#and anyone else who makes this list.

[kth1]

⁂ 43/100 days of park jimin | 2020 winter package

[thousand-sunnies]

every day the collection of fics i want to write grows bigger

[feline-evil]

Dethvanity is really funny to me conceptually as an episode because you can see how little they had to make the characters insecure about for the bit. They swing for obvious lowblow choices with Pickle' baldness and Nathan's weight and even those require some suspension of disbelief because ok. Sure. Nathan '(said extremely proudly) never skipped a meal in my life!' Explosion is insecure about being a big man now. Nathan *guy who everyone thinks is smoking hot 99% of the time* Explosion is a tiny bit larger than usual and is insecure about it now. Lol. Lmao even.

But anyway then we hit Skwisgaar and Toki and there's like NOTHING to swing for, you can see them going uhhh ok Skwis doesn't sleep he probably drinks a lot of coffee, and Toki? Shit, what does Toki have to be insecure about with his looks. He's perfect, he's adorable, he's ripped. Um. FUCK IT, HE'S DOING NOTHING BUT EATING LEMONS. WE GOT NOTHING, WE GOT NOTHING, JUST GIVE THE BOY CITRUS FRUITS.

WOE 🍋 BE UPON YE

I'm sure i could make some smarter points about the attempts at applying vanity in this ep and how outside of this and a few other moments i do actually like that the show rarely takes pot shots at things like Nathan's weight, but you see Nathan has shirtless scenes in this one and so my intelligence is impeded when all the blood rushes out of my head and into my-

[hopeinthebox]

tagged by my beloved no.1 chappell roan stan @cordiallyfuturedwight thanks my darling <33 i can only apologise for the lack of ms roan here... i swear good luck babe has been on repeat i don't know what happened

tagging the usual suspects, apologies if i've already missed yours: @aprylynn @jiminsproof @thvinyl @cosmicdreamgrl @visionsofgideontheninth @hoseeok @kimchokejin @jihopesjoint @monismochi <333 and you dear reader

oh and see here for more of my self-proclaimed songs of the summer if you're interested in that kind of thing

[dykeyuu]

every day when i wake up i say to myself “dykeyuu you are not purchasing any sanrio merchandise today” but then i find the deal of the century……..

[wonder-worker]

"The feast of the Nativity of Saint John the Baptist being appointed as the day upon which the coronation of the king [Edward V] would take place without fail, all both hoped for and expected a season of prosperity for the kingdom."

-Excerpt from the Croyland Continuator / David Horspool, "Richard III: A Ruler and Reputation"

Even though Edward IV’s death was unexpected, after twelve years of peace there need not have been too much of a sense of foreboding about the succession. The great dynastic wound from which the Wars of the Roses had grown had not so much been healed as cauterized by the extinction of the House of Lancaster. There was no rush for London, as had happened in earlier, disputed successions. The royal party didn’t set out from Ludlow for ten days after hearing the news of Edward IV’s death, while Richard took his time, too. And the new king had [his mother the dowager queen and] two uncles to support him: his mother’s brother, the sophisticated, cultured, highly experienced Earl Rivers; and his father’s, the loyal and reliable Duke of Gloucester, to whom Edward IV had entrusted unprecedented power and vital military command.

... [Richard of Gloucester] had achieved his goal by a mixture of luck and ruthlessness, and if he made it appear, or even believed himself, that destiny played a part, this only made him a man in step with his times. Modern historians have no time for destiny, but sometimes the more ‘structuralist’ interpretations of the events surrounding the usurpation can come close to it. When we read that ‘the chances of preserving an unchallenged succession were . . . weakened by the estrangement of many of the rank-and-file nobility from . . . high politics, which was partly a consequence of the Wars of the Roses and partly of Edward IV’s own policies’, it is hard not to conclude that an unforeseeable turn of events is being recast as a predictable one. But without one overriding factor – the actions of Richard, Duke of Gloucester after he took the decision to make himself King Richard III – none of this could have happened. That is, when the same author concedes ‘Nor can we discount Richard’s own forceful character’, he is pitching it rather low*.

Edward IV had not left behind a factional fault line waiting to be shaken apart. Richard of Gloucester’s decision to usurp was a political earthquake that could not have been forecast on 9 April, when Edward died. After all, Simon Stallworth did not even anticipate it on 21 June, the day before Richard went public. We should be wary of allowing hindsight to give us more clairvoyance than the well-informed contemporary who had no idea ‘what schall happyne’. This is not to argue that Richard’s will alone allowed him to take the Crown. Clearly, the circumstances of a minority, the existence of powerful magnates with access to private forces, and the reasonably recent examples of resorts to violence and deposition of kings, made Richard’s path a more conceivable one. But Richard’s own tactics, his arrest of Rivers, Vaughan and Grey, the rounding up of Hastings and the bishops, relied on surprise. If men as close as these to the workings of high politics at a delicate juncture had no inkling of what might happen, the least historians can do is to reflect that uncertainty [...].

(*The author who Horspool is referencing and disagreeing with is Charles Ross)

[sonknuxadow]

why is literally everyone on my sonic tomodachi life island in love with shadow as if theres not other people to choose from and hes not gonna reject them every time . stop creating a love spiderweb with some guy whos not even interested in you

[kyouka-supremacy]

Uhm..................

[softquietsteadylove]

Second round for the Thenamesh Cook and Critic AU.

This time Gil nails the next meal. Thena reacts like the food critic from ratatouille!

Thena sighs as another plate is taken away from in front of her. She looks at her notepad. She has tried twelve dishes thus far, and every single one of them was lacklustre. Her notes are mostly things like spoke at the floor during presentation, or not enough onion in ONION galette.

She only agreed to critique this farce because she wants the extra credit. That was the reason she gave her supervising teacher, that is. On a more personal level, she saw the list of students entering and volunteered to critique and write the review for the competition.

It's extracurricular, essentially a competition for a review in a very prestigious publication. It's still a review, so she has to be impartial, if critical, but the winner can get their name out into the real world of fine dining.

She doesn't think anyone on this list besides Gilgamesh stands a chance. But again, she has to be impartial, so she can't risk voicing that opinion. She has to try his dish for herself.

Thanks to her position as a third year critique student, she's graded several classes this year, three of which Gilgamesh attended. His dishes are always warm and comforting, but he doesn't lack refinement, and he's no slouch when it comes to plating. She rather thinks he has more promise than anyone else in the school.

"Just one more," Ajak smiles over her shoulder. Thena just nods, long bored of having to endure all the other entries when Gilgamesh's is the only one she actually wanted to try.

She could have just asked. He has offered several times now to make her something, or present the adjustments to a recipe that she suggested. But she can't take him up on that offer...for some reason. She'll think about it, and then lose her nerve.

The door to the examination room opens and in walks Gilgamesh, tall and broad shouldered and confident. He has a huge grin on his face, which is a stark contrast to the contestants who walked in with tears in their eyes. He shifts his dish on his palm so he can wave at her.

Thena almost waves back, but it turns to a flinch as his tray starts to tilt. "Gil-!"

"Whoa!" he startles, catching the silver cloche and adjusting the platter loudly. "Sorry, that was close!"

Ajak presses her palm over her eyes.

Thena sinks back into her chair (she didn't even realise she had risen in reflex to the scare). She clears her throat, tugging at her skirt. "What are you presenting, Gilgamesh?"

"Well, the name of the dish officially is Liquid Gold," he grins as he sets the platter down on her white tablecloth. He pulls the cloche away, "but I did think about calling it Breakfast of Champions."

The room is silent in reaction to the dish. Sitting in front of her for judging in a fine dining setting is...an egg--a singular egg in an egg holder in the middle of the plate.

Thena leans forward examining it closer. Her brows knit and she looks up at him. He's still beaming, though, and it's a little too infectious to ignore. She feels the corners of her lips tug, "what have you done?"

Gilgamesh leans in too, eager to watch her cut into the dish. "I took a chance--I hope you like onigiri."

Thena pokes at the outside of the 'egg'. The rice is perfect and fluffy, but shaped into an egg, which is renowned for being a deceptively difficult shape to construct. She pulls it away and indeed, inside, is liquid gold. She inhales.

Gilgamesh hangs on her every reaction, practically wagging his tail in his eagerness.

Ajak steps towards them, "Gilgamesh, do you want to...?"

He shakes his head though, "after she's had her bite."

Her bite--her one bite, for which she has become infamous. Because she has to taste so much in a day she has come to dislike so many foods. Because she can never just sit down and enjoy a meal. Because she's the most frightening critique student to come out of this school.

Thena pulls her bite to her lips and gasps. Her eyes go wide and she feels as if she's sinking into a warm chicken broth. The dish oozes, just like a soft boiled egg, but the grains of rice fall to the plate below and instead of egg yolk, there is a silken chicken broth dripping out, thickened like a creamy soup.

It makes her feel like a little girl digging into a soft boiled egg in her grandfather's garden. It tastes like a comforting chicken dumpling and a risotto and a breakfast dish all at once. She chews the rice and feels like when she would eat plov (pilaf) after a cold day outside.

She takes another bite, and then another. The dish is small anyway, and she wishes it weren't. She even moves her fork in the bottom of the egg holder to get every last grain of rice within. She licks her lips and sighs, leaning on the table. "It's perfect."

Ajak's jaw is hanging open.

But Gil is looking at her with pure joy on his face, "you think so?"

She nods, feeling as if she's tipsy (she doesn't drink). She taps her finger against the gold rim of the plate. "Tell me about the dish."

"So, I thought, well, what's the most important meal of the day?" he begins rhetorically, and maybe it's because she's in such a good mood that she finds it so charming. Or maybe it's just Gilgamesh. But he gesticulates as he speaks, and she wonders if anyone will mind if she licks the inside of the egg cup. "And then I think, what's my favourite thing to have for breakfast?"

She raises her brows at him, and this is no longer her interviewing him for the competition. It might never have been that. "You have onigiri for breakfast?"

"I do a lot of cooking in the day, I really value a quick meal I don't have to do anything for myself," he shrugs shamelessly. She thinks he's funny. "Anyway, I was thinking of what fillings of onigiri there are, and then I thought about dumplings and their fillings, and then I thought about how chicken dumplings are totally underrated. Then-"

"Gilgamesh," Ajak interrupts him, and Thena has never felt annoyed with Ajak before now. "More concisely, please."

"Right, sorry," he offers a more sheepish smile and holds the silver cloche of the platter against his chest. "Liquid Gold is inspired by eastern and western traditions of a self contained meal. It's all the warmth of a perfect egg with the complexity of a xiaolongbao. The 'egg' is composed of rice I seasoned with just a little sesame oil and rice vinegar, and the 'yolk' is actually a homemade chicken stock concentrated down with a little traditional seasoning, as well as some curry and all-spice, to be gentle on the stomach, then made into a gelatin so it can melt out of the egg when you cut into it."

Thena wishes she could stand up and clap for him.

"I know it's a simple concept, and maybe I'm taking a bit of a risk," he admits, some shyness coming over him. "But I thought...what would someone want to eat? What's something that would be comforting, but also nice to eat, whether it's first thing in the morning or...after a bunch of other dishes."

Thena blinks. He took into account that he was last on the roster for judging. Had he really taken into consideration how she would feel after tasting all the other entries?

"I just wanna make food that makes people happy," he concludes softly, shrugging his shoulders as if he hasn't created a truly unique and inspired dish.

She could cry with joy, she liked it so much.

"Thank you for having me," he concludes, as did the rest of the contestants. He bows to her and Ajak, then to the other supervising teachers present.

Thena wishes she could ask him to make this for her again, but just sits there as he walks out. When he closes the door, she dabs at her eyes. She has truly been moved to tears by his cooking, and she didn't even get to tell him.

She publishes her review the next day in the school newsletter.

The very idea that culinary practice requires its own form of criticism is, in itself, arrogant. Who are we to declare that the simple act of eating and enjoying food is subject to validation given by a privileged few? The purpose of food is to be eaten, and I believe that any cook worthy of being called Chef would say that they want to make food which people will enjoy.

Liquid Gold is, in every sense, food to be enjoyed. It is the perfect dish, small but rich, comforting but exciting, engaging but familiar. The promise of a liquid centre of chicken bouillon is enough to make Midas a jealous man, encased in rice capable of transporting anyone back to the kitchen of their most beloved memories.

Brought to life by a chef named Gilgamesh, I am no match for it. It does not require a perfect palette to enjoy this dish. Nor does anyone need to have refined tastes to love eating it. This charming little 'egg' exists only to evoke complete infatuation with its simple charms.

Once upon a time, many of us were told that love is a secret ingredient to any meal. With Chef Gilgamesh, this may well prove true. Love is palatable in this dish, and within all dishes of his making. And I expect the world over to fall in love with this dish as I have, created by the best chef ever to be taught within the halls of the Celestial Institute of Culinary Studies.

[dancewithmejustforthehellofit]

aRGH i finally got a job offer (kinda?) and now i'm existing in this weird limbo for the foreseeable future!!

[steakout-05]

being real for a second if i had an actual fictionkith/fictionhearted list, Fluttershy would absolutely be on there. like. she is so me. she is just like me. we both have a love of animals, we like having a cosy and relaxing atmosphere to stay in, we have really terrible social anxiety and deeply traumatising childhood social experiences, we have trouble being assertive because of those experiences, we probably both have a huge crush on pony Q (i know i do lol), it's all there. she's so me she's best pony <3

[lunasilvis]

when i'm in barcelona i'm gonna try freaky local catalan dishes. solo journeys are my church

[stuck-in-the-ghost-zone]

its so painfully obvious that a lot of these people have genuinely never experienced a better piece of media. it makes me sad fr. like. guy who has only ever seen the dream smp "getting a lot of dream smp vibes from this" im begging you to please go watch a horror movie from the 80s. go read a goosebumps book or a creepypasta for gods sake .

[todayisafridaynight]

so when's the arakawa family matcha preparation analysis dropping

arakawa and sawashiro prepare it right and properly yk: they'll warm the bowl and the whisk and dry off the bowl, put only a scoop or two of matcha, and they whisk it using the back-and-forth motion. they do the whole bit where you turn the bowl and drink it in three and a half sips

ichi tries to do it like arakawa, but sometimes he'll skip past warming the whisk and might just do the bowl. he's a bit heavy on scooping and always puts a little more than what's probably good enough. he's a chronic zigzagger when mixing and is more aggressive than he should be. at the very least he doesn't make a huge mess. ichi'll try to drink in three and a half sips, though it usually ends up being two or three.

masato generally does it the same way as his dads, but he'll use a metal sifter to break apart his matcha and he'll tilt the bowl a bit

mitsu's like ichi in being heavy-handed with scooping and mixing, but he'll still mix with a back-and-forth motion like everyone else. unlike ichi though, he's more consistent in remembering to warm everything up- though he doesn't always dry off the bowl

[sabakos]

By a strange series of events, you are put in charge of a university's gen Ed "philosophy" program; what reading do you assign?

So the responsible thing to do here would be to make a well-balanced list of books that covers the "History of Ideas" in the West from Homer to Heidegger. But that's a well-travelled path and I'm assuming that this strange series of events does not presume any sort of responsibility on my part.

So instead, I'm taking the opportunity to recruit a bunch of unwitting "Great Books" undergrads to revive a philosophical movement that died out in the 6th century when Justinian effectively banned it.

Year 1

In the first year, students will develop a mastery of the ancient greek language, with a focus on texts that cover broad topics that do not require much prior knowledge or background, using Simplicius' commentaries as textbooks that can provide any needed context.

Semester 1

Language

Hansen and Quinn - Greek: An Intensive Course

Liddell, Scott, and Jones - A Greek-English Lexicon

Xenophon - Anabasis, Hellenica, Cyropaedeia, Memorabilia

Herodotus - Histories

An Introduction to Logic

Porphyry - Isagoge

Aristotle - Categories, On Interpretation

Simplicius - Commentary on Aristotle's Categories

An Introduction to Ethics

Pythagoras - Golden Verses

Hierocles - Commentary on the Golden Verses

Epictetus - Enchiridion

Simplicius - Commentary on the Enchiridion of Epictetus

Semester 2

Language

Georg Autenreith - A Homeric Dictionary

Homer - Odyssey, Iliad

An Introduction to Platonism

Theon of Alexandria - Mathematics Useful for the Reading of Plato

Anonymous Prolegomena to Platonic Philosophy

Plato - Alcibiades I, Gorgias, Phaedo

Porphyry - Sententiae

An Introduction to Physics

Aristotle - Physics, On the Heavens

Simplicius - Commentary on Physics, Commentary on the Heavens

Year 2

In the second year, students will translate the major works of Euripides and Aristophanes and work their way through the majority of the Iamblichean curriculum. Readings may be supplemented by Plotinus' Enneads where relevant as time permits.

Semester 1

Language

Hesiod - Works and Days, Theogony

Homeric Hymns to Demeter, Apollo, Aphrodite, Hermes

Euripides - Alcestis, Medea, Hippolytus, Andromache, Hecuba

Aristophanes - The Acharnians, The Knights, The Clouds, The Wasps, Peace

Platonic Logic

Heraclitus - Fragments

Anonymous Commentary on the Theaetetus

Parmenides - The Way of Truth

Plato - Cratylus, Theatetus, Sophist, Statesman

An Introduction to Theology

Damascius - On First Principles

Aristotle - Metaphysics

Alexander - Commentary on Aristotle's Metaphysics

Syrianus - Commentary on Aristotle's Metaphysics

Semester 2

Language

Pindar - Odes

Euripides - Trojan Women, Phoenician Women, Orestes, The Bacchae

Aristophanes - Thesmophoriazusae, Lysistrata, The Birds, The Frogs

Menander - Dyskolos

Platonic Ethics

Plato - Philebus, Symposium, Phaedrus

Damascius - Lectures on the Philebus

Introduction to Pythagoreanism

Iamblichus - On Pythagoreanism

Nicomachus - Introduction to Arithmetic

Sallustius - On the Nature of the World and the Cosmos

Year 3

The third year focuses on the "Perfect" Dialogues - each semester consists of a single course focusing on a single major Platonic dialogue. Students will work their way through the Proclean commentaries on each and write their own commentary on the Parmenides.

Semester 1

Plato's Timaeus

Plutarch - On the Generation of the World-Soul in the Timaeus

Alcinous - Handbook of Platonism

Proclus - Elements of Physics

Plato - Timaeus

Anonymous - Timaeus of Locri

Proclus - Commentary on Timaeus

Semester 2

Plato's Parmenides

Proclus - Elements of Theology

Plato - Parmenides

Proclus - Commentary on Parmenides

Proclus - Platonic Theology

Year 4

Students will learn the basics of allegorical interpretation from Porphyry, Philo, and Cornutus, and then apply this knowledge to the plays of Aeschylus and Sophocles, using Proclus' Hymns, and work on the Republic as a model. This year also provides a brief background into the historical practice of theurgy.

Semester 1

Introduction to Allegorical Commentary

Porphyry - On the Cave of the Nymphs, Homeric Questions

Philo of Alexandria - Questions and Answers on Genesis

Cornutus - Compendium of Greek Theology

Introduction to Theurgy

Plutarch - On Isis and Osiris

Hermes Trismegistus - The Perfect Discourse, The Pupil of the Cosmos

Porphyry - Letter to Anebo

Iamblichus - On the Mysteries

Julian - Hymn to the Mother of the Gods

Semester 2

Political Philosophy

Plato - Republic

Proclus - Commentary on the Republic

Drama, Theurgy, and Allegory

Proclus - Hymns

Orphic Hymns

Aeschylus - Oresteia, Persians, Seven Against Thebes, Suppliants

Sophocles - Ajax, Antigone, Oedipus Rex, Philoctetes

[weareuniqueandimportant]

EH... THAT WAS A PRETTY WORTHLESS 5 HOURS... THE COMMENTS ARE ALL VIRGINS... SOMEONE NUTTED OR SOMETHING THINKING THAT WILL ASSERT SUPERIORITY ON HER OR SOMETHING LOL... ABUSER BIGOT LOSER CRYING STOP TAKING THE THING THEY TAKE SERIOUSLY SERIOUSLY WHILE TAKING THIS VIDEO SERIOUSLY... SHE'S WORTHLESS HERSELF... ONLY OUR FEELINGS MATTER NOTHING ELSE IS RELEVANT... THIS IS SO BORING AND BIGOTED... SHE'S SUPER LAME... HARUMI IS THE VICTIM TBH... THE MAIN CHARACTERS ARE ALL EVIL ALL THE BIGOTED THINGS ABUSER BIGOT LIKE THE SERIES... THEM OR OVERLORD THAT DOESN'T MATTER WHO'S THE ONE MANIPULATING HER... WHICH BTW IS WHAT THE MAIN CHARACTERS ARE DOING... AS IS EVERY SINGLE ABUSER FAN OF THIS EVIL CARTOON... WE WILL WATCH ANOTHER EPISODE ONLY ONCE THEY PUSH THESE LOSERS TO THE SIDE AND SAY THIS STORY ISN'T ABOUT THEM ANYMORE WHILE INTRODUCING SOME LOVELY BRAND NEW MARY SUES THAT REPRESENT EVERYTHING IN A WOMAN SHE CLEARLY DESPISES... SHE'S A MISOGYNIST HERSELF... INFACT A SEXIST BIGOT QUEERPHOBIC BIGOT ABLEIST SANIST PARAPHOBIC RACIST ALL THE BIGOTED THINGS ABUSER BIGOT... I CAN'T BELIEVE THERE'S ITEMPHOBIA TBH... AND THIS ENTIRE MESS WAS ALWAYS DESTINED TO BECOME ONE... THAT'S WHERE EVERYTHING BEGINS... CAPITALISM... THE COMPANY... THE WRITERS... THE PEOPLE THAT APPROVED THEM... WHATEVER THEY BASED THIS ON... THEY NEVER CONSIDERED ANY GROUP... THEY NEVER CARED ABOUT ANYONE... THEY DIDN'T PLAN ANYTHING FOR THESE LACKING CHARACTERS AND ONCE THEY ADD THINGS TO THEM THEY JUST KEEP GETTING MORE AND MORE SEXIST... HER FAVORITE SEASON IS ASS HER FAVORITE CHARACTER MOMENTS ARE ASS... TORWARDS THE END OUR EMOTIONS WATCHING WERE MURDERED THEY DIED THEY WERE NO LONGER THERE... WHAT HAPPENED WITH OTHER CAPITALIST CASHGRABS LIKE THOSE MARVEL MOVIES... THAT HAVE NOTHING WOKE ABOUT THEM TBH BESIDES THE BANGER THE MARVELS... A NARRATIVE ABOUT HOW YOU SHOULDN'T CHANGE ANYTHING BECAUSE ABUSER BIGOT DON'T WANT YOU TO...