#and also just incredibly hard to read

[damsels-n-dice]

TTRPG GAME JAMS

in my "find and join every obviously ttrpg-focused game jam on itch.io" era this week, so i figured i'd share the jams that i have joined which are either ongoing or coming up soon! so that any of my fellow creators or TTRPG fans can check out what ends up in them 👀

Troika Dungeon Jam!

will eventually become a free collection of dungeon encounters for Troika! it's not a game i know a lot about but it looks cool, and i enjoy both dungeons in TTRPGs and setting myself unrealistic workloads.

Tiny Library Jam #6

also on the list of things i happen to enjoy: making up settings with no other context, and things that are tiny! this jam does come with a licensing agreement and such, though, so be warned of that ig.

Minimalist TTRPG Jam #3

one day i will participate in a minimalist TTRPG jam. i swear. a great way to release a game if you don't have the time or talents to add fancy formatting & art into the game design. (see: yours truly).

The Adventure Calendar - 2024

the goal to release something TTRPG-related every day of december will... probably be too much for me, but a man can dream. this will definitely be a fun motivator for creativity, though!

Winter Horrorland TTRPG Jam

a jam by a creator whose previous jam, the Queertober jam, created one of my best games! massive shout out to them for that. plus i love writing horror, and i don't do it enough, so... christmas horror game?

Shitpost TTRPG Jam

it's a game for shitpost-inspired TTRPGs, what more can i say?

[egophiliac]

A-anime?

you know, sometimes I forget that Twst is actually an isekai that starts with the protagonist getting run over by an inexplicable horse-drawn carriage. and every time I'm reminded is a delight because that's AMAZING.

also. look. okay. there's a lot of very fun stuff in the trailer but I am obsessed with that Crowley surprised pikachu face. me when I spend all my keys and gems literally hours before they announce overblot SSRs and drop the anime trailer:

[teratomatica]

you always land on all fours

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[teddybeartoji]

i cleaned my room i changed my sheets i took a shower i am a normal human person now everybody cheers

[mikimeiko]

The Pitt | Season 1 (2025), R. Scott Gemmill

[bardan-jusik]

cannot get over lately the realization that while repcomm is widely criticized for being 'anti-jedi', it's WAY kinder and more understanding to all of its force-using characters and the jedi order as an organization than actual anti-jedi fans are

[uygfiug]

ughhhhh. currently making the final version of my final essay based on the critique i got on the previous version but !! the teacher correcting it asked me to connect every single point i make to my main topic by adding a new sentence saying it fits & why. which. would utterly ruin my essay & require me to cut a bunch bc of a word limit but whatever ig

[batsplat]

“og 4 aliens very particular vibe in being ‘three distinct flavours of socially awkward loner and also valentino rossi’” LMAO I WAS JUST THINKING THIS!!!!!! That he has the funniest possible 3 foils in that era bc like…those three guys could not be less his vibe ~personality wise if they tried. And actually tbf I do think they WERE trying a lot of the time. Feeling very curious if you think there’s anything to the idea of how Marc was the first alien-era rival he had who was more on his level all around? Like early days Marc was kind of just 😀😀😀 all the time but I do think he can be v charming and is clearly extroverted as hell (tho like…notably also a loner but like…not by choice??). Like idk where im going w this but the contrast is interesting to me. IDK

to some extent! I'm not sure I'd necessarily call marc an extrovert, you can be charismatic and cheerful without being an extrovert - but also this is splitting hairs. the og four aliens are one guy who's on the 'roughly as extroverted as you can possibly get as a professional athlete' end of the spectrum and three guys who are on the 'roughly as introverted as you can possibly get as a professional athlete' end. now, tbh, I don't think valentino massively minded this. he's extroverted but crucially he's also got enough charm going for him that he could get his rivals to chat with him if he was so inclined. he had an increasingly friendly relationship with dani, there's real genuine warmth in how both of them talk about each other - ultimately dani might have been quite sullen and withdrawn in general, especially in his early years, but he got on well with valentino. casey and valentino had perfectly decent interpersonal chemistry, they got on well, and tbh they were still warm with each in-person long past the point where that relationship had rhetorically soured. with jorge... I mean, okay, no chemistry there, but that was also very much valentino's choice. I do not fundamentally doubt valentino's ability to charm twenty year old jorge lorenzo. I think just because they were DIFFERENT characters, that doesn't necessarily mean they weren't valentino's *type* personality-wise, like he does seem to be happy enough to be the chatty one who draws them out of their shells in that scenario. unless competitive necessity requires otherwise!! but as marc discovered, somewhat higher levels of extroversion does not protect you if that's the case

I will say I know you do put alien-era as a caveat, but it is still important to point out that marc is very much not the first valentino rival who doesn't fall in the introverted loner camp. valentino had a rival who matched his vibe!! who he had a real proper off-track friendship with, who he went on holidays with, who he had a warm relationship with for substantially longer than the marc/valentino honeymoon lasted. I think you can see the early marc era as a bit of a return to the friendlier vibes of the early noughties, but crucially it is a return. the early noughties was the last gasp before the sport came to be completely dominated by a bunch of young prodigies who had been moulded into perfect athletes and had less chance to grow into people outside of the sport - valentino is already part of that camp in everything but temperament, cf the contrast with biaggi. in the early noughties, he was surrounded by a bunch of older riders who varied dramatically in disposition... biaggi was the guy everyone had issues with, capirossi was always fond of valentino, kr jr he got on well with, he played a mentoring role for in hayden's rookie season... and of course, most importantly, the friendship with sete - now there's an obscenely friendly rivalry right until the very moment when it isn't. 2013-14 is a bit of a return to that more congenial climate, but at the end of the day that lot were still less likely to socialise than riders were back in the day. they just didn't have the time lol

so yeah, I mean. valentino clearly did take to marc on a personal level, and marc is definitely closer to valentino on the introversion/extroversion spectrum than the three other aliens are. though that is also... not difficult. there is something quite funny about how 2006-07 went from valentino's pov. the engine regs changed, valentino literally blinked and suddenly all his opps were toddlers. went from goofing off with capirossi on the sepang 2006 podium to running a daycare centre overnight. and marc is part of that! it's also a massive change in that suddenly, valentino was surrounded by rivals who had been influenced by watching him ride as they grew up and were all really, really, really weird about him. marc with his little bike collection, jorge with his dabbling in pseudoscientific schools of psychology, casey and his championship-winning shirt, dani... well, tbf, I do actually think dani was pretty normal about valentino - probably because he'd known him the longest. had gotten drunk with valentino in the days when the bloke was just an idol and not a god. which is an underrated reason why the dani/valentino relationship never got so weird imo, one that goes beyond competitive calculus - dani was the most capable of interacting with valentino as just another guy. with all three of marc/jorge/casey, that idolisation dynamic does contribute significantly to the interpersonal turmoil

but that's a topic for another day! in conclusion, marc defo the dispositionally cheeriest foil of the alien lot, albeit somewhat by default, and WAS part of the reason why motogp got a bit of a mood lift in that 2013-14 period after what had just been a dire few years vibes-wise. mediocre racing, devastation caused by the financial crisis, tragedy... motogp was feeling quite lifeless in 2011-12 in particular, and those years do have a bit of a drab energy to them. in that sense, what followed was a bit of a reversion to the mean until the vibes completely went off the cliff. have they ever recovered? who can say

[hanzajesthanza]

also i realize i'm saying all these noble and beautiful things about the channel from the purest depths of my heart. but actually i'm also just doing this because i fucking love the witcher books and it pisses me off that people don't know about them that much in english and i can only go for so long (seven years) with people not knowing that there are books. or that the witcher is from the 90s. or polish.

[daisywords]

finally got around to reading Mexican Gothic. It had me hooked and actually followed through (the buildup was good but I was worried the ending/revelation was going to fall flat. it held up though.) Anyway my take is that it felt like if a really good movie was a book. Like the story operated more on movie logic than book logic if that makes any sense. (not a criticism, just an observation.) Overall well done and well paced. Predictable enough to be coherent but mysterious enough to be compelling. There were a couple of elements that seemed a little clumsy to me, but forgivable in service of the whole. Would recommend if you want to read a book that feels like watching Crimson Peak or something

[necrotic-nephilim]

i recently remembered DickTim Week 2024 is happening very soon and i looked at the prompts again to see if i could get anything out for it and. the Hades & Persephone AU prompt for day 1 has got me really thinking so here's a vague concept i plan to write.

i've been pretty burnt out on modern Hades & Persephone retellings because of how they always seem to fall into the same generic "innocent wide-eyed girl runs from her evil mean mother into the arms of a dark mysterious man because actually she went willingly and chose to marry him" which has gotten repetitive for my tastes. (for clarity i don't care if this retelling is your cup of tea personally, so long as you're not actively trying to rewrite the original myth and claim untrue things about it, if this is your favorite flavor i sincerely hope you enjoy the buffet i just have little interest in it since it feels overdone for me and exhausted of it's supposed commentary atp)

but? but. biblically accurate Hades & Persephone AU has me all kinds of interested. because wait listen so hear me out right. Hades!Dick and Persephone!Tim, obviously. i feel it'd be more loosely inspired by with themes and imagery (though playing with death and nature powers could be interesting, i haven't decided) rather than explicitly making them gods and all. but. something dark and fucked up where Dick and Bruce are especially estranged. maybe to do with Jason's return, maybe to do with them just clashing and having their usual explosive arguments. and Bruce knows the peace needs to be kept, if he and Dick are at odds then everyone starts to pick sides and things just fracture so he needs a peace offering.

and the peace offering is Tim.

Bruce (the stand-in for Zeus) offers up Tim. agrees to have Tim move to Bludhaven and be Dick's... whatever Dick wants him to be. knowing that with the implication comes the likelihood of Dick grooming Tim. and Tim has no real say and is hesitant to put up a real fight. he doesn't want this, he knows what this is going to imply Dick will do to him, but he also knows if he says no things have the possibility to just... fall apart. so he's the unwilling bride, dragged off to the metaphorical underworld (Bludhaven) with Dick, away from his family, his friends, the life he built.

and on the flip side, i think weirdly enough, your best pick for the Demeter stand-in is *Jason*. just, hear me out on that. not necessarily on the side of it being motherly, but on Jason being just estranged enough from the Batfamily to be the one willing to call it out for being bad and wrong and raising bloody hell to get Tim back. maybe it's because Jason wants Tim for himself, maybe it's truly out of a concern for Tim to have autonomy, i'm toying with the idea of it primarily being Tim's POV and him genuinely not knowing which of these is true. (and the truth possibly ends up being a complicated middle ground) and because i like Helena, i think you can use her as the Hekate stand in, the one who strikes a tentative alliance with Jason and tries to go find Tim and bring him back. Tim stuck with Dick, getting groomed and hyperaware of it, possibly even getting fucked the whole time as well, knowing he can't go back without causing massive issues for Dick and Bruce because well, Bruce did promise him to Dick. so he has to adjust his whole life, try to figure out being a vigilante in this new city with Dick breathing down his neck the whole time.

and then much like the ending of the myth, a sort of compromise is struck that's a shaky deal for everyone involved. Tim is put on an essential timeshare, going back and forth between Gotham, where he has friends and family and a support system, then getting dragged right back to Bludhaven with Dick in this brutal cycle that he slowly gets used to and stockholm'd into even liking it. Dick isn't so bad, once he gets used to the quirks of their unbalanced 'relationship'. the sex is even something he can adjust to as well. not quite a happy ending but one that sits in this realistic grey area that becomes Tim's life.

i will write this, eventually, but i don't know if i'll get to it before DickTim Week ends so by posting the idea i'm essentially putting it out into the world so the peer pressure holds me accountable. i just. really like the potential of making Hades/Persephone AUs as fucked up as they can be simply by adhering to the source material and making it a raw story of being stolen away and forced to like this new home you didn't ask for.

also a less fleshed-out aspect of this idea i have ties into Persephone becoming the Queen of the Underworld when she's taken and how the transition from Kore to Persephone could be reflected in Tim. how he makes the best of the worst situation and becomes something far more dangerous and dark when he's in Bludhaven, possibly takes on a new vigilante name/identity and leans into the worst quirks of his personality he tries to tamper because there's no point in not going full tilt Obsessively Weird if he has no choice anyway and it being one small way he takes back his autonomy, and that inevitably making Dick *more* into him, because he gets to see Tim finally just. let loose.

[magpiesbones]

I’ve been thinking about how I’d section witch hat into arcs and I have a preliminary setup:

Volume 1-3: Introduction; you meet the characters, world, and main conflict.

Volume 4-5: Romonon arc; first conflict with Big Systematic forbidden magic. Also Richeh’s arc: the main conflict is whether it is valuable/worth it to study what came before you (cat man, Richeh can’t fight, Eunice’s preparations) and comes down definitively that it is.

Volume 6-8: Disability arc; not self-contained. Introduces the second main theme aside from education, which is Lack Of Access (to education and to other things). Starts off with beldaruit physically unable to access most of the city he lives in (sealchair too wide for the halls) and progresses onto qifrey (imminent visual impairments and social ostracism) and Tartah and Coustas who cannot access knowledge to improve their lives (medicine and magic).

Volume 9-[ongoing]: Justice arc; addresses who deserves to be able to access magic. Coustas? The knights? The king? The people? Begins to morph the question of deserving magic to the question of whether this is magic that deserves to be done, as in: is this magic something that improves a life, and can you trust everyone’s judgement on what does/doesn’t improve a life?

[licorishh]

For personal reasons I like to think Jing Yuan is narcoleptic and that's why he's constantly dozing off because my word the average human being is not slipping into unconsciousness as often as he does with as little intensive work as he has going on

[elkian]

Finally reading Dungeon Meshi proper and like, I fully acknowledged that Laios was Mega Autistic before even getting here but wow

I think my favorite example tbh is when a former party member is waling on him and shouting grievances and Laios starts punching back BUT it is incredibly obvious that he isn't coming at this fistfight from the same emotional angle at all. His expression is one shade off from 8> the whole time. It's like he got punched in the face and realized Sureau was gonna keep going and was like "oh, this is how we're interacting now? Okay, I'll do my best!" I love him.

[eddiemunsonsmum]

Just saw this comment on a story posted a month ago.

*cries in Eddie Munson Solo Series no one wanted to read, interact with or request for*

No shade to the person that commented this on their own fic if you recognize it. It's not their fault. I'm not mad at them. More crying in the tags.