#also was practicing with perspective and dynamic poses

[dxoxlinq]

ends off 2023 drawings w/ strawberry and her bestie who is (used to be) a war criminal ^_^

(close ups !!!!!!!!!)

[seiwas]

three-part honesty | todoroki shouto

wc: 16.3k

summary: honesty, you've realized, is shouto’s most cunning trait—a quality that's endeared you over the years now rendering you into a stuttering, fumbling mess like never before. 

contains: intended as f!reader but no pronouns used, reader wears heels, a skirt, & a dress, post-canon (divergent), aged-up pro-hero!shouto and assistant!reader, workplace romance, development of feelings, confessions, boss/assistant dynamics, co-workers to lovers (ish), todoroki family dynamics and healing, fluff, slow burn.  

sequel to: two-part something ao3 mirror

a/n: primarily from shouto’s perspective but switching of character pov’s is denoted by ‘( )’. i enjoyed the entire process of writing this fic and hope you do too! 

sponsored by @arcvenes for the @ficsforgaza initiative. please do check it out and support if you can! this is also my submission for the pretty boy summer collab by @andypantsx3.

I. LISTEN CLOSELY

Much to his relief, Shouto’s yearly health check-up turns out just fine. 

His blood work results come back stellar, levels all floating within normal range; some x-rays and scans reveal injuries healing up nicely—that collarbone he’d fractured months ago, especially. Save for a few recommendations on better sleep and stress management, Shouto receives no additional diagnoses for anything particularly concerning. 

Except for this one thing—

“Maybe you have a crush.” Natsuo sinks into the backrest of his chair. A slight ‘squeak’ sounds from its springs as he props one foot up on his knee and clasps his hands over his stomach. 

Shouto thinks it must be some doctor pose; Natsuo’s been doing it more often now that he’s gotten deeper into his medical practice. 

In Shouto’s final year at UA, Natsuo made the decision to fully shift into Pre-Med. The aftermath of the war left a big portion of Musutafu lost and in dire need of a society to believe in. To Natsuo, this felt like a calling; an effort of playing his part to restore faith in a better, functioning system that did not discriminate. Internal medicine felt expansive in that way.

This, of course, also meant that Natsuo was now the (unofficial) assigned private and personal doctor of the Todoroki family—to Shouto, mostly. 

So—

A… Crush?

“How does that happen?” Shouto turns to his brother, head tilted in confusion. His brows furrow slightly. 

This isn’t what he was expecting at all. 

“I mean, you said it in your text,” Natsuo reaches for his phone, clicking it open to scroll. The light from his screen reflects on the gray of his irises; then, he air quotes, “you said: ‘my chest feels weird’, then when I asked if anything happened,” his index finger glides across the screen, swiping through a long block of text uncharacteristic of Shouto’s typical dry responses.

“You detailed the entire scene of–” he pauses for a moment, squinting to find a specific line, “–a santa hat? Being put on you, or something. You didn’t mention who but I figured it was—” 

You, Shouto thinks, at the moment Natsuo says your name. That same two-part thump sounds in his ears. 

You, who’s stayed by his side for the past five, nearly six years. You’ve carved your presence so deeply into his life, it’s become an undercurrent in his speech. He doesn’t even think of having to say your name when he talks about you. 

You, and how he turns over this familiarity with you inside his brain. How everyone knows—

“—who else stays with you in the agency past office hours, anyway?” 

Natsuo raises an eyebrow, knowing. 

“We’ve been working together for a while.” Shouto replies, lips pressed firmly into a small pout. 

If he’s being honest, he’s not sure what compelled him to say something Natsuo already knows. To state the obvious? Or to argue, maybe? To act in denial? To express disbelief? 

He takes a long breath, surveying Natsuo’s clinic. The walls are pristine white, the desk and examination bed the same shade of ashen gray—a conscious choice to keep patients calm; ironic, given the state of his thoughts right now. 

Shouto’s mind is buzzing, and Natsuo watches the muddled confusion in his little brother’s eyes shift and swirl in blue-gray emotion. Then he chuckles, holding onto his arm rests as he stands up from the other side of his desk. 

“It can happen, Shouto.” he plants a palm on his little brother’s head, ruffling red and white the way he would have when they were teens, “It’s been years, right? Feelings can develop over time, that sorta thing, you know?” 

Shouto lets the realization settle in. 

Under the weight of his brother’s hand, he feels like a kid again—right before all the training started; and right before being kept away, excluded from the childhood he could have had with his siblings. 

Shouto feels like a teen again, without the trauma, without the war, being taught things about life and himself, about feelings he never had the time nor capacity to explore.

The two-part thump continues, beating. 

A crush. On you. Huh. 

The rustling of his hair dusts strands of warm, fuzzy feelings over his eyelids. 

This feels… new, he thinks. 

.

.

.

Shouto knows his Mondays. 

He gets to Shouto Agency an hour before everyone else does because he likes the stillness of it right before the day turns busy. The sun is up but only barely, casting a soft glow of blue and orange hues through the floor-to-ceiling windows of his office. 

This habit began years ago, back when the agency functioned on the 7th floor of a commercial building. It was called Flashfreeze then, and even though it had an entire floor of 24 office units, being in a commercial building still meant sharing common areas with other companies and agencies. The morning rush left the elevators flooded in utter chaos daily. 

To Shouto, going in early meant less people and less noise—a quiet bube he could use to prepare himself for the rest of the day.  

A lot has changed since then: the agency’s move into a larger, newly constructed building of its own; staff, interns, and sidekicks quadrupling in numbers; better office spaces, bigger teams, more facilities—a big expansion, essentially. 

Somehow, despite being more settled in the industry, he finds that the days feel even busier than before. 

So, Shouto keeps his Mondays the same: his preference of coming in early carrying itself into this newer, much larger and private office space, and his same habit of brewing himself a cup of tea finding its own spot by the small kitchen nook you helped design during the construction of his office space. 

Everything about his office is optimized for efficiency: the backdoor, where he enters from on most days, opens to an elevator with a matching staircase that both lead straight down to the costume unit, training grounds, and his own parking area; the blinds of his windows automatically draw up and down at set times of the day; and the minimalism of his entire space is carefully considered, with every area plotted for easy navigation. 

It’s sleek and neat, sharp edges and clean lines, straightforward much like he is. Cold, for the most part, save for the corners touched by your warmth.

Pale yellow jars sit on the counter of his kitchen nook, with each one housing sugar, cinnamon, and his stash of tea.  

When he looks more closely around the room, he spots the fresh flowers on his desk—a vase of luscious white chrysanthemums starkly contrasting the dark grays and browns of his interiors; they tell him you must be in already, because even when he manages to come in an hour ahead, you always, without fail, beat him to it 30 minutes too early. 

And also, like always, you enter his office in the same way you do every Monday morning. 

Your heels clack against his stone flooring, marking your arrival. He turns to face you from the kitchen nook, cup of tea in hand as he greets you. 

“Good morning.” 

You jolt, nearly tripping. Your head whips up quickly as you clutch a mass of folders tightly to your chest. 

He takes a sip of his tea, the corners of his lips curling slightly on the edge of his cup. 

“Si–” you clear your throat, correcting yourself as you take a breath. Then you smile warmly, bowing your head slightly, “Shouto, good morning.” 

“You scared me a bit there,” you add with a soft chuckle. 

It’s endearing, he thinks, seeing you caught off guard, so out of your usual composure.

You loosen your grip on the folders, “I just came to place this on your desk,” your finger taps against the plastic, “I didn’t notice you were here already, sorry.” 

“No worries,” he sets down his tea cup, pocketing one hand in his sweatpants, “do you want some tea?” 

“I’m good, thank you,” you shake your head, walking towards his desk to set the folders down, “Just a couple of debriefs for the case last month.” 

He nods, eyes tracking your movement around the room. You pause then turn to him, clicking your pen as you say, “Let me get your schedule so we can do the run-down.” 

Shouto moves to his desk when you leave, settling into the few squeaks and cracks of the leather chair you helped restore using your quirk—the ability to minimally reconstruct organic matter. 

Not even a few minutes pass until you return, a tablet perched on the crook of your elbow with a digital pen in hand. 

This is part of his Monday routine. 

The agenda you follow is the same: a schedule run-down for the coming week, any notable trips or events, report updates, and department updates. Occasionally, PR will have you relay messages they have trouble communicating nicely—most of the time, they involve suggestions for him to ‘smile more’ or ‘answer questions more enthusiastically’. 

You have no problem telling him these things straight up, and he has no issue hearing it directly from you, either. 

For this week, you detail a few meetings scheduled for tomorrow and Wednesday, along with updates on his costume revisions, to be fitted on Wednesday afternoon, and—

“Deku requested a joint patrol on Thursday morning, so I moved your fitting for the gala to that evening instead. Is that okay with you?” you look up from your tablet, the tip of your pen hovering over the screen. 

In this light, you’re bathed in the colors of sunrise. 

(From where you’re standing, Shouto is backlit by the rising sun. His figure is washed over by a faded shadow, but you can see his eyes clearly, bright turquoise and dark gray staring right at you.

You hold your breath; you are well aware of Shouto’s tendencies to stare, but he’s taking much longer to answer you this time. And you don’t know what to do, where to look. Do you wait until—)

Shouto nods, catching himself lingering. 

You mumble an ‘okay’ before tapping on your tablet. 

The rest of your reminders are about upcoming events and deadlines: there’s the company team building happening in a few weeks, and a few reports due today and tomorrow. Fuyumi moved the family lunch to Saturday to make way for his photoshoot on Sunday. 

He watches you from his desk as you speak, your foot tapping in conjunction with each item you relay to him, as if marking every point. It’s a thing you do, something he’s noticed in the years you’ve worked together. 

Shouto knows his Mondays, and he’s always been relaxed during these earlier parts of it. 

But ever since that check-up with Natsuo, he’s been more… conscious about it lately. It seems to be a consistent trend that every time he’s around you, he feels a significant uptick in his heartbeat. 

Except now, when you speak—

“Will you be bringing a plus-one to the gala this year? The committee is confirming how many seats they’ll reserve for you.” 

—his heart feels like it drops, plummeting straight to his stomach. 

He looks at you intently, a slight crease forming between his brows. 

You go to most of these things with him; you always have, ever since. 

So, why are you even asking? 

He thinks about it, deciding what to say next. The thought of you not going with him feels weird. Unusual. 

If you’re unavailable, he supposes he can just go alone. 

But—

“What should I do then?” Shouto shifts in his seat, peering up at his brother. 

Natsuo’s instinctive reaction is to laugh; after all, it’s not often that you see pro-hero Shouto at a loss on troubleshooting. But when he spots pure and genuine uncertainty swirling in heterochromatic gray and blue, he sees his little brother—Shouto at ages 4, 8, and 12, still a little helpless on what to do.

“Do you want to do something about it?” Natsuo asks gently, squeezing Shouto’s shoulders. 

Shouto doesn’t say anything. 

The lack of response tells him all he needs to know. 

“Maybe figure that out first, then just be honest about it when the time comes. Nothing beats saying it plain and simple.” 

—‘just be honest about it’ echoes in his head, Natsuo’s voice morphing into his own.

“Will you not be available?” he manages to ask flatly, masking his worry. 

(You look up from your tablet and his eyes meet yours, an intensity in his gaze that’s only been directed at you a handful of times before.) 

“Oh,” you fluster a little, shifting your weight, “I will be, but I just thought…”

He can hear you hesitate, voice trailing off as if contemplating your next words. His head dips to coax you to go on. 

“...I just thought, maybe you’d want to bring someone from your family?” you give a small smile, half-genuine, half-uncertain. 

You know Shouto’s family; know their stories and know what each of them are like, individually. 

You know how far they’ve come into healing, seeing Touya through multiple cycles of rehab and relapse. You’ve witnessed his mother’s strength first-hand, watching her rebuild their family with the help of Fuyumi. On the weekends when work wouldn’t let up for Shouto, she’d welcome you to join in family lunches too. 

There were days during Natsuo’s medical internship when he’d go to the office at midnight because the hospital was nearby. It was the only free time he and Shouto had at the time, but Natsuo would ask you to join in, the three of you slurping on cup noodles while Natsuo prattled on about the absurdity of some of his coworkers. 

So, Shouto can fully understand your intentions. After all, he thinks you’ve been instrumental to his family’s healing, too. 

But he has his reasons for never bringing Fuyumi—she usually has school the next day, if not volunteer work at an orphanage. Natsuo has gotten increasingly busier with his practice, and Touya—Touya is still in rehab, and though he’s allowed at home three times a week, Shouto’s sure he’d rather spend it doing things other than being in a room full of pro-heroes. 

“It might be nice to bring your mom,” you add on.

And as for that—

“The gala is this Friday?” he leans forward, the tips of his bangs brushing his eyelids. 

You nod.

“She and Touya are going to the gardens,” he recalls, his mother casually mentioning it the last time he visited. 

You look pleasantly surprised, “Oh,” then your small smile returns, “that’s good to hear.” 

(It must mean a lot to Rei, you think. She’s always wanted to make up for lost time.) 

You don’t say anything else, silence filling the conversation as you hold his gaze.

It isn’t uncommon for Shouto to hold stare-offs, with you especially, but this might just be the first time he feels fully conscious about it—wondering what you’re thinking; if you can read his mind and tell what he’s thinking. 

“Do you not want to join me?” he asks, a small pout forming on his face. 

(The softness of his cheeks sink just a little bit, and his eyes lose some of the luster they typically carry in the morning. 

He looks so sad, you wish you just said yes in the first place. 

How do you even respond to this?) 

“No, n-no–” you stutter, inching forward subconsciously, “–it’s nothing like that.” 

You check your tablet, swiping through your calendar. He can see portions of it from where he’s sitting, your Friday definitely freed up and empty. 

He pushes himself up, standing to full-height. His hands dig into the pockets of his sweatpants as he tilts his head to the side. 

“What seems to be the problem then?” 

(In your years of knowing Shouto, you’ve learned that he never intends to sound harsh even though his words may seem like it. But even though you’re aware that he only means to be curious, you still feel a little embarrassed admitting that you didn’t anticipate the possibility of going to the gala with him this Friday. 

You’ve always been prepared; it’s in your job description to be like this. You should have had a back-up dress just in case. You shouldn’t have shown Shouto your hesitation in the first place.

So, you breathe out, voice level and calm. This is your problem to fix, you don’t have to let him know about it. You’ll find a way, like you always do.) 

“There’s no problem. I’ll add my name to the list then.”

Then you smile, but it’s just a touch uneasy, and if there’s one thing you underestimate about Shouto—for just as much as you know him, he’s gotten to know you pretty well too. 

He pauses. The last thing he would want is for you to feel forced to go.

“If you have other plans, I hope you don’t feel obligated to go. I can go alone.”

His brows furrow, crease deepening and heart still sinking. 

(And you can see it, that little pout on his face staying right where it is. 

You’re endeared, touched by his consideration.

“I don’t have other plans,” you grin, brighter and more at ease, “and I don’t feel forced to go either,” you sigh, hiding a small chuckle. 

A pause. 

You mull it over before deciding to admit why you were hesitant in the first place, “I thought you were going to bring your mom, so I wasn’t able to prepare a dress.”)

Shouto’s eyes widen slightly, mouth opening to express his apologies. 

“But–!” you interrupt, “That’s my fault,” you raise your hand, swaying it side-to-side. “So please don’t worry about it. I’ll take care of it.” 

The smile on your face is meant to reassure him, he knows, but he still feels guilty. 

This Friday’s gala is the Annual Midyear Pro-Hero Awards; it’s grand because it’s important, and the dress code is always black-tie—everything typically made custom. 

He tilts his head slightly, thinking, eyes zeroing in on the small calendar propped up on his desk.

“My suit is being made by Bakugo’s parents, correct?” 

You nod, reiterating, “Your final fitting is on Thursday night.”

His gaze flits to you once again. 

(There’s that look in his eyes you’ve become all too familiar with—a glint of mischief accompanying a sort-of ‘Eureka!’ moment that means he’s thought of something.

The pieces click together, realization dawning upon you, but when you open your mouth to refuse—)

“I can ask them to do yours as well.” Shouto beats you to it. 

It wouldn’t be fair for you to scramble for your outfit last minute simply because he assumed you knew you were going. You shouldn’t be more stressed than you already are. 

“Si– Shouto,” you say firmly, “That’s too much.” 

“I’m sure they won’t mind,” he flashes you a small smile. 

(And you hate to admit it, but he’s right.

The Bakugo’s have known you for as long as you’ve been Shouto’s assistant. They’ve consistently designed his suits for big events like the Pro-Hero Awards, and Mitsuki has always extended their services to you too, knowing full well that you are Shouto’s plus-one most of the time. 

She likes to chat with you during suit pick-ups, with Masaru serving you a cup of tea as you wait for minor tweaks and adjustments to Shouto’s outfits. 

“It would be too last minute,” you resist, feeling bad for the hassle this would impose on them.

“Then I can call them later today.” Shouto reaches for his phone, eagerly typing what you assume is a reminder to call Mitsuki some time later, just as he said he would. 

“You–” your voice hesitates, “you don’t have to do that. I can contact their secretary–”

This is part of your job, after all. 

“It will be much faster if I call them directly.” 

And while he does have a point, you still feel bad, inching closer towards his desk, “It’s okay, you shouldn’t have to concern yourself with this–” 

He gives you a look. 

You stop moving. 

Shouto is stubborn, this much you know. When he looks like this, you’re well aware that there’s no point dissuading him from doing something he’s already set his mind to.)

“It’s only right given that I told you last minute.” 

He tells this to you sincerely; it really is the least he can do. 

Besides—

“…be honest…” the words replay in his head.

—he swallows his truth; lets it sink deep into stomach along with that two-part thump in his chest. 

“I only feel comfortable going to these with you, anyway.” 

(Your mind blanks, coming up with nothing else to say but ‘okay’.) 

.

.

.

Cameras flash as Shouto steps down from his van. 

The building ahead of him is colossal, tall pillars and perfect arches made of raw stone and marble—it feels both ancient and otherworldly, fitting to represent Musutafu in this new age. Ahead of him, the staircase stretches on, steps spanning the width of half a block. Down its center cascades a luscious carpet, thick velvet that further lends to the grandeur of the event. 

Standing at the foot of the staircase, Shouto takes a moment to unbutton his suit jacket, revealing his perfectly fitted waistcoat underneath. 

(You know he isn’t doing it on purpose; it’s hardly ever Shouto’s intention to make people swoon, but you’re positive that that one move alone can make anyone melt on sight—you included.) 

Tonight is the Annual Midyear Pro-Hero Awards, a prestigious event where hero rankings, major announcements, and charity biddings take place. 

(It’s not anything new to the both of you, but Shouto skipped out on the past two, and it’s been years since you joined him on the last one he went to. Being here again after so long makes you feel a little out of practice.

After he scales the flight of stairs ahead, Shouto turns back to you, offering his arm for support as you step down from the vehicle. You hesitate, partly because you don’t know whether it’s acceptable behavior for you to take it, and also because you don’t remember if this was something you did the last time you went to one of these with him.

You can’t think straight—not when he looks as seraphic as he does, face half-illuminated by the lights behind him with the shadows hugging the softness of his cheeks. 

Shouto is beautiful, a fact you’ve known long before you ever even started working with him; but you’re reminded of that fact in moments like this, especially. 

“The steps are tall,” he tells you, shaking you out of your thoughts as you glance back at the staircase behind him. You try not to stare, but the strands that frame his forehead shift from his sudden movement; it scatters into a perfect mess—characteristic of how anything out of place always seems to look on him.

You take his offer.)

His forearm is firm against your palm, the thick fabric of his suit jacket providing cushion for your touch. When he bends it towards his chest, your fingers slip towards the crook of his elbow. 

Scarlet red contrasts the building’s stone white structures, the carpet providing a center stage for all heroes and public figures to parade their outfits. If not for the photographers yelling, “Shouto, right!” and “Shouto, left!”, he would have gone straight inside, barely pausing on the landings between each flight of stairs. 

You stand to the side when he takes them, just as you always do. But between each flash that goes off, Shouto thinks about whether you should join him too; after all, Mitsuki did intend for the dark navy of your dress to match the stone gray of his three-piece suit. 

When you finally arrive at the lobby of the city hall, the two of you are welcomed into a receiving area adorned with crystal chandeliers. The lights bounce off the sharp white edges of the building’s neoclassical interiors, the carpet’s scarlet red returning as a recurring motif in the form of drapes cascading from the high ceilings and down the sides of the room.

By this time, Shouto’s relaxed a bit more, his hand slipping loosely into his front pocket. 

(You don’t realize you’re still holding onto him until you’re midway across the floor.) 

“Hey, you guys!” Kirishima waves over, squeezing himself within a narrow space between the backs of who look like one of the executives of the hero commission and last year’s awarded peace ambassador. 

(You don’t know how he could have possibly fit, the width of him wider than any pro-hero you know, but you chuckle at his timid mumbles of “sorry, excuse me, just passing through.” It reminds you of how he typically approaches you when he asks for favors regarding joint patrols and assignments with Shouto.

He greets you both with his trademark hug, a bone-crushing grip that leaves you a little winded.) 

“I didn’t know the two of you were coming!” 

“It was a last minute decision,” Shouto smiles, small and fond. 

(You look at Shouto intently from beside Kirishima, as if processing what he means. And when his eyes meet yours, you feel caught, shy, averting your gaze quickly.)

Kirishima clears his throat, no doubt noticing the interaction but choosing to focus on something else instead—Shouto’s outfit, a dark navy tie tucked underneath a fitted gray waistcoat; the white collar of his button down peeking through the all stone-gray ensemble. His hair is styled down, bangs curled inwards to form commas that frame his forehead.  

“Looking good, man.” the red head deflects, joining his index finger and thumb to form an ‘O-K’ sign as he nods at Shouto. Then he turns to you, the same genuine smile on his face as he says, “That color really suits you.” 

You smile sheepishly, mumbling, “Thanks.” 

(Kirishima is a sweetheart; you can never doubt that his intentions are pure. But the attention makes you feel a little self-conscious, even more now that—) 

Shouto looks at you then, again, too.

It’s the only time he’s managed to get a real good look at you if he’s being honest; from the incident in the car to the flashing lights up the staircase, there haven’t been many opportunities to fully see what you’re wearing. 

And—

Kirishima’s right. 

The color really does suit you, but so does the design of your dress—a simple cowl neck joining into halter straps; it dips low at the back, this detail of it, he knows. He’s been careful not to touch you there the entire time so far. It doesn’t help that your hair is tied into a low bun, accentuating the vacant space with how the dress hugs you beautifully in all the right places. 

The dark navy satin was a good choice, the perfect vessel for catching ripples of light. 

It’s simple but classic; understated, just like the accessories you’ve chosen are. And it brings out the one thing he thinks carries this look the most—

You. 

He tries to form the words in his head, urging himself to speak up—he wants to give you a compliment of his own. 

But—

“Bakubro!” Kirishima waves overhead, much like he did earlier. 

—maybe he can try again next time. 

You and Kirishima don’t stay long after Bakugo arrives, Ashido coming in to whisk you and the redhead away to the main room. She loops her arm around yours and pulls you towards her, prompting you to give one last glance at Shouto as an expression of your apologies. 

The corner of his lips curl only the slightest bit. 

Bakugo watches. 

“Don’t forget the drinks, Blasty!” Ashido calls over her shoulder, green silk flowing behind her. 

He tuts, grumbling as he heads towards the reception bar, leaving Shouto in the middle of the receiving area, unsure of where to follow. 

“Y’coming or what?” 

Shouto lingers for a few seconds, watching your back disappear into the hall before he decides to walk after Bakugo.  

The lobby begins to quiet down as people flood into the main event area, a large hall adorned with the same scarlet red drapes and crystal chandeliers. The table arrangements have been pre-selected and arranged, you and the others most likely finding your seats inside. 

“Old hag told me you’re dating.” 

Bakugo speaks, his back still turned to Shouto. 

The bar in front of them offers a generous selection of drinks, all ranging from different wines to cocktails and liquor shots. It isn’t a surprise that Bakugo knows all of his friends’ chosen drinks, down to each specificity—it’s how he shows that he cares. Shouto’s come to learn that over the years. 

Their friendship has settled into its own dynamic as Bakugo’s mellowed down. Shouto will ask a question here and there, and Bakugo will look at him like he’s the dumbest fuck on the planet, but still answer anyway. 

It works, as evidenced by right now. 

Shouto stops right beside Bakugo, leaning against the countertop as he hums, confused, “Who?” 

Bakugo sighs, sliding Shouto his gin and tonic, “Mom.” Then he rolls his eyes, gesturing towards the door of the main room, “She told me you two are finally dating.”

Shouto pauses mid-sip. 

When he recalls the conversation he had with Mitsuki, it went a lot more like:

“Can a dress be made for my assistant as well?” he speaks into the line, “I will be bringing them to the gala.” 

He doesn’t think he insinuated anything. 

But now that he replays it in his head, it’s no wonder Mitsuki’s enthusiastic reply sounded so eager. 

Bakugo snorts, smirking as if his suspicion was just proven right, “Knew that lady was hearin’ shit.” 

The bartender serves up another drink, Ashido’s raspberry daiquiri being placed right in front of the blond before he moves on to mix another one. Clacking ice fills in the silence, the drink coming together inside the shaker. 

Shouto stares at his drink and watches as little bubbles form on the slice of lime submerged in it. 

“Are you at least thinkin’ about it?” the blond faces Shouto, leaning his forearm against the counter. 

Shouto furrows his brows, a single thought running through his mind.

“How did you know?” 

Bakugo stares, deep vermillion as he speaks, deadpan, “You can’t be serious.” 

Shouto stares right back. 

Another drink is served, Kaminari’s mixed drink of vodka, lime, and lemonade.

The stare-off persists for a few seconds, a series of blinks emphasizing Shouto’s cluelessness to the whole ordeal. Because—why does it feel like everyone knows? Did he mention it without knowing? Or is it really just that obvious?

Bakugo sighs, mentally facepalming as he turns back to watch the bartender shake another drink, “Whatever. S’none of my business.” He leans onto the counter, elbows resting on the steeltop. 

Shouto isn’t sure what else to say. He knows that Bakugo is observant, that his friend has always had a keen sense of awareness for the things going on around him; it just never crossed his mind that that would include his interactions with you.

The blond slides over Ashido’s drink, prompting Shouto to hold the flute of the glass between his fingers, “Just don’t be a fuckin’ dumbass about it. Gotta be dense as hell if you think the way you’re treated is part of the job description.”

The bartender serves up the final drink: Sero’s whiskey on the rocks. Bakugo takes it along with Kaminari’s and starts walking back to the main room, Shouto following right behind him. 

He thinks about it. 

A thump. 

Because right before they both enter the hall, Shouto spots you, further back at the right side of the room as you laugh at something Yaoyorozu must have said. 

He blinks, wondering if the soft glow around you is from the haziness of his eyes. 

“If y’don’t do shit first, some other loser will,” Bakugo mumbles, just within ear-shot before he walks ahead to where Kirishima and the others are seated. 

Shouto makes a mental note to drop off Ashido’s drink before heading over to you. 

.

.

.

You and Shouto leave the gala early.

A message from the police station came in the middle of the event: a request to bump up a few reports for submission tomorrow.

You’d mentioned to Shouto that he could stay, especially since he’d be needed to accept awards that you were sure he’d be the recipient of—among them being one of the top performing agencies of the year, a big chunk of it based on the high turnover rate of timely reports. But he insisted that someone else could represent him instead; he’s certain Midoriya wouldn’t mind. 

If you were going back to the agency to work, so was he. 

The night shift at the agency is minimally staffed, with most sidekicks and pro-heroes out on patrol. Regular employees have clocked out by this time, and it seems that the only ones left in the building are the emergency unit and the two of you. 

You’ve split the work between you two: Shouto tasked to fill in the second pages, where the scene-by-scene breakdown and additional comments can be found, and you, in charge of summarizing those details along with all basic information onto the first pages. 

It feels nostalgic, watching you flip through the papers laid out on the coffee table of his lounging area at a quarter past midnight. Back then, he had just hired you, and the only other employees in the agency were his gear tech and PR manager. There was no way the volume of workload could be managed without spending late nights organizing investigations and reports on the floor of that rented studio unit. 

Now, you sit by the coffee table in his lounging area, one you helped decorate. The books atop it have been pushed to the side to give you ample workspace, but even those remind him of how much consideration you’ve put into helping him build his space. 

Bakugo’s words linger when he thinks about it—how the books you’ve chosen remind him of his family. There’s one on the language of flowers that his mother would love, and a cookbook that he’s sure Fuyumi’s used (some corners are folded, with her handwriting scrawled on every other page). On another stack lie a few comic books he remembers Touya and Natsuo reading when they were younger (that he’s pretty sure he’s seen them flip through during their visits to his office over the years).  

And along with all the books sits a family photo taken years ago, framed and taken by you during one of their annual trips to their family beach house a few hours away from the city. 

It begins to sink in. 

A thump.

He folds the sleeves of his button down to his elbows, his gray suit jacket long since draped over the back of his leather chair. You’ve changed out of your heels too, opting instead for the soft slippers you keep under your desk. 

It’s cute, he thinks, the formality of your entire get-up toned down by a pair of fluffy yellow slippers. 

When he glances at you again, he finds you hunched over yourself on the sofa of his lounging area, an arm wrapped around yourself as if to contain whatever warmth you have left. 

He furrows his brows. 

“Are you cold?” his voice booms through the stillness of his office, jostling you out of focus. You whip your head up to look at him, shaking it immediately as if on autopilot. 

(He pouts, then, a small downturn of his lips that you find adorable, more than anything.) 

“I’m okay,” you smile, but he can see the slight twitching of your lip; the goosebumps dotting down your trembling arms. 

You always seem to be doing things like this with him. 

He pushes himself away from his desk, the wheels of his chair rolling against the stone floor. 

You never express your discomfort in any situation you’re put in, and you diligently work and endure all conditions to get the job done. He always extends his help, but you often decline, and—

“You have to be dense as hell if you think the way you’re treated is part of the job description.”

—Shouto is beginning to realize that the way you treat him really is so much more than that. 

You’ve laid the groundwork of the operations in his agency and you always smooth talk your way to getting him out of schedules he mistakenly forgets to show up to (typically with good reason, though). You cover all the areas he misses—this entire building would not be how it looks and functions without your help overseeing its construction. 

You’re organized and driven, eager and compassionate, and you care, above all else. 

The flowers you leave on his desk are never needed, but you always insist on them to keep his space alive. You fix all his clumsy papercuts, even though he never asks you to; he’s dealt with much, much worse, yet it’s only a split-second after you spot it that the tingling of your quirk works its way to mend his split skin. 

It’s just like what happened in the car earlier tonight, a few minutes away from reaching the city hall. Shouto had accidentally cut himself with the invitation to the gala, and though he insisted that it was okay, it was right on his eyelid—a miracle it even missed his eyeball in the first place, you’d commented. 

You managed to convince him then, saying, “It’s going to sting every time you blink.” —which was true; it did sting every time he blinked. 

That care extends to the people in his life too. His mom loves to go to the weekend market with you, and Fuyumi can always count on you to help her cook when she needs an extra hand. You keep up with Natsuo’s jokes and Touya talks to you, long enough conversations that allow him to be himself. 

You care, and you insist upon your care especially when you know he needs it but would never ask for it. 

It’s only fair, then, that it’s time he does the same for you. 

He removes the suit jacket draped over the back of his chair, the movement drawing your attention. 

(Your eyes widen as he approaches you. You feel shy, a little flustered as you raise your hands up to reassure him that you don’t need it.) 

“Your arms are shivering.” he points out, holding up the thick fabric. 

You crane your neck up to look at him, just a few steps away from reach. 

(You can’t deny the facts.)

From above, he only sees skin—the plunging dip of your exposed back, the small hairs standing along your arms. He tries his best to look into your eyes only, but—

“At least let me place this over you.” 

(And you know you can’t deny Shouto, either.) 

—when you concede and let him, he steps closer and bends just a little bit, his full height too tall to be able to place it on you properly. His arms circle around you, carefully resting the thick wool around your neck and onto your shoulders. 

He bends lower to adjust the sleeves, making sure that your arms are fully covered. You’re so still, and so close, the tips of his ears nearly touching the highest points of your cheeks. 

(It’s just like the gala—)

It’s just like the car—

(—with Shouto helping you navigate through the crowd of people exiting the event as early as you both did. His presence was a steady heat against your back, near and warm but barely touching.)

—with your face almost nose-to-nose with his; apart from the gentle touch of your fingertip against his eyelid, Shouto can only remember feeling that, along with the traitorous thump of his heartbeat. 

It’s a good thing that he had his eyes closed then; he wouldn’t have known how to react at the proximity. 

But now, he can see you so clearly, your low bun kept in place by bobby pins the same color of your hair; there’s glitter on the inner corners of your eyes, some of it falling to dot the corners of your nose. 

This has to be more than just a crush if he’s feeling this intensely.  

Your eyes meet for a brief moment, then it’s two blinks before you look away, clearing your throat as you glance at him again, a little bashful, “Thank you.” 

Shouto nods, taking one step back. 

“The estate we booked for the company outing offered to host a visit for you next weekend.” you speak before he fully returns to his seat, shifting in your seat, “I checked your schedule and there’s nothing set for that day yet.” His suit jacket dwarfs you, the deep navy silk becoming an accent the further you sink into it, “Maybe you’d like to go with your mom?”

You suggest it to him again. Because you know and you care. 

He taps his foot, looking out into the city, “That would be nice.” Then he turns back to you, strands of his bangs falling to dust his forehead as he puts his hands inside his pockets, “You’ll be coming too, then?” 

(There are things you don’t allow your heart to feel in moments like this—hope being one of them. Shouto looks dangerously attractive in a suit, and it’s been difficult to keep your feelings at bay the entire night. He speaks honestly, rarely with double meaning, so when he speaks to you like this, you try not to think too much of it. 

“Yes,” you agree, thinking that he must want you to scope out the venue for the company outing activities, “is there anything in particular that you want me to check out for the team building?”)

Shouto tilts his head. 

“Not for work,” he clarifies, staring straight into your eyes. “Just to spend the day with us.” 

He expects your reaction already, your eyes widening and your hands raising to wave off a ‘there’s no need.’ But, he finds that there’s no reason for you to be shy, already beating you to the final say.

“Mom would want you there,” he mentions, because it’s true. She’d look for you. 

And if he’s being completely honest with himself, with how he’s been feeling around you lately—he would too. 

II. IF I SPEAK

The Todoroki family home comes alive on the weekends. 

Since Touya’s return, his mom has moved into a smaller, more modern place to stay. The walls of its exteriors are painted a warm off-white, its features complemented by light wood and bluish-gray accents. At the back exists a garden large enough for a few small trees and her growing flower collection—a complete flip from their larger and darker old home. 

The tall windows stream sunlight into the living space, each corner of the house doused in its comfort. Opting for a smaller home was a conscious choice—everything would be within reach, and so would the people in it. 

On the days that Touya is allowed to stay home from rehab, he lives here, sometimes with Fuyumi, but always with Rei. 

“Food is ready!” Fuyumi calls from the kitchen, prompting Touya and Natsuo to look over from the couch. Shouto is just about to finish setting the table when Rei brings out a piping hot pot of soup, Fuyumi in tow with a whole plate of tonkotsu. 

Natsuo heads inside the kitchen for anything else that might need carrying, and Touya opens the fridge to take out the iced tea he helped make last night.

It’s taken some time to get here—with Touya willingly doing anything with his family. Getting used to living with people he thought abandoned him for a decade is hard; learning to become a family has been even harder. 

But Touya has always lived in a special corner of his mother’s heart—never forgotten and always considered. Shouto thinks it’s the same case for all of them; that’s how it’s managed to work. 

Touya takes his seat beside Shouto, pouring himself a glass of iced tea while waiting for the rest of their family. 

“Played any golf lately?” Touya eyes Shouto from the side.  

Shouto shakes his head, staring at his palms; calluses used to line the base of his fingers, “Work at the agency has gotten busy.” 

Taking up golf has been part of Touya’s rehabilitation program for the past few months, a recommendation to aid in improving focus while keeping himself calm. And though there was much resistance at first, Touya’s grown fond enough of the sport to play it on his own; it’s made all the difference, Shouto’s noticed, his brother’s overall disposition a lot less angry—

“Looks like I’m going to beat your ass next week,” Touya smirks, cracking his wrists. 

—but still equally as snarky.

Shouto doesn’t normally care about competition; the only person he really has to beat is himself. But he and Touya are alike in many ways, with eyes as sharp as their father’s but their faces holding the same innocence as their mother’s. They are both lit up by fires—one forced to blaze and the other forced to dim. There is a bluntness Shouto shares with Touya that no one else in the family can argue with.

“Being too confident can jinx it for you on the fairway,” Shouto replies, turning to his brother with his signature blank gaze. 

Natsuo laughs as he settles into his seat beside Touya, watching as his older brother’s smirk quickly dissolves into a frown. 

“Little shit,” Touya mumbles, taking a sip from his drink. 

The corners of Shouto’s lips curl up slightly. 

Rei and Fuyumi join the table last, bringing out a steaming pot of rice and a few side dishes to complement the rest of the meal. 

These family lunches keep them connected. 

Fuyumi believes that no matter how busy they are, having this time to gather together and share details on each other’s lives is important.

“Sorry I can’t join you and these two next weekend, mom,” Natsuo starts, slicing through his tonkotsu as he points an elbow towards his brothers, “The hospital has a medical mission out of town.” 

Rei simply smiles, waving her hand, “No need to apologize. I’m so proud of you, Natsuo.” 

“Will you be free, Fuyumi?” she turns next to her, placing a hand on Fuyumi’s lap. 

Fuyumi swallows her food, smiling apologetically, “Sorry, mom, the school’s hosting a kiddie pool party for the first day of summer.”  

Rei pats her lap reassuringly, smiling again as she says, “It’s no problem, I’m glad the kids are having fun under your care.” 

“It’ll just be the three of us, then.” Rei looks at her two boys across from her—her eldest and her youngest. 

Touya blows at his bowl, puffs of steam dissipating into the air. For as hot as Touya’s flames can get, he dislikes anything too hot to eat—a preference of his that Rei’s taken note of as she reaches across the table to cool down his bowl ever so slightly. 

“Thanks,” Touya mumbles, still hesitant to call her ‘mom’ when it’s face-to-face. 

“I heard the estate has a greenhouse,” Shouto mentions, Rei instantly perking up at the information, “You can take a look at the plants there, mom.” 

“That sounds lovely, Shouto,” she smiles; this time, it reaches her eyes, “We can take photos in your handsome outfits too.” 

Touya scrunches his nose as Shouto nods. As per the invitation, the estate prepared a whole day’s worth of activities—a game of golf in the morning, brunch by the gardens, and a simple wine tasting to cap off the afternoon. 

Lunch continues with Fuyumi sharing more about the kids she’s handling this year, and Natsuo retelling interactions of the most obnoxious patients he’s had yet. 

They laugh, a little more like a family—Shouto chuckling as Touya gives a snarky comment or two. Fuyumi laughs, full-bodied, and Rei giggles, softly, her hand coming up to cover her mouth. 

“How are your flowers, mom?” Shouto asks after they settle down, remembering that you helped her pick out which ones to plant last time. 

“The morning glories are going to be blooming soon,” Rei replies, her smile fond and proud. Since being released from the hospital years ago, she’s taken to planting and flower arranging, oftentimes asking you to help her choose which ones to use. 

“Really?” Fuyumi turns her head, gasping as she catches a glance from the window across the room, “They look good, mom! Can I have some when they bloom?” 

Rei nods, turning to her youngest, “You can get some too, Shouto.” 

For you, she adds.

Natsuo eyes him from the side as he freezes, Rei suggesting some more, “You can place it in a vase. It’s not fair, you always receive flowers for your desk.” 

Shouto nods, a small ‘okay’ because he doesn’t really know how else to respond without giving his feelings away. 

Touya observes Shouto’s expressions, his eyes twinkling in sinister aquamarine.

“Speaking of,” he shifts in his seat, crossing his legs to face Shouto, “s’your hot assistant coming?” 

Something twists in Shouto’s face, his brows furrowing slightly. 

Touya knows just how to get on Shouto’s nerves.

(What stares back at him is a deadly shade of gray and blue. 

Touya does this pretty often: provoking just for fun. 

Shouto stares at almost everyone he interacts with; it’s unnerving and uncomfortable for people who aren’t used to it, but Touya’s noticed that his little brother stares at you for far longer than he needs to. 

And though he’s missed a big chunk of how Shouto grew up, he likes to think he reads him pretty well now—how he acts around you, especially.

At his core, Shouto believes in carving his own path, choosing to fix wrongs and better himself for the now. Touya knows these things, knows where a person is weakest, just like he’s been taught—just like he’s been made aware of his entire life. Yet, for how independent Shouto’s become, he still chooses to lean on you; turns to you for thoughts and opinions,  considering you in everything. 

Touya has met you a few times; the whole family has. During the worst of his relapse, you were the only person apart from family who was trusted to accompany him in and out of rehab. You picked him up and dropped him off, often joining Rei and Fuyumi on visits when Shouto would be too busy. 

To him, you’re an extension of Shouto at this point—an olive branch that’s been just as instrumental in healing this family and the people in it. 

It’s never in the big things, but those few minutes of small talk you attempt with him in the car ride home help loosen his tongue, training a muscle that with time, has helped him open up more. 

Touya doesn’t care much for people; he’s still just beginning to learn to love his family again, but he thinks you fit in well, because you and Natsuo have the same god-awful humor, and Fuyumi only trusts you to help out in the kitchen. His mom likes having you around, and you never stick your neck in too deep in other people’s shit when they aren’t ready for it—especially his. You never nag Shouto, but you stand firm on the things you disagree with, because as far as Touya can see, you care, far deeper than your job requires you to. 

In all ways, you are the stability and calm authenticity that Shouto needs after growing up in such a tumultuous family.

So, Touya likes to stir the pot a little. Or a lot. Maybe.

Just for fun.)

Shouto continues to stare, his frown deepening. His jaw clenches, tension throbbing in his temples.

“Don’t say it like that,” he mutters, low and firm.

He feels like a kid again; like this would be a conversation they’d be having if things were normal and Touya had been around when Shouto turned 15, teasing him about a crush he might have, like older brothers do. 

Natsuo and Fuyumi have always felt like his protectors, siblings forced to be parents by circumstance; but Touya feels like his brother, the one he can fight and steal food from; the one who holds a toy up above head where Shouto can’t reach—even though he’s much, much taller than his older brother now. 

Touya scoffs, smirking, “Just saying what you think, little brother.”

.

.

.

All Shouto hears is a thump. 

A succession of them, in a steady three-part beat. 

The golf ball in front of him sits on an even plot of vibrant green, its dents and grooves emphasized by the sunlight of the early morning—there’s pressure, a thump; he needs to beat Touya in this hole to tie overall. Another thump; you’re watching him play. 

He analyzes all conditions, feels the heat on his back seep through the fabric of his white golf shirt. He breathes in and prepares to swing. 

Today is the visit to the estate. 

The agenda starts with an early game of golf, followed by brunch at the gardens and wine tasting in the early to late afternoon. It’s a beautiful day, and Shouto should be focusing on winning this game, but it’s distracting when you’re all he’s really thought about since the start of this round. 

—you, in your perfectly fitted white golf shirt and its complementary skirt; you, sitting with his mom at the back of the golf cart, smiling and laughing as if you aren’t the slightest bit aware of how much you brighten a space when you look like that. You, with your head whipping right in his direction when you hear the loud ‘swauck!’ that the impact of his club makes with the ball—your eyes excited and hopeful. 

Shouto misses the hole, and Touya snickers from the side. 

The thumbs up you give him is a soothing balm to his miss.

Shouto readjusts his cap as they walk closer to the hole, tucking in the strands of hair clinging to his forehead. He glances back at you and lingers, interrupted only by—

“Pretty thing, your assistant,” Touya teases, nudging his head towards your direction, “Cute skirt and all.” 

“Stop.” Shouto stares, impassive and unamused. His eyebrow twitches before he turns, walking away. 

From afar, he can hear Touya’s chuckle, breathy from the movement of fixing his arm sleeve. Shouto only pays attention to preparing his putter.  

He knows this is just how his older brother is. 

Since the start of this round, Touya’s managed to lead by a few strokes, with Shouto falling behind in every hole. It’s frustrating and annoying, aggravated even more by Touya’s teasing and the fact that Shouto has played the sport for far longer than Touya has.

It doesn’t help that he ends up missing again, with Touya managing to make the put afterwards. 

Shouto sighs, clenching his jaw. 

“You know,” Touya eyes him as they walk to the next hole, “staring’s not gonna get you anywhere.” 

“I’m not staring,” Shouto retorts immediately. The expanse of greenery ahead of him is taunting, an endless plot of land that feels like it’s watching.  

Touya scoffs, “Sure.” 

The golf course in the estate is landscaped with luscious trees, vibrant in the brightness of summer. Flowers bloom along the perimeter, yellows and reds carving out this specific section of the estate. You and his mom follow closely behind, riding the cart at a slow and steady pace. 

Just a few meters down, the little red flag for the next hole comes into view, moving with the breeze. 

“If you don’t plan on acting on it, you should let me know.” Touya mentions it a little too casually. 

Another thump. 

It’s a joke. Obviously. Something only meant to rile him up—it’s how Touya is. 

But it still makes him feel just a tad bit uneasy; it makes him feel a little bit like it did when they were kids. 

Before Touya disappeared, they used to sneak into the garden on winter nights. Shouto must have been no older than five and learning how to manage his quirk properly. 

They used to play a game: The Twigfire Race, Touya called it—a competition on who can form the longest and fastest fire trail using a bunch of twigs. 

Touya would always win, his long legs and lanky arms gathering more sticks than Shouto ever could at that age. His flames burned a deep azure blue, eating through the twigs much faster than Shouto’s flames did. Then, he’d press onto the pads of his burnt fingertips, teasing Shouto in some twisted attempt at motivating his little brother to do better. 

Touya would always win, but not without getting a word in. Not without leaving Shouto with a lesson or two about it. 

“I said, stop.” Shouto warns him, voice stern as he turns slightly to catch his brother's eyes. 

“Damn. You don’t have to tell me if you don’t want to,” Touya raises a hand in mock surrender, smirking, “I can just do it without asking you.” 

Shouto stops walking, fists clenched tightly around his golf club. 

“That’s not funny.” 

“Oh, I’m not joking,” Touya taunts, holding back his laugh.

The stare Shouto gives him turns icy, glare intensifying as he inches closer towards his big brother. Touya doesn’t move, the stare-off lasting long enough for you to notice the confrontation. 

From his periphery, Shouto can see you looking at them in confusion. 

“Or am I?” Touya snickers right before he turns away, walking straight towards the next hole. 

Shouto watches him walk away, each thump matching the footsteps his brother makes. To the side, the cart slows to a halt and you get off, standing up as if to gain a better view of what just happened. 

You lock eyes with Shouto and he musters a small smile, raising a hand as if to say ‘everything’s fine.’ 

“Losers lose ‘cause they don’t get shit done, Shouto!” Touya calls from a few steps ahead. 

Shouto stares at his brother’s back; it’s just how Touya used to say when they were kids—

“You just have to go for it!” 

He takes a step. 

.

.

.

Touya wins the round, with Shouto losing by only a few strokes. 

Rei hugs them both, Touya’s slight reluctance evident in the way his arms stay glued to his side as she wraps hers around the both of them. 

Shouto brings one hand up, resting it against her back; from his line of sight, he spots you smiling fondly, giving him another thumbs up when your eyes meet. 

.

.

.

The estate’s staff escorts everyone to their respective rooms, allowing some time to change into clothes more suited for the late morning brunch. 

When Shouto and Touya finish, they make their way to the greenhouse, a glass dome teeming with life. It’s art in bloom—chrysanthemums, hydrangeas, sunflowers, and camellias all in varying colors of pink, red, purple, and yellow. Under a small bridge is a pond, alive with koi fish swimming underneath pads of water lilies, and right up above, where the sunlight streams in, are baskets of japanese roses, hanging in bright, fuschia clusters. 

He walks atop the bridge, hands stuffed inside his linen pants—a pair that matches the linen shirt you gifted him birthdays ago. What surrounds him is beautiful; perhaps the most heavenly place he’s been to. 

A morning of golf under the sun, nature in florescence. A (relatively) peaceful morning. 

And you—

The moment Shouto spots you, the scenery on your backdrop fades into muddled hues. You and Rei enter the greenhouse side-by-side, with his mother wearing an all-white ensemble: a cardigan with a long, flowy skirt. 

And you—

—you walk in wearing a pale yellow sundress, its hem hitting just above your knees. There are dainty flowers dotted all over it, but nothing too loud; the straps sink into a v-neck with bust details, flowing down into an a-line skirt. It’s perfectly understated, only emphasizing the focus on how radiant you look in it. 

He can’t stop staring. 

Touya snorts as he passes him. 

This day, this sight, is going to stay in his memory for a long, long while, he thinks. 

From up ahead, he can hear his mom call for Touya, dragging him around to ask which blooms would look best for the garden at home. And when he snaps out of the daze you’ve put him in, you appear right beside him, asking if he’s okay. 

“Yes,” he answers promptly, unsure of what to say next. His eyes flit to the baskets of japanese roses hanging above you, then to the view peeking from outside. “Do you want to look around before we eat?”

You nod. 

The depth of the greenhouse is deceiving upon first glance, with Touya and Rei now out of sight as you explore the area. You walk close enough to be side-by-side but still stay a step behind like you typically do, pausing every now and then to take pictures of the flowers around you. 

“You seem more relaxed,” he points out, pushing up the sleeves of his button-up. 

You turn to him from the chrysanthemums you’re snapping, a little flustered at his comment. 

(And at him, mostly. You don’t know how anyone can look this good in a simple linen set. Nature favors Todoroki Shouto, and it shows in moments like now, with sunlight hitting his face at just the right angle that it paints stardust on the tips of his eyelashes.) 

“It’s good,” he quickly follows-up, fluffing through his bangs, “I did mention this wasn’t for work.” 

(You feel warm at the reminder.

“It’s nice to see you with some down time too,” you return the sentiment, uncomfortable with the attention on you.

Your fingers fiddle with the hem of your dress.)

“Did something happen earlier?” you put your phone down, continuing to walk. “At the course. Things looked pretty tense.” 

Shouto hums, considers his next words. He takes a few more steps before answering, “Touya is a dick.” 

A laugh escapes you, and you cover your mouth quickly as you mumble an apology. Shouto knows it’s because it’s completely out of character for him to be so vulgar and insulting when it comes to his siblings.

“Was he sabotaging you?” 

“...Something like that.” he responds. 

“That’s okay,” you scrunch your nose, peering up at him, “You haven’t had much time to play lately.” 

And Shouto wonders if he’s just that easy to console, or if it’s a specific comfort that only comes from you. You make it so easy for him to feel better about all the little and big things—whether it’s news articles headlining him as a PR nightmare, or near-losses on missions gone wrong. 

Not a lot of things get to Shouto, but when they do, you somehow always know how to handle it. 

You continue to stroll around the greenhouse, looking closely at the steel bars holding up the glass arches. From a few steps ahead, Shouto can hear your mumbles—something about measurements and the logistics of turning the rooftop of the agency into a smaller version of this greenhouse.  

“You and mom looked like you were enjoying yourselves earlier,” he mentions offhandedly, hands clasped around his back. 

It’s something he’s noticed for a while—his mother seems to relax more around you, laughing and smiling in most of your conversations. He gets it; you have that effect on everyone around you, the warmth you exude a welcome invitation to be opened up to. 

(You eye him from the side knowingly; Todoroki Shouto is nothing but a closet snoop.) 

“We were talking about plant stuff,” you smile, “and how she’s happy you and Touya finally got to play together. You should’ve seen how red her hands were from clapping for the both of you.” 

He chuckles softly, matching your steps in comfortable silence. 

It’s at a different section of the greenhouse that he pauses, giving you time to admire the shrubs of hydrangeas blooming around you.

Touya’s words come back to him. 

He wonders if he should say it, if he should ask—

“Don’t move,” you tell him, raising your phone to eye-level.

Shouto stares at you, hands in his pockets as he watches you tap on your phone.

“Look to the side,” you instruct him again, and he follows, albeit a little confused. 

When he turns to face you again, the smile on your face is beaming, glowing as you turn your phone to show him the photos you managed to take. 

“The lighting was nice. See!” 

And when you point to the way sunlight streaks highlights onto the redness of his hair, down to the slope of his nose and the width of shoulders, he can’t help but agree. 

Now, he wonders—

“Do you want a photo with the flowers?” Shouto asks, because it makes no sense that you deem him worthy to be pictured in perfect lighting when there’s you, looking like you do—the walking subject to the backdrop of greenery behind you. 

Your eyes widen, a stuttered “O-Oh,” falling from your lips. You tug at your skirt again, fiddling with the soft fabric until your eyes nervously meet his. “I don’t really need—”

“The lighting is nice here, too.”

“Oh,” you respond, a hint of diffidence as you flash a small, hesitant smile, “Okay.” 

As Shouto angles himself to take your photo, he notices you turn restless, the smile on your face never quite reaching your eyes and your fingers constantly twirling the fabric of your dress. 

He puts down his phone, tilting his head. 

“Are insects biting you?”

(Your brows shoot up, embarrassed by how he’s noticed. 

You shake your head in response, providing no other explanation besides “Sorry.” 

He continues to stare, as if waiting for you to continue. You know there’s no point hiding the real reason you feel so nervous when he’s already noticed this much.  

“I think I might be underdressed,” you admit, smiling sheepishly as you clasp your fingers in front of you, “This entire place is gorgeous.”

The estate screams high-class; apart from the golf course and the greenhouse, the area also boasts its own private lake glistening across a large green field. It feels a little too good to be true—a paradise you find yourself out of place in. 

But—)

Shouto looks at you, really looks at you—at the way your dress hits right above your knees at the perfect length, at how your collarbones peek through its dainty v-neck cut. Its pale yellow makes you look like summer, radiating in light, and he thinks he hasn’t seen anything more beautiful, really; anything more fitting—for this occasion, for this venue, for this day. 

For you. 

The words have been lodged at his throat since he first saw you step in, and now they’re being pushed out, coaxed slowly by the honesty beating thunderously in his chest. 

He thinks about his mom, how she speaks of beauty whenever and wherever she finds it, with nothing stopping her speech and—

There’s a hum, a thoughtful vibration priming his throat as he continues to stare. 

“I think you’re dressed just right,” is what he manages to get out. 

A thump. 

It’s more than that, though, he knows. 

If this is his chance, if this is ‘next time’ from his attempt at the gala—

He blinks, and you only get prettier. 

“You look beautiful.” he confesses, the sentence overflowing with honesty.

(And when he says your name unlike any way he’s said it before, you feel your chest expand, terrified that it might explode.

Shouto is blunt and honest to a fault; and that honesty, you’ve realized, also happens to be his most cunning trait—a quality that's endeared you over the years now rendering you into a stuttering, fumbling mess like never before. 

“T-Thank you.” you straighten your dress, “You—”)

Shouto’s phone vibrates in his palm, a call from Touya breaking him out of your conversation. He bows his head slightly to excuse himself and you nod in acknowledgment. 

“Brunch is served,” he relays, pocketing his phone soon after he hangs up.

(Then, with his hand inside his pocket, he bends his arm deeper, creating a wider loop as if to offer it for you to hang onto—the same way he did during the gala.

And just like you did then, you take it.)

.

.

.

Brunch was served at the estate’s main patio, a circular table made of light wood adorned with dainty white tableware and muted green linen. In the middle was a centerpiece, an assortment of fresh flowers from the greenhouse coming together for a pop of color against the main neutral color scheme. 

The food was divine, a lovely selection of seasonal salads and warm breads, along with eggs cooked in every way possible. Newly harvested fruits were served before and after the meal, a kind of appetizer-dessert to complement the main piece—a large slab of freshly caught salmon. 

Now, you all gather on the second floor of the estate’s main building, right at the balcony overlooking the greenhouse and the field—a perfect view for wine tasting.

Shouto doesn’t care much for alcohol, all technicalities going past his head as the sommelier explains notes and wine pairings.

He can’t taste much of the difference, if he’s being honest. 

In the sommelier’s hand is a bottle of red wine; he describes all of the technical parts of it before finishing off with the fact that it’s ‘beautifully balanced’, something that causes Touya to snort at the side. 

Shouto looks, raising an eyebrow curiously. 

Touya leans in closer to his little brother, swirling the wine in his glass as he lowers his voice mockingly, “‘You look beautiful’.”

The expression on Shouto’s face remains unreadable, his brain processing the fact that his brother must have overheard his conversation with you earlier. It’s while Touya begins to gulp down his glass that Shouto steps on his foot—a sharp pressure stomped onto freshly cleaned loafers. 

“Fuckin–” Touya hisses, cursing under his breath as he pulls his foot away. 

The edges of Shouto’s lips curl up as he turns back to his glass of wine, watching from across the table as his mom smiles fondly at something you must have said. 

(You still feel flustered, a little fuzzy. You’re unsure whether the heat emanating off your cheeks is from the wine or the lingering echoes of his compliment earlier.

From across the table, you lock eyes with Shouto, gray and blue sitting strikingly atop flushed cheeks. You look away quickly—a knee-jerk reaction of bashfulness. He doesn’t hold his liquor well, a fact you’ve known for many, many years, so you can’t tell for sure whether he’s turned red from the wine, or from the same thing you’re feeling, too.)

III. LET ME TELL YOU (HONESTLY)

“If y’don’t do shit first, some other loser will.”

“Losers lose ‘cause they don’t get shit done…”

“...just be honest about it when the time comes.”

The streets are calm at this time of night, with cars occasionally passing by and the chimes of shop doors tinkling as they open and shut. Not a lot of people stay up late in this part of the neighborhood, but Shouto still hears them—all the jumbled voices of Bakugo and his brothers merging in his mind. 

He steps onto concrete, footfalls muffled by the cushion of his boots—a new update on his costume, one you suggested after a stealth mission mishap caused by the drag of his heel. 

Tonight is his scheduled patrol—a route he knows like the back of his hand, memorized from the many years he’s been assigned to it. The streetlamps ahead cast a dim glow down the road; an atmosphere he would otherwise find unsettling if not for the fact that it’s provided him odd comfort in times he’s needed it the most. 

Tonight, his mind ruminates on you. 

Lately, his interactions with you have been… different—shy glances and awkward slip-ups; the intentional way he’s been expressing himself more around you. 

He can’t tell what you think of it yet. 

Yet, you still sit with him in comfortable silence on the nights that you both work late, and you still bring in fresh flowers for his desk every few days. He’s sure that when he gets back to the agency after his shift, you’ll still be there, claiming to finish a report when you both know it’s just an excuse to make sure that he finished patrol safely.

You still care for him in the same way. 

And now that he’s thinking more about it, maybe it’s been those little things all along—the same way you’ve been treating him all these years shifting into something deeper and more significant, beating its way out of his chest. 

You know Shouto better than anyone—so much so that his family asks you for lists of gift ideas because they don’t have the slightest clue what else to get him. He’s found himself seeking your opinion on things more and more over the years, and if he’s being honest, a big chunk of his decisions are now partly influenced by what you think of them first. 

Across the street, a couple sways to the beat of the jazz bar they step out of, their hands intertwined and smiles giddy with adoration and love. He looks away quickly before they catch him staring. 

There are things Shouto’s discovered that he likes seeing you do—like how you shift your feet when you feel flustered at something he says, or when you tap your index finger against whatever surface it’s on when you’re deep in thought. Your eyes widen when he says things you don’t expect him to, and something about that intrigues him.

He thinks you look cute. 

He wonders if you know that about yourself; and if you don’t, a part of him is saying that he should be the one to tell you.  

.

.

.

You and Shouto attend only one day of teambuilding. 

The company trip spans an entire two weeks, with each department coming in a few days at a time. You both would stay if you could, but Shouto’s schedule doesn’t allow him to be gone for more than a day.

It’s always been unspoken: wherever Shouto goes, you go too. 

This day of the teambuilding is assigned for the managers and those under Shouto’s direct reporting team. 

The estate is still as beautiful as the last time you both visited, summer shining atop the glistening surface of the lake across the green field. Company trips aren’t typically this grand, but this is also the first time in years that Shouto’s had free time to drop by. 

(It’s a bit funny, you think, watching him struggle to reach the finish line in a three-legged race paired with his finance director. Shouto is typically awkward in most team activities, but you find it endearing, watching him put full effort into things he normally doesn’t do.) 

By mid-afternoon, the day’s activities have consisted of tank rolls, marble balancing, and a classic game of pass-the-message (which, you’ve learned, Shouto is absolute garbage at). And for the final game of the day, the both of you are paired for a duo tug of war against his PR manager and support engineer. 

The afternoon heat burns the back of Shouto’s neck, his cap providing little to no protection for that area of his skin. He stands behind you, rope twisted firmly in his grasp as he prepares to pull. You mimic his stance, bracing yourself with your knees bent as you grip the rope tightly. 

Prior to the game, you were all given three minutes to discuss strategies. 

And so now, Shouto counts, low and steady, “One.” 

“Get set,” the facilitator for this activity announces. 

“Two.” 

You take a deep breath. 

“Go!” 

“Three.”

You both pull, holding your ground for a few seconds. He can see your knuckles turning white from where he’s standing, and when he glances at the other team, they’ve begun to lean back, anchoring their bodies to the ground before pulling away slowly. 

Shouto digs his feet into the earth, the rope’s rough fibers sticking to the calluses on his hands. It doesn’t take long before you both slip forward, being dragged by the other team and eventually pulled into your loss. 

You turn back to him immediately, apologetic as you rub your palms, “Sorry!”

(Before the game even began, you already knew whoever your partner was would be carrying most of the work. And you feel a little bad because your loss does make a bit of sense, you think. 

Though Shouto is strong, you know he’s developed his agility far more than his strength. It doesn’t help that his support engineer lifts bulks of synthetic thermal cloth everyday. 

The both of you didn’t stand a chance, really.) 

But Shouto waves it off, smiling softly. 

“Are you okay?” he looks down at your hands. Your skin is an angry flaming red all over your palms, but what causes him to frown are the small cuts resting at the base of your fingers. 

“Yup, all g–” you attempt to hide it, but Shouto’s reflexes are quick, and he catches your wrist the moment you pull away. 

It’s an instinctive reaction when he looks over it once, pressing his thumb to the center of your palm to get a better look. He reaches for his utility belt out of habit, patting the area above his hip only to feel nothing but the smooth cotton of his shirt.

Right, he remembers, he isn’t wearing his gear today.  

He drops his arms, looking around the field for a first-aid kit nearby. 

(A small chuckle escapes you, endeared, and Shouto looks up at the sound. His eyes meet yours briefly before he jogs all the way to retrieve the red box by the tree. 

It’s just a friction burn; a few small cuts from the rough material of the rope, at most. 

You don’t need first-aid. But—) 

When Shouto comes back, he ushers you to the side, grabbing a few cotton buds and antiseptic ointment from the box. His brain works on autopilot, barely thinking as he tends to your injury.

(You don’t need first-aid. But—) 

He peels the bandaid for you and gently places it on top of your wounds—a yellow checkered pattern decorating your skin. 

(You don’t need first aid. But you kind of get it, you think. It’s the same instinctive reaction you have when he gets papercuts. There’s no need for you to mend them with your quirk, but it’s an inexplicable feeling that makes you feel uneasy at the idea of him getting injured off the field.

A whistle is blown to call everyone back to huddle. 

“Better?” Shouto stares at you from under his cap, readjusting it as red and white strands touch the tips of his eyelashes. 

(He looks unfairly pretty like this. How can he even expect you to answer?

“Y-yeah,” you stutter, swallowing your breath. 

When Shouto walks towards everyone else, you follow, pressing your thumb onto your palm.) 

.

.

.

Shouto drops by the greenhouse at the end of the day. 

The sky above the glass dome ceiling is warmed by orange and pink hues. At sunset, the greenhouse looks ethereal, an almost otherworldly escape. The flowers haven’t changed much from his last visit here, but they seem to have blossomed further now that time has passed. 

He walks past the familiar cluster of chrysanthemums and spots a patch of white flowers he doesn’t recall from last time—a wooden placard with the name ‘iris’ sticks out from the soil. His knees bend to crouch low, fingers grazing over the softness of its petals. 

Earlier today, the estate so kindly offered to let him bring home flowers of his choice, and this bunch in front of him calls out to him, a purity and warmth that reminds him of his mom. 

The nippers in his hand feel clunky, a heavy-duty version of the ones he uses when he helps with gardening at home; but he cuts the stems gently, careful to remember all he’s been taught. 

When he thinks he’s gotten enough, he continues to stroll around the greenhouse, the wicker basket in his hand half-filled with pure, white irises. 

A little further down the path, he passes by the hydrangea bushes, his steps slowing as fragmented pieces of that memory with you replay in slow motion. 

“The lighting was nice. See!” 

“You look beautiful,” he confesses, the sentence overflowing with honesty.

And he decides—

He should get you flowers too. 

Your desk always seems to have some, and you’re consistently on top of keeping fresh flowers around the agency—on his desk specifically. 

It’s only right.

His mom always tells him that flowers can never lie; they bloom where they are loved and speak from the heart when words are not enough—it’s why she loves them so much.

And, maybe she has a point, because the pink hydrangeas look pretty; they remind him of you, especially.

On his way here, the white camellias spoke to him too. Maybe he’ll get them both for you. 

He crouches low again, nipping the hydrangea stems before backtracking to collect a few camellias. By the time he finishes, his wicker basket is filled to the brim, an assortment of pink and white threatening to spill from its edges. The leaves of the irises stick out, poking at his wrist and making the skin itch.

You find him that way—struggling to wrangle in the abundance of blooms into his basket.

“I think you need another basket,” you chuckle, walking towards him. 

There’s something about you and this hour; how it feels like you fit right in this moment, at the peak of sunset, blooming the same way the flowers do. 

Your smile is radiant against the warmth of diffused sunlight, and though he’s seen you in this same exact slacks-and-blouse combination before, the way he sees you now has shifted. 

You look different, but in all the ways he can’t visibly point out. 

He blinks, and that thump beats once more. 

His arm moves before he can comprehend it, the bunch of camellias and hydrangeas outstretched towards you.

Your eyes widen in surprise, eyebrows scrunched in confusion as you tilt your head slightly, your hand reaching out for it reluctantly. 

“Would you want me to have this wrapped?” 

(The flowers feel lush in your palm, and you can’t help but wonder who he intends to give them to. There are irises in his basket too, left untouched for reasons you’re not sure you’d like to know. 

Your grip on the stems tighten. 

The camellias stare back at you, an immaculate white, with the pink hydrangeas adding a delicate softness to them. It’s a pretty combination, and you can’t help but think that whoever they’re intended for should feel—)

“It’s for you.”

You lock eyes when you look up. There’s a weight to Shouto’s gaze that intends to get his message across, the words still barely forming on his tongue. 

“Oh,” is the only thing you manage to say.  

(—surprised; grateful; confused; the emotions swirl inside of you. The shock is apparent on your face, your eyes widening at his admission. Confusion presents itself in the tilt of your head as you stumble over how to express your gratitude.

“It’s not…” you hesitate, diverting your gaze to anything else but that piercing pair of gray-and-blue. Your mind is drawing up a blank, figuring out what reason he has for giving them to you.)

“There’s no occasion…?”

It comes out as half a question and half something else, your uncertainty marked by the semi-lilt at the end. 

Shouto blinks. 

He wonders if he should tell you now, if he should just confess that he’s been feeling differently about you these days.

You shift your feet, your thumbs rubbing against the flowers’ leaves. 

The thump persists in his chest, knocking at the base of his throat—

Thump.

He takes a deep breath.

Thump.

—but even with its persistence, the words still struggle to come out.

Thump.

Maybe not now; it’s not the right time. 

But he says something else, an admission much easier that still holds just as much truth.

“No occasion.” 

.

.

.

Shouto knows your Mondays. 

You switch out the flowers on his desk for a different arrangement of blooms every week. Then, you give him a run-down of his schedule, going over important announcements and upcoming events. 

The mornings go by quickly, with you constantly moving around your desk. Shouto can’t tell what you’re doing exactly, but you’re always working on something whenever he sneaks a peek through the single glass panel cut-out from your shared wall. 

Lunch is a wildcard. On some days, you bring your own; on others, you grab a bite down in the cafeteria. Your routine is largely dependent on how busy you anticipate work to be that day, and though it varies from time-to-time, you never forget to knock on his door—a two-part thump that takes him out of his own little work bubble. 

He almost looks forward to it now, the way your head peeps in from behind his office doors. You call out his name softly, only continuing to speak when he looks up from whatever file he’s working on. 

Shouto knows your Mondays. 

You spend the afternoons all over the place, much like he does; while he roams the city, you roam the agency, attending meetings and checking in on different departments. He knows because when he comes back by the end of the day, you almost always have a new set of updates prepared on your desk for the next morning. 

He also knows that Mondays are when you often work overtime, preferring to get a bulk of any urgent matters completed and out of the way.

The back door of his office clicks shut as he walks into the room, his rubber boots leaving no trace that he’s arrived from how quietly his footsteps hit the floor. He unbuckles his utility belt, one hand automatically reaching for its lock; it’s a habit, the ‘clack’ that sounds from it a satisfying marker he looks forward to at the end of every patrol. 

In the corner of his office is a private restroom that he slips into. He quickly changes out of his hero suit and into a pair of sweatpants, throwing on one of his many favorite white shirts—his go-to outfit on the days he works late. 

There are still some reports he has to look over tonight, but nothing too time-consuming. 

It’s really you he’s staying behind for. 

He glances at you through the glass panel of his wall, your face dimly lit by your computer screen. Your eyebrows are scrunched, eyes squinting in pure focus. 

It never feels right for him to leave when you haven’t left either. 

He settles into his seat, finger tapping on his desk as he contemplates whether or not he should offer you his help. 

You always decline when he does; he can already hear your response. But there are stacks of folders on your desk right now and he’s predicting that it’ll take at least a few more hours before you get through all of them.

He taps his foot, staring at the report in front of him. 

A thump. 

The wheels of his chair roll back, leather squeaking as he stands up. 

As soon as he exits his office, you look up, surprised. 

“You’re back!” 

He nods, walking closer to your desk. “It’s 8:00 p.m.”

You glance at the top of your screen, a sheepish smile forming on your face, “Right.” 

(This is his way of telling you it’s late, you’re well aware.)

He looks around your desk, folders and stationery all neatly organized and labeled. You keep a few touches of your personality around your space, with personalized pens and notepads gathered in one corner. 

They’re all things he’s seen before, but what makes him do a double-take is the vase sitting in the corner, obscured by your computer screen. 

Sitting inside it is the arrangement of flowers he gave you back at the teambuilding, the pink hydrangeas still as good as new next to the white camellias. It’s been a little over a week since, and you always change the arrangement on your desk as frequently as you change his. 

So for you to keep it for this long—

“And how may I help you?” you ask jokingly, biting down your smile. 

His eyes flit over to you, your gaze set on your screen as you continue to type.

(It’s hard to focus on the documents in front of you when he looks at you like that. Shouto’s stare has always been unnerving, but it feels especially scrutinizing when he merely stands, watching without a word.)

“You have a lot of work left,” he gestures towards the stack of folders on your desk. 

(Your eyes glance over the pile quickly as you mumble, “Yeah.” 

A few seconds of silence pass before what he really means starts to sink in. 

It’s not often that Shouto finishes work before you—at least, to your knowledge. You still see him inside his office when you pack your things, ready to leave. 

So, this is out of the ordinary. 

And if he’s standing in front of your desk, hinting at how much longer you’ll be staying at work. Then, it can only mean—

“A-are you waiting for me to go?” you move to stand, guilty. “Don’t worry about it, I can lock up.”)

Shouto furrows his brows, tilting his head slightly. 

That’s never been a thing; he’s always gone home last, and has always waited for you when you have work left to do. He makes sure of it every time, watching carefully for your computer light to turn off. 

But he won’t tell you that; letting you know would mean admitting that he’s been doing it for years. 

He places his palm on the top folder. 

“What else do you have to do?” 

You stay quiet for a few seconds before reluctantly listing it all—reports, meeting summaries, and a few emails you plan to schedule for tomorrow morning. His frown deepens as your list only grows, immediately cutting yourself off the second you notice your ramblings. 

“… but if you’re waiting, I can bring these home and—”

“What can I do to help?” he interjects, stopping you just before you shut down your computer. 

(You can only stare when proceeds to take a seat in front of you, the legs of your guest chair dragging against the floor as he pulls it closer. 

It hits you a bit like déjà vu, this moment, how it feels just like early days back in that rented studio unit; back when you could count the number of people comprising his team on one hand. 

Back then, your desks were just a few steps away from each other, an overflow of paperwork inevitably spilling into each other’s spaces. Because all of the files were stored in your drawers, it was more convenient for Shouto to sit himself across your desk, splitting the work and going over them one at a time. 

Things are different now that the agency’s grown—you have a bigger space, and the work isn’t nearly as packed as it used to be; but some days still end up a little bit more hectic than others. Like today.

“There’s no need,” you reach for the stack under his palm, “I can finish this at—”

“We can finish faster if we do this together.”

That promptly shuts you up. 

Shouto is blunt to a fault, unafraid of saying things as they are; his voice carries an unbothered cadence no matter who it is he’s talking to. 

You figure, there’s no point arguing with him when he’s right, after all.) 

Shouto begins going over a few of the reports that you’ve tagged red and yellow, listening intently as you instruct him on which parts to focus on. In exchange, you make space for him on your desk, setting aside some of the folders you had brought out earlier.

It’s a good hour into working before Shouto notices you easing up slightly, your shoulders more relaxed in comparison to how bunched up they were earlier.

He knows you’ve been glancing at him occasionally, your head turning every now and then to check on how he’s doing—a failed attempt at subtlety. 

“Are you almost done?” he asks, head down as he slips another completed file into its folder. The stack beside him is growing, his ‘done’ pile nearly as tall as the unfinished one. 

(You turn to him, attention shifting to the split of red and white hair down the center of his head, “Yeah, I just—”

Your words trail off, eyes squinting as you move closer to where he’s hunched over. 

Right on the shoulder of his shirt is a small tear, big enough to touch the edges of its collar but small enough that you’d only have to be up close to be able to notice. 

You assess the tear intently, looking carefully for any cuts underneath and thankfully find none.

But—

He notices you’ve gone quiet and looks up, the sudden movement catching you off guard. You make a sound, something in-between a squeak and an ‘oops.’ 

“Sorry, I just,” you point, “your shirt’s ripped.” 

His eyes follow the direction of your finger, finding the small tear running horizontally along the fabric of hjs shirt. 

“I can fix it,” you offer, the wheels of your chair rolling to land you directly across him. 

It’s one of his favorite shirts.)

He barely thinks when his body acts on its own, pressing itself closer to your desk as you slightly bend over for better reach. 

You don’t have to patch up his shirt, especially something so small. He has plenty of the same ones in his closet; and if it comes to it, he wouldn’t mind buying a new one. You really don’t have to patch up his shirt, because he wouldn’t have even noticed had you not mentioned it. 

But it’s that kind of tender care and attention to detail that you’ve had for him since you started working together that’s always drawn him in. 

Shouto has lived most of his life with the means to live comfortably, but since starting his own agency, he’s learned the value of maximizing resources—and it’s all because of you.

A thump. 

The moment your fingers touch his shoulder, he hears nothing but that continuous three-beat thump. Your quirk tingles when it touches skin, but you aren’t mending that—you’re fixing his shirt, separate from your skin, and yet, he still feels the little zaps go off inside of him. 

A thump. 

Up close, the strands of your hair tickle his cheek. 

A thump. 

The fabric of his shirt mends itself slowly, and it only makes him think of everything else—of the leather chair you helped fix, painstakingly going through each and every crack to bring it back to near-new condition. He thinks about every cut and scrape you’ve helped heal without having to, about every time you’ve insisted when he’d shrug it off as nothing. 

From you, he’s learned that things can be fixed without having to change them whole. 

It’s how he’s (you’ve) managed to keep the agency running; it’s why you get along so well with him and the rest of his family. 

And these feelings in his chest are pounding, built up over time to tip over and transform into something more than just an excellent work dynamic. At this point, it’s become companionship, a presence he seeks out a little bit more than friendship. 

You know him better than anyone else does. 

The flowers he gave you are still on your desk. 

So, he says your name, voice low and tender by your ear. 

You freeze, holding your breath. 

Another thump.

His honesty spills outs—

“I like you.” 

A three-beat thump. 

(You don’t believe it at first, the urge to ask him again right at the tip of your tongue. But, he pulls away, unfinished, and looks you in the eye to continue. 

“But it feels more than a crush, I think.” He presses his fingers against the table, grounding himself, “Natsuo told me it was a crush, and he told me to think about it, so I did.” 

Shouto is a man of sufficient words; not too few, not too plenty. But when he gets nervous and a little excited, he starts rambling, and—

“Bakugo told me his mom thought we were dating, and even though I said that wasn’t the case, I almost didn’t want to deny it. Touya has been a dick about it, but he makes good points, so I also owe it to him.”

(The shock on your face shifts into fondness. You can’t see the point of what he’s saying yet, but it’s cute—one of the many things that make him endearing.) 

He pauses, watching your expression shift into curiosity. 

“It started with this thumping,” he places a hand over his chest. “It used to only come sometimes, but lately it’s been happening all the time.” 

Shouto keeps his gaze deadset on yours. He doesn’t say anything else, sentences just barely forming in his head to fully capture what he really means. His feet and palms stay firmly planted where they are, his only movement being the steady blinking of his eyes. 

(But it’s okay, because you can understand. 

If you’re being honest, the signs were all there. 

Nothing Shouto does can be subtle when you know him as well as you do. 

A smile breaks out on your face, the one you can barely contain around him. It’s a little teasing and shy but completely genuine from the way it softens your eyes. 

“We’ll have to come up with something for HR,” you try to contain your smile.)

And he isn’t worried at all. He knows you’ll both find a way, just like you always do.

additional material: moodboard + playlist

a/n: so much to say about this fic but i'll sum it up with saying this is my baby! and i hold it close to my heart for many reasons. writing this made me love their dynamic and i hope you did too! also maybe slightly unrealistic office/hr rules but 🤷‍♀️ he’s the boss he makes the rules 🤧

thank you notes: to @soumies for literally beta reading this. i owe this fic to you fr you are my lifesaver i love you. to @augustinewrites @scarabrat @stellamancer @arcvenes for helping me a ton with characterisations, dialogues, songs, inspo, everything!!! ily all!! it took a village to write this fic fr. (+ to my bf for sitting me down so he could explain the whole point system of golf for like 30 minutes LOL)

comments, tags, and reblogs are greatly appreciated ♡

[neurospiczzzziee]

Blitzø is actually really good at Art

From an Art Educator Perspective

Okay so I saw some posts on Blitzø actually really enjoying art and that being his passion other than horses. I don't know if in the fandom we have had this consensus or if this is a hot take on my part, but Blitzø is actually really good at drawing.

You may ask why I know this and why I am so confident?

My credibility: I literally specialize in it.

I am a professional artist. I am a High School Art Teacher, who got their degree in art education and attended a well acclaimed art school.

(Self-taught artists are extremely valid and you do not need to go to art school to be an "actual artist". I am bringing up my background to show that I have a lot of knowledge of the development of fine motor skills and the ranges of art abilities and how to further improve them.)

As an educator, if Blitzø was a student and I saw Blitzø's drawings/doodles I would automatically recognize that he was actually advanced in abilities. Based on looking at his drawings I can tell if he were to actually take his time and focus on something he could create really beautifully detailed/rendered artwork.

You may ask how I know this??? I'm glad you asked.

THE AMOUNT OF LINE QUALITY THAT IS DEMONSTRATED IN BLITZØ'S DRAWINGS IS INSANE.

✨Art Lesson time✨

Okay so everyone learning to draw goes through the necessary stages of development

I'm just going to give humans as an example because obviously this is a fictional demon we are talking about.

Generally everyone goes through these stages as they grow and work on learning to draw. (Prodigies are extremely rare and I've only seen one once)

Art skills are like a sport. You need to train in order to develop fine motor abilities and control in your hands. The more you draw and do art the more you gain control of your muscles. It takes a lot of time and years of work to improve.

When a person's fine motor skills aren't as developed their lines tend to be shaky and they have less control. The more a person draws the better their line control becomes.

(Think of when you were little and you were first learning how to write)

The way I can tell how advanced Blitzø is, is through his line quality.

Now what is Line Quality?

This is a screenshot from this wonderful article

So in Blitzø's artwork he very much illustrates good Line control, force, thickness, and fluidity.

Okay first of all I want to Mention

THAT BLITZØ IS DRAWING IN PEN. You can tell this because different parts of the Calendar are crossed out with his scribbles. Also anybody with a calendar knows you have to write with a pen.

LOOK AT HOW CLEAN, FLUID AND CONFIDENT THESE LINES ARE DESPITE THAT HE IS DRAWING IN PEN!???

My assumption is that Blitzø is not using a reference for these drawings. You could make the argument that he has photos for M&M, Loona, and Stolas; however, he definitely does not have a photo of Striker.

I want to mention how dynamic of a pose he is drawing people in. He isn't avoiding hands at all. All of the hands are relatively accurate (Strikers especially).

In these drawings you see variation in line weight meaning parts of his lines are thicker to thinner. So Blitzø is purposely pressing harder and lighter to show variation and depth. His lines are very clean. I don't see repetitive Stokes and lines for the shapes. He is really confident with his mark making and you can tell because his lines aren't shaky at all.

By looking at his line quality and how clean it is you can tell he drew it quickly.

Not to mention he actually has a huge range of items he can draw confidently including and not limited to horses, weapons, leashes, cars, demons, and of course genitalia.

Blitzø isn't what you call a one trick pony 🐴 when it comes to what he can draw.

You can see this skill demonstrated in his other doodles.

You can even see this ability demonstrated in his drawings on the whiteboard

Okay anybody who has drawn on a whiteboard knows that they are difficult to draw on.

Whiteboards smear and are very streaky. In this photo you can tell where Blitzø made a mistake or changed information. Notice that none of his drawings have any smears. That means he did these drawings in literally one take.

I also want to mention his drawings in spring breakers. He is speed drawing directions and illustrating a plan perfectly to his employees.

HE IS LITERALLY RAPID FIRE SPEED DRAWING HERE

His drawing of Veroskika which he DREW FROM MEMORY.

Demonstrates the following:

Line control, Line Confidence, Line Fluidity, Variation in Line weight, and still has relatively correct proportions!?

Basically shut up MOXIE?!!! He did a good job!

Why have we not seen more detailed Blitzø artwork?

Okay so I as we know in the show Blitzø puts his doodles everywhere. So if he is good at Art why isn't he showing his artwork he spent a long time on????

The answer: he's insecure

Showing someone your art is a very vulnerable action. This is especially true if you spent a long time on it.

If someone doesn't like or makes fun of your doodle you can brush it off and be like well it's only a sketch and I did it in under 5 min.

It's a lot easier to show someone a silly little horse drawing you did than something you poured your heart and soul into.

We already are aware that Blitzø is insecure and has self-esteem issues. He literally covers his face in the photos of himself throughout his apartment. He is a very guarded individual. Of course he wouldn't show people the art he spent hours on. What if people reject them? They judge him for spending that much time? What if they see how much he actually loves them?

Blitzø feels like the kind of person who would crumple up or destroy his art that he spends long amounts of time on. It's a way of self-sabotaging yourself and further self-loathing.

Now do I think he has these hours long art pieces/drawings????

ABSOLUTELY

My guess is that Blitzø most likely has a hidden sketchbook. Artists tend to draw their loved ones and especially their children and partners.

There is no doubt in my mind that Blitzø hasn't been doing long observational drawings of Stola's especially when he is sleeping.

He has most likely been drawing Loona all the time. Why do you think he takes all the photos? Those are his references. He has probably been drawing detailed artwork of his loved ones this whole time (and of course horses too lol).

In conclusion

Blitzø actually can draw really well because his doodles demonstrate high levels of skill in line quality.

Going forward I would really appreciate if someone actually finds Blitzø's sketchbook or portfolio of his artwork he spent large amounts of time on. It would be really cute. It would be adorable if Loona or Stolas found them.

Blitzø could gain more confidence and put is artwork he really cares about on display 🥺

I also just want Moxie to find out and eat his words. (Guys I swear I don't hate Moxie 😂)

Thank you for joining me here today on my Ted talk on how I think Blitzø is actually a talented artist. I'm just an art teacher who has problems with how much helluva boss lives in rent free in my head.

[dreamerdrop]

Re: Tain & Garak.

[Obvious warning that this is discussing incest, grooming, child abuse, and sexual abuse; because Tain and Garak’s dynamic is disturbing from any angle.]

Tain and Garak’s relationship is already characterised by strong elements of emotional incest and grooming, with Tain’s former profession and powerful position also significantly contributing to Garak’s paranoia, which occasionally verges into delusions, hallucinations, and other associated symptoms of psychosis.

While it is possible (and completely reasonable) to view Tain as outright sexually abusive, and it would fit easily into canon and make tremendous sense, my personal little pet headcanon is that in which Tain effectively instilled the trauma of sexual abuse in Garak without ever directly engaging in such acts by his own hands. Tain would probably take pride in being able to hold a layer of distance and deniability from it all.

Early childhood experiences, such as Tain observing Garak while he got changed… quiet, subtle examples of sexual abuse that hold a layer of plausible deniability, but nonetheless set up the foundation of Garak being conditioned to find sexually invasive behaviour from Tain almost normal, not worth any concern.

Garak being raised to view violations of his autonomy from Tain as standard, expected, something that he should simply be willing to accept. Garak’s parents allowing Tain to lock him in small, dark closets as punishment, from Garak’s perspective his parents allowing their employer to harshly punish an unrelated child, setting Garak’s understanding that Tain is simply to be obeyed, to be treated with deference.

The cultural values we see of Cardassia contributing heavily to this, the service class being looked down upon, the significance and value placed upon family heirachies, the idea of age conferring respect in itself.

A young, newly trained operative Garak, assigned an unusual number of missions requiring him to coerce information from older, powerful men. Tain pressuring Garak to use seduction as the most effective method, never saying it outright because he believes he shouldn’t need to. And indeed, he doesn’t need to, because Garak is well conditioned and understands exactly what’s expected of him in these roles. Garak never questions it, never hesitates.

Driven by that desperate, deeply embedded, foundational need for Tain’s approval, Garak endures several deeply uncomfortable encounters, aware that his father is monitoring him, listening, watching, knowing that failure to be convincing and fulfil his role would surely result in further disappointment.

(Of course, Tain is only observing these encounters for the purposes of the Obsidian Order, strictly in a professional capacity. Just as he only gave Garak such assingments to begin with because Garak happened to fit the tastes of the men they were targeting to begin with. Tain is simply a very practical person, of course.)

This also easily leads into what might have occurred between Dukat’s father and Garak, with Dukat choosing to overlook his father’s questionable choice to (from Dukat Senior’s perspective) coerce a young(ish) Garak posing as a domestic servant into sex. Dukat would probably be staunchly of the opinion that this behaviour would have been fine, had Garak not been an Obsidian Order operative who then went on to disgrace Dukat Sr afterwards, of course.

This also ends up aligning with Garak’s conviction that there is no such thing as truth, as it absolutely true that his father sexually abused him, but it is also true that his father never laid a hand on him in that respect… Leaving Garak with some very complex trauma that he is unwilling to confront, because leaving it buried seems like it might hurt less.

[quibbs126]

I drew all of these today, first for the Sunstreaker design and then I got through all of them because I’m really not sure how to spend a Tuesday afternoon now

Like side tangent, I am not sure what to do with my time on my off days anymore. So I have my classes end by 12:20 every day, and on Tuesdays and Fridays in particular, I have nothing else to do for the rest of the day (the others have something or other going on, usually work). I would like to spend that time doing actual schoolwork, like I have an assignment due by tonight, but I didn’t know what to do immediately after coming back to my dorm, so I decided to keep drawing, and now it’s around 5 or so and my day’s gonna be over in a few hours, so I should get working on my schoolwork

I feel like I wasted the day, but what am I supposed to do the whole day? I’m not sure anymore, because I have way more free time than last semester

But anyways, back on to the actual art

So I started off today trying to draw a Sunstreaker design more based off of TFA, since I thought that’d be cool. But I really didn’t know what I was doing with it, so eventually I just decided to draw his g1 design instead, so I at least somewhat know what I’m doing

I also had some of his toy designs as well, so I took from that too. This goes for all the characters by the way, particularly with the tires

But yeah after finishing Sunstreaker, I figured might as well draw Sideswipe too. And then after that I decided to do Bluestreak and Cliffjumper, for reasons I don’t really know. Like okay, I knew after Sideswipe I wanted to do more with my poses, and so I had the mental image for Cliffjumper’s pose, but for whatever reason I ended up drawing Bluestreak before that

But anyways yeah. Character and posing practice this is

I think Sideswipe turned out the worst in all honesty. I just didn’t know as much what I wanted to do with him, and his helmet was confusing for me to draw. Probably shouldn’t have tried drawing him from an upwards perspective

But other than him I think the others turned out pretty good. No real notes on Sunstreaker. Bluestreak I feel is off in some way, but it’s also in a way I like. Cliffjumper’s probably second worst, but not as bad. I think it’s mostly the head, and I think it came out wonky like that because I drew it last and the original rectangle was not at that angle

I was going to elaborate more, but I really only have thoughts about Cliffjumper and how I like him small and violent, but I don’t want him only associated with Bumblebee. And also generally that Sunstreaker should be in more things

So I guess we stop here? Not really much to say on my end. But I don’t really know what to add on here

I just think some of these guys are neat, and also I needed something to draw today

I still need to work more on more dynamic poses, as well as bettering the anatomy in general, but we’re getting there

[sephsbat]

Understanding The Hellenistic Culture

Hellenism refers to the culture, ideals, and patterns of life that emerged in ancient Greece and spread throughout the Mediterranean and beyond, particularly during the Hellenistic period (323–30 BCE). This era began with the death of Alexander the Great and lasted until the establishment of Roman domination.

1. Cultural Influence

Hellenism was characterized by the spread of Greek culture, language, and ideas. This influence was particularly strong in regions that Alexander the Great conquered, including parts of Asia and North Africa. Greek became the lingua franca, facilitating trade and communication.

2. Philosophy and Science

The Hellenistic period saw the flourishing of philosophy and science. Schools of thought such as Stoicism, Epicureanism, and Skepticism emerged, each offering different perspectives on ethics, knowledge, and the nature of the universe. Figures like Epicurus and Zeno of Citium were pivotal in shaping philosophical discourse.

3. Art and Architecture

Hellenistic art is known for its increased emotional expression and realism compared to earlier periods. Sculptures depicted more dynamic poses and detailed facial expressions. Architecture also evolved, with grand structures and the use of new techniques, leading to impressive monuments like the Lighthouse of Alexandria.

4. Religion and Mythology

Hellenism also saw the adaptation and syncretism of religious beliefs. While traditional Greek gods remained central, local deities were often incorporated into Hellenistic practices. This blending of religions allowed for a diverse spiritual landscape.

5. Political Structures

The political landscape of the Hellenistic world was marked by the rise of various kingdoms, such as the Seleucid Empire and the Ptolemaic Kingdom in Egypt. These states often adopted Greek customs and governance models, thus furthering the spread of Hellenic culture.

Hellenism or the Hellenistic period represents a significant chapter in history, showcasing the exchange of ideas and culture across vast regions. Its legacy continues to influence modern Western thought, art, and philosophy, making it a vital area of study for understanding the foundations of contemporary society.

[whocaresabouttactical]

I really love your art, the way you draw könig is just so beautiful and really fits his character. The way you shade and color is amazing too. I really want to be able to draw bodies, especially male bodies, the way you do. The proportions are really good, do you have any tips on drawing male bodies? Every time I try it just ends up looking fake and stiff, and I love how dynamic and fluid your poses look. Thank you🤍

-🎀

💕💕thanks for your like!

Here are some tips, I seldom use 2 or 3 right now but it's the process I learned how to draw)

1.I would consider body fat percentage and find a good reference(but be aware of spending too much time) before doing the sketches.

2.If u not sure about the perspective, try 3D tools.

3.In order to get a natural feeling, also need a lot of daily practice about capturing the dynamic of muscle movement. There are a large amount of videos in youtube that u can learn how muscles move. 3D wouldn't help at this time.

4. Tell yourself u don't need to draw males body perfect as a Greek sculpture. Their bodies are warm and wrinkled when squeezed, they are not perfect.

[ahllohehn]

do you have any tips for posing or like how do you do posing?if that’s alright to ask

I am NOT qualified to be answering this properly , but here's some stuff I always take note of (personal notes + stuff ive learned from my professors)

1. Focus on the pose as a whole before worrying about its details - Worrying about the details midway before it even looks good at first glance will not help personally lol.

2. Learn anatomy - Basic stuff if you want a human character to look... human. It doesn't have to be overly realistic depending on your art style, but learning it nonetheless WILL help.

3. Understand perspective/proportions/angles - Basic fundamental kinda ... There will be times where certain things will seem smaller or bigger than usual compared to the rest of the drawing. Learning it will give you more confidence to try out distorted proportions to make ur drawing look cooler?? (at least for me...)

4. Try practicing with dynamic poses - idk my professors used to time us and make us draw like. 10 poses at once so we would get used to it and it kinda helped i guess?? But also dynamic poses will get you used to lots of poses aside from the static standing pose. And anything is.. often cooler than simply being 🧍‍♂️

5. DO NOT BE AFRAID TO USE REFERENCES - you'd actually learn a lot from them. do not make the same mistake as me and think you're a god who only needs a big imagination and a working hand. Break down your references and LEARN 💔

6. Try new things whenever you can - Learn how to draw that other eye. Do not constantly hide your characters hands behind them. Don't be afraid to learn things and it'll help you out a bunch with doing multitudes of poses that need that knowledge

Other personal notes? Just do what looks good.... I honestly just go "fuck all" everytime i draw and pray it turns out okay

[not-avril]

hi sorry!! if its not too much trouble, could I ask how you studied anatomy? were there any resources/practices/methods that you found especially helpful?

long time fan of your art btw <3

any advice @ all would be super appreciated!! tryin to improve my own art but struggling to maintain a consistent quality in the bodies,, especially when attempting dynamic poses

The Anatomy for Sculptors book is great, I often reference poses from classic sculptures, posed 3d models are great for proportions and perspective but bad for studying anatomy cause muscles and fat do not deform in a natural way. I also found it helpful to study vintage erotic photography cause poses are often natural & fluid

otherwise its just a lot of practice and pushing yourself to draw scary angles

[zelda-the-sacred-realm]

Okay, so, I wanna start making comics. I'll start with that. I do well with story writing but, I can't draw backgrounds and, there seems to be more struggles than not when trying to draw movement. Got any tips? I've done studies for small things, but I would love to hear what other things I can do to better the comic

Thanks!

Hi! I'm happy to give advice, even if practice is what really helps the most, I say this often but it really is what makes the difference

Regarding comics, I have not done specific studies on it, simply over the years I have developed comics following my personal taste, but I can tell you what has helped me the most:

Reading and observing great authors, whether comics or manga, you can choose according to your personal taste. This helps understanding how to follow a logical thread between the panels

To improve with backgrounds, however, I recommend studying perspective in depth, everything related to art revolves around perspective, even anatomy.

Studying the basic perspectives is the first step, then you can start applying them in your drawings. Starting with basic perspectives and inserting parallelepipeds is what will help you understand how three-dimensional a flat sheet can become

To improve anatomical dynamics, I recommend looking at many photos and trying to extract their structure. Once you have learned and practiced a lot you will also be able to invent your own poses

But above all "Practice", lots of practice ☺️

I hope I was helpful! 💖

[fifty-ten]

and i also want to draw my ocs more & share my ocs more & make more pilot/one-shot comics … but to do that i need to get better at drawing creatures, is the thing.

this year i want to get really good at drawing creatures. that's the main goal on the top of my list right now

[pencilandpenz]

Killeo Doodle (if the name is spelled wrong go throw tomatoes at @toonetowne )

For like my two friends who are into HT lore, I swear I’m working on it. April and Mayhem are OUT FOR ME. I cannot draw them 😔

Annnyyway, I’ve not really been too happy with how I draw turtles, or poses. So I’ve been trying to do a study, and because my step parent is the turtleverse addict, gotta be turtleverse. Shared Autism.

Anyway!! Here it is! I’m also practicing more dynamic poses, so this is a lot of motion /perspective practice.

Also featuring Froyo by @toonetowne because live laugh love Froyo. I am the number ONE Froyo fan and supporter he can do no wrong he’s just a silly little guy!

Also hi if you see this sorry for the tag

Froyo by- you literally know atp

Killeo by @laziestblopthatsfullofmischief

[hatekawa]

Hey again! Soo I was wondering, do you do any drawing exercises to improve?? Like any perspective or foreshortening practice? Or just practicing with drawing poses? If so, can you tell me what you do? I seriously need to get better at drawing the anatomy properly. Also, I'm changing my art style yet again and I'm looking for advice :) Thanks <3

I love your art btw <3 AahHh It's SO good.

You made me realize that I do none of this stuff... uhhh.... I probably should HABSHABS but no, I just doodle a lot and some of these doodles have more dynamic poses or perspective but i never sit with the intent to practice that. Dont be like me, u prolly should study this stuff

[syaolaurant]

Hello hello, I love your work and was wondering if you'd be open to making a little breakdown of your art style?

It's really interesting to me and I love taking bits of different artists art style elements and incorporating them into my doodles to get better

Totally okay if you don't want to! 💜💜💜

Take care and have an amazing life 🤗💜☺️

Hello!! Thanks for asking 🤗 I'm not making a little breakdown of my art style I already WROTE A WHOLE ESSAY ABOUT IT!!

Sorry I exaggerated it a bit🥲🥲...

I was very happy to receive this ask, but at the same time I felt worried. Honestly, I didn’t know how to give you a relevant answer because  I don’t even think I have a consistent art style 🥲. Except for my usual chibi style which I feel most comfortable with, I feel my style constantly changes. So after going back to review my old paintings, I think my style is a combination of children's book illustrations and Japanese anime style. Many times I have received comments about my paintings looking like they are from children's books, and I agree haha, maybe because I mostly draw small characters in big settings and I usually use bright colors. 

My favorite artists:

My drawing style is mostly influenced by my all time favorite artists Heikala and Koyamori, I stumbled across their Insta accounts during my 1st year in college (that was 10 years ago) and from then my drawing style gradually took shape. I also admire Paulina Cassidy, mostly because I like her whimsical nature sprites theme. Recently I’ve been investing in Stephanie Law’s artwork, her coloring technique is so god-like that I hope one day I can reach that level…

Ideas and Inspirations:

Japanese anime/manga culture has had a great impact on my childhood. It was a dream come true for me to be able to pursue my college study in Japan. I think this journey greatly affected my current style. I draw lots of things from small doodles to funny comics. I'd describe my drawings as “silly and cute” since I love to make people laugh and I also live for the fluffs (Sometimes I drew angst too but it still turned out cute haha..). Aside from that,  I prefer making “storytelling” illustrations with colorful backgrounds. My favorite things to draw are tiny characters in big scenery, I like to create peaceful static moments that when looking at them help warm my heart and calm my mind. 

When making game fanarts, I usually take screenshots as references for background and imagine how the character will act in that setting. I just do what I feel comfortable and use my own judgment for composition … which… sometimes results in weird perspectives (and you know what I’ve just discovered the rule of third recently 😅…). 

Characters:

When it comes to drawing characters, I honestly don't know how to explain my style. I think chibi is my most recognizable style, apart from that I usually draw characters in semi-chibi (is it the right way to call it??) or simple anime style. I don’t usually draw characters with dynamic poses or movements ( that’s why I still suck at anatomy and expression 😩😩). I think I’m shifting from anime to a more cartoon style since I kinda have same face problem and  I’m trying to practice face shapes.

I think my character drawing style is most influenced by Akihiko Yoshida (who is behind many FF/Nier/ bravely default concepts), as I always draw my characters with chubby round faces and dreamy eyes. I made an example of how I usually draw my characters below.

Technique: 

Watercolor technique is quite complex so I’ll explain how I always do my paintings in another sharing post. I’ve posted part 1 of my sharing here. Generally, I love using bright, saturated tones and black ink brush pen or color brush to paint line work. 

. I hope I could answer your question. I’m definitely no expert, all the things about art I've learn was self-taught but I'm happy to help anyway I can. 💕💕

And you 🫵🫵 yes you dear sweet anon! I wish you a happy life too!!!! 💕💕

[the-hydroxian-artblog]

As someone who doesn't usually visit your streams, what's your breakdown for making such dynamic shots? Would love to hear a little bit about your process of creation.

I wish I had a well written answer, but I kinda just wing it. Okay I guess I think of like, increasing or decreasing fov in a video game. The more intense the dynamism, the stronger the fov. You can make an energetic pose with good sense of gesture with a readable line-of-action, but a very flat fov, which works for "normal" drawings. Increasing fov adds intensity by exaggerating the distance between objects.

Unfortunately, for actual drawing, I don't have a strong, conscious process. I kinda just try a rough draft, and if it's not dynamic enough, try to think critically about whether the limbs seem to properly flow together with the gesture or adhere to perspective, and redraw whatever doesn't work. I'm crudely simplifying all the process in this post because I've practiced a lot of this to the point of it being second nature, which sounds cool but like, I have to stop myself and really think if I wanna actually understand what I'm doing.

It's also a lot easier to do when it's a character with a bodytype I'm confident in drawing. Some days I just can't make the strong fov-look work, and go with something flatter so that it'll actually be on-model. One tip I suppose: Drawing solid red boxes and circles over the refs clients give me can help in getting all the proportions right, and I get a little more comfortable with more dynamic shots again.

[myokk]

Can you draw a tutorial for full bodies, similar to what you did for faces and heads?

I probably will, but not right away bc I feel like I’m still figuring out anatomy too😅😅 I’m working on it a lot though (the sketches on this blog are mainly so I can keep practicing more dynamic poses & draw more than just a face) & I’m jotting down a lot of tips that are helping me as I learn💓💓 once I have enough I’ll definitely do a write-up & share it with you guys though!! (And I’ll definitely do one for hands too bc I love drawing hands!)

Here are my tips in the meantime, that I’m doing right now (if you’re interested);

1) LOTS of figure drawing, I like to do exercises where I give myself 10 min to draw something, then 5, then 1, then 30 seconds (4 drawings total, I normally just split a page into fourths). Drawing from gifs helps a lot too bc the people are moving and not static.

2) study the masters!! I have huge art books full of gorgeous quality prints, of baroque art, Renaissance, Impressionism…(you can probably find some at the library). This also helps SO MUCH with clothing draping/folds etc. these artists already did the work figuring out how to exaggerate things to make them look as beautiful as possible and we can learn from them😇

3) do studies of your favorite artists on social media!! It helps you figure out WHAT you like about their art, and how you can incorporate it into your own style. (I don’t do this but I should jajajaja). Some of my inspirations on Instagram are: withapencilinhand (super nsfw, look at your own risk😅), hamletmachine, Paul Heaston, Tony DiTerlizzi, etc etc (I can do a full write-up of my fav artists but the list is sooooooo long)

3) focus on drawing rough lines of movement, and build on top of those with shapes. But always focus on getting fluid and natural looking poses 💓 (or just draw noodle limbs like I do) (don’t do that). If I get really lost I force people to take pictures of me and then copy from that 😅 but I know a lot of professional artists & every single one uses references. So don’t be afraid to use them or feel like you’re “cheating” for not being able to just draw something straight from your brain. Bodies are hard to draw! Perspective is hard! Shadows/lighting are hard!

4) think of the bodies you’re drawing as solid forms, and think about line weight & shadows. It helps a lot!!

5) @traceyc-uk shared an amazing article in the comments that explains everything a million times better than I ever could about adding life and movement to poses so they don’t look static🙏😇 I’m linking it here since you can’t click on links in comments🥲

Some examples of what I mean:

These ones are master studies, and I was focusing on line weight, line direction, shadows etc etc

Here are some of my under sketches so you can see how messy and confusing it is before I erase them all and start to go in with the black pencil😅

I hope this helps!!🫶🙏😙

I know I talk too much (it’s a problem that has Plagued me my whole life) and also I’m just typing this up on my phone as I have my coffee. So I hope it’s somewhat coherent & it helps!! & I’ll do a real “tutorial” at some point in the future😙😙😙