artists and championing the importance of American music.”

Encore Broadcast of American Masters - Charley Pride: I'm Just Me: A special encore presentation of American Masters – Charley Pride: I’m Just Me airs Thursday, September 19 at 9 p.m. on PBS(check local listings) to coincide with the premiere of Country Music, a new eight-part, 16-hour film directed by Ken Burns, which features Charley Pride, premiering Sunday, September 15 through Wednesday, September 18, and Sunday, September 22 through Wednesday, September 25 at 8-10 p.m. on PBS (check local listings). Additionally, the documentary is streaming at pbs.org/americanmasters and on the PBS apps.

American Masters – Charley Pride: I’m Just Me traces the improbable journey of Charley Pride, from his humble beginnings as a sharecropper’s son on a cotton farm in segregated Sledge, Mississippi to his career as a Negro League baseball player and his meteoric rise as a trailblazing country music superstar. The new documentary reveals how Pride’s love for music led him from the Delta to a larger, grander world. In the 1940s, radio transcended racial barriers, making it possible for Pride to grow up listening to and emulating Grand Ole Opry stars like Ernest Tubb and Roy Acuff. The singer arrived in Nashville in 1963 while the city roiled with sit-ins and racial violence. But with boldness, perseverance and undeniable musical talent, he managed to parlay a series of fortuitous encounters with music industry insiders into a legacy of hit singles, a Recording Academy "Lifetime Achievement Award" and a place in the Country Music Hall of Fame.

The film includes original interviews with country music royalty, including Garth Brooks, Dolly Parton, Brad Paisley, Darius Rucker and Marty Stuart. It also includes several on-camera conversations between Pride and special guests, including Rozene Pride (his wife of 61 years), Willie Nelson, and other fellow musicians. The film also features many songs from his repertoire of classic country hits, along with more modern cuts like "Standing In My Way," from his latest album Music In My Heart, released in 2017.

View the Trailer Below:

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On January 30, 2019 the film made its world premiere at Belmont University in Nashville, Tennessee. The premiere featured an appearance by Charley Pride himself, along with special guest artists featured in the film, including the film's narrator Tanya Tucker, Jimmie Allen, Janie Fricke, and Sylvia Hutton. Members of the media, and other family and friends of Pride also attended. After the film a Q&A was hosted by the film's director Barbara Hall, and journalist Robert K. Oermann, Country Music Hall of Fame's Peter Cooper, and Charley Pride.

Websites/Socials:

pbs.org/americanmasters facebook.com/americanmasters @PBSAmerMasters #AmericanMastersPBS youtube.com/AmericanMastersPBS instagram.com/pbsamericanmasters

Charley Pride Tour Dates:

2019 Sep 20 – Isleta Resort & Casino / Albuquerque, N.M. Sep 27 – Norsk Hostfest / Minot, N.D. Oct 05 – Sugar Creek Casino / Hinton, Okla. Oct 18 – Five Flags Center / Dubuque, Iowa Nov 09 – Deadwood Mountain Grand / Deadwood, S.D.

2020 Apr 24 - Nugget Casino Resort / Sparks, Nev. For Charley's most up-to-date tour schedule, please visit charleypride.com/tour

For more information, visit grammymuseumms.org, "like" GRAMMY Museum Mississippi on Facebook, and follow @grammymuseumms on Twitter and Instagram.

# # #

#Music #Charley Pride #charleypride #grammys #grammy #grammymuseum #The Recording Academy #Neil Portnow #naomi richard #naomijrichard #naomi jean richard #RCV #Red Carpet View #Events #Music tour #Nugget Casino Resort #Charley Pride Tour Dates

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cindylouwho-2 · 5 years

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RECENT NEWS, RESOURCES & STUDIES, mid July to August, 2019

Welcome to my latest summary of recent news, resources & studies including search, analytics, content marketing, social media & ecommerce! This covers articles I came across from July 14 to August 24, although some may be older than that.

Tumblr has not been saving all of my drafts correctly, which has led to me rewriting some of this post more than once. (I’m now going to be compiling it elsewhere & pasting it here when done, to avoid this issue in the future.) That, a heavy workload, and some vacation time delayed & truncated this report.

But the good news is I am now on a more consistent schedule, with more time to read and write. I expect to be getting this back to 3 times a month very soon.

Are there types of news you would like to see here? Please let me know! Leave a comment below, email me through my website, or send me a message on Twitter.

TOP NEWS & ARTICLES

The priority placement is US search for items that ship free has been around for nearly 4 weeks, and doesn’t seem as disruptive as some feared. Etsy is conscious that non-US sellers are particularly upset about this, and have therefore published a list of things they are doing to help international sellers. (note that most of those things also help US sellers that ship to other countries,

Etsy’s 2nd quarter results came out on August 1. Everything was up, but not quite as much as some experts predicted, so the stock is down quite a bit. The big announcement was that Etsy will be combining Promoted Listings & Google Shopping ads bought by sellers into Etsy Ads. They are supposed to launch in August, but I have yet to hear of any seller who thought this was a good idea.

3.5 million people worldwide use at least one social media platform. (That’s 46% of the planet’s population.) And more than half of the planet - over 4 billion people - watch videos online. “[H]alf of all internet users below the age of 35″ use voice to operate their devices, with 43% of internet users worldwide using voice at least occasionally.

SEO isn’t enough; you are going to have to spend money to be seen, if you don’t already “The last 18 years have been an anomaly. Twenty years ago, if a brand couldn't afford to pay for a newspaper or a radio ad, the media company didn't give the company time to publish a public service announcement. SEO allowed companies to go through a period where they received free listings on search engines like Google and Bing. Sending people to a brand's website is like getting a free television or radio commercial or newspaper ad or billboard at the baseball park in 1984″

Trend watch: both clothing retailers and makeup companies are seeing a drop in sales as their markets shrink. If you sell either, you will want to read both articles, as there are some parallels between the two areas in regard to what is and is not working.

ETSY NEWS

Etsy purchased musical gear website Reverb for $275 million; it will continue to run separate from Etsy. Etsy stock went up at the time. This is notable because Etsy hasn’t bought much lately; it looks like they are slowly dialing back the panic mode, single-goal approach. Their business acumen has disappointed one commentator [humour].

Etsy is “improving” Etsy shop stats. (Note that the Google Shopping category is apparently for the ads you buy yourself only, not the ones Etsy buys, so you will need to use Google Analytics to look at those hits for the moment.) This seems to be leading up to the launch of Etsy Ads (see above).

Here’s some coverage of Etsy changes in the past few years (not a lot new, with some errors).

Etsy seems to be ramping up its monitoring of seller customer service factors, as more people are receiving email notifications that their shops are falling below Etsy’s customer service expectations. I expect that any updates in this area might involve the new chat convo thingy: Convos are changing to live chat threads, which you cannot write more than one paragraph for because hitting return sends the message. It’s a mess. (Please forgive my frustration; I’ve already had to deal with over 40 separate convos from one buyer alone.)

There will be a site-wide Labour Day sale August 30-September 2, which Etsy will apparently be promoting.

Fall fashion trends as promoted by Etsy: apparently silk scarves are in, for all sorts of uses. They also released their holiday trend report (pdf file), which I will summarize next week if I can find the time. It’s worth a look, because they divulge some top search data. You can also listen to the podcast, or read the podcast transcript.

This article on tiered pricing and increasing your average order value is geared towards people using the $35 free shipping guarantee, but it is also useful for anyone wanting their customers to buy more from them.

Staff will be using the Etsy Success section of the forum to post weekly tips called “Etsy Insights”. So far, they have been posting each week’s thread in that announcement post, so it is easy to skim and see if any topics are relevant for you.

They are also asking members to sign up for more research surveys; so far, I am finding it pretty boring, and all of the content on their “hub” page is over a year old.

The expansion into India saw their domestic listings more than double last year. Free workshops have helped bring many new sellers aboard.

SEO: GOOGLE & OTHER SEARCH ENGINES

Google’s John Mu, who does SEO outreach & education, reminds us that “LSI keywords” are not actually a thing. (LSI was a computer method to figure out relationships between words back in the 1980s; no search engine today is using it, as they have real search data on how people relate words to each other, and it just doesn’t give any insight into modern search technology.)

You don’t need tons of backlinks, but you do need good ones. And linking out on your own site is a good idea in many cases [video], as long as it serves your readers.

Using images that show up on many different web pages can harm your SEO. They used stock photos that showed up on hundreds of pages for this experiment, so it is not likely that using your own image on 5 sites, for example, would be a problem.

It looks like there was a fairly significant Google update around July 18th; there’s a bit more coverage here. The last 3 large Google updates are summarized & analyzed here.

Google then released a blog post explaining their core updates and what you should do if you are negatively affected by one. They linked to several SEO websites explaining Google’s concept “E-A-T” (Expertise, Authoritativeness and Trustworthiness), which is particularly important if you produce blog posts or educational materials.

Less than half of Google searches now lead to a click on a website result, at least on desktop. Mobile Google searches overwhelmingly do not result in traffic to a website any more. (Note: as I always remind people, the data from these types of studies is always a bit suspect, because they only have a slice of the data, but the provider here probably has the biggest slice worldwide.

Do you do some simple coding on your website or blog? You will find this beginners’ guide to canonical tags and the different uses of redirects and canonical tags [video & transcript] very helpful. If you are a bit more advanced than that, here’s a good guide to meta tags.

CONTENT MARKETING & SOCIAL MEDIA (includes blogging & emails)

Hubspot puts out a lot of good digital marketing guides; check out their “Ultimate Guide to Content Distribution”. Also, they covered how to write a great (& SEO-effective) blog headline, with examples.

Some stats on current social media usage [infographic].

Verizon sold Tumblr to Wordpress owner Automattic.

Snapchat users continue to increase, as does revenue. They still aren’t profitable, but didn’t expect to be yet.

Not getting enough traffic on Facebook? Here’s how to get seen by more people there.

There are ways to optimize your LinkedIn profile to get more sales.

How to get valuable Twitter followers, that is, not bots. (They use Etsy as an example of a well-optimized Twitter profile.)

ONLINE ADVERTISING (SEARCH ENGINES, SOCIAL MEDIA, & OTHERS)

Amazon is making advertising an even bigger slice of its income.

Digital ad spending is continuing to increase in most areas.

Facebook is expanding its search ads to more businesses; it’s not really clear how it all works, though. The ads must also run as news feed ads. Here are some basic tips on how to get the most out of Facebook’s ad algorithm.

With Etsy possibly ending the free Google Shopping ads it currently buys for us (see the Etsy Ads announcement above), this might be a good time to look into buying Google Shopping ads for your website; here is your complete guide to setting them up.

More changes to regular Google ads mean less control for the business buying ads, meaning that exact match phrases are no longer even close. “Google says 15% of its daily searches are new — and advertisers will miss out on these new queries if matching is too tightly controlled. Its machine learning systems, the company says, can infer intent and spare advertisers from creating exhaustive keyword lists in order to get their ads to trigger on relevant queries.”

If you are thinking about paying for ads on Pinterest, you will want to read this starter guide.

Twitter video ads now have an option to not pay for a click unless people view at least 6 seconds of the video.

STATS, DATA, OTHER TRACKING

How to use Instagram Analytics to boost your business. (That is written for companies that are larger than most Etsy shops, but there is plenty of good material there.)

ECOMMERCE NEWS, IDEAS, TRENDS

eBay beat earnings expectations in the second quarter.

Amazon had higher than expected sales but lower than expected earnings in the second quarter. They keep thriving despite low profits margins because they have a massive cash flow.

Alibaba reported higher than expected revenue and profit for its first quarter ending June 30th.

Amazon sales on Prime Day (July 15-16, actually 2 days) were greater than last year’s Black Friday & Cyber Monday combined, and also signed up more new Prime members on each than ever before. Other websites also saw a big boost, especially for electronics.

Amazon forced to amend its seller policies worldwide following German legal action. As of August 16, they will give 30 days notice for standard account cancellations.

And they have expanded their robot deliveries (still followed by humans, though!)

BUSINESS & CONSUMER STUDIES, STATS & REPORTS; SOCIOLOGY & PSYCHOLOGY, CUSTOMER SERVICE

While buyers do love free shipping, nearly half of US consumers surveyed will choose to pay for shipping in certain circumstances, most commonly when they really want the product. Only 11% said they never buy unless shipping is free.

When you are trying to sell something, and especially if you want a repeat buyer, make sure you are pitching it to the right target market. For example, people who don’t want to spend a lot of money won’t buy things they can get for free elsewhere. Provide value for the right people. (A lot of this article is pitched at entrepreneurs selling classes and events, not tangible products, but I think there is a lot of value in the explanations.)

MISCELLANEOUS

WordPress is one of the most popular ways to set up your own website; here’s a beginner’s guide to getting started.

Google beat earnings expectations in the second quarter. Ad revenue was up a lot. Microsoft also had a better-than-expected quarter, but the growth of their search ads and of LinkedIn (which they own) has slowed.

How to choose colours that will work together well.

There is a lot of research on productivity; here are 10 things you can do to get more done.

If you use Chrome, you could really use these Chrome keyboard shortcuts.

#seo #search engine optimization #search engine marketing #etsynews #analytics #stats #social media #contentmarketing #ecommerce #smallbiz #cindylouwho2newsupdates

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makingnewenemies · 6 years

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Hi Hi Hi. Here is a little blurb I wrote off the top of my head about all my friends on this year’s Group Picture Vol. 8. I love them all. I love their songs. And I love that we still keep up this stupid tradition; and somehow the comp keeps getting better and better. Thanks everyone! Merry Christmas / Happy Holidays :) - walt

Sour Guy - All Those Plans Were Wrong

Last summer Kris Schobert (Sour Guy, Walter Etc. / Mitty core member, Ernie…) was admitted to the hospital… and then again… and then again…. I think he spent like a month total in the hospital. It was not chill. But when he got out, the whole experience gave him a bit of clarity and new perspective on his life and the decisions he has made thus far. I won’t speak any further for him, but Kris… hey, nice song! And your quality home recording production and continuation of the WMAHMO slop sound doesn’t not go unnoticed! This song made me tear up in a coffee shop the first time I heard it.

Slaughter Beach, Dog - Big Band

Slaughter Beach, Dog are randomly GP staples by now but also one of my favorite bands and greatest friends. This song is a bit of a sound change for them, swapping mid tempo soft rock John K Sampson vibes for a theatrical late 60’s / 70’s sound that is a bit more light hearted than normal and I LOVE IT. It’s catchy, it makes me laugh, yet its so true. Glad to have these boys back this year.

Teal & Jer - Alphabet

Portland’s dreamiest duo Teal & Jer (Chain, Riled, Loose, lots of projects) bring a quirky alt edge to our otherwise bland and boring comp. Without them, we’d just be us. I personally would like to hear more Teal solo work??? Teal???

Milk Flud - Rodeo

If you don’t fuck with Milk Flud then you can get out.

Chase Hoyt - Health

Chase Hoyt (Ubu Roi, Feed, Chaz and the Minions of Chaz, The Rodeo…) is a GP fixture by now, and important asset to MNE because it’s his classic rock sensibilities that balance out the overload of folk / indie rock that we swim in. This song not only has a comically true message (health is the most important, i agree Chase) but the vibe, especially the chorus, has my head bobbing and me feeling like I’m on a grassy hillside at an outdoor concert in the 70’s, but also one glass of wine deep making homemade pizzas at an Air BNB with a girl I love, and that is a nice combo of feelings. “Let’s wrap it up / I’ve embarrassed us all enough”

Dry Goods - Learnt Nothing

You hear that flawless acoustic finger picking? That masculine story telling voice that sounds somewhere between a suburban Bob Dylan and a cowboy singing to the emptiness of the high desert? Yup, its Russell Park AKA Dry Goods and FKA Weston Bookhouse coming at us with another folk masterpiece, but this year adding in some new elements we aren’t quite used to- namely some cruisey guitar solos! Rumor has it Dry Goods is in the studio recording a new album right now and I would not be bummed out if this song were on it.

Byronius Punk - Beautiful Things

I just spent 3 weeks with Byronius Punk (Ian Farmer of Slaugher Beach, Dog / Modern Baseball) at his studio The Metal Shop in Philadelphia making a record with his beautiful mind and his new drum machine- so this song really hits home for me. I could write an essay on why this is the perfect Group Picture song- my three main points being - 1. It is a song about the act of creating. (“in everything that exists there lies a certain beauty / I want the world to know how much it all means to me”) which is exactly what Group Picture aims to celebrate. 2. It’s a song written and performed by someone who is usually more in the background of his bands (bassist / backup vox / recording engineer) but here has a platform to express his own individual style and skills, which is exactly what Group Picture wants to promote. 3. It has a Milk Flud name drop, which is a classic and classy GP / MNE move. Thank you Ian. You rule.

Dante Elephante - It Bothers Me

Dante Elephante are Santa Barbara legends and their new album “Rare Attractions” shows them evolving their sound into more loungey and ethereal territory. I am so glad they have joined GP this year, because I see singer / songwriter Ruben almost every weekend when he DJ’s at The Tavern in Ventura and I drunkenly annoy him / vaguely fan boy out on him. Dante being on Group Picture is a sign that our friendship extends beyond Saturday nights at the Tavern. Also their album vibes hard. Check out Rare Attractions on Spotify.

Peanut Butter Cups - Highest Quality

Petition for Aaron Kovacs (Peanut Butter cups, Lauren Records CEO, Winter Break and Summer Vacation drummer) to finally put out a full album? This catchy lo-fi pop rock is undeniably infectious. Fun fact: I’ve been hanging with this boy for almost 10 years and I’ve never heard him sing, but then he sends me these recordings and I’m like wtf your voice is so cool! If he makes a full album, MNE will put out the LP and still give him 100% of the digital income. That is how much I like Aaron’s style.

Anika Pyle - Young Love

I once wrote a song with the lyric “I’ll probably see her on tour but she won’t be on Group Picture this year.” I’m so glad I was wrong. Welcome to GP Anika Pyle! Anika (Katie Ellen, Chumped) plays raw emotional pop rock songs and this gem “Young Love” is just the tip of the iceberg. When her vocals max out at the end of the tune and you get a little bit of musical goosebumps, that is the feeling you get for a full 30 minutes of watching her play live. Anika, please come in and stay for a while!

Walter Etc. - This Would Only Happen to Me

Ok ok enough of the soft emotional bullshit. Here’s a song about someone coming to kill me! It’s 100% true. If you’re reading this, help!!!

Jake Lee - Good Run

Jake Lee (Bleeding Gums Murphy) strikes again with a lo-fi indie gem in which we hear Jake Lee reflect on his gaime from last year. Sounds like he made some interesting choices and is coming to terms with them? Or did I miss the mark, Jake? He is and always will be one of my favorite songwriters and his voice in this fuzz effect is not a bad look, I have to admit. The only way my life would be better is if Jake made a full album. Cheers homie.

Babytooth - State Quarters, OR

Technically, this is Babytooth’s official debut on Group Picture, but Portland, OR singer / songwriter Isabel Zacharias had a song on the comp last year that blew me away. It was her vocals and lyrics that hooked me then, and are still yanking me now. Now backed by a full band that gives dynamic range to her songs, it was still that first line “now you know you want a girl without a phone” that had me nodding “yup i love this”. Fingers crossed for Babytooth to become a GP staple.

Trashbike - Weasel

Trashbike is Bread (Blowout, Walter etc., Donkey Lips) and his homie Ru playing the pedals. He told me he wrote this song while stumbling home from the Bye and Bye. Bread is like a sexy emo prince, can’t you hear it? This song rules and I really hope Trashbike is more than just a one and done GP band. I would listen to a few albums of soft songs like this, wouldn’t you?

Banned From Japan - Vegan X

Welcome back to the Socal Valley punk rockers Banned From Japan! If you know that singer / songwriter Matthew Earle has been sober for a few years, this song is hilarious, simultaneously poking fun at vegan straight-edge and himself. The music rips and his vocals are catchy af. Fat Wrecks Chords come and sign Banned From Japan asap!

Walter X - Winter Shy

Ok. This is a bit meta. Walter X (Michael Mahaffie and his WMAHMO / Walter Etc. hardcore chip tune cover project) covers an old Walter GP song as his own GP song. Pretty niche MNE content! This song, in this Lifetime-esque style, his vocals so clear but so gruff, those guitar harmonies, the creative intro and chip-tuney bridge…. this literally gives me chills and is so much better than the original. I encourage anyone reading this to go check out his own original music under the name Jump Cut. It sounds just like this but with Michael’s own songs, shedding the limitations of the musical simpleton Walter songs. Also, check out the full Walter X album on Spotify! What a talented dude…

Curling - Genkai Trip

Curling released their MNE album “Definitely Band” this year and the musical arrangements / song structures absolutely floored me. Genkai Trip is a song that got left off the album, but lives on through GP! Singer / guitarist Bernie Gelman noted “There's some pretty wacky guitar overdubs where Jojo and I each doubled some guitar parts while the other person was playing with the trem on the guitar, so you get this really weird detuning effect.” and yup that is Curling in a nutshell for you. Always excited to play around with gear and recording techniques that are way beyond my level. I think this is an extremely underrated band and highly encourage the world to check out Definitely Band on spotify!

Ali Muhareb - DIY Hell

Ali? What the hell did you even make this song? It’s intriguing in the verses and then when the chorus busts out it sounds like if Dough Martsch were an up and coming artist in Portland in 2018. I actually had to text Ali to ask what these guitar sounds were and, if anyone is interested, he responded, “I compressed two guitars together through a virtual amp. And they’re both running through this sick pedal I got called the Data Corrupter.” For sure Ali! Thanks for a bad ass tune.

Dakota Loesch - Don’t Solve My Mysteries

I’ve been listening to a lot of Dakota’s music (solo, Animal City, Lemp Lungs) recently. I keep coming back to it, and its not a mystery. After hundreds of songs in his pocket, songs like “Don’t Solve My Mysteries” still sound musically and lyrically fresh, like Dakota has never had writer’s block in his life. When I listen to his music, I feel like it vicariously breaks down my own creative barriers. For instance when I first heard this song and he dropped the hook “just don’t solve all mysterious” I had that knee-jerk urge to ditch what I was doing and go write a poem or something. His will to create is just that contagious. Combine that with the Casio-keyboard bedroom drum machine vibe that I love so much about his songs like “The Basmati Rice” and you have a 10/10 GP banger.

Jerbear - Nowhere Girl

Jerbear is Jeremy Murphy (Teal & Jer, Riled, so many) and he is the king of a few things: weird bad guitar tones, asymmetrical organic song structures, rad lyrics that I never understand, and a voice that is universally loved. He stole my heart with Cranberries in the Cosmos on a previous GP, but I think Nowhere Girl takes the cake. Jer- when do we get the full solo album? Please don’t fall into the category of GP lost wonders. You’re not too shabby at this music thing!

Hemingway - Catch My Cool

Catch My Cool is a B-side from Hemingway’s You Will Never Be Happy.

I played drums in Hemingway at this time and I always vibed that Benny didn’t really like the way this song came out int he studio. I don’t get why? That vocal melody, soft sad and surfy guitar leads… it makes me wanna hold hands with a girl on Christmas Eve while walking down some bougie street looking at Christmas Lights. It sounds like a Starflyer 59 worship track and I love it for that. Benny, you made a mistake. This song should have made the album.

Alex Maddox - The Hypocrit’s Dilemma

I’ve heard Alex play this song when we get together to jam, and he always laughs it off as a Walter Mitty rip off song. But honestly, this is what I wish WMAHMO would write about if we made a folk punk record today. If you listen to this song knowing that Alex Maddox was a guy who quit his high paying job to travel Europe in his van, surfing and skating and working on farms, the lyrics to this song are way more wanna-be Walter Mitty. The song depicts a transformation in his paradigm and is completely raw, authentic, and sincere. Alex inspires me to chase a wholesome life that is designed for and by myself, rather than the obvious and sterile template that is provided for us, and this song exemplifies that 1000%.

Uncle Uncle - Nira (I’m Alive)

We played with Uncle Uncle last year in Santa Barbara and I honestly think we should have opened for them. They are actually a good band, both live and recorded. Stylish, friendly, and comically laid back- they might be the quintessential Santa Barbara band. A semi-new band, Uncle Uncle is gaining momentum quickly, and I won’t be surprised when the day comes that Kevin and Dom big time me on State st. Til then, I’m just glad I get to claim that they were on a Group Picture.

Humphrey Orlando - Set U Free

Ah, Humphrey. No, Humphrey accompanied by Toast. Two legends as old as MNE itself. What is there to say? I could listen to their wandering ballads til I fall into the Big Sleep, and still the melodies linger on…

#group picture #group picture volume 8 #making new enemies

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