#also using the library computers to edit and print zines

[nonbinarygerard]

besties I'm still working on it I just had to submit like 4 assignments and have many more to go lol it should be done when art school semster is over in a like two weeks

working on a printable version of gerard's hestiant alien zine

[aaronsrpgs]

A Worksheet Manifesto (Rough Draft)

The Worksheet Manifesto is an attempt to explain why I'm moving my game design toward something I can print for free at the public library and give away. It's not a scold or a call to action; I buy full-color zines and hardcover books, and I support people charging for their work. This is a personal manifesto—an exercise in self-exploration.

The first reason I pursue this is ACCESS. I want people to be able to find and play my games. (Accessibility is maybe a better word for this, but I don't want it confused with the process through which something is made easier to use for people with disabilities.)

Some of the main barriers I've seen are financial (someone can't afford my games), technological (lack of computers and/or printers makes it more complicated to read my games), and international (shipping to someone outside the U.S. is prohibitively expensive).

Combining these three elements, I realized I wanted my games to be cheap or free. The common "community copies" solution on itch.io is much touted, and for good reason, but as I tried explaining the process to friends who weren't familiar with the site (or who flat-out aren't tech savvy), many responses were confused or frustrated. So I've set most of my games to pay-what-you-want with a suggested price.

Going from computer tech to printer tech, my most recent games were laid out in black and white, without ink-sucking textures (although some still have large spots of black in the art--something I continue to consider). Many American libraries offer limited free printing, and I always hope people will "utilize" the printers at their jobs or schools. I want people to be able to easily print out my games and share them at the table or pass them to friends.

And more selfishly, I hate dealing with fulfillment and shipping. It's stressful for me, it requires money up front to print things, and I'm bad at it, which means shipments go out slow, or not at all if someone lives outside of the U.S. Creating a file that's easy to print hopefully encourages people to create their own copies.

These cheap print copies also hopefully contribute to a feeling of DISPOSABILITY. I grew up with comic books, magazines, newspapers, and mass market paperbacks, and I think these cheap, short slabs of culture helped them feel like someone could engage with them without having to be fancy or educated or in the know. (A lot of us gatekeep ourselves!)

Prices for RPGs, like so many nerd collectibles, have steadily risen at least since the start of the pandemic. Crowdfunders often capitalize on FOMO, encouraging people to go all in on deluxe hardcovers with fabric bookmarks or whatever. And if my experience working at a used game store is anything to go by, lots of those fancy editions go right onto the bookshelf, unread. Don't want to break the spine or get fingerprints on it!

And I guess I'm just against consumerism? If someone wants a nice thing, I hope they get it, but a culture of games as luxury items and status symbols is not something I'm interested in.

So if someone has a game of mine and they don't want it anymore, I hope they pass it on, put it in a little free library, or recycle it.

And those dirty little printouts of my games? I want people to touch them and write them. I want TACTILITY. This is partially a usability issue: 300-page hardcovers are hard to find information in, and they're heavy if you have to lug them to a friend's house.

So I try to design games where everything a player (including the GM) needs is on, at most, three sheets of paper. I want them to be able to spread a couple pages out and take in the shape of the game they're about to play. I want them to circle things and make notes in the margins. Moving a pencil around does wild things to your brain, the same way that picking at a guitar or molding clay does. It focuses attention in interesting ways.

And in the end, you hopefully have a personalized article of play. And if you spill beer on it, no one's worried about replacing that $50 hardcover.

Speaking of beer, I want my games to be available to and contribute to COMMUNITY. As the pandemic started, I retreated into lots of online spaces, and those were absolutely vital to my survival. But I lost touch with lots of my friends and acquaintances in my city. I want to reconnect with them.

One of my favorite cartoonists, Mark Connery, is known for drawing little zines and just...leaving them all over. Coffee shops, art galleries, bathrooms. And when I think of him, I think of an artist responding directly to the places around him. Is it sad that some of this work is probably "lost" to all readers other than the person that happens across the zine? A little bit. But I think that comes from a bad part of my brain, the part that wants to own things.

I certainly don't want the entirety of my own work collected and widely distributed. Some of those things were specific responses to specific times that I've moved past. Some were bad! But I want to keep responding to my specific times and my specific place. I want to give things to friends (even if they just pass them on or recycle them). I want to give a game to someone at a zine fest and have them recognize my name from a zine they read in a coffee shop bathroom. And maybe they'll give me a zine in return.

My last hangup is MODULARITY. First, similar to tactility, I want to be able to give a player only the rules that matter to them. Character creation and basic rules? Here's a page. And once you're familiar with that and we've entered a downtime phase, here's a page with those options. You want to start a farm? Here's a page. I want it to feel like printing coloring pages for kids or ripping out my favorite magazine articles. These are the parts that matter. And if they stop mattering, you can get rid of them.

But I also want modularity on a system level. I want to add a subsystem to game as I think of it. I want to throw in an adventure pamphlet when it comes to me. I can keep them all in a little box, like a care package from my past self, and when it's time to run a game, I can dig around like a verminous animal and build my nest out of the best bits.

In CONCLUSION, I want to reiterate that this is a personal practice, and I'm not criticizing people who work differently. I used to work differently, and in the future, I'll probably work differently again.

This is simply the way I've identified what's important to me, set that up against the things that cause me to stumble, taken advantage of the privileges I have, and tried my best to bring that all together in a way that keeps me excited about my own work.

[gumnut-logic]

Fanfic Asks 2

This one is for @hedwigstalons who asked for A F L Q along with @fictivekaleidoscope , @willow-salix , @coffee-and-lenna and @janetm74 who all asked for Q. You guys are so kind to me ::hugs you lots::

-o-o-o-

A. What was the first fandom you wrote for?

Star Trek: TOS…I’m a Trekkie from way back. Discovered it in 1986 through books in my school library (it wasn’t on TV and hadn’t been since 1975 of which I had the vaguest of memories…and yes, I’m old :P ). I wrote my first fanfic as a teenager, by hand in a notebook. It was submitted to the local club printed fanzine (which I still have lying around here somewhere along with a stack of classic printed zines). Looking back, it had a strong concept behind it, but it was horribly written. I do not have an electronic copy, though sometime ago I thought to re-write it, but never got around to it. You can find my second ever fanfic, written when I was eighteen on FF.net – Goodbye, Spock – it was a movie tag, written in early 1991.

F. How long have you been writing fanfic?

Hmm, I think I’ve given that massive number away in the last question :D Yeah, since I was about eighteen, possibly a little earlier. ::does the math:: Okay, that number is scary. Next year it will be thirty years since my first fanfic ::headdesk:: but having said that, I didn’t really start writing until the internet arrived with my first computer and maturity gave me the ability to finish things (sometimes). I really jumped in with Stargate SG-1 fandom in 2003. From that point on I wrote continuously until I had children in 2008. Then I stopped and didn’t really start up again until July 2018 when TAG hit me like a ton of bricks. The last two years have been amazing and I have learnt so much.

Oh, and if anyone ever says writing fanfic is wasting time or will never get you anywhere, writing fanfic and participating in fandom has done wonders for introvert little me:

Led to me getting my job – writing is a skill that can get you many places

Taught me how to blog and how to manage a blog – valuable skills in or out of business

Teaches you multiple online tools – chat, publishing and other multimedia applications – you’d be surprised how many people are not comfortable using many online tools. I use my experience every day on the library floor.

Allowed an introvert to reach out and learn how to converse and gain confidence in conversation – online interactions has many advantages

Is excellent for mental health…and equally unhealthy if you’re not careful – which leads to learning about yourself and managing conflict (unfortunately…which is why I have zero tolerance for fandom wank and will not participate in or create nastiness – I’m here for fun and to hopefully make things more fun, not miserable)

I’ve learnt to type. My first novel length fic was 75,000 words long and hand written before being typed into the computer – let’s just say that that three months back in 2003 finally enabled me to break the touch type barrier :D Which is a skill that I use every day.

If some one does say you’re wasting your time, they obviously have no idea what they are talking about – ignore them. As long as you’re balancing your fic writing with life in general, things are okay (I got addicted at one point and things were not okay, so don’t do that).

In summary, apparently I’m old, been writing forever and have found it a very valuable exercise which will no doubt lead me even further into interesting places.

 L. What is your favorite fic idea that you don’t think you’ll ever write?

I tend to write most things or forget them. There was that random fanfic idea I posted a few days back. It’s a cool idea, but I don’t have time at the moment. ::opens ups fic planning book::

Ideas sitting, not yet started, but might be:

Eos gets hacked by the Hood and injures two brothers before John realises it and saves her.

Episode tag to 3.21 that explores the Mechanic

Alan’s Vlog: I have a note for the next story that I haven’t yet written.

The Kermadec sequel

A fic idea I had the other day inspired by a news article – that one might actually get written at some point.

A sequel to V. T. Green (which apparently is my most popular fic) – which I had a concept for, but haven’t written down, by the looks of it. Oops.

A sequel to Bo where Virg gets buried in an avalanche – this one was started.

Eh, I have lots of ideas, most get lost in the mess that exists in my head. Sometimes I write a note down, but then I forget what the note means. I usually have to grab the inspiration when it strikes.

 Q. If you could pick one fic of yours to rewrite, which would it be?

Love and Sacrifice – I wrote that fic out of order and smushed it together and it shows. It is also full of technical holes. The plotline sucks because I wanted a certain scene and forced it. But it is such an integral piece of the series that I can’t alter it much. The whole of Warm Rain was written in bits. I usually write in order and that experiment shows that I’m not great at writing out of sequence. Most of the fics work okay, but Love and Sacrifice, while having some good scenes in it, is poorly constructed.

A Little Distraction and a Little Too Much Attention suffers from self-indulgence. Virgil wasn’t supposed to get hurt – I should have stopped at A Little Distraction, but apparently, I can’t help myself and the results weren’t great.

Two fics instead of one…there are more, but I’m not supposed to publicly criticise my fics – I do enough of that in my own head :D

-o-o-o-

EDIT: @weirdburketeer reminded me of something I meant to list but forgot regarding the above reasons why writing fanfic is not a waste of time.

The friendships! My goodness, how did I miss that? I flew to Sydney to meet a good fanfic writing friend in both 2004 and 2005, another friend flew all the way from Chicago (as part of a business trip) to Australia and made a special trip to Adelaide, just to meet up with me. It was frickin’ amazing!

And this fandom....I have met some absolutely amazing people here. You guys have influenced me like you wouldn’t believe. As I have said on many occasions, this fandom is just amazing ::drags you all into a massive group hug:: And yes, I have some fantastic friendships forming here ::loves you guys to bits::

[olderthannetfic]

Let’s take a break from specific fandoms to talk about:

Platform Wars

In 2020, we’re all asking what’s next after Tumblr. This is nothing new. “Is thing X killing thing Y?” is a question fandom has been asking since long before Escapade. But these panels offer comfort and insight into our current fear of change.

They’re also fucking hilarious.

So, without further ado, here are some past Escapade panels on the subject of Change Is Scary:

1997 - Effects of the Internet on Fandom & Slash (On the upside: more fans, more conventions, more excitement and a 24-hour party. On the downside: are the connections more shallow? Are the changes made to "fandom as we knew it" change what we enjoy? Do print fans have something to fear? Or is this simple another wave?)

2000 - Less is More: Gluttony & the Decline of Quality in Fanfic

2004 - Amusing Ourselves to Death (Fannish Discourse in the the Age of the Internet By sheer quantity, has the quality of our conversation declined to predominantly static?)

2004 - LiveJournal, Boon or Bane? (Has the advent of LiveJournal brought about the demise of mailing lists? Has it splintered the venue for discussion to the point where it's impossible to have meaningful conversation? Is the LJ phenomenon just one big egotrip? Come join us to discuss these and other questions.)

2007 - Is F’locked the New Black (Is the flocked post the future of fan communication? Are we returning to the dark ages of closed lists, zines under the table, and "have to know someone"? More and more LJ posts are locked, communities are closed, and groups are invitation only. Is there a way to protect our RL selves (and our fannish selves), yet share our fannish commentary and fic? How does this all look to a newbie? Where is our new comfort zone? And how do we keep track of all of this?)

2008 - The Organization for Transformative Works (The Best Thing Since Ever, or the End Of Days? The OTW is an incorporated nonprofit organization established by fans to serve the interests of fans in multiple ways, including by providing open-source archive software (and an archive), legal assistance, and various efforts to preserve the history of fanworks and fan culture.)

2011 - Delicious - Rumors of Death Greatly Exaggerated? (Delicious, fandom's favorite bookmarking site may be getting shut down (or at least sold out) by The Man. What to do?)

2016 - Fandom Is Fic: from BNF to TL;DR. (From paper through Usenet to Livejournal, text was king. On Tumblr, long text is an imposition—isn’t it? Has fic been dethroned from its place at the top of the heap and fic-writing BNFs along with it? Discuss the dirty little social dynamics of the shifting patterns of fannish value and how we define 'fandom' itself. And what of zines and zine eds?)

2017 - The Kids Are Not the Problem (In recent years, media fandom has grown enormously. It has also scattered, spreading out to new platforms and meeting spaces. You often hear talk about "the kids" vs. "the olds," Tumblr vs. LiveJournal, or the problem of recruiting and retaining new fans. In this panel, let’s try flipping that script. If kids are not the problem, how can we change and grow? What awesome things are other fans doing/trying that people at Escapade should know about? Most importantly, what strategies can we use to leave our fannish bubbles and more fully experience fandom in 2017?)

2019 - The fall of tumblr (Fans have always looked for a good place to build communities on line. Recent events with Tumblr and other platforms like Facebook are restricting our gathering places and even blocking and purging our self-made content. How are people dealing with this? Fandom will survive, but where? Come discuss the problems and options out there.)

And below the cut, a whole bunch more panels on platforms and change:

1991 - Quality Control in Zine Publication/Economics of Fandom (Who is making money in fandom? Should they be? How accountable are fans? Editors? Artists? Have you ever written an LOC?)

1993 -  Supply and Demand in Fandom (Can we have too much of a good thing? How many cons or zine is too many? Are we glutting the market?)

1994 - Changing Nature of Fannish Communication (E-mail, and virtual zines, computer video editing and morphing -- all the new toys at our disposal...)

1996 - Internet—Will it eat your brain? Or take you to the poorhouse? (Nearly everyone has or can get access to a computer and thereby the Internet and the World Wide Web. What's out there for fans? What should you look for? What might you want to watch out for? How can you protect your pocketbook at the same time?)

1997 - Net Fiction & Print Fiction (Is the very existence of net fic changing the characteristics or reducing the quantity of print fic? Are there really stylistic and/or content differences? What makes some shows predominantly produce netfic, while others happily generate both? How do the barriers of access to each affect the fan community?)

1997 - History of Fan Socialization (Was fandom really different in the "old days"? Was there a feeling of community that we're missing now? Or is that just nostalgia clouding our memories? In today's net-connected fandom, what is (or should be) different? And what elements of the past should we try and retain?)

1998 - Professionals: Is the Circuit Dead? (Or has it just moved on-line? Is Pros fandom split on the subject of the internet? Many old circuit writers don't want anything to do with the new on-line library. They have objected to having their stories retyped an sent out, even on private e-mail. Has the paper circuit given way to the on-line library?)

1998 - Netfic Formatting A: How to Print It Prettily (An instructional panel, covering the basics of formatting, macros, and other time-saving tips to get the results you want.)

1998 - Privacy and Community: Pseudonyms, Screen Names and Face-to-Face Meetings (As more and more fandom is found online, how are we adapting to the anonymity that comes with it?)

1998  - Netfic Formatting B: From Word to Web, Making Shapely Net Slash (This panel is for everyone who wants to venture into the world of online slash, but gets nervous when faced with the myriad technical difficulties. Relax, it's easier than you think. We look at stylistic conventions, how to make your work newsgroup and e-mail friendly, and the dreaded subject header alphabet soup. We'll also cover some basic info on how to make a www archive site user friendly.)

1998 - Crossing the Line (An instructional panel on how to get what you want (more stories) in a world that may be unfamiliar to you (the web for print fans, and the insular world of zines for net fans).)

1999 - Does Print Fandom Have a Future? (In the age of instant, free net fic, is print fandom a dinosaur on its way to extinction, or a promise of reasonable quality in a sea of mediocrity? What are the key differences between zines and netfic, and what are the advantages and disadvantages of each? Can the two coexist happily? )

2000 - Promoting Critique on Mailing Lists (How to promote critical discussion and attention to the mechanics of writing on email lists?)

2000 - Changing Power Dynamics in Fandom (With the decline of zine editors and growth of the Net, what's changed, and how does it affect us and our fanfic?)

2001 - Website Workshop 2 by the lady of shalott (Setting up and maintaining a fanfic archive, and in particular how to set up the Automated Archive software used by 852 Prospect and the Due South archives.) [NB: Yes, she went through a bunch of name versions before ‘astolat’.]

2002 - How to run a Fiction Archive (and Maintain Your Sanity)

2002 - Nobody Here But Us Sockpuppets (How multiple personality disorder takes on a whole new meaning in the world of mailing lists.)

2003 - Getting slash onto your PalmPilot for computer free reading

2003 - Recs Databases! Creation and Commiseration (Do you run a recs database and want to commiserate? Do you currently have a recs page and want to become database-driven? Want to talk about the relative merits of using PHP, MySQL, or Access to organize smut?)

2003 - How to Set Up and Maintain Fanfiction Archives (If you're thinking of running an archive, or already do and need some help, this is the panel for you. We'll cover everything from choosing a method of archiving, handling fandom growth, dealing with troublemakers, and just how much time, webspace and money are we talking, anyway? Come pick the archivists' brains.)

2003 - Has Escapade Run Its Course (Scuttlebut says: It's not like it used to be. My old friends don't come any more. My new friends can't get in. It's too big. It's too small. Oxnard, for god's sake? I'm getting sick and tired of the same shit year after year. Is Escapade old and tired? Does it need to be retired?)

2004 - HTML and Website Introduction (if you don't have a website and want to create one. where doyoustart'This will cover creating basic HTML pages and common webhosting options, as well as things to think about as you set iin vour first website.)

2005 - Where Have All The Good Conversations Gone? Rise & Fall of the Escapade Panel (Are people still interested in talking about the characters, plots, and themes of their shows? Has in-depth analysis of our fandoms been abandoned in favor of meta and fannish introspection? The forums for analytical discussion are disappearing as self-censorship and over-moderation increase. Can we change this? Do we want to?)

2005 - The Fannish Wiki (So we have the directorium, the directory of All Things Fannish. We visit it and it's just so cool, and we look for our fandom to see what it says... and it's not there! How to add it? What sort of info belongs there? How does a wiki work?)

2005 - I Was So Much Older Then, I'm Younger Than That Now (We've all heard about or lived through the tumultuous era when fandom moved online. But how has slash fandom, particularly slash fandom, changed since then? Are the changes the result of online fandom, or simply of a change in culture?)

2005 - Fanfic Archives (Setting up and administering fanfic archives: concepts, considerations, techniques.)

2006 - Putting your fic on the web (Basic skills for putting your fic on the web, including building your own very basic website, using LJ as a fic-site building tool, various options for labeling adult content, and using the standard upload interfaces for popular self-submit story archive software.)

2006 - Nifty Technology and the Future of Fandom (Fandom is quick to adapt to change and continues to bring fen together and to create fannish product. Fans have thrived regardless of how they communicate; via the post office, mailing lists, message boards, and Livejournal; they've pushed the frontiers of video and audio technology; and have managed to survive changes in copyright, pornography, and other laws. What are the upcoming trends and shiny new technologies on the horizon and how will fen use them to enhance fandom?)

2006 - Intermediate Webmastering (Designing your website for usability, options for restricting access to your website, making your stories easily accessed by mobile devices, and things to consider so fans can easily locale your site.)

2007 - Free Webtools and How to Take Fandom Advantage (Lots of free tools are available on the web to help the needy fan! Tools to edit pictures, make icons, write stories, share recommendations, share stories, and be fannish are becoming more available and more user friendly. Come chat about tools like del.icio.us, google docs, pxn8 audacity, itunes, the gimp, bittorrent, imeem, youtube and lll other things that you come and tell us about!)

2008 - E-book Readers (Sony PRS-505 or Amazon Kindle what's all the fuss about? Introduction to E-Ink and other mobile devices. What are the pros and cons of various devices? Where do you find e- books and fan fiction, and most importantly how do you get fan fiction formatted so you can read it on your ebook reader?)

2008 - If You Build It, Will They Come? (Roundtable on meta fannish infrastructure building strategies. bethbethbeth can talk about some of the specific challenges OTW is facing in its brave new fan territory, while oulangi can talk about why metafandom has flourished while very similar projects have failed, while we'll both discuss some of the challenges of the established meta/fannish structure of new communities, new fans, new technologies—and most of all, how do you keep the meta-fan conversation moving forward?)

2008 - Livejournal: Should Fans Take Their Business Elsewhere? (A discussion of the pros and cons of fannish communication on the various blogging entities.)

2008 - How to Find and Use Free Stuff on the Web (All kinds of free webapps are available for fic, art, icons, communication, and all sort of other fannish stuff. Come share favorite sites—we can bookmark everything we talk about on del.icio.us in real time!)

2009 - The Organization for Transformative Works (Off the ground and starting to soar! Come here about the latest developments in the OTW's projects and discuss where you'd like to see it go next.)

2010 - Is Somebody Taking Notes On This?: A Discussion of the Role of Fannish History (In honor of Escapade's 20th anniversary, let's talk about recording fannish history. What are the challenges? Is it worth doing? Can it be done in a fair way? What are we afraid of happening if we try? Is Fanlore the right vehicle for the project?)

2010 - The OTW in Its Third Year led by Elke Tanzer and Shoshanna (Okay, sure, the Organization for Transformative Works bought its own goddamn servers and hosted an archive (that hosted Yuletide) and published a journal (with a special issue on Supernatural) and saved a bunch of Geocities sites and testified at the DMCA hearings (supporting the FFF's proposed exemptions for vidders and other remix artists) and made a bunch of lolcats—but what have they done for us lately? [5] What do you want them to do?)

2010 - We Are All Naked (On The Internet Now) led by treewishes (Social networking platforms like Facebook and Twitter are conspiring with Google and your ISP to out your slash pseudonym to your RL friends, and to tell all your slash buddies your real name. Is there any way to stop the wave of facial recognition software or your oh-so-helpful friends who type your birthday into the cloud? Or is all this an inevitable consequence of evolving technology? Come on in and let's talk conspiracy theories!)

2011 - Fanlore: Are BNFs Writing Our History?, led by Sandy H (Fanlore has an official policy of 'plural points of view', but is that really happening? Have you ever looked up a kerfluffle you were involved in, and seen how your side of the battle was portrayed.' And on the other side, are we afraid of conflict, to the point that Fanlore is bland and safe?)

2011 - OTW/AO3 Wish List Conversation, led by Sandy H (Do you feel like you don't know how to get your A03 or OTW wishlist through the bureaucracy? A03 is getting better all the time, but there's a ways to go. Let's brainstorm and turn a list over at the end of the panel.)

2011 - The Reccing Crew (Recommending a fanwork is deeply woven into our culture. Are there new social mores at work when we make public recs? How has the move from letters to mailing lists to Livejournal and Delicious affected reccing? Delicious was conceived as a bookmarking site, but often operates as a recs and comments site. If it goes away, what would replace it?)

2012 - Tumblr, Twitter, and Pinboard, Oh My (and GetGlue, too!) (In the past year, the ongoing fannish diaspora has picked up speed, as more fannish activity has moved away from LiveJournal and Dreamwidth, and onto sites like Tumblr and Twitter. And then there was the Delicious implosion. Now there's GetGlue, a social network specifically for entertainment. Let's talk about navigating these sites—their strengths and weaknesses, and how to use them.)

2012 - The Kids These Days (Ever wanted to tell someone to get offa your lawn? Strangle the next person who said that? Revive a dead fandom? Joined a fandom you were 20 years "too old" (or young!) for? Did you go from Usenet to mailing lists? From zines to livejournal? Are you eyeing Tumblr and Twitter with alarm? Let's talk about weathering changes in fandom with grace—or at least a little humor.)

2013 - Privacy, Secrecy, and the Fourth Wall (The fourth wall between fans and The Powers That Be is shrinking day by day. Are the technologies we're using changing fannish etiquette {from invite-only mailing lists, to friends-locked journals, to all public all the time tumblr)? Should we run for the hills or embrace the change? Discuss!)

2013 - The What With the Where Now?! (Every time you turn around fandom is playing on a new site that has new functionality, new ways of interacting and new lingo. Join us in surveying places like tumblr, twitter and getglue.)

2014 - Tumblr: Missing Missing E (So you've just gotten the hang of Livejournal when all of a sudden fandom has jumped shipped to this new "microblogging" platform called Tumblr. What is "microblogging" anyway, and where do you even start? Join us in this tutorial/discussion on creating an account, deciphering the culture, finding fandom, and making Tumblr work for you.)

2014 - Out Of Step With the World (You have no current fandom. You can't even get Tumblr to load. What do you do when you're feeling disconnected and alienated, but you don't want to leave fandom for good? If this sounds like you, come join us to figure out some strategies for rekindling the love, making new friends, and finding your place.)

2014 - Real Fannish Community (Has AO3 ended the era of real fannish community or has it ushered in a new era of increased connectedness? Is Tumblr better or worse than the old days (and were the old days livejournal? yahoo groups? APA snail mail zine groups?)? I'm hoping for equal parts 'get off my lawn' and 'the future's so bright I gotta wear shades' debate here.)

2015 - Tumblr 102: Into Darkness. You’re here, now what? Here we talk about etiquette and xkit and making the most of your fannish tumblr experience.

2017 - Home on the Web (LJ's Russian overlords have removed HTTPS support and are moving the server activity to Russia; some say a shutdown of US services is on the horizon. Yahoo fails to make money with Tumblr. Dreamwidth is slow, and doesn't have media hosting. Email lists are a hassle. Imzy, a startup, places branding aesthetics over design usability. Where's the next place for fandom, or should we reclaim one or more of the platforms from the past?)

2018 - How to Tumblr (Like it or not (often, mostly not), tumblr is where fandom is most active right now. How do you find anything? How do you have conversations? How do you archive the bits you like best? The good news: the answers are not, "you don't; you don't; you don't." Bad news: Those aren't actually good questions for being fannish on tumblr.)

2019 - Social Network of Our Own (SNO3?) (Between FOSTA/SESTA, Article 13, Facebook's new "don't mention that sex exists" policy, and the Tumblrpocalypse, is it time for our own fannish social site? Or are Dreamwidth and Pillowfort enough?)

[halberdierminister]

July Monthly Goals Check-In

1. Write 250 Words Each Day Well, I started out very faithful to this. But sometime around the middle of the month, I got pretty choppy. I honestly don't know exactly how many days I skipped. I'm gonna try to write a fair amount today when I can and hope that it is enough to make up for it. Which is fine. It has been an otherwise very productive month in many other ways, so I cannot be too upset about it. I may start running a wordpress blog with a friend of mine, and if I do that may keep me more on track with these.. We shall see. We shall see.

2. Read 55 Books This Year I finished reading 55 books in May! Last month I read 10 more books. THIS month, however… I read 31 books. That brings me to a total of 97 books read for the year!!! A lot of them have been VERY short books. Lots of poetry collections, manga volumes, graphic novels, etc etc etc. But not exclusively!! I was hoping to get to 100 books by the time I wrote this but the last couple days, I have not been able to make the magic happen. But that's fine! That's TOTALLY FINE. This will be a very significant get, but I have months to get over that hump. By the time you hear from me on this goals check-in next month, I will undoubtedly be decently well over 100 books, and I can talk about why that personally feels so good then!

3. Get A Full Time Job I did not get a full time job this month. BUT. I applied to 38 full time jobs. Got a bunch of rejections. HOWEVER, I have scheduled EXACTLY ONE JOB INTERVIEW so far so that is good news! And that would be a VERY good job if I were to get it! Some of these jobs are actually pretty exciting things and I feel confident for the first time in a while that I might actually find a good job IN MY CAREER PLAN!!!! Also I almost lost my part time job but the library director was able to convince the village to let me stay on as a substitute, and it has paid off surprisingly well. I've been working two to three shifts a week on that, which is more than any of us expected. So I guess what I'm saying is I am making good progress again and I hope I can have something positive to report by the time I'm thirty. Eugh.

4. Move Out Speaking of being almost thirty. I really do not want to be here. If I get the job I interview for, I would be able to move in with my friends in Milwaukee just about as soon as possible. So that is good news. Every day it gets more tempting to just say "screw it" and live down there. But that won't help me find a job. And the job really is the important thing.

5. Drink Less Soda I mean yeah. Occasionally, I drink-a the soda. But not too much. I am good at drinking less soda than I did last year or the years before that. That's because I would have several sodas each day, to the point where it worried some of the people I know.

6. Get Something Published Just found out that I'm getting something else published today! So that is one new poem published this month! I also had my fic in the Lalonde Zine come out, but it turns out that the Lalonde Zine was more of a shared Google Drive folder than an actual zine. Maybe I should offer to compile the zine into one document? I should do that. That would be a good thing to do and it would give me a lot of experience with doing that, something I haven't really done in a while. So the practice would do me good! And then I would feel better saying that I got published there too. But yes so besides the Lalonde fic, I have had two poems published in zines, one poem published in an online literary journal, and one fic published in an online fanzine this year! If you include the articles I wrote for school newspapers, I have gotten at least one thing published every year for the past fifteen years. If you don't count the articles (or the Lalonde fic yet), I have had 30 pieces of fiction and poetry published since 2005! That's pretty neat! I want even more though!!!!!! I found a publisher's website that accepts unsolicited manuscripts. I'm going to try to put together an honest to god actual collection of my poetry, one bigger than either of the two digital chapbooks I have made. I have a friend who is a professional editor -- not of poetry, mind you, but I might be able to convince her to give it a shot -- and I would honestly hire her at full price to take a look at it. I actually will need to seek a lot of feedback from a lot of people, so if you want to read a document full of a bunch of my poetry, lemme know and I will show you what I've got when I've got something.

7. Finish Writing A Legitimate Businessman Finished in April! No new news. But just because I completed this goal doesn't mean that is the end of it! I do still have the sequel to work on, even though I haven't done any of that this month. And one of these days I am going to get around to sitting down with the printed copy and a pen and editing the shit out of it so that I can write draft #2! I think I'll probably throw draft #2 up on wattpad (why not?? I've been curious about that website and know absolutely nothing about it) and maybe I'll make a nice looking e-book out of it that I can distribute on noisetrade or itchio or something! I wonder if I could get it printed on demand or something. Obviously not for profit. But like, maybe I have friends I want to send a nice printed copy to.

8. Write More The Revelation of Takaya According to Jin Finished in Februrary! No new news. A friend of mine has offered to bind a copy of it when he has access to the materials, and I think that'd be dope as hell. I ought to work on compiling it into a nice document. I don't know if that's what he would need. He would probably want to do that work himself. Sometimes I think about the concept of making an illustration for it? I don't know. I can't draw. But I might not need to draw for the thing I have in mind. Really I should be consulting with him on that. Ah well. Either way, I hope that ends up happening. That would be so friggin cool.

MINOR GOALS

9. Finish Playthroughs Of 1. The Legend of Zelda Breath of the Wild: Finished in January! 2. Persona 1 Main Quest Good Ending: I didn't do anything on this whooooops. Getting into the second half of the year without once having touched it. I ought to get back to this. 3. Pokemon Sword: Finished in March! 4. Pokemon Let's Go Eevee: Finished in February and March! 5. Persona Q2: I have finished the fourth dungeon and gotten to The Twist!!! It's weak. This really is the kids' version of a Persona game. Minus like… the fact that it's still rated M for partial nudity. There was exactly one moment of horror and even that was like… just a bit scarier than The Nightmare Before Christmas. But I did some of the side quests and those are actually decently fun. So I have the final dungeon left. I just wanna sort of power through this. I'll worry about completion when I do new game plus, whenever that might be.

10. Record More Ukulele Videos I did not do this. I want a new microphone. These are not inherently related things, as I do have a microphone already. I have everything I need to do this. I just haven't done this. And I would like a new microphone. Also, an amp for the uke would be nice. I should text my old coworker, see if he still has one to sell.

11. Record Let's Plays Neither did I do this. How could I? My parents think video gaming is the Devil's Lettuce. And they are always home. They would notice if they heard me talking to my computer. And that is assuming that I had something I could play on my computer that anyone would want to watch. I need a better computer. A gaming computer. An editing computer. I'm lucky that these are the same thing.

12. Duolingo? I was SUPER gung ho in the end of June and the beginning of July, but before too long I petered out. I've used a couple streak freezes and have really been doing mostly the bare minimum to not drop out of the emerald league. But I've got a streak of about 208 days, and that is nothing to sneeze at! Do I feel like I'm learning? I dunno. But I am at least interacting with Spanish just about every day so that… that's got to be helpful, right? right?

This was over one thousand five hundred words. Wait! Sixteen hundred exactly.

[gigslist]

53 WAYS TO SAVE THE WORLD - YOU CAN DO IT

I live in Haight Ashbury, walking distance to 4 hospitals. There are homeless tents on the streets, but there is no rush on hospitals. We live in a high density homeless mecca. Homeless people in California have typhus, bubonic plague, tuberculosis, fleas and rats and more. Everything that is highly contagious and nasty, but no covid? 

Same reports from friends I know in person in other parts of the San Francisco Bay Area who drive past hospitals every day. And reports from Los Angeles, which has the biggest visible homeless population! There are new web videos of high density homeless camps by different documentary makers every week. No ambulances, no body bags. If there was any of that at hospitals, DIY documentary makers would have it all over the web. I look everyday, nothing. 

I also talked to a neonatal ICU nurse, long time neighbor of 8 years. My nurse friend also has a masters in science. The vaccine was never tested long enough to check if it works nor safe. So far the vaccine doesn’t work. Nurses were told it was only one time, not they have to take it again. The extra virulent strains are fake, excuses to spread more fear to make more money for chemical companies. Lockdown is not going away until you go look for yourself and do something about it.

Do not trust the screen. It wants you to be isolated, so you don’t talk to others to find swap notes, or go see for yourself to find out the truth. Your emails and messages can be diverted and edited, posts taken down from social media. No public gatherings is a Communist takeover tactic. Divide and conquer. Marxism and Communism are the same agenda, take your freedom and your property. 

There is a virus, but it’s a deep fake AI computer virus telling you that people are ill when they aren’t. Telling you a loved one is in an ICU for covid, when they only have the common flu or common cold or another illness entirely. The people on the screen are actors. The network news doesn’t check its sources, it only copies what’s out there.  There are currently major court cases about it, but fake covid new takes up all the news searches, so you don’t know about it.

The software to make the deep fakes that spread the fake virus news is free, developed in the USA by game makers. I research entertainment and marketing technology for an arts biz zine. The USA has been invaded. The government you just elected is pandering to this invasion. Follow the money. Follow the yellow brick road. 

Throw in some communist agents to move things along with “Defund the police”, church smear campaigns, “cancel culture” and race riots, to keep you afraid and isolated. Now you are alone and unprotected and no privacy and no spiritual centers to gather for support or pray for comfort. But YOU CAN FIX THIS in the real world… don’t let anybody say you can’t.

If you are feeling like a deer in the headlights I understand. Here are some pointers to get started: 

Do not trust the screen. Socializing face to face is the best brain and health development for children and adults. Put the screen down and step away. Get back out there and rebuild your humanbeingness. YOU CAN DO IT with confidence.

Meet up with your friends face to face. Adults won’t bully face to face in front of other people. Talk about what you see with your own eyes for real. People are less likely to lie to you face to face and you have a better chance of seeing it. You also have real friends to swap real notes to check stuff. 

Saving the world is a lot of small things we can each do to make a big thing. We are stuck with the screen for some things for now. Maybe bills to pay or video meeting or online duties for work. Or online workshops if there’s no classes in your neighborhood. Use the screen for those, but sparingly. Do wear your mask in public and keep clean, but forget your fear. YOU ARE BRAVE to save yourself and your community.

Save money, the planet, your mental health and time:

(This is how the middle class paid their mortgages, got great educations, and made their neighborhoods successful safe communities.)

Get social in person.

Go to a meetup or volunteer.

Have a dinner party.

Don’t use disposables.

Don’t shop on the screen.

Chat at local grocers for eye witness news.

Learn to cook and sew.

Learn to fix stuff.

Learn to upcycle.

No paper towels or wipes.

Use reusable washable dishrags.

Buy stuff that lasts or is fixable.

Invest in local made stuff.

Hand wash instead of dry clean.

Use an iron to press your clothes.

Use a dishwasher to save water.

Learn to do math in your head.

Learn basic bookkeeping.

Learn how to save water.

Avoid plastics, especially for food.

Baking soda and dish soap instead of bleach.

Brown vinegar or alcohol instead of bug spray.

Tobacco instead of diet pills and brain enhancers.

Home cooked whole food instead of vitamin pills.

Eat food made or grown nearest to you.

Learn lateral thinking - seeing knock on effects.

Do crosswords and puzzles.

Read magazines and news printed on paper.

Hand write letters to people, great privacy.

Don’t go away on holidays. Have a party instead.

Invest in mom and pop shops.

Read paper books from friends and libraries

Make friends with your neighbors.

Have regular community gatherings.

Start a neighborhood watch.

Help each other out.

Rent out rooms to pay the mortgage.

Live within bicycle distance of shops.

Go solar and off grid.

Use reusable batteries.

Grow hydroponic veggies in an apartment.

Background check all information.

Keep kids in school until at least 21 years of age.

Do not teach your kids to play computer games.

Teach your kids to play screenless games with other kids.

Teach your children the stuff in this list.

Journal every day to process your thoughts.

Check your spending everyday to know the numbers.

Set a limit on spending, so you are not borrowing.

Ward off or reprogram negative influencers.

Do public down silent protests.

Give common sense practical reasons.

Hand write protest letters and send registered mail.

Even if you don’t believe in God, pray together.

Hugs heal lots of stresses and fears.

Think positive, be positive, do positive.

I’ll not write the book full of reasons why. Try it and learn for yourself.

Something Else Important to help your community:

The mental health hospitals, homeless help, drug rehab, and local medical clinics and museums, arts centers and schools that the government is closing down. Those were founded and funded by private people who donated them to your community out of their own pockets, on top of taxes. Same with the founded police forces. 

A government does not have the right to take those away.

YOU HAVE EVERY RIGHT, including the legal right, to organize and protest.

Group thought works just as well for positive stuff. YOU CAN DO THIS, don’t let anybody say you can’t. You can get out of your prison and save the world by putting the screen in its place. Face to face social community fun and human to human comfort and confidence. 

You’ve been bamboozled by bigoted bitches. YOU HAVE THE BALLS to be beautiful bastards and blast the bitches back big time. Don’t need big bucks and YOU CAN DO IT SCREENLESS to better beef up your privacy and freedom to talk. 

DO IT!!! <3 

The Marxist chick who doesn’t know that Marxism kills freedom of speech and religion. FYI she is a concept performance artist for a living. Her thing is gathering people in public to do something to disrupt. It was getting everybody to go naked and paint themselves gold, that didn’t sell books. So they decided to call themselves Marxists, because college students love that stuff, because they don’t have the educations to know better. Throw in some communist agents to move things along and you have “Defund the police” campaigns. 

Pull your s..t together and get out there and fight back. Reopen your shops and schools, only buy from mom and pop, tell the big corporations to f..k off.  

You cannot patent a natural medicine. You are being bullied to take it to make big Pharma rich and put kill off natural medicine. Tobacco is a better vaccine for a lot of stuff, ask native Americans.

Stop believing the screen, use your own eyes and ears. Go back to print news. 

Those people on the news reporting and giving interviews about the pandemic and vaccine are deep fakes. The software to make them is free.

and treated like mushrooms. Get out and fight back, save your people, save your mom and pop shops, save your neighborhood, save your community. If somebody says defund the police, lock them up because they are trying to make things worse for you on purpose. 

[raygoodwinphotographyjournal2]

PHOT201 - Weird & Wonderful ‘Alienated Spaces’ - Zines, Photo/Art Books - Research

One of the finishing products of this brief, is to make a photo book. Seeing as I have some photography/art related books in my personal library, I thought that it would make a decent start, and get the ball rolling regarding the thought of the photo book.

Previously, we had a lecture about photo books and the culture the lives around it. It was explained that the culture of photo books has really exploded over the last 15 years, despite us living in the digital, internet age. The lecture went through how one can publish a book - whether that would be with a publisher or braving the publishing by the self. Books can cost varying amounts, with things to consider such as: spine, layout, paper type, gutter spacing and the type of binding. All of these things contribute not only the cost of production, but the overall aesthetic to the book itself. The photo book, is an exhibition in paper form. It’s a physical object that can show one’s work, in a rather intimate form. One is able to hold and look at multiple pieces of work, as a selection of prints which can be accompanied with text to support the work. The photo book also makes the work somewhat personal. One is able to place personal touches and orchestrate how the book is made, as well as curate the whole process. 

This project is still in it’s early stages, and I am unsure where I am going to take this portion of the project. My initial feelings isn’t to make a book, but a medium-large sized zine compiling selected photographs with accompanying philosophical text. But, the books that I have looked at within my initial library is starting to fuel some ideas about where I shall take this proposition. All books where scanned at home, with my Canoscan 9000F MKii at 300dpi. Please note, that none of my books featured any information about the paper stock used - so it’s all guesswork on my behalf. 

First, is ‘Juju’ by Oliver Merce. I received this through the post by Plymouth University whilst I was still doing my Access Course in Art and Design at Exeter. It’s an A4 sized zine, documenting the life of a man who occupies an old abandoned mine whose societal links are broken since the closure of said mine. 

It’s construction is very simple, with A3 width pages folded in half and then stapled in the middle. In my eyes, this is the simplest form of the photo book. No hard spine of bindings, just a simply made zine to show off photographs. It has been published by Antler Documents in Cornwall, of who I own another one of their publishing’s. It’s printed on a medium thickness paper - not too thin that it wilts, but too thick that it’s rigid. It also has a very natural texture, almost like a recycled stock.

The printing inside of the book is again, rather simple. There is no text within the book, and the photographic presentation retains the simple theme. A lot of the photographs take upon this format: utilising half of the page, with some borders surrounding the photograph or going over to the other page. Whilst I do like the former, as it’s more in-tune to how I present my physical and digital images, I am not so keen on the photographs bleeding over onto the next page. I find that it disrupts the image by cutting it off with it bending. I would prefer to keep mine on the same page, and utilise the space of each page.

Another zine I got from Plymouth University in the post (I think at the same time as Juju). ‘Summer Attitude’ by Federico Arcengeli. Summer Attitude is the documentation of the beach, and those who populate it. 

“Summer Attitude aims at being a journey...focusing on the little gestures which make us smile and the little things which connect us, just as the sea around us”.

Again, published by Antler Documents and made by using the same process of pages being stapled in the middle. This is half the size of ‘Juju’, so it uses A4 width pages that have been folded and stapled in the middle. This uses a similar paper stock to ‘Juju’. Both ‘Summer Attitude’ and ‘Juju’ are limited to editions of 50, making them rather rare.

 It also uses the same minimalist approach to presentation. Some of these photographs use half of the page, with some borders. But, some do also take up two whole pages with no border. I feel that whilst it gives some extra gravitas to those photographs, it breaks a certain visual consistency which I strive for. 

One of my older, and battered books. A hardcover book Published by Time Life Books. I got this back when I working in the warehouse of a BHF store. A load of photography books came in, which were somewhat damaged and couldn’t be sold - so I obviously took them before they were thrown out. This book features all kinds of information, like certain photographic tasks and a myriad of photographs.

Each chapter is began with a coarse, grey paper which resembles craft paper which then leads onto the chapter filled with a semi-gloss paper stock. 

Here is an example of the kind of presentation that is shown in the book. A photograph usually takes up a good portion of the page, with accompanying text on the opposite page, with the photographers name and the photographs year underneath it. The print quality is great, unexpectedly from a Time product - although the case bound book has come apart at the spine, so a good portion of the early pages are separated. Whilst I doubt I could get a book of this quality made cheaply and quickly, I do like the proper ‘book’ presentation of this particular book. 

Finally, this isn’t a book about photography. Dead Children Playing is an art book featuring artwork by Stanley Donwood, for Radiohead’s albums, and was published by Verso Books. The book shows artwork from OK Computer and up until Hail to the Thief (1997-2003). It’s a softback book, using an oddly textured covering - it’s almost smooth with just a touch of matte/faint abrasion. The spine is very hard, and makes looking at some images difficult as the spine would need to be pried open, which I really don’t want to do. The paper is slightly thinner than the previous offerings, whilst featuring a matte finish.

The art work commonly takes up these two kinds of presentation: Full page images of the artwork, for multiple pages, and artwork with borders along all sides, with the piece name, date, size and construction, again going for multiple pages.

Whilst these juxtapose each other, they are allotted into groups keeping the visual consistency. It would certainly be out of place if there was a full page image, a bordered image and then another two full page images. I can understand a change in visual presentation, but keep it consistent with the themes of the layout like this book. 

Some portions of the book also have a few pages of text, almost like a diary entry detailing certain places of time which are consistent to the artwork’s age. Text like this informs the viewer, and gives them some context of where some of this artwork came from and possibly inspired by. 

A coda. What can I learn from my small selection of books? There is a varying degree of construction and content within my library. I have things such as zines, all the way to high-budget publishing’s. I am more aiming towards the zine end of the spectrum, as I do like the small-budget published aesthetic. Although, I am not sure whether I like the simpler form of just stapled pages. Perhaps, I could aim for something that has been stapled, but cover that with a spine strip. Something I do want to take away is the presentation of the images themselves. I would like to keep a border around the image, and either utilise the bottom, top or middle of the page depending on the format of the photographs (if their 3:2 or 1:1 aspect ratios), just to retain the visual consistency of my digital and printed work. I plan on looking at some more photo books in the PCA library, and see what I can take from them. For now, I need to take some more photographs (waiting on a delivery of Fujifilm Pro 400H) and to browse at some photo books. 

[olderthannetfic]

Vidding absolutely counts as a fandom, and Escapade is key to the history of vidding.

Notice how the terminology shifts over the course of Escapade: The first year, it’s ‘songtapes’ being shown, then ‘songvid’ or ‘song video’ predominates for much of the 90s, and then we move on to ‘vidding’ and ‘vids’.

The vidshow moves from being more of a curated presentation of old favorites to having a lot of premieres. It goes from just one night to two, then back to one. Vidshow panels where you just watch vids for a whole panel slot come and go. In 1998, vid review starts up: This is a Sunday morning panel for in-depth critique of the vids shown the previous night and is a famously contentious part of the con. And then there was this:

2002, Friday, 6pm - VividCon Discussion (Come discuss the proposed VividCon, tentative time/location, August/Chicago.)

Yep. Escapade was where Vividcon was born!

By 2008, people were talking about how vidding had moved on from Escapade. In 2011 a vidshow retrospective was added to try to counter the lack of vidding-centric programming. There was a big resurgence for a few years, including such hard-hitting topics as:

2016 - Vidding Aesthetics (”Why is there so much show audio in this vid?", "Why didn't that cut hit on the beat?", "What do you mean 'Cheesy?' She's Celine Dion!" and other immortal questions of vidding aesthetics. If you've ever watched a vid, we want your opinions.)

Why yes, it was my panel. Why do you ask?

There were rounds of warnings wank, caused by Oz vids and by that time Absolute Destiny sent a vid of a violent coming of age film.

Check out this 1994 panel description from Fanlore:

"[The technology in fandom panel] included several things that people can now do in-home that they couldn't do five years ago: cutting and splicing songs on Macintosh computers (to remove inappropriate choruses, verses, or the word "girl"); the soon-to-be-easier ability to select different people from different clips and combine them onto a new background (also for songtapes); printing vhs video frames directly to computer screens, printers and/or color copiers (for fun); and zines and/or libraries on disk. Most of the new technology possibilities were followed by comments that the actual work we can do is illegal [...]. Which comments were followed by the statements that seventeen years ago, writing and publishing a slash fanzine was illegal.... [...] a few people [...], talked to me at different times throughout the con about getting accounts or modems [...]”

This is interesting not just technologically but aesthetically. Is the word ‘girl’ bad in a slashvid? Different communities have disagreed.

Conversations about digital vidding and digital vs. VCR really heated up around 2001, much later than you might expect if you’re coming out of an AMV background. While most of Youtube vids on Sony Vegas--a Windows-only program--at Escapade, Mac has been the norm.

The topics that have remained big are vidding aesthetics, including things like how to make an effective pimp vid, discussions of hosting options and where the community is hanging out now, and how-tos for people who want to get into vidding.

(And before anyone asks, the answer is that you should download DaVinci Resolve because it’s free and cross-platform. And you should encode with h.264 because it’s widely compatible.)

The 2020 vidding panels are:

Vidding 101: The Vid Bunny Farm So you’ve had an idea, and it’s gnawing on your leg? Or maybe you have too many vid ideas and can’t choose? Or you want to make a vid but don’t know where to even start? Aspiring fan vidders, unsure-vidders-to-be, and experienced vidders welcome alike to share vid bunnies, brainstorm together, and talk about the processes of conceptualizing a vid.

Vidding Genres Then & Now We’ve come a long way from “living room vids” vs ‚”con vids‚” or have we? Let’s talk about evolving fanvid genres, from ship vids to AU vids to multivids, from character vids to fake trailers, from genre-bending vids to long form vids to cosplay music videos, and more. Let’s talk about all the genres of fan videos floating around YouTube, Billibilli, AO3 and beyond, and also consider if the old school genre terms still apply.

Escapade has had many, many vidding panels. So many that even I feel the need for a readmore. I’ve pulled out the meta ones and left off some single-fandom vidshows and whatnot. Sorry for the wonky formatting, but Tumblr, in its infinite wisdom, seems to have removed the horizontal rule feature.

1991  - "Classic" songtapes were shown at 9:00 on Friday.

1994 - Song Video Roundtable (Bring works in progress or finished works you're having difficulty with for a quick jump-start. Open to anyone who enjoys videos as well as the people who make them.)

1994 - Songvid Editing (Authors get edited and usually have to do at least one rewrite of a story. Artists have erasers. What stops songvid makers from doing drafts and re-edits of their work? Let's talk about editing style (what cuts to use for best emphasis) and technique (how to physically do the inserts.)) [Notice how much of an issue editing is. These are VCR vids, edited in order, so insert edits are a gigantic pain.]

1995 - Techno Vids—Media Cannibals, (What's available with the new computer hardware and software? Can have Bodie & Doyle screwing on screen if we apply the right touches. Should we? How and when?) [Yes. Sweatily. Always.]

1995 - Video Workshop (video makers & watchers discuss the art.)

1996 - Music Video Critique and Workshop (Roundtable critique of videos, how to tell/recognize story, POV, rhythm. Also, tricks of the trade.)

1997 - Music Choice for Song Vidding (Finding the right song for the fandom is almost as great a challenge as finding the right clips for the song. Discussing what to look for in music choice.)

1997 - Songvid Critique (An exploration of different elements of media vids, with an emphasis on aesthetics. We'll look at segments of different songs to see how the images were used in conjunction with the varied rhythms of the music, and to enhance the mood.)

1998 - Media Cannibals Self-Indulgence Hour (Stunned to look back on vidding effort, MC plans to show -- and talk about -- some of their best and worst vids, pointing out some happy accidents and some annoying f*ckups. This is a great panel for people who want to learn about vid-making, the work that goes into them, and what to look for when watching them.)

1998 - Con Vids vs Living Room Vids (What are the elements that make a music vid accessible to a large crown, or more appropriate to an intimate setting?)

1998 - Music Video Show Review (Selected vids from Saturday's show will be replayed and discussed for their aesthetic, technical and musical choices. Open to all, for feedback and fun.) [Perhaps the start of the Sunday vidshow critique, which was also such a feature of Vividcon?]

1999 - Songvid Aesthetics (An exploration of theme, color, mood, and rhythm. Choosing clips to relate to the music and convey your message to the viewer.)

1999 - Sunday Morning Vid Review (Selected vids from Saturday's show will be replayed and discussed for the aesthetic, technical and musical choices. Open to all, for feedback and fun.)

2000 - Vidding Basics (Or "you want to learn how to make a music vid, huh?"—Carol and Stacy will take a group of novice vidders from the basics of what you need on your VCR, to all your hardware set ups, thru the selection of music, to actually doing some hands-on putting a dip (or two) into a music vid. So if you're interested in music videos and you want to try your hand at making one... you know what panel you need to go to.)

2000 - Songvid Appreciation 101 (Remember Art Appreciation? "Why is this painting good?" Well, we're doing the same for vids, using examples from the ESCAPADE Video Show. Let's take advantage of the fact that we've all just seen these vids, and use them to illustrate how to do cool things in a vid. We'll look at clever POV changes, appropriate choice of music to theme, skillful uses of musical changes within a vid, storytelling techniques, changes of mood, cutting on the beat vs. cutting on the lyric line, the different approaches to serious and humorous vids, or single fandom vs. multiple fandom vids, and more.)

2001 - Vidding Workshop (2 hours) (This workshop will cover: a comparison between digital and analog vidding; a how-to for analog vidding; a how-to for digital vidding; and a discussion of the artistic side of vidding, including song and clip choices, and techniques to avoid.)

2001 - Impact of Computer Tools on Vidding (Vidding used to be push-and-pause between 2 vers, and a LOT of patience. Now with I-movie and Final Cut and Macintosh G4's, the technological leap is here and it isn't going anywhere. Are vids better for the technology available to them?)

2001 - Songvid Appreciation (2 hours) (Comments and feedback on vids you saw last night, Escapade style.)

2002 - Art Manipulation Using Photoshop (A how-to overview, with demonstrations in Photoshop, and more detailed techniques for creating photo manipulations, web graphics, and zine graphics. Depending on interest, creation of vid titles and overlay vid graphics may be included.)

2002 - Digital Vidding (An overview of the digital vidding process, including some advice on the hardware and software you need to get started. Learn the basics of editing with Premiere and similar programs, and get an overview of some of the fun options you have when using a computer to vid.)

2002 - Vidding Workshop: Art After Craft (What is the Art of Vidding?)

2002 - Vid Revision (The art and craft of revising vids—how you get from a song in your heart and a bunch of clips on your hard drive to the final product. We'll show multiple versions of a few vids, critique them, and talk about what improves a vid. No technical knowledge needed; come whether you make vids or just like watching them.)

2002 - Vids: Pro vs Fan Editing (A long time fan vidder and a professional editor discuss techniques.)

2002 - Sunday Morning Vid Review

2002 - VividCon Discussion (Come discuss the proposed VividCon, tentative time/location, August/Chicago.) [VVC started 6 months later, in August 2002, and ran until 2018]

2003 - How to Vid on the Computer (A brief intra vidding on computers. It will touch on hardware requirements, software options, and basic concepts of non-linear editing and what makes for a good vid, and, time and tech permitting, it may also include a demonstration of some of the editing basics. There will be handouts.)

2003 - Vid Show Review (A discussion (and literal re-viewing in some cases) of some of the vids from the Saturday night show.)

2003 - Also Premiering Vid Show (The "Also Premiering..." vid show is for vids premiered in the last year that aren't going to be shown in the Friday or Saturday shows. This will be an informal setting and we'll go by participant preference — if folks want to see a vid a second time, or want some time to chat about it, or if a vidder wants some feedback on it, we can decide to do that on-the-fly. If you'd like to show any vids in this show, just bring them to the show itself. There are no hard-and-fast limits on number of vids; we'll just go with what shows up and take turns until we run out of time. Afterwards, consider going out to lunch with other participants to talk about the vids!)

2004 - I want to vid! (But I don't know how) (Introduction to vidding hardware, software and maybe some concepts if we have the time.)

2004 - Made On a Mac: The MacFen Symposium (So you're a slasher and a Mac user. Come and share your tips and tricks for HTML coding, photo editing, website management and vidding on a Mac, Share the programs that have and haven't worked for you and hear some helpful tips from the front lines.)

2004 - Vidding: Creating Mood (Why do rapid cuts of short clips create tension? What does a wipe *feel* iike? A vidder's toolbox Includes more and more options, but how do we know what emotional effect each technical effect will produce? Leave the music at the door; this one's about the visuals.)

2004 - Editing Techniques and Vidding (How can you edit together clips from widely different episodes and movies into a seamless whole? A familiarity with concepts in filmmaking can help you achieve the results you're aiming for. A look at some of the common rules of continuity editing and how they relate to vids.)

2004 - The changing face of vids (How has increasingly cheap technology, wider highspeed access and the new flood of vidders changed vidding? What should we rejoice about and what should we worry about? How do we help make it a winning situation for all?)

2004 - Vid Review (A retrospective on the Saturday night show.)

2005 - Vidding: Let the Lyrics Help You (How to look at lyrics to add depth and structure to your vid. or why top 40 songs usually make you do all the work.)

2005 - Vid Review (A Sunday morning tradition at Escapade, and a chance to discuss those great vids.) [See how it’s a “tradition” by this time.]

2006 - The Changing Vid Audience (The move to digital vidding, the availability of vid source and software, and the expectation of online distribution have all radically affected audience desires and expectations. What do audiences want from vids now? Vidders, share your historical perspectives. Vid fans, this is your chance to tell vidders what you want.)

2006 - Defining the Character Study Vid (We love character study vids, so how do you go about making a good one? What's the difference between a vid about a character, a vid about a universe, and a vid about seeing the universe through the eyes of a character?)

2006 - Marketing Your Vid (How can you stand out among the swelling ranks of vidders? What's the best way to present yourself, and to draw attention to your work? We'll focus on knowing your audience, timing your release, pimp communities, etc.)

2006 - Vid Review  (Like Ebert and Roper, but much better looking.)

2007 - Ulead Media Studio Pro 8 and Why It's Better Than the Rest (A compare and contrast of the semi-professional video editing software programs with a strong emphasis on Ulead Media Studio Pro 8. If you are new to vidding, or interested in upgrading your video editing software, this panel should help you make an informed choice.)

2007 - Mac Workshop (The ins and outs of vidding on a Mac.)

2007 - Vid Show Review (Take apart what worked and what was missing from selected vids in the Saturday show. Audience participation at its finest.)

2008 - Ulead Video Editing Introduction (Intro to Ulead Video Studio/Media Studio Pro for those who are interested in vidding but don't have a clue as to where to start. or wouldn't mind a refresher course.)

2008 - Vid Review (Last night was for watching, today is for analyzing. What worked, what didn't, and why?)

2009 - Fannish Aesthetics: Extrapolation v. Subversion (How do we as writers (and especially as vidders) interact with the source material? Is that relationship evolving? What can we say about where we've been and where we're headed?)

2009 - Vid Review (Last night was for watching, today is for analyzing. What worked, what didn't, and why?)

2010 - 2010: A Vidding Odyssey (Current trends in vidding, including what's changed and what's remaind the same when it comes to slash, vidding in particular. We will show some examples of "classic" slash as well as some of the newer develpoments in constructed reality.)

2010 - Vid Review

2011 - Escapade Songvid Retrospective (A trip back to the days of yesteryear, when vids were made on VCRs and Escapade was the place for vids and vid programming. Compiled by Kandy Fong, this show will survey vids from a variety of vidders and shows, covering Escapade 1992-2001 in a fun, informal environment.)

2011 - Decoding Vid Meaning (How do you read a vid? Clip choice, lyrics, structure, symbols or the tone of the music— vids offer plenty of clues, and we decipher them as we see fit. Come watch a vid (or two!) and discuss how we get meaning from what we see and hear to develop a deeper understand of what's going on in the vid. Multiple viewings are required!)

2011 - Vid Review (Flash all the way back to Saturday night to dissect our favorite (or not) vids from the show.)

2011 - The Vidding Explosion (1985-1990) (Who taught whom. The growth of storytelling, technique, and sophistication. Includes vid show and presentation.)

2012 - Vidwatching 101 (Vids have their own language and their own framework for discussion. It can be tough to translate vids into words, but if we have the same language, vid discussion can be wonderfully rewarding for both vidder and viewer. This panel is a primer to get us all on the same page.)

2012 - The State of Vidding Fandom (Ten years of VividCon and roughly the same years vids have been distributed online, let's talk about the state of vidding and the community of vidders. Is there one? Where is it? How do vidders fit in with fandom at large? What are the different options for watching/releasing vids, and how do they stack up for vidders and viewers? If you love vids, join us—whether you vid or not.)

2012 - Festivids Review (Festivids is a fannish vid exchange inspired by the Yuletide fic exchange. This will be a vid review-style panel where we show clips from some of this year's highlight vids and talk about the challenge.)

2012 - MVD Vid Retrospective Show (Sometimes the oldies really are the goodies. Mary Van Duesen has made songvids since the 1980s, working in a range of fandoms. She has also remastered many old vids, and they look better now than they ever did. Come see some old favorites, or find some new ones.)

2012 - Vid Show Review

2012 - Nearly New Vids (So many wonderful vids were submitted for the Escapade show that we couldn’t fit them all in the early show. Here’s your chance to see the rest in the daylight hours (replay of the late-show vids).

2013 - Mac Vidders Roundtable (What’s the best way to vid on a Mac? Our vidding options have changed a lot in the last few years, and it’s been a while since we had a roundtable to discuss and compare our tips, tricks, and processes. This panel is for all of the above.)

2013 - The Art of the Pimp Vid (What makes a pimp vid so addictive one hit will get you hooked? Let’s talk vids for people outside of your fandom. Plot arc vids, character vids, pairing vids: How do you grab a new audience hard and never let them go? Hey there, little fangirl, the first taste is free!)

2013 - The Bestivids of Festivids (This year’s Festivids featured everything from incest testtube babies to care bear Avengers to a surprisingly large amount of kickass femslash. Let’s watch and discuss some favorites from Festivids 2012.)

2013 - So You Want To Be A Vidder (Nobody vidding your OTP anymore? Sad that vidders haven’t discovered your new favorite show? Why not vid it yourself? Come learn the very basics, from choosing programs in your price range to dos and don’ts if you’re planning to submit to cons.)

2013 - How Do Vids Work? (Let's talk about the techniques (not just the feelings!) that make a slash vid work. What makes for a vid that we watch over and over and that sticks with us long- term? We'll talk about these things with reference to a couple of specific vids, see what strategies, commonalities, and differences we can identify, and then open up discussion to additional favorites from the audience.)

2013 - Vidding Aesthetics (Vidders and vid watchers: let’s talk vidding aesthetics. How have styles changed over time? What makes a good vid and what’s just a matter of personal taste? What do you want to BURN WITH FIRE? Let’s get this cage match... err... discussion going.)

2013 - Vid Review (Flash all the way back to Saturday night to dissect our favorite vids (or not) vids from the show.)

2014 - Vidding 101 (Never edited before? Haven't made a vid since the VCR went the way of the dodo? Come learn how to turn those vidbunnies into reality!)

2014 - Vids for the Viewer (We often discuss writing from the perspective of a reader, but vidding from the perspective of vid-watchers not so much. Let's talk about how to read a vid, different vidding aesthetics and how accessible or popular they are with viewers vs. vidders, and impostor syndrome in vid review.)

2014 - Vid Review (Flash all the way back to Saturday night to dissect our favorite (or not) vids from the show.)

2015 - Best of Festivids. From the slashy to the merely sublime, what tickled our fancy in this year’s Festivids?

2015 - The Perfect Slash Vid. What makes the perfect slash vid? Is it the song choice? The point of view? The abs? (Okay, you got me: it’s the abs.)

2015 - So You Wanna Be A Vidder. Bring your laptop or at least a pen and paper and find out how to get started in vidding.

2015 - Vid Review: Flash all the way back to Saturday night to dissect our favorite (or not) vids from the show.

2016 - The State of *Vidding Fandom. Sunday, Noon, San Diego 2. What's going on in vidding fandom today? Where are people hosting and posting? What's next?

2016 - Vid Review. Flash all the way back to Saturday night to dissect our favorite (or not) vids from the show.

2016 - Vidding Aesthetics (”Why is there so much show audio in this vid?", "Why didn't that cut hit on the beat?", "What do you mean 'Cheesy?' She's Celine Dion!" and other immortal questions of vidding aesthetics. If you've ever watched a vid, we want your opinions.)

2017 - Vidding 101 - Have you dreamed of making a vid but just aren’t sure where to start? We’ll go step by step, talk finding your source(s), choosing music, finding your way with non overwhelming tech-tools, brainstorming ideas, finding collaborators, and learning by doing. Already a vidder? Come and help new vidders find their way, find new collaborators, and make new ideas happen.

2017 - Let’s Collab! New Forms of Collective Fan Creativity , Newport Changing technologies mean that we collaborate with each other in ever-evolving ways when we create fic and vids. What are the possibilities for collaborating beyond geographic boundaries with digital technologies? How are you collaborating with fellow writers and vidders these days? Are you interested in finding new collaborators and new ways to connect? And are these new forms of collaboration creating new forms of creative fan work?

2017 - Vid Review, Marina del Rey On Saturday night, we watched the vid show. On Sunday morning, we talk about it. Join Rache to discuss the good, the better, and the great of the show, including techniques and all of the reasons Charlotte doesn’t vid anymore and never will again.

2018 - Noon (Vids from the Vault, Part One Kandy Fong Newport A curated retrospective of vids from early Escapades.

2018 - Fanvid Feels (What vids do you return to again and again because they just make you *feel* things, thrill you, or fill you with joy, or even sadness? Maybe a vid introduced you to a pairing, or a fandom, or perhaps you love it even though you’re not really that into the source? Let’s look at some of our/your favorite vids and think about what makes them tick. Come with vids you want to talk about in mind, or just come to watch and talk about vids that make us feel stuff.)

2018 - Vid Review (Flash all the way back to Saturday night to dissect our favorite (or not) vids from the show.)

2019 - 3-Minute Pimp Vid (Forget telling: Show us your canon with a vid or clip! (3-5 minutes each.))

2019 - Lend Me Your Ears: Vids and Music (Have you ever discovered a song or musician because of a fanvid? Do you have thoughts on what music works and doesn't with fan vids? Let's talk about all the ways in which different types of music can work in vids, and look at some vids that work with music in awesome or surprising ways. Plus maybe there will be a little singing along...)

2019 - AO3 But For Fanart and Fanvids (AO3 has been great for fic, we need safe harbors for art and vids too. Let's talk about it!)

2019 - Pitch a Vid Bunny, Find a Vid Beta (Have an idea for a fanvid you'd love to see happen? Come with concept, song, source ideas, characters--share your bunnies, find some cheerleaders, brainstorm together. For newbie & experienced vidders alike, all welcome!)

2019 - Vid Review (Rehash the Saturday night vid show with a room full of fans.)